#and since i will never write and can't really draw it

[magpies-gold]

I have both eyes and they're both technically functional but I still relate to a lot of this because I also have monocular vision. In my case, the problem is with my brain, actually. It can only process images from one eye at a time because of a defect when I was born that required surgical intervention. Even after the fix, my brain just never learned that I still had two eyes, so it has no capacity to combine the image data like normal people do. As a result, I have no depth perception and I have a dominant eye that I use 90% of the time.

I also have visual snow that's especially noticeable when I close my eyes and at night in the dark, but as there isn't a lot of research on visual snow, I'm not sure if that's related or coincidental. In case people want to know a bit more about life as a person with monocular vision in a two-eyeballs kind of situation: I have a weird trick that I can do that seems to astound folks with binocular vision: I can consciously switch eyes. It's like flexing a muscle and I can decide to use the left one or the right in the same way that I can choose to wave my left or right hand. Trying to use both at the same time just doesn't work, though. If I really try, there's just this pressure feeling in my head, like I'm trying to imagine a colour that doesn't exist, but I can't make the two work together at all. This is likely just a me thing but my non-dominant eye is much worse than my dominant eye, and its been getting worse over the course of my life. It's still useful, but extremely near-sighted, so much so that it alone is legally blind and makes my optometrist and all their staff wince. But I can read very, very tiny close-up writing with it, so it comes in handy when I'm doing things like reading. My dominant eye is a little near sighted but not much. It's pretty stable. Also probably just a me thing: I have one lazy eye, but it relates to the monocular vision. It's my dominant one. If I use the non-dominant eye, you can actually tell when I've switched to it because my dominant eye "switches off" and rolls a little bit up and out. It was worse when I was a kid (my mom saying "Meghan, are you looking at me?" was a common thing) but it still happens nowadays. My non-dominant eye isn't lazy, so when I'm looking around normally with my dominant eye you can't tell that there's anything different about me than your average Joe. It's a mostly invisible disability for me (and I still feel strange calling it a disability because it's just how I've always seen, and yet here I am making a list of complexities regarding my vision, so....) A final possibly-just-me thing is that I hold my pencil like a space alien and always have. The reasoning I've given since I was a kid was because of which eye I use, I wouldn't be able to see what the end of my pencil was doing if I were holding it "correctly", so I draw and write like this:

(Video here, if you want to see the rest of that: https://www.tumblr.com/magpies-gold/699322866172346368?source=share) Can confirm from the above that head-tilt is a thing when one has monocular vision, even with two eyes. Because of the head tilt, I also get people startling me on my non-dominant side a lot, possibly because with my "blind" side tilted back and away from what I'm looking at, they think I'll see them sooner since that eye is closer to looking behind me. Therefore they don't think they're sneaking up on me. That is, right up until they appear, as if by magic, in my field of vision and I go AAAA!

Depth perception problems that I personally encounter: I don't drive so I don't have a lot to add there except that trying to learn scared me too much to proceed. I was not comfortable with how much slower my reaction time was on my left side or how I couldn't accurately judge where exactly objects in front of me were, so I gave it up in my teenage years in favour of a good pair of sneakers and a transit pass. But I will loudly say that going down stairs sucks. I am very opinionated on how much I love and appreciate when stairs have the bright yellow stripe at the edge, or some other marker to aim for. If stairs are all one uniform colour I am hesitant as hell putting my feet down because I can't tell how far a drop it is. I'm slow on descents on unfamiliar stairs and I desperately need the railing to hold on to. Going up stairs isn't bad because I have other visual cues to help me, and I'm much faster there. I also don't do well on really uneven terrain, like the rocky shores we have on beaches here. Watching my fiancé go hopping and skipping over rocks like a mountain goat gives me light wistful despair because I know if I tried that I would miscalculate almost immediately and break all my bones. My tactic is to get low and go slow if I have to cross anything where distances get tricky to guesstimate. I become a crab. I also have friends who know to slow down and will also let me hold their hand (bless). I do have peripheral vision ghosts on the non-dominant side even with two eyes. The most common thing I see is ghost cats. I'll see my cat jump up on a counter in my peripheral vision only to turn and find nothing there. Sometimes my brain will also suggest there might be a person walking in my peripheral vision. It's just overcompensating for what it has to fill in the blanks on. I can't catch things that are thrown at me except by sheer luck. Sports like baseball and badminton were brutal in high school and I got into many a verbal confrontation with my teacher while trying to explain that I had a very good reason to be afraid of the projectile coming for my face. I told him more than once to go close one eye and try it for himself and see what it's like. No peeking! I can't peek. Similarly, I can't fly a drone. I learned that very quickly when I accidentally flew Tim's full tilt into a wall. Oops. >> Drone was okay. I, on the other hand, was absolutely boggled by how I just could not tell where it was in space until boom, I'd crashed it. And that's because another thing is that I was personally born the way that I am, so I'm fully acclimated to it. I know nothing else, and I don't notice all the micro calculations that I do to translate my 2D view into 3D space so that I can move around in it. At least, I don't until I have a situation where the object I'm working with suddenly has no context, like a drone in mid-air, and then I suddenly notice my limitations. 3D movies largely don't work for me. They're basically just regular 2D movies involving stupid glasses. -shrug- Finally, video games with a lot of icons around the edges of the screen are a nightmare for me because I can't see all of my monitor at once. Again: slow as balls reaction time because I have to re-calibrate and turn my head a lot. The concept of a wide-screen monitors makes me go "Jesus, why?"

writing advice for characters with a missing eye: dear God does losing an eyes function fuck up your neck. Ever since mine crapped out I've been slowly and unconsciously shifting towards holding my head at an angle to put the good eye closer to the center. and human necks. are not meant to accommodate that sorta thing.

[sage-nebula]

This has been spinning around in my head since I watched season 2 arc 1, and I can't refrain from putting it down to post anymore.

In season 1, Jayce and Viktor get into a fight when Viktor evades the blockade to go speak to Singed in Zaun. During their fight, Jayce snaps at Viktor that he didn't know that Viktor's friend was from the undercity, and when Viktor asks why that matters, Jayce says the above: [people from the undercity] are dangerous (earlier he had also said, "there are people down there who seem hell-bent on destroying us!"). That's when Viktor grows cold, reminding Jayce that he is from the undercity, and even after Jayce apologizes, Viktor knocks his hand away, choosing to stand up on his own.

In season 2, chembarons hired by Ambessa (though no one knows that at the time) attack the memorial for the dead council members. In the aftermath, Caitlyn calls them animals. Notably, Vi shows no reaction at all to this; she doesn't so much as flinch at Caitlyn's word choice. Instead, while she does downplay what happened to an extent ("they wanted the spectacle, they're trying to scare you"), what's notable is that she separates herself from the people of Zaun. This is especially notable when she tells Caitlyn to call off the invasion, because of the risk it poses for those not from Zaun:

"Down there, you'll be on their terms."

Viktor seems to have pride in the fact that he is from Zaun. He has love for his home. As difficult as life was there, as much as the pollution led to his illness and disability, he has no shame that he's from Zaun and he still sees value and has love for the people there. This is why, when Jayce writes the Zaunites off as "dangerous", Viktor grows cold. He is no different from them, in his mind; if they're dangerous, then so is he.

Vi is . . . different.

In season 1 arc 1, Vi expresses to Vander that she has bought into and believes that those in Piltover are more than those in Zaun:

Now, here, Vi is still grouping herself in with the rest of Zaun. But there is a level of self-hatred (and hatred for one's home) that we don't see in Viktor. Viktor doesn't see himself as lesser than those in Piltover. He doesn't see the Zaunites as lesser than those in Piltover. Vi, however, does. She states this as if it is a fact. And while she loved her family, and has parts of Zaun that she likes (e.g. Jericho's food), it's worth noting that at the end of season 1 episode 1, she isn't telling Powder that they'll liberate Zaun, or fight for Zaun, or anything like that. Instead?

"This city's gonna respect us." This city. Not our city. Here is the first moment we see in which Vi puts some separation between herself and the rest of Zaun. She wants to make them respect her (and Powder). Even if she's less than those in Piltover, she still sees an opportunity for herself to be above those in Zaun.

All of this is to say that, when she has no reaction to Caitlyn calling Zaunites "animals", when she refers to them as "they," when she refers to Zaun as "their terms" . . . ultimately, it isn't too surprising. Vi represents a type of person who does exist in marginalized groups: the self-hating type, who hate others in their group for "drawing aggression" or "negative attention."

Think about queer people, for instance, who hate those who are flamboyant or open about who they are and who they love. The ones who think, "If we just assimilate more, be less of a bother, be less obnoxious, then the queerphobes will accept us." Obviously, other queer people find this type of person extremely frustrating, sometimes even infuriating, because we know that it doesn't matter what we do or how we act; bigots will never accept us.

But what we should understand, and extend compassion for, is that self-hating marginalized people are that way because it's a defense mechanism -- a survival mechanism, really. They can't square why bigots hate them, so they reach for any kind of explanation they can find, even if that explanation ultimately blames others in their own group and does more harm than good. Not to mention that hating yourself for who you are is often a result of long-term, systemic abuse -- the exact same kind of abuse that comes from living under an oppressive regime that murdered your parents and will assault you at any given opportunity, even for something as petty as your little sister miming shooting them with finger guns.

Vi says that she, "grew up knowing [she] was less than them." This is extraordinarily damaging to the psyche, and Vi's self-hatred -- and the extension of that hatred toward Zaun, not wanting to save them but wanting to make them respect her -- is a trauma response to that. One that Viktor, obviously, doesn't share (and neither does Ekko, or Jinx) -- but everyone reacts to trauma differently.

The point is, we saw shades of this already in Vi's childhood; her statement that she's less than topsiders, but that she wants those in the undercity to respect her. So when Caitlyn calls the Zaunites animals, Vi doesn't flinch. She agrees. And she speaks of them as separate from her, because Caitlyn has already designated her as one of the good ones (reinforced to her by what Maddie told her Caitlyn said right before the memorial), and because, well, those who attacked the memorial did do something horrible. And maybe if they wouldn't do that, and maybe if Jinx hadn't blown up the council building -- maybe if they were better behaved -- then the enforcers wouldn't have to invade and do what they were about to do, now would they? Those in Zaun -- or at least those in Zaun who decided to strike against Piltover -- brought it on themselves, so Vi isn't with them. She's with Caitlyn, and is okay with referring to them as animals.

It's interesting to think about.

[wholoveseggs]

Dark Star {Part One}

18+ ---- {Masterlist} {Tag-List}

Part One

{Elijah Mikaelson x f!Reader} Bound by love that defies centuries, Elijah Mikaelson will do whatever it takes to resurrect his lost wife. Even if it means forsaking everything he believes in. Once the north star guiding his family, his shattered heart now leads him down a darker path, transforming him into a version beyond redemption. A damned soul, drawing his family into an abyss they may never escape.

♡♡ Hello my lovely followers! This will be a six part series inspired by @njeancastro316 post about red door Elijah (Girl, I've been writing this non-stop since you tagged me! thank you for the inspo). I really put my whole heart into this one, {I even made a playlist to capture the vibes} exploring the depths of Elijah's character and his struggle between love and darkness. Enjoy! && expect pain... ♡♡

6.8k words - Warnings: angst, angst and more angst, grief, heartbreak, intense violence, red door Elijah, emotional turmoil, so much Mikaelson family drama {the whole gang is here && some faves from Mystic Falls will show up later}, No smut in this part, but prepare for plenty of darkness... oh! && croissants...

{Part Two}{Part Three}{Part Four}{Part Five}{Part Six}

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@myanmy @xflowerbombxo @maryvibess @always-and-forever-daydreaming

@spnaquakindgdom @amournoir @meeom @damienmorton @wickedmuse

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@loving-and-dreaming @fancycassie-stayfancy @hcqwxrtss123 @iamawkwardandshy @ziayamikaelson

@absolutemarveltrash @darkened-writer @nina6708 @evasmlp

@madeinmyownmind-blog @lovelyy-moonlight @blacknightrises @poppet05 @sweetieseven

@xoxo-shy @nova-j @decaffeinatedparadisepost @fandom-princess-forevermore

Prologue ~ Europe 13th Century

"This way!" A boy laughed as he darted beneath a low-hanging branch. Behind him, a small girl hurried along, lifting her skirt to keep up, her breath catching in short gasps.

"Slow down! Wait for me!" she called, tripping over roots and brambles in her haste. "I can't run as fast as you!"

The boy glanced back, grinning. "Then hurry, will you."

"We ought to be home by now." She replied, frowning.

"We are almost there," he replied, leaping over a fallen branch before turning to face her, eyes gleaming. "We can get home quicker through the woods."

"I don’t like it," she murmured, clutching her skirt tighter. Shadows crept over the path as the sun sank lower, casting an orange glow through the dense branches. "The hour grows late."

The boy shook his head, catching her hand with a reassuring squeeze. "We’ll be fine. It’s only a short way."

Reluctantly, she nodded, holding onto him. "If anything ill should happen, I’ll tell Mother."

He only laughed, tugging her down the narrow path. "If something ill happens, you may not get the chance!"

Their laughter echoed in the stillness as they raced ahead. The trees grew taller, their branches clawing toward the darkening sky, while thick underbrush crowded the trail, rustling with each step. Yet the children, lost in their game, scarcely noticed, laughing and squealing as they chased one another.

Then, a sound, a subtle, almost a whisper, seeped through the quiet. The girl stopped, clutching the boy’s arm. “Did you hear that?”

“What is it?”

“Shh,” she hissed, pulling him closer, her wide eyes searching the shadows. "Listen."

They stood in silence, the air heavy and still, broken only by their own quickening breaths.

“It’s nothing. Perhaps a deer-”

“No, it’s more than that,” she whispered. Somewhere ahead, faint and distant, came the flicker of firelight. And with it, laughter. Wild and strange.

“What is that?” the boy asked, his voice barely a breath.

“Quiet,” she said, creeping forward, pulling him toward the light.

They peered out from behind a tree, breath catching at the sight before them. A great fire blazed, roaring into the sky as shadows twisted around it. Two figures danced wildly around the flames, naked, their skin smeared with red and ash. Their laughter, sharp and otherworldly, pierced the night air.

The girl’s scream barely escaped her lips before the boy’s hand clamped over her mouth, pulling her back. They stumbled, clutching one another, then turned and fled, racing down the trail as fast as their little legs would carry them, branches clawing at their clothes.

By the time they burst into the village, their faces were pale, their breaths ragged. Villagers gathered around as the children stumbled forward, pointing frantically toward the woods.

“Demons!” the girl gasped, clutching at the skirts of the nearest woman. “They’re out there! In the forest!”

There was a hushed sadness over the compound. The lights seemed to have dimmed, and the atmosphere hung heavy, cold and suffocating. It had been that way since the night Elijah found your lifeless body on the cold pavement. The night that changed everything.

Rebekah didn’t like it here anymore. Her home felt more like a tomb than a residence. It was too quiet, too full of memories and emotions too painful to confront. Her big brother was suffering, and there was nothing she could do to help him.

She found Klaus sitting in the courtyard, staring blankly at a chessboard. The pieces were scattered, mid-game, but his focus seemed to drift in and out. Normally, this contemplative silence from him made her nervous, but today she couldn’t muster the energy to care. The weight of everything was too much.

“Any news?” Rebekah asked, her voice barely a whisper.

Klaus didn’t move, didn’t speak at first. He shifted a chess piece absentmindedly and shrugged.

The sound of Marcel’s footsteps echoed through the stillness of the courtyard. She felt one of his warm hands rest gently on the small of her back, and she leaned into him, drawing comfort from his presence.

“I’ve been asking around. Only lead I have is that he’s somewhere in Europe,” Marcel said, his voice sounding hollow.

“Well, where in Europe?” Klaus finally spoke, his gaze never leaving the board.

“Don’t know. Haven’t pinpointed his exact location yet,” Marcel sighed. “But he’s been killing low-level Strix members, leaving bodies in his wake.”

Klaus scoffed softly, moving another piece on the board. “Keep looking,”

“You almost sound like you care,” Rebekah hissed, glaring at him.

“Don’t start with me, little sister,” Klaus warned, his voice low and sharp.

“Elijah has always been there for us,” she snapped, “And when he needs our help, where are you? Sitting here, playing chess with yourself.”

Klaus’s fist slammed down on the chessboard, sending the pieces flying across the table. He stood abruptly, stalking toward her, his eyes blazing. But Rebekah didn’t flinch, didn’t step back. She held his glare with her own, unrelenting.

“What do you want me to do?” Klaus roared, his voice cracking as his anger gave way to the grief simmering beneath. “Tell me, Rebekah. How do I fix this?”

“I want you to find him!” she screamed, tears stinging her eyes. “He’s our brother, Nik!”

Klaus’s shoulders slumped. His rage deflated, leaving him hollow. “I don’t know how to fix this, little sister,” he admitted quietly.

Marcel cleared his throat, stepping forward. “Maybe we should give him some time. Let him mourn her.”

“He’s not mourning, Marcel,” Klaus growled, clenching his jaw. “He’s murdering. He hasn’t even accepted that she’s dead.”

Rebekah and Marcel exchanged worried glances.

“We can’t just let him destroy himself,” Rebekah argued, her voice breaking. “Wherever he is, whoever crosses his path... they’re doomed. He’s out of control.”

“He’s changed,” Marcel muttered, rubbing his temple. “I’ve never seen him like this. So violent, so volatile.”

“That’s why I’m worried, Nik,” Rebekah said, her tone deadly serious. “If he’s not stopped, the Elijah we know will be gone. He will become a monster.”

Klaus looked down at the shattered chess pieces scattered across the table. “We are monsters, Rebekah,” he whispered, his voice raw.

“No, Nik,” she said, her voice trembling. “Not like this.”

Klaus remained silent for a moment, then lifted his gaze to meet hers. “Suppose someone took Marcellus from you. What would you do?”

“I would raze this earth and dance on the ashes,” she answered without hesitation, the fire of her love and loyalty burning bright in her eyes.

“That’s what he’s doing,” Klaus said darkly.

“Yes,” Rebekah agreed, “but Elijah would come for me. He would find me, and help me, keep me from losing myself. Now he’s the one who needs help.”

“How do we stop him?” Marcel asked, though his voice was laden with doubt.

Klaus shook his head slowly. “We don’t.”

“Nik…” Rebekah started, her voice pleading.

“We contain the damage,” Klaus cut her off, the steely resolve returning to his voice. “I’ll go to Europe. I’ll bring him back.”

Rebekah exhaled, relief flooding through her, and she pulled Klaus into a tight hug. She didn’t say anything, just held him as though her arms alone could keep the family from falling apart. He hugged her back, and for a moment, the cracks in their family seemed to close.

Marcel stood behind her, placing a hand on her shoulder and squeezing gently.

When she finally pulled away, Rebekah gave her brother a sad smile. “Be careful.”

Klaus nodded. “I will.”

His eyes flicked to Marcel, and the two men exchanged a knowing look. They both understood how dangerous this was. That if Elijah couldn’t be saved, they might lose him forever.

Or worse... they might have to put him down.

Two members of the Strix walked side by side, their steps echoing off the marble floors. One glanced around nervously, eyeing the high-tech security measures surrounding them, cameras in every corner, reinforced steel doors, layers of magical barriers.

"Is this really necessary? I can't stand being cooped up here. What's the point?" the taller vampire complained, his voice echoing through the empty corridor.

"Protocol," the other replied, his tone bored. "You know how paranoid Tristan can be. But I’m telling you, no one's getting in here. Not even him."

"I don’t get it. We had nothing to do with her death. Why are we hiding?"

"He doesn’t know that." The second vampire shook his head, his eyes flicking toward a monitor displaying multiple feeds from around the compound. “And he doesn’t seem to care about guilt or innocence anymore.”

They stopped at a reinforced door, pressing their palms to the scanners. As the heavy doors slid open, the two shared a final glance, the reality sinking in that even their supposed impenetrable defenses might not be enough.

They stepped into the dim room, illuminated only by the flickering light of the chandelier hanging above a long oak table. Strix members filled the chairs, their faces tense and uneasy. They had gathered in secret, far from prying eyes. Whispers of fear and uncertainty drifted across the room, but no one dared to speak above a murmur. The air was heavy with dread, and no one felt safe.

At the head of the table, Aya stood, her sharp gaze cutting through the room like a blade. She had always been the picture of composure, a pillar of strength, but now, her patience was thinning, her power waning, cracks in her armor where fear leaked through. Beside her, Tristan de Martel leaned casually in his chair, an amused smile playing on his lips, as if this was all a game to him. His eyes scanned the room, taking in the faces of his fellow Strix members, reveling in their discomfort.

“We all know why we’re here,” Aya began, her voice cold and steady, but there was an underlying tension to it, like a string about to snap. “Our ranks are thinning, and the reason is no secret.”

A murmur rippled through the room. Heads turned, glances were exchanged. They knew. Everyone knew.

“Elijah Mikaelson,” Tristan added, his voice smooth and casual, as if he were discussing the weather. His eyes gleamed with a cruel delight. “The noble brother has gone rogue. It seems the death of his beloved has… unraveled him.”

"That's an interesting way of putting it," one Strix member commented, his voice dripping with disdain. "He ripped apart fifty of my men, left a trail of bodies and witnesses, it took me days to cover it all up,"

"And how many vampires has he killed since then? Hundreds? Thousands?" another voice chimed in, sounding bitter.

"You're just scared," another vampire challenged, his tone mocking.

"Of course, we're scared. Do you know what he's capable of?" the first vampire hissed, baring his teeth.

"Silence," Aya ordered, her tone icy. The room fell quiet, the air crackling with tension. "We cannot defeat him, nor can we sit by and wait for him to tear us apart. He has lost his humanity, and it's clear that we must take action."

"We have already taken action and all it does is piss him off," the Strix member grumbled, "I have no interest in fighting a losing battle."

"You're a coward," Aya snarled, her eyes flashing with anger.

"What would you have us do?" another vampire spoke up, their voice strained, "We're no match for him."

"Perhaps we should consider a bargain," Tristan suggested, a sly smirk creeping across his lips. "Find the killer, deliver them to him, and save ourselves the trouble of being murdered."

The members murmured amongst themselves, some seeming open to the idea, while others still appeared wary.

"I cannot fathom why someone would be so foolish. Surely the person who did this knows the repercussions," a member said, a hint of fear in their voice.

Tristan's smile widened. "They were foolish indeed, and now they are the most hunted man, or woman, in the world,"

Aya's face was impassive, her mind racing. She had no doubt that Elijah would tear down the world to find his killer, and if the Strix didn't deliver them, he would do the same to their ranks. Tristan's indifference infuriated her. While he sat there with a smile, the Strix were suffering the consequences of his poor leadership.

A soft little cough pulled her from her thoughts, and she looked up to see a small girl standing at the other end of the table. She looked no older than twelve, with delicate features and wide, doe-like eyes. She looked lost, and this wasn't a place you could just wander into.

Other members noticed her presence and got to their feet, the scraping of chairs echoing off the walls. Aya narrowed her eyes, taking in the girl's appearance.

"Who are you?" Aya asked, her voice sharp.

The girl was clearly terrified, her hands shaking, and she looked like a deer caught in the headlights. Aya found it strange. She didn't sense the power of a witch coming off her, she was just a girl, and a very young one at that.

"I-I'm sorry," the girl stammered, her voice barely a whisper, "I don't know why I'm here. I just woke up here and now, I-I'm scared,"

"How did you get in here?" Aya questioned, her voice low and menacing.

"A nice man told me to come here," the girl mumbled, her eyes darting around the room, taking in the tense, hostile atmosphere. "He wanted me to talk to you."

Aya raised an eyebrow. "And why would he want that?"

The girl shrugged, her eyes brimming with tears. "I don't know, please, I just want to go home,"

"What did he look like?" Aya pressed, her voice growing louder.

"He had dark hair, and brown eyes," the girl sniffled, trying to hold back her sobs.

Tristan's jaw clenched, his eyes narrowing dangerously. The room was suddenly silent, the tension now unbearable. Aya stared at the girl, her face an unreadable mask, but inside, her mind was racing.

"What did he want you to say?" Aya asked, her voice quiet, dangerous.

The girl’s breath hitched, her words barely audible. "That... he will give all of you a slow death."

The temperature in the room plummeted, and a cold shiver ran down Aya’s spine. She struggled to hide her unease, but the implication was clear: Elijah had infiltrated their sanctuary.

"A-and that... if I can get in..." The girl gulped, her small voice quaking, "He can too."

The room fell into a suffocating silence as the weight of her words settled on the group. Tristan shot up from his chair, his face dark with fury.

“Lockdown procedures. Now.” Tristan barked, his voice commanding and harsh.

"What about the girl?" Aya asked, her eyes narrowing as she looked at the trembling child. Her instincts told her something wasn’t right.

"Kill her," Tristan spat, his voice cold and merciless. "She’s served her purpose."

The room erupted into chaos. Sirens blared as the compound went into immediate lockdown. The lights flickered, dimming to an eerie glow. The Strix moved quickly, vanishing into the shadows, their bodies blurring as they scattered, heading for safe rooms or exit points.

Aya hesitated for a moment, her gaze still fixed on the girl. She started toward her, but a voice in her head warned her against it. With one last glance, she turned and hurried toward the safe room.

The little girl stood trembling in the darkness, tears streaming down her face. The once-imposing vampires had fled, leaving her all alone in the icy silence.

"It's okay, sweetheart," a voice purred from the shadows, smooth and calming. The girl gasped, her heart racing as she felt a hand on her shoulder, firm yet oddly comforting.

She turned to see a tall man standing behind her, his dark hair framing his sharp features, his kind eyes watching her closely. "Run along now," he said softly, giving her a gentle push toward the door.

The girl nodded quickly, wiping her tears before scampering away, the door sliding shut behind her with a soft hiss.

Elijah watched her go, his kind smile fading as the room returned to darkness. His eyes glinted coldly, the warmth in them vanishing like smoke. Slowly, the veins beneath his eyes darkened, spreading like cracks in the surface of his calm exterior.

He was already inside.

As the sirens echoed, he vanished into the shadows once more, his presence like a gathering storm. And what followed this storm, was pure, unrelenting destruction.

The soft drone of a news broadcast drifted through an abandoned loft, dust floating through the air. The heavy velvet curtains were drawn, the room dark and shadowy, save for the light of a flickering TV. The anchor woman's face was somber, her voice solemn.

“Une tragédie a frappé Paris la nuit dernière... un incendie dévastateur a détruit un immeuble historique, laissant peu de traces de ce qui s’y trouvait. Les autorités locales confirment que l’origine du feu demeure inconnue, mais la rapidité à laquelle il s’est propagé soulève des questions.”

Subtitles scrolled across the bottom of the screen in English: "A tragic accident struck Paris last night... a devastating fire destroyed a historic building, leaving few traces of what was inside. Local authorities confirm that the cause of the fire is unknown, but the speed at which it spread raises questions."

The camera cut to images of the smoldering wreckage. Blackened stone, twisted metal, and fire trucks still spraying water over what little remained.

Elijah wasn't paying attention to the TV anymore; he had his head in his hands, hunched over in a chair, his body wracked with sobs. Bodies were strewn about the room, blood spattered on the walls and floors. A macabre painting of violence and rage. The sight of the lifeless forms weighed heavily on him, a chilling reminder of his own actions.

He didn't know how long he had been there, but it felt like an eternity. Each day blended into the next, the hours stretching into a meaningless void. Days would go by where he felt utterly detached, lost in a sea of grief and loss, and then the anger would return, awakening him to a new trail of bodies. There were so many, too many, and yet it wasn't enough.

“Les témoins affirment avoir vu des ombres avant que l’incendie n’éclate, mais aucune preuve tangible n’a été trouvée. Des sources proches de l’enquête évoquent une possible attaque ciblée, bien que les détails restent flous.”

"Witnesses reported seeing shadows before the fire broke out, but no physical evidence has been found. Sources close to the investigation say there may have been a targeted attack, though details remain unclear."

"You used a child? My love, what has become of you?"

Elijah didn't flinch, didn't react as he felt your arms wrap around his shoulders, your lips pressing a gentle kiss on his cheek. Your voice was soft, tinged with sadness and disappointment. He hated himself for it.

"She's fine," Elijah said, his voice strained, barely able to meet your gaze.

"You don't know that," you sighed, your hands moving to his chest, trying to soothe him. "And you know this isn't the way,"

"There is no other way," he replied, his voice cracking, desperation lacing his words.

"You used an innocent child, one not much older than Hope," you said, a hint of anger breaking through your sadness.

Elijah stiffened. He knew you were right. It didn't make what he did any better, and he felt his self-loathing increase tenfold.

"They killed you; I did what I had to," Elijah defended, but the words felt hollow, a pitiful excuse.

"This isn't the way," you repeated, your voice pleading, "and you don't know who did it, or why. This is all just a guess, a hunch."

He let out another quiet sob, then grabbed his glass of blood and threw it against the wall, the shards falling like crimson rain. He stared at the stain on the wall, watching the liquid trickle down, and he couldn't help but feel a sick sense of satisfaction.

"You have to stop," you whispered, appearing in front of him, your hand cupping his cheek, trying to pull him away from the dark, destructive spiral he was on.

"I can't," he said, his voice breaking, unable to look at you, this ghost haunting him.

"Please," you begged, your hand moving to his neck, gently stroking his skin, trying to comfort him. "I know this pain. It's agony, it's consuming, but I promise you, it will fade."

He pulled you onto his lap, his arms wrapping around you, holding you close, trying to breathe in your scent, to feel your warmth. But he couldn't. You were an echo, a phantom he couldn't grasp.

"You can't bring me back. You know that," you whispered, your voice barely audible, a soft, sad reminder.

He didn't respond, just held you, his fingers digging into your skin, his eyes closed tightly, fighting back tears. He had spent so many nights like this, crying himself to sleep, waking up to nothing, just an empty bed, a cold room, and a hollow, broken heart.

He opened his eyes and let out a gasp as he realized he was clinging to one of the dead bodies on the floor, the vampire's skin gray and decaying, the body long since gone cold.

Elijah released the body and staggered to his feet, his head swimming with despair and self-loathing. His pain and sorrow gave way to anger and frustration, fueling the urge to hurt, to destroy anything and anyone.

"Par ailleurs, une jeune fille a disparu après ne pas être rentrée chez elle. La jeune fille, qui aurait douze ans, a été vue pour la dernière fois dans la zone de l'incendie,"

"In other news, a young girl has gone missing after failing to return home. The girl, who is reported to be twelve years old, was last seen in the area of the fire..."

Elijah snapped, grabbing the TV and throwing it against the wall, the sound of shattering glass echoing through the room. His rage burned bright, a hot, white flame. His heart raced, his breathing ragged, his body shaking with fury.

He wanted to scream, he wanted to kill, but more than anything, he wanted you. He wanted to hold you, to feel your warmth, to hear your voice. He couldn't take it anymore; he was falling apart.

Klaus was never a big croissant fan; he preferred something heartier for breakfast. But here, in France, the flaky pastry seemed to taste infinitely better. Maybe it was the morning sunlight filtering through the café windows or the distant sounds of bustling streets.

He took a sip of his espresso, his eyes scanning the crowded café, absorbing the lively atmosphere. Freya sat across from him, her brow furrowed as she read a spell book, her expression thoughtful.

"Anything in there about wrangling wayward siblings?" Klaus teased, a wry grin playing on his lips.

Freya glanced up, a slight frown creasing her forehead. "That's more your area of expertise."

Klaus let out a huff of laughter. "Fair enough."

Freya’s expression softened, a small smile breaking through. "It will be okay. We'll find him."

Klaus nodded, biting into his croissant, the flakes melting in his mouth. The clatter of dishes and murmurs of conversation surrounded them, along with the distant strains of a busker playing a violin.

"Then what? I’ve never known what to say to him," Klaus said, a hint of sadness in his voice. "He’s always the one with the wise words, not me."

"Honesty is all we have," Freya replied, her tone gentle. "We tell him we miss him, that he’s our brother, and we want him home."

"And that we need to have a funeral, or at least a memorial. Hope is very confused about what happened to her aunt," Klaus added, his gaze drifting to the people walking by the window.

"We'll do it together, as a family," Freya reassured, reaching across the table to squeeze his hand. Her touch was gentle, a lifeline in the turmoil. "He needs to know we’re here for him."

"And if he doesn’t want to come back? What then?" Klaus asked, his voice heavy with concern.

"We will cross that bridge when we get to it." Freya pointed at the spell book, her expression brightening. "I’m looking into ways to calm his mind. Perhaps if he can control his rage, he can start to heal."

"I don’t wish to subdue him," Klaus said, frowning. "He deserves the right to his pain, to grieve in his own way."

Freya’s eyes widened, surprised by his response. It wouldn’t be the first time Klaus had tried to force Elijah or the rest of their family into doing things his way. Yet, despite his brashness, she knew Klaus was a man of deep, powerful emotions, capable of empathy.

"What?" Klaus asked, quirking an eyebrow at her.

"You’ve grown," Freya smiled. "It’s good to see."

"Don’t get used to it," Klaus quipped, taking another bite of his croissant and washing it down with a sip of his espresso. "I wish for us to go back to normal, where I’m the problem."

"You’ll never not be a problem, Nik," Freya grinned, a mischievous glint in her eyes.

"Rude," he scowled.

"But true," she sighed, returning to her book with a smile.

Klaus took another sip of his espresso, his gaze drifting to the TV hanging in the corner. A news broadcast caught his attention, the images of a fire flickering on the screen. He leaned forward, his expression sharpening as he listened intently.

"De nouvelles informations proviennent de l'enquête sur l'incendie du centre-ville de Paris. La police a désormais identifié plus de deux cents corps retrouvés sur les lieux, sans aucune indication pour l'instant du nombre de personnes portées disparues. Il semblerait que les victimes étaient toutes membres de une société privée de conservation d'œuvres d'art, possédant des participations dans plusieurs pays. Alors que les autorités enquêtent toujours sur la cause de l'incendie, il a été suggéré que l'incendie avait été allumé délibérément.”

"There is new information coming in from the investigation into the fire in downtown Paris. Police have now identified more than two hundred bodies recovered from the scene, with no indication yet of how many are still missing. It's believed the victims were all members of a private art curation company, with holdings in several countries. While authorities are still investigating the cause of the blaze, it's being suggested the fire was set deliberately."

Klaus’s stomach dropped, a familiar dread creeping in. The timing was too convenient, and this 'art curation company' sounded like a cover for a secret society. He gestured to the screen, espresso still in hand, splashing a few drops onto the table. "Looks like a place for us to visit, wouldn’t you say?"

Freya looked up, her brow furrowing. "Do you think Elijah has anything to do with it?"

"If this organization is the Strix -sorry, was the Strix- then absolutely," Klaus replied, a grim smile forming on his lips. "Perhaps they gave him the answers he was looking for. Answers we weren’t able to find."

"I can’t imagine it would have been a pleasant reunion," Freya sighed, shaking her head. "I can’t say I blame him."

Klaus’s smile faded. He had tried his best, searching for months through the ashes of Elijah’s rage. He had gone from city to city, country to country, even continent to continent. And now, as he stood on the brink of discovery, he couldn’t help but wonder what condition Elijah would be in when they finally found him.

"Well then, no point in wasting any more time," Klaus said, taking a final sip of his espresso.

Freya nodded, closing her book, quickly downing her coffee before stealing the last bite of Klaus’s croissant, earning a playful glare.

"Oi!" he growled, "I was going to eat that."

"Too slow, brother," she smirked.

Klaus rolled his eyes and stood, tossing a wad of cash on the table without bothering to count. The two of them hurried out, the waiter shaking his head as he picked up the money and Klaus's empty plate.

"Americans," he muttered under his breath.

The site of the fire was a blackened husk, the acrid smell of smoke still heavy in the air. Klaus and Freya walked along the sidewalk, watching the firefighters douse the smoldering remains with water. Distant sirens echoed, a haunting reminder of the chaos that had unfolded.

"Can't believe it's still burning," Klaus mused, a slight frown on his face.

"Must have been quite the inferno," Freya remarked, her expression thoughtful.

"Magic?" he asked, raising an eyebrow.

"No, I don't sense any," Freya said, shaking her head. "Whoever started it didn't use magic."

Klaus glanced at her, a smirk on his lips. "I thought you didn't think Elijah had anything to do with it?"

Freya shrugged. "Maybe he did, maybe he didn't."

Klaus wrinkled his nose, his keen sense of smell picking up the lingering scent of blood beneath all the ash and smoke. Human, vampire, a mix of the two. The fire had raged through the night, burning hot and fast, devouring everything in its path.

"I do sense death, though," Freya murmured, her brow furrowing, her expression darkening. "Lots of it."

"Well, I can't imagine there'll be much left for us to find, considering how thorough my brother is," Klaus muttered, his gaze roving over the ruined buildings, his stomach sinking.

"Why are you so sure it was him?" Freya asked, her eyes narrowing.

"Because I can smell his cologne, no1 passant guardant," Klaus replied, wrinkling his nose.

"Kinda weird that you can smell that, Nik," Freya smirked, giving him a sideways glance.

"I'm a hybrid, love; it's one of my many gifts," Klaus replied, his tone matter-of-fact.

Freya shook her head, a wry grin on her lips, suppressing a giggle as she watched her brother sniff the air, his eyes closed, his expression one of intense concentration.

"Could be someone else with the same taste in cologne; you never know," she teased, nudging him with her elbow.

"It’s very difficult to come by; only a handful of stores carry it," Klaus muttered, ignoring her teasing. "And... she bought it for him just before... you know."

"Ah," Freya's expression softened, her amusement replaced by a mix of sadness and understanding.

Klaus opened his eyes, his gaze sweeping over the destruction once more, the weight of grief settling on his shoulders. He missed you. Your laughter, your wit, the way you could put him in his place. He admired your loyalty, your strength, and how much you loved his brother.

"What are you thinking about?" Freya asked, her voice quiet and cautious.

"Our departed sister-in-law... the cause of all of this," Klaus said, a sad smile on his lips.

"You can't blame her, you know," Freya murmured, her eyes filled with understanding and sympathy. "I miss her too."

"It's hard to be reminded, is all," Klaus replied, a hint of pain in his voice.

Freya gave him a soft, sympathetic smile, her hand gently squeezing his shoulder. "You know... I never learned how they met," she said, trying to steer the conversation toward something less melancholy.

Klaus laughed, shaking his head. "Oh, it's quite a tale, and some parts I'm not privy to. But I can tell you that she was a novice in a convent," he began, a sparkle in his eye.

"A nun?!" Freya exclaimed, her eyebrows shooting up.

"Indeed, although she hadn't taken her vows," Klaus chuckled, amused by the surprised look on her face.

"So, what happened? How did they end up together?" Freya asked, intrigued.

"For all parties involved, it was quite a dramatic affair," Klaus continued, a wistful smile forming on his lips. "But we have more important things to focus on, don't you think?"

Freya sighed, rolling her eyes. "You're no fun."

Klaus let out a huff of laughter and returned to focusing on the scents around him, trying to find a trail, something that might lead him to his brother. He caught the faintest whiff of blood, the scent leading away from the fire, and deeper into the city.

"This way," he said, striding confidently down a street, away from the site of the fire.

Freya hurried to catch up, her long legs making short work of the distance, her boots clattering on the cobblestone streets.

"How can you be so sure?" Freya asked, falling in step beside him, her voice low and cautious.

"I just am," Klaus said, his tone brooking no argument. "That bloody cologne of his is everywhere. No one else has such atrocious taste in fragrances."

"Nik..." Freya cautioned, her tone warning, her gaze flickering to the passersby, making sure no one was eavesdropping. "We don't know what's waiting for us. We can't just charge in."

"I know; that's why you are going in first, my dear sister," Klaus smirked, a mischievous glint in his eyes.

"Nik," Freya protested, her expression indignant.

"Don't worry, I'll be right behind you," Klaus grinned, giving her a playful nudge as they rounded a corner.

The two of them came to a stop outside an old building, its stone façade crumbling, the windows boarded up. Klaus gestured for Freya to go in, and with a roll of her eyes, she did.

"This place is creepy," she muttered, her boots echoing on the cracked tile floor.

"There's blood, a lot of it," Klaus said, sniffing the air, his eyes closed, his body tensed. "Upstairs."

They made their way up an old spiral staircase, the steps creaking under their feet. They reached a landing; the hallway was dark and narrow.

"Down there," Klaus said, pointing at a closed door at the end of the hall.

Freya nodded and slowly approached the door, her senses alert, her magic tingling under her skin. It was eerily quiet; the silence weighed heavy in the air, pressing down on her.

She stopped at the door, her hand hovering over the handle. She looked back at Klaus, his expression calm and composed, but she could sense his nervousness, his apprehension.

"Ready?" she whispered.

Klaus gave her a curt nod. Freya took a deep breath and turned the handle, the door opening with a creak.

"Elijah?"

The two of them were met with the sight of a massacre: body parts strewn across the room, blood splattered on the walls.

Freya gasped and took a step back, Klaus's hand gripping her shoulder. His eyes roved over the carnage, landing on a lone figure in the middle of the room, standing motionless.

"Elijah," Klaus breathed.

His brother was wearing an old T-shirt and jeans, tattered and bloodstained, covered in dirt. His hair was matted and wild, his eyes haunted, the light dimmed within them.

Klaus and Freya stepped inside, careful not to slip on the blood, the floor sticky and wet. They approached Elijah slowly, his gaze fixed on the severed arm in his hand, his eyes dull and lifeless.

"Brother?" Klaus said, his voice barely above a whisper, his hand reaching out.

"You are not real," Elijah murmured, not taking his eyes off the limb, his expression vacant and distant.

"Elijah, we're here," Freya said gently. "It's time to come home."

"I won't be fooled again," Elijah hissed, his grip tightening on the severed arm.

Klaus took a tentative step forward, one arm stretched behind him to protect Freya, the other held out, placating and non-threatening. "We're not illusions, brother," he said softly, reassuringly.

"Freya," Elijah breathed, his head snapping up, his gaze finding hers.

"Yes, Elijah, it's me," she replied, giving him a gentle smile.

He blinked, his eyes flicking from her face to Klaus's, his brow furrowing. "Have you found a way to bring her back?"

Klaus and Freya exchanged glances, their expressions sad and resigned. It wasn't something Freya wanted to do... to tap into such dark magic. She had been searching for you on the other side but found no trace. She believed you had found peace, and to tear you away from that would be a cursed, evil thing, an affront to the balance between life and death.

"Elijah, there's no way, not without consequence," Klaus said, his tone firm, his eyes filled with regret. "We discussed this."

Elijah dropped the severed arm, his hands clenching into fists. "You're wrong. There is a way."

"Elijah," Freya began, but he cut her off.

"Bring her back," he demanded, his eyes burning with intensity.

"I can't," Freya said, her voice quiet and regretful. "I'm sorry, Elijah. She's gone; she's at rest."

"No, no, no," Elijah growled, his hands coming up to grip his hair, tugging at the roots, his chest heaving, eyes wild.

"Brother, she's in a better place," Klaus tried, his tone firm and reassuring. "I think it's time you come home... You need to let her go."

Elijah shook his head, his breathing ragged, his whole body trembling. "No, no, no," he chanted, his eyes darting around the room, looking for something.

"Elijah," Freya murmured, her brow furrowed, her expression concerned. "Please, come with us. She wouldn't want this for you."

"No, no, no!" he growled, his voice echoing off the blood-spattered walls, his face contorted in a mask of rage.

He grabbed a nearby table and threw it against the wall, the sound of splintering wood reverberating through the air.

"Bloody hell," Klaus growled, grabbing Freya and yanking her backward, shielding her with his body.

Elijah lunged at them, his fangs bared, a murderous look in his eyes. He tackled Klaus, sending them both crashing into the wall, the plaster cracking under the impact.

"Nik!" Freya exclaimed, her magic sparking at her fingertips.

"Elijah, you've gone mad," Klaus grunted, shoving him away, sending him careening across the room. "She's dead."

"Niklaus," Elijah growled, his body vibrating with anger, the haunted, hollow look in his eyes replaced by raw, unhinged rage. "Bring. Her. Back."

"We can't, and you know it," Klaus spat, his eyes flashing yellow, his face shifting into the hybrid’s feral features. "She's at peace, Elijah. We need to let her go."

"I won't, I can't," Elijah raged, his body trembling, his eyes filling with unshed tears that threatened to spill over. His voice broke. "How can you ask me to do that?"

Freya’s heart clenched at the sight of her brother unraveling, his usual restraint shattered. "Come home, please," Freya pleaded, her eyes welling with tears, her voice thick with desperation. "We can help you."

Elijah's chest heaved, his wild eyes shifting from Klaus to Freya, barely recognizing them. "Get out," he growled, the words vibrating through the bloodstained room. His gaze locked on Klaus, his voice turning into a vicious snarl. "GET OUT!"

Klaus stared at him for a moment, his expression conflicted. Freya watched him pull a silver dagger out of his pocket, the familiar glint of the cursed weapon that had subjugated their family time and time again. She hadn't even known he had brought one with him, and her heart clenched at the sight. She didn’t want this for either of them. But given Elijah's state, she knew it was necessary.

"I'm sorry, Elijah," Klaus said, his voice solemn. He rushed forward, his movements a blur, and before Elijah could react, he buried the blade in his brother’s chest. The gasp Elijah let out echoed in the empty, ravaged room. The look on his face was heartbreaking, a mixture of shock and pain. Klaus had to steel himself against the emotion threatening to overtake him, reminding himself it was for the best, for all of them.

"Rest now, brother," Klaus murmured, pulling him into a tight embrace, cradling his body as Elijah slumped, his strength leaving him. His big brother, the north star of the family, now lost to grief.

"I thought you didn't want to subdue him," Freya whispered, her voice shaky, her eyes wide with shock as she pressed a trembling hand against her mouth.

"It was a last resort," Klaus said, his voice thick with emotion, trying and failing to hide the crack in his composure. "I couldn't bear seeing him like this any longer. I didn't think... he would be so... unhinged."

"He's grieving," Freya said softly, her eyes filled with sympathy as she knelt beside them, brushing a hand through Elijah’s matted hair. "He loves her, Nik. Losing her... it's broken him."

"I know," Klaus muttered, his arms tightening around Elijah, holding him close as if he could protect him from the demons he was fighting inside. His voice cracked, and before he could stop it, a tear slipped down his cheek. Quickly, he wiped it away, trying to maintain his strength.

"Time to go home," Klaus said, his voice barely above a whisper, thick with sorrow. "For all of us."

Freya reached out, gently taking Elijah's limp hand in hers, squeezing it tight as they prepared to leave the nightmare behind. She hoped and prayed that Elijah could feel her love through the numbness, that somewhere, deep within the wreckage of his mind, he knew they would never give up on him.

That the battle to bring you back hadn’t been in vain. It had only just begun.

{Part Two}{Part Three}{Part Four}{Part Five}{Part Six}

[captaindamianos]

Soulmate AU where people have several names on their arms that don't just represent romantic relationships, but other deep relationships in your life, ranging from enemy to friendship, romantic and familial love. You have no way of knowing which is which, unless you make that connection and watch it unfold.

Laurent is convinced that Damen is on his arm as his lifelong enemy after Auguste's death, while the regent must be there for familial love, right?

[redbootsindoriath]

Apparently in my absence this post had its 1000-notes-iversary.

This time we get to see the culprit responsible for ruining our heroes' lives as well.

I've really missed you guys, by the way. I know I've said that already, but I'm serious. Once or twice this year I've been right on the brink of coming back but schedule stuff always keeps me from letting myself commit to that again, and that in turn has kept me from posting anything at all. But I've been in an unexpected drawing mood lately and so if I can get enough stuff to set up a queue we might pretend I'm back for a month or so sometime this year. Maybe. Hopefully. We'll see. No promises though. That's why I'm hiding this paragraph under the cut.

Transcription:

[Beren:] "Uhhh...barkeep...I think he's had enough now..." [Tolkien:] "No, I don't think he has...!"

[buttercupshands]

I just managed to get off mha hyperfixation

And now it's happening again... Oh no

Helps with upcoming MHUI LoV event tho, it was a long time since last one happened I wonder what would happen in a new filler story part

Basically this and couple of pages of mid-final arc chapters + recent episode and next one being The Dabi episode was just too much not to get excited again

But! Important thing - I need to reread the last arc before I make anything new, if possible without finishing it to the 419 chapter and everything after, it took 2 months to really recover from the damage that chapter did

Anyway am I ready for the new event? Kinda! Do I have enough gems to get new Tomura? No! I'm not sure he'll even show up this time, because other ones were and still are really stubborn

Also Steampunk recruit took like 120 pulls in a step-up recruit and in the usual one combined

Not the best time to get LoV involved, it's cruel even

Also that one part of the page I added at the beginning was so interesting to look at and them I joked about 236 being similar. The only good thing with final arc being over is that I can say that Izuku didn't draw the parallel of seeing everyone hurt and seeing Tenko react on Mon's death

Understandable why, but it's funny to just look at them and be like, "wow Horikoshi traumatized them both"

[wereh0gz]

Not feeling great abt some of my creative endeavors rn

[aberooski]

I love my gx winx au and I love that it's just bits and pieces of me being like oh that's fun and not having any semblance of lore or plot. It's purely contained to the character designs I've drawn for the girls.

[keeps-ache]

oh brother. kinda sucks to have multiple creative interests and you can only do One but it's not the one you want to do at the moment </3

[hackedmotionsensors]

Welcome Aoi!!!

So....my recommendation is to not...right before you're going to sleep at 2am to take an extra two hours to draw out a comic and then decide to sloppily color it bc it will come out....really sloppy LOL I'M SORRY!! I might come back later and touch this up but for now just bear with it lol

I'll write the text out if you can't read it.

BUT! Its the same Omegaverse world that Lime and Lemon are from.

I just wanted them to have one more, a girl, and she has blue hair like her great grandmother (potentially) and her great granduncle (I KEEP MESSING THIS UP LOL but yes Great Grand-Uncle) but I wanted Sanji to be a little startled by it (at first obvs. emotions are high. he just pushed a new person out of him) bc 1) he has no idea that anyone in Zoro's family has blue hair 2) since she's neither green nor yellow then the blue is startling bc what if the Germa expiraments made it through him and came out in his children NOT HIS BABY!!!!!!!!!!

But its fine and they have a laugh and all is good.

LOL ALSO LIKE. I forgot the implications that Sanji might have cheated or Zoro would think that but its fucking omegaverse lol Where's he gonna go? Zoro knows what he did. Multiple times. Like damn.

ALSO ALSO LIKE.....lol I know Zoro would KNOW Sanji has brothers bc they'd been mentioned but he never met them so he probably doesn't know their names.

Script! ⤵️

Shimotsuki Midwife: " Congratulations Blackleg-san! You have a beautiful little girl"

SanjI: "Ahh finally <3 A girl" *sob sob*

Sanji: "Oh no her hair!"

Zoro: "What's wrong?"

Sanji: *wobbly voice* "Why...Why! Why is her hair blue!? I don't want her to be like Niji! Like ANY of them!!"

Zoro: "Oh Blue? My dad and Grandma had blue hair. (My mom was green) Supposedly my Grand Uncle too but I never met him."

Sanji: "Oh........"

Sanji: "You have a dad? Thats so weird. I figured they scraped you off a wet tree"

Zoro: "Shaddap"

Zoro:"Hey who the hell is Niji?"

Nami: "Are you actually stupid!?"

Luffy running down the hall: SAAAAAANNNJIIIIIIIIIIIIII

Shimotsuki Midwife: What a lively family

Sorry this was so long LMAO Don't do a art at 3am. Go to fucking sleep LMAO

[nazkarcito]

Saiki has a little sister au, part 3: telepathy [FULL COMIC UNDER THE CUT]

part one

part two

part four

Kuriko seems meaner because this is from kusuke's perspective, and because she deserves to be mean sometimes idk.

somewhat ooc i know, i'm good at art but writing is a whole other deal. i wanted to go in a more absurd route like the source material and the results are... mixed.

Anyways, i thought it would be fitting for kuriko to have a few tricks under her sleeve even if she doesn't have powers. at first i thought it would be cool to make her able to completely negate psychic powers, but that would be too op, plus it would make kusuo's life too easy. For her to be just smart and silly enough to find a work-around kusuo's telepathy is way funnier i think.

In a longer version of this comic i was going to explain that, yes, she just makes her internal voice so small kusuo can't hear it [everyone can do it, but it's really difficult], and that he never noticed because he thought she would just... space out sometimes and not think of anything for 30 minutes or so

thanks for the support you have given me until now! it's been ages since a drawing of mine got this much love, i love this fandom

[neil-gaiman]

Hello Neil,i know you have 120k asks, so you will never see this, but genuinely, how do i start writing? I know it probably sounds silly to you, but I am 15 and already feel behind. I want to be a writer, I have loved reading ever since I read Coraline at 9 and have always wanted to do something creative with my life and to be an author just feels so fitting for me,I just don't know how to do it I guess. I keep trying but it always turns out bad,I don't even know where to beigin and how to pace the story or do anything really.I write short fanfics sometimes and when i go back to read them they are just objectively bad. I know what I do and dont like in stories,I just can't seem to accomplish what I want when I try to write it. And I do have so many ideas, but it never goes anywhere, and I can't put the words on the page. I know improving takes time but I just wish I had some guidance on how to improve(English is my third language so I probably made mistakes, I apologize )

You sound a lot l would have done at the age of 15, had I been articulate enough to say anything like that. At the age of 15 all I knew was that I really wanted to be a writer and that I wanted to write and draw comics one day. I had some ideas that would turn out to be good ideas 15 years later or 25 years later but at that time they were just ideas and I didn't know how to make them into stories.

The most important thing you can do is to keep writing. The second most important thing you can do is to live and learn and experience the world and accumulate a store of things that you have to say and things that you need to write about.

[thefudge]

Advice for writing smut???

gonna do bullet-points of things i tend to live by when it comes to smut (this is just my opinion):

don't switch styles: the way you write the smut has to be consistent with the way you write the rest of the story, so if your story is more comedic or romcom-y in nature, the way you write the smut should have those stylings. i personally find it very jarring when authors decide to break the format for the smut, almost like the story has to stop for the sex intermission; if you're writing a horror story, the smut must be informed and influenced by that genre, and if you are breaking genre for the smut portion, tell us why you're suddenly switching gears (it has to be an aesthetic choice you're making on purpose). likewise, if your style in that story is more lyrical, the smut has to be somewhat lyrical too, or if your story is more cormac mccarthy-esque-cut-and-dry, the smut can't suddenly involve an effluvia of purple, sappy prose. integrating the smut in the story and treating it like any other part of the story is key to me. too often i've seen ppl switch to this anonymous pornified style when they get to the smut

which brings me to specificity. i'll talk about het sex, since that's what i tend to write most: not all men are going to be fingering or eating pussy the same way, not all dicks are big and they shouldn't be, not all women immediately get excited by fingering, not everyone moans the same way or makes the same sounds. you're writing about particular characters so it has to be particular to them. i know this is very old advice, but i think it bears repeating

there isn't an exact formula or sequence you have to follow, there aren't precise steps, you don't have to go "well, first he has to kiss down her neck, then reach the boob area, then play with the nipples, then put the nipple in his mouth, then slowly go down on her, then prepare her for entering her etc. etc. etc." this can get boring and repetitive and you start thinking of your characters as these mechanical dolls who have to fuck for your audience. and that can be a vibe too, if you do it on purpose. but sometimes you can get stuck in a porn routine (and ofc, having only the guy show initiative can also get boring)

in order to break that, insert some character moments. what are the characters thinking during this? sometimes they might be thinking of something completely unrelated on the surface, but which has a thematic relevance that can make the scene hotter. likewise, maybe they're doing smth that seems unsexy on the surface, but which, within the context of the story might be really hot. sex doesn't just involve, well, sex, but so much weirdness and humanity and creativity. two bodies (usually) are trying to do this really awkward thing together and they might have a lot of baggage and history to inform it. there's a lot you can do with that.

don't make it glossy and clean, where everyone smells of strawberry shampoo and there is never anything out of sync. the most boring smut tends to be the kind where no one makes any mistakes and everything is super efficient. i imagine it feels like using an industrial pump to milk various farm animals.

and you know what? you can make that hot too. you CAN write a kind of robotic efficient smut and make it really interesting based on the context. let's say you're writing a 1984 AU fic where ppl are forced into intimacy only to procreate and their sex drive is diminished. you can play with that premise and lean into the dehumanizing industrialization of sex, but you have to mean it, aka your narratorial voice must be conscious of these factors.

if you're writing dubcon, make the dubious part present, make sure you draw out the ambivalence and ambiguity. if you're writing noncon, the character whose consent is being violated has to be transformed by this in some way. it can be forced pleasure, for instance, but not only. it has to be a journey for them too, some kind of spiritual pit, or a form of access to terrible knowledge. i know this is a personal thing, but noncon doesn't work for me if the character being noncon'd is just sort of *there*, suffering passively. i think that sort of dead passivity can be done very well too, but the narratorial voice has to persuade me.

that being said, don't be afraid of fear in consensual sex. terror and vulnerability are a part of consensual sex too, imo, and again, depending on the story and the characters, there's a lot you can explore there

i personally find it really hot when the narratorial voice starts discussing some of the ideas that the story wants to convey during the smut. so like, you can characterize person A and outline their worldview and their plans while they're ramming person B, and the thinking & fucking are thus entwined. idk, i dig that

speaking of which, smut can convey world-building details and social/philosophical ideas, not just emotions and character beats

not all smut has to end with mutual orgasm or even one-sided orgasm, it depends what you want to do or where you want to go. again, you don't have to follow a sequence. plus, it's fun (and hot) to write about frustration and failure too.

if you want to mix up the descriptions, resort to the story & characters. you'll find it's easier to describe someone fondling a boob in a new or at least interesting way if you're thinking about that particular character in that particular story, and not just Man X from planet porn (sorry to be snarky, but mainstream erotica is soooo guilty of this)

screaming & really intense reactions are cool but they have to match the characters and the situations

sometimes, it's hotter if an effect is mild or negated, if the usual outcome doesn't happen; mix up the order of events, toy with the usual reactions. it's not about being original, it's about finding out what works for your characters. writing about sex is, in a way, a performance of it, an attempt to go through the sexual motions, to find out what works and doesn't, to engage with the erotics of text (roland barthes entered the chat)

if you are bored by your own smut, that's a problem. i know we all talk about how hard we find writing smut, and IT IS hard, and sometimes it's not enjoyable, because writing itself is often not enjoyable, but even when it's painful and annoying, it gives you that little intellectual kick like "huh, i'm creating this and making these people do this, and ohh look, i can maybe put this unnamable thing into words". but if you become bored, that's a sign you have to look at the language & characters and figure out what's not working for you

last thing i'll underline: pay attention to your narratorial voice. in this ordeal, you are the seducer. not the characters. you have to seduce us with words and context. your voice matters the most. you can persuade us of anything. but you have to be confident in your weirdness and particularity. this is your bedroom (so to speak), so invite us in.

[pakhnokh]

Regarding Lan Wangji breaking the rules and bringing alcohol to Wei Wuxian.

This isn't new! He already did it in Arc 1.

In fact, ever since the moment he brought him into the Cloud Recesses, he started bringing him Emperor's Smile from Caiyi, because he wants to make Wei Wuxian as happy and content as much as he can considering all the limitations him and Wei Wuxian had been warned about by the cultivation world.

(Wei Wuxian can't go outside, can't write, can't draw, can't use powers or arts of any kind to anything, can'd have access to books)

We already saw how Lan Wangji broke some of those (like taking him out and bringing him alcohol) and soon we'll see some more hehe~ Just like in the cave where he injured 33 elders, the rules are second to keeping Wei Wuxian well. Same with the pact he made with the cultivation world. He's cautious, but he never meant to imprison Wei Wuxian, he meant to save him and keep him alive and feeling guilty as it is for always rejecting him and not standing by his side as much as he could, he puts Wei Wuxian's well being as a first priority, relying on his high reputation to guard him (but at the same time risking it too).

Wei Wuxian is aware of all that Lan Wangji is doing for him and how it goes against the CR rules and against the pact. Every now and then he mentions it to poke him, sometimes in a passive aggressive way (like, "how come you punished me back then and got mad at me when you do it yourself??") and sometimes really just being surprised at the change Hanguang Jun made.

(Also at this part from Arc 2, PLEASE DON'T PAY ATTENTION TO THE BUNNIES PART, SCRATCH THAT, HE DOESN'T KNOW ABOUT THEM LMAO SORRY, I MISSED THAT DETAIL)

Anyways, yeah, Lan Wangji always keeps Emperor's Smile for Wei Wuxian :D

At the moment of this part, LWJ is on one end very happy to see the progress Wei Wuxian suddenly made at wanting him to stay, but at the same time he's so tired and hurting from his scars that you can see in his entire body language and manner of speech that he's really out of patience he now normally keeps for Wei Wuxian, and kinda really wants to return to the Jingshi.

REALLY THE TIMING OF YOU DECIDING TO GET CLOSER SUCKS, WEI WUXIAN

Really, look how Wei Wuxian is literally allowing himself to sit in front of him now as opposed to arc 1, acting on flirty and HINTING HARD

And Lan Wangji?? SUPPRESSING ALL THE GAY FEELS CAUSE WHAT CHOICE DOES HE HAVE AT THIS POINT WITH HIS DAMN LOW SPIRITUAL ENERGY AND SCARS HE CAN'T LET WEI WUXIAN KNOW ABOUT?? TT_TT

Also one final important note:

[adams-angels]

Plssssass pls pls pls pls pls pls pls pls pls pls pls pls pls pls pls pls pls pls pls pls pls pls pls do a adam x reader smut where adam is in heat or anything plssssssss

I had WAAAAY too much fun writing this one 🤭 I was originally gonna do another angel s/o but where's the fun in that? I spiced this up with a sinner s/o

💖 Please send me requests! Send me your own headcanons! I will draw! I'm obsessed rn!💖

Heat

Smut below the cut! Minors dni

Extermination day. Once again. Yaaay! You hid in your apartment and waited. You knew he was coming. He was always coming.

You don't know why, but a couple years ago you were spared by Adam. Ever since then he always comes to check on you. Makes sure you're still alive. He says it's because it's funny watching you get pissed off at every little thing. Every little thing being his annoying ass.

You hear the knock at the door. It's the secret knock Adam made up so you'd know it was him. But this knock was rushed. Desperate almost. It sent a cold chill down your spine. It's not that you like Adam. You just don't want anything to happen to him and would be sad if he stops visiting but you don't LIKE him.

You quickly rush to the door, checking the peephole and there he was. Looking different? You unlocked the many bolts on your apartment door and let him in. He pushed himself past you, "what's up sinner tits?" Dumb name. You shut your door and lock it back up. "Hello, Adam." You look over at him and he looks restless. "You okay?" You ask, cocking an eyebrow in curiosity. "Yeah, yeah, yeah, I'm fine, whatever." He scratched his arm like he was a drug addict. Itching for his next hit.

Your mind raced. What if the exorcists know he's been visiting me? What if he has to kill me? What if- you're snapped out of your thoughts. "Stop overthinking. You do that too much." He groaned. "Okay?" You walk over to him, his body tenses. "Why are you acting weird?" His eyes widen, he takes a couple steps back. "M-me? Weird?! Ha! That's- that's fucking rich coming from you!"

Okay, something up. That stutter screamed something was up. You put your hands on your waist stepping closer to him, causing him to step back. You ended up cornering him once he was stopped by the wall. "what the hell is up with you, Adam. Tell me, right now!"

"I need you." He whined. You don't know if it was the fact he had no where else to go, or you were being quite demanding but you weren't expecting him to whine like that. But God, did it make you feel powerful. This devine being, whining like a whore. "Excuse me?"

"fuck, I need you, y/n. Please?" He pleaded. "Jesus, it's like you're a fucking heat." You joked but his whimper told you everything. "Noooo, fucking way. Do you- are you in heat?" You laugh at him. "Don't fucking laugh!" He grabs your wrist and spins you around, pinning you to the wall.

～⁠♡✧⁠｡ I really hope you enjoyed! I'm not a writer by any means but I appreciate any support I receive so thank you for reading! ｡✧⁠♡～⁠

"I need to fuck you. I don't want to. But I need to. I can't stop thinking about you. No one else is working, so please." He begged, never in your afterlife did you think you'd see Adam begging for you. But here you are. In your apartment, Adam pleading with you. "I'll do it." He lit up. "On one condition." He groaned his forehead resting on yours. "Yeah, yeah, whatever you want, babe."

You look him in his LED eyes, "mask off." He hesitated, removing his head from yours to get a full look at your expression. "What? Why?" He asked, his tone would tell you he was annoyed by the request but inside he was scared. What if you changed your mind once you saw his actual face. "Because I like to look at the person who's going to fuck me." He whines, he's desperate right now, he needs you. He reaches for his mask, hesitates before taking it off.

He looked gorgeous, stunning, and surprisingly embarrassed. "You so-" he couldn't wait any longer, his lips crashed into yours, his tongue explored your mouth. There was no negotiation on who was dominating the situation.

His hands caressed your body starting at your neck tracing down to your waist before getting to your legs, he lifts you up with ease. Sloppily kissing you, as he takes you to the nearest surface, your side table. Sitting you on top of it, knocking off a couple of books, a small plant and a picture frame among other things.

He releases your lips to move on to your jawline then neck, covering you in marks. His marks. You can't help but moan at the sensation. His hands head straight to your pants, gaining access to your intimate area. Once your pants are off he whips off his robe and lifts you up from the side table. Lining up with your entrance. His eyes full of lust for you. He watched your face as he slid you onto his cock. It was perfect, dickmaster is right. It was like he cock was made to fit you. He didn't give much time for you to enjoy the fit before he started thrusting into you.

His arms wrapped around your back holding you close to his body. His teeth sinked into your neck, he moaned into your skin. Your hands found their way to the back and top of his head, tugging at his brown locks. His wings burst out, twitching and trembling as he buries his cock deep inside you. Filling you fully with his member, hitting that sweet spot with each thrust. "Fuck.. so good y/n" he mumbles into your neck. "So tight.."

His hips stuttered, he released your neck and went back to your lips, feeling you moan into his mouth sent him over the edge as he finished inside of you. His wings fell to the floor and you both crashed into the sideboard, Adam leaning on you for support. "Fuck.. bitch, who knew you'd feel so good." "Who knew you liked dirty sinners." You panted. "Don't spoil it."

[pomefioredove]

so, I could request jamil, leona, vil, rook, azul, jade, rollo, malleus and lillia with a heroic fantasy lover reader (well, not so much fantasy, since it's basically a fantasy world. i mean, jaskaja, malleus is a freaking fairy prince). a reader who wakes up reading, watching series or movies in the genre, who makes his own maps of his worlds in the back of his notebooks in class, who in potions class takes notes for his own inventions, who starts inventing recipes in the kitchen and when he's supposed to be studying he's actually writing his fantasy stories or novels, maybe he's not even yuu, he's from another dimension! just another x student who is a bookworm. but that his sleep schedule starts to be affected by these habits when midterms come and at the same time he wins a major writing contest, and that between the hobby and the studies he sleeps, eats and rests less.

thanks and good day 💗💗!

of course! this is actually quite cute

*ੈ✩‧₊˚ fantasy writer reader

type of post: headcanons characters: leona, azul, jade, jamil, rook, vil, lilia, malleus, rollo additional info: romantic or platonic, reader is gender neutral, reader is yuu

well, well, well

for all his teasing, and there has been a lot, Leona actually starts to like you

damn it...

you were just another wide-eyed, naive herbivore to him

and a little bookworm, too

and now...

strangely, he finds himself missing you

thinking about the stories you'd told him...

...even wanting you to ask him about his magic

which he did find annoying, but now, it's kind of endearing...

you do strange things to this man

*ੈ✩‧₊˚

Azul will admit that he was... a little wrong about you

after all, when you first met, he took you as a rather naive person

so... curious

asking him about magic, the sea, potions and spells and...

well, he read that as innocence

for weeks, he answered all your questions, even showed you a few simple spells, all free of charge

...hoping that you'd come to trust him

then, you vanish

he later reads a fantasy story published in the school newspaper

...about him

you were just using him for fantasy character inspiration all along!?

...

...actually... that's quite flattering

he'll let you get away with this one

*ੈ✩‧₊˚

Jade is drawn to you

and by that, I mean he finds you before you find him

so curious...

he can tell you've adapted to life at Night Raven College much quicker than most would

quicker than he did, even

and he's actually from Twisted Wonderland

magic doesn't surprise you, nor does the politics or history of this world...

how... interesting

he'll follow you around, asking question, reading your stories, never too far away from you

he's never met anyone so strange, really

*ੈ✩‧₊˚

Jamil can't imagine being from a world without magic

...and, apparently, neither can you

disregarding your... ahem... heroic interests, you fit right in at NRC

seriously, a few months here and you're already ahead of Kalim

...he could learn a thing or two from you...

it starts making sense when you tell Jamil that books from your world are full of magic

where you lack experience, you make up for in knowledge

he... respects that, actually

you're more well-read than most of his peers!

now, if only he could do something about that terrible sleep schedule of yours...

*ੈ✩‧₊˚

Rook thinks you have such a beautiful eye for detail

and a creative soul

of course, he knows a writer when he sees one

and you catch his eye right away

he just can't help it! such imagination, such talent... you inspire him just by being!

...okay, maybe he's a little overexcited

being a poet himself, it's not often he meets someone who understands the beauty of life like a fellow writer

he will eagerly read everything you give him

every story you write, every map you draw, even your own notes and potion recipes

...and he'll give you detailed praises on each one

*ੈ✩‧₊˚

Vil is already used to writer shenanigans

...too used to them, maybe

the last thing he wants is another Rook waxing poetically about a bug you saw on the north stairwell

at least you seem quiet

what really captivates him, though, is your interest in potionology

you're already at such an advanced level that you're making your own recipes

even if it's just for your stories, that takes some skill

you'll have to forgive him for fussing over your health and wellbeing

he can sense your potential

goodness, at this rate, you could replace him as housewarden by the end of the year

*ੈ✩‧₊˚

there's nothing Lilia likes more than a good story

after all, he's got lots of his own

so, to him, writers are the greatest thing since... whatever the hell he eats

and he can be a little... pushy

leering over your shoulder, pestering you to show him what you're working on...

he can't help it!

he's just so curious!

the one thing he's good for, though, is details

you ask him if this language, or outfit, or invention, is appropriate for the time period, and he'll be able to answer

*ੈ✩‧₊˚

Malleus is always flattered by your curiosity

one might think that a human from a magicless world would be frightened by his appearance and his title

but you...

you're just curious

he likes answering your questions

you seem so interested in magic, he can't help but show off a little

he's already promised to show you around Briar Valley

and, of course, he loves hearing your stories

the ones you write, the ones you remember from home...

you're just a fascinating little human

and he always feels special when he's the first to read something you've written

*ੈ✩‧₊˚

now...

Rollo doesn't quite understand you

no, actually-

he's jealous

not that he'd ever admit it...

but the thought of a world that is so devoid of magic that its people make fantasy of it is so very enticing...

...he's willing to excuse your childish interest

and indulge you in your maps and your potions and your stories

you don't know any better

but to him, your world is the fantastical one, not his