#and now im finally playing again.......

[heartorbit]

if we could stay connected, just like this

[ender1821]

im a child of divorce

[budd-ie]

“Mu Qing is too logical for his own good” is such a real problem that he deals with and as tragic as it makes his life I also think it’s really funny when someone is accusing him of something and instead of telling them to shut up or leave him alone the first thing he does is pull out the 95 fucking theses detailing every single thing wrong with their argument WITH historical evidence and additional considerations from scholarly psychology articles, MLA format works cited and completely annotated. It could use an editor and some bias correction, but he actually makes a pretty good point. anyways tgcf ace attorney au when

[phantomrose96]

wow I love finishing games at an extremely reasonable hour

>3:27am >filled with regret >but also get fucked Louie

[tidalst]

💥Oh its him again💥

[carnivalcarriondiscarded]

here have a Lights Out meme(?) before i go to bed <3 Wally is showing off a neat party trick to his newfriend <3

og:

[beemot]

not leaving bed for a week!! [ray × gale]

[lavellane]

thinking about how that solavellan ending actually Works for lavellans who want that hopeful ending but arent as forgiving abt the whole situation as veilguard presented it. and i do think in ashara's case, yes, she goes with him out of love, but more so out of duty. post trespasser she drops the name lavellan in favor of her family name, dhavise, since her place in the clan had already been cast into question and her allegiances with the chantry/solas are cause for doubt as to whether she's even welcome back anymore. but i think by the end of veilguard she's reaffirmed her identity as Lavellan no matter what, and truly does see herself as the Keeper of not just her own clan but of her whole modern people, and with that rekindled purpose she chooses to watch over them all by way of watching over fen'harel. protecting them by protecting him from himself. which ironically is the reason the dalish HAVE keepers in the first place

[luck-of-the-drawings]

OOH YEAH BABY! PARTY TIME BABY! MUSIC! DRINKS! SOCIAL PRESSURE & A PSYCHEDELIC BREAK DOWN! WELCOME TO VAMPIRE SOCIETY MOTHERFUCKER! ARE YOU SCARED? DO YOU UNDERSTAND YET? ITS OKAY IF NOT. FIRE DISSOLVED IT! ITS ALL GONE NOW. HAVE FUN!

[haroroka]

horse dipper & mabel silliessss

[lemongogo]

why do i love the conflict more than anything else . the misery . the incompatibility that spreads like oil slick . wanting so desperately for resolution that never comes . hmmm

[haunted-xander]

Sone notes:

FFXI & FFXIV are excluded due to the nature of being MMOs- they are, quite literally, impossible to remake (And XIV is getting a graphical update anyway, so it's not like it needs one)

(FFXV & FFXVI are excluded for obvious reasons) (FFXIII/XIII-2/LR are also excluded for similar reasons)

By 'benefit from', I mean that the narrative/characters/world and general story experience would be enhanced due to modern tech/hardware and what they now do with it. For example, FFVII really benefits from the remake since there's a lot of things they can portray more subtly and delicately than they could in the OG (such as Cloud's hallucinations & memory issues and how other's react to it)

(And also for some of the older titles there are things in the writing that may have aged poorly- in a remake they could rework it to be more tasteful)

[virsancte]

good days aren't easy to come by

[sparring-spirals]

There is a universe in which i was caught up properly on CR whenever what the fuck went down and Imogen verbally and definitively declared that- after everything leading up to this and the back and forth and indecision- that she'd be willing to take down her mom if need be. and i would have been deeply insufferable and writing 20+ separate meta posts and liveblog yelling posts and shitposts. This is not that universe so instead we will put this post here where i can have wildly uninformed (aka 20 eps behind) Emotions about it until someday i actually catch up.

(I know. i accidentally wrote potentially wildly off base/deeply out of date meta again. what can i say. i like shaking the concept of An Imogen (even if it is Outdated Imogen) in a jar. sorry.)

Because i was watching long enough, I think, to see Imogen in the throes of the hope for something better, to understand that Imogen was viewing her mom was a figure and an idea and an answer, that would make things easier. Her mom was- gone, so early. And so her mom, in her mind, was not a person she was an idea, and there was so much hinged on that! Dogged determination and anger at her father and a deep seated dislike of the powers in her hands and head even as they gave her a guilty rush. There were promises there that maybe no one else had made, but Imogen believed. Things built up. Expectations made. Lore crafted, even unconsciously, around someone who was, yes, important to Imogen, but more importantly: Missing. Gone. A blank slate to be filled in. A promise of an answer guide to open questions.

And then she meets her mom, and Liliana Temult goes from a figure to a person- with all the bells and whistles and rough edges. She meets her mom and her mom turns her away. Tells her to run. Tells her she should go. Tells her to leave.

And Imogen doesn't. In the same way she kept visiting libraries, keps asking, kept pushing for answers when it was just about her magic and her headaches and the voices. Imogen always, always wants to know. She keeps digging, she keeps trying, she reaches out, over and over and keeps trying to touch this figure in mist until she's real under her hands, and. Evidence piles up- of deeds gone wrong, blood on her hands, a figure standing next to Otohan (her friends bodies scattered, lifeless, around Otohan). She keeps reaching out, keeps trying, and is rebuffed, over and over. Things get worse and the skies get redder and magic goes dead and she's still- unsure, because what if there's a better reason, what if there's a better way, there has to be a reason, why. There has to be, right- maybe if- maybe. Maybe-

Its just like- a person as an idea. As a symbol. As a promise. One you build yourself up around and towards. One you talk about, not talk to.

And then the fog clears, and they are a human.

(And she's your mom, and she's not what you imagined. She's done you wrong. She's done your loved ones wrong. She's hurt you. She's hurt others. She's going to keep hurting you. She is going to keep hurting everyone. She is too far gone to reason with. She is not listening to you. She is flawed. She is. dangerous. She looks so much like you. You look just like her. You are so similar. You have always known you were similar. You always hoped. You.

Are not her. You are not hers. She is not yours. She is not who you thought she was. She was always someone else. So are you.)

Imogen walks through the bases pretending to be her mother. Liliana is a known face- a powerful one, a figure people fear. A well known silhouette. Imogen slips into the shadows of it, sometimes, when it serves her, but we know- she knows- its all an act. All a lie.

Liliana, after all, is alive, and well, making choices that she believes in and fighting for things with a dogged determination maybe only matched by her daughter.

Imogen knows this. I think. There's a part of her that maybe wishes that wasn't the case.

"There is no loyalty with this blood." And after all- only living people bleed.

[princekirijo]

World's most frustrating feeling: having multiple ideas and character designs but despite working on the thing for nearly 5 YEARS still being nowhere close to having a coherent plot 💀

[bistecha]

guess what series has bewitched my heart and soul yet again