#and now you all have to cry too-

[lotus-pear]

horrendously late entry for @luneariann’s dtiys!! congrats on one million ely i’m so proud of you <3

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[licorishh]

so uhhh happy valentine's day i suppose !!

shoves this in your face and runs away

so. uh. yyyyyeah. when i said i liked all interpretations of their dynamic equally i uh. i lied. and to be totally and completely and 100% honest with you it speaks volumes to the state of the internet that i have been legitimately afraid to say that like i've genuinely been debating and turning it over in my head and arguing with myself about it for days because i don't want people frickin' YELLING at me and telling me to off myself because i like a dadgum fictional ship but it's valentine's and my friend has been hyping up the crap outta me so i'm past the point of having a reasonable excuse to chicken out (and i know myself and if i don't do it today then i likely won't do it at all)

anyway words actually cannot express how obsessed i am with post-o66 aus in which they stay together (largely because i so completely refuse to believe they'd be willing to split up after THAT, ESPECIALLY that soon) so yeah shoutout to the softest fluffiest gut-punch-iest pair in the galaxy to whom everything bad has happened but who stay silly despite the horrors

[wishchip106]

LET HIM GET UP LET HIM GET UP

[cto10121]

Book Fiyero: *immediately recognizes Elphaba and stations himself at the backdoor to prevent her from evading him, stalks her halfway across town to her aerie (even though at that point in time she was only a college friend he hadn’t seen in five years), insists on seeing her again, instinctively goes to comfort her when she first cries, gets sucked into increasingly deep and fraught conversations with her about collateral damage and freedom fighter terrorism, calls her the “most individual, the most separate, the most real” DURING AN ARGUMENT, says he adores Elphaba’s looks IN THAT SAME ARGUMENT, doesn’t understand Elphaba’s “being born with a talent or an inclination for goodness is the aberration” comment because (implied) he sincerely believes Elphaba isn’t evil, changes his mind about the plight of the Animals all by himself but doesn’t mention it to Elphaba because he is afraid she would distance himself from him, buys scarves for both his wife and Elphaba even though only Elphaba likes scarves, is so concerned for Elphaba and her dangerous Lurlinemas Eve mission that he stalks her instead of staying at his club or just leaving town altogether, and is so worried about her that he returns to the aerie just to see her*

Also Book Fiyero: Am I in love with Elphaba?

[kenzan-brainrot-mp4]

My weak, ugly self

☝️ original concept/paneling composition is from witch hat atelier

[danandfuckingjonlmao]

i can’t casually watch the first night nurse “IM A DEAD BOY DETECTIIIVE” scene (still have it memorised somehow tho) because it makes me so sad, and one of the main reasons is edwin’s reaction.

we see throughout the show that edwin’s fear response is freeze. he can’t snap into action, he just freezes. that’s why charles has to always be like “motherfucker move?? fuckin run??” and eventually just shoves him because he won’t do it otherwise. as much as i joke about him being a passenger princess and having the vibe of “i simply refuse to lift a finger to defend myself, i will stand here and look pretty”, it is fully a fear response.

so after saying charles’s name in the most heartbreaking terrified way possible, he just starts moving. he doesn’t even think about it—it’s automatic. it’s the most natural, instinctual thing in the world for him. where charles goes, he follows. ESPECIALLY when things seem like they’re going to go horribly, because he will under no circumstances let charles get into trouble alone. like HE IS FOLLOWING THE PERSON WITH THE POWER TO SEND HIM BACK TO HELL JUST BECAUSE HE CANT BE WITHOUT CHARLES I AM SO FUCKIGN UPSET RIGHT NOW DO YOY UNDERSTAND

[averlym]

[kelin-is-writing]

I am: Heartbroken…

[lyxchen]

SOMETHING JUST HEALED IN ME BECAUSE CHARLEY AND YURI KISSED AND IT WAS SO BEAUTIFUL AND THIS IS GOING TO FUEL ME FOR MONTHS!!!!!!!!

[anomura]

so. i've been thinking probably way much about bucky's attachment/abandonment issues bc they're soooo loud to me like he clings to people so hard!!! he wants to be chosen!!! him asking gale "did you miss me?" after spending objectively not that much time apart half joking but half sincere bc he's used to people getting tired of him and leaving so he has to make sure.

And it makes gale saying no to london even more of a Big Deal. and paulina leaving him the morning after even when he asked her to stay!!! and lil kissing him but getting with dye!! and once again feeling rejected in the stalag when gale won't leave with him, won't even entertain the thought of it !! andddd not having anyone writing him letters, possibly not even his family for reasons we don't get to know but probably are a big part of why he has attachment issues

i've already said this but i'll say it again even though he's confident/cocky at times he doesn't... like himself . or has a lot of regard for his own life which we literally see in the show. he was Capital S Suicidal – bc of the stalag obviously but come on he drinks like crazy and gambles and smokes even before things get Really Bad. and the plane wing sceneeeee you don't goad your friend !! not even a random person but a Friend into hitting you if you're a well adjusted individual. And he was ready to give up fr when gale went down. he did not want to bail out with brady!!! AND him risking his eye to get gale a bike (which while yeah crazy yaoi moment . to me also ties into him needing to be wanted/needed so people won't leave him) so yeah clearly not huge on self preservation which at least in my perception is something that stems from self hatred

all of these rejections (even if justified at times) are probably a series of blows to his perception of himself/sense of self and just reaffirm to him in his head that he's not good enough and he is right to expect to be left by the people he loves. and he tries to stop that by clinging as hard as he can and not being expendable/replaceable. but if they do leave he can rationalize it because if everyone leaves him clearly it's his fault, he's the one lacking – which feeds his recklessness and self destructive coping mechanisms even more

[majoryeager104]

sometimes I think about how if Touya had gotten the love and help he needed, that Shoto, his friends, and even the entirety of Class 1-A might have looked up to him, some even done work studies under him when he became a hero, and saw him as a role model, and he’d have taken it all in stride because he was grateful that he’d made it so far, and now had an actual, genuine family around him, and then I cry

[longagoitwastuesday]

This is about Hindley:

«After a short suspense it was opened by a tall, gaunt man, without neckerchief, and otherwise extremely slovenly; his features were lost in masses of shaggy hair that hung on his shoulders; and his eyes, too, were like a ghostly Catherine’s, with all their beauty annihilated».

And this is about Heathcliff:

«a tall man dressed in dark clothes, with dark face and hair. He leant against the side, and held his fingers on the latch, as if intending to open for himself. “Who can it be?” I thought. “Mr. Earnshaw?”»

Heathcliff is the character most often described as tall (and altogether big), with Hindley also being described as tall, as well as Linton, Heathcliff’s son, being said he was tall for his age (which is fitting).

I find so juicy that Heathcliff and Hindley look somewhat alike, at least structure-wise, enough to make Nelly think for one moment Heathcliff could have been him, and scratch the idea because no, that's not Hindley's voice. You resemble the man who destroyed you. It goes both ways. His child looks like his sister. One could think it was her child instead. A stranger will think the boy your son. You'll smile at the irony.

[good--merits-accumulated]

If we for a moment forgo canon events and disagreements then I do wholeheartedly hope and believe that Todd and Neil get married during the '70s. It's a sunny afternoon on the perfect day in mid-spring and the light is at its thickest and most golden and Charlie got registered as an officiant just for this day and not everybody's present - Meeks can't make it from Switzerland on short notice, but they get a photo of him and prop it up on the coffee table at the perfect angle to see. Neil keeps wondering if he's going to get the pre-wedding jitters and does end up pacing around the living room early in the morning, but it's less cold feet and more impatience. (Turns out it's kind of hard to get cold feet when your almost-husband is sitting drowsily on the couch to keep you company and he keeps almost nodding off and you keep remembering all the ways in which you love him.) Ginny barges in at noon with hairspray and a sewing kit and insists on making bouquets with shitty grocery store flowers for both of them and Todd's suit ends up with a hastily added elbow patch and Neil's tie doesn't match his pocket square, because one's from Cameron and the other's from Knox. (Something borrowed, something blue...) It's perfect. In the end they go out on the balcony and Charlie's wearing this really tacky priest outfit, just really shitty fabric so that he's probably sweating bullets, and the collar's come untucked, and at the last moment Chris shrieks, "You forgot your bouquets!" and throws one with such good aim it hits Todd in the face. But they get through the vows and both of them only cry a little, because Cameron cries enough for all of them combined, and then that's it - over - and married. And as Charlie beams and says they can kiss there's a well-timed shower of rice from the balcony above, and congratulations, from some upstairs neighbours and well-wishers. Pitts catches the kiss on his expensive video camera and he also catches the cheering, which is so loud that, four blocks away, a lone man packing up his street food van pauses in closing boxes and thinks that there must be a party going on. He's right. And at the end of the night when the last loved one leaves and shuts the door gently behind them to not disturb the newlyweds lying together on the couch, silent with happiness, it's still perfect. At that moment it doesn't matter that there is no piece of paper, or no registry office, or that if Todd has an accident Neil might not be able to visit him in the hospital room. There will be tears for those things, but they come later. For now they're married. The beautiful thing never changes.

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[tohruies]

mweee happy timezone superstars :D am gazing at you longingly from behind the wall hoping you might join me for breakfast at the table… i have some egg on avocado toast + a heaping handful of bluebies. very yumza indeed (⊃ >▽<)⊃ 🫐✨ wishing for you all the strength to get through your friday and into the weekend 🥺