#and shut the fuck up!

[jjkyaoi]

“jegulus is misogynistic!” it is literally not my fault that the only characteristic you’ve assigned lily is being james potters wife .

[aaronstveit]

"if i was orpheus i would simply not turn around" yes you would. if you were orpheus and you loved eurydice, you would. to love someone is to turn around. to love someone is to look at them. whichever version of the myth — he hears her stumble, he can't hear her at all, he thinks he's been tricked — he turns around because he loves her. that's why it's a tragedy. because he loves her enough to save her. because he loves her so much he can't save her. because he will always, always turn around. "if i was orpheus i would simply —" you wouldn't be orpheus. you wouldn't be brave enough to walk into the underworld and save the person you love. be serious

[stuckinapril]

[emilnikos]

I need non autistic people to realise meltdowns are a real debilitating thing that has a serious effect on your mental and physical health NOWWWWW!!! The way its been trivialized and lessened pisses me the fuck off. It's not a tantrum and it doesn't come from "being too weak-willed" it's painful and it's embarrassing AND MOST OF ALL IT'S INVOLUNTARY!! Don't claim to be an ally to autistic or disabled people and then make fun of people who have meltdowns. Literally get the hell out of my sight

[lumity-rights]

jenna ortega telling winona ryder she doesn’t have to take off her sunglasses……chappell roan yelling back at the photographer to shut the fuck up…….yea gen z celebrities are reestablishing boundaries btwn them and the public and we love to see it

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[segretecose]

underconsumption being called a trend now…… mf that’s just how normal sane people live

[quinnfebrey]

@/upstreampodcast

[homocidalpotat]

gay toothpaste

heheh

[ferocioustrout]

normalize shipping two characters just because you like them both. “they never interacted” they interact in my brain when I think about them constantly. get fucked. they’re making out rn.

[fallingtowers]

dude not to be a bitch but starting my new job and spending every day surrounded by normies is really giving me a good long look at how fucked up the rhetorical landscape surrounding food and fatness is. the other week i overheard a guy confidently saying that the body doesn't actually require sugar and that if it wasn't for our dastardly perfidious taste buds we'd never crave it(???). just now my manager showed me this video of some dude scaremongering about pringles by saying that their ratio of sugar/salt/fat is CALCULATED to TRICK THE BRAIN into WANTING MORE. bitch you mean they made an effort to make their commercially produced snacks taste good? somebody phone the fucking fire department

[stuckinapril]

[2pen2wildfire]

Really hate that the queer community's response to the creation of a gender trinary (girl, boy, and nonbinary, which is still not all-encompassing) was to... reinvent the binary. We just started grouping all genders into "masc/male-aligned" and "fem/female-aligned" and it's so fucking stupid. Even with the occasional allowance of "neutral/unaligned" it still maintains the binary as the standard. And then they don't let you use certain labels if you don't have the "right" gender alignment. The fuck.

[autistic-katara]

bro no homo but if we were fictional characters there would be so much fanfic where we kiss

[miyku]

[piixxiidust]

"adrinette is my favorite side of the lovesquare" "i prefer ladynoir" "marichat is so cute" WRONG. the best dynamic is when they're detransformed hiding from each other on diff sides of walls/other barrier hiding them and communicating thru yelling at each other while recharging their kwamis