#and need one for nina

[five-of-cr]

help i can't stop making textposts

[nina-ya]

A/N: Just a little something I wrote to procrastinate instead of working CW: Smut, AFAB Reader, Penetrative sex WC: 874

Thinking about needy Law who seeks you out when he is overcome by his urges. It doesn’t matter where you are or what you are doing; his visceral need to be inside of you overtakes all other priorities.

He walks up behind you, his presence an unexpected but welcomed interruption to whatever you happened to be doing at the time. He wraps his arms around your torso to hold you tight against him, the warmth of his breath tickling against your skin coupled with the soft pressure of his lips on your neck sending shivers down your spine. As his kisses trail down your neck and your shoulder, you can feel his breathing starting to get heavier as his craving grew. 

Law’s hands begin to explore your body, touching and squeezing every inch that he could get to. You ask what he is doing, a smile evident in your voice, only to be met with the vibrations of his voice against your neck as he whines out something about wanting you. 

He uses one of his hands to turn your face towards him and capture your mouth in a deep kiss– slipping his tongue into your mouth with small sighs and sounds of pleasure being pulled from deep within him. You find yourself turning around to face him, succumbing to the urge to fill his needs. 

His hands trail down your sides until they reach your thighs, lifting you effortlessly as he places you onto a nearby surface– a counter, a table, wherever his needs take you. He would grip your thighs and roll his hips against yours, seeking any kind of friction. The grinding builds a growing heat between you two, accompanied by whimpers that escape your mouth which would be swallowed by his own.

Desperation fuels Law’s mutterings of ‘please’ or ‘I need you’ against your lips as he grips at the fabric of your pants, pleading you to let him continue. When you give him the go-ahead, he wastes no time in discarding your bottoms.

Your hands work with urgency, quickly freeing him from the constraints of his pants. As you grasp his cock, a guttural moan escapes his lips and his forehead falls against yours. His breathing comes out in ragged pants as your teasing touch elicits desperate moans from deep within him. Law’s own hand finds its way to the core of your own desire, his fingers gliding along your wetness with focus and precision, occasionally circling that bundle of nerves that has you whimpering out and leaning into his touch.

As you swipe the head of his dick, thumb smearing his precum across the tip, Law responds with a sharp gasp and a shaky moan, his fingers jolting and pressing against your clit in the process. His hot breath against your skin blends with your own shared gasp and moans that fill the air from the lewd acts.

Law wraps his hand around yours and guides himself to your entrance, wetting himself with your arousal. With a desperate need, he slides into you, each thrust a rough, intense motion that expresses the deepness of his desires. His face presses into your shoulder, muffling his whimpers against you as he loses himself in the feeling of you squeezing him so tightly around him.

Law’s hands find their place on your hips, pulling you against him with each forceful thrust. Whimpers and moans spill from his lips, filling the air with declarations of his pleasure and need. “Fuck… f-feels so good… can’t stop,” he whimpers, his hips pounding into yours faster and harder with each passing moment. “You feel too good, I need you so bad.”

Law’s thrusts grow needier, his rhythm more frenzied and his hips slam into yours as he gets closer and closer to the edge. Your own moans fill the room along with the sound of skin slapping against skin. Each thrust sends a jolt through your body, and you can feel his cock roughly dragging in and out of you as he fervently moves.

Law’s desperate whimpers fill the air, a string of curses paired with every motion. “Fuck, fuck, s-so close, ah,” he frantically whimpers, his movements becoming more erratic. In a final intense moment, he speeds up when suddenly a deep groan escapes him as he stills within you.

The warmth of his release floods you as hot ropes of his cum shoots into you. His grip on your thighs loosens, and his hips lazily roll into yours as he rides the aftershocks of his climax.

As Law gradually recovers from his climax, his breathing begins to steady. He does not show any signs of pulling away, though. Instead, he presses gentle kisses along the curve of your neck, each kiss soft and lingering against your skin. 

“You felt amazing,” he mumbles against your neck, his voice dripping with satisfaction. His hands begin to explore your body once again, tracing patterns against your skin. “I think it’s only fair that I owe you something for that.” His hand follows a gentle path down your body until he reaches your core once more. A light press of your clit pairs with a gasp escaping you. “What can I do to repay the favor, him?”

[kippdipp]

ARRGHRRARGRHH

[slasherflicks999]

erm what is slashers relationship with the other creepypastas :3c

before we begin im so sorry this took me legitimately SOOOO disgustingly long to answer holy SHART 💔💔💔 i needed to solidify some of his relationships ngl and i didn’t wanna give a half baked answer :,33 but now that it’s finally hereee…..

slasher room reveal GASP yes he’s sitting at his little computer answering this for u personally :3 i wanted to make it more fun hehe plus background practice…… thank u the sims 4…,,.,,

but anyway THE LITTLE CHIBI THINGS OF THEM WERE SO FUN TO DRAW and also nina with glasses canon i don’t make the rules sorry she’s just too cute with them :,,o

i haven’t been active much at all lately unfortunately BUTTTT more slasher content is soon to come..,.😈😈 TRUSTTTT i shan’t abandon thee tumblr my beloved :333🫶🏻

[zaritarazi]

another six of crows shitpost compilation (5/?) since this is my life now

[natti-ice]

the Chapman x voight storyline got me like this

[halfbaked00q]

okay as an admitted did-not-watch-NTTD'er who got, like, all of their info from uhh recappers, the wiki synopsis, the specific clips with Q I watched, and whatever I osmosis'ed from fics.

I finally watched the beginning of NTTD at @prismatic-bell's nudging. And I was like. Okay wait. wait wait wait. This is... well-written? And shot and directed & acted?? In a hollywood movie lmao?? Like. The way it's set up w Madeleine's backstory, and then the Bond & Madeleine stuff that does a much better job of establishing their relationship, the goooorgeous wide shots.

I admittedly was rather "I close my eyes I do not see" to a lot of canon - coming from partially a comics fandom background I'm very aware, well-versed, and well-practiced in the 'canon is your pick-and-choose buffet no need to feel like you have to 'respect' the 'sanctity' of 'canon' esp when it's Bad (like it contradicts other canon or you can just Tell this character was Not Written Well and it's like, here's what it could be that is better)' - and from opinions I saw on NTTD I was expecting to be very pick & choose about it.

But okay, wait. wait wait wait. It works. The beginning at least which I watched. Works. Like, it establishes a key character moment for Madeleine that Explains Everything about her behavior, actually - like she just like Bond is actually also very traumatized & has been locking it down/deflecting it vs processing it, and the whole like Vesper thing is (to me) very obviously her misdirecting Bond away from her own Goin Thru It. I can see how it can read as very suspicious to Bond esp with everything else but it, like, is a Narrative and Makes Sense for her character and Works. wild.

Even the Bond stuff makes a ton of sense. Like, when I hadn't watched it and was going off second & third hand information, one of the things I was hrrrm ?? about was the. How do you get from the guy who says "I miss you" at Vesper's grave, to the guy who put Madeleine on the train. The man who, even after finding out Vesper betrayed him, still wanted to save her? Would... send Madeleine away? In what, a fit of pique? Surely he's more of a "run to me and I will handle it" if it turns out not to be true or a "if it is, I'll handle it" kind of guy.

BUT YOU KNOW WHAT IT WAS. YOU KNOW WHAT IT FUCKING WAS LMAO. I WAS MISLED BY THE FUCKIN. BILLIE EILISH SONG LMAO. The lyrics of it make it SOUND like it's a like "you betrayed/cheated on me how could I have ever trusted you" break-up song kind of situation. BUT IT ABSOLUTELY FCKN WASN'T LMAO.

It's like. two traumatized individuals who trauma-bonded and honestly maybe should have spent time apart healing/learning themselves again before re-evaluating if they think a relationship could work, but like. they both were Goin Thru It and let themselves get carried away with it ig. And then right when Madeleine was like. hm I've been Not Dealing with this a Lot (tbh her being a psychologist probably made it worse cuz I think it made her more effective at Not Dealing With It and deflecting/misdirecting, but like. I don't think she was doing it intentionally, I think it was just a "combination of circumstances" thing. But this also works cuz I think before the like why did Madeleine push him towards Vesper again even though he said she was in his past. And it's like. She was delaying dealing with HER shit and probably unconsciously deflected his attention by poking at waht she thinks is still HIS equivalent to her baggage) where was I. Oh yeah, Madeleine is like. hm. yeah. the whole letting go of secrets thing. I. need to come clean to him...

but then all of the Spectre stuff happens.

Even the him sitting in the car thing is soooo so so. Cuz Craig absolutely put his whole pussy in the acting for this scene. he's got that like. wrong side of overstimulated so you shoot past being in the zone and instead are zoning out lowkey thing going on, mixed with the like. agent faced with a hopeless situation Observing Everything still but like vaguely morbidly amused about it, probably what's running through the brain rn is "lmao, wonder which bullet will be The One" kind of deal. And cross-cutting the shooting & wide shots with the bells was *chefs kiss* genius.

Even Madeleine not managing to tell him was well written/paced. Cuz it was very believable that she (not trained for this) was scared/shocked & couldn't get a word out. Until the "JAMES. I'd rather die than have you think I--" and then the fucking. tragedy of the bad timing. god. And then even her not just saying it later is like, it all makes sense with the way it was paced, shot, & edited. It was beaaautiful oh man. This also where I was like. damn lmao. miscommunication in a movie where it. feels like it makes sense and isn't just a stupid macguffin lol??? In a hollywood movie?? wild

but yeah this is also where it was like. hey wait. the man who, in the face of sort of a morbid (passively?) suicidal emotional blowout due to the Everything, but was able to break through it when she got through to him enough for him to look at her, and her to cry & shake her head like no, it's not true/no don't do this/please/(w.e). and go, "Okay." and take action. How does he put her on the train??

BUT. BUT FUCKING. BUT THEN. MY GOD. *Actually* watching the fucking scene I was like. Ooooh. ough ough oh god. This isn't him vindicatively cutting her out of his life "the bitch is dead" style. This is his Vesper in the elevator cage moment. He's fucking drowning in the cage but he doesn't want to take her with him. He's locking her out of the cage. god.

And the fucking. devastation on his face while he's on the platform. THAT'S HIS FUCKIN. VESPER HOLDING HIM ONE LAST TIME AND SHOVING HERSELF TO TH EBACK OF THE CAGE AAARGGGGHH BARK BARK BARK

Which, a-fucking-gain. THEN MAKES THE NO TIME TO DIE SONG. ALL THE FUCKING MORE EGREGIOUS LMAO. "was I stupid to love you was I foolish to trust was it obvious to everybody else" WHAT ARE YOU ON. THIS IS A SHAKESPEAREAN TRAGEDY THIS ISN'T FUCKIN. 'THE BITCH IS DEAD.'

God this is like when ppl are convinced QoS was Bond going on a revenge rampage when he was (1) not even rampaging (2) not on a revenge quest/storyline - that was Camille's story!!!* caveat I did not watch QoS either lol, but I did watch a video essay breaking it down which I found Very Compelling and have since incorporated it into my worldview lmao. Like, in light of me actually watching the beginning of NTTD, and then it launching into the title sequence and the song. IT ACTIVELY. REWRITES HISTORY YOU JUST WATCHED ON THE SCREEN AAAGGGHHH BITE CHOMP KILL. IT UNDERMINES THE WHOLE. ALL OF THE WORK THE FILMMAKERS DID UP TO THAT POINT IN PLOTTING OUT ACTING OUT & ESTABLISHING THE STORY TO THIS POINT.

Like. The problem of the song isn't even oh it's a limited POV thing. IT'S NOT EVEN WAHT BOND'S POV WOULD HAVE BEEN/SHOULD HAVE BEEN BY THAT POINT. Again, this is the "the bitch is dead" edit of the scene, BUT THAT'S NOT WHAT HAPPENED. THIS IS BOND LOWKEY SPIRALING AND LIKE. OVERSTIMULATED-EXTREME-EMOTIONAL-AMBUSH-IN-A-VERY-SHORT-TIME LOWKEY EMOTIONALLY SPINNING OUT. BUT THEN BREAKING THRU IT ENOUGH WHEN MADELEINE CALLED FOR HIM. TO LOCK HER OUT OF HIS SINKING CAGE. BRUH. BE SO FORREAL RN.

also lmao she clutches her torso WAY too high up, bruh that's her sternum not her belly... but ig the idea translates across still.

but yeah. god. And here I thought No Time to Die the song was just. boring & musically uninspiring. but no. it's so much worse lmao. god.

[katatty]

"So, I've been wondering if I should start looking for a new job."

"Television and woohoo finally getting boring?"

"Kind of, honestly! And with you being the better cook and a more consistant cleaner, it's not like I've got much to contribute as a housewife."

"Who says we need to contribute equally? Maybe I like having a trophy wife."

"Haha. My therapist has been saying I need a hobby or a project. Something to improve my self-esteem or whatever."

"Well, what would you want to do?"

"I dunno! Something that got me off my ass but was also, like, fun? Honestly, I miss being a party DJ! It was a cool gig."

"Maybe Titania and Oberon could pull some strings to get you back on the circuit?"

"Maybe. The higher ups were total jerks, though. And the commute Downtown kinda sucked, too... It's a shame we don't really have any local venues."

"Well... what if we opened one?"

"Neens, we don't have that kinda money."

"But we have connections, right? The Montys, the Summerdreams..."

"There's no way the Montys would fund my stripclub dream."

"Okay, maybe not a stripclub. But, like, a classy wine bar? With live music? Maybe you could even get away with hosting burlesque shows."

"Bleh, I'd have to kiss up to that old hag to get the funding, though..."

[six-of-cringe]

Something that is sad but also that I hugely appreciate about CK is that by the end, most of the systems that harmed the crows are still in place, but their relationships with themselves have grown and changed. I find this particularly interesting in the cases of Jesper and Wylan (shocking I know). Their identities still put them in danger of being exploited or harmed - Grisha indentures are still the norm in Kerch, and the auction scene made it very clear that if the Council knew Wylan's illiteracy was true, they would treat him much the same as his father did due to the culture surrounding productivity and ability. This might seem disheartening, but the hope lies in the shift in how these characters see themselves and their role in the world. By the end of the book, Jesper and Wylan are beginning to put away their internalized shame surrounding their identities. They may still have to hide who they are from the world to survive, but they're no longer hiding it from themselves - their true selves are no longer this crushing burden they have to turn away from to function. A general theme of the series is how, in accepting who they are and what has happened to them on a personal level, the crows place themselves in positions to make change on a systemic level - Inej and her ship, Nina and her mission, Kaz and his Barrel empire, Wylan and Jesper with their political, high-society empire. None of them are all the way there yet by the end - they're still healing, and both the loss of Matthias and the weight of those oppressive systems are going to weigh on them for a long time - but we get to see the very beginnings of that process. I'm going to bite someone.

[annokan]

@ninathekillerzblog khkhkh I am glad you like my Nina, I like violent little girls i suppose, khkhkhh

[nina-ya]

law smut... one (1) like and i'll post it

[akaruiakiki]

[Doodle - TEBKTH + CoE]

[cahirsmommy]

i <3 bertort

[omegaverse-anesthesiologist]

i love multivariable calculus i love math i am not contemplating throwing my laptop out the window

[i-dont-even-know-by-this-point]

Idk guys something about a Beauty and the Beast Helnik AU is really tickling my brainworms (spoilers ahead for CK)

Not a 1-for-1 adaptation — I think it’d be interesting if, like in SoC, they both got stranded together somewhere rather than Matthias holding her hostage for the whole thing… or at least, it’s got something to do with the drüskelle & Nina getting captured, and then they end up stranded somewhere afterwards, like in the book.

Anyway, it could work quite well with Matthias (beast) learning from Nina (Belle) and changing his views about Grisha and stuff. Maybe he got cursed by a Grisha or something? Maybe Nina has something to do with why he’s in whatever beasty situation he’s in?

It might also be interesting if Nina is actively being pursued by drüskelle, and that’s what drives her into staying with Matthias — a lesser of two evils kind of thing? Maybe?

And then the parallels with ahem… the Beast getting killed at the end… BUT! The Beast survives so Matthias can too. He will. He must. He— [machine gun fire]

[jaxieus]

Monster but furry ?!