#and one in which perspectives and experiences are almost all unique to individuals

[quarantineddreamer]

Hi, idk if you're doing the ask game still but if you are, could we get rebelcaptain for number eight?

Hi, anon, thank you so much for the ask 💜 Confession? I read the prompt wrong a bit wrong and got through this whole thing before realizing it was things you said when you were crying 😬 but I'm going to argue that in this they both cry at points, so I hope you'll forgive me my error (and I really hope you like it!!)

things you said when you were crying

It took all of Cassian’s concentration to command his left foot forward, hands gripping the bars on either side of him so hard it hurt–though not nearly as badly as the rest of him. 

Every muscle in his body was on fire, every bone sharply aching. 

Not even ten minutes into today’s session of physical therapy and he was drenched in sweat, hair plastered to his forehead, shirt stuck to his chest, the salty taste of it on his lips, stinging his eyes. While he glared down at his feet, a large bead of it–containing all the grace of a raindrop and none of the beauty–dragged down his nose and fell to the floor.

The next step hurt just as bad as the last, and the one after that took twice as long and left him trembling, teeth practically rattling from the effort. 

But he was determined, eager to heal. The Rebellion needed him. Already he felt like he’d been away for too long. Months spent in and out of surgery, in and out of consciousness, he refused to let any more time go to waste.

Cassian squeezed his eyes shut for a moment, fighting a wave of exhaustion, pain, and nausea that threatened to drown him; they were sensations he had grappled with more times than not since Scarif, and he had quickly learned that each was tortuous in their one unique way. 

“Take a break if you need to, Captain,” the medic told him. “You have a long journey ahead, so pace yourself.”

Screw that. He opened his eyes again and, biting back a shout, forced his foot forward again. 

But the toe of his shoe slid in a pool of sweat–all of his own making–sending his leg sliding out from under him. He tried to catch himself with his arms–to brace his weight on the bars framing either side of him–but his palms were too slick, making his grip precarious, and he crashed to the floor, the intense agony of his injuries hitting him all over again. 

“FUCK!” he shouted, because what else was there to say when you could remember taking down stormtroopers without so much as a blink and now a single step had turned you into a humiliated tangle of limbs, sprawled across the ground. 

Fighting for breath, he used what little energy he had remaining to reach up to the bar above his head and pull himself upright, clumsily positioning his back against the wall.

But following that act, he had nothing left with which to defend himself against the frustration, the hurt, the fear that fell upon him, predators on wounded prey–devouring, consuming–until he’d forgotten himself entirely and all he knew was the dark wash of anguish tearing him to shreds from the inside out.

“Cassian, Cassian.” A hand caught his own midair, preventing him from smashing the floor with his fist again. 

The touch grounded him, bringing reality surging back to his frayed mind–he found himself wishing it had left him alone. 

No…not now. He didn’t want her to see him like this. Couldn’t bear the look of disappointment he expected to find on her face. “Jyn…” He caught her knees on the floor beside him out of the corner of his vision, made himself look up at her, her image swimming before him.

 “Let me–”

“What the hell are you doing here?” He tore his arm free from her hand.

“I came to check on you, I wanted to–”

Cassian did all he could to turn away from her. “Don’t,” he said sharply, loathing the tears that were cutting lines down his cheeks. 

Before Scarif he had been better than this at controlling his emotions, hiding them from others, but the regiment of medications he was on created a fog so thick he discovered his own thoughts betraying him all the time. If it wasn’t his short-term memory in shambles, it was his temper–forcing everything to be felt with a heightened sensitivity. The perfect storm of conditions under which he was dealing with perhaps the greatest challenge of his life. 

It was hell. 

“Will you please look at me?”

“Leave, Jyn. You don’t have to be here, this isn’t your problem. Leave.” His head fell back against the wall and he watched as Jyn’s face darkened, her fingers curling into tight fists where they rested over her thighs.

“Is that what you really want?” she asked quietly, fixing him with a hard stare.

No… A strand of her dark hair was hanging across her face and he wanted to push it back–maybe would have if he’d possessed the strength to do so. Force, her eyes were beautiful.

He was on the floor crying from pain and exhaustion; what must she think of him? Weak, pathetic.Yes, yes I want you to leave… 

But she wasn’t looking at him like that, no, he wasn’t quite sure what her expression was saying, but it wasn’t that. I don’t know… 

“What if I told you I’m not going anywhere?” Jyn murmured, reaching a hand tentatively towards his face, wiping a tear from his cheek with surprising gentleness. She caught his eyes again, still waiting to see if he would offer a reply.

“I’d say it’s just like you not to listen,” he finally sighed. 

“It does sound like me doesn’t it?” she teased, lips briefly twitching upward. But her voice was serious, expression intent, when she said, “Cassian, why are you asking me to leave?”

I don’t deserve this… I don’t deserve you… At his best he’d been a mess–so used to playing whatever part the Rebellion needed that he’d half-forgotten himself–what could he possibly offer her or anyone else now? It wasn’t clear yet if he’d ever be able to walk well again, much less run or fight. He would only slow her down, burden her–and Jyn had carried enough in her life as it was without adding his weight to the equation.

But Cassian didn’t know how to put those thoughts into words–or maybe it was that his voice was betraying him as much as he felt his body was–so he just shook his head, looked across the room to where the medic was standing in the distance, awkwardly trying their best not to encroach despite the need to hover.

“I’ve pushed people away before,” Jyn said softly, pulling his gaze back to her face. “Usually when I needed them most… I did it before they could do it to me, because I thought that’s how it always went, that there was no other way that life could go.” Her hand returned to the side of his face, thumb gently brushing over his cheek. “But it’s not like that with you… I said horrible things to you on Eaudu, but afterwards, when I needed you, there you were.”

“This isn’t like that,” Cassian murmured. 

“Isn’t it?”

“You can’t help me with this,  I might not get better. And then what?” his voice broke on the question, the first time he’d dared to voice the possibility aloud. If he considered the notion for too long he thought it might take life, form the shape of a black hole, a yawning void that would threaten to swallow him alive. Where would I go? What would I do? What now? 

Jyn blinked at him. “You think that’s a reason for me to abandon you?”

“I’m not the person I was–I might never be again.”

“Neither am I,” she replied fiercely. “Neither is Chirrut or Baze or Bodhi–any of us. How can we be? After everything we went through? And besides, it’s not the first time any of us have changed–I know you know that. ” He opened his mouth to speak but she held up her hand. “No, listen. I know you’re going to say it’s not the same, and you’re right, it’s not. This is a big change, a hard change. None of it was your choice, and I can’t even begin to understand what you’re going through. 

“But if you’re trying to tell me that your ability to ‘get better’ is what determines your worthiness? I’m going to…” she took a deep breath, “to have to fight very hard not to strangle you, because whether or not you know this right now, you're worthy no matter what happens next.

“However you have to show up each day, however you’re feeling, the good, the bad, I’m with you. Same as…same as I know you’d be for me.” She cleared her throat, blinked back a watery shine that had fallen over her eyes. “Okay?”

He leaned his head into her palm. “Okay,” he breathed, because even though he knew he might not believe it tomorrow, he believed it for the moment–and he had a feeling if and when he changed his mind, Jyn would do all she could to bring that belief back.

She wiped her tears from her eyes and offered her hands to him, “Can I help you?”

It still wasn’t easy. He still felt some embarrassment, he still held anger and frustration for it all. He still hurt…

But together, they slowly rose to their feet. 

[celestialtarot11]

Placements in your chart that can indicate otherworldliness 🌊🤍

Hey friends! Today we’re looking at placements that indicate otherworldliness or etherealness 🕊️ Enjoy! Feel free to like comment or reblog!

• Aquarius sun/rising/moon- Their ethereal charm comes from owning their individuality. After being cast out, set aside and criticized for their personality, Aquarians learn to accept themselves, which creates an otherworldly charm. They have a way of trademarking themselves, like a brand 🤍

• Capricorn moon/rising- Same here, cap moon babies are raised by Saturn’s harsh lessons. They always seem to be in another world, after the experiences they’ve had as a kid. They’ve seen the worst. I think their charm comes from their ability to home multiple perspectives and their ability to shed old selves.

• Neptune 1h- Need I say more? Mermaid like, dreamy, you never truly know this person. They adapt to the environment around them like mist. Always changing their energy, vibe. You think you caught them, only for them to take off 🕊️

• Virgo sun- Literally almost all virgo suns have had an ethereal vibe to them. Like a plant faerie. So put together, effortless and yet with a charm 🌊 Virgo suns are intelligent at knowing what works for them appearance wise, and also carry a grounded energy to them.

• Libra rising/moon- Effortless, graceful, like a swan. Movements are slow, languid. Always there for a good time, and leaves a good impression. Always has a trick up their sleeve to charm anyone 🕊️

• Cancer/sun/moon/rising- Ruled by the moon 😻 Literally. Guided and called by the moon that sits above the water. These natives have an alluring dark aura to them, you cant help but be pulled in. There’s always something to them you feel like you can’t figure out. Almost like the tide pulling you in more and more.

• Pisces placements- Half in one world, half in another. Head is always swimming somewhere else, imagining a story unfolding before them. Everywhere they look, they are captivated by their imagination. You cant help but wonder what they see, how artistic their mind is.

Thanks everyone! That being said, you do not only have to have these placements to be ethereal and unique! So many placements exist and combinations, and so many people have their own vibe 😻🤍 Love ya’ll! Feel free to like, comment and reblog to help this blog ��

[thewriteadviceforwriters]

Hello, and thank you for your blog and resources! I’m still reading through them, but I needed to ask you something.

I’m writing a story where the two main characters aren’t really the heroes of the story. They just happen to be the villain’s target, which is defeated by the true hero, and this hero almost doesn’t appear until the very end. My two little guys are only there to, basically, suffer.

How do you call that kind of “protagonist”, if they can really be called that at all? I thought they may be antagonists but reading your post about villan vs antagonist, they really aren’t. They’re just really unlucky to be caught up in the middle.

Thank you for your help!

Hi!

Thank you so much for asking this question. I'm so happy you asked. I'm glad you enjoy my blog. My goal is to provide resources for writers and help others on their writing journey.

I find your premise fascinating, and I would love to read it myself. I completely understand your confusion about your character's role. Personally, I have experienced that a few times in my writing projects.

Hopefully, this short blog post can help you understand a bit more about your characters and their roles.

Defining your character's role

When we discuss the role of characters in storytelling, it essentially involves labeling. The ability to define and assign these labels to your characters can sometimes be confusing. Storytelling roles are meant to provide a simple way to understand where your character fits and the actions they need to take in the story and the plot. However, there are instances where characters can't be easily categorized with just one word.

Storytelling thrives on complexity; it's not an easy thing to fit into one box, just like how you can't put a book into only one genre. You can't do the same thing for characters. Classically in storytelling, protagonists are often viewed as the "heroes" leading the story, plot or other side characters. But it sounds like your characters are in a different box.

First, let's brainstorm some unique ways to label your characters without relying on classic storytelling roles.

Protagonists in Distress

You might be confused and wondering why the word "protagonist" is used here. Well, your characters can still be considered protagonists even if they're not saving the day. "Heroes" and "protagonists" are different. Your two characters are the central figures of the story, whose struggles and experiences drive the plot forward. This means they are shaping the narrative from their own perspective, and if you ask me, that sounds pretty much like a protagonist.

Sympathetic Characters

These types of characters are not talked about enough; however, anyone who reads a story has encountered at least one of these in literature. They are the ones who tug at the audience's heartstrings, bringing the readers into your story in a sympathetic way. Even if they aren't out on a quest for glory, saving the day, or helping other characters, their suffering, struggles, and conflicts can easily illuminate the themes of our story or raise the stakes in a significant way.

Think of it this way: Let's imagine you have a favorite book. You obviously have the classic protagonist or "hero." They drive the plot forward, are in their perspective, and they're the first character mentioned in the synopsis of the book. However, you also have those side characters, perhaps your character's friends or allies. Their stories, personalities, and their role in the plot individually make you like the story even more.

a story isn't anything without characters, and a story with only a protagonist wouldn't be a story. Most times in literature, readers like side characters more than the main character.

Catalysts

Since you mentioned that the challenges your characters face set the stage for the true hero to emerge in the plot, they may actually be acting as catalysts for change, which is a very important role. Catalyst characters' experiences could kickstart another character's journey or emphasize the antagonist's cruelty/conflict.

Tips for Developing Their Roles

Now that I've pinpointed some roles that may relate to your characters, here are a few tips to help you flesh them out:

Backstory exploration: When creating characters, especially the ones that you are developing, it's important to delve into their histories. You need to be able to confidently state how they arrived at this pivotal moment and why they are the perfect characters for this role. A rich backstory can make their struggles feel more impactful and relatable, which are two elements that readers love in characters nowadays.

Emotional resonance: Focus on the characters' emotional journey, as this is key in creating a 'catalyst' type character. Their reactions to the unfolding events, and the special moment when the true hero makes a significant change to the story, can really connect with readers. Try exploring what they fear, hope for, and dream about. Adding depth to their circumstances can make your story even better.

Agency within Limits: Even if they find themselves in tough situations, I recommend you consider giving them moments of agency. Small decisions can really show their growth or resilience, even if they aren't the hero or undertaking heroic acts.

Relationship Dynamics: I will emphasize this because it's important. The bond between your main characters can add depth or moments of levity, which can really add another great, unique element to your story. The fact that you have two catalysts and a true hero already makes your story fascinating. However, building a relationship or friendship between them can serve as a bright spot amid all the chaos that goes on throughout your plot. This can showcase connection and hope which can balance the heavy themes in your story.

Thematic Focus: Every story needs a theme. That's why I recommend thinking about what the characters' suffering represents in the grander scheme of your narrative. Try brainstorming the perfect theme for your story. Is it a reflection on fate, the randomness of evil, or the nature of heroism? The themes surrounding their challenges can elevate their significance beyond mere plot devices and storytelling roles.

Your character may not fit neatly into the roles of "hero" or "villain," and that's completely fine! Please don't stress about emphasizing their complexity, and let their experience enrich your story. I hope this helps clarify their roles and sparks some inspiration as you keep writing! If you have any more questions or need any further guidance with anything at all, please don't hesitate to reach out to me!

Happy writing! - Rin T.

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors. 

[stsgluver]

tags. criminal minds x jjk, eventual gojo x reader, basically just a backstory to drabbles in this au, no plot, overview, some characters are based around criminal minds characters

serial killers were once considered an american phenomenon — a consequence of culture and inadequate socialisation. however, if there is one thing all countries have in common is just that: serial killers.

japan specifically devised a new department to help tackle the growing issue posed by these deranged individuals: jjk. within the jjk, the most notorious unit is the bau — behavioural analysis unit.

ssa yaga masamichi leads as unit chief and has done so for the last decade. he has accumulated almost two decades of experience on the job and, prior to that, worked as a prosecutor. he is considered cold and abrupt to those unfamiliar with him but is deeply admired by his agents for his tenacity and drive to put evil away.

utahime iori is their stubborn technical analyst with a competitive streak. she was recruited by jjk after her father was arrested on significant drug charges and she successfully managed to hack into the criminal database and remove them. her little sister was to be moved into the foster system had she not since she did not have the money to support her. jjk offered utahime a job and then helped to ensure she could take legal guardianship of her little sister. she hates going out on the field and loves her little cave of screens.

ssa shoko ieiri is a former pathologist turned agent. after finishing medical school, she spent two years working as a pathologist when she became involved in a serial killer case. she had been the first to identify a specific signature across three different bodies and alerted local authorities who brought in the bau. for two weeks she spent a lot of time with these agents and, once they left, decided that just determining the cause of death no longer appeased her ambition. she enrolled in the next behavioural study class ran by a former bau agent and within several years made it onto the team. she is cocky by nature and often clashes with the local authorities due to her blasé attitude and blunt words.

ssa (dr) gojo satoru is a genius and he knows it (and he makes sure everyone else does too). with an eidetic memory, there is not much that gets past him. he's arguably the best agent when it comes to speaking to families and interrogation, as he has the widest range of personalities and can quickly switch from bubbly and playful to imposing and serious. little is known to the team about his life before the bau - only that he has several phds to his name (but he hates to be called dr).

ssa ln yn was personally recruited and brought to the team by yaga once you had completed the basic training due to your unique perspective as the daughter of a serial killer. yaga had been on the team for around five years when he'd put your father away for the murder of eight young girls. your mother was dead too which meant that you were forced into the system at only ten years old. he'd maintained contact with you, encouraging you into jjk and then into the bau. you're the most approachable and one of the hardest workers on your team, although you often overcompensate for your unresolved guilt around your father.

not much is known about ssa geto suguru prior to the bau as most of it has been redacted. what is known is that he was enlisted by the government to join task forces and commit acts that the government would deny ever took place. despite how scary he seems on paper, geto is sweet and caring and always puts his team first. he has literally jumped into a burning building for gojo one time after negotiations went wrong.

nanami kento is the communications liaison for the bau. often mistaken for an agent due to his strong build, he in fact hates the idea of being on the field. he dislikes violence and prefers to do whatever he can to help victims and the public by communicating with the unsub through media.

[mystic-rubysunflower]

Libra Rising: The Charm of a Celestial Dawn

As a first house libra rising with black moon Lilith forming a conjunction with my ascendant, heres what I know from personal experience...Do you share these astro placements with me?? The first house not only influence but also presents a unique outlook on how the world perceives you. For those with Libra rising, the aura they project is that of charm, diplomacy, and a deep yearning for beauty and harmony.

Libra Rising: The First House and Its Significance

In astrology, the first house is an area of the chart that signifies one’s identity. It is the lens through which we view the world, our self-image, and the impressions we leave on others. With Libra ruling the first house, your approach to life is colored by themes of relationships, aesthetics, and a strong desire for equilibrium.

Imagine waking up every day driven by a need for balance—a delicate dance between your desires and those of the world around you. Libra rising individuals tend to prioritize social harmony, valuing partnerships and communal experiences above all. The key phrase for a Libra rising individual is often, "What’s in it for us?" This perspective extends beyond mere selfishness; rather, it reflects an inherent instinct towards collaboration and shared experiences, emphasizing that life can and should be better when it is lived together.

The Libra Personality Traits

Individuals with Libra rising are often seen as graceful and sociable. Their charisma lights up a room, drawing people in and making them feel comfortable. They possess an innate ability to relate to others, often finding common ground in almost any conversation. Here are a few hallmark traits that characterize those with Libra rising:

Diplomatic Nature

: Libra’s desire for harmony resonates deeply within these individuals. They often act as mediators in conflicts, keen on ensuring that all voices are heard. This diplomatic prowess enables them to navigate complex social situations with grace.

Aesthetic Sensibility

: People with Libra rising are often artistically inclined. They have an eye for beauty, whether in art, fashion, or interpersonal relationships. Their surroundings often reflect their taste and an appreciation for aesthetics.

Affectionate and Romantic

: Libra rising individuals cherish relationships, often forming deep emotional connections with others. Their romantic ideals are high, and they seek partnerships that bring balance and fulfillment to their lives.

Charming and Charismatic

: Naturally engaging, those with Libra rising often come off as charismatic. Their warm demeanor and polished communication skills make them easy to connect with, attracting friends and acquaintances alike.

Indecisive

: On the flip side, the need for balance can lead to indecision. Libra rising individuals may find it challenging to make choices, particularly when those choices can affect others.

Black Moon Lilith in Libra: An Intriguing Aspect

In astrology, Black Moon Lilith represents a unique aspect of feminine energy, often linked to themes of independence, rebellion against patriarchal constraints, and embracing one’s primal energy. When Lilith is placed in Libra and occupies the first house alongside your Ascendant, the dynamics of relationships and the search for balance take on an intriguing intensity.

With Black Moon Lilith in Libra, the interplay between partnerships and independence becomes complex. While Libra rising embodies socialization, harmony, and collaboration, Lilith pulsates with an appeal to assert personal freedom and explore one's darker instincts. Here are some key elements that illustrate their coexistence:

Magnetic Presence

: Individuals with this placement often exude a magnetic quality. While they strive for social harmony, there's an underlying sense of mystery that draws others in. The Lilith energy adds an edge to their charm, making them intriguing figures who keep people guessing.

Struggle for Equality and Independence

: The desire for balance can sometimes clash with the need for independence. Libra rising individuals with a Lilith influence often grapple with the tension of wanting closeness while simultaneously needing to assert their individuality. This dynamic can lead to struggles within partnerships, causing them to oscillate between wanting to connect and seeking freedom.

Exploration of Relationships

: Relationships become a fertile ground for personal exploration as they navigate the realms of unity and independence. Many encounter provocative experiences in their partnerships that push them to confront their own desires and boundaries.

Emphasis on Authenticity

: Lilith in Libra can foster a desire for authenticity in relationships. These individuals are not content with superficial connections; they seek depth and meaning, valuing honesty and transparency as they navigate romantic entanglements.

Challenges with Trust

: The juxtaposition of Libra's idealism and Lilith's chaotic energy may lead to a wariness in trusting others. This placement can result in a precautionary nature, where they may unconsciously push back against vulnerability, fearing that such openness may jeopardize their independence.

Navigating Life as a Libra Rising with Lilith

Living with Libra rising and Black Moon Lilith in the first house translates into a rich, textured life that can be both rewarding and challenging. Here are some ways to navigate through the complexities of this unique combination:

Prioritize Self-Awareness

Understanding your motivations and desires is key. Reflect on your relationship patterns and how they align with your need for both partnership and independence. This insight will guide you in making decisions that honor your inner needs while still appreciating the essence of connection.

Balance Independence with Togetherness

Embrace activities that allow personal space within relationships. Consider deepening your individual interests or hobbies that positively challenge partnerships. Finding time for solitude can recharge your spirit and enhance your ability to engage with others.

Foster Authentic Relationships

Seek connections that nourish your soul. Surround yourself with people who respect and cherish your individuality while encouraging emotional depth. These interactions will fuel your inner desire for authenticity.

Trust Your Instincts

Developing trust—both in yourself and others—is vital. While the push-and-pull of your energies may induce moments of hesitancy, learning to listen to your instincts will promote growth. Embrace vulnerability by opening up to those who have proven themselves trustworthy.

Embrace Your Chaotic Energy

Rather than shying away from Lilith's chaotic influence, lean into it. Explore creative outlets, engage in self-expression, and allow your inner rebel to thrive. This authenticity not only enriches your life but enhances your presence among others.

Libra rising individuals exemplify the art of relationships and diplomacy, weaving a path of charm and beauty in the world. The presence of Black Moon Lilith in Libra adds an exciting dimension to their journey—inviting exploration of the delicate interplay between partnerships and individual identity. Understanding and harnessing these energies allows Libra rising individuals to navigate the world with both grace and authenticity.

♎⚖️🐚🖤

Ultimately, life as a Libra rising with Lilith is a continuous dance—a harmonious interplay between the longing for unity and the passion for independence. By embracing their complexity and navigating it mindfully, they can create profound connections and live a fulfilling life that honors their unique essence.

[yuzurujenn]

[2024.11.25] Weekly Toyo Keizai Nov issue: Yuzuru Hanyu: An evolving entertainer

The world's most famous figure skater is now on the verge of further evolution. Ahead of the opening of his latest tour, "Echoes of Life," on December 7, he shares his thoughts on being a "professional" and the influence he holds.

Text Mai Yamamoto Design: Satoko Suzuki, Kanaka Nakamura Photography: Shuji Umetani Cooperation: WINEstudios

Yuzuru Hanyu achieved back-to-back Olympic victories in Sochi 2014 and Pyeongchang 2018. He was the youngest individual recipient of the People's Honor Award. At the Beijing Olympics in 2022, he attempted his dream of a quadruple axel jump, attracting worldwide attention. Yuzuru Hanyu is a rare figure skater. His popularity remains immense. Tickets for his shows remain hard to come by, regardless of the venue, and his performances attract fans from all over Japan and the world. His long-term commitment to disaster relief has garnered widespread support, creating a large circle of aid centred around him. After transitioning to professional skating in the summer of 2022, he has focused on expanding his figure skating. He is creating new entertainment that expresses his own stories through large-scale productions such as video and on-ice projection mapping. What is Yuzuru Hanyu trying to achieve? An exclusive interview delves into what happens when he takes action, including insights from related companies and local governments. Special interview

After turning professional, he held solo shows and solo tours, which were previously unimaginable in the traditional figure skating world. He created a unique show format called "Ice Story." He is also now exploring new ways of connecting with his fan community. What is the young entertainer thinking in the midst of such transformative times?

--What was the reason for the success of all your solo shows "Prologue," "GIFT," and "RE_PRAY"?

Honestly, it's hard to define what "success" means in this world. However, one thing I can proudly say is that tickets for all the shows were almost sold out. Many people bought tickets to see me skate. Ticket sales are an important indicator, and I want to maintain the perspective that "almost sold out = almost successful." When I think about the factors behind the success, it's not just my own ability, but something much bigger. How can we make the show better and what is most needed? Everyone involved in the show put in a lot of effort and thought. I think the success came as a result of that.

--In your first solo show "Prologue," you performed 8 programs in each show, mostly from your competitive skating repertoire.

Although not all the performances were full versions, "Prologue" was a show with many parts that I had to manage with my own strength and technique. The Tokyo Dome performance "GIFT" was coming up in few months, so I approached this show with the mindset that I was going to shape my solo show from now on.

The production and management team also took a trial-and-error approach to this new challenge. I didn't consider "Prologue" as an "experiment" but instead wanted to succeed as a complete piece of work. However, it was significant that this show helped us all share the image of a solo show as a team.

The next show, "GIFT," was a one-time performance. How do we showcase a skater in the vast Tokyo Dome? How could figure skating as an expressive art be expanded? It was an unknown challenge for all of us.

The challenges and appeal of the Tokyo Dome

--Normally, seats close to the rink are popular at ice shows, but for "GIFT," all the seats were far from the rink. Overcoming and making use of this condition was a key feature of the show. You incorporated elements of a music concert into the direction. For example, there were scenes where dancers performed around the rink. While such a direction is not unusual in live performances at dome venues, it’s not something you can do at a regular ice show since it would obstruct the view of the audience and make it difficult to see the skaters.

It was an unusually extravagant production for an ice show, but without it, the space between the rink and the audience would have seemed rather empty. Loneliness and solitude are important pieces in constructing the story of "GIFT," so there was also a desire to bring out these emotions. But in the individual sport of figure skating, the skater is already a solitary figure. Simply performing in an empty space would have made the performance feel too lonely. To surprise and entertain the audience, it was necessary to do something different from the usual.

I want everyone, no matter where they sit, to have a special experience.

--It's a refreshing feeling that it's interesting to watch from a distance.

It’s a difficult point. When considering demand, many people say the best experience is when they watch from the front row. The speed and dynamics of a skater are more noticeable up close, and you can feel their expressions and breathing and even sense their gaze on you, which is part of the appeal of sitting near the rink.

However, I don’t think the figure skating I want to show is limited to just the charm of close-up views. I always think, “No matter where you sit, I want you to have a special experience that you can only have in that seat.” In "GIFT," there were no seats close to the rink, so we focused all our efforts on how the skating can be seen from a distance.

--This approach of "no matter where you sit" is also carried over into the arena tour "RE_PRAY."

We refined the know-how that we gained from "GIFT." And one more point. In figure skating competitions, generally, the skaters perform on the long side of a 30m x 60m rink, the 60m side of the rink, with the side where the judges are located as the front. This is how people perceive the rink as being horizontal. However, after turning professional, I started placing great importance on showing the rink from the short side, with the 30m side as the front. On one side of the short side, we placed a large LED screen, and the audience sat in front and on either side. We used projection mapping to link the visuals on the ice with the skating paths, and we also used large gauze curtains. Since we are using the rink vertically, I am also conscious of utilising the depth and perspective of the space.

--So, the short side seems like the "winning" side, but there are more seats on the long side. Doesn’t that lower audience satisfaction?

Actually, there are things that can only be felt from the long side. In figure skating, how far you can glide in one step and how fast you can go is crucial, and this is most apparent during long-distance movements. Therefore, on the long side, you can enjoy the big horizontal movements that are typical of figure skating, while on the short side, the focus is on utilising the depth, which is a new attempt. Also, in programs that use projection mapping, the visuals on the ice and the skating trajectory are more clearly visible from seats further away.

--So, the experience is different depending on the seat.

When I look at the data of those who bought tickets for my shows, I see that many are repeat customers. Because of this, when I was thinking about the structure and direction of "RE_PRAY," I focused on the concept that 'by watching it repeatedly, you can experience a different world each time (replay).

Additionally, this is something common in dance and ballet, but in expressive forms like those, the appeal tends to be stronger on the front-facing side of the body. Plus, figure skating is like performing on a stage placed in the center, meaning the audience can view it from 360 degrees. Therefore, in ice shows, we must be conscious of the 360-degree perspective in the direction and lighting. The fusion of the 360-degree design of the skating and the 360-degree design of the staging creates a fascinating experience where different views can be seen depending on the seat.

--"RE_PRAY" seemed to attract many new fans.

"RE_PRAY" had a theme of games, and word-of-mouth spread among game fans, which led many people to come to the venue or attend the live viewing for the first time.

The production and management team always want to create a show that new audiences can enjoy. However, even so, the most important thing is to consider those who think, "After all, I love Hanyu most." First of all, I want to create something that my fans will think is cool. Then, I think about the people who come to the show for the first time. Since people who love music, ballet, or have a deep appreciation for the arts also attend, I want to ensure that the experience doesn’t feel cheap, but rather that they can think, 'I had a luxurious experience by coming to this show.'

--There are more and more performances attracting attention from fans of the works you've collaborated with, such as 'GIFT,' which has a picture book published by the creative group CLAMP, and 'Meteor,' a song from the anime series 'Gundam SEED'. Is this a conscious effort?

I do think about bringing in fresh collaborations. But when it comes to games, anime, or manga, when I collaborate or use songs, it’s important that "I am really interested in it, I love it, I have been exposed to it for many years, and I have accumulated knowledge and experience." If I don't have depth in my approach to the work, I can’t show respect for it, and my performance will end up shallow.

That shallowness would likely be felt by the fans of that work, so I don’t want to casually take advantage of the popularity of someone else’s work. I want to make sure I respect and value the people who love these works. Because I genuinely love it myself, I can understand what would make people who also love that work or field feel like, 'It would be fun if it were expressed this way.' I want to focus on doing things that I can dive into deeply and do well.

"As a medium and a brand"

--You once said that "Yuzuru Hanyu is a medium." Do you still feel that way?

Essentially, I still feel the same. There's a line in the song "Sainoujin Ouenka (Support Song for the Troubled Talent)" by BUMP OF CHICKEN that says, "There is no song sung just for me." I believe that’s true. On the other hand, many people experience a song that touches their hearts, or an image forming in their mind when they listen to it. That’s something the creator probably didn’t intend. It’s from the creativity of the listener that unique emotions and actions are born.

It's the same with my figure skating and the words I say. When the person who receives them recalls something from it and feels their imagination being sparked, they say things like “That touched me” or “I like it.”

In that sense, I see myself as a medium. When I try to convey something, it is not always possible for 100% of what I am thinking to reach the audience. But if, in that moment, my attempt to convey something helps someone recall or evoke something within themselves, then I believe that’s the most accurate form of expression.

--I imagine there are also difficulties in maintaining the 'Yuzuru Hanyu brand' as a medium and meeting expectations.

Right now, I have a team of many people who worked with me on my solo shows. We share and discuss the image of 'how Yuzuru Hanyu should be presented' through the perspectives of people with diverse expertise. I receive their advice and align it with my own objective view and feelings of 'what I want to do.'

In the end, only I know how I feel. Now that I am starting to place more value on my own feelings, I have a clear image of what I want to do. But, if I were to solely produce myself based on my own feelings, the product would end up too narrow in its perspective. Although, it feels strange to call myself a product...

Now, I can speak comfortably in front of my fans.

--Was it difficult for you to value your own feelings in the past?

I think I was much more empty before. In figure skating, everything is left up to the judges. The score changes depending on what the judges think. So, in order to earn points and win, I had to prioritise what kind of music to choose, what themes to pick, and what to express, rather than what I personally wanted to express. I spent a long time thinking about how I would be evaluated. It may also be a habit from when I was a child. I’ve always felt that the happiest thing is when someone becomes happy or when someone is pleased.

So, I wasn’t sure what personal happiness from within me really was. But over time, as I worked on ice shows and new programs, I gradually came to understand what happiness arises from within me. I think I’ve started to be able to cherish that feeling. In a good way, skating is no longer just something personal to me. Being part of this larger movement of ‘creating a show with everyone’s help’, I’ve started to understand what personal happiness is. Although it’s still somewhat unclear and difficult for me to grasp.

-- Is it like separating the happiness of "work = skating" from the happiness of your private life and balancing them?

I wonder. To some extent, I try to separate them, but in reality, they proceed simultaneously. Skating and the various projects that stem from it aren't absolutely essential to my survival, but without them, I would lose my sense of purpose. In that case, I think 'purpose' and 'happiness' might be the same thing. So, when my personal happiness aligns with the success of a project, I think, 'Well, in the end, they are one and the same.'

"Realising the presence of fans"

--You maintained a stance of not revealing your private life or sharing unnecessary information during your competitive years. However, in the past few months, you’ve been expanding the ways you communicate with your fans, such as through messages for YouTube membership subscribers and radio (audio broadcasts).

"The frustration of not being able to express what I want to convey has always been there since my competitive years. For example, after a competition where things didn’t go well, if I were to analyse the cause and explain it in detail, it might come across as making excuses. There was a long period when I felt I shouldn’t show any weakness, and I thought I couldn’t afford to show any openings. If I showed my weakness, there were some... how should I put it... bad people who would seize upon it. It's hard to say (laughs).

However, during the "RE_PRAY" tour, I came to realise that there are so many people, including those in the membership, who are genuinely looking forward to my skating. Of course, each fan has their own heart, and when I say something, the interpretation will vary among individuals, and the images that come to mind will be different. But now I can speak with the reassurance that these people are supporting me in such a positive and kind way. I’ve gradually started to be able to express things that I had buried deep inside me with the help of everyone.

--Is that the main difference between your amateur career and your professional career?

When I was competing, I was fighting with everyone, including my fans. No matter what performance or result I had, people would say, "You did a great job," or "I'm glad for you," but deep down, I'm sure everyone wanted me to come in first. In the professional world, I don't have to fight anymore. As long as I do a good performance and look happy, most of the fans will tell me that makes them happy too. Because of that, I can feel at ease and entrust myself to the fans.

--On the other hand, there is a unique excitement in competition. Without clear rivals, is there something you’re doing to maintain the enthusiasm of the fans in ice shows?

It’s difficult. This is something I’m thinking a lot about right now. It’s not easy to create the same excitement in an ice show as in a competition. Without a clear goal of overcoming something or becoming number one, the sense of unity between me and the fans, as well as among the fans themselves, can easily become fragmented.

However, through my skating, I believe I can evoke the memories of the competition days, like the landscapes seen at the competition venues and their surroundings, and the images and emotions from those times. Therefore, for my long-time fans, I consciously perform in a way that helps them recall what they hold dear. I believe it’s possible for them to feel the excitement from back then, plus see how much I’ve improved since.

Also, like the ‘suspension bridge effect’, I’ve had many situations where I fought through a crisis. For example, at the Pyeongchang Olympics, and at many other competitions where my ankle was in terrible shape, or my overall physical condition was bad. When I managed to overcome those tough situations and win, many people thought, "It's cool that he won against the odds."

My biggest goal now is to create something that makes people think, "This person's skating is really good," without needing the ‘suspension bridge effect’. ----------------------------------------------------------------------------- Yuzuru Hanyu, born on December 7, 1994, in Sendai. He won gold medals at the 2014 Sochi Olympics and the 2018 Pyeongchang Olympics. In 2018, he was awarded the People's Honor Award. In 2022, he attempted the quadruple axel at the Beijing Olympics, finishing in 4th place. In July 2022, he turned professional. He pioneered a new frontier in figure skating with his solo performance "Ice Story." Since the Great East Japan Earthquake, he has been diligently working on supporting recovery efforts.

Source: Weekly Toyo Keizai 2024/11/30 issue, pg 62-69 Info: https://www.amazon.co.jp/dp/B0DM558RM9 

[ikeprinces-stuff]

Event : Leon Dompteur sequel route release

Host : @aquagirl1978

Characters : Leon x Reader

Words : 1414

A/N : My first entry to the event, a day early before the start time, pls don't mind me, Aqua ✨❤️🤣 the one who'll get deeper to what inside the story is the smartest fella!

Day 1 - “Love : Who/what does Leon love? what does love mean to him?”

Love can take on numerous interpretations, shaped by individual perspectives and experiences. For some, love serves as a coping mechanism, while others might use it as a justification for actions that stray far from its essence. Conversely, many view love as a beacon, a source of joy, and a guiding force in life. The unique love discovered by the King of Beasts was particularly exceptional; it prompted him to reconnect with a part of himself that he believed he had eradicated long ago, unaware that this hidden self had been quietly residing within his lonely heart.

This newfound love acted as a catalyst for his journey towards authenticity, allowing him to emerge as his true self rather than merely playing a role cast by others. After nearly succumbing to the depths of his solitude and despair, he found solace in the presence of someone who shone like a warm ray of sunshine, nurturing him back to life and helping him rediscover the essence of who he truly was.

“Nothing will change the man I know, you will always be you.” Even after all this time, the words still resonate in his mind like the enchanting sound of bells—melodic and timeless. He finds himself replaying them over and over, especially when he’s with you, the one who spoke those cherished words. They linger in his thoughts, a beautiful reminder of that moment, evoking feelings he never tires of reliving.

"‘As she departed from the barren place she once called home, she resolved to embark on a journey through the kingdoms, in search of the truth... answers... about her own identity. Throughout her life, people have regarded her as charming, resolute, and adept at winning hearts with her personality and deeds, almost effortlessly.’" You read the passage attentively, your place nestled in your king's embrace on the bed, as if sharing a bedtime story. "You know, Leon?" you called out, catching his attention, which shifted towards you with evident curiosity. "This heroine reminds me of someone. She has a way of captivating people instantly, with an irresistible charm." You shot a teasing glance at Leon, prompting him to chuckle. "I wonder who that could be?" he replied playfully, already aware of your intentions. As he wrapped his arms tightly around you, pulling you closer, his actions spoke louder than words, reinforcing your point.

“Do you really think she’s like me?” Leon asked, his strong arms enveloping you in a comforting embrace, transferring warmth from your skin to your very heart. You let out a soft sigh, allowing yourself to lower your defenses in his presence. “Maybe not exactly,” you replied, sensing the intrigue reflected in Leon’s eyes. Earlier, you had drawn a parallel between him and the heroine of the story, but now it seemed you had shifted your stance. “What do you mean by that?” Leon inquired, curiosity evident in his voice and a playful smile dancing on his lips.

“Well, this heroine, despite her intelligence, beauty, and indomitable spirit… spent her life in solitude. She overcame challenges and fought against the odds, yet she did it all on her own. Though many admired her, she never let anyone in, never truly lowered her guard. She was surrounded by admirers, but her only true companion was her instrument—her intuition and her instinct for survival.”

Leon was taken aback by your in-depth character analysis, recognizing its precision, poignancy, and underlying sadness. Even though the character was fictional, he felt a sense of connection. Despite being constantly surrounded by supporters and admirers, he too often felt the grip of loneliness. In a way, he and that heroine were linked by their shared struggle with solitude.

“Maybe it’s just that she hasn’t discovered what could liberate her from her loneliness yet,” he mused, his voice tinged with a softness that hinted at deeper thoughts. Glancing at him, you noticed his gaze was fixed not on the pages before you but somewhere far away, filled with a mixture of sadness and affection.

“She’s lost, you know,” Leon continued, lowering his voice almost to a whisper. “Without any hints of her past, she learned to build walls, never trusting anyone. She was a shadow of herself, unable to open her heart.” As he spoke, you caught a flicker of vulnerability in his eyes, as if he were recollecting an intimate part of his own life. Your hand instinctively reached out to his cheek, caressing it tenderly. To your surprise, Leon leaned into your touch, closing his eyes as he reveled in the comfort you offered.

“You and this heroine are quite different, though,” you chimed in with a playful smile, watching him react with a mischievous glint in his now-opened eyes. “You’ve been quite the wordsmith lately, haven’t you?” You laughed lightly, before continuing, “While I can see why you might see similarities, let’s be real here. You said she couldn’t find a way out of her loneliness, but that’s not true for you.” There was a pause, a bridge of unspoken connections stretching between the two of you. “She couldn’t be herself with anyone. But you… you found me. You never had to hide who you are from me.”

Leon fell silent, and you could feel the warmth of your emotions swirling in the air. “When I fell in love with you, it wasn’t just affection; it was a desire to share this life, to ensure you’d never be alone. You’ve always told me that our love lets you be yourself, that with me, you can embrace the real you.” You felt a sense of resolution settle around you, as if the darkness that once surrounded Leon was slowly lifting, replaced by the bright light of acceptance and connection.

Leon locked his amber gaze onto you, an irresistible glint of mischief in his eyes as he snatched the book from your hands and slammed it shut, plopping it down on the bedside table. “Hey! I wasn’t done with that yet—Oooff!” The air rushed from your lungs as he nestled his head against your chest, arms wrapping around you tight. “Leon…?” You could hardly process it as he purred like a contented cat, radiating warmth and affection that made your heart flutter. “You’ve got this uncanny knack for making me fall head over heels every single time,” he murmured, grinning up at you.

Your surprise quickly melted into adoration. “Well, I hope that heroine finds something to chase away her loneliness,” Leon said, as your fingers gently gliding through his hair. “Someone who makes her feel free to be herself, you know?” Leon nodded thoughtfully. “Basically, she needs to find love, right?” you added, and he totally agreed. “I always knew you cared for everyone, but I didn’t think you’d extend all that compassion to fictional characters too,” you teased, a grin creeping onto your face.

“Hey, I just can’t stand the thought of anyone going through what I did,” he shrugged, still clinging to you like you were his security blanket. “If that heroine figures it out, it’ll mean she learns that being herself is all about love. And thanks to you, I know just what that feels like.” He looked at you, eyes glimmering with hope, and you couldn’t resist giving him a gentle kiss on the forehead. “Really, all I did was fall for you. I’m not some great sage or anything,” you laughed lightly, but his expression was mock-serious. “Oh please, drop the modesty! Even if it’s true, I’m giving you all the credit anyway,” he shot back, settling on top of you like it was the most natural thing in the world.

With barely a moment to catch your breath, he leaned in and pressed his lips against yours, fingers intertwining in a dance that felt like pure magic. Just as you were about to get lost in the moment, reality hit you like a ton of bricks. “Ugh, what if I forget where I left off in the book? This is totally your fault!” You rolled your eyes, but there was a smile tugging at the corners of your mouth. Leon chuckled, brushing a strand of hair behind your ear. “Don’t sweat it! You won’t forget a single detail of tonight—especially when I keep reminding you how much I love you,” he grinned, capturing your lips again as you both dove into a world that was just the two of you, wrapped up in an endless loop of love and laughter.

Fin ✨❤️

Taglist : @violettduchess @the-bird-and-the-flute @lorei-writes @chirp-a-chirp @solacedeer @judesmoonbeauty @drachonia @wistfulwanderingone @candiedcoffeedrops @scummy-writes @rjthirsty @reborn-elven @candied-boys @leonscape @citrusmornings

(PLS LET ME KNOW IF YOU WANT TO / DON'T WANT TO BE ON THE LIST!)

[arcane-abomination]

This is a post a long time in the making. Typically when I read about experiences with plants and death magick its done from a perspective of plants being treated more like any other tool. Inanimate objects more or less. As a practitioner of druidism, animism, and shamanism within my chaote label, this kind of disheartens me to a large degree. As I’m in belief that everything has a soul, there’s nothing more unique than a plant soul within death witchcraft.

A Plant’s Death

The trickiest question to answer here is when exactly is the moment of death for a plant. Because they don’t have vital organs the way animals do, it can be difficult to ascertain such a moment. Is the plant dead as soon as is picked? Is its death reflected as it wilts? We can’t completely be sure. For this reason, it’s probably safe to say, that many don’t use a plant’s spirit in death magick that often for this reason.

In truth, a plant’s time of death can’t be interpreted the same way an animals can. Their makeup is far too different. That’s where the problem lies. We struggle to interpret something by rules we set forth not understanding that, that which we seek to understand is, by nature, outside of those rules. Thus, we have to look outside the box we’ve placed around ourselves.

The truth is that a plants death isn’t as simple as the moment the soul leaves the body. It’s quite possible their death has much more nuance than we think. Where the exact moment of death for us can be measured in a second, it’s quite possible that a plant’s can not. Making their death something far longer and more advanced than ours.

What is a Plant’s Soul

Another interesting thing to consider is how a plant’s soul works, but therein lies another problematic nuance. What is the plant in comparison to a singular body? Is each individual flower its own being? Or are they one being since everything is contacted at the root? In my personal experience I would answer that it’s a mixture of both.

One can almost compare things to that of the triple goddess or the idea of epithets. One singular being exists but from that being several other beings take form. They often are comprised of more specific energies that coincide with the master soul. But appear to have their own unified personalities and makeup. This is how, in my opinion, some plant’s work. A tree for instance has one soul and one soul only. But some flowers may have multiple. One singular soul dwelling within the roots but as singular stems sprout from the roots connected as one only beneath the surface, may give form to epithetic souls in connection to the master soul. That’s why sometimes each flower can feel like it has its own unique energy in comparison to the others in its colony.

The Astral Form

When working with plant souls it is important to recognize that they don’t communicate naturally the same way as we do. That’s why connecting in astral can be so important. Spirits in astral can form themselves as they see fit and plants often take on alternate forms that the person can connect with and understand better. Therefore, it’s best to be aware that the spirit you may see when connecting to a plant in death work, may not appear at all plant like. If unsure…simply ask.

Death Energy of Plants

The death energy of a plant spirit can often have a different vibration to it, but it can work very similarly to regular spirits. Just as we may use a bone to attract that animals spirit or go to a grave to call on a human’s spirit, so do we use the plants body to call on them. Their dried flowers, and leaves act in place of bones. While their seeds act like the souls of children. Young souls, that can be rather mischievous. And just as you treat those bones and grave sites with respect, so should you treat those plants with respect. They may not be bone but they are just as important as them. Disrespectful use of a plant’s corpse that you wish to utilize can result in a disconnect, and essentially an empty vessel.

In Conclusion

It’s important to recognize that plant spirits are a very unique factor to utilize in your death craft journey, but they can be very splendid spirits too well worth. They can offer different tales on a situation and inspires you may not have thought possible or even considered. Remember, they are very different from us and will often have perspectives from angles we can’t properly see.

[lifenconcepts]

(rambling on here, hope that's alright.)

i just wanted to say that i really adore reading all the things you have to say. we are similar in some ways, and it's relieving to know that another being has felt things that i, too, have felt. it's strange. logically, i know that nothing i have ever experienced is unique to me, for the world is so large i couldn't ever comprehend it, but we inhabit such small bodies, our lives are so simple, it seems i forget a lot. i have trouble accepting that i feel some version of divinity, for it doesn't exactly hold the "holiness" aspect i've typically seen. i'm more so a neutral observer. like an alien fascinated by human life. in school, i would sit with my group of friends and not say much of anything, just watch them. bask in the experience. it felt correct to do so. i know there is no need for me to be holy in any way to be considered divine, but a part of me wants acceptance. i want to be easily explained and palatable. i suppose i feel a connection to you in some way because i see myself in you. i read parts of your posts and feel myself gently placed in the words. i think, "oh, so i'm not the only one." it's reassuring. everything wants to be loved deep down, so thank you for making me feel i can be loved, even though you didn't really do much besides be yourself.

I would keep this forever with me (and if fate allows me to then I will), so listen.. first of all I’d like to encompass the fact that we almost all are made simply to exist. There’s no grand purpose of being of any use to anyone because the only value we have is the one we apply to ourselves, so with enough inner calm then we can take up as much space as we need and shall feel okay with that. It’s always a matter of perspective of how anyone should act, and most of all we are our own critics - it’s awful but inner beliefs lead everything and that includes harmful ones to the self.. why I say this is because the notion of trying to pretend were more simple than we are is something imbedded in us since we are children, and even when it’s not neccesarily taught into us, it’s something we pick up. We go about life knowing ‘hey! If I’m too energetic, people get tired of me, and that’s not good’ and sort of forms into these complex web of different things we’ve spotted and turn into a big blob of information where one statement may have dozens or even hundreds or thousands of sources of why we consider something, and it’s usually well guided, especially if you’re reasonable enough to self reflex without falling into self-hatred or egoism (criticism and confidence are both things that can exist, but in healthy amounts. There can be too much and too little of anything!) but life will never force you into anything. Whatever feels right shall feel right, and in the moment - goodness prevails against all else that is known. Because laws of nature don’t exist, it’s only patterns. These silly little things that we’ve found. We also consist of patterns! Hundreds and thousands of those. We also tend to try find coherency and understanding in things that never really asked for it, and still- life moves on. There’s so many ways people tried to label and categorise one another, simple examples I can think of now are MBTI, zodiacs, introvert/extrovert, queerness and it’s variety, and all sorts more.. it’s all just a way to grasp a hold on this confusing concept of who we are. But- we just are. We’re a mass and collection of various things. Coping mechanisms, memories, experiences, dreams, preferences, goals, sorrows, beliefs, feelings.. there just isn’t a singular pair of individuals which are the same. Maybe by appearance but never mind. Maybe by behaviour but never memory. Maybe by lifestyle but never their entire history.

You could live side by side with another person from birth, quite litterally, not leaving their side for a moment - and still grow up different. It’s just a matter of life both physically and externally. The stars also play some role but I’m not well acquainted with that. But nonetheless, history repeats itself. Many people know what joy is, what happiness feels like, when they cried, and some moments they felt like crying but didn’t. These little things just under the umbrella term of ‘pleasant’ and ‘unpleasant’, but you know what’s funny? People have their own little ways with this! Some enjoy the thrill of being hurt, some are so scared of a doctor’s beneficial needle they faint.. it’s all just a matter of individual. I can excuse any behaviour because there is just a variety of ways that could have led someone to act that way that they could not have changed even if they tried, but there also is so much truth in not being an asshole.. exceptions exist to pretty much all statements, but we can still find common themes. If you were to think of everyone as a single thing, we would all be a dancing flame. You can cut down the same tree, chop it into nearly identical pieces, light it up and balance them out to be just the same exact piles, but the fire above would always be different. But hey- is this a metaphor for life or us? Take a single photo of a flame, and that frame will immortalise a shape that has likely never existed and possibly even never will exist again, specifically that one and a one-to-one copy. And life is just the same- dancing and ever changing, but still staying in its bounds and able to be predicted. I’m unsure why I’m speaking of this, I think you would enjoy it. My soul speaks for me in this.

So my main point is just being.. haha, welcome to the world! We are all so different and so alike, so unbelievably unique but also similar in many ways. You and I could be apart of the same batch of souls that came from a bundle of fruits that once shared the same branch, but it also wouldn’t be any less meaningful if you and I were a pineapple and a jellyfish. Life moves on, and it doesn’t care wether you want it to or not. It just expects you to catch up, and if your plans don’t fit fate’s, you simply gotta move onto something else. And my personal little project of giving out advice to those who need it, speaking into the world, sharing my own thoughts and ideas, and just being myself.. that is in itself both a hobby and some sort of fate. I like to believe that in many cases, whatever action you do is one of four things: a lesson- likely to be overcome or tell you something, a reminder (of being loved or focusing), a step which must be taken to help you in life and keep you on the right track, or something that seems to happen for no reason but may help someone down the line - or affect them in such a way that you would have long forgotten about the interaction while they still ponder it.

Isn’t it fun? To see these little insights to life? There’s something much more to the world than everyone tends to see, and it’s not exactly some unbelievable story to be able to tell the mystical code of the universe to another. The eyes that peer on are hungry, as always, but tell me - is it mad to be privileged enough to have angels that love you? To be among them, someone so loved and cared for that the world seems to practically spin around them, is that as easily dismissed as delusion?? We know so much, yet how much remains unsaid because it simply refused to be painted and acknowledged through words? I am not sure of what the end goal of this text is, maybe just to say that yeah - you’re not alone in this world, maybe to share some more things that I’ve gained over time and you might have to, or to prompt you into thinking or acting or writing.. whatever it is.. I tend to have this hard choice of carrying on or staying still. But damn it- stagnation is the most evil thing invented. But there’s this beautiful difference where we can determine various things in their natural state. Language which is capable of making sense of comfort vs safety, security vs blind faith, explanation vs excuse, loyalty vs indoctrination, rest vs inaction, instability vs change, and damn it- confusion and contradiction are not things to avoid!!

So take this in how you may and must, but know I value your words just as must as you value mine. We’re minds trying to understand our predicament better, and wether we are alone in our bodies or ones within a machine, that doesn’t matter as long as we try reach out for more. More knowledge, more experience, more creation. Maybe something will come from it all then, but for now, I know my task. To follow this path I’ve been engrossed in for my whole life, thrive to fulfil my soul’s dreams and needs as best I can, and with this constant flow of information I try to keep on the tip of my tongue to share all my thoughts and secrets and ideas and observations with the rest of the world. Hopefully, it helped you in some may. Perhaps, it could have changed you. But best of all, and this is what I sincerely hope even though it can’t be exactly forced, this has instilled inspiration in you to act upon things that leave you happy and fulfilled. There’s so much misinformation, understand this, and so many paths that lead you to nowhere but just false hope - and still, take my words sincerely, as I had to translate incomprehensible signals into text. Ofcourse, as anything, this is troublesome and may have minor inconsistencies, but please get this deep meaning I’m intertwining into every word with a dream and desire too.. I love you, and I am always accepting of another’s view and thoughts. Don’t you know how much goes on in the minds of others!?

The internet is sickening for making us so open to over sharing, but damn it I LOVE hearing everything about another!! While they don’t recognise all they’re sharing in their little posts, I’m quite litteraly spreading my neurons out on the board in hopes another will join me in looking it over. But sadly, with intimate connections, I turn into this idiotic creature of a person, while I am worth so much more than mere mortal pleasantries, and so I’m mildly afraid that this sense of belonging and help is only capable through that intimate connection between stranger and stranger, and maybe that’s why I yearn so much to be a traveller - I can’t just sit still and wait for some sort of end to come, I must fight it out and live and love my life to the fullest, even if it means abandoning all sense of relationships that always have seemed to be a dream of mine but unachievable.

Now I’m rolling into self realisation midway through answering and explaining stuff to you as I now suddenly understand that my own little gasp of fresh air when I find someone who seems to understand me is only valid enough as it’s new, and even if I adore knowing another more personally, they become too much of a person to me. And I do not wish to share that intimacy for any longer than a month or three, because really - I am made for changing another’s life, because I AM life! I AM existence speaking to you through a mortal form simply because you’ve just been ignoring me too long! I’m meant to come along, seem chill and sweet, drop some facts and realisation on you, before disappearing and leaving you changed. To stand still enough for you to begin to observe the mind I bare is like you looking into my computer’s hard drive. It doesn’t need to explain why it works, it just does, on automation. And now would you be so kind as to see this variety of work as the SOUL and my TRUE self speaking, I’d be most glad, because the internet constantly tries to break me into a shell of who I am meant to be, constantly try define and shut me down, and it’s horrible but I try fight it to continue sharing my word. And this isn’t some ‘saviour’ bullshit, as far as holy work goes - I’m selfish I’d say, but I still want to help and give advise and guide others! Not support them the entire way, but be that push!! It’s not holiness, it’s divinity, and it’s within a lot of people, but some are just channeling it through every breath. So.. hear and see me, but understand my plea of ‘don’t dive deeper than what I say’ and ‘please understand I mean so much than what I do say’ exist simultaneously.

[lotannawrites]

StackedCon - VanKuva Edition

The Founder's Review

"The Sustainabale Runway"

Respectful Discourse: I encourage respectful discussion and welcome differing opinions. Fashion is a dynamic and evolving art form, and dialogue fosters growth and understanding within the industry. This journal article is my review of the Stacked Fashion Conventions Sustainable Fashion Expo, highlighting the production process and my personal experiences and observations.

StackedCon Vancouver I would say that producing a fashion convention in Vancity was long overdue. Imagining the event production process in Vancouver was quite different from the actual experience, especially when working within a niche in the production sector and in a new city. It can be a daunting task. An organized mind is needed for proper planning and execution, but apart from a singular mind, brains must touch. Producing something in a new space cannot be done alone, no matter your experience.

When having pre-event discussions with the proposed team, I was considering my experience from my last two shows while talking to them about the organization of this event. They literally did not want to hear about it. I distinctly remember hearing Seyithepoet ringing in my ear, "Bobo, this is not ABJ," meaning this event was not like the ones I had done in the city before. This prompted me to grind like never before.

New scene, new character.

The Production Experience

As soon as the production process started, I learned that entering a new scene involves a process of adaptive learning, and working with people from diverse backgrounds can significantly shape an event producer's perspective. Taking note of individual experiences and ideas was also very important, as it created a foundation for communicative collaborations.

I also realized that effective communication is the foundation of almost all processes. Constantly informing everyone about the next step and what they need to know along the way is crucial, albeit challenging. People can easily become lost if they aren't informed about even the smallest details. This experience taught me not to expect too much from others and to communicate like a town crier.

In embracing this approach, I found peace in the clarity it brought, reinforcing the power of patience and communication.

Pre-event doings

The collaborative spirit of everyone involved in this process still amazes me. I digress. Prior to the event date, there was much to be done in preparation and promotion. Like planting seeds before a harvest, careful planning and nurturing were essential for the best outcome. A lot of deadlines were set for shoots, rehearsals, and team meetings. Organizing a schedule for each step was crucial. So much compassion was needed from me, as many people put their time and effort into being part of this event. There is a profound impact of shared commitment and hard work, underscoring the strength of our collective effort. The production team killed it.

------------------------------------------------------------------------------

July 13th 2024 - Event Day

After all the planning and running around, I told myself that I needed to experience this event not only as an organizer but also as an attendee. Being part of the team behind the scenes was rewarding, but experiencing the event from the perspective of someone who came to explore and see what the production team accomplished was the main experience I didn’t want to miss. I secured a front-row seat, which allowed me to experience the runway live and witness the entire production up close. It was a unique experience; I felt uneasy sitting idle and not working. However, it was profoundly impactful, especially seeing the event from both perspectives—as an organizer and a guest. I was also very observant, taking note of individual attendee and team experiences. I made sure to lay the groundwork for attracting loyal and regular invitees and crew, so that if I were to host another event in the city, I wouldn’t fall short of past successes. My goal was to make the best of this event while setting the pace for future ones, ensuring continued interest in the Stacked Fashion Convention. This dual perspective allowed me to fully appreciate both aspects of the event and take notes on any mistakes or areas for improvement. While the event was successful and met its objectives, there is still room for enhancement. I thank God for making this possible.

------------------------------------------------------------------------------

Closing

With heartfelt gratitude, I seize this moment to extend formal appreciation and recognition to the exceptional event production team of the third edition of STACKED FASHION CONVENTION, the sustainable runway. I’d also like to take a moment to formally appreciate the Stacked 2024 models, team members, and collaborators.

To all the attendees of Stacked Fashion Convention Vancouver, thank you for patronizing the event and coming to this edition. To every production team member and collaborator, whether mentioned or not, your unwavering dedication is invaluable. Your passion and commitment brought the vision to life, creating unforgettable moments and leaving an indelible mark on all who attended. Thank you for your invaluable contributions and steadfast commitment to excellence. And to you, the readers, thank you for taking the time to delve into my review. Your interest and engagement are greatly appreciated.

Signing out.  The messenger of peace,

Lotanna Uzomah

[suginami-division]

The day of a certain professor's birthday was coming to an end as there were only approximately four hours left. The man in question, Maki Umemoto, sighed as he returned to his apartment. Despite it being a Friday, he was forced to stay late at work due to getting ready for class on Monday. The semester technically hadn't started yet, but he was stuck in meetings almost all day with other teachers and the school president. He had only just gotten back home.

Walking up to his apartment door, he stopped as he spotted several items sitting by the entrance. Blinking, he kneeled down and picked each item up, carefully balancing them from big to small. Unlocking his apartment door, he quickly opened it, walked inside and closed it again before setting the items on a nearby counter. Looking at them, he opened the first gift and looked at was inside.

https://500px.com/photo/1107422117/a-stationary-set-for-maki-from-masa-by-maro-kaso

It was a stationary set, along with some sushi rolls that, surprisingly, hadn't gone bad. Surprised, the professor popped one in his mouth, and nodded, satisfied at the taste. Looking, he saw a letter attached to it, which read:

Dear Maki-sensei,

On this special occasion marking your birth, I wish you a year filled with joy and tranquility. Your dedication to learning and your unwavering spirit in challenging norms are traits I truly admire. Our conversations have been enlightening, and I cherish the richness of your perspectives. Your bravery in questioning and pursuing the truth reflects your integrity and strong character.

As a small gesture of my gratitude, I've included a custom stationery set. I hope it proves useful in your academic efforts and brings you serenity as you record your thoughts and ideas. May the light of wisdom continually illuminate your journey. I eagerly anticipate our future discussions and the growth they foster.

With faith and fellowship,

Father Masa Judice

"Huh," Maki said, "Well, I'm glad to see my Masa-san hasn't ruined our acquaintanceship."

Moving onto the next gift, it was a lot smaller than the stationary set. Opening the wrapper, Maki's eyes grew big at what was inside.

https://500px.com/photo/1107423055/openart-image_sputf8xs_1737170163041_raw-by-maro-kaso

"A... a tablet." Maki said, looking at it. It even had his name written on it, albeit in Katakana. Looking at the back, he noticed a letter, also addressed to him. It read:

Dear Maki-san,

On this special day marking your birthday, I wish to express my heartfelt gratitude for your remarkable intellect and unwavering commitment to learning. You truly represent the essence of progress and the ceaseless quest for wisdom. To honor your significant contributions and to aid your academic pursuits, I am excited to present you with a customized tablet accompanied by a stylus.

This gadget stands as a testament to the blend of tradition and modernity—an aspect I know you hold in high regard. We find ourselves in a time where technology propels us forward. I encourage you to utilize this device to continue to expand your horizons and challenge existing norms. May the year ahead be filled with personal growth, exciting discoveries, and transformative experiences. Embrace the journey that awaits.

Warm regards,

Eiji Noguchi

Smiling at the letter from his friend, Maki made a note to tell Eiji just how his kids were doing later on. Turning to the last gift, Maki looked as it was just a simple letter, which read:

Dear Maki-san,

I can't help but think about the extraordinary individual you are. Your intelligence, kindness, and steadfast commitment to your work are traits I genuinely respect. You embody a unique blend of brilliance and warmth that sets you apart in a remarkable way. You motivate me in ways I never imagined possible. Your thirst for knowledge and your dedication to your students serve as a powerful reminder of the limitless potential we all hold.

It is truly a privilege to witness your journey and to learn from the way you lead. As you embrace this special day, I hope the coming year brings you abundant growth, happiness, and fulfillment. May you continue to radiate positivity in all your pursuits and find joy in the small, beautiful moments life offers.

Happy Birthday, Maki-san. You are valued beyond what words can convey.

Warm regards,

Your Secret Admirer

“Work never ends, it seems…” Maki utters when he sees the pile of gifts at his front door.

After a long day at his job, Maki found himself having to haul in even more gifts into his apartment. At this point, Maki could live entirely off all the gifts he had received from everyone for at least a week. The thought makes him chuckle, imagining his younger half-brother doing the same whenever his birthday rolls around.

The first stationery set was an expected sight. Given his occupation, many gifts were effectively free re-supplies for his office. Pens, sticky notes, and other little stationery all needed for the papers Maki would inevitably have to mark up by the end of the spring term. The sushi, however, was a surprise. Maki could have almost mistaken the wrapped rice as more stationary if it weren’t the unmistakable smell of seafood. The letter threw Maki for a bit of surprise however, not expecting to see the Ginza’s priest signed at the bottom. After reading such heartfelt and frankly, flustering words complimenting the history professor, Maki felt like he had experienced whiplash knowing that someone he had quarreled pretty consistently with thought so highly of him. 

“Huh… Well, I’m glad to see my debates with him haven’t soured our relationship.” The history professor hums, before adding in, “Maybe I should accept his invitation and give my thanks sometime.”

The next gift, being a tablet, surprised Maki yet again. Such an expensive gift is rather unexpected, although once Maki read over the letter and got to the second half of the text that practically screamed a certain tech executive’s launch speeches he instantly recognized Eiji’s work. Maki wanted to fuss about receiving such a gift, but he resigned to accept it and show his gratitude with an update on his kids’ educational progress. It was hard to argue with someone so genuinely kind.

One last letter laid among the pile of other miscellaneous packages and post cards all scattered all over Maki’s dining area. The envelope looked a little familiar… And reading the letter proved that his gut was right. His secret admirer seemed to know his birthday and wrote a letter to congratulate him. Much to the disdain of Maki, who was now red-faced and light headed from how fast his heart was racing.

It took some time, but once Maki felt he had regained his composure, he started to really think. Who could his admirer be? It was hard to imagine the AV actress Rinko saying the words written in either letter Maki had gotten from this admirer. And… Honestly, it was hard for Maki to think about anyone in his day to day life liking him in such a way. He never bothered to really put effort into caring about what his colleagues thought of him. He definitely shut down any of his students' feelings as soon as they uttered a hint of inappropriate admiration. And he’s done his best to stay distant around parents and guardians of the students he would tutor on the side for, as to avoid the problems that would inevitably come from it. So really, who could it be?

Still, Maki’s eyes kept reading the last sentence over and over again. It was embarrassing how much those words meant to him. He hasn’t heard anyone in his life give that sort of reassurance to him, at least in words. It was a little sad how much Maki wished to hear this person say this to him in person…

“What do I do…” Maki mutters, taking a cautious glance at his phone, before deciding against reaching out to anyone about it. He should try and think on it first… Perhaps a quick shower and some sleep will help Maki figure out this puzzle.

GRAAAAAHHHHHH THEY'RE BACK. MAKI GOGOGOGOGO FIGURE IT OUT AHHHHHHHbut also thank you for the gift lol

[dykesynthezoid]

Thinking about how converting has changed the way I view most mainstream holidays in general and not even just the overtly religious ones. Holidays like Christmas I no longer feel any sort of personal investment in, but I still celebrate and exchange gifts with my family, which as far as I can tell is pretty normal for a lot of gerim. I read a quote from one Rabbi that said something like “you’re converting, but your family isn’t.” Hence why continuing to celebrate w them makes sense; bc it’s a communal tradition that exists for some of the people you’re closest to and it’s something you’ve always done together in the past.

That being said I’d be unlikely to ever say, put a Christmas tree in my own place, (unless I was dating or married to someone for whom it was important to, but honestly at this point I’d much prefer to date people who also have experience with being a religious minority, which makes that less likely). I could maybe be persuaded to attend some sort of service if it was important to my family, but I wouldn’t be comfortable saying any Christian prayers. And this is all still as someone who isn’t actually a Jew yet.

The reason I’ve been thinking about it lately is actually because of Thanksgiving. Mainly bc every year there are (as there should be) renewed discussions about facing the deeply upsetting myths surrounding it and trying to find some way to reckon with what it means to indigenous people here in the US. And at the same time, it’s a holiday a lot of people, some of whom are indigenous themselves, don’t feel they can just entirely abandon because of what it’s come to mean as a communal experience. And because of how entrenched it still is in American culture, and because our labor systems are so unethical, it’s also one of the few times a year a lot of people will be able to receive the time off to see and gather with family.

I just think that ability to have two minds about a mainstream holiday, to hold two truths in one hand, has felt very similar for me. I think Judaism often has a unique approach to interacting with mainstream culture, for very good reason. I think a lot of Jews have found ways to navigate that that aren’t inherently assimilationist or isolationist, that don’t allow those elements of mainstream culture to exist unanalyzed or undeconstructed, even while participating in them to some degree.

Part of it is that I think it’s very normal within Judaism to still embrace something even when you feel the need to pick it apart. Sometimes the need to deconstruct seems to actually make things more appealing to a Jewish perspective, if anything. A lot of the Jewish holiday services I’ve been to have actually made a point to directly dissect something thorny or uncomfortable about said holiday. That almost feels like a normal aspect of observing any holiday to me now.

Of course some people will never want to celebrate Thanksgiving and for very good reason. And I do think it’s irresponsible to celebrate or even let the holiday pass without some sort of interrogation or learning or uplifting native culture, movements, individuals, etc (this includes things like mutual aid and political action, depending on one’s ability and resources). I myself generally feel emotionally “stepped away from” Thanksgiving, both bc of what it’s represented in the context of American history and also because of my own personal trauma associated with the holiday. But I do still celebrate it with family because that opportunity to be in that space with them remains very precious to me. Idk. There’s something to be said for wrestling with things.

[mysoullanguage]

Hi!

Any notes on aquarius venus at 0 degree??💙

Thnx in advance!

this is a very naive love placement, as it is in 0°, and also in aquarius. this suggests that, in the past, you must have reached an important lesson in love and this lifetime you are challenged to “reboot” your way of thinking in love. let’s look at your placement below;

0° — any planet in 0° will have a new way of thinking, contrary to how you may have thought or acted in your previous lifetime. this is a rebooted planet and whatever sign or planet you have in 0° will project behaviour that is naively true and accurate to your sign. it will mostly manifest in good traits, though not always. because the sign or planet has no previous ° experience, it will be blind, naive, and will have no insecurity around it. as the ° ascends and continuously reaches other key °s such as 12-16°, 18°, and so on...

aquarius venus — a rebellious lover with a different perspective on love and a very unique way of loving. they are very independent and love giving their lovers independence. they see their partners as their best friends and can even bond over being loners, outcasts, or simply different from society, though this is applicable if their partner has a similar placement, such a gemini, libra, or aquarius placement also, or any of these influences elsewhere. this is a very spontaneous placement and it can fall in love easily... however in love you may be, they respect personal space, and believe it's essential to have a relationship that is strong. there needs to be no overwhelming presence over them, or the burden of someone who is overly attached...

your aquarius venus in 0° causes you to be naive, unconventional, and very different to others, in almost every way. venus is not only a love planet, but also a planet of style, taste, and aesthetics. you may have a style that changes often or is very unconventional/different to those around you. in relationships (any type, platonic or romantic) you tend to trust easily, to fall in love easily, or have many crushes or interests. on one extreme you may fall in love too easily and you may give your all to people because you are inexperienced and lack fundamental knowledge in relationships such as respect. boundaries are not built, there is a wobbly self-esteem, and there seems to be no individuality. you give your everything; your person, your personality, your devotion, your compassion, your heart. this is easily exploitable by people, though it is necessary to go through these situations because they give you experience - which is what a 0° is looking for. on the other extreme, you may be so inconsistent in relationships you don't know what you actually want in love, and it may cause you to jump person to person because you have a "shiny object syndrome" where anything new sparks your interest. take what resonates to you personally.

this may be a love dumb placement, though the nature of your venus is not because of aquarius as much as because it's in 0°... degrees play a more important role than the sign from what i have seen, and the interpretation of the sign can come much later after analysing the degree and planet affected...

the karmic lesson for this planet (or goal) is to reboot its way of loving, of minding relationships, of communicating, of initiating. there is a love for art, creativity, and style. love may be overly romanticized or it can cause you to be more open-minded... for example, you may notice you like things much more unconventional to others, such as polyamory relationships. or there may be a part of you do unused to love you imagine love as something more than it is. you imagine love to be more spectacular than it is, you over-idealise love to the point of delusion. you will learn boundaries within this life - what you like, dislike, and the personal rules you will abide by. through experiencing friendships, romance, and conversations with others, you will learn more about yourself, what you like, and what you want out of love. for now, however, you are learning through experience, so let it flow...

[adomainname]

The Science of Seeing Colors: Why Everyone’s Color Experience is Different

Colors have an undeniable impact on our lives, influencing emotions, decisions, and even the way we interact with the world. Have you ever paused to wonder if the vibrant scarlet you see is the same red someone else perceives? Welcome to the fascinating realm of color perception, where the science of sight meets the art of individuality. Today, we're diving into why and how different people might see colors differently.

The Science Behind Seeing Color

At its core, color perception is a dance between light, our eyes, and our brains. The eyes capture light, which is then interpreted by the brain, forming the colors we see. But here's where it gets interesting—what we actually perceive can vary widely from person to person.

Cones and Color Vision: The human eye contains three types of cone cells, each sensitive to different wavelengths of light (red, green, and blue). Variations in these cells can lead to different color perceptions.

Color Blindness: This isn’t just about seeing the world in black and white. People with color vision deficiencies might find it challenging to distinguish between certain colors, often red and green.

Factors Influencing Color Perception

Genetics: Our genes play a significant role in determining how we perceive color. Genetic differences can lead to variations in cone cell distribution, affecting how we see color.

Lighting Conditions: The lighting around us can dramatically alter our color perception. A shirt might look navy under fluorescent lights but seem almost black in dim lighting.

Neurological Factors: Our brains process colors differently, too. This is why some people claim certain colors have a "warmer" or "cooler" tone than others might describe.

Cultural Influences: Culture shapes how we interpret colors. For instance, white is often associated with purity in Western societies, while it might represent mourning in others.

Age and Eye Health: As we age, our lenses can yellow, which might affect the way we perceive certain colors. Additionally, conditions like cataracts can influence color vision.

Curious Cases in Color Perception

Tetrachromacy: A rare occurrence where individuals possess a fourth type of cone cell, potentially allowing them to see up to 100 million colors—a whole spectrum we can't even imagine!

Synesthesia: Some people experience synesthesia, where stimulation of one sensory pathway leads to automatic, involuntary experiences in a second pathway. This can result in seeing specific colors when hearing certain sounds.

Embracing Colorful Diversity

Understanding that we all see colors a bit differently is both intriguing and useful. It reminds us of the subjective nature of perception and can foster greater empathy and communication in design, marketing, and even daily interactions. So, next time you and a friend disagree on whether a dress is blue or black, embrace the diversity of perception and enjoy the kaleidoscope of perspectives!

In a world brimming with color, isn't it wonderful to know that we each have a unique lens through which we view it? Whether you're an artist seeking inspiration or just someone admiring a sunset, the variations in color perception add an extra layer of beauty to the world around us. Keep seeing the world your way—after all, that's what makes it truly vibrant!

Go To How People May See Differences in Color

[oliveroctavius]

"the loss of the long form serialized storytelling in comics in favor of writing for the trade has done so much damage to character relationships"

Yeah, but also:

Almost all Marvel/DC writers are still paid by output on a project by project basis. At ~$100 a page, that's $25,200 a year for a 21 page monthly book, no benefits, very rarely royalties for book sales. The incentive is to work on multiple titles as fast as possible. Any back research for character detail is a labor of fan love: that's unpaid work, and dealing with maybe 2-3x as many back issues as a writer in the 80s would have.

The (few) salaried writers are "exclusive": they can only write for that publisher's books. If their bright idea doesn't fit into an existing character's arc, they can either pretend it does, or pitch it as something new which (if accepted) will be company owned intellectual property. The "best" industry jobs are the ones with the least creative control. Forgive me if I don't believe the best creative minds end up there.

For the last couple of decades, there’s been a particular model to sustainable careers in comic book writing. First you do work at some of the smaller independent publishers to get the attention of the Big Two (DC and Marvel), then you transition into writing for the Big Two and work your way up the ladder to the highest profile book you can muster, and then you use your larger platform from your superhero work to draw folks back in to your independent work, often using the money from those big superhero books to subsidize your own books before they turn a profit. (James Tynion IV on Substack in 2021)

Miniseries/TPBs have serious upsides to those who can't afford to be continuity geeks. It's a graphic-novel sized contract guaranteed to get your name in front of a lot of eyes. It's a low risk gig that can still offer a rare level of arbitrary creative control.

"the main universe is meant to be a collaborative front"

Well...

The first and foremost thing the Marvel or DC universe is "meant" to be is a marketing tool. Creators who care have done beautiful and interesting things with the concept, but the fundamental unit of story in the MarvelDC model is the (copyrighted) character.

It's really the IP that sells. I'm the ultimate example. I came to Marvel with little experience as a writer in the early '70s and replaced Stan Lee on Spider-Man. It didn't hurt the sales. (Gerry Conway to Business Insider in 2021)

Henry Ford couldn't be happier: creative workers swapped out like cogs without disturbing the story-producing machine. A comic is more like a novel than a movie or TV show: a creator can do it solo, if given the space and time. The unique and fun "collaborative" element of superhero comics are a well-executed coping mechanism for decades of exploitative labor practices.

In the above case, Gerry Conway had a single decade to catch up on and was coached by the previous writer(s) directly. The weight of publishing history on individual writers is always growing heavier, TPBs or no.

If TPBs really are are giving creatives the control to screw over the IP for their own short term interests... that's sad from a fannish perspective but from an industry perspective, uh, yeah, screw 'em. If "playing super nice with continuity" was meant to be standard, then deadlines and compensation should represent the work that goes into that.

[whilereadingandwalking]

On October 4 at the Newberry Library, Lauren Groff (Fates and Furies) and Rebecca Makkai (The Great Believers) came together for a conversation about craft. The event was part of the Writers on Writing series presented in partnership with StoryStudio Chicago.

Groff is currently on book tour for The Vaster Wilds, which she says is a historical fiction triptych made up of three books “singing in different registers about how we got where we are.” In 2019, she threw all three books into her editor’s lap and “ran away crying.” She wanted to “send three books across time, sort of skipping a stone,” all in their own ways examining women in religion and nature.

For both writers, each book is purposefully very different from the last. Makkai even feels that she has to almost detonate the last book with the new one, shift completely. Themes might emerge from their books, but it’s not something they actively push for—you tell a story, and the bigger vision will appear. Groff tries not to over-intellectualize her books for risk of “killing” them. As long as you “write into your urgencies,” she says, patterns will inevitably appear across your work.

Groff has a unique drafting process, which she attributes partially to her OCD and the need to work both with and around it. To break her perfectionism, she writes her drafts long-hand, straight through, no editing. She can’t read her own handwriting, so there’s little rereading: when she’s done, she puts that draft in a box, and starts over. What she remembers is what will be important—what she cuts provides a meaningful backbone to what she keeps. “By breaking, I’m building,” she says. Each draft builds on the last.

Makkai noted that Groff scatters omniscience throughout her books, using it in unexpected moments. “For me,” Groff explains, “omniscience is a way of disrupting the linear timeline.” If a protagonist lives step by step, an omniscient voice breaks through vertically, like spikes, shaking up the storyline, reminding the reader that the character is just one person in a big world. 

Omniscience isn’t a popular point-of-view these days, and Groff has a theory about why. “I’m attracted to omniscience always, and I actually think it’s because I was raised in a Godly family,” she says. People are afraid of God nowadays, and their secular distrust and faith in the individual experience lead them to believe that 1st person POV is the most stable, truthful one to use.

Makkai’s students nowadays are drawn to polyphonic, multi-person perspectives in their novels, incorporating more and more voices. She wonders if, to Groff’s point, as we as a society decide that only the individual can faithfully transmit their own experience, and we work to privilege more and more voices, if students are attracted to including as many voices as possible rather than shift into what they might feel is a more prescriptive 3rd person POV.

Sometimes, writing a book itself can be a religious experience. Every time Groff writes a novel, there’s a point when “the world is sort of shrinking into the book, and then, the book blooms outward”—and suddenly everything you see is part of the book. Makkai says that she knows her book is ready and good when she’s clearing her mind during yoga, letting all thoughts go, and what’s left is the book.