#and of course im also talking about

[biwonderland98]

Turns out I am weak for a canonically sexy priest. May never recover from this information.

[redonionlover]

sunstone..? perhaps???

anon ur so real for this... they're my faves since i first played rw

havent drawn them in a loong time though so i doodled these real quick :^)

[leadandblood]

The sheer amount of cunt packed into like three seconds. i love him. Thank you Liam.

[dukeofthomas]

I can't find it now but there's a post about suspension of disbelief and how it's broken when the story starts trying to excuse it. "character gets knocked unconscious for hours but there's no further issues from this" okay 👍 "and actually this makes perfect sense because of this and that" um no it doesn't why are you lying to me. like i am willing to ignore the holes and the discrepancies!! all you need to do is let me and not bring unnecessary attention to it!!!

and all that is my issue with the whole robin child soldier argument. like i am willing to ignore it i am willing to engage with the fantasy literally all you need to do is NOT try to convince me that Actually It's Fine Because They Want To Do It or whatever. like literally just shut up about it and i can engage with the fantasy!!

[xxplastic-cubexx]

it doesnt need to be said but its genuinely so funny how at-the-hip charles and erik are in krakoa like they really had the green light- the OBLIGATION- to be as obnoxiously close to each other as possible and abused that right to the fullest extent

[overtake]

Max Verstappen Silverstone Interview | Can Max Be Beaten?

[lesliemeyers]

an inch away from more than just friends

still versions thus higher quality under the cut ↴

[arom-antix]

I bring to thee some quick late night Viktuuri sketches because I think we could all use some fluff

[c-kiddo]

goddd the scene in ep125 of beau finding out that the cobalt soul has been investigating her paid kidnapping after she mentioned it to dairon and are actually going to take zeenoth to trial for it killlls me. the way that beau is so shocked that someone (dairon) cared enough to look into the abuse she faced and actually seek justice for her. oh my god beauuuu ily beau 😢😢😢😢😢😢

[silly-ehggy]

Ford my pretty princess....

(Reblogs over likes)

[ywpd-translations]

Ride 795: The peak of their limits!!

Pag 1

2: Isn't there anything I can do?

3: Listen to him

4: You don't have to say anything back, you can just nod

5: Just listen to his nonsense

6: Like always

8: To... Toudou-san

Pag 2

1: He'll arrive soon

2: In just a few minutes he'll pass on this road right before our eyes

4: There's no need to stay back

5: Right now, he's fighting

6: He's running against his rival for “the last kilometer”....

His muscles are aflame, he's wiping away his sweat, and his body is screaming

Pag 3

1: His limbs are numb because the blood isn't flowing until his extremities

His heart rate is at its limit, his body feels like it's in danger and is trying to stop moving

2: He's fighting against his own body that's trying to stop, and against his rival who's moving forward

It's the “peak of their limits”

3: The peak of... their limits

4: That's the fight he wanted

5: Watch him closely

Call out to him with me and he'll be happy

6: Don't worry

Racers recognize even the quietest voice

And then

Pag 4

1: they can turn them into power!!

Pag 5

1: Sooreeeee

2: 700m left until the mountain line!!

They're lined up!! They're neck and neck!!

So close!

Pag 6

1: 600m left!!

2: The race passes through the intersections with Mt. Hiko's trailhead!!

Goo Hakogaku!!

Don't lose, Chiba!!

They're neck and neck!!

Pag 7

1: Neither of them is stopping!!

Pag 9

2: So much sweat is falling on the road!!

3: They're passing through the last intersection and then will face the final gate

4: They're entering a narrow road!!

Pag 10

1: 500m left!!

2: They're still pedaling!!

Pag 11

1: Since earlier my fingers in my right shoes

2: keep getting cramps

3: The blood isn't reaching their tips

4: It's not, but

6: I'll keep turning my legs!!

7: I'll tighten up my shoes to reduce the pain!!

Pag 12

1: Mountain King tightened his shoe's dial!!

Woah he's serious!!

2: What does it mean!?

Biking shoes have a dial

3: During a long race, cyclists' feet get thinner, so they turn their shoes' dial up to tighten and secure their feet in preparation for the final dash

Wire

Depending on the direction you turn the dial, it tighten or become loose

4: In the scene of European races, it's something cyclists do a lot to prepare for the race before the finish line!!

5: Is Mountain Kind going to attack here!?

But right now it looked like he was trying to avoid the pain in his leg

Pag 13

1: This is bad!!

It's not just my fingers

My arms have lost feeling too when I'm dancing

3: But it's okay, it's just right

My legs are moving

4: And you're next to me!!

We're still fighting!!

Pag 14

1: If my arms won't move then I can just swing my bike from my shoulders!!

Pag 15

1: Manami attacked again!!

Amazing!

He's going!!

2: In the hardest section!!

He's leaving Mountain King behind using his dancing!!

Pag 16

1: He's opening a gap between himself and Sohoku's Mountain King!!

3: Mountain King is in a tough spot!!

4: He instinctively dropped his head!!

Pag 17

1: Try to have fun, Onoda

4: Races are hard

5: When your opponent accelerates in an unexpected moment, when the attack is stronger than you had imagined

6: Remember

Pag 18

1: You can't win a race without going through tough times

2: Teshma-san....

3: “Just before” means that there are many options

Like, will my opponent get exhausted? Could he make a mistake? You'll be thinking like that

4: Surprisingly, victory or defeat depend on these little things

Pag 19

1: Well, that's just my advice though

I actually always end up slowing down at critical moments, and so I lose

2: That's not true at all!! At this year's Inter High it was Teshima-san who won the mountain prize!! Thank you so much for that!!

I get it, I get it

3: Well, you're an earnest person and won two times already, so it's like I'm preaching to the choir

4: But there are times when you're weak

5: I've seen that many times too

9: During a race, when it's “just before”, just remember this

10: When there is both a hard road and an easy road

Pag 20

1: Don't hesitate to take the hard road!!

2: Right now for a moment, I was thinking “why am I going now” and “when it's hard to breathe”!!

Pag 21

2: My chest hurts!!

3: My legs hurt!!

4: But still!!

6: I'll choose what to chase!!

Pag 22

1: Mountain King is accelerating and chasing!!

Aaaaaagh

4: Sangaku!!

5: I'm ready!!

[lorephobic]

literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped

A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence

an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.

thoughts about oliver specifically are loosely organized in my #bambi tag

A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn

a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in

alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship

The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]

how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired

may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn

alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay

Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry

a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion

a celebration of the grotesque and an examination of why we would label it as such

least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn

if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me

edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!

[itsnevssin]

Jimmy antagonized Curly throughout the game and he never said anything against him.

Curly couldn't stand up for himself, he could have never stood up for Anya.

[biblicalhorror]

Okayyyyy yeah also let's talk about Tammy. I didn't know how I felt about her for awhile because she did very much feel like the Disposable Black Girlfriend, but I'm seeing people saying she's an "abuser" or God forbid "just as bad as Kevin" and that's just. Not at all true.

Yes, Tammy is controlling. She doesn't seem to really like Patty for who she is, and kind of seems to want to change her into someone else instead. HOWEVER, I think we need to look at the whole character to understand WHY she's like that. I don't think she's controlling Patty for personal gain or for the sake of manipulating her. I think she's lonely and desperate for companionship, which leads to her ignoring/pushing past the obvious incompatibility in her relationship with Patty.

Here's what we know about Tammy:

1. She seems to be the only black person in the Worcester social circle. She also mentions frequently how she's surrounded entirely by white men at work.

2. She is also the only openly lgbt person in the area, other than Patty, who is still not exactly out and proud.

3. She describes her entire job as "making excuses for" and "cleaning up after" the men at her job, particularly her partner (whose name I am unfortunately forgetting, does anyone remember?), who even had her plant evidence for him on at least one occasion.

4. Despite being very competent and good at her job, the white men around her keep failing upwards (she mentions a few times that people beneath her keep getting promoted) while she remains stagnant in her career. There doesn't seem to be any explanation for this other than the fact that she is a black lesbian in an extremely white, conservative community.

Basically, Tammy seems like someone who has been taught (like many black women) that she will have to work much harder than everyone else to get ahead in any capacity. She is also likely very, very lonely. She doesn't seem to have any friends outside of work, which isn't surprising given the above. It seems like she doesn't exactly have a ton of prospects, dating-wise, other than Patty. In my opinion, it's really no wonder that she clung to Patty so desperately and immediately and tried to forcibly mold her into someone who could be compatible. She's tough, smart, organized, direct, manipulative, no-nonsense and controlling because, well, she had to be. And she ends up trying to "rein in" Patty because, in her mind, what's the other option? She ends up alone, surrounded by men who force her to cover for their antics and don't care if she lives or dies.

I'm not saying her behavior is healthy. But it comes from an entirely different place than Kevin's abuse, or Chuck's, or even Neil's. And it's also not uncommon. In real life, I know many queer women (specifically small-town lesbians) who end up in relationship dynamics just like that over and over again because they start dating someone who doesn't quite fit, and they compensate for it by trying to force a connection instead of accepting loneliness and isolation. I have a lot of sympathy for Tammy. And I wish the show had taken more care to establish the abuse she faced from her coworkers off-camera.

[atomicengineerdetective]

I've been watching Hazbin Hotel in prime. Just watched episode 5 and I gotta ask

Why, oh, WHY DON'T I SEE MORE PEOPLE TALKING ABOUT "MORE THAN ANYTHING" WHEN TALKING ABOUT THE HAZBIN HOTEL MUSIC???

Like I get it, the song before it "Hell's Greatest Dad" Is a bop reminiscent of other music from the era its parodying. I loved it.

BUT why are you only putting clips of that song when this MASTERPIECE comes a few minutes after

I honestly don't even know where to begin with this song. The visuals are beautiful, especially when we get moments like this where you can just see the absolute LOVE this man has for her daughter is so sweet and Heartwarming I just-

The voices are fenomenal but what else can you expect from the broadway talents of Erika Henningsen and Jeremy Jordan.

There is also the whole Symbolism with passing the baton to the next generation and stuff. I- I can't even get into the specifics right now Im too emotional.

But above all else THE LYRICS

ESPECIALLY THAT LAST ONE

"I'M GRATEFUL YOU ARE MY DAUGHTER/FATHER MORE THAN ANYTHING"

DO YOU WANT ME TO CRY?? CAUSE I AM. I AM BAWLING MY EYES OUT RIGHT NOW.

It's just so fucking beautiful man. Probably the best song I will hear all year. Obviously my favorite from Hazbin.

[aquickstart]

ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.