#and she's not ANNOYING ABOUT IT

[brionysea]

take me to church by hozier: that's a fine looking high horse what you got in the stable-

me, pelting it at my batfam playlist: BRUCE WAYNE CORE

[inkskinned]

the thing about some men is that they want you to remember, at all times, that you are underneath them. that with one word or look or "joke", you will stay beneath them. that even "exceptions" to the rule are not true exceptions - the commonly cited statistic that one in eight men believe they could win against serena williams.

women's gymnastics is often not seen as real gymnastics. whatever the fuck non-euclidian horrors rhythmic gymnasts are capable of, it's often tamped down as being not a sport. some of the most dominant athletes in the world are women. nobody watches women's soccer. despite years of dancing and being built like a fucking brick, men always assume they're faster and stronger than i am. you wouldn't like what happens when they are incorrect. once while drunk at a guy's house i won a held-plank challenge by a solid minute. the party was over after that - he became exceedingly violent.

what i mean is that you can be perfect, and they still think you're ... lacking, somehow. i hope you understand i'm trying to express a neutral statement when i say: taylor swift was the possibly the most patriarchy-palatable, straight-down-the-line woman we could churn out. she is white, conventionally attractive, usually pretty mild in personality. say what you will about her (and you should, she's a billionaire, she can handle it), but a few things seem to be true about her: 1. she can write a damn catchy song, and 2. the eras tour truly was a massive commercial success and was also genuinely an impressive feat of human athleticism and performance.

i don't know if she deserves the title of "woman of the year," i'm not debating that in this post. what i am saying is that she was named Woman of The Year, and then an untalented man got onstage at the golden globes and made fun of her for attending her boyfriend's football games. what i am saying is that this woman altered local economies - and her dating life is still being made into a "harmless" punchline. the camera panned, greedy, over to her downing a full glass of champagne. congratulations taylor! you are woman of the year! but you are a woman. even her.

fuck, man. write better material.

a guy gets onstage at a college graduation and despite the fact like half the crowd is made up of women, he spends a significant proportion of it warning these people - who spent possibly hundreds of thousands of dollars on their education - that they were lied to. that the "real" meaning of femininity is motherhood. that they shouldn't rest on the laurels of that education-they-paid-for but instead throw it away to kneel at a man's heel. imagine that. sweating in your godawful polyester gown (that you also had to pay for!), fresh out of 4 years of pushing yourself ever-harder: and some guy you've never met - who knows nothing about you - he reminds you this "win" is a pyrrhic one at best. you really shouldn't consider yourself that extraordinary. you're still a woman, even after years of study.

god forbid you are not a pretty woman, but if you are pretty, you must be dumb. god forbid you are not ablebodied or white or cis or straight or good at swallowing. you must be beneath a man, or else they are not a man. the equation for masculinity seems to just be: that which is not a woman or womanly (god forbid). anything "feminine" is thereby anathema. to engage in "feminine" things such as therapy, getting a hug from a friend, or crying - it is giving up ones manhood. therefore women need to be put in their place to ensure that masculinity is protected.

this is something i have struggled to explain to terfs - they are not doing the work of feminism, but rather the patriarchy. by asserting that women and men must be (on some secret level) oppositional and in conflict, they also assume that being a woman is akin to being another species. but bigotry does not stem from observational truths or clarity - that is what makes it bigotry. there was nothing in my childhood that made me fundamentally different from my brother. we are treated differently nonetheless. to assert there is some biological drive that enforces my gender role is to assert that women have a gendered role. men do not see women as equal to them not because of biological reality - but instead because the core tenant of the patriarchy is that women aren't full, realized people.

we are told from a very young age to excuse misbehavior as a single man's choice - not all men. it is not all men, just that one guy. all women are gold-digging bitches who belong in the kitchen - but if a man is mean, bigoted, or violent to you, it's just that particular guy, and that means nothing about men-as-a-whole. it is only one guy who got mad when you gently rejected him. it is only one guy who warns her this trophy is heavy, are you sure you can hold it? it is only one guy who smashes her face into the cake. it is only one guy talking into a mic about hating our bodily autonomy.

i have just found that they often wait until the moment we actually seem to be upstaging them. you sit in a meeting where you're presenting your own findings and he says get me a coffee? or you run to the end of the marathon and are about to finish first and he pushes your kids out in front of you. you win the chess game and they make some comment akin to well, you're ugly away. we can be the billionaire and get the dream life and finally fucking do it and yet! still! they have this strange, visceral urge to say well actually, if you think you're so great -

it's not one just one guy. it's one in eight.

[computercreature]

something i see a lot in the dungeon meshi fandom is attributing izutsumi's personality traits to her being a cat. and while ryoko kui definitely gave her cat-like traits intentionally, she's a talented enough writer to also give her a backstory with reasons for those traits. for example, her tendency to only do and eat what she wants.

izutsumi's character arc revolves around freedom. she grew up caged in a circus. and although she was fed enough to survive, this was only because a living catgirl attracted more customers than a dead one.

[id: first image is izutsumi as a child framed behind bars and standing on all fours, making it clear how skinny she is. a hand in the foreground holds out a bowl of what appears to be kibble. narration says “thrown in a cage and given food every once in a while… is that what you would call ‘being raised’?” in the second image she is now sitting on the floor of her cage and eating a rat. end id]

look how skinny she is! we see her eating what appears to be... kibble? oats? and then a rat that she possibly caught for herself. she had no choice but to eat anything she could.

[id: part of the dungeon meshi manga. a slightly older izutsumi is tied to a post and tade sits next to her to say "we've got a roof over our heads, beds, food, and clothes. they've got everything here. is there someplace nicer than this out there?" izutsumi thnks for a moment and says "i hate that someone's already decided what i'm going to eat tomorrow. my name, the clothes i wear, where i sleep, where i go next... here, all of that's been decided by another person... even though, come tomorrow, i might want to eat something else instead. that's why i'm leaving." at this, tade cries out in shock. end id]

when she's taken into the nakamoto household they begin to treat her much better. she's on about equal footing as tade, who also had a rough living situation before being taken in, and tade loves it there! they get healthy and tasty food and they're not sleeping in cages. but izutsumi still isn't free. she can pass off her chores and vegetables to tade and disobey in any way she can but she can't leave. maizuru even put a collar on her, further dehumanizing and trapping izutsumi.

when izutsumi joins laios's party, she's finally 'free', but it's not the kind of freedom she wants. she has to eat even more food she doesn't want or else she'll starve. but the difference now is that she's can leave at any time, and if she stays, she's treated as an equal. they're not feeding her monsters because they see her as inferior. they're all eating the same food so they can reach their goal(s). and this is part of izutsumi ultimately learning that in order to do what she wants, she has to be willing t do the things she doesn't want to

[vulpixelates]

i know it will never happen but i so desperately desire an origins-type playable backstory thing in all games but especially veilguard. i feel like it added so much depth to origins and made you feel instantly connected to your character in a way that gets lost in games like inquisition where you fill in the blanks as you go except for the bare basics. like, i do enjoy the freedom to willy nilly decide where a character was before the events of the story from a creative perspective, but the playable origins were just so good! especially when you go back to where your warden is from and can engage differently with the arcs there

[skellydun]

Actual Phone Conversation I Had With A Girl Absolutely Going Through It This Morning:

me very quickly: hi this is dylan from x. how are you today? is now a good time to talk?

girl on the phone: what? oh you know! it's just work, work, work.

me: haha yeah! Just another busy Monday :)

girl on the phone i have known for exactly 11 seconds: sometimes i wish it would just stop. it's relentless. and it's every week! how many mondays can someone go through?

me trying to do my job: ha ha i know right? so I'm calling--

girl on the phone i have known for exactly 16 seconds: i'm so tired. i'm soooooo tired. shelby kept me up all night again. she will not get over keegan. they keep calling each other just to yell i swear to god.

me: only 4 days till the weekend and some sleep! :D

girl: yeah. but she's sleeping with me. at my house. didn't he tell you? who is going to get the dog? or the fucking 300 dollar blender I got them?

me: unfortunately no! so i would love to know more but the reason i'm calling is to get you scheduled for x job interview are you still interested?

girl whispering: what?

me awkwardly: it's...i'm dylan. from x. the x job you applied for. we would like to interview you for it.

girl: oh my god. no. oh my - I am so sorry. I thought you were my friend--I cannot believe--I told you work was relentless. I don't really mean that! I talked about blenders!

me: no, no I totally get it. It can be. But that's why you're interviewing for somewhere better! Tell Shelby to apply too! Do you have any availability on Thursday?

[egophiliac]

Serious question.

Do you think we’ll see the parents/family of each of the guys???

Like, We’ve been TEASED with Ace’s brother, that I’m starting to think it’s just a reference to that Alice in Wonderland park character in Japan and nothing else….

Jack’s family, Ruggie’s grandma, Falena, Maleficia, Ms.Rosehearts, Just now Vil’s dad is in the picture which I am really happy but now I’m wondering about his mom, and so Deuce’s mom.

I mean, some HAVE a silhouette!! It could mean they do have a design in the making/ready to show. They could’ve shown us Falena in the Tamashina (hope I said that correctly) event, but didn’t (prolly to make Leona not so σ(▼□▼メ) and it’s understandable)

Anyhow, any idea/headcannon about this? Who do you want to see first?

I'm wondering if everyone might eventually get a travel event? like they've now introduced with Vil's that it doesn't have to be specifically hometowns, so that opens things up a lot! (especially if they have to figure out how to do three separate Coral Sea visits) (how would that even work otherwise)

but yeah, I hope everyone gets a chance! there's a lot of backstory characters I would LOVE to meet. :D :D :D though I do think some of them don't really suit the more light-hearted tone of the events (pretty sure you're right about that being why Falena wasn't in Tamashina-Mina, that would've just been. too much for Leona.) so like...we're probably not ever going to meet the Rosehearts. or Maleficia (although I maintain that this would be THE funniest possible way to introduce her outside of the main story, and actually I would love this a lot, can we please Twst) (I need to see her to put Malleus in a froofy little outfit and tell him what a handsome boy he is). but they've sprung surprises like Kifaji on us, and honestly anyone who shows up and tells embarrassing stories about characters' childhoods is good in my book!

characters off the top of my head who I most want to meet: literally any of the Zigvolts, Azul's mom, Ace's brother, Che'nya's grandfather (<- I think he would be a good one for Riddle) (please just any non-terrible adult in his life), any member of Rook's family because I need to see how they managed to produce him, and...really just whoever they can come up with for Silver.

[brother-emperors]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[jibril-thelibraryangel]

I love that Keyleth is finally experiencing the other side of “group of quirky adventurers cornering the wise powerful NPC and taking the chance to ask them about all the random unrelated shit they been wondering about“

Keyleth IS the new Allura

[mysterycitrus]

tom taylor has truly rotted online disk horse cause wdym people are seriously upset that during an event where heroes lose their powers this guy is the one who starts ordering people around

he’s very bossy and likes being in charge. no of fence but ofc he’s going to lead instead of flash on a motorbike or an aquaman who can’t swim

[graysonnightwing]

i need you guys to fall in love with female characters the same way you do male characters i need you guys to fall in love with female characters the same way you do male characters i need you guys to fall in love with female characters the same way you do male characters i need you guys to fall in love with female characters the same way you do male characters i need you guys to fall in love with female characters the same way you do male characters i need you guys to fall in love with female characters the same way you do male characters

[homielander]

i'm sorry but hotd positing that all women are innately cautious and peaceful and compassionate while men are rash warmongers is not a feminist win! i could see the value in everyone being hesitant to go to war at the onset of the story because it intensifies the tragedy of this house tearing itself apart, but at this stage, rhaenyra has as much reason for bloodlust (if not more) as the men on the show. it's pretty heavily implied that the shock of her usurpation killed her daughter, aemond killed lucerys, and one of aegon's kingsguard snuck into her quarters with the intent to assassinate her. most importantly, she has felt entitled to the throne since she was named heir as a child. she should be incensed! rhaenyra's inaction in the season 1 finale due to a sudden aversion to violence was already stretching believability -- this is the same woman who expressed nothing beyond mild shock at vaemond's beheading, who plotted with daemon to have an innocent man killed to facilitate laenor's escape while declaring that the realm should fear her. to have rhaenyra insist on peace at this point in the story, when war is already well underway, is incredibly irrational.

this problem is not limited to rhaenyra. alicent ordered larys to kill mysaria's network of spies and any suspected traitors in the red keep, presumably without any due process, and neither of these decisions was depicted with the gravity they deserved for a character who was once horrified by any bloodshed. meanwhile, aegon had a few extra ratcatchers executed, and not only was the direction sufficiently ominous, but we also got a lengthy monologue from otto about how it would spell his doom. it is probably pointless to bring up rhaenys because she is written less like a believable human being and more like a mouthpiece for the writers to assert whatever political opinion they believe is correct in a given episode -- but she did very much kill dozens if not hundreds of smallfolk last season. she did do that and very clearly did not care. why is she an advocate against war? for both alicent and rhaenys, there is a strange dissonance where their actions are at odds with their attitudes about opposing large-scale war for the good of the realm. i'm not saying this dissonance cannot exist, but it should at least be acknowledged.

helaena raising concerns about the losses suffered by the smallfolk might have worked in isolation, but for it to accompany everything above is exhausting. can none of these women be allowed to feel for themselves?

[aj-artjunkyard]

In love with the main character dynamics of ToA

[littlelightfish]

Marcille telling Chilchuck that healing magic can be used to torture people only to use it as such a few days later...

It's like she's warning him about what she can and will do if he doesn't cooperate. I find it interesting.

We know they're friends, but he doesn't want to talk about it. They all know that. Chilchuck is not a fan of talking about his life and they aren't usually pushy about it. The one problem is when Marcille wants to know. Because she's curious and has her head full of romantic novels and she just finds out her friend has some delicious and controversial love story. She's not going to let herself not know about his life. Even if he doesn't want to talk about it. For better or worse, she takes advantage from his injuries to make him talk about it, to force him to open up about this. She quite literally tortures him (just a little bit but still) to get this info out of him.

I have just realized about all this, but.. yea, Marcille, that's a kinda fucked up thing to do to your friend.

[generichoneydew]

nuclear winters over guys. I'm only accepting nuclear spring. Bite me.

34/52

[daily-odile]

AUGH I’d love to see more time looping odile if possible,,,,, how do you think she’d like; “devolve” over each of the acts as compared to Siffrin over time :O

ok im gonna be honest i did like portrait edits months ago and just never finished them. so here you go

act 3:

act 5:

[scribefindegil]

Do you sew? Do you have boobs? Do your tops never seem to fit correctly despite following all the instructions on the pattern? THIS IS NOT YOUR FAULT! Sewing patterns usually just tell you to match your full bust measurement to their sizing chart, but this isn't enough information to tell you if the garment will actually fit.

Here's the problem. Imagine three people who all have a 40-inch bust measurement. But one of them is completely flat-chested, one of them is very well-endowed, and the third has the mythical "average" figure that the pattern was designed for. Despite having the same circumference, their torsos are completely different sizes and shapes! So while our lucky "average" sewist can cut out the pattern as written and have it fit, that same size is going to be much too tight in the shoulders for the flat-chested person and much too loose in the shoulders for the buxom one.

And that sucks, because an adjustment to add or remove fullness from the bust is much easier to do than trying to re-size the shoulders and torso. Instead of starting off with the pattern size that matches your bust measurement, it's a lot better if you can start off with the size that fits your shoulders. But almost no patterns tell you how to figure this out!

What you need is to match the high bust measurement. Here's an image (from "Ahead of the Curve: Learn to Fit and Sew Amazing Clothes For Your Curves" by Jenny Rushmore, a GREAT book for learning to fit garments, especially if you're bigger) on how to measure high bust vs full bust.

The difference, in inches, between the full bust measure and the high bust measure is your sewing cup size. (usually not the same as your bra cup size, which is the difference between the full bust measure and the underbust measure. yes, it's confusing. sorry)

So how to use this to figure out what size to cut out from your pattern? If you're using a Big Four sewing pattern, those are all drafted for a B sewing cup, so the high bust for any given size will be two inches less than the given (full) bust measurement. Choose the size that matches your high bust. Then compare the full bust measurement to yours. If it matches, great! If it's smaller or larger, you will have to do either a full bust adjustment or small bust adjustment. They seem scary because they're slash-and-spread adjustments, but if you find a good tutorial they're not that hard. You can also just make a mockup in the pattern size that matches your high bust and either add or remove fabric in the bust area until it behaves.

What if you're not using a Big Four pattern? Well, if you're lucky you'll find a pattern you like from a company that simply provides the high bust measurement as well as the full bust in their chart. A few places, like Cashmerette, actually include multiple cup sizes in their patterns so you don't need to do any math to get a good fit. Otherwise, if the company tells you what cup size they're drafted with, you can figure out the high bust from the full bust: A cup is one inch difference, B is two, C is three etc.

If the pattern company doesn't tell you anything except the full bust measurement, scold them about it. If you have to guess, smaller sizes will most likely be drafted with a B cup. There's a little more variation in plus sizes. Regardless, if you're making a mockup try to get the shoulders and neck fitting properly before you worry too much about the bust.

Now go forth and sew things that actually fit your body!