#and never seeking more

[cebwrites]

maaan idk if it has an official name but the "dear god, please let me be selfish just this once by asking you to save them" trope just hits different these days 🥹🥹

yes this is abt lawrin and taezo

[nenoname]

Cute wholesome fics where Stan teaches Soos or Wendy how to drive were always so funny to me because...

And while he insists that everyone in town has ran over McGucket before, we also know he ran over Toby too and absolutely did not give a shit (understandable in that case)

But then again...

Also bless Mr Honeypants

And another detail I love is that his car is casually filled with parking tickets

How many tickets are in Ford's name...

[poorly-drawn-mdzs]

Flower Empowered.

[First] Prev <–-> Next

[pluvionpc]

anidala as…

Homecoming by Hans Adolf Bühler, 1939

(disclaimer: not meant to reference or support original artist’s views or intent)

“‘No.’ He laid a gentle finger on her lips, smiling down at her. ‘No buts. No worries. You worry too much as is.’

‘I have to,’ she said, smiling through the tears in her eyes. ‘Because you never worry at all.’”

— Matthew Stover, Revenge of the Sith Novelization

[ original + rambles under the cut ]

sometimes i think about the realness of anidala’s stories. boys much too young sent off to war; their lovers taking on the emotional burden of being their relief. i think about how padmé, as a senator, would have her own struggles and worries to face alongside stressing that her teenage husband wasn’t going to return from the frontlines. i wonder if she was able to talk about it when they met up, the same way we see her constantly listening to his ongoing turmoil— especially during the latter half of the war. or, maybe, they just sat together. two people charging head-first into different types of battles because they felt they had no other options. i have to do this.

[valentinafoxr]

movie date truthers we WON

[monkesupreme]

Maybe i SHOULD draft out my ‘Clark is a SuperPlant’ propaganda post

[chawliekin]

and if I said that dennis’ insistence on being the breadwinner/provider despite literally being a pampered princess who dgaf about traditional roles of masculinity in every other regard (aside from ego) is because his mom only stayed with/chose frank for his wealth and dennis is highly aware that he’s difficult to love and unable to show his emotions openly so he has to be contributing something to the relationship materially in order to feel like he’s worth staying for… and mac grew up with parents who were extremely ambivalent to him and eachother so he has to overcompensate by proving his worth at every given moment and seeking praise/validation from people (and religious icons) who will never demonstrate the same amount of dedication to him but he has no idea how else to desperately keep himself close to those he loves other than by eroding himself into something they’ll approve of… dear god they’re both exactly what the other needs — someone who can’t and won’t leave them even if they try — and they don’t even see it…

[ptieuca]

[pokimoko]

haunting the narrative -> haunted by the narrative -> haunting the narrative -> haunted by

[impulsivesuperrobin]

[rookisaknight]

Lrb relevant something about the way each brother is constantly reiterating their trauma in an attempt to subdue it.

Jacob, most direct and long-term recipient of their father's abuse, surrounds himself with people he's conditioned to become violent at the drop of a hat.

But its ok, because he controls the trigger this time.

Joseph, left abandoned by the splitting of their family, creates conditions for his new Family that are so untenable it's only a matter of time before any given member tries to leave him.

But it's ok, because being forced to constantly negotiate, gaslight, and threaten people into sticking with him makes him feel like he has power over his isolation this time.

John reliving his childhood torture every goddamn day, carving himself up when he can't carve up others and having his fear of damnation dangled over his head by his brother god. Constantly repenting, constantly atoning, never forgiven.

But it's ok, because he holds the knife this time. When you hold the knife, you get to say when it stops, and you get to extract sin from others rather than have it extracted from you.

[arthursfuckinghat]

"I was gonna say you're like a son to me.. but you're more than that."

"It ain't that complicated!"

How quickly that shoulder pat of comfort turned into a condescending one.

[hellyrossum]

you know in all the posting about irving and helly’s friendship after last ep, i haven’t seen anyone mention yet that he was one of the two people who first saw her, who watched her (through the screen, on the other side of the wall) as she woke up for the first time, confused and scared and burning with anger. and then he was the one who brought her back; he was the one she first saw (holding her in his arms), as she was confused and scared and freezing. he was there for her start, and she was there again just in time for his end.

[finalgirlsamwinchester]

guy who so desperately tries to find god. who wants to have faith in a higher authority to guide him out of the hole he's in. from the weight of guilt from simply existing, as the person he is. but every time he thinks he's answered his higher calling it turns out he's made the Morally Incorrect choice and his path to goodness and holiness was the road to the devil all along

[kacievvbbbb]

I think Shanks is generally comfortable to be the found one. Between the two of them and despite them both being generally nomadic and Mihawk literally having an island, Shanks is the home base he’s the constant that Mihawk seems out.

I think shanks is generally fine with letting Mihawk set the pace of their relationship. Unless they just happen to fall together on the same island (which happens a lot) Mihawk finds him when he wants/needs him and Shanks waits. Mihawk never gives him his vivre card (probably doesn’t even have one) for one and also Mihawk is just a capricious dude. His moods and whims are fickle and ever changing and he also just likes to be alone a lot of the time it’s better and leads to less volatile reactions if Mihawks’ the one doing the reaching if he has control over when his loneliness is abated. And this generally like most things especially involving Mihawk works fine for Shanks for the most part. Mihawk’s never gone too long and when he is the seas have a way of pushing them together before Shanks really starts to miss him.

And while Shanks doesn’t have Mihawks almost otherworldly innate sense of location he could definitely find him if he needed too. Follow this red string that binds them all the way back to him. (And obviously Shanks knows where kuriagina is) but aside from the occasional weekend on the island he generally doesn’t need too. Except…

I think the only day where Shanks actively seeks out Mihawk and finds him no matter whatever for it if the world he is in is the anniversary of Roger’s execution. The day where he feels most like that powerless fifteen year old boy and there’s nobody else from his past that he wants to see or wants to see him. When there isn’t enough booze in the world that will dull the sting of being left behind by everyone. When he thinks he might be consumed by his anger at it all. He crosses oceans to find Mihawk and his strange stilted, unpracticed style of comfort.

[modormouth]

FFVII x Bloodborne (𝖈𝖊𝖗𝖇𝖊𝖗𝖚𝖘 𝖔𝖋 𝖙𝖍𝖊 𝖔𝖑𝖉 𝖑𝖔𝖗𝖉𝖘)

Consider Vincent transforming into a visceral looking Bloodborne-esque Cerberus....