#i thought about a faith addition to this post but honestly

[rookisaknight]

Lrb relevant something about the way each brother is constantly reiterating their trauma in an attempt to subdue it.

Jacob, most direct and long-term recipient of their father's abuse, surrounds himself with people he's conditioned to become violent at the drop of a hat.

But its ok, because he controls the trigger this time.

Joseph, left abandoned by the splitting of their family, creates conditions for his new Family that are so untenable it's only a matter of time before any given member tries to leave him.

But it's ok, because being forced to constantly negotiate, gaslight, and threaten people into sticking with him makes him feel like he has power over his isolation this time.

John reliving his childhood torture every goddamn day, carving himself up when he can't carve up others and having his fear of damnation dangled over his head by his brother god. Constantly repenting, constantly atoning, never forgiven.

But it's ok, because he holds the knife this time. When you hold the knife, you get to say when it stops, and you get to extract sin from others rather than have it extracted from you.

[mareastrorum]

These are just initial thoughts, and perhaps I’ll learn something that changes my mind on it, but I’m glad to see Critical Role making the leap to their own subscription service with Beacon.

As a lead in: I’m an attorney that has some background in IP law, though it isn’t what I practice currently. I’ve kept in contact with several active practitioners, particularly those that represent small-time creators either in their own independent practice or via nonprofits. I do not have an extensive Rolodex of IP peers, nor do I spend the money to keep up on IP CLEs. I’m just someone who used to know a ton because I did heavy research and work in that space, and that hasn’t been the case for years.

So here’s my thoughts a bit on the IP angle:

The primary reason I’m happy to see this leap is that CR is taking active steps to keep control over its IP. It’s a boring thing to most people, but when I start paying attention to a specific creator (authors, directors, companies, etc.), I tend to be very attentive to how they use their IP. How freely do they license their marks to partner with other creators to make merch? How often do they allow others to make adaptations or derivatives of their copyrights? What is the quality of those products? What is the supply chain like? Are those third parties objectionable in some way? Were the other parties faithful to the original works or marks? Was this a cash grab or an earnest effort to make something worth the price tag?

Honestly, I like how CR run their business. They have a history of tapping fans and fellow small businesses when making new merch or spinoffs. They embrace the culture of fan-made derivative works, both by featuring fanart/cosplay and by sharing their success. Do you know how rare it is for a company to pay fan artists for their already-made and freely posted work and then sell books of it? Let me be clear: CR bought a limited license from each artist so they could print and sell each work in a physical book, then paid the cost of publishing that book with no guarantee that CR would make that money back, let alone profit. I have a copy of the collector’s edition art books: they’re actually very well made and the packaging definitely cost a pretty penny. That’s not a rainmaker idea, that’s genuinely risking financial loss to sell something people could access for free if they wanted to.

The art books aren’t a one-off either. Darrington Press is CR’s separate LLC for tabletop games. (It’s good business practice to split off companies that handle products in different industries.) CR has also made shows based on those games, and the Candela Obscura series has quite a dedicated audience. Everything about Candela belongs to them: the game itself, the rule book, all the art in the book, the web series based on the game, and merch. It’s so successful that they invested in scheduling a live show for Candela later this month. That’s HUGE.

Contrast that with the distribution of Campaign 1 and the first 19 episodes of Campaign 2. CR cannot host those videos themselves; Geek & Sundry still exists and still holds what I presume to be distribution rights (but I don’t have the contract to review). So G&S gets to host those videos on YouTube and reaps the advertising. I can’t speak to whatever share CR gets from that, but considering that CR is locked out of hosting their own copies of those videos, I doubt it’s much, if any, revenue. (If you’re wondering why CR just didn’t buy those rights back, I ask: what incentive does G&S have to sell something that’s making them money for no cost?)

Knowing that background about G&S, I was wary of CR choosing Amazon to host and distribute The Legend of Vox Machina. Originally, TLOVM was not the plan; CR had a kickstarter for an animated special based on C1. It was only because they blew past the goal that CR was able to make an entire season. The reasonable assumption is that choosing Amazon had to have secured CR additional funding for future seasons of the show, which seems evident from how quickly season 2 was announced, Mighty Nein Animated is also going to be a thing, and that season 3 of TLVOM is scheduled for fall 2024. CR had the option of just doing 1 season and keeping it purely in their control, but going with Amazon meant they could animate more of their works. Animation is expensive. I cannot stress enough how doubtful I am that CR would have been able to afford this many episodes and both campaigns if they had not gone this route. As wary as I was in the start, it paid off, and it’s going well—so far. Hopefully CR doesn’t regret that decision if Amazon tries something sleazy. But, as before, we don’t have the contracts and can’t know how secure CR’s position is if any dispute came up.

CR also partnered with Dark Horse Comics to make Vox Machina comics and Might Nein Origins comics. What’s especially surprising is that each of the cast had a hand in writing the MNO comics for their characters, with Matt listed for multiple. That isn’t very common with comic adaptations. Often times, IP owners let comic companies go ham with minimal oversight. Being listed as one of the authors comes with IP rights that have to be negotiated. That means that Dark Horse had to talk with CR about whether that warrants more or less revenue going to which party in exchange for that—or, alternatively, whether the comic gets made at all. That’s a ballsy move. You think people can just demand to write the comics that a publishing company is going to pay to print? Pffft. CR wanted some creative control, and that is a big ask. However, Dark Horse still has the distribution rights, both digitally and for physical copies. You couldn’t buy the comics from CR until they came out with the library edition, a book bound compilation of 4/8 comics. But the publisher is still Dark Horse; CR is just allowed to sell the book directly from their own site as well.

Contrast that with the novels about CR characters. CR partnered with Penguin Random House to publish novels about Vex and Vax (Kith & Kin), Lucien (The Nine Eyes of Lucien), and Laudna (What Doesn’t Break). Liam and Laura were vocal about having some say in K&K, whereas Madeline Roux said in an interview that she had full control over TNEOL. Both of those novels were narrated with CR voices, but narrating a book doesn’t come with IP rights, it just brings in a paycheck. There’s a lot less IP control in there compared to the comics, but this isn’t abnormal for book publishing. To be blunt, I doubt PRH would have agreed to publish the novels if anyone from CR had been a co-author or had heavy oversight over the author or the editing. I don’t think PRH even considered that as an option. Either an author that has already managed to sell X number of copies or nothing. Creative control over a book a huge ask, asks come with reduced revenue, and switching to books from a web series is already a leap. The fact that Laura and Liam had any say is surprising, really.

That was a long meandering tour of what we’ve seen CR do with its IP. The reason I bring up each of these things is that navigating the way to protect an IP in this space is rife with challenges. Different types of IP warrant different strategies because of the cost involved in creating each medium and the challenges placed by industries that have already sprung up around them. Any time that a third party is tapped to create an IP, it’s usually because they already have the funds and resources to create the work, and CR has to negotiate for revenue, creative control, distribution, and—the big one—who gets to be the owner. These are not easy, quick, or fun conversations, and CR is always going to be the smaller company at the table.

Knowing that, I’m not surprised or worried that CR is creating its own independent subscription service with Beacon. It tells me that they’re being careful with their IP whenever they can. A subscription service means they don’t have to trade away distribution rights or give up ad revenue to a third party. They’re in this for a long term investment, and that requires solid income not tied to third parties that can definitely outspend them in litigation in the event of a dispute. A subscription for bonus content is one of many parts in a diverse revenue stream.

(All that said, this isn’t meant to criticize creators that cant afford to do this type of thing. It took 9 years for CR to get to the point where Beacon is financially feasible and a desirable business decision. They have enough ongoing, popular content to warrant paying for a subscription, and they’ve built sufficient trust with their audience that more will be added. That takes time and an awful lot of money.)

As a final note, I take this step as a sign that CR definitely intends to stick around. This isn’t a move people make when they plan on ending the business after the current campaign. I’m glad to see CR is taking steps to secure their foundation and keep making new content.

I’m sure people will chime in on other issues (cost, content exclusivity, etc.), but I hope my perspective gives an idea of why this sort of thing is good for business generally and why it would be good for CR.

[doberbutts]

Saw in one of your transition timeline posts that you got taller on T and was real curious since that’s a really rare experience. Do you think you just had the dna for it/height range in your family ? Or were you surprised by the change?

In addition: do you have any other ways you’ve tried to transition physically other than HRT? Like do you use minoxidil / work out more than you did and stuff like that. Pseudo medical changes that don’t get talked about often are always interesting to me.

If I’m too nosy feel free to leave this in your inbox. Just hope you know I’m asking in good faith! Also I always appreciate you on my feed man. Good takes plus good selfies AND good dogs makes for a pretty damn good blog you really cracked the code on that one

Honestly I didn't expect to get taller at all and in fairness it was a fairly marginal amount (2in) BUT a couple things to consider:

I am intersex and began puberty at 6ish, had C cups by 7, and had my first period by 10. That is VERY early and likely accounted for my relatively short stature compared to the rest of my family, which brings me to my next point

My entire family is filled with people who are 6ft tall at minimum and I am one of only ones that never hit 6ft. And while that's not so unheard of, I think it also has a lot to do with my height gain. My biological sister is over 6ft tall. My father is over 6ft tall. My mother is almost 6ft tall. My aunts and uncles and cousins are largely over 6ft tall. The shortest of us is my adopted sister (4'9"), genetically my cousin, whose mother is over 6ft tall but her father was just over height of legal dwarfism (5ft even), so it makes sense that she's a little smaller. I was the next shortest at 5'8" which isn't really that short but seemed noticeably small when compared to the dozens of 6'2"-6'7"s of the rest of the family.

I think that also had something to do with how long it took to recognize that the early puberty did have an effect on my natural growth, because of course no one thought it was strange when I'm over the average height of a cis woman anyway... but then when compared to the rest of the family, my doctors quickly realized that I'm the odd one out and probably for a reason.

So while I was surprised by the change, it was more the fact that I started HRT at 30 and nearly 20 years post-puberty and less that I actually gained height. Like, I figured if I had started T when I'd wanted to at 13, I probably would have gotten taller. Maybe even that 6ft range the rest of my family's in. But I thought my height was simply my height when I did actually start T almost 2 years ago, so realizing one day that hey wait a second I'm actually taller was a pleasant surprise.

I am not on any other sex hormone supplement. I did start a cholesterol medication and change my diet when T made my cholesterol jump, mostly at my doctor's urging, but that wasn't a surprise because both the men and women in my family have cholesterol problems. I also expect to be diabetic at some point for the same reason. I don't work out, but I am more active on T, largely because it fixed a lot of my joint pain and chronic fatigue and blood pressure/heart rhythm issues. And just this month I started an inhalant steroid for my asthma, but I don't think it would have any effect on height as that's mostly just to make sure I can actually breathe during allergy season.

I'm not bothered by these questions at all. Ask away!

[lemonhemlock]

I want to discuss why Criston having sex with Alicent is different.

Sex with Rhaenyra was about her sexual pleasure. It was about scratching that itch, which Criston is not for. He has a different view of sex. The act with Alicent has passion behind it. It's about two lost souls uniting and finding comfort in each other. So no he's not a hypocrite for not wanting to have sex with Rhaenyra. There's a deep emotional bond of devotion between the two.

He's allowed to feel used by Rhaenyra but be all Take Me to Church with Alicent and her WAP.

I won't touch on other points of why they aren't hypocrites for doing the devil's tango, as there are a variety of posts that articulate that but I have yet to see someone bring this up.(if they have good for them, great minds and all). Targaryen dick riders have a fucked up way of discussing SA and consent. That's all I'm saying that. (disclaimer this is not aimed at those who enjoy the Targs for being a fucked up dynasty and find them fascinating but those who think they are gods cause there's a difference.).

Welcome back, coffee queen! ☕Hope you're enjoying the new season 🫶

Love this take and your lexical choices crack me up!! I think that, at one point, Criston was a bit of a playboy, as he does explain with his own mouth that he's had dalliances in the past, but most of my thoughts on that I've put into this post here (so as to not repeat myself). Also this addition here. But, I agree that, fundamentally, Criston has had years to develop his feelings for Alicent, whereas, during his affair with Rhaenyra, he was a young man in awe of a pretty fairy tale princess. So it would make sense why his connection to Alicent would be deeper and more meaningful by now.

Also! People are allowed to "break up" and then get with someone else!

Haters forget that he can be legitimately upset at Rhaenyra not just because she unknowingly placed his life in danger, but also because she was so callous about it. She was proposing that they have occasional hook-ups, whereas he was ready to be very serious about her. So there was this disproportionate emotional involvement in their affair where Criston was risking a whole lot for someone who didn't really care for him, while Rhaenyra wanted casual sex and risked a slap on the wrist for it.

In any case, they quarreled and parted ways. Honestly, the reason doesn't even matter as much - who hasn't broken up with a bf/gf at some point over some dumbass reason, left and never looked back?* Are they supposed to hold a candle over that past relationship forever (regardless of how "legitimate" the grievances were)? The Dance of the Dragons didn't happen because of anything Criston did to Rhaenyra in revenge, she made a lot of bad political decisions herself to compound on the succession crisis engineered by her father. He is allowed to cross over to Alicent and "support" her side if he wants to; it's not the reason Rhaenyra got into trouble.

Not to mention that, after his mental breakdown and freaking suicide attempt, he's had years to contemplate the question of what being a knight and breaking one's vows means and what he boundaries he would be comfortable crossing. The Criston who's that's that me espresso with Alicent isn't the same Criston who slept with Rhaenyra and had a crisis of faith in the aftermath. He knows what he's getting into and he actively chooses to do so, isn't just put randomly in a situation from which he can't extricate himself.

*EDIT: Not that Criston's reason was dumbass, but even if it were, he's not beholden to being sexually available to Rhaenyra forever just because they fucked one time. (I feel like you have to include disclaimers for every gosh darned thing on this website). And the fact that Rhaenyra stans don't understand the concept of consent and how much it colours one's experience is just.... 🤦‍♀️

[insipid-drivel]

Horses: Since There Seems To Be An Even Wider Knowledge Gap Than I Anticipated

...And actually find it really exciting that I have a reason to expand and address some comments and questions from my first post!

This is a sequel/addition to my original post, "Horses: Since There Seems To be A Knowledge Gap". I want to address more horse-related knowledge gaps, common misinformation and mistakes made by well-meaning and very skilled creators that wouldn't know otherwise unless they worked with horses directly. You should not have to work hands-on with horses to learn some of this stuff, but the fact remains that horse facts and riding knowledge is often underdiscussed and usually only shared by other people that work with/around horses. A lot of this information should be within easier reach for writers and artists, too!

Before I begin, I'd like to thank all of you that politely reached out in the comments, tags, and my DMs/asks with your thoughtful additions to details I forgot/left out/hadn't even considered, and your brave questions posed to me personally that I was more than happy to answer. I'm truly thankful to all of you who contributed with a positive energy, or that had the courage to reach out to me - the OP - with questions my first post didn't manage to help you with. I will never punish, shame, or otherwise mistreat anyone who comes to me with an earnest question or correction in good faith, anonymous or not. If you're polite to me, I will be polite to you. I will try my hardest to answer questions I may not have much experience with, but I will still do my best to research the answers so you don't have to, and tag/cite/refer you to people, books, or other knowledge sources that have more answers and experience than I do if I can't.

So, what more is there to know about writing and portraying horses? I'll just get started off the top of my head with some of the most frequent additions other tumblr horse folk have been hollerin' at me about, and with good reason, because you guys were right to point out what you did and really got me thinking!

-Spurs: My Second Take. In my original post, I voiced my personal distaste for the use of spurs in riding. Spurs, for those who don't know, were traditionally made as sharp metal pinwheels that attached to the back of riding boots for enhanced communication between the rider and the horse, much like how riding crops are used. I, personally, have had a lot of bad experiences seeing riders misuse spurs to hurt horses that I cared for as a stable hand and genuinely loved, and so I've been very shut down about the topic of spurs for many years.

Several people spoke up in defense of spurs as riding and communication tools, and I honestly believe that you guys were very on-point and made some great arguments: Spurs are only as harmful to horses as the intent the rider has in applying them, and I didn't have enough updated information about the different types of spurs that can be used nowadays that are not designed to be sharp or uncomfortable for the horse! I always grew up around traditional Cowboy-style spurs, which are sharp, stabby, star-shaped wheels, and can wound a horse and draw blood if used too aggressively. Tragically, most inexperienced and newer riders will use spurs too forcefully and wind up hurting the horse, and it's largely because new riders are inherently scared of riding, and over-rely on tools like spurs and crops rather than trust the horse to know what it's doing and be intelligent enough to know how to care for a human rider's safety.

Now, I've since learned that there are spurs with rubber wheels, blunted tips like those on the ends of safety-fencing foils, round metal bumpers instead of spurs at all, and even spurs that sport rotating metal balls that just feel (to the horse) like someone rolling a large ball-point pen over their sides, and more! So, to those of you that spoke up in tags and comments, thank you for doing so in a way that got me to open my own mind and check myself and my bad memories. You guys taught me something really cool and valuable that genuinely changed my perspective and opinions, and that's a really good thing!

-A Group Of Zombies/Unarmed Humans Can Take Down A Healthy Adult Horse. This is specifically aimed at The Walking Dead, but... yeah, you know the second episode when Rick rides a horse into the zombie-overrun Atlanta and the only way he's able to survive is when the zombies are distracted taking down and eating his obviously-jello-and-rubber horse?

Yeah, no. That is not how it would happen. At all. I think any biologists in the audience would back me up on that.

See, horses are prey animals, and they are herbivores. We're often used to thinking of herbivorous prey animals as shy, retiring, vulnerable animals that will simply keel over and die of fright when cornered by a predator. In reality, the opposite is often the case! Predatory animals tend to be much more shy, and much more cautious with their physical safety and wellbeing than prey animals tend to be, and that's usually because predators need to be able to remain uninjured and able-bodied enough to hunt again later, or else they and their babies may starve to death. Prey animals, especially herbivores, have evolved to deal with being hunted, and inherently don't need to be quite as healthy and able-bodied as a predator in order to avoid starving in the wild. Grass and leaves don't run away or try to fight back (unless it's like, poison oak or something), so an herbivore can generally recover from more environmental beatings than a predator typically can.

When cornered, horses very often only understand one thing: Murder. That's why you need horse whisperers and stable hands that know how to "gentle" a panicked horse as essential personnel at boarding and teaching ranches. While a horse can absolutely love and adore even the smallest of children and never harm them (at least intentionally - accidents happen), they can and absolutely will kill in order to defend themselves if running isn't an option. Horses can kick with up to 2,000lbs/907kg of force with their back legs. That's enough to break bones, shatter skulls, insta-kill grown men, and if you're kicked in the chest? Cause spontaneous cardiac arrest. Horses kick so hard and so fast they can literally make your heart stop from the speed and force of the impact alone: not from tissue damage. Horses will also paw and stomp with their front hooves until the Threatening Thing is effectively a mincemeat pancake, bite hard enough to take off fingers and hands, and can even cat-jump into the air off all four hooves in order to kick outward with all four legs at once. Spanish cavalry officers traditionally trained their horses to cat-jump on command in order to prevent them and their horse from being surrounded by footsoldiers in battle.

Horses will also use their body weight to roll, crush, scrape, and flatten anything or anyone that they don't want holding onto them. They will use environmental objects like trees, fences, or the corners of buildings to scrape unwanted hangers-on off into bloody smears (my mom's horse actually did this to a guy twice and he wound up in the ER with severe lacerations, bruises, splinters, and worse). Basically: a horse will use its entire body and the weight that comes with it as well as the entire world around it to fucking OBLITERATE anything they see as an unavoidable threat to their safety.

Without heavy-duty ropes, weapons, or tools, a group of adult, living, human men the size of football (the fake kind) linebackers wouldn't be able to successfully wrestle a fully-grown, panicked horse to the ground, much less a bunch of undead, mostly-decomposing zombies that only know how to bite and scratch. The horse Rick is riding on looks like it's probably a Quarterhorse, too. Quarterhorses are very sturdy, moderately-sized breeds that are also the iconic Cowboy Horse. They're tough, they're brave, they're hearty, and if they snap, they can and will kill both other animals and humans.

A horse's skin is so thick and tough that it's virtually impossible for a human to successfully bite or scratch hard enough to puncture through their outer dermal layers. As stable hands, a regular tool we use for getting mud out of a horse's hair is a literal metal wire brush that can rip open our skin if we try to use them, but the horses lean into them without even a hint of damage to their skin from doing so. There may be some tiny welts and a little bit of blood if a human tries to claw and bite at a horse, but horses do far worse to each other when they're just playing! Our fingernails and jaw muscles just aren't strong enough to do much damage to a healthy horse's skin.

-Horses aren't domestic animals.

...Yes they are. But just like other domestic animals, there can be wild populations of them that have had little or no human contact or intervention. Genetically speaking, however, horses are indeed domesticated. They're large domestic animals , but they are very much domesticated. Humans have been working alongside horses for at least 6,000 years. Domestic cats have only been domesticated for about 10,000 years. Truly wild horses in herds today, sadly, are pretty much 100% descended from domesticated horses. The recently-reintroduced-to-the-wild Przewalski's Horse is probably the closest genetic link to the original wild horses native to what are now modern Mongolia and Kazakhstan. Even the revered American Mustang is the product of domestication and planned breeding practices by both white colonists and Indigenous Americans over thousands of years, but Indigenous Americans were capable of maintaining a healthy balance between their personal horses and the essential need for herds of wild horses for the environment, too. White colonists did not understand this and intentionally stripped the North American frontier of its herds of wild horses, and are the primary reason the Mustang is only recently reappearing in wild herds in North America.

Sheep are domestic animals. Cows are domestic animals. Goats are domestic animals. Just because an animal has hooves and doesn't usually live in your house with you does not mean it isn't domesticated: You've just never had to live in an environment where they're essential to daily life or considered welcome companions, so they seem more like wild animals than cats and dogs. Hundreds of years ago, before modern building techniques created houses that could stay sustainably warm year-round, it was very normal for families to bring in cattle as large as horses and cows into their homes and sleep in the same rooms together for security and warmth, dookie and all (horse and cow poop doesn't smell as rank as dog or cat poo; they're herbivores, so it just doesn't smell as foul, and happens to make very good fuel for the fire). We don't do that anymore for health and safety reasons, and so horses, among other farmyard and "rural" domestic animals have become increasingly alienated from most people's psyches as being animals just as capable of being pets as your dog or cat.

-You can calculate how long a horse can run or work every day. This one is largely in response to some well-meaning questions I got from anons that seemed to want me to give them precise hourly work rates and mileage horses can tolerate. I was frustrated by questions like this, because it's a really cool subject to discuss, but not an easy question to answer. Horses are not machines, and "horsepower" is a unit of measurement derived from horses - not applied to them. "Horsepower" is a term used in machinery like tractors and cars. The total horsepower of your average horse is... well, 1, because that's how many horses a single horse can be without getting into some Welcome To Night Vale shit, which I'd love to do, but is a bit too far off topic for this particular post.

A horse's capacity to work or travel is heavily determined by outside factors, as well as organic factors in regards to the individual horse. How old is the horse? How heavy is it? How heavy is the rider? Is it also carrying cargo, like armor and camping supplies? Is it working on a farm and pulling a plow? If so, what quality is the soil? Has it been plowed before? Does the farmer own more than one horse? Is it hot outside? Is the horse going up and downhill? Is it fly season? Is the ground rocky? Are there burrowing animals in the area? Is there clay in the soil? Did it rain recently? How well-kept are the roads? Are there roads to use? What time of year is it- Aaaaaaah!

Ultimately, the answer is: A horse can work as long as it's willing to, and as long as its owner/handler judges is safe for the horse. A horse may be able to pull an old-fashioned plow through well-tilled soil for most of a cool morning before needing a break to cool down, eat, and rehydrate. It takes the judgment of the person commanding the horse when to call for a break or a full-stop to working for that horse by observing how tired it is (is it panting? Sweating? Slowing down? Are there any signs of strain in the hooves or legs?) or if it's in any way injured or in pain. The same applies with traveling long distances: It's up to the rider's judgment and how forgiving the environment is on the horse's body. In some cases, a riding horse may not be able to be ridden safely if the road is too treacherous or uneven for the horse to handle balancing its own weight and the rider's. In those cases, it's better for the rider to get off the horse and gently lead them through the bad terrain until it smooths out.

Also... horses can just... choose to quit. Some are quite sassy or very clear about their boundaries, and if they don't feel motivated or get too bored, they won't cooperate at all. The only way to deal with this is by letting them go do their own thing in the paddock until they decide they wanna cooperate again. Abusive people my try to whip or spur a horse into working past its limits, but humane people just let the guys take a break.

-Two adult people can ride on the same horse for a long time. GOD NO. PLEASE GOD NO. DO NOT DO THIS. PLEASE DO NOT EVER, EVER DO THIS.

Horses can only safely carry a maximum of about 30% of their total body weight on their backs without risking severe spinal damage, if not a broken spine altogether. A Thoroughbred - the iconic racing horse - typically maxes out at about 1,000lbs total in weight as an adult. Thoroughbreds are fairly tall compared to other fast, hot-blooded horses, like Arabians. That means that, at best, a perfectly healthy, not-too-old, not-too-young Thoroughbred horse would not be able to carry a total weight of more than about 450lbs, including the weight of its saddle and other tack, supplies carried by the rider, armor or other gear worn by the rider, and the impacts of gravity and the shocks of the rider's weight on the horse's back when it's moving at any speed. In the vast majority of cases, two adults cannot safely ride on the same horse for more than a very short distance before the horse enters the danger-zone for suffering severe and permanent spinal damage that can result in euthanasia. An adult carrying a baby or toddler is different, but two adults? Please don't. Please. Even if you're getting married and the owner of the super-huge pretty draft horse you're renting to take a gallant shared ride with your spouse with for pictures that reassures you it's fine, do not do it. Please just rent a carriage or pay extra for two horses. Please.

-A paddock with grass is all a horse needs to meet its nutritional needs. If that were true, horses would still be kept as pets more commonly around the world than they actually are. Unfortunately, to really thrive in the wild, horses need hundreds, if not thousands, of hectares of territory they can freely travel around in, while most paddocks are rarely larger than 10-20 acres when you're not talking about generational wealth or land. One of the reasons domestically-raised horses are almost entirely dependent on humans for food is due to the restricted spaces they're kept in. Grass only produces nutrition when the soil itself is fertile, and we humans don't necessarily have the natural ability to sense when soil is too nutrient-deprived for the plant life growing from it to be enough to provide just one horse with the vitamins and minerals they need on a daily basis to be healthy.

Another fact largely lost to history is that, back when most families had to farm to survive, farmers would store green leaves from various healthy and tasty trees and bushes in the boughs of other trees within their cattle paddocks and fields. By doing this, it kept large amounts of pests like rats from infesting the leaves, and keeping the cut branches and leaves stored within other leafy trees actually kept the greens fresher much longer than if they were stored on the ground or in a storage room. Horses would then graze from the leaves in the trees above their heads as well as the grass.

Stable hands and private owners keep rigorous dietary routines tailored to the needs of each individual horse. We're usually up and feeding the horses by dawn at the latest. The horses are usually given a few scoops of oats (not too much, because oats bloat up when they absorb liquid, and too much of that can give a horse colic), carrots and other vegetables for extra vitamins, salt licks (which are infused with extra minerals like a giant multivitamin), and even vitamin tablets/powder that goes straight into their dinner hay or alfalfa. Vets are essential for evaluating a horse's specific nutritional needs, so horses can actually get "prescriptions" for specific ingredients in their regular meals given to us from licensed large animal veterinarians, and not just a wealthy owner's best guess.

-Horses can throw up. Nope! It's not even physically possible for a horse to spit up food! That's part of why stable hands and owners have to be so careful in maintaining a regular, stable, healthy diet for their horses and keep their pastures and paddocks checked for toxic substances like poisonous plants that a horse may not know is toxic, or notice in the grass it's munching on.

Because they have such long necks and tall legs, horses need special muscles in their upper GI tracts in order to graze and drink water without constantly choking and fighting gravity. By having an esophagus that's one-way-only, as well as a muscle that clamps their stomachs shut at the top called a French Tie, horses hold down anything they swallow, even if it's enough to kill them.

-Horses are the best farm animals for a pre-industrial setting. Goodness no! Not at all! In fact, horses didn't start really replacing oxen on farms until the dawn of Draft Horses in the Victorian Era in the West. While many Eastern countries still retain the use of oxen for farming, Western European farmers fell prey to what we all dread: Peer pressure.

When Draft Horses started to appear in the scene in formal horse fancier associations, they were readily advertised as being excellent replacements for oxen (neutered male cows; so, a bull that has no balls). Oxen can be very stubborn, yet affectionate animals, and newer farmers often struggle more with handling oxen compared to horses. The Victorian Era saw a small boom in private farms, and so there became an increasing demand for "easy" farm cattle for newbie farmers to employ.

The other factor that played into horses replacing oxen in Western farming was clout. Horses are more expensive than oxen and generally seen as more prestigious to own. So, farmers often wound up "upgrading" from oxen to horses when their financial means allowed them to. The problem was that, in order to do the same amount of farm work with horses, you need more horses to replace exhausted or injured horses throughout each working day compared to how many more oxen you need to swap out throughout a day of heavy labor. But, nonetheless, horses took over for being "more trainable" and "more intelligent" than oxen (admittedly, oxen can be trickier to work with, but that does NOT mean that horses do a better job at hard field labor), and the Western oxen training industry has almost completely gone extinct.

Really, oxen do a lot better at extremely heavy jobs like tilling and plowing soil for growing crops and hauling large, heavy weights. Because oxen have cloven (two) hooves, they're a lot better at gripping the terrain and avoiding injury to their feet when they're working hard at awkward angles or on rough terrain. Oxen also pack on a lot more muscle and fat around their entire bodies, and so they have fewer vulnerable zones that can become irreparably damaged from exerting a lot of muscle power. Horses, only having a single hoof, can be rendered completely incapable of working or even running just from fracturing a hoof or stepping on a sharp object, like a nail.

-Any leg injury means instant euthanasia. No! No, no, no! There are lots of ways to treat a variety of injuries and illnesses that present in a horse's leg or foot. Especially nowadays, thanks to advances in all forms of prosthetics and 3D printing, horses are euthanized less and less for increasingly severe leg injuries courtesy of prosthetics and mobility aids! Some advances have been made so far that a horse that loses the lower portion of its leg can live a healthy life with a prosthetic!

Don't believe me?

Even in history, there have been treatments for leg and foot ailments for horses used before any talk of euthanasia is brought up. Remember: horses are often beloved service animals to people, today and a thousand years ago! Would you jump straight to euthanizing not only your best friend, but your primary mode of transport, as well as your extraordinarily-expensive ESA?

It's only in cases of severe breaks in a leg bone that injury-related euthanasia is discussed for a horse. Smaller fractures and hoof damage can actually be treated and healed, especially with modern veterinary science, and some fractures can be so successfully treated that a horse can return to riding and competing after recovering!

-Bits are cruel.

Look. There's one person that raked me over the coals in the replies for being ignorant in espousing bits as essential parts of a horse's bridle. I know who you are, and honestly, I feel the compassion you have for the animals... but you're still sipping a little much from PETA's kool-aid and did not convince me over to your side.

Yes, there are bridles that do not require bits to control a horse's head and communicate with it. Yes, there are riders that prefer them, and there are horses that can only be ridden with them due to bad experiences with bit-training or past dental problems. No, it's not cool to tut your fucking finger at me and call me ignorant when I assert that it's a very normal, standard part of tacking up and riding a horse, and the worst a bit can do is pinch the corner of a horse's lip or tongue if you are a jerk with your rein-etiquette. There are bits, just like I observed with spurs, that are specifically designed not to hurt or cause any distress to the horse, so if the person that dumped on me in the last post reads this one: Calm the fuck down and go take yourself on a walk along with your horse. Have an apple. You've clearly been in your stall too long.

As I was saying: Yes, there are different kinds of bits that are specifically designed not to harm a horse. Sometimes horses with smaller mouths or wrinklier lips (it's a thing) can have a hard time with specific bits due many of them sporting hinges where they wrap around out of the horse's mouth and connect to the bridle. This can be easily addressed by switching to a different kind of bit that's less harsh and more flexible for the sake of a horse's comfort, or getting rid of a bit altogether and swapping to bitless bridles. Ironically, I've met horses that actually stim with their bridles; they play with the bits with their tongues when they're excited before an event, kinda like they're grinding their teeth.

And yes, some horses can still have bad sensory issues with bits, and can need bitless bridles, and that's okay! The important thing about bridles in general is that they're the primary way a rider can communicate with the horse's head and show them where they want to go. As with riding, horses tend to go in the direction their heads are facing; they don't usually walk while looking sideways, but rather stand still to look sideways before turning back to the direction they want to go in to walk or run. A lot of riders are taught the phrase, "Head like a princess, hips like a whore," as a reminder to keep their hips loose and moving with the horse, but their heads focusing on where they want the horse to go, rather than looking at the scenery. Most riders, even those that are very experienced, can get distracted and accidentally put a little too much pressure on the horse's bridle and side in the direction of where they're looking, and that causes the horse to go off course, too.

-Horseshoes are incredibly painful and must be replaced only when absolutely necessary. Not at all! A horse's hoof is basically like a gigantic fingernail. While the inner core of the hoof, which is typically concave with a V shape in the middle and needs cleaning by stable hands on a regular basis to keep gunk, debris, and dangerous stuff like nails out of their feet is vulnerable to pain and injury, the rest of the hoof is literally a giant fingernail! A ferrier specializes at grooming a horse's hooves and trimming them so they don't overgrow (which can happen if they spend a lot of time on soft surfaces like grass), and many ferriers also specialize at setting and replacing horseshoes. A horseshoe specifically sits around the outer edge of a horse's hoof - specifically where a hoof is least sensitive and most likely to split or become damaged while riding and lead to infection and pain later - where the horse has no nerve endings. The nails that go into the horseshoe to hold it in place are actually very short and narrow at the tips, and only go into the solid nail a couple of inches into that same nerveless outer edge. The shortest horseshoe nails I've seen used are only 1.5 inches, or 4cm, and the largest around 2 inches, or 5cm and the worst a horse feels when a shoe is being set or replaced is a dull thudding from the tapping of the small hammer used to set the nails. A horse can literally go right back to business after their shoes are fitted, although a ferrier may recommend having them spend some quiet time in their stall for a couple of hours to really make sure the shoes are set properly and the horse is comfortable if something like a trip caused the original shoe to come off (the technical term is "casting a shoe").

My evening meds are kicking in, so I'll stop this very, very long sequel here.

As before, feel free to send me asks with more questions. I'm sure there are even more things I'm too sleepy to remember right now, and this post is running incredibly long.

[corviiids]

THANKS @kimdokjafan you are so kind and generous. ok im cashing in the first of three blank checks to talk about faith trust and pixie dust (most recent chatfic) because the last two directors commentaries were too serious so let's do a silly one.

some p5r spoilers, and this is mostly about sumire, and it's long again. do i need to keep disclaiming that these are long? you should know me by now.

i had this written for a while before i started formatting it because i wasn't really sure if i should post it? i feel like silly chatfic is something people go to for predominantly lighthearted nonsense so i was like, maybe there's too much plot and dramatic misunderstanding and i should just keep this one for myself. but then i was like well nothing matters and maybe someone will have fun with it. it's kind of terrible how much fully or mostly completed fic there is my docs that just doesn't see the light of day lol. write for yourself etc but i like sharing! too bad it comes with the mortifying ordeal etc. anyway that was a tangent

potato counter is a neopets game. there's no deep lore i just like neopets. i guess in this universe ryuji doesn't play neopets? or maybe he's just never played potato counter specifically. i also have a different fic where ryuji DOES play neopets. it's about neopets and ryuji and goro talking on neopets.

i think this might literally be the first time ive written sumi in a fic because i haven't actually written that much fic for royal, like, now that im looking, literally almost none? and none that had a group dynamic. so it was kind of fun to find her voice for the first time in a silly groupchat like this. i was worried people would find her exclamation marks annoying but i personally thought it was endearing so i added it in there.

every time i do a gag where a character corrects their own typo i have to code more stupid little bubbles to make it happen but i think it's worth it. all the effort that goes into making tgis look as much like a real chat as possible

this obviously doesnt take place in the canon p5/r universe, but im imagining sort of a postcanon sumi personality where she's more comfortable being herself and isn't borrowing kasumi's brand of confidence, but she's visibly a really anxious person without that kasumi veneer. i also think in this universe sumire is a fairly recent addition to the friend group, and while everyone likes her a lot and she really likes them, i kind of wanted to emphasise that feeling of being in a friend group where everyone's established and you're sort of a plus-one? you don't really fit yet. part of that is her being new, part of it is her anxiety, part of it is just the kind of person sumi is where she's so polite and self-conscious she ends up taking herself out of things with her own good intentions. stuff like her interrupting the flow of an existing conversation by greeting everyone instead of jumping straight in because she doesn't feel comfortable inserting herself, which means everyone else stops to greet her even though that doesn't normally happen in a friend group, or making a point of thanking everyone for being invited to events while the others take it as a given.

idk i love that she feels a bit out of place with the phantom thieves in p5r. and part of that is a natural consequence of being a new addition in royal who can't be naturally integrated with an existing dynamic but i honestly feel like the writing team realised that and acknowledged it, and really leaned into it, and that made it work incredibly well for me. like, it's part of her character that she's sort of an outsider. it's not like p4g's incredibly clumsy integration of marie and subsequent attempt to shove her down everyone's throat as the canon love interest in p4ga (knife). sumi has that outsider vibe on purpose and it makes me really like her dynamic with the thieves as an individual

goro also feels slightly out of place in these chats, but his conversational style blends more naturally with the other thieves at this point and he even uses their codenames sometimes. i keep saying my chatfic series isn't a real Series because the lore keeps changing, but if we accept that they're all kind of following a General Continuity, assume this takes place some time after the last fic in which ren added goro to the groupchat and they made an effort to integrate him into their friend group. he's kind of there now and has settled into being the weird boyfriend. that's his role.

every time goro says something like "ren and i" assume it's the text equivalent of him talking to the group with his arm around ren's waist.

ok i got really fond of this silly running joke where sumi brings up the weather when she's feeling uncomfortable. she's so polite. i like this thread because setting it up meant i got to tie it off like this:

this just made me happy lol i liked writing this. i tried to use it to demonstrate that despite goro's abrasiveness he obviously knows sumire pretty well, he's attuned to her quirks and knows how to tell when she's having a bad time with her anxiety, so he uses her little weather habit to ground her.

i honestly dont think goro and sumire could be considered close in p5r and as much as i like the "royal trio" in canon they're not really... like... friends? with each other? they're both attached to ren, so it' more a V shape than anything else. but that said, i really LIKE goro and sumi's canon dynamic. he takes a really grouchy but politely attentive supervisory role to her during their few forays into the palace as a trio where he doesn't really know her well but clearly identifies her as a harmless little tryhard who needs some guidance and steps into that role grudgingly, and she immediately looks up to him despite being very wrong footed by his ruthlessness, which i find incredibly charming. i think given time they could be good friends, they just didn't get much chance to know each other very well in canon. so i tried to kinda do that here.

once goro stops being evil and joins the group they all kind of tiredly accept that his role is to occasionally push a cup off a bench while smirking and refuse to clean it up. emotionally, i mean.

wait i need to backtrack chronologically to talk about akeshu.

in this scene they're in the same room lol talking and snickering while typing. im trying to get at that vibe of the annoying couple who is flirting with each other, via you. you know? like ostensibly they're talking to you (sumire) but everything they say to you is part of their stupid game. sumi is incidental to goro and ren teasing each other about flirting with someone else, goro is reporting everything ren says because his boyfriend is so eye-rollingly foolish in a cute way. they're very tickled by how amusing and charming they are. gross. disgusting. sumire im so sorry for putting you through this

anyway here are too many of my favourite jokes from the fic

[thelovetheystole]

I was looking at some of my older posts and came across this one, about how many newcomers on the show have already come and gone in the last 5 years:

I thought I might as well add on some more characters that's been lost during that timespan, and which new additions actually stayed.

First, we lost the Dingle matriarch in Lisa, then the show waited just a few short years to also kill off the other one, the fabulous Faith.

We also lost the last male Sugden and Diane as well, the last Barton brother, Eric's only child, Amelia's only relative in the village and the Sharma patriarch. Gabby's mum, Cain and Charity's daughter, Jai's sister and long standing character Harriet.

And since that first post I made, Rose has also come and gone.

(I do understand that many of these actors quit on their own accord, and some were perhaps meant to be shorter term, but others were taken off guard and several were killed off with no way to return. And often not the right ones.)

Then we have the younger generations. Liam's only child, the person closest to Aaron, and Bob's son, all killed off, and they wanted to do the same with Sam's only child, but ended up going with prison instead. (Very creative!)

Two Sugden kids gone, Eric's two grandkids, and the son of Mackenzie, who really wanted to be a dad.

And don't get me started on the fact that all three of these men here were killed (in a row) instead of ending up behind bars where they belonged!

Going only from my scattered brain, these are the new characters from 2019-ish to now that actually remain on the show. (Mandy of course was a returning character.)

Honestly, I don't see Ella sticking around for a lot of years. Unsure about Gail and Suzy as well, but the others are probably here to stay for the forseeable... Wendy just won't go away, and neither will Bear...

Let me know if I left anyone out! (I'm sure I did.)

[a-humble-bagel]

 so i finished good omens season 2 a couple days ago and i have a lot of thoughts about the ending, and how i’m not a big fan of the coffee theory. i think that aziraphale’s decision at the end of the season was actually very in-character, and i honestly love how that ending showed a key difference between aziraphale and crowley, so now im going to explain why i think that. 

(this post ended up being about 1,800 words long, so if you don’t feel like reading that much, than just skip to the conclusion/tldr at the end :] )

the last ten minutes of season 2 absolutely ripped my heart out, but i think one of the worst parts is that it honestly feels completely in character for aziraphale because unlike crowley, aziraphale never lost faith in the system. in season 1, for example, he consistently tried to go through the system to try to stop armageddon, even getting to the point where he decided that the archangels were the problem and decided to try to talk to god personally.

crowley, on the other hand, didn’t even think about trying to convince the demons that armageddon was a bad idea, because, unlike aziraphale, he doesn’t believe in the system. to aziraphale, the flaws in the system were individuals like micheal, uriel, and, in season one, gabriel, and never the actual system. it always seemed to him like the archangels were the ones making mistakes, and he always strove to do what he felt was the ‘right’ decision according to his own moral compass. 

@inhonoredglory wrote a really good analysis here that i very very highly recommend reading, but to summarize, @inhonoredglory talks about how crowley was the one who helped aziraphale learn that he doesn’t have to follow heaven’s command and to do what his heart deems is right, even if it feels like he’s breaking the rule, and how aziraphale isn’t blind to heaven’s problems but wants to fix them. he’s never stopped wanting to do good. 

in addition to this, while aziraphale is still trying to be a good angel, crowley has kinda given up on the whole being a demon and making life worse thing. so while neither aziraphale or crowley follow what their respective sides want, they’re doing it in very different ways. aziraphale is doing what he believes an angel should do, not what heaven believes an angel should do, while crowley doesn’t try to do “demonic” things at all anymore, he’s just kinda living life. 

aziraphale wants to do good. crowley wants to live life. those are the two paths and the two different opinions that played a large role in season 2 ending the way it did. it’s a difference the two have always had, but up until this point in the series, those motivations led to them wanting the same thing (stopping armageddon). however, when the metatron offers aziraphale gabriel’s job, suddenly aziraphale’s and crowley’s desires are leading them to two different paths. 

but obviously there’s a lot more to their relationship than that. i mean the whole series revolves around how much aziraphale and crowley love each other. like @inhonoredglory said, it was crowley who showed aziraphale that he could defy heaven and that it was better to do what his heart said than what the archangels told him. they clearly both love each other so much, even if neither of them are actually willing to say it. that’s why i think that, as tempted as he was, aziraphale wasn’t originally going to accept the metatron’s offer because he couldn’t just leave crowley, but after the metatron said that he could make crowley an angel again, well,

it was basically all aziraphale wanted wrapped up in one thing. he would be able to do real good and make a change and fix all those problems in heaven, and he’d be able to do it with crowley there with him! it was like a dream come true! it’s tricky to remember since we all (or most of us at least, including me) think of this as them breaking up, but it’s important to remember that neither crowley nor aziraphale actually wanted to leave each other. they were both asking the other to stay with them. i mean aziraphale literally says that he needs crowley.

but with all that, why would aziraphale still end up choosing heaven over crowley if he was really acting of his own volition?

im gonna get to that in a minute, but first let’s take a minute to talk about crowley..

now i’ve been talking a lot about how crowley doesn’t believe in the system anymore, but let’s go into the details now. the opening to the entire season shows crowley basically creating the stars and space and more or less the universe, and then his disappointment at the fact that most of his work won’t even get to be appreciated. he’s clearly upset and plans to ask god about it, assuming he can’t get into trouble for asking a few questions which we know from season one is how he got kicked out of heaven, so it’s very probable that he questioned god, disagreed with god, got kicked out and didn’t seem to care about being “good”.

aziraphale questions whether what heaven is doing is right, where as crowley just questioned god. so, crowley got kicked out because he questioned the system (god) and was met with an “i’m right, you’re wrong” attitude. after all that, why would he trust the system? why would he believe that heaven could be reformed if he’s seen some of the worst stuff it could do? why would he ever want to be an angel again when the first time around, he put all his love and effort into something only for it to be underappreciated, and when he dared to ask otherwise he got kicked out?

also, when he snuck up to heaven, crowley discovered why gabriel went down to earth (or part of it at last). gabriel said no to armageddon 2, he defied the will of the archangels and the metatron (and we assume god as well), and for that he was going to lose all of his power. he only had power as long as he agreed with everyone else, and when he disagreed all of that power was taken away, just like it had been taken away from crowley.

so, as far as crowley sees it. heaven is broken and corrupt and unfixable, and the only way he’s able to do what he likes is without both heaven and hell. after all, that’s all he’s wanted, to be able to do what he wants. he wanted his creation of space to be allowed to develop, he wanted to be left alone by heaven and hell, he wants aziraphale to be there with him. so, to crowley, aziraphale saying he wanted to take over heaven and make crowley and angel again would have seemed like the worst possible thing in the world. being an angel in heaven would take away almost everything he wants, except aziraphale. 

so, we have crowley, who needs aziraphale, and needs freedom from heaven and hell, and we have aziraphale who needs crowley, and who needs to be able to do good. now, let’s quickly talk about the metatron’s offer before we get back to aziraphale’s decision. now, when the metatron is talking with aziraphale, it’s clear that at first aziraphale is just being polite. he clearly wants to get away and go back to crowley, until the metatron mentions crowley. even after that, aziraphale still seems very conflicted.

i’d also like to point out that while i don’t believe the coffee theory, the metatron is definetly manipulating aziraphale, he just doesn’t need any magic to do it. the metatron goes out of his way to seem approachable and just like aziraphale (by getting him human coffee), the smile drops from his face and ominous music plays as he and aziraphale leave the bookshop, and, even though he tells aziraphale to ‘take all the time [he] needs’, he’s right back to ask him if he’s made up his mind after only a few short minutes, after he sees crowley storm out. not to mention, the metatron definetly knows more than he lets on, he mentions that crowley was always “asking damn fool questions” which we can assume are the questions about space that got him thrown out of heaven. 

@halemerry​ wrote a really good analysis of the metatron’s manipulation here that goes into a lot more detail than what i just said and i’d really reccomend reading it.

so now aziraphale has to choose between doing what his heart says is the “right” thing to do, and what his heart desires (crowley), and he’s being pressured and mainpulated by the metatron into choosing the first option. now, throughout the series, he’s often conflicted on whether or not he should do what feels right, and crowley has helped him learn that it’s better for him to do what seems good to him. it’s just that in the past that always aligned with him and crowley working together.

and so, no matter how much it’s hurting him, aziraphale chooses to go up to heaven because now he can finally do good. he feels that it’s what he has to do, no matter how painful it is. and when he hears about “the second coming” his determination grows. he has to be up there, someone has to keep things in line, someone has to fix the system. but, what about the smile? why would he smile? well for the same reason he smiled in the bookshop just before he left:

and the same reason he smiled before getting in the elevator:

he’s putting on a brave face. i mean moments before he smiled in the elevator he looked like he was on the verge of tears, but now he’s smiling and trying to pretend as though nothing is wrong.

and that is why aziraphale choosing to go to heaven is in character. because he’s always believed that the problem was the people in the system, not the system itself, because crowley helped him learn to do what he feels is right regardless of his own personal comfort with that, because he doesn’t have the context crowley does of knowing what it’s like to be a high level angel and knowing what exactly got gabriel punished, and because, yes, he is being manipulated by the metatron, but all the metatron needs are words, not coffee. 

tldr: aziraphale would choose to go to heaven because he thinks he can fix it, he doesn’t have the context crowley does, the metatron is manipulating him (but not with magic), and he’s learned (through crowley) to do what he feels is right regardless of how uncomfortable it makes him feel. it’s just that in this case, the thing that will let him do the most good is leaving crowley

[grison-in-space]

My blog would just make you more confused because I have been an advocate for voting, the post in question has a lot of resources about Biden's lack of action and another person explained why voting doesn't work and things like getting involved in volunteering and protesting works better, and I thought of you as a person who seems to know a lot about politics since I follow you. I should have put more effort in like I did with my second ask. Honestly I'm glad I'm anon because the publics eesponses to my ask, while I deserve it, is vitriolic and I imagine they would move to my inbox. while it's not an excuse I have brain damage from an accidentthat I'm trying to recover from and I n't say that calling me names insulting my lack of intelligence is really helpful when I'm very insecure about it and I have to reallyconcentrate to get my language right. I have been having to really work on communication and sometimes obvious problems to my thought process aren't clear to me like they used to be, like voting not being an and or thing. plenty of people have pointed out the flaws in my ask and I see that I'm in the wrong. I'll leave you alone now, sorry again

I'm sorry I misunderstood you, anon, but the point I was actually trying to make is that I don't have the context that you do even so far as a burner identity, and that also means I can't necessarily presume good faith without additional context. I get why you are concerned about harassment and worried about people in your inbox, but the level of pressure you are putting on me for misinterpreting your original ask is not cool.

(For the record, I do not engage in anon harassment, and if I ever find someone who is pulling that shit based on one of my posts, I will block them outright.)

I also have memory problems, and being on anon means that I have no cues or context to any previous interactions with you. I cannot treat you, on anon, like a well meaning friend who sometimes phrases things funny, because I can't tell you apart from someone who is hate-following me and trying to harass me via inbox, potentially by asking questions without good faith. Which, by the way, does happen and specifically does happen to me! I try to delete that shit out of hand rather than responding, but look, sometimes I want to make a broader point.

I am sorry that the post is getting comments from people who, like me, are not reading your initial words as intended. Truly, I am, that sounds like it sucks. But this is an access problem. You are not sure how to communicate the questions you want to ask without setting off alarms that are, in the rest of your life, defused by the knowledge from the people you are speaking with that you are speaking in good faith as someone who knows and respects them. That might not be something you are able to do without help right now, and that sucks!

At the same time, accommodating that would necessitate that I, what, identify you from speech patterns when you're deliberately hiding your identity, or know you when convenient and not-know you when it's not? That's not reasonable, and I think you know that. This goes double for questions about politics that have people reacting emotionally or being gunshy, which seems to be your primary interest in interacting with me. That is very stressful for me and it makes me feel worried and bad, too.

Anon is going off for a little while, I think.

[sleazyjester]

Ooooooooo i honestly adore how Basil from peppersteak au is so... real(?) you know? I can't really put it into words, but something about him is just so painfully *real* and I'm always curious to see what he'll do/say next

Now that we know a little bit more about Basil, could you tell us more about peppersteak au's Sunny? I'm almost as curious about his opinion on Basil as Basil himself haha

Love your work so much, both your writing and your drawings, they're all so awesome! I'm literally crazy about peppersteak au

okay.

when writing sunny, i indirectly projected myself onto him. but that itself is quite boring, so i just thought... what if he had my flaws but make it 10 times worse? i have a love hate relationship with writing him because he is incredibly relatable but in a way that gets you embarrassed, like seeing your past self's idiotic mistakes. it's just frustrating. he is supposed to be a frustrating character that ends up fixing some things about himself. many times, at least while growing up, flawed characters that dealt with depression or other mood disorders were shown to be their own victims, but here i wanted to expand a little bit more on that and show how your mental state can affect the ones you love the most as well.

when it comes to basil, i think he doesn't know it himself. he's been in denial about his feelings since forever, so it's kinda hard to get somebody out of that loop, but them being together and even getting intimate brought sunny comfort because of nostalgia and the need for familiarity. to him, basil is like a time capsule that leads to sunny's most precious memories, but also his worst. just like an addiction, it can make you feel euphoric or absolutely miserable.

it's a complicated relationship that can either feel absolutely right or tremendously underwhelming and wrong. they've shared so much with each other that they have become intertwined. even if they were to move away from each other, block their phone numbers, never speak again... faith would still find a way. they are each other's curse. and i think that's beautiful.

as additions to the post, sunny loves nintendo and watches porn before bed. it's whatevz. his favourite color is yellow and his favourite food is pepper steak, though he also has a massive sweet tooth. he watches youtube while eating and owns a butterfly knife. he started reading edgar allan poe because he didn't get the south park references from that one episode.

i don't know. he can be silly, spontaneous and fun. but also so fucking stupid. he's like 3 scared boys in a 20 year old's trench coat.

that's bout it. thanks for the compliments!

[laithraihan]

I'm the anon who sent you the long message that apparently came off "pompous & infantilizing" and more to your followers.

I find it interesting that that message sparked such a flood of defenders, when I did not send it in bad faith at all. From your answer it seems I'm lacking context so sorry if I took some of your statements the wrong way, but nonetheless I just found the parental love addition strange and reacted to that, that was all there was to it. I clearly stated (three times) I'm not taking any issue with your headcanons.

By saying they are far removed from canon I did not mean to say they are "too unrealistic" or something is wrong with that, I literally said the opposite. I meant just that, that factually, this will not be a common interpretation for someone who is familiar with the source material but not your blog. This is not a statement that I made with any judgemental value and I thought I made that very clear but apparently not.

So I'm sorry for the additional ask.

Have a nice day.

Thank you for the response.

I was fully aware you said there was no issue with what I drew, but the way you wrote everything else sort of negated that statement. At least that's how me and many other people saw it.

If someone finds what I drew strange or confusing then they could always just... block me or ask me about it (and btw I expected people to be confused, otherwise I wouldnt have labeled it "non-coupling" as soon I posted it lol)

Someone did ask me about it, and you seem to have already seen that response, yet you still felt the need to send another message basically implying that an explanation wasn't enough (turns out it actually wasnt enough because people said I was lying and in denial) and that my explanation was weird too? Which is whatever I already ended up clarifying that, English is not my first language and I type things with the help of a translator (I wish people could actually keep this in mind. I only type in English because it'll reach a wider audience and it's the language most of my followers know. Often I have to google words people tell me online, or I ask my friends fluent in English to explain things for me)

You can say "that's not what I intended" but that's how it came across... you wrote a lot of nice words while also saying it was understandable that people were ganging up on me over a drawing, it seemed patronizing.

That's why me and others took offense to it, but I think it's difficult to tell tone through text so I don't want to keep nitpicking this any further. If you say you had no ill intent then I believe you.

The following will just be me adding more context and not necessarily aimed at you: Again I understand the lack of context of my account can make people confused about my art, Ive made that clear many times.

The art I made where I said "if your parents didnt love you then it's obvious" was a direct response to people who were mocking me specifically for tagging the art as "non-coupling" because they didnt believe me. They got the context and decided I was trying to hide a fetish because a kiss on the cheek was "obviously shippy". They proceeded to compare this to drawing NSFW of Mob and Reigen by labelling it "non-ship" as if it was comparable to tucking a child into bed, that's what upset me. I did absolutely nothing to these people, I dont know them, if they said this privately I wouldnt care but it was public, and they also targeted another friend of mine for no reason.

All Im gonna say is that my drawing shouldnt have caused this much controversy in the first place. I labeled it "non-coupling" as soon as I posted it, which should've been enough honestly. It's not like I posted porn or anything like that, I got the idea from something Ive experienced in my family as a teenager and I could easily google stock images of the exact same scenario to use as reference, like I really didnt think it was that bad.

Anyways I think I've explained myself many times already. Im not gonna be hostile and say to people "roh t9awed dont ever send me anything else related to this" but just.. check if Ive already answered your question so that it doesnt end up being repetitive. If you have a question about this that I havent answered yet, then feel free to ask.

[icannotgetoverbirds]

to ex-radfems:

hey! i didn't realize there was so many of y'all here on tumblr! I'll be honest, I'm not sure what to say about it, because, well, I thought we were much fewer and further between.

I think there are a few things worth saying, though.

Here's a resource for you. In addition, while I don't participate in discourse too often, I'm happy to provide perspective to good-faith questions, and to learn from you and what you've picked up along your journey.

I am proud of you for your growth. This is a really difficult thing - radical feminism targets vulnerable people who aren't equipped with the tools to understand its many issues. I hesitate to call any political system a cult, but as a cult survivor myself, there are parallels.

I know that the guilt is difficult. I was relatively harmless as a TERF since I rarely spoke up about it, but what little I did perpetuate, I regret. The things I've done in the name of beliefs that held me instead of me holding them still haunt me, radfem-related or not.

You are not alone. This is important.

Some people will not forgive you. Some people cannot forgive you. You may have trouble forgiving yourself. It's okay. It takes time, and what's most important is that you're here now, and you understand how to move forwards.

This is a safe space for former/deconverting radfems. I block easily, because I need to keep this a safe space for myself as well, but I want you to know that I'm going to do my best to make this space open to people who are willing to learn.

Honestly, at this rate, I might make a sideblog about being a former radfem - I'll add it to my pinned post if I do.

Anyways. I share some of this experience with you. I know it can be difficult, coming to terms with both your past and what this means for the future. I know it takes work. I know.

Most importantly, it's going to be okay.

[grayintogreen]

Pinned Post II: Electric Boogaloo

Hi, I'm Chris! I'm updating my pinned post to be more streamlined so here we go.

I liveblog Critical Role every week and tag with "cr spoilers" up until Monday. This tag also gets used for Candela Obscura and any one-shots. Dimension 20 spoilers are labeled “d20 spoilers.”

This is primarily a Critical Role and Dimension 20 blog, but I contain multitudes. You will see a lot of random shit depending on my mood. I’m really into Hazbin Hotel right now, for example, so my blog is kinda inundated in that. Honestly I might as well admit I am also a Hazbin blog at this point. Sorry, women.

I write a lot of fic, which can be found on my AO3 here. I primarily write fic centered on minor/supporting characters. I'm also the author of the life in the margins of redemption and red roses and dead things series- more about these below.

I have a ko-fi if you'd like to give me a tip for any reason.

I am the assistant manager of a convenience store that is part of a large retail chain and if you tell me that you shop there because “Wal-Mart is crooked” I’ll kill you. Mine is worse.

My two big series are as follows:

red roses and dead things (or Roseverse), a canon divergent Hazbin Hotel (goes AU after 1x06) series that deals with working on continuing the story while I wait for new material. It is lore-heavy, Team as Family, and redemption-focused with focus on Huskerdust, Alastor and his deal, Lucifer and his relationship to Heaven and Hell and his family, and Charlie continuing to pursue her dreams. Also contains significant amounts of Helluva Boss because we’re not beholden to copyright here.

life in the margins of redemption (or LitMoR), a For Want of a Nail CR2 Canon Divergent series, is a duology (with additional side stories) that takes the alternate path outlined in the Harvest's Close session notes- Cree rescuing the Nein from the Gentleman's wrath should they betray him- and takes it a step further with Cree reviving Molly on the Glory Run Road and traveling with the Nein in the hopes of finding a way to bring Lucien back. It is extremely Canon Divergent, but does feature CR2 plots under radically different circumstances and with additional characters. It's worldbuilding heavy, character-driven, often dark, but has a guaranteed happy ending. You may heard of it as "that 1.5 million word fanfic series."

It is not canon compliant with TNEOL as I had finished OUADYA before TNEOL came out. While I use some elements from the novel, the backstory presented for Lucien and the Tombtakers in the series is entirely different.

More details, including links to the fics, beneath the cut.

THE MAIN STORIES.

Note that while the series features Fjorester, Beauyasha, and Widomauk as primary ships, it is above all a gen fic that focuses on the platonic relationships even more than the romantic ones. I cannot in good faith rec this fic to you if you HATE any of those ships, but I can say if you're indifferent/just want a plot and platonic relationship focus, this fic will appeal to you.

once upon a damn-you-all. Cree saves Molly on the Glory Run Road, sending the Nein's trajectory off the rails in a story about redemption, change, fate, and team-building. Also Molly having to contend with the Somnovem.

you can't deny high noon. The Nein continue their journey with an additional member- a reluctant, captive Lucien- as they continue to face numerous challenges while enemies lurk in the background. While OUADYA is mostly original plotlines, this fic follows the majority of the major plot beats of canon albeit a bit twisted around and out of order.

THE SIDE STORIES

While not necessary to read in order to understand the main duology, I feel like not reading them causes a loss of impact, as often events/characters from them are referenced in the main narrative and having more perspective on the events adds more oomph. This is an extremely detail-oriented series and barely anything goes in without some thought put into it. For the sake of not overwhelming my audience, I'm only listing the side stories I think are actually important to the overall narrative, but please do read the others if you have the time.

there's something divine in the way screams can sound. The events of OUADYA as seen through the eyes of someone trapped in the Astral Sea- or Lucien's utter breakdown, now with context. Introduces several backstory elements that become super relevant in YCDHN.

as in the painted parlor, ophelia dreams. The story of how Ophelia came to the Run, became a Mardoon, and gave up her son.

all of the dreamers defying convention. A fic that takes place in the two month gap between the two duology stories and bridges the two narratives.

OTHER LINKS

original character guide. A guide to the many original characters featured in the series.

[giantkillerjack]

Yo I don't know if anyone else is seriously bothered by this but those "good luck" posts where everyone goes wow this post really works you HAVE to reblog it or else you won't get the good thing that happens when you reblog it and therefore it's your fault if the good thing doesn't happen because you didn't reblog the post,

Yeah, those posts. They don't ummmmmmmmm

They don't work.

Like, listen, a little prayer of good luck to give yourself hope is one thing, but every single one of these posts has a comment that is like "this is literally magic I received life-altering amounts of money because of this post REBLOG THIS NOW." And assuming these accounts aren't just also the original poster emotionally manipulating people - And brushing over how foolish/cruel it feels to give false hope and additional tasks to those in poverty AND moving on from how absolutely shitty these posts are for people with compulsion-related disorders or difficulty discerning reality--

it feels to me that the more we make up magic that doesn't exist in this world, the harder it is to see how things really are, and the more it obscures from us the magic that actually does exist. Things like magnetism, electricity, human thought and connection, emotion, storytelling, machinery, fire. That's the sort of magic we have in this world. These magics are real and they can be manipulated in miraculous and terrible ways.

And maybe it's just the way my mind works, but if I am able to convince myself that a photo of a four-leaf clover has any amount of cosmic power over my life, then I am no longer looking clearly at my situation and what I need to do to change it. I am no longer able to truly see the magic that IS there.

I feel the same way about astrology honestly. I don't think it's bad to believe in as long as you're not ascribing it to unwilling people, but I personally do feel like if I believed the shapes the Romans saw in the stars made me who I am, then not only would I deny myself autonomy, but also I would miss out on the magic of the stars as huge lonely nuclear light giants indifferent to and ignorant of the lives of humans in terrifying and beautiful ways. I might even dismiss scientific discoveries that didn't fit my view. And I think I've seen enough of the damage that can do for one lifetime. (I am aware that I probably wouldn't have so many problems with astrology if I wasn't a furious ex-Catholic. But again, there's nothing wrong with faith as long as you're not slapping it onto other people.)

But, gods, I hate these fucking good luck posts.

I am not poor due to the stars or the lack of luck-money posts on my dashboard. I am poor because I live in oppressive power structures that I hope to see burn in my lifetime. I need as clear a view of this reality as possible.

If you want to spread positive magic, you have to spread love and information and images/stories of a beautiful shared future that other people are invited to be a part of.

I'm a big believer in Hope. I believe hope is a sacred thing. But I'm not a big fan of false hope.

So in conclusion, if you reblog this post and then tomorrow something very lucky and seemingly unrelated happens, it had nothing to do with this post.

The only Magic will be the magic of unfathomably huge amounts of data transferring all across the world instantaneously to reach you and show you words that came from someone else's heart and mind.

The only Magic will be however it makes you feel to know that if you need luck, at least one other person in this world wants good things to happen to you: I care that you are found. I care that you are loved. I care that you are safe. I care that you live long enough to find or be found by happiness and that you then live for a very long time after that. And I don't need to meet you to know that I'm right.

Know that I will spend the rest of my life working to build spaces where you would be welcome. And maybe you and I will never meet, but I happen to know there's a whole lot of people like me in this world. And I happen to know that as long as you are alive, there is a chance you will grow old in warmth and comfort, surrounded by friends. There is a chance that your old eyes will be crinkled at the sides with laugh lines. And that's magic. That's real magic.

[i-care-bout-things-too]

hey! Saw your tags on the post about problematic media (I'm not OP, I was just curious about the notes) and taking you on good faith: censoring words by adding non-letter characters actually makes tumblr LESS safe for people who look to filter out posts with certain content. The reasons why people self-censor on sites with stronger algorithms is avoid being deprioritized (ie, to have their posts be more popular) by those algorithms. Tumblr's blocked tag/term filter lets people pick the specific terms they don't want to see posts about/with. If I have a phobia of pineapples, and have filtered out the term pineapple, "p*ne*pple" will pass through the filter and I'll have to see content about the thing I was trying to filter out, even if the actual word wasn't used. It's also less accessible for people who use text to speech tools - how do you pronounce p*ne*pple, anyway?

(this is the most practical feedback; on a larger scale, people who are talking about dark and difficult subjects should be able to say the correct words to discuss them; on a maybe even larger scale, more censorship is never a good thing)

THIS WOULD HAVE BEEN VERY GOOD TO KNOW AN HOUR AGO THANK YOU FOR INFORMING ME NOW.

(And thank you for taking me on good faith as you said, cause OP did NOT respond politely to my addition to the post, for reasons I nor my friend had any idea as to why. I legit had no idea what they meant so you know, this is actually very genuinely helpful and thoughtful.)

Anyway, I appreciate the correction, I don’t post online very much (reblogs dont tend to count considering I don’t actually add in my own thoughts 96% of the time) so I didn’t realize there was a proper and unproper way to censor things. I’ll edit that on the actual post to fix it properly and then leave well enough alone because honestly the vibes from OP were not it, even if they were correct to be upset I didn’t censor correctly, the way they replied wasn’t actually conductive to fixing the issue. (Hence, my smartass reply in response to their negative reply to my genuine remarks on my previous fandom, where I could have reacted differently and fixed my original mistake had I been informed to).

[dichromaticdyke]

skwisgaar feminism word salad response anon on another tangent again !! (is 💉 taken for an anon sign off? didn’t see so in ur beloved anon tag but i’ll be usin’ that for ease of communication on both ends)

regarding the shows take on gender: i definitely agree in the sense that it has a lot to say about gender, as well as the take of “deliberate critique of misogyny” vs “the show kinda also sucked with women” co-existing statements!!! i think in this case it just makes the internalized misogynistic fandom space behavior so much… worse in that sense, though? yes, the show did suck with women and their focuses, but with the show’s critique of celebrity + metal culture thus lending dethklok to view women of objects… it just feels like when the fandom discounts women in the show just as easily, it’s falling into the same trap dethklok does and i would argue that gets into the whole other issue of glorifying dethklok despite the fact they’re portrayed (initially, anyway) in a sort of always sunny in philadelphia “don’t be like this” way. which then turns the fans into a self-fulfilling prophecy of sorts but that is a WHOLE other tangent-

either way, it’s disheartening to watch at times.

as for depth of the show vs sometimes it’s not that deep, even for how the fans react:

1. i adore ur analyses please continue having these fits of divine madness

2. i agree sometimes it’s not that deep! sometimes fans just want to watch two guys kiss! and that’s okay!

and i definitely agree that people don’t leave their implicit biases at the door when entering fandom (and i am forever grateful you do not leave your gender studies degree at the door either; truthfully, i would not feel so open critiquing the fandom with any other creator, as your perspective is inherently unique due to a variety of factors)

but i guess my whole perspective is… yeah, it feels a lot like there’s a portion of the fandom that doesn’t work on their inherent internalized misogyny, even on tumblr, which goes back to your post regarding skwisgaar finding all women beautiful and how his willingness to sleep with fat and elderly women has become a joke to many. of course, it also gets into fatphobia, lookism, and ageism, which honestly the ageism confuses me considering most folks are also thirsting after literal middle aged cartoon men but i suppose in their minds it’s different because they’re men and “not geriatric” or something.

in the latter case: cowards, all of them, as there is an inherent beauty to aging (and skwisgaar would agree)

-💉

(also im sorry for word vomiting in your inbox AGAIN there’s so many thoughts and not enough words but like ily and everything you do for the fandom. ur brain is galaxy level always)

ehehe don't apologize dear! i'm honored and proud that i've created a space where people do feel comfortable to talk to me about feminism and lesbianism despite the overwhelming focus on men within this community (again, understandable given the context of the show, but it doesn't make it any less exhausting sometimes).

i don't really have much to say in addition to this, you hit so many points i agree with! i remember some mtl creators talking about how if you can't meaningfully recognize where the show is satirizing oppressive thoughts and behaviors and instead reinforce those behaviors through your own actions, then you're not mature enough to be engaging with the show, and that's pretty much my stance on it! again, as we've mentioned, there will always be people who don't unpack all their internalized biases, and it's very easy to let those slip through even in good faith, but that's basically the viewpoint i have.

dethklok can be genuinely awful people sometimes, and we're not meant to agree with them on everything, and we have to remember that. as much as they've become massive comfort characters to me, i would guillotine all five of them irl.