#and on the rare occasions that i do get an interview

[madd-nix]

never gonna be enough for my dad

[with-my-calamitous-love]

i apologize in advance i am ovulating

bed chem ♫💋 katsuki bakugou thoughts

he loves you in sheer clothing. its a rare sight, you only really wear it on special occasions- walking carpets or going to events. but he loves it. maybe its the way it hugs your tight enough that he can see the lace you’re wearing underneath, but covered enough that only he notices it. most things are best left up to the imagination.

maybe he loves how it feels against his hands when he’s pulling it off of you. because, god, he’s strong. he’ll pick you up, pull you down, and turn you around in ways that makes your head spin. he’s got a shit eating grin when he sees how flustered he makes you, but he’s got the right to be cocky.

and he’s never not showing off his muscles when he’s around you. whether its by rolling up his sleeves just to show a peak of his biceps, or pulling up his shirt to wipe the sweat off his forehead- he knows what he’s doing. and you love it. on your first date you didn’t even have to manifest that he’s oversized- because you both know he is.

he travels a lot. he isn’t always in your time zone like he wants to be. but he definitely makes up for it. goodmorning and goodnight calls, selfies of him working out, before interviews, going to bed… he knows to pull down his sweatpants so you can see his unreasonably defined v-line in mirror selfies.

and when you both finally get to it, he’s so good. he makes sure you come first, and he’s an asshole about it. dragging out orgasms, teasing your inner thighs and putting his hero-stamina to good use. he’ll go on for hours until you can’t speak. whatever you’re imagining in your head, listening to his voice mails, staring at his photos and imagining him, its even better in person.

[odinsblog]

“I first started noticing the journalists dying on Instagram. I'm a journalist, I'm Arab, and I've reported on war. A big part of my community is other Arab journalists who do the same thing.

And when someone dies, news travels fast. Recently, I pulled up the list that the Committee to Protect Journalists has been keeping and looked at it for the first time. There are 95 journalists and media workers on it as of today.

Almost everyone on it is Palestinian. Scrolling through, I started to get angry. These were the people carrying the burden of documenting this whole war.

Israel is not allowing foreign journalists into Gaza, except on rare occasions with military escorts. These people's names are being buried in a giant list that keeps growing. What I want to do is lift some of them off the list for a moment and give you a glimpse of who they were and the work they made.

I'll start with Sadi Mansour. Sadi was the director of Al-Quds News Network, and he posted a 22-second video on November 18. That was a report from the war, but it also gave me a picture into his marriage.

Sadi's wearing his press vest and looks exhausted. He's explaining that cell service and the Internet keep getting cut off, and it's often impossible to text or call anyone, including his wife. So they've resorted to using handwritten letters to communicate while he's out reporting, sending them back and forth with neighbors or colleagues.

He ends the video with a picture of one of these letters from his wife. In it, she writes,

‘Me and the kids stayed up waiting for you until the morning, and you didn't come home. We were really sad.

I kept telling the kids, Look, he's coming. But you didn't show up. May God forgive you.

Come home tomorrow and eat with us. Do you want me to make you kebab or maybe kapse? Bring your friends with you, it's okay.

And give Azeez the battery to charge. What do you think about me sending you handwritten letters with messenger pigeons from now on? Ha ha ha.

I'm just kidding. I want to curse at you, but we're living in a war. Too bad.

Okay, I love you. Bye.’

A few hours after he shared that letter, Sadie and his co-worker Hassouna Saleem were at Sadie's home, when they were killed by an Israeli air strike that hit his house.

His wife and kids, who weren't there, survived.

Gaza is tiny, and the journalist community is really close. Reading the list, you can see all the connections between people. Like with Brahim Lafi.

Brahim was a photojournalist, one of the first journalists to die. He was killed while reporting on October 7. He was just 21, still new to journalism.

On his Instagram, you can see that in his posts just a few years ago, he was still practicing his photography, taking pictures of coffee cups and flowers. Then he started doing beautiful portraits and action shots. You can really feel him starting to become a journalist.

Clicking around on Instagram, I found a tribute post about Brahim from his co-worker Rushdie Sarraj. In this photo, Brahim staring intently at the back of a camera, his face lit up by the light from the viewfinder. He looks so young.

The caption reads, My assistant is gone. Brahim is gone. Rushdie himself was a beloved journalist and filmmaker.

And I know that because he's also on the list. He was killed just two weeks after Brahim. I read the tribute post to him too.

I saw this over and over again. Journalists posting tributes, who were then killed themselves soon after. And a tribute goes up for them.

And then the pattern continues.

Thank you.

Something else I saw over and over on the list, journalists later in the war who had become aware that they could be making their last reports. They'd say it at the beginning of their videos. And those were the hardest to watch, especially when it was true.

One video like that was posted by Ayat Hadduro. Ayat was a freelance journalist and video blogger. Her videos before the war covered a wide range from what I can tell, interviews about women in politics.

She even appeared in a commercial for ketchup-flavored chips. She clearly liked being in front of the camera. Once the war started, Ayat's pivoted to covering bombings and food shortages.

On November 20, she posted a video report from her home. You can hear the airstrikes hitting very close to where she is. It's scary.

‘This is likely my last video. Today, the occupation forces dropped phosphorus bombs on Beit Lahya area and frightening sound bombs. They dropped letters from the sky, ordering everyone to evacuate.

Everyone ran into the streets in the craziest way. No one knows where to go.

But everyone else has evacuated. They don't know where they're going. The situation is so scary.

What's happening is so tough, and may God have mercy on us.’

She was killed later that day.

Targeting journalists, in case you didn't know, is a war crime. So far, the Committee to Protect Journalists has found that three of the journalists on the list were explicitly targeted by the IDF, the Israeli military. Investigations by the Washington Post and Reuters, Human Rights Watch and the United Nations have also raised serious questions in these three cases.

And the Committee to Protect Journalists is investigating 10 other killings. When we reached out to the IDF for comments, they said, quote, the IDF has never, and will never, deliberately target journalists. That's the answer they always give in these situations.

Meanwhile, dozens of seasoned reporters have fled Gaza. Journalists who worked for Al Jazeera, the BBC, the New York Times, the Washington Post, Reuters, Agence France-Presse. So many media offices were demolished in Israeli airstrikes that the Committee to Protect Journalists stopped counting.

It's not just individual lives that have been destroyed. It's an entire infrastructure.

Thank you.

The name on the list that was hardest for me to look at was Issam Abdullah, because I'd crossed paths with him once. Issam was a Lebanese journalist, a video journalist for Reuters for many, many years. He had just won an award for coverage of Ukraine.

I'm Lebanese and still report there sometimes, and I'd worked with Issam a couple of summers ago. He helped me film a sort of random story in Beirut. I was interviewing this entrepreneur who had started a sperm freezing company after an accident where he spilled a tray of hot coffee on his private area, burning himself.

I know, ridiculous. It was a really silly shoot. Right after we said cut and started to rap, Issam started this whole bit about being in his late 30s, reconsidering his own sperm quality and everything he now realized he was doing to hurt it, and no one could stop laughing.

It was a really good day that felt good to remember and to remember him that way. Issam was killed by the IDF on October 13. His death was one of the three that the Committee to Protect Journalists has identified as a targeted killing.

He was fired upon by an Israeli tank while standing in an empty field on the Lebanon-Israel border with a small group of other journalists. Everyone was wearing press vests with cameras out. They were covering the Hezbollah part of this war.

A few other journalists were injured in the attack, which was captured on video. The IDF says they were responding to firing from Hezbollah, not targeting the journalists. But multiple investigations, including by Reuters, the United Nations, Amnesty International and the AFP, found no evidence of any firing from the location of the journalists before the IDF shot at them.

The journalists in the group and video footage confirmed that there was no military activity near them. I had only met Issam once, barely knew him, but it affected me so much when he died. I know that he understood the risks of his job, but somehow it still felt so random and unfair that he would be struck down like that, following the rules, wearing his press vest and helmet, and a pack of reporters on a sunny day in an open field.

I find myself thinking about him all the time. His last Instagram post was commemorating another journalist, this iconic reporter Shereen Abou Aql who had been killed by the IDF. When I first saw that post in October, I thought how ironic because a week later, Isam also was killed by the IDF.

But then, after spending time reading the list, I realized how common this had become. I still haven't finished going through the list and looking up the people on it. I keep finding things that stick with me, like the funny way this one radio host would cut off a caller who was rambling on for too long.

A tweet from reporter Al-Abdallah that quoted Sylvia Plath. It read, What ceremony of wars can patch the havoc? I'm going to keep going down the list, even though this story is over now.

Just for myself. My own way of bearing witness. Which is, in the end, all that these journalists were trying to do.”

—DANA BALLOUT, The 95. Dana sifts through a very long list—the list of journalists killed in the Israel-Hamas war, and comes back with five small fragments of the lives of the people on it. Dana is a Lebanese-American, Emmy-nominated documentary producer.

[menagerofmischief]

M4X

summary: after max wins his 4th title in vegas, you congratulate him in a special way in his driver's room

tags: pwp, kinda sub!max, semi public sex, blowjob, deep throating, I went a bit wild on use of "champion"

wc: 1.4k

a/n: do I have an exam tomorrow? yes! am I in the middle of writing a lando fic? also yes! but ever since the race ended I keep thinking about this so I had to write it.

You waited patiently, bounding on the balls of your feet as you gathered outside the RedBull garage alongside the employees, feeling like both your nerves and excitement were choking you up.

Your cheeks hurt from how wide you were smiling when Max pulled the car up in front of the “champion” banner, tears brimming up in the corners of your eyes as you watched him get out of the car.

A quick pose for the picture and then he was pulling off his helmet and balaclava, eyes searching across the many faces in the crowd until they finally met yours. And then he was running, a smile on his face as he reached you, wrapping his arms around your waist and lifting you up to spin you around in joy, both of you laughing through choked sobs.

“You did it!” You said, your voice cracking. Max put you down, your feet now flat against the ground and you looked up at him, looping your arms around his neck as he leaned down to kiss you.

It was a desperate, passionate, raw and purely primal kind of kiss. The kind Max rarely allowed himself in public, but this was a special occasion. Open mouthed, his tongue stroking against your own, licking into your mouth desperately.

Finally the two of you pulled away, the loud cheers coming from the workers of RedBull filling your ears as everyone celebrated the win.

You part your lips, a breath coming out as your eyes meet with his and your lips twitch upwards into a smile. “Congratulations, champion.” You say, leaning forward to press a kiss to his cheek. “Go celebrate!”

Max nodded, leaning in for another kiss, shorter this time, and then going down to greet the rest of the team and celebrate with them before heading to the cool down car.

Once all the formal celebrations and interviews were down, and everyone gave their congratulations, Max went to search for you.

A brief talk with one of the mechanics let him know you were waiting for him in his driver's room and he wasted no time in making his way over there.

He twisted the door, stepping into the room and his eyes immediately scanning the small space until they landed on you, sitting on top of his massage table with legs dangling down, wearing one of by now very spottable shirts in the RedBull garage, with his name. M4X.

"Do you like the shirt?" You ask with a laugh, pushing your chest out a bit to show him the logo.

He hums, making his way across the room and to you, one of his hands grabbing your chin and lifting up your head to kiss you. "Love it," he replies, lips brushing against your own with each word he speaks.

You place your hands against his chest, pushing him back a bit, enough to give you space to jump down from the massage table. You circle around him, running your fingers along his shoulders and back.

“You looked so good today,” you purr in his ear, fingers grasping onto the zipper of his racing suit as you slowly start pulling it down. “A 4 time world champion. My world champion.”

Max groans at the words coming from your mouth and you take the moment to lean forward and press open mouthed kisses along the skin of his neck, licking against the spots you know are the most sensitive for him.

“Fuck, schatje.” He says, his voice coming out more as a broken whisper than what he intended.

You move your hands and start pushing down his race suit until it pools around his ankles and with just a second of effort he steps out of it, looking at you with wide eyes and pouty lips, almost as if begging for anything you want to give him, as long as it’s something.

“Go on and sit,” you tell him, gesturing towards one of the chairs in the room. For a second he’s completely still and you think maybe he hasn’t heard you but then he bolts towards the chair, practically tripping over his own two feet as he moves to sit down.

You pull down your pants and step out of them, the slightly colder Vegas air making goosebumps raise across the skin of your legs. You leave the shirt on, a pair of navy blue panties barely peeking out. 

Max takes in a deep breath as you sink down onto your knees in front of him. “Wait!” He says, and you still instantly, you’re about to ask what’s wrong when he gets up to grab his discarded racing suit and pulls you up just enough to slip the fabric under your knees before moving back into the chair. 

“Thank you, baby.” You smile at him, leaning forward and pressing kisses along the skin of his thigh, the muscles flexing due to him tensing up from your actions. “Now, I think my champion deserves a reward, isn’t that right?”

“Yes!” Max says, his voice overly excited but you can’t blame him. “Please.”

“Don’t worry, I’ll give you what you want.” You say, palming him over his boxers before sinking your fingers under the waistband. He lifts his hips in an effort to help you pull his boxers down and once you have them off you waste no time wrapping your hands around his already hard cock.

You slide your fingers over the slit, collecting the bits of precum that has already started leaking and using it as lube as you twist your hands down his dick. Max hisses, feeling pleasure overwhelm his senses as you lean forward, pressing a kiss onto the tip of his cock before opening your mouth and gently sucking on it.

Max’s moans are nearly pornographic, his cheeks flushed and lips open as moans and pleas slip past. You push your head further down, gliding your tongue along his length and pressing it just a bit against the vein running along the underside of his cock.

“You feel so good, schatje.” He says, his voice cracking. His hand cups the back of your head, fingers tangling into your hair as he pulls it into a makeshift ponytail to keep it out of your face.

He pushed your head down, not too rough, forcing you to take him deeper into your mouth until the tip is hitting the back of your throat and your nose is rubbing against his neatly trimmed base.

You hollow your cheeks around him, giving him a long suck before pulling your hair halfway up and then dropping it down again, gagging a little from the pressure at the back of your throat. 

It doesn’t take long for you to feel Max’s thighs tensing and slightly shaking as he approaches the edge of his orgasm, the grip of his fingers in your hair tightening. 

“Fuck, I’m gonna cum.” He moans out, hips lifting off the chair as he thrusts his dick into your mouth, chasing the warmth around his dick. “So good, schatje, so good." Gonna make me cum.”

Encouraged by his words you speed up your movements, bobbing your head along his dick faster until you feel him twitch inside of you, and then filling your mouth with his hot cum. You pull off his slowly softening cock, letting it slip past your lips, and swallow.

You smile at him as you eye the mess on his cock and then teasingly lean back down to lick him clean. “You did so good baby,” you tell him, pressing your lips against his briefly as you go to stand up.

Max stands up, one of his knees buckling slightly, he leans down and grabs his boxers and pulls them up. “I didn’t get the podium today but this was so much better.” He says, stroking your cheek with his thumb.

You laugh in response, pressing your lips against the palm of his hand. “Come on, champ, get dressed.” You say, the tone of your voice teasing. “We’re hitting the clubs tonight.”

“Or maybe I’ll be hitting your cervix tonight.”

A laugh slips past your lips, your tongue darting out to lick them. “Maybe after a few drinks and some dancing.”

[backwardsbread]

Hazbin Hotel Characters:

Forgetting an anniversary

A/N: This is my first time doing anything like this, so if anybody wants to see more, feel free to ask! The Hazbin brain rot is real—

Warnings‼️: Established relationship, character x reader, fluff, but also some angst?, swearing, gender neutral!reader, mentions of alcohol.

Not really proofread

I didn’t mean to write that much for Alastor but here we are—

Lucifer:

To be fair this guy is the literal KING of hell, (the devil from, THE BIBLE) so to say he’s a busy man is an understatement.

This dude is also MAD depressed making him constantly disassociate, so he’s prone for losing track of what day it is.

You kind of figure he’s forgotten the day is coming up when he’s not hyperfixated on it.

For birthdays, planned dates, special occasions, this man usually goes ALL out.

He tries to keep what he has planned secret, but he’s usually bouncing off the walls the days before, and ends up letting his plans slip.

So when he’s not talking your ear off the day before your anniversary, you suspect the date might’ve slipped his mind.

When the day of your anniversary comes along and you’re not woken up with kisses and cuddles, possibly breakfast in bed, you KNOW your partner has forgotten.

However, you don’t tell him or remind him of the date. Since your partner had a busy day ahead, you didn’t want to force him to focus on you when there much more important things to be settled.

You kind of wallow in your own self pity, while you wait for Lucifer to return to the castle.

Lucifer had plenty of things scheduled for the day, but he can’t shake the feeling that he IS forgetting something.

(And he is)

He checks his schedule, triple checks he didn’t miss any meetings, makes sure he has his lucky duck in his suit pocket.

All seems well. But he still can’t shake the feeling that he’s forgetting something.

It’s not until he gets home later in the evening and SEES you, that he remembers the date.

This man is ON HIS KNEES, profusely apologizing to you. The king of hell is practically begging for your forgiveness.

“Why didn’t you tell me?? You’re more important than some stupid meetings! I’m so sorry, I won’t let this happen again.”

Despite if you say it’s alright, he calls off anything he has scheduled for the next week. Treating you to the prettiest and fanciest places every inch of the pride ring has to offer.

This man usually goes all out for your guys’ dates and such, but this is extravagant. He’s treating you like the royalty you are to hopefully become. (If he ever gets the gall to ask you-)

Vox:

Similar to Lucifer, but even worse in the sense of his schedule is ALWAYS booked. It’s not easy being the face of all tech in the Pride Ring.

This man gets ZERO days off, working 8-12 hour days depending on what’s going on.

He’s got meetings, interviews, paperwork, you name it. This man might as well be the living embodiment of stress.

The thing he usually looks forward to is going home to you. Finally being able to relax and rant about his day.

(Finally able to stop his fake ass smile that’s usually imprinted on his face)

So when he gets home to find you already in bed, fast asleep when you usually would stay up and wait for him, he’s a little peeved.

He tries to be understanding, not really knowing what you might’ve done in the day. Perhaps it could’ve exhausted you. Or maybe you were feeling under the weather.

He then almost throws a full blown hissy fit when he sees blanket and pillow on the couch

A silent demand from you that he is to sleep there for the night.

His screen glitches in silent rage, as he grumbles to himself about how childish you were being for no apparent reason.

The two of you had obviously gotten into fights/arguments, mostly about his work schedule.

But it was rare that those arguments wouldn’t end in the two of you talking it out and ending the night in a cuddle session to make it up to each other.

(Vox refuses to really apologize for his work, his pride won’t let him apologize for something he doesn’t think he did wrong.)

Vox kind of accepts your demand, not wanting to piss you off more. You could talk about it with him tomorrow.

Vox wakes up early the day after your anniversary, going to work as usual. Velvette is getting him in ready in a new suit she designed. While she’s getting him ready she asks;

“So how was your night? Did you have anything planned?”

“Uhh.. what? Planned for what?”

“Wasn’t yesterday your anniversary?”

“….Fuuu-huh-huuuck”

He ditches his morning broadcast, instead heading towards his monitor room. When he sees you’re awake, and on your phone, he makes his face appear on the small screen.

Which scares the shit out of you— he usually gave some sort of warning when he was going to just appear on your device.

By the look on his face, you can tell he now knows the reason you made him sleep on the couch. You give him a look in return, waiting for his excuse.

And just by the look on your face, he can tell you’re not willing to hear any bullshit he has to spit about his work being a priority.

His screen glitches in a slight panic, as he’s sort of loss for words at first. He could tell you were angry, and he knew only he was responsible for causing that.

To your surprise, he actually apologizes, saying how there was no excuse for his absence and your guys’ special day.

He reassures you it won’t happen again, telling you how he still loves you. He has you pick any place of your choice for the two of you to go to dinner tonight.

(He hacks into the system to be put on the reservation list)

Anything to somewhat make it up to one of the only souls that truly understands him in this miserable afterlife.

Alastor:

He’s not as busy of a man as Vox or Lucifer, but he’s not very big on celebrations like birthdays or anniversaries.

You’re his and he is yours, you both don’t need to prove that to anyone.

But…..it would feel nice to at least acknowledge the stepping stones in your guys’ relationship.

Alastor doesn’t really understand the hints you drop when mentioning your guys’ anniversary.

He definitely knows the date is coming, but once the day arrives, he treats it like it’s just any other day.

He notices your mood is less cheery than any normal day, but doesn’t connect the dots that it’s because of HIS behavior.

(What could he have POSSIBLY done wrong??)

He instead tries to cheer you up by poking fun at you the entire day. Calling you little names like “grouch, stick in the mud, drag”.

Insisting that you wipe that frown off your face and replace it with a similar smile to his own permanent one.

He unknowingly rocks the boat with his behavior, only making your mood turn more sour.

Before he can even continue his banter for the last half of the day, you’re ignoring him. Not giving any excuse to him either, you’re just walking away from him.

He makes fun of your bitter mood? You didn’t hear it.

He asks you a question? Your conversation with Charlie is more important.

He tries to hold your hand or embrace you? You suddenly have something totally necessary to get done on the opposite side of the hotel.

You are determined to push all of his buttons just as he had unknowingly done to you.

And this absolutely gets under his skin.

Alastor is one for control, he needs to know everything, he needs to be in charge of situations. Why you were being so stubborn, this man is CLUELESS. And that irritates him to no end.

Tensions are high in the hotel, with a very grumpy radio demon and his other half who refuses to sooth his anger.

Night falls on Hell painfully slow, as you just want this whole day to disappear and never return. You sit at the bar, swirling around the liquid in your glass.

Husk knew better than to pry at you and your annoyance towards your significant other. He instead kept your glass filled, and offered you a soft smile.

You’re slightly buzzed when your source of annoyance sits in the bar stool right next to you. You feel Alastor’s gaze on you, but you keep your eyes on your drink.

You feel static prick at your skin, making the hair on your arms rise from the chill. You hear the crackle of a very peeved radio demon sitting beside you.

Who did you think you were?? Ignoring someone like him! You were his lover and you were treating him like he meant nothing to you.

(At least that’s what it felt like)

The overlord beside you finally snaps, his voice toned heavily with radio static, his eyes darkening with dial pupils.

“What is with this behavior, 𝙈̳̎𝙮̳̎ 𝙙̳̎𝙚̳̎𝙖̳̎𝙧̳̎? What could possibly be your excuse for such immature actions towards me?”

Maybe it’s because you’re slightly buzzed from one too many drinks, maybe your emotions had been building up way too quickly from your irritation, maybe you felt guilty for treating your S/O like spoiled leftovers all day.

But as you look towards Alastor, observing his anger, your eyes suddenly well up with big crocodile tears, threatening to spill if you even dare to blink.

Alastor notices your expression soften and watches some unwanted tears slip down your face. There’s literally a record scratch as he just watches you desperately try and hide your face from him.

His eyes soften back to their normal red hue and he feels his harsh smile crack at the edges.

(If he could frown, he absolutely would seeing as you were so hurt by his actions.)

He’s quick to comfort you, pulling you in and whispering comforting words. Shooting a glare at Husk to leave the two of you alone and to not speak a word of this to anybody.

The two of you talk out your feelings about the day. You admit how you felt a bit abandoned by his lack of acknowledgement for the date.

He promises to you that for your next anniversary, because he knows you will always be his, he will make sure to make you feel as special as you truly are to him.

[eloves-writes]

feeling’s mutual

[max verstappen x reader]

desc: max overhears his teammate having some alone time in her driver’s room, and can’t help himself knocking on to see what she’s doing

warnings: swearing, masturbation (f+m), mutual masturbation, implied age gap, dom!max

a/n: this came to me like a prophetic vision. just kidding, except not really bc i wrote this so fast. it’s like 2am and i need to sleep, but i hope you enjoy, requests open as always (!!), comments and reblogs are so so loved and appreciated (just like you!). mwah mwah mwah ily

this work contains mature themes, minors do not interact

——————————————————

the first practice session had been rough; you were new to redbull after getting promoted from f2 mid-season, and you weren’t quite getting used to the car as quick as you’d hoped. pair that with some subpar upgrades and you’d been left in the middle of the time sheet, whilst your teammate had topped the board like always. to make matters worse, your boyfriend, a fellow f2 driver, had dumped you when you moved up and the sexual frustration was started to grate on you too.

luckily, you’d managed to weasel your way out of media commitments and strategy meetings between the two practice sessions and had some time to kill two birds with one stone and attempt to release some tension with your trusty vibrator. it came in a carry case that made it look completely unsuspicious in your handbag, and after a quick check outside your driver’s room to make sure nobody was lingering, you took it out and began to undress from the waist down.

for some reason, the image of your teammate came to mind as you turned the toy to its lowest setting and placed it against you. the way his hand would linger on your waist when he spoke to you, the feeling of him pressed up against your back as he tried to move past you in a crowded garage, your tits on his chest through the fabric of your suits on the rare occasion he hugged you. even his voice, that dutch accent, and the anger in it when he came back to the redbull suite after a bad session.

quickly, waves of pleasure were sent through your body and you turned up the vibrator to the next intensity. god, he could be so insufferable sometimes. complaining about podiums because he didn’t win, moaning about every interview he had to give as if he wasn’t the reigning world champion. and he was older than you, not by too much, but enough that the thought of him fucking you made you wet with a sort of dirty lust you didn’t feel with men your own age. as you started to really feel good, you let out a small, breathy whimper that wouldn’t have been heard by anybody, except that max himself was in his own driver’s room beside yours listening closely, practically with his ear against the wall.

he’d heard a quiet, mechanical whirring as he scrolled through his phone, and thought nothing of it- a common sound to hear at an f1 track. it wasn’t until he really listened, and noticed an accompaniment of heavy female breathing that he realised the direction the sound was coming from; your room. his younger, beautiful teammate who he could never touch, but could perversely rake his eyes over whenever you wore something tight, short, or low cut. admittedly, he felt like a bit of a creep thinking of you in such a way whilst you were doing nothing at all sexual, but this was different. he could listen. and it wasn’t his fault, really, that he could hear you. and it really wasn’t his fault that he could hear you moan his name, and that his legs seemed to be taking him out of his door and towards yours.

you didn’t mean to say it out loud, it had just slipped out, but the sound of it painfully turned you on so you tried it again and found yourself coming closer to the release you’d been craving so badly. you whispered it again, ready to bring yourself over the edge, before being so rudely interrupted by a knock on your door.

“shit,” you whispered, fumbling to turn the vibrator off and find some pants. you’d left some sweatpants on the floor and quickly pulled them up, hopping over to your door. you opened it to be met with the face of the man you’d been fantasising about. your cheeks involuntarily blushed a crimson, ferrari red.

“max!” you started, trying to act normal. how the fuck did you speak to him again? “what’s up?”

that definitely wasn’t it. max smirked, raising an eyebrow to look beyond you and to the sofa you’d been laying on moments before. “just checking you’re ok,” he spoke slowly.

“yeah?” you replied as fast as you could. “why wouldn’t i be ok?”

he chuckled softly. “i … heard something. thin walls.”

your face dropped again. you scrambled for something to say, an explanation, but max beat you to it.

“can i come in?”

you nodded slowly, letting him into your room and closing the door behind him. you felt sheepish, stupid for not keeping yourself quiet. you couldn’t look him in the eye, despite where your mind had been wandering previously.

“did you finish?” he asks, not struggling at all to make eye contact like you were.

you didn’t know what you expected him to say, but it wasn’t that. you stayed silent, trying and failing again to think of a response.

“i asked, y/n,” he repeated himself, “did you finish?”

his expression was not one that you’d seen on him before, and you found yourself shaking your head. “no.”

he took a seat in the chair opposite the sofa. “go on then,” he dared. you looked at him like he’d just asked you to rear end him on the track on sunday. “show me what you were doing. i want to watch.”

stunned into silence once again, your hands operated separately from your brain and pushed your sweatpants to the floor. you lay back down on the sofa, taking up the same position as earlier, and picked up your vibrator that you’d promptly shoved behind a cushion when he’d knocked. he didn’t look away once, his eyes darting from your face to your wet cunt between your open legs. you placed the toy against you once again and switched it back on. it felt so much more intense now, both from how close you’d been before and from max watching you. he didn’t say anything as you started to rhythmically move your hips in response to the vibrations, but slid a hand into his pants to stroke himself in time with your movements.

the orgasm came back to you quickly, and as you moved faster so did max’s hand on his cock.

“say my name, schat, like you did before.”

your eyes flickered over to him before you obliged without the confidence you’d said it with when you were alone.

“no, no. look at me,” he demanded. just the sight of him stroking himself, watching you get yourself off, made you moan his name again, properly.

“good girl, that’s better.”

that earned another moan from you, making you cum and release onto the sofa with a whine of pleasure. max finished himself almost instantly, spilling into his own hand. you passed him a tissue, but he shook his head.

“for your …” you said, confused.

he offered his palm out to you, covered in his release. “clean it up, schat.”

if he wanted to play it that way, you could play too. you held the bottom of his hand, and sat your still wet and naked cunt over his thigh before fixing your eyes on his and licking his cum from his hand.

“that’s cute,” he said sarcastically. “now there’s a wet spot on my jeans, looks like i’ve pissed myself.”

you shrugged your shoulders innocently and hopped off him, pulling your sweatpants on again.

he stood up and stepped towards you, towering over you. he tilted your face up to his, and leaned in. “we’ll see who’s laughing when i make you sit there again tonight. i’m not done with you yet.”

[muzaktomyears]

John Lennon and Yoko Ono: his affairs, binges and diet pills

For years the radio host Elliot Mintz was the only person the former Beatle and his wife trusted. Now, he has written a book about his intense relationship with the couple — including what really happened during Lennon’s infamous ‘Lost Weekend’

John Lennon, Yoko Ono and Elliot Mintz outside the Mampei Hotel in Karuizawa, Japan, 1977. Right: Lennon and Ono in 1980

I am holding a pair of glasses. They are antique, made of steel wire and perfectly round. The trademarked name is the Panto 45. This is the 26th pair of John’s glasses I’ve examined on this snowy night in February 1981. It’s been about two months since he was gunned down in New York outside the Dakota, the gothic edifice where he and Yoko Ono had been living since 1973.

I’ve been tasked with the responsibility of inventorying his personal effects so that Yoko, and posterity, would know precisely what he had left behind. I did not want this task. For one thing, I live 2,500 miles from the Dakota, in Los Angeles, where I host a late-night radio interview show. But Yoko asked me to do it, and I have rarely been able to say no to Yoko, let alone John.

I found their idealism infectious and inspiring. Still, as I got to know John and Yoko as flesh-and-blood friends, I began to see their flawed human sides as well.

The trio at a restaurant in Kyoto, 1977

Yoko, for one, was even more airy and ethereal in private than she was in the media. She could be a fountain of aphorisms, dispensing endless nuggets of Zen-like philosophy. Her haiku-esque homilies on manifesting one’s desires or the wisdom of the nonrational mind could be a bit much for some people.

There were moments when even I was a bit baffled by it all. Except then she would say or do something that would absolutely convince me that she was connected to some higher plane.

John, meanwhile, was every bit as charming, funny and intelligent as he came across in public. But I gradually discovered he was far from perfect. For starters, for a guy who aspired to be a world-shaking peacemaker — a thought leader on a par with Mahatma Gandhi, Martin Luther King Jr and Nelson Mandela — he was surprisingly uninformed about historic figures like, well, Gandhi, King and Mandela.

He also had some Luddite-like notions about science, particularly medicine, extending well beyond his annoyance at “daddy doctors” for not letting him perform his own weight-loss injections. Even though John had smoked, ingested or snorted just about every illegal recreational drug he could get his hands on, he was weirdly suspicious of the ones that were properly prescribed and proven efficacious.

Lennon and Ono on The Dick Cavett Show, 1971

John and Yoko could be incredibly sensitive, honest, provocative, caring, creative, generous and wise. They could also be self-centred, desperate, vain, petty and annoying. In John’s case, also shockingly cruel — even to Yoko.

An example…

Early one morning in November 1972, the red ceiling light that would flash whenever my hotline to John and Yoko rang started blinking. I picked up.

“Ellie, I f***ed up,” were the first words out of John’s mouth.

“Why?” I groggily asked. “What did you do?”

“We were at this party last night,” he said, “and I got loaded. And there was a girl…”

I sat up in bed.

The party was at Jerry Rubin’s Greenwich Village apartment. A small crowd of well-connected peaceniks had gathered to watch the presidential election returns on television. As it became clear that Richard Nixon would win re-election by a landslide, the mood grew bleaker and the crowd began drinking more heavily.

Alcohol was not John’s friend and on this occasion, John’s evil inner gremlins truly outdid themselves.

I got some of the specifics from a hungover John during his morning-after call. The upshot was that John had indeed hit it off with some girl at the party and had slipped into a bedroom with her, where they proceeded to have such loud, raucous sex that everyone sitting around the TV in Rubin’s living room — including Yoko — could clearly hear them going at it.

Lennon and Mintz in 1972

At one point, a well-meaning guest put a record on the turntable — Bob Dylan’s 11-minute ballad Sad Eyed Lady of the Lowlands — at high volume. Yoko sat on the sofa in stunned, mortified silence.

Whatever they said to each other later, I suspect the conversation was not a pleasant one.

“I slept on the sofa,” John told me, sounding defeated and embarrassed — although, frankly, not quite as contrite as I thought his situation warranted. “Things like that happen,” he said, way too matter-of-factly for my taste. “A bloke cheats on his wife… If I weren’t famous, nobody would care.”

Yoko, unsurprisingly, felt differently.

“Are you OK?” I gently asked her when I phoned to check in on her a few hours later.

“There is no answer to that question,” she said shakily.

“Do you think you’ll ever be able to forgive him?”

“I can forgive him,” she said. “But I don’t know if I can ever forget what happened. I don’t know if it will ever be the same.”

After a few weeks of cooling down, though — during which Yoko wrote and recorded Death of Samantha, her bluesy ode to burying one’s pain for the sake of outward appearances — the crisis seemed to abate. John and Yoko chose to roll the cosmic dice with a spectacular gesture of faith and hope in the staying power of their love. They bought an apartment in the Dakota.

“It’s apartment No 72,” Yoko announced when she called to tell me about the purchase. “Do you see the significance?”

Lennon’s 38th birthday party, 1978

When you add seven and two, you get nine, Yoko explained, which was a hugely significant numeral to the Lennons, a magic integer that seemed to mysteriously recur throughout John’s life. Yoko would rattle off the number’s many repeated appearances: John was born on October 9. She was born on February 18 (1 plus 8). Paul McCartney’s last name has nine letters…

I was somewhat mystified as to why they chose this particular neighbourhood. “Aren’t you worried it’ll be too stuffy for you?” I asked John. “Will the people who live there even know who you are?”

“I don’t want them to know who we are,” he said with a laugh. “I don’t want to know who they are. We just want to be left alone.”

The Dakota struck me as one of the most eerily beautiful — and oddly daunting — structures in all of New York. John and Yoko greeted me in the vaulted vestibule, eager to begin our tour, which started on the ground floor with the new headquarters for Studio One, the business entity behind John and Yoko’s creative enterprises. Tellingly, John did not have an office in Studio One; Yoko did.

The main attraction was on the seventh floor. It was nearly 5,000sq ft, with massive windows offering eye-popping views of Central Park. Virtually everything in its expansive living room, from the plush carpeting to the grand Steinway piano, was as white as Japanese snowbells.

Lennon, Ono and Mintz at a Shinto temple in Kyoto. The custom was to hang your horoscope on a line

There was only one highly conspicuous work of art in the White Room: a Plexiglass case on a white pedestal, in which was a 3,000-year-old sarcophagus. John and Yoko had scored the very last mummy allowed out of Egypt before the Egyptian government put a ban on exporting their national antiquities.

“You should x-ray it and see what’s inside,” I suggested. “There might be something of great value, like precious jewels.”

“I don’t care what’s inside,” Yoko responded. “The great value is the magic of the mummy itself.”

Another thing I clearly remember about that long afternoon at the Dakota was how enthusiastic both John and Yoko seemed about the life they were building together in this new nest. John giddily described the “entertainment centre” he wanted to construct in a nook off the kitchen. Yoko, ever the artist, chattered about the endless design ideas she had. It was all too easy to forget about the pain and stress they’d been dealing with. I managed to convince myself that the worst was over for John and Yoko. I was wrong.

There are those who believe Yoko not only approved of the affair but arranged it. That she planted May Pang in the seat next to John on that American Airlines flight from New York to Los Angeles knowing full well what was likely to happen. That their comely 23-year-old assistant would sooner or later end up sleeping with her husband.

It’s possible, I suppose. It could be she saw some strategic long-term advantage in setting up the affair; by handpicking John’s mistress, she might have felt she could exert some dominion over his extramarital wanderings. Perhaps, thanks to her mystical advisers, she really did see that John was heading for a free fall and was endeavouring to soften his inevitable crash.

If any of that is true, though, Yoko never breathed a word of it to me. All she said in October 1973 was that she was sending John and an assistant to LA. Could I please meet them at the airport?

With his assistant and lover, May Pang, 1974

I was by then aware that their marriage was in deep trouble. Despite their best efforts to mend the relationship, the red light on my bedroom ceiling had been blinking even more feverishly than usual leading up to what would later be known as John’s “Lost Weekend”, the 18 months he spent in exile from his wife in New York.

Yoko’s demeanour back then, as always, was not demonstrably emotional but it was clear from our phone conversations that she was in pain. John’s calls were every bit as depressing.

“Has Mother been talking to you about us?” he asked during one early morning chat.

“Yoko talks to me about everything,” I answered vaguely.

“The other day I shaved and got dressed up and told her I wanted to take her to her favourite restaurant and she turned me down,” he lamented. “She said she didn’t have time. Me own f***ing wife said that to me!”

Yoko has always been a methodical person, and my guess is that she precisely and carefully orchestrated John’s eviction from the Dakota. John might not have even realised what was happening to him. He certainly didn’t seem like a man who’d been kicked out of his home when I met him and May Pang at LA airport.

“You look trim, Ellie,” he said with a big grin when I greeted them. “Have you been taking those diet pills again?”

They had very little luggage, suggesting that neither of them was expecting a long stay. My instructions from Yoko were to drive them to music manager Lou Adler’s house in Bel Air, a mini-mansion up on Stone Canyon Road.

“I need some money,” John said as we settled into my weary old Jaguar. “Mother said these could be used for money,” John continued, shoving a fistful of traveller’s cheques in my hand.

The couple outside the Dakota building in New York, 1980. They bought an apartment there in 1973

John was functionally a child when it came to taking care of himself. But then, that was what May was for. Whatever other intentions Yoko may or may not have had for the assistant, her primary job was to make sure John was properly fed and cared for, that all his basic needs — or at least most of them — were satisfied.

John and I spent a lot of time together over the next several weeks. He was also expanding his friendship circle in LA, hanging out with people like Harry Nilsson, the brilliant but notoriously hell-raising singer-songwriter. But after three or four months, much of his initial enthusiasm had boiled off and his mood was starting to curdle. He was missing Yoko: he began asking me when I thought she’d be ready for him to come home. He started spending more and more time with Nilsson, drinking at the Troubadour till all hours. After John famously got thrown out for drunkenly heckling the Smothers Brothers, the late-night shenanigans moved to the Rainbow Bar & Grill on Sunset. That’s where John and Harry and a collection of others — including my old pals Micky Dolenz and Alice Cooper — formed an infamous drinking club known as the Hollywood Vampires.

It would be difficult to exaggerate the level of unbridled indulgences that took place in the Rainbow’s VIP room, a small alcove atop some stairs overlooking the bar. The amount of alcohol imbibed was staggering, to say the least, and there were also small bags of cocaine discreetly passed into the room. Nilsson, a great big bear of a man, could pound down a dozen or so brandy alexanders — a potent mix of brandy and cream, his cocktail of choice, which John soon adopted as his own — in a single sitting.

Not being a celebrity, I was never invited to become a member of the Hollywood Vampires, but I was a welcome visitor and spent many a late night on the edges of their wild, sometimes harrowing saturnalias.

Lennon with his Hollywood Vampires drinking partners, from left, Harry Nilsson, Alice Cooper and Micky Dolenz, November 1973

There was always a crowd of attractive young women at the bottom of the steps leading to the Vampires’ VIP lair. Frankly, though, by the time the boys descended, usually at closing time, most of them were too wasted to take advantage of the opportunity. I lost count of the number of times I all but carried John down those stairs and poured him into whatever car service I had called to the bar’s car park.

For the most part, I kept my promise to Yoko: I kept John safe. But one night, I realised things were starting to spiral out of my control. Normally, John didn’t put up much of a fight when I helped him down the stairs at the Rainbow Bar but on this occasion, he resisted. He didn’t want to go home.

He pushed away and dived straight into the crowd. It was my worst nightmare: a drunken star lost inside a drunken mob.

Finally, I spotted John with Nilsson at the edge of the car park, the two of them climbing into the back of a black limousine. A moment later, it pulled away into the night, going I had no idea where.

John, I realised with a sinking feeling in my gut, was slipping away.

I was about to walk into the nadir of the Lost Weekend, John’s rock bottom. The call came not on the hotline but my regular house phone, and the voice on the other end identified himself as a security officer working for Phil Spector. John was in trouble: could I please hurry over to Adler’s house and help “calm him down”.

What I saw when I stepped into Adler’s living room some 20 minutes later looked like a scene out of The Exorcist. Drunk and wild-eyed, John was strapped to a high-backed chair, his arms and legs restrained with ropes, which he was struggling against with all his might as he shouted obscenities at his captors, a pair of beefy-armed bodyguards who stood in awkward silence nearby. The place was a shambles. John had torn some of Adler’s framed gold records off the walls and smashed them to pieces. Bits of broken wood and shattered Plexiglass littered the floor.

The couple in Selfridges in London where Ono was signing copies of her book Grapefruit, July 1971

Apparently, the meltdown had started earlier that evening at the studio, where John and Phil had nearly come to blows. What precisely they were arguing about, nobody seemed to remember. But the session ended early with Phil’s guards restraining John and shuttling him to Adler’s house, where John slipped away from them long enough to pick up some sort of walking stick or cane, which he swung wildly around the living room until the guards were able to subdue him.

I slowly stepped up to John, who had stopped shouting. His head hung low on his shoulders, his chest heaving furiously. After a long beat, he slowly lifted his eyes to me. He looked possessed.

“Get these ropes off me!” he erupted. “Get them off me, you…”

And then John spat out an epithet so hurtful and offensive, I can’t bring myself to repeat it.

I looked straight into his eyes, barely containing my disgust and disappointment. He looked back into mine. And that exchange of glances seemed to reach some shred of humanity buried deep in John’s alcohol-addled brain. Suddenly he became very, very quiet.

After a moment or two, I turned to the guards. “I think you can take those ropes off him,” I said. “I think he’s done.”

John stood up, rubbed his wrists and, without another word, slowly made his way down the hall to the bedroom, where he must have collapsed on the mattress and passed out.

The next day, as I was getting ready to leave for work, the hotline started flashing.

“Ellie?” John said. “I’m sorry for what I said. But if you think about it, if that’s the worst thing I could say about you, you couldn’t be all that bad, right?”

“Thanks for the compliment,” I said.

“Well, welcome to the real world, Mother Virgin Mary. I’m me. I have a big mouth and express meself the way I feel when I feel it. I don’t hide behind some microphone. I sing into it or speak into it when it suits me. I’m not always the Imagine guy or the Jealous Guy or the Walrus. So I said I’m sorry to you. That’s all I can do.

Lennon and Ono in 1972

“Do you want to have dinner?”

“No,” I answered. “I think I’m going to take the night off.”

For the first time I can remember, I was the one who hung up the phone.

Obviously, our friendship took a hit after the incident at Adler’s house; how could it not? For the next several months, John and I barely spent time together — at least, not in person. We would talk almost every day on the phone, as we always had, and eventually our rapport began to feel as easy and familiar as ever. But I no longer joined him for evenings at the Troubadour or the Rainbow.

John, meanwhile, had shifted from the mayhem of the Spector sessions to the slightly lesser bedlam of producing a record for his pal Harry Nilsson. The most notable thing about the Pussy Cats sessions was who else was in the room. Ringo Starr sat in on drums. And although it never made it onto Nilsson’s album, another ex-Beatle unexpectedly turned up and even sang with John, the first time the two of them had performed together since the Beatles split.

I wasn’t present but later heard that Paul McCartney and his wife, Linda, had popped in without warning, bringing Stevie Wonder with them. According to those who were there, John and Paul seemed to pick up their friendship as if they were teenagers again, but when John told me about it later, he was kind of dismissive about it, saying, “They were all just looking at us, thinking that something big was going to happen. To me, it was just playing with Paul.”

Lennon with Harry Nilsson, left, outside the Troubadour club in West Hollywood, having just been ejected for heckling a performance by the Smothers Brothers, March 12, 1974

What John didn’t know, though, was that, according to Yoko, Paul had an ulterior motive for the visit. A few days earlier, she had called me to explain the machinations behind the visit.

Yoko told me she spoke with Paul, who offered to speak with John. “I thought it was very kind,” she said. “I was very appreciative. But I made it very clear to Paul that it wasn’t something I was asking him to do. It would have to be Paul’s idea, not mine.”

To me, there was never any question that John desperately wanted to get back with Yoko. Yes, he had feelings for May, yet at some point during virtually every phone call I had with him, John would sooner or later beseech me to talk to Yoko on his behalf. “Tell Mother I’m ready to come home, Ellie. Tell her I’m a changed man.”

“I don’t think she wants to hear it from me,” I would say. “She wants you to show it to her.”

Paul, I later heard, gave John similar advice. Sometime after popping into the studio in Burbank, he sat down with John and laid out, step by step, what he would need to do to win Yoko back.

It’s impossible to say if Paul’s presentation was what did it, or if John experienced some other epiphany around that time, but over the ensuing months he did indeed begin to clean up his act. In the summer of 1974, he started working on his next album, Walls and Bridges, regularly flying to New York for rehearsals and recordings at the Record Plant on West 44th Street. By all accounts, those sessions were entirely professional, with John showing up 100 per cent sober every day.

At the Grammy Awards in New York, March 1, 1975

Then, as work on the album neared completion, John made a fateful decision: he decided not to wait any longer for Yoko’s invitation to return to New York. Instead, towards the end of the summer, he and May rented an apartment of their own on the Upper East Side. It was a small but comfortable place that had a wraparound balcony with spectacular views of the East River.

When I flew to New York to tape some interviews, I took the opportunity to pay them a visit — my first face-to-face meeting with John since the ugliness at Adler’s house. It was an awkward encounter for numerous reasons. For one thing, I had just spent an afternoon with Yoko at the Dakota, some 20 blocks away; taking a cab across town to John and May’s felt something akin to betrayal.

Perhaps sensing my apprehension, May gave me a wide berth, leaving to make some phone calls in a bedroom while John and I stood together on the balcony, catching up.

“Does this make you feel uneasy?” John asked after a beat.

“You mean being here with you and May? Yes, a little,” I admitted. “It just reminds me of the fact that you and Mother are still separated, and that makes me sad.”

“Well, that’s the way Mother wants it,” he said. “At least for now.”

Then, unexpectedly, he wrapped his arm over my shoulders and added, “Don’t look so glum, me boy. Put on your radio face. There’s nowhere you can be that isn’t where you’re meant to be.”

It was one of the few times he’d quoted a line to me from a Beatles song.

Walls and Bridges was released a month or so later. John sent a prereleased signed copy (“To my little dream lover on ice, with love and old pianos,” he wrote, referring to my affection for Bobby Darin’s hit song).

As it happened, Elton John had joined John on keyboards for one song on the album. Elton made a bet with John. If the song was a hit, John would have to perform at Elton’s upcoming concert at Madison Square Garden. John agreed, never imagining he’d have to honour that promise.

Of course, Elton was spot on: Whatever Gets You Thru the Night did indeed become John’s first No 1 solo single. And so it came to pass that, in November 1974, onstage at Madison Square Garden, in front of thousands and thousands of fans, that the Lost Weekend finally began to fade to a finish.

Lennon’s surprise appearance at Elton John’s concert at Madison Square Garden, November 28, 1974

The details of what exactly transpired backstage that night remain, 50 years later, shrouded in some mystery. What is known is that Yoko, who’d been invited to the concert by Elton’s manager, was in the audience. She couldn’t have been prepared for the reaction around her when Elton announced, about two thirds into the concert, that he was bringing John onto the stage for his first public performance in two years. The crowd went berserk.

After the show, Elton’s manager approached Yoko and told her that Elton had requested her presence in his dressing room. Yoko was led backstage to a door with a star on it. She knocked, the entrance opened, and inside she saw her husband standing there, alone.

I cannot tell you what happened after the dressing room door closed behind them. Nobody but Yoko knows that, and she has never shared with me any details. What I can tell you is that in the weeks and months that followed, there must have been many more rendezvous as Yoko and John re-established their connection, even as he continued living with May in their East Side apartment.

According to one of May’s early accounts, John was ultimately hypnotised into ending his relationship with her; she has long claimed that Yoko hired a mesmerist to help John quit smoking but that it was all a ruse to brainwash him into splitting up with her so he could return to Yoko. To this day, many people believe that story. But I know for certain that it wasn’t true. Because, as it happens, I’m the one who arranged the hypnotist.

Yoko had nothing to do with it.

John had remembered that I had interviewed a hypnotist on my radio show and asked me if he might be able to help him kick nicotine.

At the Lincoln Center in New York, circa 1975

I called the hypnotist, planned for him to fly to New York, booked him a room in a Midtown hotel, and set up an appointment with John. In just about every respect, though, the hypnosis was a total bust. John told me immediately afterwards he was never put under; the hypnotist claimed John was but just couldn’t remember. The hypnotist also turned out to be something of a diva. He disliked his hotel — he thought the desk clerks were rude — and checked out the next day, flying back to LA in a huff.

John didn’t quit smoking, not for a minute, so it’s hard to imagine the hypnotist had succeeded in brainwashing him into anything else — like, say, leaving a lover. But the very next day, John did break it off with May and returned to the Dakota, resuming his marriage to Yoko and ending, at last, the long and lonely winter that had been the Lost Weekend. He called me in LA shortly afterwards to share the happy news.

He said, “Let the media know the separation did not work.”

‘He’d weigh himself twice a day’

Elliot Mintz on his friendship with John and Yoko. By Georgina Roberts

When a red light in Elliot Mintz’s bedroom flashed, it meant that John Lennon or Yoko Ono was calling him on a special hotline. “In an average week, 20 hours of phone conversation would not be unusual,” the 79-year-old former radio DJ and talk-show host says from his Beverly Hills living room.

Mintz describes the friendship with the couple that “dominated” nine years of his life as “almost a kind of marriage”. He was taken aback when Ono called him in 1971 to thank him for not asking about Lennon when he interviewed her on his radio show. When they began to speak for hours at night, she batted away his concern that her husband might get jealous, saying, “Aren’t you giving yourself a little too much credit, Elliot?”

Lennon first called Mintz to ask if he could get him fat-melting pills. “That was my first conversation with John Lennon. It wasn’t philosophical. It wasn’t about Elvis or the Beatles. It was about weight loss,” he says. Sometimes Lennon would weigh himself twice a day and the couple “were obsessive about diet”.

In Hotel Okura in Tokyo, October 1975

After six months of speaking, the couple summoned him to meet them in Ojai, California, where they were trying to kick a methadone addiction. Ono barely spoke until she was in a bathroom with the tap running. “She whispered to me, ‘This house is bugged. Everything we say here, they’re listening. So you have to be very careful what you say.’ ” FBI files released years later showed that Ono wasn’t being paranoid. President Nixon had placed the couple under surveillance after rumours they planned to disrupt his convention, Mintz says.

His clandestine friendship with the couple wreaked havoc on his love life. When he couldn’t explain whom he’d been speaking to in the middle of the night, one love interest assumed he was married and stormed out. “I realised at that moment that my love life would have to take a back seat to my relationship with John and Yoko,” he says.

There were times when lines were crossed in the friendship. One morning, Lennon summoned Mintz to kick out a girl who’d stayed the night. “I told him, ‘Please don’t ask me to do something like that again.’ He flipped out. He said, ‘I will effing ask you to do anything that I feel like asking you to do. Do you understand that?’ ” Mintz was hurt and offended. The next day was one of the few times he said no to “grabbing a bite” with Lennon.

Becoming parents was “the biggest game-changer” for the couple. After his son Sean was delivered via caesarean section in 1975, “John was outraged that when Yoko was clearly struggling, doctors would come up to him and say, ‘I’ve always dreamt of shaking your hand.’ He would bark at them, ‘Look after me wife!’ ”

While Lennon threw himself into childcare, Ono, who came from a banking dynasty, handled the couple’s finances. After becoming stratospherically famous so young, Lennon was “clueless” about money. “I doubt if John was ever in a supermarket, went to a bank, wrote a cheque. That’s what Yoko did,” Mintz says. “If not for Yoko, there’d be no money in the Lennon-Ono estate today.”

A drawing by Lennon on a postcard from Japan sent to Mintz in 1977

The first time Mintz met their son, Lennon said protectively, “Not too close. Germs.” “He said, ‘Look, we were going to make you the godfather, but we decided on Elton, because he would at least give him better Christmas presents.’ ” “This is typical John,” Mintz says.

Sean would only spend five years with his father before Lennon was murdered outside the Dakota in December 1980. Lennon had always “poo-pooed” Mintz’s requests for him to employ more security. “John said, ‘I’m just a rock’n’roll singer. Who would want to hurt me?’ ”

When Mintz speaks about learning of Lennon’s murder from a weeping flight attendant, his honeyed radio-presenter voice cracks with emotion. “Even now, after all these years, just thinking about that moment…” He trails off. The most gut-wrenching of his responsibilities was making an inventory of Lennon’s possessions. When he signed for a stapled brown paper bag that came from the hospital where Lennon was taken after he was shot, he could not bear to open it. “It was what John was wearing, what he had on him when he fell, including his broken, bloodied glasses.”

He is reticent about his friendship with Ono today. “I want to give her a sense of privacy,” he says, but adds, “It still feels like family. I still love her dearly.” The last time he saw her was at her 91st birthday in February. It was there that Sean encouraged Mintz to write his book, We All Shine On. Does he think Ono will like it? “I’ve never tried to predict a Yoko Ono conclusion.”

How different would his life be if he had never met the couple? “I could have got married. Could have had children.” Were the sacrifices worth it? “Of course. I got to spend that amount of my time with these two extraordinary people.”

We All Shine On: John, Yoko, & Me by Elliot Mintz (Bantam, £25).

(source)

[terrythemerry]

I just watched Wish (2023) and it made me realize something kind of sad about Disney’s treatment of villains.

So Disney has a long history of villainy from the OG Evil Queen who is willing to murder a girl just for being pretty to the misguided like Auto thinking he’s protecting humanity in Wall-E. They are mean, jealous, prideful, vain, and many relish in just being the worst of the worst. However every now and then we get a glimpse of more complexity. Zootopia’s Bellwether dealing with years of racism and mistreatment, Gantu trying to stop what he thinks is a monster in Lilo and Stitch, Up’s Muntz being a heroic explorer before paranoia consumed him, etc. The thing that makes me sad about these villains is that not one of them has ever had a chance at redemption or change in Disney’s eyes and nowhere is that sadder to me than their latest villain, King Magnifico.

(Spoilers below)

King Magnifico is the magical founder of a utopian society that accepts people of all races, religions, and backgrounds. Who created this wonderful place after what is heavily implied to be a violent invasion destroyed his homeland when he was but a child. This past trauma led him to study magic and become a powerful sorcerer so that nothing could hurt him or the people he cared about ever again. His magic is a protection that he extends to all who choose to live in the city. The city is vibrant with a colorful community full of artisans, musicians, and dancers. He takes no taxes from them, but does take their one true wish upon joining this society.

When given these wishes it is understood that he will ensure their safety and possibly grant them one day. Something important to note about the physical manifestations of the wishes is that they give off a warm and comforting aura as they represent some of the purest parts of a person’s soul. Magnifico has been surrounding himself with this magical comfort for a very very long time by himself and I don’t think it’s unfair to say he has become addicted to their presence. The wishes are giving him a magical comfort through the kind souls within them, a feeling he could’ve probably also gotten if he had spent more time with his people.

It doesn’t look like he ever really got the chance to commune with his people properly because somehow the society kicked off on his wish granting abilities. People had to give him their wishes if they wanted them granted and eventually the ones that he couldn’t grant in good conscience or out of fear started adding up so he began locking them away. Keeping them safe so no harm came to the people. The rare occasions that anyone else interacts with these wishes is during wish granting ceremonies that the people are borderline rabid for. With good reason, it is their souls they’re thirsting for after all even if they don’t really know it.

However, Magnifico clearly doesn’t see it that way. He sees it as he’s given these people a wonderful safe haven from the horrors of the outside world where they can be whoever they want to be, do what they want to do, make what they want to make, and still all they see in him is a tool to fastpass to something else they want even more than the peace he’s given them.

This is clearly shown early on, before any of his evil behavior starts to take root, in relation to his assistants. We get a expo dump after the first song telling us that Asha wants to become one of his assistant to increase the odds of her grandfather’s wish being granted as there is a correlation between past assistants and having wishes granted. Something important here is that there have clearly been many assistants, suggesting that it’s a revolving door position without really explaining why. Who would want to keep finding assistants over and over again, when really you should find someone who could do the job long term right? Well we get to find out the likely reason when Asha steps up for the role.

When Asha comes to interview for his assistant position he sees she is nervous, he tries to calm her down, and he even manages to relate to her through fond memories of her kindly father who he clearly knew. After seeing her true resolve to do good he decides to trust her with something few people in the entire kingdom get to see, the vault of wishes. To which Asha doesn’t even hesitate to ask, after politely being told not to prior, if he’ll grant her grandfather’s wish.

Magnifico is blatantly stricken by her request, sadly remarking that most people at least wait a few months before doing so a.k.a pretend to be interested in helping him rather than trying to use him to grant a wish. This is likely why the assistant job is a revolving door. Magnifico tries to find someone who he thinks will truly and selflessly fulfill the role only to discover time and again that people are just using it to get direct access to him to ask for a wish. Then he can’t trust their true intentions anymore and moves them along.

After Asha makes her request he does take the time to look at her grandfather’s wish but dismisses it as too dangerous because it is the vague desire to inspire the next generation. Clearly we as the audience know that her grandfather means to inspire them to do good, but we have to remember Magnifico has seen the worst of society. He has seen the darkest wishes and desires of mankind and survived them. He brushes Asha off telling her she’s too young to understand, which is honestly true. She’s lived her entire life cloistered in peace and comfort thanks to him and the rules he has made. She has never had to know war, strife, or hardship thanks to him, yet she doubts his decision without understanding the trauma that guides it. This is what I believe pushes Magnifico into his villain arc, something that I don’t think we’ve ever really witnessed in a Disney movie.

Usually a villain already is the villain by the time the film rolls around, even the twist villains. Lotso had already been deliberately sentencing other toys to torture. Prince Hans was already planning to murder his way to a throne. Evelyn was already plotting her revenge. Magnifico wasn’t though. He was the hero. He had saved his wife and a whole city’s worth of people from whatever drove them from the mainlands. He wasn’t physically abusing/mistreating people like Gaston even if he was vainly basking in their adoration.

When Asha pushes him on the wishes he pulls back from her, identifying her in his mind as a threat and treats her as one. He dismisses her and tells her that her family’s wishes will never be granted by him, but he will still keep them safe as he has been doing. Essentially meaning nothing will change for her from what it has been. You know a happy loving existence of complete acceptance and wholesome family life or as Asha interprets it, a fate worse than death.

His interaction with Asha triggers him, as she’s pushed at the flaws in his reasoning for holding onto the wishes. The flaws are true, but his mind is clouded by fear of a lack of control, likely stemming from the horrors he witnessed in his childhood when he had no control. He also likely has a bit of an addiction to the warm fuzzies that the wishes give on top of his fears. While he’s ruminating on that some massive wave of magic blows through the kingdom and messes with the thing he’s already stressed beyond reason about, the wishes.

Magnifico frantically searches for any answer, even considering a dangerous tome of forbidden magic that he knows is trouble before his wife manages to talk him down.

The fact that he could even be talked down rather than ignoring her outright shows that Magnifico does have good in him. He’s just reacting out of a genuine panic. His panic is only worsened by huge mob continuing to beg him for wishes in exchange for doing what should be the selfless act of defending their kingdom from what is essentially perceived as an attack. Not having any faith left in his people he turns back to the evil book to give him the key to stopping this perceived attack.

Just to be clear King Magnifico goes to the big bad evil book not to gain more power for funsies, but to try to find a way to stop a perceived threat. Everything he does from this point on, such as threatening his wife, can no longer be fairly tied to him, because as the movie repeatedly tells us he is under the EVIL book’s influence. His wife even looks through the same book to try and see if there is a way to break the sway she knows it has over him, but says she can’t because the EVIL book said no.

Yada yada yada and Magnifico is sealed inside a magic mirror and smugly told to rot in the dungeon by his previously loving wife.

Seriously?! What the heck?! This guy was the perfect candidate for rehabilitation. He wasn’t flawless, but he wasn’t a murderous psycho like most of the other Disney villains. Disney loves to preach kindness, acceptance, and good will with their heroes, but never does it allow the message of change.

I was shocked going back through the catalogue and slowly realizing none of their villains, regardless of how tragic their origins are, are ever truly allowed a second chance. The hero may offer it, but the baddy never is truly expected to change or reform. Which is honestly super messed up to me. People make mistakes. Some can be small/insignificant, but some are big and do hurt people sometimes. That doesn’t mean they can’t change for the better.

Now I’m not saying every villain is redeemable or good, it’s just a bit surprising that for all the messages of kindness and acceptance we haven’t really gotten forgiveness in 100 years. Seeing the “bad guy’s punishment” just deeply bothered me this time. Probably because so much of the bad that Magnifico does is clearly a trauma response and as a punishment for not acting appropriately to said response he gets sentenced to eternity is magical cell.

[mariasont]

Date Night - A.H

a/n: i have been so obsessed with the nanny recently so this is kind of based off that

masterlist

‧₊˚ ✩°｡⋆♡ ⋆˙⟡♡ ⋆˙⟡♡⋆｡°✩˚₊‧

pairings: aaron hotchner x nanny!reader

summary: you get home from the world's worst date

warnings: none i think, IDK IM SO BAD AT THESE

wc: 0.9k

To put it quite frankly your date sucked. He was disrespectful to the waiter, made really unsettling noises while eating, talked incessantly about his ex, and worst of all, he didn't let you get a word in edge wise (a major issue because you really like to talk).

Saying you were disappointed would barely scratch the surface. The rarity of your dates, thanks to your demanding role as a live-in nanny for Viriginia's most occupied FBI agent, made your free time all too precious. Mr. Hotchner was home this weekend, which granted you some time off, well-deserved you might add, but you had wasted it on some sad excuse of a man who made you believe that chivalry really was dead.

You had a clear mission when you entered the house: to drown the evening's disappointment in a generous pour of red, slip into your comfiest pajamas, and indulge in trashy reality TV, which, by comparison, casted your night in a much more flattering light. You were beginning to accept that maybe, you were meant to be alone, only because men sucked.

You all but threw your jacket into the closet, kicking off the pumps that had spent the night punishing your heels, and bent to rub the throbbing pain, releasing a sigh steeped in disappointment.

"You're home early."

Your heart leapt to your throat, hand flying to your chest on reflex as you whirled around to face the sight of Mr. Hotchner lounging in the armchair, a whiskey glass cradled in his hand. The light from the lamp beside him served to accentuate the shadows beneath his eyes, no doubt caused by his job. So, what he was doing up was beyond you.

"Geez, Mr. Hotchner, are you trying to give me a heart attack here?"

A mock frown creased your face, and you sauntered over to his chair. You settled on the armrest beside him and smoothly relieved him of the glass, taking a small, savoring sip. Annoying him was one of your favorite pastimes, one that was all too rare with his usual absence.

"So, what's the occasion? Waiting up for me?"

He wasn't amused, clearly, his face unchanging. With a deliberate motion, he took the glass back, taking another casual drink, and despite his stern look he didn't move away from you. His eyes shot you a sharp glance, withholding any spoken response.

With a light tap on his shoulder, you hopped down from the arm of the chair.

"It's okay, you don't have to say it. I can read you like a book," you tossed him a wink, your dress flirting with the edge of modesty at the quick action. His eyes briefly betrayed him, moving towards the expanse of flesh now on display. "Ahem, Mr. Hotchner, my face is a little higher."

You gently nudged his chin upward with your finger, guiding his attention to your eyes. You loved his eyes, a cocoa brown color that reminded you of rich, velvety chocolate truffles, a comparison you were pretty sure had slipped out when he interviewed you.

"Careful," he cautioned in a low murmur, easing himself from the chair and setting his glass aside. "As your employer, it's reasonable for me to be concerned about your well-being, you are the woman who raises my child."

"Oh, absolutely, sir. Your concern is most reasonable and duly noted," you replied with an exaggerated formality, lightly tapping his cheek before neatly tucking your hands behind your back.

He traced his brow with his fingertips, as if to smooth away the beginnings of a headache, undoubtedly brought on by you. A sigh of exhaustion followed. "I trust I don't need to remind you of who signs your paycheck."

With a beaming smile, you sing out, hands moving to rest on your hips. "Totally clear on that, sir!" You turn and head up the stairs, your mumble just loud enough for him to catch, "A little raise wouldn't hurt though, just saying!"

He's close behind as he warns in a low voice, "Don't push your luck."

You stop so suddenly he almost stumbles into you and you feel his hands steady you on your hips, dangerously close to the curve of your ass as you glance back at him.

"Oh, I wouldn't dare, sir."

A slight shake of his head and those perceptive eyes convey all he doesn't say as his hands fall away, the space they leave behind feeling oddly empty. 

"So, the date didn't go well?" he asks as you reach the top of the stairs.

"No, I didn't say that. It was wonderful, perfect actually." You'd always been a terrible liar, and naive for thinking he'd fall for it. "He might just be the man of my dreams."

He gives you a look that tells you he sees right through your bullshit. "Let me guess, he probably ordered for you without asking, talked over you, and didn't even bother to walk you to your door."

"Uh, no, that's not--," you start, voice squeaking slightly. His unimpressed look makes you fold--something you found yourself doing way too often around him. "Okay, fine. But really, using those weird FBI skills on me? That's playing dirty, Mr. Hotchner."

"No 'weird FBI skills' required," he replies, the slightest smirk gracing his stupidly handsome face. "Your taste in men is just... consistently interesting."

"Interesting is better than non-existent, which I believe is the current state of your dating life, Mister."

He moves closer, the narrowing space nudging you against the wall. "Well, considering my days are filled with work, parenting, and apparently, babysitting you, dating isn't exactly a priority."

He was kind of hot when he was mad. His eyes narrowed at you. Okay, not kind of, definitely hot when mad.

"Oh, Mr. Hotchner, it sounds like you need a night off from all that babysitting," you purr, placing your hands on his shoulders as you grace him with a smile. "Why don't we discuss your options over dinner? My treat?"

A sigh of exasperation escapes him, a telltale sign that he's done with the conversation, which actually is how a lot of your discussions end. He steps back and opens the door to your room. "Goodnight."

"Goodnight, Mr. Hotchner, see you in the morning," you say, your hand pausing on his arm just a beat too long. "Sweet dreams--though I'm sure I'll be in them."

taglist: @hotchhner

[mrs-stans]

Sebastian Stan Tells All: Becoming Donald Trump, Gaining 15 Pounds and Starring in 2024’s Most Controversial Movie

By Daniel D'Addario

Sebastian Stan Variety Cover Story

It started with the most famous voice on the planet, the one that just won’t shut up.

Sebastian Stan, in real life, sounds very little like Donald Trump, whom he’s playing in the new film “The Apprentice.” Sure, they share a tristate accent — Stan has lived in the city for years and attended Rutgers University before launching his career — but he speaks with none of Trump’s emphasis on his own greatness. Trump dwells, Stan skitters. Trump attempts to draw topics together over lengthy stem-winders (what he recently called “the weave”), while Stan has a certain unwillingness to be pinned down, a desire to keep moving. It takes some coaxing to bring Stan, a man with the upright bearing and square jaw of a matinee idol, to speak about his own process — how hard he worked to conjure a sense Trump, and how he sought to bring out new insights about America’s most scrutinized politician.

“I think he’s a lot smarter than people want to say about him,” Stan says, “because he repeats things consistently, and he’s given you a brand.” Stan would know: He watched videos of Trump on a loop while preparing for “The Apprentice.” In the film, out on Oct. 11, Stan plays Trump as he moves from insecure, aspiring real estate developer to still insecure but established member of the New York celebrity firmament.

We’re sitting over coffee in Manhattan. Stan is dressed down in a black chore coat and black tee, yet he’s anything but a casual conversation partner. He rarely breaks eye contact, doing so only on the occasions when he has something he wants to show me on his iPhone (cracked screen, no case). In this instance, it’s folders of photos and videos labeled “DT” and “DT PHYSICALITY.”

“I had 130 videos on his physicality on my phone,” Stan says. “And 562 videos that I had pulled with pictures from different time periods — from the ’70s all the way to today — so I could pull out his speech patterns and try to improvise like him.” Stan, deep in character, would ad-lib entire scenes at director Ali Abbasi’s urging, drawing on the details he’d learned from watching Trump and reading interviews to understand precisely how to react in each moment.

“Ali could come in on the second take and say, ‘Why don’t you talk a little bit about the taxes and how you don’t want to pay?’ So I had to know what charities they were going to in 1983. Every night I would go home and try not only to prepare for the day that was coming, but also to prepare for where Ali was going to take this.”

Looking at Stan’s phone, among the endless pictures of Trump, I glimpse thumbnails of Stan’s own face perched in a Trumpian pout and videos of the actor’s preparation just aching to be clicked — or to be stored in the Trump Presidential Library when this is all over in a few months, or in 2029, or beyond.

“I started to realize that I needed to start speaking with my lips in a different way,” Stan says. “A lot of that came from the consonants. If I’m talking, I’m moving forward.” On film, Stan shapes his mouth like he can’t wait to get the plosives out, puckering without quite tipping into parody. “The consonants naturally forced your lips forward.”

“If he did 10% more of what he did, it would become ‘Saturday Night Live,’” Abbasi says. “If he did 10% less, then he’s not conjuring that person. But here’s the thing about Sebastian: He’s very inspired by reality, by research. And that’s also the way I work; if you want to go to strange places, you need to get your baseline reality covered very well.”

A little later, Stan passes me the phone again to show me a selfie of him posing shirtless and revealing two sagging pecs and a bit of a gut. He’s pouting into a mirror. If his expression looks exaggerated, consider that he was in Marvel-movie shape before stepping into the role of the former president; the body transformation happened rapidly and jarringly. Trump’s size is a part of the film’s plot — as Trump’s sense of self inflates, so does he. In a rush to meet the shooting deadline for “The Apprentice,” Abbasi asked Stan, “How much weight can you gain?”

“You’d be surprised,” Stan tells me. “You can gain a lot of weight in two months.” (Fifteen pounds, to be exact.)

Now he’s back in fighting form, but the character has stayed with him. After years of playing second-fiddle agents of chaos — goofball husbands to Margot Robbie’s and Lily James’ characters in “I, Tonya” and Hulu’s “Pam & Tommy,” surly frenemy to Chris Evans’ Captain America in the Marvel franchise — Stan plunged into the id of the man whose appetites have reshaped our world. He had to have a polished enough sense of Trump that he could improvise in character, and enough respect for him to play him as a human being, not a monster.

It’s one of two transformations this year for Stan — and one that might give a talented actor that most elusive thing: a brand of his own. He’s long been adjacent enough to star power that he could feel its glow, but he hasn’t been the marquee performer. While his co-stars have found themselves defined by the projects he’s been in — from “Captain America” and “I, Tonya” back to his start on “Gossip Girl” — he’s spent more than a decade in the public eye while evading being defined at all.

This fall promises to be the season that changes all that: Stan is pulling double duty with “The Apprentice” and “A Different Man” (in theaters Sept. 20), in which he plays a man afflicted with a disfiguring tumor disorder who — even when presented with a fantastical treatment that makes him look like, well, Sebastian Stan — can’t be cured of ailments of the soul. For “A Different Man,” Stan won the top acting prize at the Berlin Film Festival; for “The Apprentice,” the sky’s the limit, if it can manage to get seen. (More on that later.)

One reason Stan has largely evaded being defined is that he’s never the same twice, often willing to get loopy or go dark in pursuit of his characters’ truths. That’s all the more true this year: In “The Apprentice,” he’s under the carapace of Trumpiness; in “A Different Man,” his face is hidden behind extensive prosthetics.

“In my book, if you’re the good-looking, sensitive guy 20 movies in a row, that’s not a star for me,” says Abbasi, who compares Stan to Marlon Brando — an actor eager to play against his looks. “You’re just one of the many in the factory of the Ken dolls.”

This fall represents Stan’s chance to break out of the toy store once and for all. His Winter Soldier brought a jolt of evil into Captain America’s world, and his Jeff Gillooly was the devil sitting on Tonya Harding’s shoulder. Now Stan is at the center of the frame, playing one of the most divisive characters imaginable. So he’s showing us where he can go. The spotlight is his, and so is the risk that comes with it.

Why take such a risk?

The script for “The Apprentice,” which Stan first received in 2019, but which took years to come together, made him consider the American dream, the one that Trump achieved and is redefining.

Stan emigrated with his mother, a pianist, from communist Romania as a child. “I was raised always aware of the American dream: America being the land of opportunity, where dreams come true, where you can make something of yourself.” He pushes the wings of his hair back to frame his face, a gold signet ring glinting in the late-summer sunlight, and, briefly, I can hear a hint of Trump’s directness of approach. “You can become whoever you want, if you just have a good idea.” Stan’s good idea has been to play the lead in movies while dodging the formulaic identity of a leading man, and this year will prove just how far he can take it.

“The Apprentice” seemed like it would never come together before suddenly it did. This time last year, Stan was sure it was dead in the water, and he was OK with that. “If this movie is not happening, it’s because it’s not meant to happen,” he recalls thinking. “It will not be because I’m too scared and walk away.”

Called in on short notice and filming from November 2023 to January of this year (ahead of a May premiere in Cannes), Stan lent heft and attitude to a character arc that takes Trump from local real estate developer in the 1970s to national celebrity in the 1980s. He learns the rough-and-tumble game of power from the ruthless and hedonistic political fixer Roy Cohn (Jeremy Strong), eventually cutting the closeted Cohn loose as he dies of AIDS and alienating his wife Ivana (Maria Bakalova) in the process. (In a shocking scene, Donald sexually assaults Ivana in their Trump Tower apartment.) For all its edginess, the film is about Trump’s personality — and the way it calcified into a persona — rather than his present-day politics. (Despite its title, it’s set well before the 2004 launch of the reality show that finally made Trump the superstar he longed to be.)

And despite the fact that Trump has kept America rapt since he announced his run for president in 2015, Hollywood has been terrified of “The Apprentice.” The film didn’t sell for months after Cannes, an unusual result for a major English-language competition film, partly because Trump’s legal team sent a cease-and-desist letter attempting to block the film’s release in the U.S. while the fest was still ongoing. When it finally sold, it was to Briarcliff Entertainment, a distributor so small that the production has launched a Kickstarter campaign to raise money so that it will be able to stay in theaters.

Yes, Hollywood may vote blue, but it’s not the same town that released “Fahrenheit 9/11” or even “W.,” let alone a film that depicts the once (and possibly future) president raping his wife. (The filmmakers stand behind that story. “The script is 100% backed by my own interviews and historical research,” says Gabriel Sherman, the screenwriter and a journalist who covers Trump and the American conservative movement. “And it’s important to note that it is not a documentary. It’s a work of fiction that’s inspired by history.”) Entertainment corporations from Netflix to Disney would be severely inconvenienced if the next president came into office with a grudge against them.

“I am quite shocked, to be honest,” Abbasi says. “This is not a political piece. It’s not a hit piece; it’s not a hatchet job; it’s not propaganda. The fact that it’s been so challenging is shocking.” Abbasi, born in Iran, was condemned by his government over his last film, “Holy Spider,” and cannot safely return. He sees a parallel in the response to “The Apprentice.” “OK, that’s Iran — that is unfortunately expected. But I wasn’t expecting this.”

“Everything with this film has been one day at a time,” Stan says. The actor chalks up the film’s divisiveness to a siloed online environment. “There are a lot of people who love reading the [film’s] Wikipedia page and throwing out their opinions,” he says, an edge entering his voice. “But they don’t actually know what they’re talking about. That’s a popular sport now online, apparently.”

Unprompted, Stan brings up the idea that Trump is so widely known that some might think a biographical film about him serves no purpose. “When someone says, ‘Why do we need this movie? We know all this,’ I’ll say, ‘Maybe you do, but you haven’t experienced it. The experience of those two hours is visceral. It’s something you can hopefully feel — if you still have feelings.’”

After graduating from Rutgers in 2005, Stan found his first substantial role on “Gossip Girl,” playing troubled rich kid Carter Baizen. Like teen soaps since time immemorial, “Gossip Girl” was a star-making machine. “It was the first time I was in serious love with somebody,” he says. (He dated the series’ star, Leighton Meester, from 2008 to 2010.) He feels nostalgic for that moment: “Walking around the city, seeing these same buildings and streets — life seemed simpler.”

Stan followed his “Gossip Girl” gig with roles on the 2009 NBC drama “Kings,” playing a devious gay prince in an alternate-reality modern world governed by a monarchy, and the 2012 USA miniseries “Political Animals,” playing a black-sheep prince (and once again a gay man) of a different sort — the son of a philandering former president and an ambitious former first lady.

When I ask him what lane he envisioned himself in as a young actor, he shrugs off the question. “I grew up with a single mom, and I didn’t have a lot of male role models. I was always trying to figure out what I wanted to be. And at some point, I was like, I could just be a bunch of things.”

Which might seem challenging when one is booked to play the same character, Bucky Barnes, in Marvel movie after Marvel movie. Bucky’s adventures have been wide-ranging — he’s been brainwashed and turned evil and then brought back to the home team again, all since his debut in 2011’s “Captain America: The First Avenger.” Next year, he’ll anchor the summer movie “Thunderbolts,” as the leader of a squad of quirky heroes played by, among others, Julia Louis-Dreyfus and Florence Pugh. It’s easy to wonder if this has come to feel like a cage of sorts.

Not so, says Stan. His new Marvel film “was kind of like ‘One Flew Over the Cuckoo’s Nest’ — a guy coming into this group that was chaotic and degenerate, and somehow finding a way to unite them.”

Lately, knives have been out for Marvel movies as some have disappointed at the box office, and “Thunderbolts,” which endured strike delays and last-minute cast changes, has been under scrutiny.

“It’s become really convenient to pick on [Marvel films],” Stan says. “And that’s fine. Everyone’s got an opinion. But they’re a big part of what contributes to this business and allows us to have smaller movies as well. This is an artery traveling through the system of this entire machinery that’s Hollywood. It feeds in so many more ways than people acknowledge.” He adds, “Sometimes I get protective of it because the intention is really fucking good. It’s just fucking hard to make a good movie over and over again.”

Which may account for an eagerness to try something new. “In the last couple of years,” he says, “I’ve gotten much more aggressive about pursuing things that I want, and I’m constantly looking for different ways of challenging myself.”

The challenge continued throughout the shoot of “The Apprentice,” as Stan pushed the material. “One of the most creatively rewarding parts of the process was how open Sebastian was to giving notes on the script but also wanting to go beyond the script,” says Sherman, the screenwriter. “If he was interested in a certain aspect of a scene, he was like, Can you find me a quote?” he recalls.

Building a dynamic through improvised scenes, Stan and Strong stayed in character throughout the “Apprentice” shoot. “I was doing an Ibsen play on Broadway,” says Strong, who won a Tony in June for his performance in “An Enemy of the People,” “and he came backstage afterwards. And it was like — I’d never really met Sebastian, and I don’t think he’d ever met me. So it was nice to meet him.”

Before the pair began acting together, they didn’t rehearse much — “I’m not a fan of rehearsals,” Strong says. “I think actors are best left in their cocoon, doing their work, and then trusted to walk on set and be ready.” The two didn’t touch the script together until cameras went up — though they spent a preproduction day, Strong says, playing games in character as Donald and Roy.

After filming, both have kept memories of the hold their characters had on them. They shared a flight back from Telluride — a famously bumpy trip out of the mountains. “He’s a nervous flyer, and I’m a nervous flyer,” Stan says. Both marveled at the fact that they’d contained their nerves on the first day of shooting “The Apprentice,” when their characters traveled together via helicopter. “We both go, ‘Yeah — but there was a camera.’”

Stan’s aggressive approach to research came in handy on “A Different Man,” which shot before “The Apprentice.” His character’s disorder, neurofibromatosis, is caused by a genetic mutation and presents as benign tumors growing in the nervous system. After being healed, he feels a growing envy for a fellow sufferer who seems unbothered by his disability.

Stan’s co-star, Adam Pearson, was diagnosed with neurofibromatosis in early childhood. Stan found the experience challenging to render faithfully. “I said many times, I can do all the research in the world, but am I ever going to come close to this?” Stan says. “How am I going to ever do this justice?”

Plus, he had precious little time to prepare: “He was fully on board, and the film was being made weeks later,” director Aaron Schimberg says. “Zero to 60 in a matter of weeks.”

The actor grappled for something to hold on to, and Pearson sug gested he refer to his own experience of fame. “Adam said to me, ‘You know what it’s like to be public property,’” Stan says.

Pearson recalls describing the experience to Stan this way: “While you don’t understand the invasiveness and the staring and the pointing that I’ve grown up with, you do know what it’s like to have the world think you owe them something.”

That sense of alienation becomes universal through the film’s storytelling: “A Different Man” takes its premise as the jumping-off point for a deep and often mordant investigation of who we all are underneath the skin.

The film was shot in 22 days in a New York City heat wave, and there was, Schimberg says, “no room for error. I would get four or five takes, however many I could squeeze out, but there’s no coverage.”

Through it all, Stan’s performance is utterly poised — Schimberg and Stan discussed Buster Keaton as a reference for his ability to be “completely stone-faced” amid chaos, the director says. And the days were particularly long because Oscar-nominated prosthetics artist Michael Marino was only able to apply Stan’s makeup in the early morning, before going to his job on the set of “The Marvelous Mrs. Maisel.”

“Even though I wasn’t shooting until 11 a.m., I would go at like 5 in the morning to his studio, or his apartment,” Stan recalls. The hidden advantage was that Stan had hours to kill while made up like his character, the kind of person the world looks past. “I wanted to walk around the city and see what happened,” Stan says. “On Broadway, one of the busiest streets in New York, no one’s looking at me. It’s as if I’m not even there.” The other reaction was worse: “Somebody would immediately stop and very blatantly hit their friend, point, take a picture.”

It was a study in empathy that flowed into the character. Stan had spoken to Pearson’s mother, who watched her son develop neurofibromatosis before growing into a disability advocate and, eventually, an actor. “She said to me, ‘All I ever wanted was for someone to walk in his shoes for a day,’” Stan recalls. “And I guess that was the closest I had ever come.”

“The Apprentice” forced Stan, and forces the viewer, to do the same with a figure that some 50% of the electorate would sooner forget entirely. And that lends the film its controversy. Those on the right, presupposing that the movie is an anti-Trump document, have railed against it. In a statement provided to Variety, a Trump campaign spokesman said, “This ‘film’ is pure malicious defamation, should never see the light of day and doesn’t even deserve a place in the straight-to-DVD section of a bargain bin at a soon-to-be-closed discount movie store, it belongs in a dumpster fire.” The campaign threatened a lawsuit, though none has materialized.

Asked about the assault scene, Stan notes that Ivana had made the claim in a deposition, but later walked it back. “Is it closer to the truth, what she had said directly in the deposition or something that she retracted?” he asks. “They went with the first part.”

The movie depicts, too, Ivana’s carrying on with her marriage after the violation, which may be still more devastating. “How do you overcome something like this?” asks Bakalova. “Do you have to put on a mask that everything is fine? In the next scene, she’s going to play the game and pretend that we’re the glamorous, perfect couple.” The Trumps, in “The Apprentice,” live in a world of paper-thin images, one that grows so encompassing that Donald no longer feels anything for the people to whom he was once loyal. They’re props in his stage show.

“The Apprentice” will drop in the midst of the most chaotic presidential election of our lifetime. “The way it lands in this extremely polarized situation, for me as an artist, is exciting. I won’t lie to you,” says Abbasi.

When asked if he was concerned about blowback from a Trump 47 presidency, Stan says, “You can’t do this movie and not be thinking about all those things, but I really have no idea. I’m still in shock from going from an assassination attempt to the next weekend having a president step down [from a reelection bid].”

Stan’s job, as he sees it, was to synthesize everything he’d absorbed — all those videos on his phone — into a person who made sense. This Trump had to be part of a coherent story, not just the flurry of news updates to which we’ve become accustomed.

“You can take a Bach or a Beethoven, and everyone’s going to play that differently on the piano, right?” Stan says. (His pianist mother named him for Johann Sebastian Bach.) “So this is my take on what I’ve learned. I have to strip myself of expectations of being applauded for this, if people are going to like it or people are going to hate it. People are going to say whatever they want. Hopefully they should think at least before they say it.”

It’s a reality that Stan is now used to — the work is the work, and the way people interpret him is none of his business. Perhaps that’s why he has run away from ever being the same thing twice. “I could sit with you today and tell you passionately what my truth is, but it doesn’t matter,” he says. “Because people are more interested in a version of you that they want to see, rather than who you are.”

“The Apprentice” has been the subject of extreme difference of opinion by many who have yet to see it. It’s been read — and will continue to be after its release — as anti-Trump agitprop. The truth is chewier and more complicated, and, perhaps, unsuited for these times.

“Are we going to live in a world where anyone knows what the truth is anymore? Or is it just a world that everyone wants to create for themselves?” Stan asks.

His voice — the one that shares a slight accent with Trump but that is, finally, Stan’s own — is calm and clear. “People create their own truth right now,” he says. “That’s the only thing that I’ve made peace with; I don’t need to twist your arm if that’s what you want to believe. But the way to deal with something is to actually confront it.”

[uzurimisery]

the space between two bodies. / satosugu x reader / part 1

Warnings: MDNI, happy ending, angst, cheating (not really this is explained in part 2), unhealthy relationships/coping mechanisms, suicidal ideation, depression, smut, no sorcery au, unedited

A/N: I started thinking about Gojo with anxiety and nihilist Geto and then what that looks like in a poly relationship with someone as flawed as they are

part two

“We’re sorry but we’ve decided to go with another candidate now. We will retain your information on file should a more suitable role open up.” 

The email stared back at you, the words on your phone screen blurring as droplets of rain hit it as you read it over for the hundredth time. Today was just another shitty fucked up day in the endless string of shitty fucked up days that had become your life. The third consecutive month of unemployment in a row. At least previously you could get temp jobs but now each day that passed just ate away at you with how useless you felt. 

Pocketing your phone, you pull out a 100 yen coin and put it in the vending machine.

You didn’t even like your old job but Jesus it was like no one was actually hiring. And when you did get an interview, you’d get ghosted afterward. On the rare occasion they didn’t ghost you, you’d receive a rejection letter like this one. It was preferable, you supposed, that your existence and effort were at least acknowledged, no matter how much it stung. Still hurt like a bitch to be told you weren’t good enough. 

Anything would be better than this, fuck you’d take being overworked and underpaid if it felt like you were doing something. This endless cycle of gnawing uncertainty and applications, interviews, followed by rejections. Worse than that you were out of deodorant and trying to find some in Japan was a Herculean effort. 

Yeah, it’s been a shit go and you’re fucking exhausted.

Maybe you’d go be an English teacher like everyone else who moves to Japan. You wouldn’t need a co-teacher so the pay would be better if you were just starting out. Not that you wanted to teach again dear god that was less than ideal. Thank god you had settled status. The thought of having to deal with visa issues at the same time made you feel sick. 

Maybe you could work at a host club. You turned, staring at your reflection in the glass. Your boobs weren’t half bad as you pushed them up from the underside like a push-up bra would. Or sell feet pictures. The market was probably oversaturated at this point but maybe there would be some interest.

Wait Jesus had your hair looked like that all day? Fuck. No wonder that girl kept staring at you on the train she thought you were a lunatic.

Sighing you press the button for 4H. It wasn’t like you’d always been this way, sort of drifting in a sea of uncertainty abroad your boat of doubt with no wind to guide your sails. There was a period of time, maybe a five-year stretch after you had graduated from university where your life was on track. An entry-level job in your degree field, a long-term boyfriend turned fiance, wedding planning, and a great group of friends. Shit, you had it all. 

The fiance was the first to go. 

As it turns out, finding your fiance in bed with the girl he swore you didn’t have to worry about, his tongue halfway down her throat like he’s trying to do an endoscopy, is a terrible way to find out you’re being cheated on. When he noticed you standing in the doorway he had the gall to sputter some bullshit about how it was your fault it happened. You were too focused on your work, you didn’t give him attention, blah, blah, blah. It was you who broke the relationship up by working so much and being married to your job. And as he paid for the overpriced four-bedroom apartment in an area of Tokyo that you didn’t even like, you lost the apartment in the breakup. 

You couldn’t slum dog millionaire your life away on Shoko and Utahime’s couch forever eating tubs of ice cream and binging TV after that, so everyone told you, or rather forced you, to move in with Suguru and Satoru. Bouncing around from couple to couple. It did give you some stability and just as things go up so must they come down. 

The company you were working for was liquidated after an investigation by the federal government found years of tax fraud. Luckily they got bought out, and you thought maybe if you put in work you could still climb the ladder. But all those late nights in the office, conbini dinners, and unpaid overtime, you were just another name on a severance list.

It felt like waves were crashing over you, each one larger than the rest. Almost like you were tied to a dock during a hurricane, a tsunami, or some fucking natural disaster that threatened to drown you if you didn’t hold onto something but there wasn’t much to hold on to. You could hold onto the minuscule amount of friendships that you had at least. It was far too awkward and messy to keep up with anyone else other than your main four since the rest were so tied to your ex-fiance and his life. Stupid fucking lawyer. 

The four of you were close-ish. Less close since Shoko had gone on rotation at a university on the other side of Tokyo. It meant she and Utahime had moved nearer to it since Utahime was willing to commute. But Suguru and Satoru were still close with you and still dating.  Biting as that felt at times. 

You met Geto first in a shared philosophy lecture. One of those run-of-the-mill ones, but the content that really got the two of you talking was nihilism. It was the seminar groups after class you shared where he really saw you. Stripped away of pretenses and your nerves laid bare. Not just another face in a lecture hall but something more, something human. The deep indents of nails in your palms and the rubbing of your hands together under the table. He had seen right through you, recognized the darker parts of himself in you- it made you feel understood.

The machine made a mechanical noise and the lights flickered. Sighing you kick the machine lightly to see if anything happens, if life could give you this one thing today that you so desperately needed. Just like everything else, nothing goes your way and your stupid drink stays logged on the shelf. So like every reasonable person you kick the machine again. 

“Stupid fucking piece of shit machine,” you murmur a growing string of profanities under your breath as you repeatedly kick the machine

.

All you wanted was one of those ¥100 coffee drinks that were loaded with caffeine to keep going through your slog of a day was that so hard? Maybe it would be best if you just packed it up and called it quits. Move back home with your parents and be berated daily. Why aren’t you married? Why did you and Kosuke break up? When are they going to get some grandchildren? They aren’t getting any younger you know. Face the cutting shame of fucking up another opportunity, another chance. 

What was the point in trying anymore when you couldn’t even get a stupid drink that you don't honestly even want at this point out of a vending machine so you can go home and masturbate to audio porn before you cry yourself to fucking sleep? 

Suguru’s voice cut through the spiral of thoughts, your name on his lips. 

“What are you doing here? I thought you had an interview and you’d be home late?” 

Of course, he’d catch you like this. 

“Hey Sugs,” it came out as a groan as you kicked the machine again, a loud clang following as your drink hit the bottom of the dispenser. Bending down, you grab the can before turning and facing him. “I did.” 

“How’d it go?”

“Like shit.” Maybe you should work on your delivery. This flat effect is really making you should like a bitch. Are you a bitch? 

Geto’s eyes raked over you, infuriatingly calm and measured. He was always so carefully disheveled, the type of person to look effortlessly put together no matter the occasion. Stupid name-brand black sweater over a white button-down half tucked into chinos with a chain on the belt. His hair, shiny and perfect, was neatly tucked into his signature half-up-hald-down look to keep the strand out of his eyes, minus the one for style. Notably, he was wearing his glasses for once, sleek frames perks on a tall nose. Oh, he smelt nice too, his sandalwood and bergamot cologne hitting you as he stepped closer, extending his umbrella to cover the two of you. Fuck he was so handsome it wasn’t fair.

“I'm sorry to hear that,” Geto replied softly.

You shrugged, trying to brush it off. “ It is what it is.”

But the reality of it clung to you and drug you down, down, down into the depths of your psyche. That small, scared feeling you tried so hard to suppress started bubbling up again, twisting your insides into knots. It made you feel sick, so much like a lost little child in a world that had grown far too big and complex. Here it was, rearing its ugly head, in front of one of the top ten people you never wanted to see in such a shit state.

But that's all Gojo and Geto do at this point. They pick up the broken, crumbling pieces of yourself that slip between your fingers. You feel like a cracked vase leaking water all over the place no matter how desperately they try and patch up the ceramic. Each day the gap between you and them grows more apparent. They were both soaring and you were falling to the ground and rolling around in the mud. 

Geto had just done a four-page spread in Architects Digest, even though he was a pretentious motherfucker who hated the magazine. And Gojo… God, he’d just opened for Prada at Paris Fashion Week. They went viral on every social media platform a while back for how hot and gay they were. You’d been caught in the crossfire of your accounts being tagged and gained a social media boost, but that also meant a bunch of people DMing you telling you to take pictures of them. 

The most fucked up thing about it all was the gnawing feeling that chewing on your bones that you were being dragged around like an accessory to remind them how good they had it. A permanent third wheel they’ve been stuck with since university. Two talented lovers on the brink of permanent importance and their weird little friend who follows them along like a lost puppy. It wasn’t even true and that's why it hurt so much. You knew they believed in you, thought that you could be a successful artist, and supported you in it even, but the jealousy rotted inside you like a festering wound. You weren’t even jealous of their success, only just partial, but it was like you weren’t good enough to be around them. 

Maybe you were better off as wall decor in the life they were building together. Something quiet and serene that didn’t demand anything from them. Better that than the bitter, jealous mess you were every time you saw them succeed.

He starts, the same spiel he goes to when you get like this. “You can always-”

“No.” your voice comes out sharper than you intended, but you don’t care. 

“I don’t know why you act like it’s such a bad off,” Suguru presses, his calm demeanor only pissing you off more.  

“I don’t want to work for you.” 

“Why not.” 

You snap. “Because I don’t want to, Suguru! Is that so hard to understand?”

Fuck, you wanted to storm off, go back to the house, and slam the door behind you as you went. But it didn’t matter if you stormed off, you lived in one of his guest bedrooms. Both of you were just headed to the same place. Sad little rescue that you were.

Suguru assessed, his eyes softened, breaking you down. He picked out every one of your insecurities as he stared at you. Microscopic inspection, each of your cells was being assessed for your state of being. Have you eaten? Was it enough? Had you slept? Are you even capable of taking care of yourself in this state? 

The weight of his gaze made your chest tighten, and before you could control it, try and reel it back in, tears welled up in your eyes. Blinking them back, you swallowed hard, the lump in your throat bobbing as you did. You hated this. Hated the way his care, his pity, felt like a knife twisting in the last remaining shred of pride you clung to. 

Pity was the killy of pride and you should accept that your pride was already decomposing in the septic tank in the backyard. 

Fuck up, fuck up, fuck up. All you ever were, all you’d ever be. Every loose thread of your shirt feels like it's cutting against your skin. The hem of your trousers drowns your feet like you're wearing your parents' clothes. Shabby. Uncouth. Inept. 

Wordlessly, you turned on your heel and fled, rushing out of the side street as the tears spilled past your lash line. You couldn’t do this anymore--no more questions, no more pity. No matter how hard you tried, how hard you struggled, clawed your way through the fucking dirt, you could never be like them. Never be good like theme, never right like them, never fit like them. They had these perfect little lives that they could boast to everyone about. When they spoke, people listened. People cared what they had to say. The world parted for them, it was the Red Sea and they were Moses, making space. There’d always be room for them to shine. 

But you were screaming into a void, your throat raw, bloody, and you were aching from the endless effort to be seen, to be heard. You wanted to be looked at like your own person, your own successes. Hard to be noticed for something that rarely happened. No matter how loud you screamed, how much you begged, your voice was just lost in the noise. 

You knew Suguru would follow. He always did. Even if you didn’t live in the same house, he’d have followed you. His voice was muffled by the pressure in your ears but you could hear him trying to talk to you. He let you get all the way home and inside the gate of the house before he grabbed your wrist and yanked you backward. 

Trying to pull away, your shoulder wrenched painfully as you trashed in his grip. 

“Calm down,” Suguru spoke firmly, pulling you into his chest. His sweater was soft, and your face smushed against the fabric as sobs wrecked your body, trembling like the earth in an earthquake.

It was hard to speak through the tears, so all you could do was try and slip out of his hold as you sobbed. You didn’t want this comfort. You wanted to run from your failure. From how suffocating life felt and that no matter what you'd never be enough. Worse than that, the sweet sickly feeling that trickled down your throat that when he held your life this, it made the world feel just a little bit more bearable. As if somewhere you could survive another day if he kept touching you. It wasn’t yours to feel and he wasn’t yours to hold. 

Suguru lets you wiggle around. You hit his torso a few times, your strength fading as you cry. When your sobs turned to hiccups and gasps for breaths, he gently cupped your face, thumbs brushing away the tears that still spilled from your eyes. 

“Talk to me,” he said softly, barely above a whisper. The songs of a city nearly eclipsing it. 

What could you say? How could you explain this feeling? This horrible guilt, pain, and jealousy ate away at you every single day. The tears came harder now, speeding up as if to help drown you in your misery and take you out of it for good. Hiccuping you drew breath, sharp and quick, hoping to speak but nothing comes out. Words claw at your throat, digging it with sharpened points. It hurts the way they hang onto you.

“Is it all too much again?” His voice is so soft, warm like fleece pajamas fresh out of the dryer as he holds you so delicately.

This wasn’t the first time that one of the three of you had been so consumed by dread, suffocated by the weight of life itself. Suguru knew it all too well himself, from high school to know he held it tightly in his hands. It never went away from him, he just learned to live with it, let it fade into the background, and let a constant hum of despair serve as the baseline for the day-to-day. 

His thumbs brush over the apex of your cheekbones again and the tenderness shatters you, another wave of sobs tearing through you. They pull you under, out into the open ocean, and through their rip current.

“I just..” you start, it scratches your throat, thick with phlegm. “ I can’t do this anymore.” 

His voice remained steady. “Do what?” 

“Any of it. I can’t do it.” 

“You’re capable of it. You can do it.” 

Jarring, rough, whipping across your skin as the rubber band pulls too tight and snaps. You lash out, and it stings where it hits. The anger cuts through your skin like your fingernails leave crescent moons in your palms. 

“No, I fucking can’t!” It's ripped out of you as you stalk away like a wounded animal. “I can’t okay. I can’t do shit. I can’t keep a relationship without being cheated on. I can’t manage to get my own place. I can’t get a fucking job. I can’t sit here and pretend like I’m not fucking wasting away in my own misery watching you and Gojo and Shoko all succeed and be the only one of us still shooting for the stars and coming crashing down to earth every single fucking time. You and Gojo with your perfect little lives look at me like a charity case to be fixed.”

“We have never looked at you like a charity case.” His tone was firm.

“Really? Then what the fuck do you look at me like, huh?” You press the question circling back around. “Is it pity? Did the two of you see some poor stray that you wanted to take in and keep like a pet when we met at university? Is that it?” 

His eyes were hard, unreadable.

“It is that. You pity me.”

“Jesus, no! We don’t pity you- I don’t pity you! Is it so hard to believe that I care about you?”

“Yes, it is! There’s no reason for you to care,” 

“What the hell wouldn’t I care?” Suguru’s voice raised to a shout, frustration cracking his facade. 

“Because I’m just like everyone you hate!” Your chest heaves as you let out a flood of emotions. “ No ambitions, contributing nothing to society, just leeching off others.” 

“You’re not like them.” 

“I am. On paper, I’m exactly like them. The only reason that you’d keep me around is because it makes you feel good to watch me suffer or you pity me.”

“How many times do I have to tell you that I don’t pity you?” His voice cracked with emotion, but you didn’t stop.

“Then tell me why you care!” It comes out so desperately. You're begging him for understanding, to know why he stays. To know why he lets you in.

For once he looked uncertain. His mask slipped, revealing the cracks in his facade. It’s been so long since you’ve seen underneath it you’d almost forgotten how he looked when he wasn’t pretending to be happy. 

“Or is it that you don’t care?” 

Something flashed in his eyes, flickerings of things you only saw when he looked at Gojo. He opens his mouth to speak and then closes it. There's a fear in his eyes, like if he acts in this moment something may crack and crumble like the foundation of a house that leaves him crumpled in a pile of wood. He doesn’t, or won’t, give you an answer. 

So you turn on your heel, the conversation over in your mind, and head to the front door. You’ll go up and pack a bag before heading across town and crashing on Shoko and Utahime’s couch before calling your parents and groveling to them. 

But as you reach the door, Suguru reaches you. His arm wraps around your waist and he spins you around and pushes your back against it. He’s got you pinned. 

“It’s because I love you.” It’s the faintest breeze that passes from his lips, like a car driving past on a hot day, sweat making your shirt stick to you. “I care because I love you.”

Everything is frozen in a still frame. Neither one of you moves, neither one of you breathes. A still moment that holds you tight, threatens to squeeze you so tightly your heart bursts. 

“What do you mean by that?” You swallow as you speak, like pebbles in your throat. 

Suguru blinks back tears, looking up and then back at you. “That I love you. Fuck! I’m in love with you.” 

Disbelief makes your voice shake. “No, you’re not not. You’re with Satoru.” 

“And? I can’t love both of you?” 

“No, you can’t,” Hypocrisy tastes acrid on your tongue. You know damn well you could never pick between the two of them, that this blighted jealousy you feel towards them is more the fact they have the other rather than their success. It’s something you don’t admit but it’s there. “Besides, you’re lying to me.”

“No.” His response was firm and immediate. The whole time you’d known them, their worlds had revolved around each other. They’d been the only thing for each other for so long. It was an unspoken truth that they were made for each other in a way that could only be sewn by the fabric of the universe itself. Something so profoundly and divinely created it had been written in the fabric of life at the moment of the Big Bang. 

“I’ve seen you watching.” Suguru’s tone is low, cutting, it vibrates through you as he has you pinned. 

A sick, icy dread wraps around your spine. It starts in your toes and crawls up your body. Your muscles lock in place as it climbs up until it's all the way in your head. Paralyzing fear grips you.

“I don't…” The lie is transparent before it comes to fruition. “I don’t know what you’re talking about.” It’s brittle, cracking on your teeth as it passes through them.

“Don’t play innocent.” Suguru’s voice was sharp, cutting through the air like a blade. The tension between you tightens and winds up to pitch, but there's a current that punctuates it. One that feels heady and warm. One that excites you in the same way it embarrasses you. “I’ve seen you watching. I’ve seen you for years. The first time, maybe it was a mistake. But last week? Three weeks before that?”

Your mouth went dry, choking on the excuse that tried to bubble up. Like finely ground chalk powder coasted every surface of it. “I—”

He cuts you off before you can even try to defend yourself. “I know you get off on it too. Leave your curtains open while you touch yourself. Saying his name, my name.”

Horror twists inside you like a knife, your heart dropping to the pit of your stomach. You’d always been so careful, never acting when you thought they were home. Never want to risk exactly this happening. Your face burned like you drank half a liter of vodka in a go. Maybe you’d wake up and realize this was a nightmare. The humiliation was unbearable. 

“Imagine my surprise,” Suguru continues in a low chuckle, left hand slotting perfectly against your waist, “when I came home early one day and saw that.” 

The tears that had stopped in your flash of anger spill hot and fast down your cheeks. The raw, hot shame and embarrassment muddle you. It makes you want a sinkhole to open up beneath you and swallow you whole. You can’t meet his gaze, your vision blurry. 

“I’m sorry. I’ll move out.” you stammer out, the words falling in a chopping spiccato, desperate to create space between the two of you. You’d never be able to face him again. 

“Who said anything about moving out?” Suguru comes, pulling you closer to him till you're flush against his chest. He bends down, breath tickling your ear. You feel the sharp pressure of his teeth grazing the shell of it, a jolt going through your body. “You don’t get to leave now.” Pulling back, he meets your eyes in a half-lidded gaze. 

Both of you are playing the game again. Looking for something unspoken, some cryptic clue you need to decipher. He was searching for discomfort, disgust, anything to make him draw back and stop. You searched for understanding, dissecting how it got to this point. Every moment, every glance, every touch from him that you had ever overlooked. 

He always held a soft glint in his eyes when he looked at you. Something subtle, normally reserved for Satoru. It warmed the edge of his voice when he spoke and crinkled the corners of his eyes when he smiled. There was that softness for Shoko, but it was different. The one he had for you was a more reserved, pulled-back, and dialled-down version of what gripped him when he looked at Satoru. He had always viewed you this way.

The times you sat sandwiched between him and Gojo, your legs brushing against him, his arm slung around your shoulders to reach Satoru. Pulling you against him on the train, in clubs, at parties, the bump of your hips against his own. Compliments when you wore flattering, his pushing Satoru to dress you up. He liked it best when you were in shorter dresses and skirts with tights. 

Suguru had always wanted you, but you had failed to notice. 

Instinct took over before reason could temper it. You pushed off the door, your hands flying to the loose part of his hair at the nape of his neck. The strands feelt just as silky an shiny as they look between your fingers. Without hesitation, the space between you two diminishes. You aren’t sure who closes the distance first, but your lips lock hungry. Teeth knocking against each other as you both desperately cling to the other. It's rough and aggressive, both of you starved animals feasting on flesh. The taste of copper spreading in your mouth as he bit down on your lip making you whine. His breathing becomes your own, heady mix of desire and dark, primal urge..

His tongue pushes against yours, taking advantage of your now open mouth, wet and warm brushing against the back of your teeth, laying claim to your mouth. Geto was dominating in all aspects of his life so it was unsurprising that he set the pace and led you to where he wanted to be. He moved your legs up, patting your ass to jump, to then wrap around his waist as he pressed you against the door. You grind your hips against his growing erection as he holds you there, and you can feel the heat of him even through his pants.

Suguru pulls away panting. His eyes are half closed, lips blushed a beautiful red and damp with saliva. He moves in again, this time to your neck, where he bites down hard. You squirm as he sucks a dark and angry mark, his mark, on your skin. The bite of his teeth against your skin feels right. It eats away at the jealous monster inside you every second he’s latched onto you.

Fed up with the door, Suguru opens it and carries you through the threshold. He moves the two of you through the genkan, toeing off his shoes while you kick your own off, and into the living room where he drops you on the couch. There’s an air about him, so intense it’s nearly oppressive, as his fingers inch up underneath your sweater, sliding it off of you. It’s a predator circling their prey, the success of a hunt now that he’s got you on your back against the soft fabric of the couch. He’d been waiting for this far longer than you thought and it spurs you on.

Suguru moves in tandem with you, tugging off his sweater and button-up shirt, exposing his happy trail. The dark dusting of hair makes your mouth water. Once his shirt is off, his hands cover your chest through your bra, palming your tits like stress balls. It's unpadded and lacey, and it lets him feel as if your nipples get hard. He pushes the cups down, leaving them to rest under your breasts, and pushes them up slightly, accentuated by your being on your back.

His fingertips close around your nipples as he pinches and pulls at them. You knew how much of a sadist he could be. One night you watched him edge Satoru for an hour straight. Seen how hot he looked with Gojo in his mouth as he writhed around. A sweet moan escaped you as he played with your nipples and rolled his hips against yours. It makes your head feel fuzzy, thoughts focusing purely on him. His weight presses down on you, so heavy and right it makes you ache.

You lunge forward, propping yourself up on your elbows to kiss him again. It’s just as messy and hungry as before, years of built-up desire between the two of you saturating your every pore. It settles in your bones that pulses in time with your heart. 

Suguru doesn’t separate from you, but he slides your trousers and underwear off in one go as you kick your socks off. He tugs his own off hastily, boxer briefs following in turn. His public hair is trimmed, a close crop like you’ve seen it before. Like every other aspect of him, it’s neatly maintained, put into its place, and kept there. 

His fingers dig into the flesh of your hips as he pulls your hips up by his head. Your back is half off the sofa as he places your legs over his shoulders and parts your core with his fingers. He blows cold air onto your clit that makes you squirm before he licks your clit. Moaning, you try to grind yourself against his face but his hands tighten on your hips, holding them firm. You’d get what he wanted to give you. Fight against it and get nothing, or accept it. 

He was slow to start. His tongue lazily explores you, getting familiar with your taste. It pushed against your clit, wide and flat, before swirling his tongue around it. The ball of his tongue piercing rubbed against the most sensitive part of you. Your hips jerk forward and he looks up, a warning in his eyes, but he doesn’t stop. Suguru curls his tongue again, this time moving it side to side, letting his piercing catch on your clit purposefully.  Every action he takes is measured as he picks up speed while latching his lips around it to add delicious suction. Two of his fingers slide inside you, reaching far deeper than your own ever could. He pumps them in and out of you, driving you closer to the edge.

You felt your pussy drooling, liquid gushing out and covering his chin. The muscles in your abdomen tightened with each passing second until you swore they'd cramp. It was all too much as you came, jerking and contracting in on yourself. Black spots dot your vision as your world shakes on this axis. 

Sugru watched as you came, pulling back from your pussy to stare at your face. His eyes never left yours as he rubbed soothing circles into your skin with his thumbs. He could cover nearly all of you with how big his hands were, warm and calloused. Minus a cold spot on his left hand. 

His engagement ring. 

The silver felt like it burned your skin as he smiled at you and planted a kiss on your inner thigh. It glimmers in the low light, bouncing light off like a homing beacon. Bubbling sickness, bile rising in your throat, disgust palming at your skin. What had you just done? You’ve just violated a boundary so gigantic with Suguru. Let your own selfish need for intimacy lead you to this. He was engaged to your best friend. They were getting married next year.

You rushed to grab your clothes, panic surging through you. The world spins around you. 

“What’s wrong?” 

“We shouldn’t have done that,” you buttoned up your trousers, throwing your sweater on. Your hair is a mess and your skin feels clammy and flushed. The need to vomit is overwhelming. “This was a mistake.”

Suguru’s rising from the couch, trying to grab you, stopping you from moving but you dodge his hand. “A mistake?” 

Your left hand meets your mouth as you bite the nail of your thumb. It clicks against your front teeth. 

“Satoru won’t mind-” 

“A mistake Suguru,” You shake your head, bending down and grabbing the rest of your stuff. “Please. Just forget this.” Without waiting for his reply, you run up the stairs and slam the door behind you. 

You really are a bitch.

©️ uzuzrimisery

[lovebugism]

band!eddie and reader finally having some alone time in the tour bus *wink wink*

18+ rockstar!eddie universe <3

It was one of those rare occasions where the rest of the band wanted to go out and you wanted to stay in. There hadn’t even been a show that day, just interview after interview after interview. It left your social battery at an all time low. So when Jeff and Gareth wanted to barhop the night away, you lamented that you were way too tired to accompany them. 

And Eddie, being the nice guy he was, opted to stay in with you. “Someone’s gotta make sure the lady stays safe. Wouldn’t want someone to steal ya,” he’d half-joked.

You scoffed. “Because, god forbid, you lose your bassist, right?”

“Well, if I lost you, I think I’d die, but…  yeah, having to find a replacement would definitely be more emotionally taxing.”

Eddie Munson was the only person in the world who could rival your sarcasm. It was so easy for the both of you to cover up a sweet thing with something so playfully sour. The boy finishes his quip with a stupid, lovedrunk grin that nearly makes you melt. 

“Obviously,” you retort.

The rest of the boys disappear for the next several hours, enough for the sun to have set and stars to sprinkle the sky. If you had to guess, they’ve probably got a running bet on how many bars they could get free drinks from. It’ll go on until they can’t see straight anymore, no winners or losers — unless you count your manager, who’ll no doubt have to escort them back to the bus. 

With them gone, the bus is practically silent for the first time all tour. There is no boyish yelling or tuning guitars or video games. There’s not even the muffled sound of tires on gravel with the tour bus parked. It’s total silence filled only with the faint sounds of Charlie’s Angels coming from the common area. The episode is practically on mute, though, because Eddie knows you’re tired and doesn’t want to disturb you.

The soft quiet ushers you into its velvet arms. It almost lulls you to sleep several times over, but something in the back of your mind refuses to let you slumber. You were annoyed at first. You were squirming in your tiny bunk for nearly an hour until you realized you were filled with a need of a different kind.

You didn’t need sleep. You needed Eddie. Like a child needs their baby’s blanket — you can’t be without him for too long, or you might start screaming. The sudden ache to be close to him hits you like a freight train.

The sliding door of the bunks glides open with a mechanical schlick. You lean against the frame of it, clad only in a too big shirt that probably belonged to all the boys before it got to you, and admire your boy in his element.

He’s all spread out on the leather couch, curly hair untamed and in a messy chestnut halo on his head. He wears a piece of outdated Corroded Coffin merch from back when you only played gigs at The Hideout. The shirt clings to his torso while a pair of old pajama pants hang low on his hips.

Eddie’s eyes are firmly trained on the small television in the corner of the bus. The chocolate of them dart around the screen as Farrah Fawcett turns flips beneath a shoddy cable service. He barely acknowledges your presence, too engrossed in the climax of his show.

“Thought you were sleeping,” he says without looking at you.

“I’m too bored to sleep,” you practically whine. 

Your feet shuffle along the carpeted floor as you walk the short distance to him. You all but flop onto the couch at his side, burying your face into the warmth of his neck.

“What do you mean you’re too bored to sleep?” he mocks with a soft laugh. He turns to press his lips to your head, not exactly kissing you there, just resting against you. His words are muffled: “Why didn’t you go out with Jeff and Gareth?”

“Didn’t want to,” you answer shortly.

“Solid answer,” he nods. “What do you wanna do then?”

He doesn’t necessarily mean it suggestively. He’d probably go lie in traffic if it’d make you less bored, he loves you so damn much — but fuck if a million dirty things don’t pop into your head all at once.

It’s practically the first time you’ve been alone all tour. 

Now that you think about it, every time you’ve fucked Eddie, it’s been at the discretion of prying eyes just behind a door or in a room over. Hotels are few and far between, and you and your boys are the tightest clan the universe has ever seen, so it leaves little room for opportunity time for you and Eddie.

But here you were now, with no one around, and practically all the time in the world (or rather, until sunrise, when the rest of the band shuffled back onto the bus).

“I don’t know,” you lilt, though you’re already hooking a leg over his thighs.

Eddie feels like a teenage boy all over again as you settle onto his lap. A wide grin tugs slow at the corners of his mouth. He doesn’t bother to hide his excitement. “What are ya doin’, doll?”

“Nothin’,” you shrug, feigning innocence, like you’re not slipping your fingers through the hem of his pants. The tips of them inch into his boxers and trail down the thin patch of coarse hair there with a touch that’s smoother than water.

His cock is already half-hard when you take him into your hands, warm and soft and stiffening in your grip. Eddie exhales deeply through his nose at your gentle caressing, his gaze now turned down to where work him harder.

“Keep watching your show, baby,” you tease with a knowing grin as you slip his dick from the confines of his pajamas.

“How can I—” he tries to joke, but the words get lost in his throat when you slide your panties to the side. He goes instantly stupid at the sight of your slick collecting along the manicured thatch of pubic hair just above your pussy. His brain all but ceases to function when you rub yourself along him, drenched folds parting to welcome the bulbous tip of his cock.

You feel like silk, he concludes, or maybe something somehow softer. 

Eddie swallows thickly while his obedient hands settle on your hips to steady you. He continues, this time with a tremble in his voice. “How can I when you’re pullin’ this shit, huh?” his button eyes flit back up to look at you, a smirk forming on his pink lips. “You just wanna ride me, huh? That’s what you need?”

You don’t answer him. You’re barely listening, if you’re honest, too concentrated on positioning him at your opening. You gasp softly when you pierce yourself with him, then exhale low moans as you sink slowly onto his cock. The burn is a minimal one, somewhere in your lower tummy, that washes away with a flood of velvet-coated pleasure. 

Eddie fills you so perfectly, just like he always does, like he was made to be seated inside you.

“Well, this is an excellent way to pass the time, if I do say so myself,” he manages to quip through bated exhales from where he’d been holding his breath. You rock your hips over his lap without warning. His pink lips form a tight line as something short of a growl bubbles in his throat and rumbles in his chest.

You watch with a proud grin as his eyes flutter shut and his head falls back. You push his curls over his shoulder to press open-mouthed kisses along the pale expanse of his neck, occasionally dragging your teeth along the milky white tendon there.

Eddie hums to himself when he feels you mewl softly against his skin. Your hips sway back and forth over his thighs, moving to a rhythm of their own accord — all slow and methodical. It’s a pace that always gets him pussy drunk. A steady rise and fall that forces him to feel all of you and makes him swear that you’re some kind of succubus.

“Oh my god,” he says within a dragged out exhale. He starts to babble to himself while you work yourself over his lap. “Fuck me… This is so… so fucking hot. Shit— your pussy is so good to be, doll…”

He forces himself to open his heavy eyes to watch you mount him. His chin tilts down towards his chest and he shifts his hips so he has the perfect view of you. Your honey coats his lap, leaving his cock and pubic hair glistening with your slick. The sight of him all shiny with you makes him dizzy.

His palm leaves your hip and seeks purchase on your ass, not really thinking about it, just gravitating to hold you there. He grips you with guitar-string calloused hands that encourage you to rock harder against him.

Your hand trails from his shoulder down to where the two of you meet. You start to rub your clit with a lust-fueled fervor that just about makes him implode. You whine when your fingers meet the sensitive button, clenching somehow tighter around him as your pleasure begins to crescendo.

“That feel good?” he wonders through bated breaths. His hand leaves your ass, rising for no more than a moment, only to come down again in a practiced slap that makes you jolt against him. The sting of his palm adds gasoline to the simmering embers of your impending orgasm.

You whine, louder this time, arching your back and keening shamelessly against him.

It makes him grin. “Huh? Feels good on your pretty little clit, doesn’t it, doll?”

“Fuck yes…” you cry through a tight throat. “Feels so good, Eddie— fuck.”

Your hips lose their rhythm as your body fights to find its own pleasure. 

You’ve got his dick locked inside you with a grip so tight it’s got him seeing stars, and it makes him wonder if you’d stop. Like, if the boys barged in right now, would you keep going, too far gone and dumb on his cock not to see it through. 

Something about that, you riding him for all he’s worth, whining while you come on his cock with your friends watching — seeing firsthand who you belong to — makes him want to burst all at wants.

“God, this pussy’s amazin’, baby… ’S gonna— holy fuck… You’re gonna make me come if you keep riding me like this... Shit, yeah, just like that, doll.”

When you come, you do it together.

It’s a borderline spiritual feeling, one that doesn’t happen very often because Eddie’s usually adamant about you coming twice before he has the first time. But now, both of you are sensitive and whining through your orgasms, heaving out incorrigible moans and grasping tightly onto one another.

Eddie takes to fucking up into you while you reach your simultaneous highs. He grips you hard enough to leave bruises while his thighs audibly slap slap slap against your more slick ones. You cry at the oversensitivity — electric shocks that contrasts heavily with the warm feeling of his come spitting into your fluttering walls.

You shake violently in his hold, moaning his name over and over like it’s the only word you can remember. Your orgasm comes and goes, and you’re left whining pathetic Eddie, Eddie, Eddie’s into the mostly silent tour bus.

The boy isn’t in much better shape either. He fights off a cramp in his foot from where he’d curled his toes too tightly and blinks away burning tears that sing the backs of his eyes from coming so suddenly.

Your hips come to a slow stop over his lap, too quickly and yet not soon enough. You rest your forehead over his own, knocking your nose with his before you lean in to press several lazy pecks upon his lax mouth.

“See?” you manage to tease through heavy pants. “That wasn’t so bad, was it?”

“I guess that wasn’t the worst idea you’ve ever had,” Eddie quips with a wide grin and eyes that are still slightly glazed with dispersing pleasure. He rubs his hands over the skin of your ass to soothe where he’d held you too tight. It’s soft, too soft for what he’s about to tell you. 

“Now, how about you spread yourself out on this couch and let me clean you up, ‘kay?”

[wildestdreamsblog]

Baby Fever

Pairing: Kim Namjoon x Reader

Summary: You were more than just a secretary to him.

Warnings: Yandere behavior, Obsessiveness, Possessiveness, Manipulative behavior, Breeding kink, Sexual themes, If you’re not 18+ please, PLEASE, do not interact. Be mindful of the warnings. Let me know if I miss anything.

A/N: hiiii! I haven’t felt as inspired as I did while writing this for a while 🥹 I hope you enjoy this!

“I want a baby.”

You sputtered out the coffee you were drinking. Your eyes watered as you coughed. You tried to get your breathing under control as you looked at the imposing man sitting in front of you with his legs spread apart. He had not lifted his eyes from the laptop presented in front of him. He was idly looking at photos of paintings from the various exhibits you attended while he was busy with his group’s schedule. As an idol, and on top of that the leader of the biggest group today, Kim Namjoon was an extremely busy person. You were his secretary for almost four years now. You took care of his personal life, while his personal assistant took care of his work life. You were there for him whenever he was done with his work schedule. You were there to make sure that he remembered to call his family during their birthdays, special occasions, and holidays. In fact, you were the first person he was keen on seeing once he landed from whatever country they were in for work. His members, specially Taehyung and Seokjin, let you know time and time again how much you were appreciated. If you weren’t there, they thought that Namjoon would not be as put up as he was right now. You thought that Namjoon would survived without you.

You coughed twice before finally feeling like you could live. “What?” You asked him in confusion before wiping your self with the handkerchief he had somehow laid out in front of you.

Namjoon eventually looked up to you once he marked the photos of paintings he wanted to purchase. He leaned in, resting his elbow on his muscular thigh before plopping his chin on his hand. “I said, I want a baby.”

You squinted your eyes confusingly, “As in…baby as in baby? Or baby as in I don’t know? Not an actual baby?” You knew even as you asked what he meant. Namjoon was the most intelligent man you knew, and he did not make mistakes when conversing. In fact, he was such a great conversationalist that the media loved to invite him on their shows.

So…what brought this on?

“A child of my own, Y/N.”

That was not the first time he mentioned that. If you could remember clearly, he answered in some interviews that he really wanted to become a father. He even bought that cute little shoes when he was abroad just because. In your mind, you knew he would be the best father if how he took care of his members was any indicator. It broke your heart, though, to see him still alone after all this time.

“I mean…are you seeing someone that I’m not aware of?”

He blinked at you, absorbing what you were asking. How could he had another woman when he spent almost all his free time with you? “No.”

“T-then how?” You asked in puzzlement. You could see from his expression that he was serious about this. He rarely said anything without thinking it thoroughly in the complex and brilliant mind of his. This meant that he really did want to have a child of his own now.

You were finding it difficult to process this. Couldn’t he just want another painting?

Namjoon merely shrugged his broad shoulders and went back to looking over the paintings.

You thought that was the end of it. But no. The second time he mentioned this was at Jin’s house.

You two were about to call it a day after running errands for him. To be honest, you were quite excited for tonight. You were set to meet with your college friends, including someone you always looked up to back in your college years because of his superior intellect. He was also always so kind to you, even walked you home to your dorm every night. But you were too immense in your studies back then that you had no time for relationship. But maybe, now?

You made sure to take more time to dress yourself up this morning. You even chose to swap your usual lipstick to a different shade that made you feel more alluring and beautiful. Your fingers touched the beautiful necklace Namjoon gave you on your birthday last year. You thought that the accessory was perfect with the dress you were wearing.

This would be an easy day for you, you thought to yourself seeing that RM’s schedule was just until the afternoon. You smiled at your reflection in the mirror, satisfied with your appearance before leaving the house. When you showed up at the company to pick him up, the staff politely informed you that the leader was still in the studio with Yoongi and that he told them to ask you to go directly there. You were walking to the floor where the studio was when you passed the three maknaes: Jimin, Taehyung, and Jungkook.

“Oh, noona!” Jungkook called you, his voice in pleasant surprised as he looked at your face. His doe eyes took in your clothes with wonder before meeting your eyes again. “Noona! You look so pretty!”

Taehyung smiled at you and nodded his head. “Our noona looks so fashionable,” he commented as he checked out your get up today. You beamed at his compliment, happy that the fashionable Taehyung approved of you.

Jimin sauntered up to you, teasingly wrapping his arm around your shoulders before smirking at you. “Our noona has a date,” he speculated on a sing-song voice that made the other two chuckled.

“So where is hyung taking you?” Jungkook pondered, excitement apparent in his eyes.

“Don’t tell me he’s taking you to another exhibit? Aish, he’s so unromantic,” Taehyung lamented, shaking his head at the thought of his hyung and the disastrous date that was about to happen.

“Hyung is not unromantic! As if you know anything about romance,” Jungkook pouted, fully on defending mode for his Namjoon hyung. His lips were in an adorable pout as he chastised Taehyung.

“I know how to be romantic!”

“As if! Until when are you going to keep giving tickets to her until she shows up in our concerts, Taehyung?”

“She will! I can still see her commenting in the weverse!”

“So? Her bias is J-hope, not you!”

You chuckled at the three’s cuteness. Taehyung was now the one pouting while Jungkook looked like he was enjoying tormenting his hyung. You watched them for a moment before finally correcting them. “He’s my boss. We’re not going on a date.”

The three maknaes looked at you with confusion in their eyes. “B-but, why are you so beautiful today?”

You squinted your eyes at Jimin, “So I’m not beautiful everyday?”

“N-No! That’s not what we meant-“Jungkook denied quickly, his eyes widening even further. He was afraid of offending his noona because then, his hyung would looked at him with disappointment in his eyes.

You chuckled lightly, deciding on ending their distress by telling them that you were going to meet with your college friends tonight, in which they were silent. They looked at each other for a moment, as though speaking in telepathy before the oldest maknae spoke up.

“So noona, is that an all-girls event, or no?”

“There’s going to be boys. Why do you ask?”

He smiled at you cheekily, but this time the smile did not reach his eyes. “Nothing.”

The three maknaes watched you walked away from them, your eyes focused on the tablet in front of you. They sighed in disappointment and worry.

“Namjoon hyung is going to lose his mind,” Taehyung finally broke the silence.

“I don’t want to be here when he finds out noona is going to meet boys from her college,” Jungkook fretted, holding both Tae’s and Jimin’s arms.

“RM is going to be unbearable after this, isn’t he?” Jimin stated with a smile that looked more like a wince. The few times you went out on a date, Namjoon was insufferable. He was quiet, too quiet that the maknaes were scared to make a mistake or speak too loudly. “Shall we move to the mountains for a while?”

Yoongi opened the door, smiling politely at you before letting you in the studio. RM’s back faced you as he hunched over the workspace. He was deciding on what beat sounded best when you arrived.

“You’re here, Y/N? I’m almost done-“ he trailed off once he turned his chair to look at you. His eyes widened before he managed to erase the awestruck expression in his face. But Yoongi saw. He smirked before sitting down on his workstation, looking up at the pair in front of him. The other one was an idiot despite being the most intelligent man in almost any room, and the other was a naive one. He hid his smile on the cup of coffee he was slowly sipping.

“No worries, Namjoon. Take your time,” you smiled at him before sitting on the sofa. He was still not able to take his eyes off of you. And you, the ever naive one, only flashed him your professional smile.

And Yoongi was enjoying it all.

“You looked different today, Y/N,” Yoongi commented tonelessly, egging the leader beside him. “Right, Namjoon?”

You blushed as you could feel your boss’ heavy eyes on you. You flashed Yoongi a shy smile before turning to look at Namjoon. It was a moment, a heartbeat too long before he replied with seriousness in his voice, “She always looks beautiful, Yoongi.”

He wanted to add that you looked like a masterpiece, one that had different meanings whenever he looked at it during different times in his life. You were timeless, his heart wanted to add. However, his brain was deaf in his heart’s true desires.

You blinked at his sudden praise on you. “T-thank you, Namjoon.”

“Is there an occasion?” Yoongi asked innocently after reading the message sent by the maknaes about you and your supposedly college reunion. He almost chuckled when he read that the three were planning on staying as far from the company as possible. But not him. This was fun to him. In his opinion, the two of you should have been in a relationship for a long time now. He thought Namjoon needed the push, or a shove if Suga was being honest. And he was willing to be the one to do that. He was a kind friend like that.

“Oh, I have a reunion with my college friends tonight,” you shared as you fixed the papers that Namjoon needed to look at. You wanted to be efficient today so Namjoon could use the rest of the day to finally relax. You thought his eyes looked a little tired lately.

“You didn’t tell me that,” Namjoon noted lightly, fixing you with his hard stare. “What time are you going to meet them? Where are you going to meet? Will you be out late?”

Yoongi was smiling as he watched RM threw question after question at you. Yet, he failed to ask one thing that should be asked.

“Are there gonna be boys, Y/N?” Yoongi asked innocently, blinking owlishly at you before leaning back and watching it all unfold.

Your affirmative answer made RM’s mood turned sour.

You were on edged as you drove the car expertly from the last location of the schedule today. Even at his age, people around Namjoon still adamantly refused to let him drive. The members thought that he would be a danger to people around him, and to himself as well. Namjoon was uncharacteristically silent as you drove. He was either staring at you or outside. Ever since you picked him up from the company, you could feel that something was off. You just could not pinpoint at it. On the other hand, Namjoon was contemplating…or more appropriately scheming as to how he could keep you with him today.

“Let’s go to Jin’s,” he finally broke the silence, flashing you his normal, dimpled smile.

“What?” This was not in the schedule today. You purposely scheduled light meetings today so that he could go home and you would have more than an ample time to drive to the reunion.

“It’s still early. I promise we’re only going to be an hour.”

Lie.

“Ahhhh actual people!” Jin greeted when he opened the door and saw you and Namjoon. He was carrying the box of baby books he insisted would be helpful to the brain development of Jin’s son.

“Hyung, your son is an actual person,” Namjoon said in a light tone as he took in Jin’s state. Despite the bags under his eyes, he was still so handsome that fans would still call him the worldwide handsome. He looked tired, but his eyes held so much happiness that RM could not helped but be happy for his hyung. At the same time, he wanted, no, he craved the domesticity that Jin was now experiencing.

The men were talking and laughing about work as Jin’s wife lead you to her son. You cooed at the child and thought that he would break a lot of hearts in the future. He was a carbon copy of Jin. He was laughing at you when you made funny faces at him, the melodious laughter reached the men’s ears.

“He likes you,” Jin commented, fondly watching his handsome son babbled and laughed. “Do you want to hold him?” His lovely wife asked.

“Really? Can I?” You asked in wonder. She smiled at you before gently laying the happy child safely in your arms.

Your heart melted as you held Jin’s little bundle of joy. The little weight you were holding was someone else’s whole world. He was barely six months old and yet he had so much personality like his father.

“You’re so beautiful, little one,” you whispered to the baby looking up at you as if he understood every word you said.

Namjoon could not even begin to decipher what it was he was feeling when he saw you holding the little Jin in your arms. He just felt this warm feeling in his heart, as if the image of you holding a baby in your arms was from a dream come true. The image was forever imprinted in his mind, he was sure. Something about you felt right. Something about you felt like the missing piece in his life. You had always been there for him. He was not ignorant to think that he could survive without you in his hectic life.

He thought that you were meant to stay in his life.

You were so focused that you almost missed the heat from Namjoon’s body when he leaned in and looked at the baby from your shoulder. You could feel his breath this close that it made you heart beat louder. Was it from shocked? Was it from shyness? Or was it from something else that you had spent years denying?

“So precious,” Namjoon whispered softly. You jumped from the deepness of his voice. You shivered from the body contact you were not used to. You cleared your throat before turning to him.

“Do you wanna hold him?”

And once he had the tiny human in his muscular arms, Namjoon smiled tenderly at Jin’s son. He brushed the sparse of hair he had on his head gently.

For the second time, he said, “I want a baby of my own.”

You were surprised that he once again brought it up. This time it was not only to you but to his hyung. Jin blinked as if he was startled by RM’s admission. He looked at you before looking at his friend.

“I’m sure you’ll be a great father, Namjoon,” Jin said in all seriousness. He knew he would. He was sure of it.

“When will you start making a baby of your own, Namjoon?” His wife asked him teasingly, leaning against Jin as they looked at the man observingly.

RM glanced at you, “Soon.”

You were already an hour too late to be considered fashionably late that RM insisted that he’d have his driver dropped you off to your reunion. You wanted to say no, yet you knew it would be impossible to resist Namjoon whenever he was in that mood. He always knew how to get his way, you thought. His intelligent mind knew just what to do, just what to say in order to get what he wanted.

And that night, he did.

Your college friends looked at you happily when you stepped out of the car. They walked closer to you, welcoming you to the party. And there you saw him, the man you hadn’t been able to forget. He was still as handsome as ever. You couldn’t help but smile when he was approaching when you felt a presence behind you.

“Hi. I just dropped off Y/N. I’m sorry she’s late,” RM greeted the group charmingly before nonchalantly placing his large hand on your waist. You jumped from the contact. He never did that. What would your friends think? Your head was in overdrive that you didn’t notice your friends fawning over the Kim Namjoon. He was treating them kindly, allowing them to take pictures with him before he turned to you.

“Enjoy your night, Y/N,” he murmured before placing a kiss on your cheek.

Well, there went your chance with your college crush.

You didn’t know what to make of his actions that when you went to his house the following week for information pertaining to the property he was looking at, you were on edged. You didn’t have to knock because he told you before to just enter his penthouse. You were given access to his home. You took a deep breath before walking inside his house, not knowing what to anticipate with him, with his touch…and that kiss that should not have happened.

“Oh, Y/N! You’re here! Come sit!” Namjoon’s mom called from his dining table, smiling pleasantly at you that you froze. You didn’t expect her here but at least there was a buffer between the two of you now, right?

“It’s been so long! You’re so thin! Is my son too hard on you?” She asked as she pulled you to sit beside her, in front of RM who only looked intently at you. You couldn’t read his expression. He was wearing a simple black shirt that fit a little too snugly on his chest. You hated how you were noticing yet again his physical qualities like you did when you were merely starting. His mom was still reprimanding his son as she put plate in front of you despite you offering to help. She merely shrugged you off, happy that you were there to take care of her son. Who knew what would happen to him if you weren’t here, she thought. RM was silently eating, enjoying the way his mom was mothering you when she turned her attention to him once again.

“When will you give me a grandchild? With the way you are working, you have no time for family! All my friends and neighbors have at least one grandchild. Son, just give me one, okay? Just one,” She pleaded as she placed more food on his plate.

“Okay, omma,” Namjoon consented. He was serious, yet his mother groaned as if he was just placating her.

“You,” she turned to you, placing more food on your plate as well. “Don’t be like my son. Go make your own babies! I’ll just borrow your child every once in a while, okay?” She told you humorously as she laughed and told you that you needed to eat more.

Unbeknownst to the two of you, the man’s face darkened with the mere thought of you carrying someone else’s child. He hated the thought of you not being his. He had the whole weekend to think intensely, and all the answers pointed to you.

You didn’t have time to discuss with him what had transpired. The following weeks, he was busy with work, yet this time he had always quietly ordered that you’d be with him. Before, you only had to meet with him thrice a week. But now, you were with him almost everyday. You were working in his office when Hoseok and Yoongi entered the room.

“Oh! Y/N, you’re here!” Hoseok exclaimed before walking to you with the brightest smile you had ever seen. Yoongi only smiled at you in acknowledgement before approaching RM and showing him his laptop. They were deep in conversation when Hoseok asked you if you knew where the list for the event was. You nodded before standing up. It was in the overhead cabinet. You reached for it in difficulty for a moment when you felt a hand on your waist, and RM’s muscular arm stretched beside you as he grabbed with such ease what you were trying to reach. He was as near as that night. “Here you go, Y/N,” he whispered…and heavens did it feel sensual in your ear. His hot breath tickled your neck. You could feel your cheeks heat up from his proximity.

You were starting to notice that RM was becoming…touchy lately. It didn’t feel disrespectful to you, it just felt like something changed with the way he was acting, with the way he was looking at you, with the way he was demanding your attention.

J-hope looked at Suga in astonishment. Were these two finally a thing?

One night, you were walking to your humble apartment with Namjoon beside you. His hands were in his pockets as he walked you to your door despite you telling him that you were fine. But you should know, he was a stubborn one. It was late, and the only light were from the hallway of your apartment. It was almost midnight when the two of you arrived at your apartment after checking out the house Namjoon wanted to buy. He asked you what you thought of it, and you said it was beautiful. The yard was spacious with swimming pool. The house itself had numerous bedrooms that you didn’t know who would stay there. In your mind, you rationalized that it must be his members if ever they wanted to stay. In Namjoon’s mind, it was for his family. He listened intently to what you had to say, and only when he saw how your face lightened up when you saw the whole house did he decide to buy it.

“Here I am, boss Namjoon,” you announced jokingly before straining to look up at your tall employer.

You blinked when he only stared at you, “Namjoon?”

“Good night, my princess,” he murmured with his deep voice.

Did he just…call you his princess?

You were too shocked to notice him leaning down. And once he did, you felt his lips kissed your forehead softly, his large hand on the back of your head. You were frozen when he stepped back.

And then he left.

Namjoon thought you needed time to process everything. He knew you were an over-thinker, that you were a flight risk. He just didn’t know you would be like this with mere kisses on your cheek and forehead. You hadn’t been picking up your phone since that day, and he had half a mind to go to your apartment. But he had to keep in mind that there were less conspicuous method to use.

You read the message from Namjoon this afternoon. Apparently, he forgot to pick up the gift he had for his father’s birthday and he was now in his hometown. He was half-pleading and half-apologizing for his clumsiness that you felt bad to just leave him on read. And so you replied that you’d bring it to him.

Your mind was blank as you drove for hours to him. Ever since that night, the feelings you had tried so hard to bury and successfully did, were resurfacing. It was unfair, you thought. You didn’t have the emotional capacity to fall for him. You knew how this would end. When you started to work for him, you thought he was everything. You looked up to him because he was so kind, so intelligent, and so masculine. He was gentle with you even when you made a mistake. He helped you find an apartment that was safe after he saw how you were living before. He paid for the deposit and for the rent during the first year despite your adamant refusal. He even paid for your grandmother’s hospital bills, the only family you had. She had lived longer than what the doctor said. She died without experiencing difficulty eventually, all thanks to RM’s connections to the best hospitals. You wanted to pay him. You even refused to accept your salary, with no success. Namjoon just merely shrugged and said he wouldn’t let anything happen to you as long as he was around. And you believed him.

And so, you did your best to take care of him day and night. Even going beyond your job description. You became his secretary, but what was more, you became his friend, an ear to vent on, even a shoulder to lay his head to rest.

One night, RM had too much to drink. He was feeling suffocated from the pressure of the world. You found him staring on an empty bottle of whiskey when you arrived in his penthouse. That night, you sat with him, listened to his worries, rubbed his back with comforting hands. You assured him that he was not the version he thought of himself. He was better. He was the best man you ever knew. You told him how much you appreciated him, and that he was doing his best.

That night, he asked you what he would do without you.

That night, you told him he’d never have to find out.

That night, he kissed you.

And come morning, he forgot about it.

But you didn’t. And that was the first time he hurt you.

Your memory trail stopped when you saw him standing in front of their house, waiting for you.

His father, just like his mother, was able to convince you to stay the night. He said you were family, and that it would be his birthday wish to spend it with the woman who managed to keep his son alive. He even joked that without you, RM would probably forget to pay his bills, to keep his fish alive, or even to eat. You laughed and said RM was becoming more mature lately and that he could survive without you. RM disagreed.

“You know what, you could do so much than be with my brother,” RM’s younger sister said teasingly as all of you were eating dinner. She stuck her tongue out to her brother who just rolled his eyes at her.

“Oh,” you chuckled shyly before looking at the tall man sitting beside you. “We’re not together!”

“Why not? I was just kidding. I think you’re perfect for him,” she admitted before smiling at the two of you. She was just voicing out what her family had been thinking for years. By now, you were a permanent fixture in their lives that if and not when the day comes that RM introduced someone else to them, they would find it hard to accept her.

You chuckled before telling her that your relationship with her brother was strictly professional.

“He’s working you too hard, isn’t he?” His father asked you as he shook his head at his innocent son. “Listen to me, life is too short to work all day. Go out and have a beautiful life! Or else you’ll find yourself old and alone one day without a family of your own.”

Once the intimate party died down, you found yourself talking with RM in the living room with alcohol in front of you. The two of you were seated on the floor side by side with the sofa behind you. His parents had called it a night after drinking with them, while his sister tapped out as well. Alcohol and the existence of other people helped to die down the awkwardness you felt. You were laughing at RM’s anecdote about the thing that happened during their dance practice. He watched you with contentment in his face. Seeing you happy was making him feel like he did something right, like he won one of those awards. He didn’t know when it started, but he just knew the desire to make you laugh would never go away. He was sure of it.

“I’m sorry about my family. They’re just used to teasing me.”

You waved him off before pouring his empty glass, before pouring yours. “It’s nothing, really. I had fun. I’m glad I came.”

“I’m glad you’re here, too,” he admitted, his look at you was as intense as that night that your heart started to beat harder, as if it wanted to escape the cage it was in. You blinked and decided to look away. You fanned yourself, “It’s quite warm in here, right?”

Namjoon smirked before drinking, his eyes never wavering from your face. “You’re beautiful, princess,” he commented, his voice deep as he waited for you to look at him again. He was near, so near that his thighs were touching yours. So near that whenever he moved, his muscular arm brushed against yours.

“God, you’re so drunk,” you muttered before looking up at him.

“I may be. But come morning and ask me again, and I’d still tell you you’re the most beautiful thing that ever happened to me.”

You gulped, his voice deepened even further. “You’re the most important person in my life,” he admitted with intensity in his voice, with promise in his eyes. “I know I love you.”

Your eyes widened before attempting to move away from him when you felt his massive hand on your back, preventing you from moving away from him, effectively stopping you from running away from the truth that he never tried to fight.

“You don’t mean that,” you whispered, your hand now on his chest as you tried to stop him from coming any closer. He shouldn’t. He couldn’t. Because if he did, he’d feel how hard your heart was beating just for him. Or how terrified you were of falling, only to have him forget about it again. To forget you again.

“I do. I mean it,” he whispered leaning in slowly at you. “I love you.” And then he kissed you. And you were all too powerless to stop him. He pulled away after a moment. You were breathing hard, your eyes trained on his lips before meeting his eyes. And then this time, you kissed him.

You didn’t know how, but the two of you found yourselves in his bedroom. His hand was entangled with your hair, your hands caressing his broad back as he walked you to his bed. You were drunk from the alcohol and his kisses, his heavenly kisses. He pushed you gently to the bed, and not a second was wasted before he joined you. You pulled off his shirt, your eyes in awe at his form. His muscles were definitely more defined now than when you last saw it accidentally back when you were just beginning to work for him. His chest looked definitely stronger. You were aware of this from seeing him wearing tight shirts, but this? This was something else.

You moaned lightly as Namjoon trailed kisses on your neck, peppering it with subtle marks of his own. He thought that you were his, and that your neck should be adorned with his marks. “Keep it down, princess,” he teased you as he got impatient with the endless buttons of your blouse that he resorted to ripping it off of you. He couldn’t be gentle. Not when the woman of his dreams was finally on his bed. “Or do you want me to cover your mouth?”

You didn’t know that he had it in him to be a dirty talker. You were feeling the heat when he smirked at you before you felt his lips on your chest, down to your stomach, and finally to your core. You closed your legs, shyness finally coming back to you as you sobered from his sinful kisses. He was kneeling, his legs were on either side of you as he leaned closer to you once again. “Be a good girl and open your legs, princess,” he ordered, his hand caressing your soft thigh.

His commanding voice was like a hypnotic spell that you found yourself opening your legs slowly for him. And as a reward, he made your legs shook. You were still catching your breath that you didn’t notice he placed a pillow under you, lifting your core. He kissed you once again on your lips so tenderly, so lovingly that for a moment you believed he loved you.

“You are made for me, princess,” he whispered before looking at you with darkness in his eyes, “You’re made for daddy. Say it.”

You keened when you felt his hardness slide at your core teasingly, punishingly as you waited a little too long to repeat what he wanted you to.

“Say it, princess. Don’t make daddy mad,” his hot breaths were tickling your ear as he pinched your sore nipple that you yelped.

“I-I’m made- ugh- I’m made for daddy,” you finally said as you felt his thick head slowly entered your drenched core.

“And who’s your daddy?”

“You are.”

That night, he told you repeatedly how you were his and his only. He made you promised that you would never leave him, and that you would never ignore him once again. He made you come so much that you lost track of the time. His large hand was on your mouth, preventing you from waking the whole house up as he rutted against you with so much stamina and passion. He made you so mindless that you didn’t realize he was finishing inside you each time. He made sure to not let a single drop leave your core.

The third time he didn’t have to mention about wanting a baby of his own, he just did.

Tip Jar

[ilypaigebuckets]

Paige Bueckers x Shy Gf Headcannons (Part 2)

do we think i’ll ever figure out how to make a master list guys 😢

- at her games, you’re always sitting courtside. paige knows you don’t like huge crowds so she begs and begs until geno lets you.

- even though you’re shy, you’re always screaming for paige when she’s playing and you’re always wearing her jersey to show support for your gf!

- paige definitely doesn’t mind ordering for you when you guys get food, she understands being nervous about it

- if you do try to order for yourself, she’s so proud of you. “you did so well, princess!”

- if you ever have to present for a class, you run your presentation for her

- even if it takes hours, she will sit on the couch and listen and hype you up for as long as it takes. after your presentation she takes you to get frozen yogurt

- whenever you guys are at events, people constantly try to interview you. paige holds your hand the entire time and usually tries to steer the conversation towards something you don’t wanna talk about

- fans accused her of never letting you talk and you had to say you were just shy talking to strangers, which the fans found adorable

- as paige gains popularity, so do you and your relationship

- you aren’t big on social media and barely post so whenever you do fans go wild

- paige always looks out for you and understands when you need social breaks from people

- on the rare occasions you two do show up to parties, it consists of you having a drink or two to wind down while paige hunts for a spot for you two to sit and talk

- you hate talking to others, but you can talk to paige about anything and everything for hours on end. paige loves to chat with you but she loves it even more to just listen. she’s so proud of how you’re able to open up to her

- like, you’ll be in bed and you’re laying on her chest just ranting to her about some article you read and she interrupts you to give you kisses and tell you how proud she is of you for coming out of your shell more and more to everyone

- “you’ve grown so much from when i first met you. you’re extraordinary. i love you so much, y/n.”

- whenever you two get into little arguments, you tend to not talk things out and just shut down which frustrates paige in the moment

- it makes it sad that you feel like you can’t communicate your feelings to her without her getting mad, but she tries to stay calm and tells you that however you feel is valid

that’s all for now ☺️💕 as always, requests are always open! wowow you guys got 2 posts from me today aren’t you lucky

[endiness]

okay, i have gone through probably 50+ s2 interviews of hc researching this so far and i have to say that at this point i really don't see how he wasn't deliberately trying to manipulate the fanbase and the media against the writers and the show to get them onto his side. (and also, like, a very specific, extremely toxic section of the fandom at that.) (it's the sexist incel gamerbros. i'm talking about them.)

"I wanted to represent as much of a book-accurate Geralt as possible and a lot of the fans did as well, and so I campaigned really hard to make sure that he was more verbose, he sounded more intellectual, his choice of words was more thought out and that his approach to Cirilla and everyone else wasn’t antagonistic. Because it initially came across as he was just grumpy all the time with everyone and everything and I really wanted to show this three-dimensional character […] It’s gonna be tough to do the stuff which is as brilliant as Sapkowski’s writing, but it’s something I’m always gonna campaign for and it’s hopefully fit into the vision of the show."

there are so many interviews (ie virtually every interview out of 50+ with the exception of maybe, like, 3) where hc says the exact same thing about how he just cares so much about book accuracy, specifically where geralt's characterization is concerned, and that he really started to push for a more book accurate geralt in s2 and wanted him to be more verbose and intelligent and show that he isn't just a one dimensional character who just grunts and says hmm all the time like in s1 — and at no point does he ever take any responsibility for how that was due to his acting choices in the first place because he would cut his lines.

he also just straight up lies about the situation because the writers originally wrote geralt as being more verbose and book accurate in s1 but then changed the way they were writing him due to the acting choices he made. and yet he acts like that was never the case and that geralt was never originally written that way and he pushes this idea that a book accurate geralt went against lauren's vision. even though, once again, that was the original vision and it only changed due to him.

and on the extremely rare occasion (i'm talking, like, maybe 2 con panels here) that he ever takes any kind of responsibility for his role in all of that, he still waffles about and tries to present this image that he wasn't really cutting that many lines and they weren't really that important anyway and it didn't really matter:

"I didn't even cut that much. Just little bits when someone says how they feel, I thought if Geralt says nothing, and maybe the well-known grunts or hmms and sometimes the occasional f-word, people can take from that what they will."

even though that can't be true as confirmed by joey:

"Henry likes to cut his lines, 'cause he's lazy. No, he literally just likes to cut them. He likes to do more up here [frames his face with his hands] and just with face and hmms and grunts. There's a lot of hmms, and so I often have to take a lot of his lines and turn it into a lot of my stuff so that the plot happens."

and even hc himself confirms this and what joey said in a s1 interview:

"All the grunts, I either added or I didn't say anything and just grunted instead. It was often up to the other actors to go, 'I think he's not gonna say anything now.'"

i also have to point out that hc directly links his push for a more book accurate geralt to reading comments on reddit as i think that's very relevant to what section of the fandom exactly that he's pandering to and why he's been so vocal about it while lying about the role he played in everything and what actually happened:

"I’m on all the Reddit forums. I’m reading all the reviews. I’m literally trying to get everyone’s information. Some of it is not useful, and other criticisms are incredibly useful. I take it all in, and I look forward to bringing it even closer and closer to Sapkowski’s writing. I think any of those criticisms, they often lie in things like I was saying—we don’t have the advantage of a long involved conversation or dialogue with Geralt, so they are criticisms which I think I was prepared for. So for me, it’s about seeing that, understanding it, and working out how I can do my job better within the framework provided, [how to] appease and make those people feel comfortable that I do actually understand this character—and love this character just as much as they do."

"As a source for information, it's really helpful for me to see what everyone's saying, what everyone's thinking, and to see how much my thinking falls in line with whichever side of that spectrum it is and whether I'm doing the wrong thing, for example, by campaigning hard for the book Geralt to exist or whether I'm doing the right thing."

and just another important thing to point out imo: virtually the only times hc ever takes any responsibility in any capacity whatsoever for his own role in the show not adhering to the books (which even then he barely does and it's still always with a lot of excuses), it's only ever at con panels — which are far less likely to get picked up by news outlets and seen by a broader audience — and not in formal interview settings. (except for, i think, one interview he gave early on when s2 first went on hiatus. but even then, it still has the same problems that the con panels have where he comes up with a lot of excuses that don't match what happened.)

then there's an interview hc gave where he went on about how he added some book dialogue into a scene and he made it out to be like it was some kind of rebellion against the writers and he didn't consult them as he was just going to do what he wanted, consequences be damned:

"I did not feel like having long discussion about whether I could add this bit somewhere. So I just did it, said the words in front of the camera, and was ready to face the consequences."

and meanwhile what actually happened was that lauren eventually let hc have free reign and rewrite a scene that he was unhappy with. which, y'know. kinda fucking weird to present what happened in the way he did.

and then there's him pushing this narrative that the female characters — namely yennefer and ciri — were given more depth and focus than geralt and the male characters as if that came at their expense and all of which is somehow due to lauren's women-centric vision of the show as if that's somehow opposed to how the books themselves are:

"On season two, I wanted to bring as much of 'Book' Geralt into the show that Lauren's vision and that the plot would allow. That's a tricky thing to do, because the plot, as Lauren has said, is very centred around bringing women into the centre of The Witcher."

"In Season 1, there wasn't really much of an opportunity for expansive dialogue which Geralt is known for — in the books, he's often known to monologue — because we had two original origin stories which were the center point of the show."

"Lauren’s vision was more of an ensemble piece than the first Witcher books. It’s driven a lot more by the characters of Yennefer and Cirilla."

"I wanted to make sure we really explored as much as showrunner's vision could allow. She has her own plan, so I’ve got to toe that line between book Geralt and Lauren’s vision."

"I wanted to try and bring as much of the book’s Geralt into Season 2 as possible, and as much as the vision, the plot and storylines would allow. The toughest part for me was finding that balance between the showrunners’ vision and my love for the books, and trying to bring that Geralt to the showrunners’ vision."

"It’s important for me to have the character be three-dimensional and it’s tricky to do, as I was saying earlier, because there’s a certain vision and there’s a certain set, storyline and plot. And so, it was about me trying to find Geralt’s place within that."

"There’s only so much space to provide the same character from the books within the showrunner’s vision. But, I did my best to provide a bit more of a three-dimensional character with a bit more emotionality."

"It's important to me that the men in the story are three dimensional as well."

like, first off — and not to continually reiterate this but — that's not true. in s1, geralt was originally written as being just as verbose and intellectual as he was in the books and that only changed due to hc cutting his lines and we know that joey often had to take his lines, too. so there was, in fact, always plenty of time for geralt to be book accurate and for yennefer and ciri to have their own focus. these things were never mutually exclusive and it's definitely some kinda take to imply otherwise.

secondly, while it is true that geralt is the main character of the short stories, ciri is the main character of the main series starting from blood of elves, the book that s2 adapted. and despite claims otherwise, her pov has always had the most focus — yes, even more than geralt (sans baptism of fire, obvs.) and it's not like ciri is the only female pov, either, or that there aren't other important female characters that make up the series. there's yennefer, triss, milva, philippa, fringilla, nimue, condwiramurs, kenna — and that's just off the top of my head. there are plenty more where that came from. women and their stories have always played a central role in the books. nothing about that goes against them or is unique to lauren's vision.

and just with boe in particular, like. triss's pov is either focused on more than geralt's or at least about as much as his depending on how you want to break things down. and with dandelion following very close behind them, too! like, ciri may be the main character of the main series and geralt may be the main character of the short stories and their povs are the most focused on overall, but the books are still very much an ensemble piece made up of a collage of many, many povs to paint a full picture of the universe. and, yeah, the women make up a huge part of that. so the show focusing on ciri and yennefer and the women — and, yes, the men as well because it does actually do that! — is um, still book accurate. so y'know, why the fuck is he presenting this idea that's somehow not the case.

in general, hc emphasizes in a lot of interviews how much he fought for "male characters to be three dimensional." which yeah, given the context of everything else, is some suspicious kinda phrasing because it gives this undertone that the show wasn't writing three dimensional male characters in the first place as opposed to the women and that it's only due to his efforts that anything changed.

also, i have to highlight this quote of him talking about the three dimensionality of men because ~curious that he omits women from the list of people real menTM can be loving and caring toward:

"I believe that real men are very sensitive. They are very capable of doing things which can be violent, if possible, or necessary. But at the same time, they are incredibly capable of love and caring amongst men and towards children and family and all sorts."

and then there's the way hc talks about changing things which comes across as so suspicious, too, imo. especially when there is every other cast member to compare him to. because the way the rest of the cast has talked about this is that they all very consistently say that the whole process is very collaborative and that lauren is very much willing to hear them out about their thoughts and concerns and that it really feels like a team effort and that everyone is working together. and meanwhile the vibes that hc gives off is either "me vs the world (ie the writers)" or "but there's nothing that i can really do to change anything and it's all on the writers~" either way, his attitude very much comes off like all bad decisions are the writers' fault but meanwhile any good decision was due to him and him alone (or maybe the rest of the cast, but definitely not the writers.) like, weird af to play it off that way especially since every other cast member didn't seem to have any problems and they all gave credit where credit was due ie to lauren and the writers.

in conclusion, it'd be one thing if hc had just taken the l and admitted that he is the one who fucked up geralt's characterization in s1 and so he sought to rectify that in s2. but yeah, he doesn't really do that. instead he lies over, like, 50 times to create this narrative of him pushing for book accuracy as if that's somehow in opposition to lauren and the writers and as if they didn't originally write geralt book accurately in the first place and as if he played no role in the lack of book accuracy at all. and then that there's also him pushing this subtle (or not so subtle) narrative about how the women were taking a more central role as opposed to the men and that's somehow unlike the books and something purely due to lauren's vision, too? even though women have always played a central role in the books to the point where ciri is the main character of the main series? and that he's directly linked this narrative he's pushing to reading comments on reddit? (and that he also has a history, since s1, of trying to cater to game stans?) yeah, i just don't see how this doesn't add up to him trying to manipulate the media and audience — especially the worst parts of the fanbase — against the writers and the show and onto his side.

(also just one last thing i'd like to note as i find it super weird that when hc was asked about giving freya any advice, he immediately shut down the notion that he would ever do anything like that and he would never offer her any unsolicited advice and he would only ever give her any if she came to him first. like, there are literally s1 and s2 interviews where freya talks about hc giving her advice. i mean, maybe she did come to him in the first place, idk. but the immediacy in which he shut down the idea that he would ever do anything like that as if offering someone younger than you advice and being a mentor to them is wrong… weird. sus, even. like, why are you scrambling to cover your ass for something that's not even bad and, also, why are you lying about it by omission in the very least.)

[luvvnai]

Unrequited Love 

rapper y/n keeps hurting chris but he cant let go

you and Chris had a very interesting situation going on you two had met at summer smash last summer your set was before lil skies and ever since then Chris was in love with you, you did to but just not enough to want something with him you didn't see yourself in a relsonship

the first time he had confessed his love you to where in your car eating McDonalds Chris had constant Butterflys when with you, the way you grabbed his arm when laughing so hard that made you curls bounce or the way you mixed gold and silver jewelry and how your braces shined when you talked out whatever you where rambling bout

you were eating your nuggets when he couldn't stop looking at you, he felt like he was stuck in a trance he had been positive you felt the way about him you let him yap your ears off cuddled with him showed him your music that haven't dropped yet always ready to pick him never making fun of him for not being able to drive, so he took a deep breath said it "im in love with you y/n" you choked on your nuggets and didn't say it back he went home and cried to nick

you loved music, being on tour, being in the studio meeting other artist anything that had to do with it honestly sometimes you felt like music was your soulmate but you felt that getting into a relationship would be too distracting and there wasn't anything you could get out of Chris but some dick in your mind which led you to be friends with some more

nick and matt tried to tell him on many occasions that this would hurt him and was doing him worse than good, but he didn't care you could have hated him but as long as he was with you, he didn't care he loved taking you shopping watching you at the studio seeing fans ship the two of you he just loved you and as bad as it sounds you loved the attention and how much he spiled you rarely you wished you loved him back but there was only room for one in your heart and music won every time

currently you and Chris where on a "break" again you felt that he was pushing a relationship on you it wasn't that you where the whole problem Chris lets his commenmnt issues onto you it made you feel untrusted and controlled you didn't like that he wanted your lo to know all yours plans for the week what time you left and got back to your house

you had done an interview at the red carpet and timothy shalmon was the interviewer you and him are very similar flirty and talkative people the fans went crazy so did Chris he went on a 2-hour rampage watching every edit watching your body language at one point he even had it up on his tv

and fans had made many edits and ship they had also shipped you and Chris but not as much as they are with timothy and Chris in fax didn't like that why would they think you and timothy looked better than you and him did you think the same did you do the things with him you also did with chris he went crazy.

chris🤦🏽

soo whats up with you and timothy? cos you seemed really happy

oh my god Chris what are u on about

nah just wondering because everyone saying you two dating

chris you always do this stuff I can't look at a guy . without you going genuinely crazy

he cant fuck you like i do tho he dont love you like i do no one will i dont understand why you wont let it be and be with me .read 2:15

read he goes to text you again typing you are in love with him you just don't know it yet 'Chris get a grip you sound insane" Chris looks over at matt on the couch "Chris this has been going on for months how many times are we going to have to tell you she doesn't love you" Chris ran his hands though his hair throwing his hair back "shut the fuck up guys you don't get it this is what happens" nick laughed "may that kind of love never find me" Chris threw one of the pillows at nick

you on the other hand where unbothered by Chris you knew no matter what you said or how you treated him he would always come back to you like a lost puppy this was a game to you see how many times you could win you took it so far to the point where you didn't even follow him back on insta but had a highlight for you named 👩‍❤️‍👨 and you hid your face in every pic

it's been almost 3 weeks since you texted Chris, he's called you and texted your multiple times, but you didn't respond and for a second matt and nick thought you were finally done with him as they had to hold their little brother all most every night it was like he was going through withdrawal he couldn't sleep barely eating even nate tried to help

but just as he started getting a little better and accepting that you were never coming back, he relapsed you texted him one night at 4 am when you were at the studio bord you genuinely forgot about the poor boy

chris 🤦🏽 . * your lo* come over imy

ill be there in ten

*yn❤️ liked message*

i missed you to baby

as calm as he sounded in the messages, he was so relieved to hear from you he ran to matts room busting through the door "matt yn just texted me can you give me a ride to her" matt sat up from his bed smacking his forehead "Chris don't go isn't this draining for you" Chris feeling irritated pulls the blanket "come one matt I need her please" matt not wanting his brother to get a uber at 4 in the morning gets up grabbing his keys "thank you" Chris says softly

he got your privet studio that had a gate in the front that needed a code to get in he texted you to come open it matt saw you walk out the building in a white tan top and long gray short to the gate this being the first time he'd seen you since rolling loud you walking to the car as Chris rolled down his window hey you can just drop him off here the inside is full Chris walked out the car hugging you

you didn't really hug him back just kinda sat there this pained matt knowing how hugs where Chris's love language "so how long you need him till you go ghost again" his mattaude sticking out very hard Chris shots him a look you as you smile at matt "idk ill drop him off when I'm done with him" you say as you walk away Chris quick to follow you

you and chris get into your studio he sits on the office chair and sits you on his lap rapping his arms around your waist and his head into your neck "I missed you baby" you put your hands in his hair rubbing his scalp "you wanna here this new song i just made" he lifts his head up "mhmm" you tap around on your computer and play a song https://open.spotify.com/search/the%20cut ( please just act like a girl sings it)

in the middle of the song Chris picks you up placing you onto the table kissing you he pulls you into a kiss he knows he shouldn't be doing this and that he will be hurt but there is that side of him that truly thinks he can change you and maybe one day you will love him back, he kisses down your neck starting to leave Hickeys as you pull onto his hair Chris no hickeys I have a show next week

he Growns onto your neck as he listens to you pulling your shirt off and going for your tittes sucking on one as he toys with your other nipple pinching and slapping it, he moves down kissing your belly and pulling your shorts off he sits back down into the chair as your heat sits perfectly Infront of him he kisses and bites your inner thigh pulling you panties off and blowing into your clit

Chris, you whine like music to his ears he loves the way his names sound so perfect in your mouth when you pull him by his hair into you, he happily follows diving into you rapping his hands around your thighs putting them over his shoulders

you moaned out as you felt him spell something on your clit Christopher that's when it hit him, he didn't care how many times you ghosted him or didn't say you loved him back this was his favorite place he would go through all that pain all over again if it meant ending up in-between your legs