#I like the first design of Nina

[pink-key]

@ninathekillerzblog khkhkh I am glad you like my Nina, I like violent little girls i suppose, khkhkhh

[carnalhaus]

i got gwen when i did ur quiz and now im scouring your blog for posts abt her 😭

good luck she’s been redesigned like 3 times because she came from a dream and every day i get closer to making her look how she actually did

[cuteniaarts]

Behold, my latest and most enamouring new obsession:

Malina, Lady of the Chief of the Northern Water Tribe. As if Red Lotus child OCs weren’t niche enough

[doodlboy]

She✨️

[elisacifuentes]

Anspielungen auf Nina Rubin in Tatort Berlin: Das Opfer (2022)

[gouinisme]

my sister made me watch shadow and bone i didnt expect to like it and yet

[peapod20001]

Hi hello. Why am I so good at making complimentary character designs???

[aliyahwritings]

THE CONTRACTED HEART — Rafe Cameron (09)

MASTERLIST | Basketball Player & Model!Female Reader

Summary: Rafe Cameron, a basketball star, needs a marriage to fix his image, while Model!Reader needs one for citizenship. They may be the perfect solution for each other.

Warnings: smut, descriptions of violence, jealousy, usage of drugs, talks about body image/ed, angst, and lots of bickering. Reader is confident, a people-pleaser, has a traumatic past, and is a sunshine with an attitude. Rafe is a whore, possessive, cocky, and secretive about his past.

Word Count: 4.7k

Aliyah's Notes: y'all are getting fed cause this chapter and the next one are gonna be cute asf so enjoy :)

Three days before the engagement party felt like an endless marathon, with every hour packed to the brim with decisions and errands. The morning started early—too early for your liking—as Aisha and Nina practically dragged you out of bed.

Nina, ever the “mom” of the group, had already prepared an itinerary. She stood in the kitchen, arms crossed, her phone in hand, while you slumped in a chair, still clinging to the remnants of sleep. “Alright, ladies,” Nina began, her tone brisk, “we’ve got a packed schedule. Venue first, then flowers, then caterers. We’ll fit in the designer appointment after lunch, assuming someone,” her eyes flicked pointedly toward you, “doesn’t take forever to make decisions.”

Aisha smirked, sipping her coffee as she leaned against the counter. “You know she’ll take forever. She was debating the color of napkins for twenty minutes for her birthday party.”

“Because they matter!” you protested, sitting up straighter, your natural energy kicking in. “The wrong napkin can throw off the entire table aesthetic. Imagine gold chargers with plain white napkins—horrible!”

Aisha groaned dramatically, while Nina pinched the bridge of her nose. “God give me strength,” Nina muttered in Tagalog under her breath before clapping her hands. “Alright, let’s move. The decorator is expecting us in twenty minutes, and I’m not letting us be late.”

The three of you piled into Nina’s car, and the drive to the venue was filled with your endless chatter. You couldn’t help yourself; you were excited. Ever since your night at Rafe’s, you’ve been walking around with a weight lift off your shoulders, and a smile on your face. “Okay, but seriously, do you think white and gold is too basic? Should I add a pop of color? Like blush pink? Or emerald green! Oh, that could be so chic—”

“Breathe, Miss. Yapper,” Aisha interrupted, shooting you a look from the front seat. “You’ve already settled on white and gold. Don’t backtrack now.”

“She’s just overthinking again,” Nina said from the driver’s seat, her voice calm but firm. “You always do this, sweetie. Just trust your instincts. They’re good… most of the time.”

“Most of the time?!” you repeated, feigning offense.

“Girl, you’re the one who almost ordered heart-shaped balloons for your ex’s retirement party,” your best friend deadpanned.

“He always complained about his job, alright! I thought he was happy to retire.”

The two of them burst into laughter, and you couldn’t help but join in. They always knew how to make you laugh, even when your perfectionism threatened to take over.

When you arrived at the venue, the decorator was already waiting, surrounded by samples of linens, centerpieces, and lighting options. The grand ballroom looked beautiful even in its unfinished state, with its high ceilings and floor-to-ceiling windows letting in streams of sunlight. But you could already see a million tiny things that needed to be fixed or adjusted.

Nina took charge of logistics, confirming delivery times and setups with the decorator, while Aisha kept you in check. Every time you tried to change something—a table arrangement here, a floral display there—Aisha would cross her arms and give you a warning glare.

“Focus, Y/N. You’re going to drive this poor decorator insane,” Aisha muttered as you debated, for the third time, whether the table runners should have a satin or matte finish.

“It’s not insane to want things to be perfect,” you argued, though your voice was tinged with doubt.

“It’s insane when you’re deciding between two things that look exactly the same,” Aisha countered.

“Pale beige and normal beige are completely different—”

Nina swooped in to mediate, her tone soothing. “Look, kids, both options are gorgeous. Y/N, pick one and move on. We still have three more stops today.”

You sighed, finally nodding and pointing to the matte finish. The decorator gave you a grateful smile, and you moved on to the next decision.

By the time you left the venue, your head was spinning, but there was no time to slow down. The next stop was the florist, where the three of you pored over bouquets and arrangements.

“Peonies are elegant, but are they too soft for the theme?” you mused aloud, holding up a sample.

“Peonies are fine,” Nina assured you, already checking her phone for the next appointment.

“Roses are boring,” Aisha chimed in, inspecting a cluster of orchids. “But these could work. They’re dramatic. Like you.”

You stuck your tongue out at her, earning a rare laugh from Nina. “She’s not wrong,” Nina said with a small smile.

The florist walked you through the arrangements, but your perfectionism struck again. You wanted everything to complement the aesthetic without feeling overdone. Nina stepped in when she sensed you starting to spiral.

“Y/N, just pick a theme and stick with it,” she said gently but firmly. “You can’t have every flower in the world at your party. Less is more.”

Aisha nodded in agreement. “Listen to her. She’s right. For once.”

Nina rolled her eyes but didn’t dignify the comment with a response.

Eventually, you settled on a mix of peonies, orchids, and eucalyptus, feeling a little more confident as you left the florist.

Lunch was a quick stop at a café, where you barely had time to scarf down a sandwich before heading to your next appointment. The designer fitting was a whirlwind of fabrics, sequins, and pins, with you trying on dress after dress while Nina and Aisha offered their unfiltered opinions.

By the end of the day, you were utterly spent. You stumbled through the door of your apartment, exhaustion hit you like a ton of bricks. You kicked off your heels, letting them clatter onto the floor, and flopped onto the couch with a moan. Your feet ached, your head was pounding, and the thought of the work you have for tomorrow made you want to cry.

Just as you were debating whether to order takeout or crawl into bed and call it a night. Your phone buzzed—-your new phone that you bought yesterday after losing your original one and your keys at the charity event—-on the coffee table. You reached for it, squinting at the screen.

Rafe: “Longest. Day. Ever.”

A small smile tugged at your lips despite your fatigue. You propped yourself up against the armrest and typed back.

You: “Tell me about it. I’m so dead! Who knew choosing flowers could feel like a full-body workout?”

His response came almost immediately.

Rafe: “Yeah? Well, at least you didn’t have to run for AN HOUR!!! My legs feel like they’re about to give up on me.”

You: “Poor baby. Want me to send you a trophy for Most Exhausted Future Fiancé-to-Be?”

Rafe: “Ha. Ha. So funny.”

Rafe: “Are you sure we’re not married yet? You already sound like a nagging wife.”

The audacity of him made you chuckle and roll your eyes. You typed quickly, unable to help yourself.

You: “Excuse you? If I’m a nagging wife, then you’re a whiny husband.”

Rafe: “Whatever you say, nagging wife.”

You let out a quiet laugh, shaking your head as you sank further into the couch. The teasing back-and-forth was an oddly comforting way to unwind after such a chaotic day.

You: “Seriously though, did you at least eat? Or are you surviving off your ego again?”

Rafe: “Does a protein bar and water count?”

You groaned audibly, your fingers flying across the screen.

You: “No, Rafe. A protein bar and water do NOT count. A protein bar is not food; it’s a snack. Please tell me you’ve got something decent in your fridge.”

Rafe: “Define ‘decent’…”

You: “I’m going to kill you.”

Rafe: “That’s very romantic, baby, but you’re avoiding the question. What’s the verdict? Is my fridge decent enough for you, Your Honor?”

You: “No.”

You: “Knowing you, it’s probably full of water bottles, expired vegetables, and mystery leftovers. Am I wrong?”

Rafe: “I don’t like this attack on my character.”

You: “Answer the question, Cameron.”

Rafe: “Fine. Maybe you’re right. I don’t have the energy to argue. Or to cook, for that matter.”

You sighed again, a twinge of concern sneaking past your teasing. You guessed he pushed himself hard during training, but the least he could do was take care of himself after.

You: “Alright, what do you feel like eating? I’ll bring you something.”

Rafe: “What? No. You just spent all day running around. You don’t have to do that.”

You: “Too late. I offered, and I’m not taking it back. So, what’ll it be?”

Rafe: “...You’re really doing this, huh?”

You: “Absolutely.”

Rafe: “Fine. Surprise me. Just nothing too fancy. I’m starving.”

You: “Got it. Be there in an hour.”

Rafe: “Angel.”

Shaking your head, you pocketed your phone and headed to the kitchen. After a quick assessment of what you had on hand, you decided on a simple but satisfying dish: chicken biryani. 

Cooking helped you relax after the chaotic day. The process of measuring spices, chopping onions, and stirring the pot grounded you, your mind focused on creating something warm and filling. By the time the dish was done, the air was fragrant with the scent of saffron, cardamom, and cloves.

You packed the biryani into a container, added a side of pudding kheer for balance, and grabbed some naan for good measure. After a quick freshen-up, you were on your way to Rafe’s penthouse.

When he opened the door, the sight of him hit you like a punch to the gut. Rafe stood there in low-hanging sweatpants that clung to his hips, no shirt in sight, leaving every inch of his toned chest and sculpted abs on full display. His damp hair was a tousled mess, drops of water clinging to his skin, catching the light as they slid down the defined lines of his torso. He leaned casually against the doorframe, his gaze raking over you with a mix of cocky amusement and exhaustion. The lazy grin tugging at his lips was enough to make your pulse stutter—and the way his voice dipped, low and teasing, when he finally spoke didn’t help. 

“Well, well,” he drawled. “Look who showed up. My nagging wife bearing gifts.”

You rolled your eyes, forcing yourself to focus on the container in your hands instead of his sexy, very sexy abs. “You want dinner or not, Cameron? ‘Cause I can take it back?”

He instantly straightened up. “Come in, Your Honor,” he stepped aside to let you in, his grin widening when he saw the bag in your hand.

The penthouse was dimly lit, the warm glow of the city skyline visible through the floor-to-ceiling windows. You set the food on the kitchen island, trying to ignore the way he was watching you with that infuriating smirk.

You looked at your attire, and rolled your eyes. “Stop staring at my ass and grab plates,” you ordered, sounding stern.

“Yes, ma’am,” he said, clearly amused, but he obeyed.

The two of you sat at the island, the meal between you. You put your hair in a bun, and said; “So, this is chicken biryani—” you pointed to it. “—and this is kheer and some naan.”

“This looks amazing, Y/N,” he let out a groan of appreciation.

You blushed at the compliment. “Thank you. You ever had Asian food before?”

“I had sushi and ramen with my team—”

You chuckled. “I meant South Asian food, Rafe.”

“Oh. South Asian…”

“Yeah,” you nodded. “You know, Indian, Sri Lankan, Pakistani, etc… Did you?”

He shook his head. “I don’t remember. I eat basic white man food, to be honest.”

“I realized,” you laughed. “Well, eat well.”

Rafe took his first bite, and his eyes widened. “Yo! This is delicious, what the fuck?”

You smiled, watching as he devoured the food like he hadn’t eaten in days. “Told you protein bars wouldn’t cut it—”

“You’re not going to eat?”

“I already ate,” you lied.

“Bullshit,” he said, giving you a pointed look. “Have some with me. I don’t like eating alone.”

You hesitated for a moment before giving in, grabbing a fork and joining him. The two of you ate in companionable silence, the tension of the day melting away with each bite.

For a brief moment, it didn’t feel like you were preparing for an engagement party or navigating the complicated arrangement that had brought you together. It felt easy, natural—like something that didn’t require overthinking.

You stood at the sink, sleeves rolled up, rinsing off the plates and containers. Warm water rushed over your hands as you scrubbed away the remnants of biryani and naan. The scent of spices lingered in the air, a comforting reminder of the meal you’d shared. Behind you, Rafe leaned against the counter, his tall frame relaxed but his eyes fixed on you.

“You know,” he said, his voice cutting through the quiet hum of the faucet, “you really don’t have to do this.”

“You’ve said that already,” you replied without turning around, focusing instead on rinsing the plate in your hand.

“Because I mean it. I can clean tomorrow,” he quipped, folding his arms across his bare chest.

A chuckle escaped you, and you tossed him a look over your shoulder. “Some of us were raised to clean up immediately after eating. It’s a brown girl thing—no one leaves the kitchen messy in my house.”

Rafe raised an eyebrow, his lips curving into a smirk. “Ah, so it’s cultural?”

“Hell yeah,” you replied, turning back to the sink. “If my mom ever caught me walking away from a pile of dishes, I wouldn’t live to see another day.”

“Sounds intense,” he teased, though his tone was laced with curiosity.

“You’re just white,” you shot back, and he laughed. “But also… I kind of like it,” you admitted, your voice softer now. “It feels wrong to leave things undone. Like you’re disrespecting the meal or something.”

Rafe was quiet for a moment, and you could feel his gaze lingering on you, not with judgment but something that felt closer to admiration.

“You’re kind of incredible, you know that?” he said finally.

You blinked, caught off guard. “For doing the dishes? Your standards are low, Cameron.”

He laughed, the sound deep and genuine. “No, I mean… just in general. You don’t have to cook for me or clean up after me, but you do it anyway. And you don’t even make a big deal out of it. You’re just… thoughtful.”

His words made you pause, your hands still under the running water. For a man who often masked his feelings behind sarcasm and cockiness, the sincerity in his voice hit you harder than you expected.

“Well,” you said, trying to keep your tone light, “don’t get used to it. Just because I cleaned your kitchen tonight doesn’t mean I’m signing up to do it forever.”

Rafe grinned, stepping closer. “Noted. One-time deal.”

You rolled your eyes, shaking your head as you shut off the faucet and reached for the dish towel. “Besides, I wasn’t cleaning for you. I was cleaning for my own peace of mind.”

“Still,” he said, his voice dropping slightly, “thanks. For all of it.”

You glanced over at him, caught off guard again by the softness in his tone. The cocky grin he usually wore was replaced by something more subdued, more genuine. It made your chest tighten in a way you weren’t ready to think about.

“It’s not a big deal,” you said, your voice quieter now. “Just food and a few dishes.”

“To you, maybe,” he said, leaning against the counter beside you. “But it’s been a while since anyone’s done something like this for me. I don’t even know the last time I had an actual home-cooked meal.”

That admission tugged at something deep inside you, a mix of sympathy and affection you weren’t quite prepared for. You focused on folding the towel in your hands, hoping he wouldn’t notice the way your cheeks warmed.

“Well, someone has to make sure you don’t live off protein bars and bad decisions,” you said lightly, trying to steer the conversation back into familiar territory.

Rafe chuckled, the sound low and warm. “Guess I should count myself lucky it’s you.”

Your eyes flicked up to his, and for a moment, you forgot how to respond. The way he was looking at you—soft, unguarded, and almost reverent—made your heart skip a beat.

“Alright, stop,” you said, breaking the moment and brushing past him toward the counter. “You’re making it weird.”

“Making what weird?” he asked, following you with an amused grin.

“Everything,” you shot back, grabbing your bag. “And don’t think I didn’t notice you slacking off while I did all the work. Next time, you’re cleaning.”

“Deal,” he said, holding up his hands in mock surrender. “As long as there’s a next time.”

You hesitated at the door, looking back at him. His smirk was still there, but so was that softness in his eyes, the one that made it hard to look away. Bag slung over your shoulder and shoes slipped back on, ready to leave Rafe’s penthouse and head home for what was left of the night. The day had drained you, and though the quiet domestic moment you’d just shared with him was nice—unexpectedly so—you still needed to recharge for tomorrow’s chaos.

“You don’t have to leave yet,” he said, almost too casually, as if trying to disguise the sincerity in his tone.

You paused, glancing back at him. “Rafe, it’s late. I’m exhausted. You’re exhausted. We both need sleep.”

He shrugged, his mouth curling into that boyish grin that usually meant trouble. “So? Five more minutes won’t hurt. Sit down, relax. You’ve been running around all day.”

You narrowed your eyes at him but relented, curiosity getting the better of you. “Fine. Five minutes,” you muttered, dropping your bag onto the floor again and heading to the couch.

Rafe followed you, sitting on the other end of the couch, though he shifted closer. His arm rested along the backrest, his entire posture relaxed in a way that only made you more aware of him.

“So,” he began, his tone lighter now, “what did you actually do today? Besides fighting with tablecloths and flowers, I mean.”

You groaned, leaning back into the cushions. “It feels like that’s all I did. The decorators kept bringing me options that were either too tacky or too plain. And don’t even get me started on the florists. Nina kept trying to keep me on schedule, Aisha rolled her eyes at every single arrangement, and I was stuck in the middle.”

His laugh was low and warm. “Sounds like a nightmare.”

“It was,” you said, though there was a faint smile tugging at your lips now. “But somehow, it’s all starting to come together. Slowly. Painfully. I think we’re making progress.”

He tilted his head, watching you with that quiet intensity he always seemed to have when you weren’t paying attention. “You really care about this party, huh?”

You hesitated, the weight of his gaze making it harder to brush off the question. “Yeah, I guess I do,” you admitted softly. “I mean, if we don’t make it believable then I’d have to go back to my country, and I can’t let that happen.”

Rafe was silent for a moment, his eyes never leaving yours. The soft light in the room cast shadows across his face, making him look more vulnerable, less guarded than usual.

“You’re putting so much thought into it,” he said finally, his voice quieter now. “More than anyone else would, I think.”

You shrugged, your gaze dropping to your hands. “Just doing what needs to be done. Nothing special.”

“It is special,” he said, his tone firm but gentle.

The sincerity in his voice made your chest tighten. You glanced up at him, meeting his gaze for a moment that felt like it stretched on forever. There was something unspoken in his expression, something soft and unfamiliar that made your heart stutter.

“Okay, your turn,” you said quickly, needing to break the tension. “What did you do today, besides run yourself into the ground?”

His smirk returned, though it didn’t quite reach his eyes. “Practice, drills, meetings. The usual.”

“You make it sound so thrilling,” you teased, crossing your arms.

“Oh, it’s a blast,” he said with mock enthusiasm. “Nothing like running suicides and lifting until your arms feel like they’re gonna fall off. And then sitting in a room listening to people tell you how to market yourself better.”

“Sounds glamorous,” you said, leaning back into the couch with a small laugh.

Rafe chuckled, his gaze softening as he watched you. “It’s not. But then again, you make flower arrangements sound like boot camp, so I guess we’re even.”

You smiled, letting the comfortable quiet settle between you for a moment. The hum of the city outside was faint but constant, a reminder of how late it had gotten.

“I should really go,” you said, breaking the silence and sitting up.

Rafe’s hand reached out, brushing against yours as he spoke. “You don’t have to.”

The softness in his voice caught you off guard, and for a moment, you stayed still, his fingers lingering near yours. The space between you suddenly felt smaller, charged with something neither of you were ready to name.

“Rafe,” you said gently, pulling your hand back, though your voice betrayed your hesitation.

“Stay a little longer,” he said, his eyes searching for yours. “This is… nice. Just sitting here. Talking.”

Your heart thudded in your chest at his words, and you looked away, pretending to straighten your bag. “I can’t. I’ve got another long day tomorrow, and so do you.”

He sighed but didn’t argue, leaning back into the couch. “Alright. But you owe me another five minutes next time.”

You laughed softly, shaking your head as you stood. “Sure, Cameron. I’ll pencil it into my busy schedule.”

He followed you to the door again, his presence warm and steady behind you. As you stepped into the hallway, you glanced back at him, your smile softer now.

As you moved toward the door, your bag slung over your shoulder, Rafe trailed behind you, his hands tucked casually into the pockets of his sweatpants. The quiet between you was comfortable, a marked contrast to the constant noise of the day. Just as you reached for the handle, his voice broke the silence.

“So… my dad called today,” he said, his tone light but deliberate.

You paused, turning slightly to glance at him, curiosity flickering in your expression. “Oh? What about?”

Rafe leaned against the frame, his posture deceptively relaxed. “He wanted to ask about you.”

The corners of your mouth lifted in a faint smirk. “Me? Why? Should I be flattered or scared?”

He chuckled, though it came with a hint of exasperation. “Because you’re about to be my wife, and you should definitely be flattered. He’s been… curious, I guess. You’re kind of a hot topic at the moment.”

Your brow furrowed as you adjusted the strap of your bag. “What do you mean?”

Rafe shrugged, though his eyes flickered to yours briefly before looking away. “He’s been asking when he and Rose can meet you. Sarah’s been on my case about it too. She wants to meet you again. It’s like they’re more excited about this whole engagement thing than I am.”

There was an edge to his words, not quite bitterness but something close to it, and you stepped back from the door slightly, your curiosity deepening. “Is that… a bad thing?”

“No, it’s not bad,” he said quickly, though his jaw tightened ever so slightly. “It’s just… predictable. My dad’s all about appearances, and this engagement makes us look good. You make me look good.”

His words were meant to sound casual, but the weight beneath them was unmistakable. You softened your tone as you leaned against the couch. “Rafe, if you’re not comfortable with all this, you can tell me. I’m not going to—”

“It’s not that,” he interrupted, shaking his head. “It’s just… complicated.”

You tilted your head, watching him carefully. “How so?”

He hesitated, running a hand through his hair in frustration. “My family has this way of… making everything feel like a performance. You know? Like, they’re not just happy about this engagement because it’s a good thing for me. They’re happy because it’s a good thing for them. My dad’s already talking about how it’ll ‘strengthen the Cameron name,’ and Rose keeps mentioning how much she ‘adores your poise.’”

You blinked at him, momentarily caught off guard. “Wait, your step-mother said that? About me?”

He laughed lightly, nodding. “Yeah. I think she’s obsessed with you already.”

You couldn’t help the small laugh that escaped you. “Wow. And here I thought winning over your dad would be the hard part.”

“Oh, don’t worry. He’ll grill you like a steak the second he gets a chance,” Rafe said, his tone teasing but his smile tinged with something softer. “He doesn’t trust anyone, especially not when it comes to me.”

You frowned at that, your arms crossing instinctively. “Why not? You’re… I mean, you’re his son. Shouldn’t he trust you the most?”

Rafe’s smile faltered for a split second before he masked it with another shrug. “Let’s just say my track record isn’t exactly spotless. And my dad… he’s always been more interested in results than reasons. This marriage? It’s a result he likes. That’s all.”

The raw honesty in his words caught you off guard, and for a moment, you didn’t know how to respond. Finally, you stepped closer, your voice quieter now. “Rafe, if this is too much—if your family’s involvement is making it harder—I can talk to them. Set boundaries or whatever.”

He shook his head, his eyes meeting yours. “You don’t have to do that. It’s not your problem to fix.”

“Maybe not,” you said, your gaze unwavering, “but it’s my problem now too.”

“Such a good wife already,” he caressed your cheeks softly, the corner of his mouth twitched, his smirk returning faintly. “You’re really taking this whole ‘teamwork’ thing seriously, huh?”

“I’m a perfectionist,” you replied, matching his tone. “Can’t help it.”

He chuckled, the tension in his shoulders easing slightly. “You’re too good at this, you know. My family’s already halfway in love with you, and you haven’t even met them yet.”

“Maybe I should be worried,” you teased, though there was a softness in your voice now.

“Don’t be,” he said, his tone quieter as he let his hand down your face. “If anything, they’re the ones who should be worried. You’re gonna walk in there, charm everyone without even trying, and leave me to deal with their unrealistic expectations.”

You laughed, the sound light and genuine, and Rafe found himself leaning just a little closer, caught up in the warmth of the moment.

“Well, if they’re anything like you,” you said, your voice still tinged with amusement, “I’m sure I’ll survive.”

Rafe’s smirk faltered for a moment, replaced by something softer, something you couldn’t quite name. “They’re nothing like me,” he said quietly, almost to himself.

The words hung in the air, and for a moment, neither of you moved. His gaze lingered on yours, steady and unguarded in a way that made your breath catch.

“Rafe…” you began, your voice trailing off as his expression shifted ever so slightly, something unreadable flickering across his face.

But just as quickly as the moment had come, it passed. He straightened, his usual smirk slipping back into place like a mask. “You should probably get some rest,” he said, his tone lighter now. “You’ve got a big day tomorrow.”

You blinked, startled by the sudden shift, but nodded. “Yeah. You too.”

He followed you to the door, his presence steady behind you as you stepped into the hallway. As you turned back to glance at him one last time, his expression softened again, his blue eyes holding yours for a beat longer than necessary.

“Goodnight, Y/N,” he said, his voice quieter now.

“Goodnight, Rafe,” you replied, your chest tightening slightly as you walked away, the weight of his gaze following you long after you’d gone.

chapter ten

[writersdrug]

Training for Two

Chapter 3. New Trails

Masterlist

Summary: You and Riley take the beaten path to defeat boredom. Simon realizes that the seed of his new obsession has been planted.

Warnings: mild cursing, obsessive behavior

Simon had never told you how long he'd be gone - which was fine, your flat was only a twenty-minute drive from his home, should you need to do laundry or get more soap. You had some freelancing logo-design work you could focus on in your downtime, and Simon had been gracious enough to leave a note on the coffee table with the wifi password. Truth be told, you imagined this would feel like a holiday: no more shitty bosses. You were your own boss, here. You could make your own schedule, as long as you made time for Riley.

You soon discovered, after moving into Ghost's house, that it was very much not a vacation. The interior of his home was so barren that it made you feel like you had been sent to an asylum. On your first day there, you managed to get a bit of freelance work done; after that, you tried watching the telly, but you couldn't drown the heavy restlessness in the back of your mind.

You decided to phone a friend.

"What's Riley like?" Leslie said through the phone, which was tucked under your ear.

"Military dog." You replied. You were lying on the floor next to Riley, stroking her fur as her head rested on your stomach. "So proper, I've never seen anything like it. You know- when I made breakfast today, I dropped some food on the linoleum- she didn't bat an eye. Girl just watched."

"That's amazing... you know Donald would have run to it like it was the first meal he'd been fed in years."

You laughed, making Riley's head bounce on your abdomen. "Mum has got to stop feeding them real food..."

"What about the client?" Leslie said, changing the subject. "Simon, was it? What's he like?"

"Honestly?" You began, scratching between Riley's ears. "A decent guy, don't get me wrong - but bland. Gruff. His apartment is, too."

"Just like ya mum always said." She snickered. "Can I see?"

You sighed. "Nah, I never checked if it was ok to bring people over. Not sure if he'd appreciate me giving you a tour. But I'll ask next time if you can visit."

"That's fair..." You heard her shuffling around on the other end of the line. "Well listen babes, I should get back to work. Got five left on my lunch break."

You groaned at the prospect of having to be alone in Simon's barren home again. "Alright... still on for this Thursday?"

"You know it! Nina's coming too."

You grimaced. "Whoop-tee-doo..."

"Oh, c'mon, I'll make sure she's civil. Love ya."

"She'd better be. Love you!"

The call ended with a click, and you let the phone slide from your shoulder with a sigh. You stared at the ceiling, running through what you could possibly do. You'd already had a shower at your flat before coming here, you'd done plenty of work...

Riley tilted her head up to look at you, sensing your frustration. You looked back down at her.

"What d'you and Simon do all day?" You asked.

She sighed and looked away.

Maybe it was time for a walk.

"Alright, Riley!" You said, pocketing your phone and sitting up. She scrambled up at the sudden movement; her eyes followed your every move as you stood, her stare expectant and excited.

"Fancy a walk?" You asked.

She whined and yapped, shifting her weight from one foot to the other.

You chuckled. "C'mon, then - before you and I both start going insane."

On your way to the closet to fetch her leash, she had nearly knocked you down to beat you there. You huffed, leaning down to grab your shoes and tug them on. She sat (im)patiently and watched, her tail slapping against the wooden floor.

"Alright, alright..." You laughed, grabbing her leash and latching it onto her harness. She obediently trotted to the front door and sat, waiting for you. You opened the door and stepped outside, confused when the leash tugged in your hand. You looked back inside and saw that Riley hadn't moved from her seat on the floor. She looked at you, ears forward and eyes eager as she waited for... something.

You looked at her, puzzled. "What's wrong, girl?"

She whined, pointing one foot up and thumping her tail against the floor.

Oh, right. Military dog.

"Okay, Riley." You said clearly, and she happily trotted out the door. You chuckled, locking the deadbolt behind you and beginning the much needed walk. She stuck right by your side, never passing you nor falling behind.

For the kind of gruff, admittedly shady man that Simon was, you noticed that he lived in a pretty nice area. If you told your mum where he lived, she'd blow a cap out of jealousy - the houses were neatly lined down the street, each one with a driveway and a small garden bed underneath the living room windows. Simon's was noticeably bare - Christ, even his grass was thinner than the other neighbors', how does one manage that?

You eyed his empty garden bed as you passed it. You wondered if he would let you plant a few things... just to liven up the drabness. A couple of Hostas, maybe some African Violets... you knew he wouldn't want too much colour, but he definitely needed something to brighten his home. Currently, it stuck out like a sore thumb against the other houses. Not to mention, it would give you something to slice through the boredom of staying here.

Eventually, the sidewalk led to the edge of a small patch of woods. A bridge stretched over the creek, which then led to a longer, winding path through the trees. You came to a halt, reading the sign next to the trail.

"Po-wee-hee-co park..." You mumbled and Riley stared at you with her tongue hanging from the side of her mouth. "Poeheko Park? You ever been here?"

She looked between you and the trail, sniffing the air. She licked her lips and whined.

"Suppose not, Simon's only ever dragged you around the block a few times, huh?"

She eyed the trail warily, but you could see her eyes brimming with eagerness and interest. You chuckled, reigning in her leash and starting over the bridge. "Time for an adventure!"

Simon sat stoically on the heli, eyes fixed on the wall across from him. His palms rested on his thighs, fingers splayed. He appeared calm and collected, focused on the mission that Priced had debriefed not too long ago.

Except, the mission couldn't have been further from his mind. He was thinking about you and Riley. We're you giving her enough attention? That was a dumb question; clearly you knew how much attention a dog needed. You'd done this before... but had you ever worked with a dog that had certain needs and medications? You never mentioned it during the interview, and he didn't remember to ask. What if you couldn't see the signs when Riley's pain was flaring up? What if you had forgotten that she needed pain medication?

He thought about texting you - but he quickly shut the thought down. He'd reserved texting for emergencies only, and he knew you were good at your job. There wasn't a moment of your life you hadn't spent around dogs, of course you would take perfect care of Riley.

"Honin' in, LT?" Soap's voice echoed through the coms as he took the seat opposite from Simon. He was relaxed, as if this was just another Friday for him - well, Simon supposed, it was.

"Always." Simon replied gruffly, focusing back on the mission at hand. He cleared his throat and flexed his fingers, trying to keep a cool composure.

"How's Riley doin'?" Soap asked. "Know I jus' seen 'er a few days ago, but- ye finally cave n' get someone to pet sit?"

Simon grunted. "'Course. Not gonna leave 'er alone that long, it'd be torture."

"Who'd ye get?"

"What's it to you?"

"Secret service? Ye snag one of the Royal Guards fer the job?"

"Jog on, Soap." Simon warned with a serious look, and Soap raised his hands in defense.

He couldn't tell Johnny about you. A fierce, possessive feeling in his chest told him not to. He knew Johnny had a thing for young, pretty things like you, and he refused to let you fall victim to his desires. In fact, he hated the thought of it.

But- who was he? Why was he being so protective over someone he barely knew? You were an adult, perfectly capable of making your own decisions. Why should Simon cockblock you and Johnny? So what if he wanted to shag you?

Mentally, he shook his head. No. Never. He'd lock you in his house if it meant keeping Jonny away from you. Even if Simon wasn't anything more than your client, he wasn't going to allow Johnny to get close to you. It would be too weird. You're his, after all.

...

Fuck.

He sighed and adjusted his position in his seat. You and Johnny didn't even know each other, for Christ's sake. He was overthinking all of this. You'd probably never even meet his team, why would you need to? You only ever have reason to spend time in his house, not on base. You just watch Riley, make breakfast in his kitchen, sleep on his couch, maybe his bed, if you're with the dog... using his bathroom, his shower...

He scowled at himself. Maybe hiring you was a huge mistake. You were too distracting.

Next ->

Taglist: @my-queen-rhaenyra-targaryen @jisungswiftie @sweet-tooth4you @kennyis-aloser @hyyyxr @lahniu @dory-98 @naradae @cum-tea-and-towels @boystepper @definitelynotaclown @your-wifes-boyfriend @ghostslittlegf @bossva @poppingaround @yannvi @katzykat @mileyraes @chocolate-noodles @jupiternighties @sadlonelybagel @rorysbrainrot @identity2212 @pricescontroversiallyyoungerwife @reevesdriver @kingshitonly @ghost4love @lilyofhoon @xxkay15xx @cosmic-nuisance4 @danielle143

[snek-eyes]

Things I'm noticing on rewatch

Aziraphale knows how reproduction works (and realizes you need a pair) because (unlike Crowley, rip unicorns) he saw the human design plans, if maybe didn't directly work on them. Presumably there are other angels who know, it's a good thing that none of them were tagging along for the whole Job bit. Or maybe they just didn't want to contradict Gabriel.

The "this way up" sign on the box is so cheeky. Aziraphale and Crowley could've solved the whole mystery if they'd just ignored the rules and upended the system box, but there's still part of them (esp. Aziraphale) still instinctively following the rules.

Literally the first thing they say to each other in the present sets up their entire season conflict of not communicating properly, while being hidden in a joke. *groans loudly*

okay wait did we figure out what the deal was with this getting so specifically highlighted?? I've tried looking up the passage and I am.. still pretty baffled. Other than the obvious connection to Crowley being about to explode in a few minutes.

Edit: There's a theory I like quite a lot here, though still open to other interpretations if you've got em!

Crowley opening the door for Aziraphale and Nina staring in fascination is SO funny. She's just dying to know what tf is going on there.

Originally overlooked this bc it's not his usual coy heart eyes, but this is an Ask from Aziraphale. Aziraphale glances to Jim and back like, Well I'm not doing that.... and Crowley gets the message that this is (at least partially) why he's here, to be the demon and not the nice one.

Really can't get over the walls matching Crowley's eyes. You can't leave this bookshop indeed.

Despite the fact that Crowley is storming out of here so angry that he will literally explode in about 60 seconds, he does not slam the door. It's not the bookshop's fault / he really is trying to control his temper / he doesn't want to leave things on that final of a note / choose your interpretation.

[lisafication]

This post is uh, extremely normal I swear

So hello yes I am absolutely On My Bullshit regarding my new favourite game. 

That’s right, it’s the cannibal incest game, The Coffin of Andy and Leyley. And I’m here to shove five thousand words of pretentious analysis down your throat because, and I do not exaggerate, I think it is one of, if not the best written game I have ever played. And I have played a lot of games, including Baldur’s Gate 3, Final Fantasy XIV and Undertale, to name a few narrative luminaries to come to mind.

That wordcount is not an exaggeration. My brainworms are extremely powerful and now you can share them with me as I walk you through my insane skyscraper of inference-driven analysis.

Or you can click away. I really wouldn’t blame you, it’s quite a lot.

Content Warnings: …Yes?

(To drop the bit for a moment, The Coffin of Andy and Leyley covers extremely disturbing material and challenges you to examine aspects of living in this world that many have taken for granted all their life, it is not a comfortable game, this will cover similar topics and will often echo the game’s unremitting scepticism on basic principles of society and humanity and you should look after yourself first. My Content Warning is framed as a joke, but it’s also quite real in that the game is designed to make you uncomfortable and there’s no shame in that not being for you.)

This was originally posted on and formatted for Sufficient Velocity, and you can probably more easily read and discuss it with me here.

With that said, let’s dig in. I have had to split this into multiple posts because tumblr will only allow so many images. There will be spoilers for all endings.

She’s excited, are you?

It’s All About Ashley

It really is, isn’t it? I mean, for approximately eighty percent of the total game as currently released and the entirety of Episode 1, you’re in control of Ashley, just as she’s in control of her and Andrew’s relationship for 80% of the game, up until the various ending sequences where it begins to slip. The only other characters who really matter at all in and of themselves are Andrew and her mother — and the former is under her thumb, and she eats the latter. It’s all about Ashley. Even her obsession with Andrew is, ultimately, about Ashley.

But who is Ashley? What is Ashley? Why is Ashley, even? Let’s take a look.

Ashley as presented to us in Episode 1 is very straightforward, so let’s list off the traits we’re given — she is malicious, she is fearless, she lacks empathy, she doesn’t have anything resembling a conscience, she demands Andrew belong to her and her alone, she has him at her beck and call.

In Episode 2, we’re ostensibly shown how she has him at her beck and call— she leverages the threat of reporting Nina’s death over him and had him swear to be with her forever. We’re shown that even as a child she was “just, like that” — but as a child, she hadn’t learnt to live with it yet, to laugh at the farce of it all.

Yeah, exactly like that!

And she does this throughout Episode 1 — The Coffin of Andy and Leyley is a remarkably silly game much of the time, finding moments of absurdity and levity against a backdrop blacker than pitch — and most of the time, your internal narration is coming from Ashley and the jokes will not-infrequently come at her own expense.

She will later get negged by her human sacrifice for her poor ritual circle drawing

Her reaction to being told that her soul is as dark and viscous as tar is “You guess you already knew that” — it’s confirmation to her, not new information. Ashley knows who she is. But who taught her this? There’s layers to this, nothing in this game is as simple and straightforward as it appears at first sight, which is why I’ve been obsessing over it for days.

While it’s common in fiction, the truth of the matter is, most ‘bad people’ really do think they’re good people. But Ashley has never once thought of herself as a good person — or perhaps better put as a person worthy of love — as we learn across Episodes 1 & 2, with our flashbacks to Andy and Leyley and the VERY VERY QUIET!!!

I really wish I had space in this essay to talk about this, but I’d like to touch on these being traits usually more easily forgiven in young boys than young girls at some point.

If she removes all other options, only then can she expect him to like her.

This is something that is echoed in the modern day — her seeming self-assurance is easily shaken and she reaches out to the world — usually Andrew — to affirm and validate her, soothing her insecurities, using any tool she deems necessary. Even when her life is on the line when Andrew has her by the throat at the climax of Episode 1, the only ‘compelling reason’ she can give Andrew to not kill her is her ability to soothe his nightmares. When he tells her there are sleeping pills for that…

Most people would have a bit more to argue for their existence.

While she, unlike Andrew, acknowledges having had friends before the quarantine… you know she’s got a point that they didn’t even bother to answer her calls, that was clearly not something the state was interfering with given Andrew’s calls with his mother and his girlfriend, and given her general demeanour it’s not hard to imagine that… they weren’t ever very close. When we see her and Nina talk in the infamous ‘box scene’, it’s clear that Nina doesn’t like her very much, despite Andrew’s assessment of Nina as being one of Ashley’s friends.

We see further support for her general lack of companionship in her dream sequence in the Burial route — Leyley and Leyley Alone. No matter what you do, you can’t place the pink plushy at the family table, the flowers won’t bloom if you give the Julia and Nina plushies her own as a companion instead of Andrew’s — and if you’re bold enough to go for the ‘incest route’, in the ‘Love’ room you see that no one ever looks happy to be with her in the childlike depictions of her history, nor is she happy in turn, save for when she’s with Andrew. In a bit of heavy-handed metaphor, the player then overwrites all of these tense, upset, hard moments with Andrew, having him fill in for everyone else in life — and happy with her.

Once Upon A Lousy Life…

THE END

And that’s why she needs him to affirm her, because no one else ever has and no one else ever will. It’s even included in their comic beats — when the siblings are getting along well, they’ll often play a game where Andrew dramatically overpraises Ashley while she demands more; it’s a comedic bit but I mean — it really does matter to her!

For the record, she opened a door. She gets a little heart in a speech bubble after this exchange.

We have a great example of this dynamic, that of insecurity and affirmation, in Episode 1, after Andrew has killed for her, butchered for her, his girlfriend broke up with her, he’s seemingly thrown his entire life away for her… she’s still insecure over her relationship with him, she’s uncertain of her control and she needs him to reaffirm it for her.

This is her victory, surely?

Andrew affirms her once, with his usual dead-eyed look.

But she's still not so sure.

He actively reaches out to affirm her again with cheer.

Look how happy she is!

While it’s most obvious and clear cut here, it’s hardly the only case. Let’s look back to the aftermath of Andy and Leyley and the VERY VERY QUIET!!! (I’m not using the other name). Leyley is, after similarly extreme acts — he murdered a girl and hid her body for her — convinced Andy doesn’t like her and she needs this leverage to keep him around, to meet her basic needs for survival. Because that’s what this is — she receives no care of affection elsewhere, so she forces it out of the only source she sees available through the means she sees as necessary.

I really hope we see some of their earlier childhood in Episode 3

What exactly made her like this? Was it just neglect, or something more specific…

She needs this to be the case because otherwise she doesn’t believe he’d stay.

This pattern repeats throughout — Ashley’s insecurities are hit on and she reaches out to Andy to affirm that she is not alone, and she will use any and every tool to exploit her ostensible control over him and force him to be what she needs him to be — and as long as she has that, as long as she is everything to him and it’s not possible for him to leave, she’s happy. As long as she thinks he loves her in her very particular, very peculiar view of love, she’s content, come what may. As long as Andy and Leyley are together, they can take on the world.

Let’s talk about that view of love, because there’s always more layers to unpack here I’m only scratching the surface with this essay — Ashley consistently refers to anyone else Andrew may have befriended or spent time with as a whore, a slut, a bitch — highly gendered insults that bring to mind the idea that he’s cheating in some way. But it’s not even about sex — when Andrew mentions that their parents had friends, she accuses them of cheating on each other in the same way!

There’s a lot to unpack about Ashley’s view of femininity and the role the patriarchy plays in their relationship.

Any kind of emotional engagement, any kind of commitment, any kind of life outside of your significant other is, to Ashley, cheating. Because that’s what she needs from Andrew, a seeming complete and total commitment, secure in her place as the only thing in his life, because she cannot understand anyone picking her if they have a choice.

This insecurity she has in her relationship is what drives her to empower the trinket — he can’t leave her as long as she can protect him with prophetic dreams, after all. She needs every kind of leverage she can get because until she succeeds in being everything to him, in devouring him so completely she has him in her thrall mind, body and soul she can’t be sure of herself — hell, her dream sequence in Burial has you placing Andrew’s signature green plushy, ‘the best thing in the world’ in a cage far away from anything else.

Ultimately, it really is all about Ashley — even her seeming obsession with Andrew ultimately comes back to her own insecurities. If she is everything to ‘the best thing in the world’, some of that ‘best’ must surely reflect on her! 

But that’s enough about the more normal, straightforward and understandable sibling. 

That was not a joke.

Andrew’s Rank 100 Deception

The greatest trick the Devil ever pulled was convincing the world that he did not exist.

Let me explain.

You might have noticed that in the previous section I often use language such as ‘ostensibly’ or ‘seemingly’ to describe Andy and Leyley’s relationship, and there’s a good reason for that. From the beginning of the game through to its end, Andrew is lying to you, the player, without ever falsely representing or misinforming you about events that occurred.

The common, or obvious ‘initial take’ on Andrew as presented in Episode 1 is fairly straightforward. The game primes you to think this way, it frames things and strings reveals just right so as to make it very easy to overlook the incongruities it introduces in Episode 2. He’s a victim. Plain and simple, Ashley is his abuser and he is her victim and would be fine, a normal albeit kinda depressed guy without her.

It really is not a difficult conclusion to draw

You can go all the way through the game, have him try to accept his mother’s olive branch and enter the Decay route as a method for him to finally actualise his desire to get out from Ashley’s thumb and it makes sense, it’s a reasonable way for the story to go, given his character.

You see him this way because the game primes you in Episode 1 to view their relationship like Andrew does — he’s lying. He’s lying to himself, he’s lying to Ashley and he’s so good at it — Deception Rank 100 — he even lies to you. Without misrepresenting a single event or otherwise misleading you directly, the game gets you to buy into his preferred self-perception. Nina? Ashley. Julia? Ashley. The murders they commit in the course of the game? Ashley, Ashley, Ashley, it’s not his fault he’s not to blame he’s just a doormat at the beck and call of his demonic sister.

But he wants to be there. From the very outset, the very first puzzle, that’s made clear. Does anyone else remember this exchange, from right at the beginning of the game?

Ashley wants to investigate the music!

Andrew disapproves…

…Or does he?! 

Like. Listen. Okay. You do not frown when saying ‘Nope’ and then smile when saying that you’ll instead tag along if they do it if your heart is at all in the no. That’s not an objection, that’s using Ashley as his excuse. Especially if you immediately throw her the balcony key that she could not possibly have gotten from you by force (more on Andrew’s ability to use force later).

This is the very first time you control both characters together with Andrew following Ashley instead of off on his own, the first adventure, the first puzzle! 

But put a pin in that for now, let’s talk about his initial framing in Episode 2 first. Episode 1 has set us up to, generally speaking, believe the superficial framing of the siblings as portrayed in its promotional art:

The question that we then ask, right at the heart of it is… why is he a doormat? We explore this in his dream sequence in Episode 2, which does make it clear that the boy’s not okay but— it’s real easy, given the priming from Episode 1 to make you think that he’s the one with the originally functional moral compass, to think that that him being fucked up is damage done to him by Nina’s death and being bound to Ashley for his entire life. She corrupted him.

But, well, is that the case?

You're primed to ignore this as manipulation (which it is) but the best manipulation has some truth to it.

Precisely two things spur Andrew to action in the entire game, consistently — they are the fear of consequences and Ashley. And the first incident of that fear, the very first time we’re shown his seeming moral compass as a kid — the first time it’s really hammered home that it’s a fear of consequences rather than any true moral qualms is after Nina’s death. And why does he fear consequences here?

……

The ‘natural’ read that many take away from this sequence, particularly those who have only played Decay, is that Ashley browbeat him into doing this against his will, using emotional blackmail to overwhelm his objections, and then used the event itself to bind him to her forever as her personal doormat.

In a strict sense, this is true. But this doesn’t match up with the details, something the game uses shock to encourage you to overlook. That outburst is before any kind of threat has been made, and absolutely nothing either of them say anything about it being morally bad until Ashley weaponises ‘you’re a bad person’ against Andrew — morality didn’t seem to enter his mind or the equation at all until Ashley brought it up. More than that, his greatest fear and driving motivation even prior to that is, as shown above, being taken away from Ashley.

She, of course, recognises this and uses it against him. But she never needed to, it didn’t change anything about Andrew’s attachment to her, it was there to address her own insecurities.

Just like to touch on how a lot of his affirmations are preceded by him confirming her insecurities.

I adore this phrasing

There’s a second prong to this as well, to the question of ‘who really calls the shots here’ because — Andrew can, at any stage, apply an ‘ultimate veto’ of physical violence. The game is very clear to the player that that is on the table — even when they were children, when Andy swears their blood oath, he briefly considers killing her — and take note of how he ultimately got a ‘winning’ condition out of her by not specifying there wouldn’t be others and she is forced to accept that, there. Even outside of their most serious confrontations, Ashley is portrayed as having to convince, manipulate or otherwise coerce Andrew into going along with her schemes — she really can’t make him do anything, she doesn’t have the supremacy in violence and, to a lesser extent, capability that would allow her to. 

Andrew, you are like ten years old.

The truth of the matter is, Ashley can only make Andrew do anything because he lets her. I don’t mean in the sense that I’m saying abuse victims let their abusers emotionally abuse them, I mean in the sense that he is clearly considering his options on the table and choosing to discard those that could stop her, or bring an end to any of this. He needs her.

But it’s true that he hates her, too. He has to hate her, because if he doesn’t hate her, if he isn’t forced to have done this, that means… he’s responsible. And nothing, at the start of the story, is as important to Andrew as avoiding the consequences of his own actions, not even Ashley. By the midpoint, he loves her, he hates her, he can’t live without her, he wants to kill her — by the end… well, that depends if you’re on Decay or Burial, but more on that in a bit.

A great scene to study for this dynamic is the climax of Episode 1, when Andrew grabs Ashley by the throat and considers strangling her to death. She’s pushed him too far with hurtful words and assault, and he’s seemingly had enough.

It’s still framed as a question of risk, of consequences happening to him. 

Like, this is not the usual behaviour of someone who’s been pushed past their breaking point.

He tells Ashley that he wants to kill her, because she’s just going to throw another fit and that’s a risk to him. She is… not framed as being able to fight back (she does have a gun here, and more on that in a later essay, maybe). He’s so calculated in how he approaches his use of violence here, which isn’t at all what you’d expect of someone about to commit a crime of passion… but it’s very easy to overlook because of the abuser/victim narrative that the player fits his behaviour into the narrative that the game primes them to accept, brushing incongruities under the carpet.

At the start of Episode 2, we get to control Andrew for the first time, and the first obvious holes in his cover start to show. Some of this is optional — you only learn that he’s been faking having nightmares in order to share a bed with Ashley if you choose to go back into the motel room and check the bed, for example — but not all of it.

----(See reblogs for the second half)

[yeitsre]

TW BLOOD

Nina The Killer Fanart

(+mood board and some writing)

I must say that I loved how this turned out and the vibe it gives, I decided to draw my own version and the Og design together for the sillies.

I really like the hair and the strap shirt ngl

Mood Board

(All pictures were taken off Pinterest)

I wanted the mood board to represent not only her physical appearance but also be intone with her personality in regards of my "au".

Overview + some notes

Nina Hopkins was utterly obsessed with the macabre tales she found on the internet, constantly immersing herself in stories of horror. Her fascination reached new heights when she discovered a notorious killer, whose dark deeds captivated her every thought. However, her obsession quickly turned dangerous. Meeting her idol for the first time shattered her, leading to a rapid descent into madness. Subjected to strict supervision and spontaneous therapy sessions, Nina's admiration turned into a burning desire for revenge. She vowed to make the one who shattered her sanity pay for the torment inflicted upon her.

She is in her late twenties (one of the "youngest" and last creepypastas that are registered)

I decided to fuse both versions of her story (the first one and the 2021 remake).

her obsession about Jeff shifted to loving him into hating him and she is currently hunting him down.

her makeup is important, not only does it meant to vaguely emulates a clown (a representation of her own depiction) but it's also suppose to make fun of the goth style by combining neon and overall scene makeup look, the reason why she does this is to make fun of Jane ( who in my version is gothic) because of her rivalry.

As a matter of fact, she does not know or has not met many of the "older" creepy pastas, nor is she interested in them (this actually includes Slenderman).

Omg idk where the Inspo came from but I am bored lol, anyways, I haven't uploaded anything here for a long time and it is crazy.

[marvelmusing]

Can I Ask You A Question?

Part of The Darkling Wears Prada AU

Pairing: Aleksander Morozov x Fem!Reader (Modern AU)

Summary: Alina has lots of questions about her new job and your boss. Meanwhile, Aleksander has an important question for you - it just takes him some time to realise it.

Warnings [18+]: brief smut, fingering, references to sex, CEO x assistant trope, praise kink

Read part one -> HERE

My Masterlist

“Why is he so nice to you?”

“Who?”

“Aleksander.” When you breathe out a soft laugh, shaking your head at Alina’s question, she leans closer, as if she’s willing you to understand. “Today, he obliterated a designer for picking out the wrong purse.”

“That wrong purse delayed the photoshoot by almost an hour,” you reason.

She tilts her head, clearly waiting for an explanation - why does the infamously fierce Aleksander Morozov have a soft spot for you?

Sighing quietly, you look down at your drink, fidgeting with the stem of your glass.

“I’ve worked for Aleksander for a long time.”

She waits for more.

“I started off in your position - his second assistant. Nina was his first assistant at the time, and I felt like I would never be able to impress him. The first time he really noticed me was the night before his and Luda’s third wedding anniversary.”

“He’s married?”

A frown creases at your brows.

“Not anymore. The divorce was years ago. It made the headlines for days. How do you not-” You shake your head. Just because you know everything that goes on in Aleksander’s life doesn’t mean everyone else does. “Never mind. Nina had taken the night off for a date. I’m sure you’ve noticed, there’s no such thing as a night off when you work for Aleksander.”

Alina nods in agreement.

“A storm came in while he was in Ketterdam, which stopped him from getting on his flight home. No planes were flying in or out of the city.”

“What did you do?”

“Everything I could. I called in a favour with Nikolai, to borrow one of his private jets. Paid for it to land at a private airfield in the Kerch countryside. They managed to charter his flight to Balakriev and I drove two hours to pick him up myself when his usual driver didn’t respond to my calls.”

“And?”

You smile softly.

“He made it home for their anniversary. The last anniversary they had before the divorce.”

“Why did they split up?”

“There was always love in their marriage, but they didn’t understand each other. Aleksander loves his job. He always will. If his partner can’t understand that, the relationship won’t last.”

͙⁺˚*･༓☾ ‧͙⁺˚*･༓☾

“What’s the Morozov rule?” The sound of Alina’s question draws your attention away from the email you’re in the midst of writing. She looks away shyly when you meet her eyes. “Some girls were talking about it in the bathroom earlier.”

Gaze skimming back over the screen of your laptop, you breathe out a quiet scoff.

“Let me guess, the heart-eyed interns?”

She nods.

“A lot of the fashion elites have a specific rule,” you explain. “It’s partially fashion advice, partially PR to make them more memorable.” You click send on your email, changing window to examine Aleksander’s schedule for tomorrow. “Like the Chanel rule - take a look at yourself before you leave the house and remove one item of your outfit.”

Alina listens intently.

“The Morozov rule is to always make sure your underwear matches your shoes. Because at the end of the day, when you take off your dress or your suit that’s all you’ll be wearing.”

A smirk twists at your lips.

“So, if you’re ever wondering what colour underwear Aleksander is wearing, just take a look at his shoes.”

Alina blushes.

“Really?”

“Of course. What kind of a man is he if he doesn’t follow his own rule?”

“How do you know he-”

The sound of Aleksander’s voice rings out from the door to his office, cutting through your conversation with Alina.

“Milaya.”

Responding immediately to your summons, you stand from your desk and make your way into his office. He glances up at you from his papers momentarily, a frown creasing between his brows as his gaze returns to the words in front of him.

“I don’t have anything to wear for my trip to Novyi Zem.” He holds out his credit card, balanced between two of his slim fingers. “I will need enough for six nights. Look at the itinerary for the trip and purchase anything you deem necessary. You know what I like.”

After taking the card from him, you nod.

“Yes, sir. I will be back before your meeting with Nikolai.”

Turning on your heel, you move back towards the door, only for his voice to stop you.

“And milaya?”

“Yes, sir?”

“Take Miss Starkova. If she’s going to gain any sense of style for herself she needs to see someone competent at work.”

“I’ll do my best,” you assure him. Like everyone in the fashion industry, you live for Aleksander’s praise.

The hint of a smile twitches at the corner of his mouth.

“As you always do.”

His remark makes your stomach flip.

͙⁺˚*･༓☾ ‧͙⁺˚*･༓☾

“What’s this?”

Alina peers into the black garment bag curiously.

“A dress. For you. It’s Valentino. One of Aleksander’s picks for the gala.”

She blinks at you in surprise.

“I’m going to the gala?”

You nod.

“Genya will help you get ready. We leave at seven.”

It isn’t long before Aleksander is settling his hand on your lower back, steering the two of you through the crowd at the entrance. Alina looks relieved at the sight of your arrival - you can only imagine how worried she was being surrounded by the flurry of photographers.

As the gala begins, Aleksander claims a corner of the room for himself, waiting for the designers and reporters and politicians to come to him.

Whenever someone approaches your group, you turn your face towards Aleksander, hiding your words in the crook of his neck as you inform him of the names of the people heading his way. His fingers play with the seam of your dress, dancing distractedly down your spine.

Occasionally, you find yourself adjusting the collar of his shirt, fixing the position of his tie, or smoothing down the lapels of his jacket. Just to keep your hands occupied. Unlike a usual gala, where you would be standing one pace behind him, Aleksander keeps you on his arm tonight. Deep down, you know it’s because he doesn’t have a plus one, but it makes you feel special nonetheless.

It’s only once you step out of the little bubble Aleksander always creates, that you stop enjoying yourself. As you place your drinks order at the bar, you attract the attention of Malyen Oretsev - a mediocre journalist - and his friends.

“There she is,” he remarks. “Morozov’s favourite pet.”

Mikhael smirks.

“I don’t know about that, Mal.” He jerks his head towards Aleksander. “Looks like he’s got a shiny new toy to play with.”

Glancing over, you see Alina looking at Aleksander rather bashfully as they seem to be engaged in a somewhat stilted conversation. The sight makes your stomach twist uncomfortably.

“Have a nice evening,” you state casually, collecting your drinks before you head back in the direction of Aleksander and Alina.

All night, you try your best to ignore Mikhael’s words, but it seems they’ve burrowed their way into your psyche.

͙⁺˚*･༓☾ ‧͙⁺˚*･༓☾

“Why can’t I give him the book?”

Alina peers curiously at the book, as you turn the pages slowly to show her the magazine mockups for next month’s issue.

“Aleksander is very selective about who he allows into his house.” Alina seems mildly offended and you decide to soften the blow slightly by adding, “Besides, he usually likes to do a final run through so that he can brief me on tomorrow’s agenda.”

Towards the end of the month, during the final stages of development for the next publication, you usually find yourself working late at Aleksander’s house. Over the years, there’s been countless times when you’ve helped him rework an entire issue in a matter of hours, pouring your ideas together over his kitchen table.

Luckily, this month has been somewhat smooth sailing. Though that doesn’t mean your to-do list isn’t still a mile long. When you’re alone with Aleksander like this, the persona he’s created for himself loosens and he’s patient as you ask him enough questions to be prepared for the day ahead of you tomorrow.

“Anything else?” he asks.

You shake your head, remarking as you bend your neck from side to side,

“All I need now is a hot bath.”

“Use mine,” he states, not even looking up at you as he finishes filing away the pages into the book. “Stay the night.”

“What?”

He raises a brow at you.

“You ought to know by now that I don’t like repeating myself.”

“I- Are you sure?” He gives you a firm look and heat rushes to your cheeks. “Sorry, stupid question. Thank you.”

He shows you into his personal bathroom, a lavish en-suite connected to his bedroom by a wooden folding door. He’s blasé about his toiletries, opening a cupboard to show you before he retreats back into his bedroom.

Once the bath is full of water and a copious amount of bubbles, you slip out of your clothing and into the tub with your hair and makeup still intact. The warmth makes you sigh softly, closing your eyes as you tilt your head back against the rim of the bath. It’s only the sound of the door opening that makes you open your eyes again.

Aleksander stands in the open doorway, the sleeves of his shirt rolled up haphazardly and the buttons undone down to the centre of his chest. His gaze is heated as his eyes remain locked on yours, and despite the intensity you don’t shy away from him.

He circles around the bath tub slowly, his knuckles tracing the curve of your neck when he finally stands behind you.

His thumbs press into the centre of your back, working on the tension in the muscles that no amount of stretching can ease. He moves his hands knowingly, finding the areas that give you the most discomfort after long hours at the office. When he presses the right spot, your back arches, your body pliant in his hold as you breathe out a soft moan.

He smirks, cocky in the fact that he knows only his touch can bring you this sort of relief. His smirk fades slightly, as his focus shifts and he traces his fingers up your back, stroking over your shoulders.

He presses his face against your cheek, his lips brushing over your skin as he breathes in the scent of his soap. Tantalisingly close to a kiss. Then he sinks onto his knees, his hands descending beneath the water.

Turning your head, you’re face to face with Aleksander, your nose brushing against his as he draws a slow line down your body, between the valley of your breasts before he circles your navel.

“May I?” he murmurs.

“Please, Aleksander.”

With one hand, he grasps the back of your neck to limit your squirming, while the other descends downwards to play with your cunt. It’s slow and deliberate, the way he works you up towards your orgasm. The only sound in the room is your breathy gasps and the subtle splash of bath water against the sides of the tub.

It would be a lie to say you haven’t imagined what Aleksander might be like in bed. You know you aren’t alone in that. The rumours all paint him in the same light. Dominant. Controlling. Mildly sadistic. That’s what makes the praises that fall from his lips all the more effective.

“That’s it. Good girl,” he murmurs directly into the crook of your neck. His voice is a soft and soothing rasp. “You’re doing so well for me.” He smiles when you gasp loudly, writhing with unabashed pleasure. “Utterly perfect.”

His words fade away, until all you can hear is the hurried beat of your heart hammering away in your chest as you come astonishingly close to your release.

“Please, Aleksander. I need it. Need you, oh, fuck-”

He rests his hand on the rim of the tub, palm upwards as he anticipates the sudden backwards motion of your head when you reach your climax. As pleasure courses through your body, his hand curls around to cradle the back of your head. He’s silent, eyeing you attentively as the aftereffects slowly wind down.

“Aleksander?” you whisper.

His thumb strokes down the sensitive skin behind your ear.

“Hm?”

“Can I kiss you?”

He regards you seriously, his eyes flickering over your features, then he nods. Before you can lean upwards to kiss him, he adds,

“If you do, I won’t be able to stop myself from climbing into this bath to take this further.”

“And if I don’t want you to stop yourself?”

He grips the nape of your neck, directing your mouth to meet his.

͙⁺˚*･༓☾ ‧͙⁺˚*･༓☾

“Do I have to?” Alina whines, hiding her face with her hands in embarrassment at the thought of heading a few floors down to the lingerie photoshoot to retrieve the file of images taken today.

“You’ll be fine,” you assure her. “Aleksander wants to look at the photos before the models go home for the day.”

“Can’t the photographers just email them to him?”

You shake your head.

“He likes to look at the printouts.”

She sighs.

“Fine. I’ll do it.”

She returns with red cheeks, gripping the paper folder tightly in her hands. She doesn’t make eye contact with you as she walks by your desk to give the folder to Aleksander. Almost as soon as she sits down at her desk opposite you, Aleksander calls for you.

“Milaya.”

Alina busies herself with typing as you walk by her, into Aleksander’s office.

“Yes, sir?”

“I’d like your opinion on something.” He selects a page, turning it over in his hand so that he’s offering it to you. “What do you think of this?”

Taking the page in hand, you look down at the two images, side by side. The first is a close up of a model wearing an unbelievably expensive bralette.

Pale blue boning, covered in a soft mesh a few shades lighter. The entire garment has been decorated with intricate embroidery, adorned in pearls and tiny gems that create the illusion of flowers. The image beside it shows off the matching thong - a tiny triangle of fabric embellished with the same exquisite details.

“The photos?”

He shakes his head.

“The outfit. Would you wear something like this?”

Heat spreads over your cheeks at his question.

“I would. It’s very pretty.”

“Do you like the colour?” he asks, selecting another page to show you. “Or do you prefer the pink?”

After considering both pieces, you admit quietly,

“I like the blue.”

He hums.

“Very well.” He holds out his hand expectingly and you place the pages back in his palm. “Your measurements haven’t changed have they?”

His question makes your brows scrunch together in confusion.

“No, sir.”

“The designer is creating a custom piece as a gift for me. Offering it to anyone else in this building but you would be a waste.”

“A waste?”

He nods, not looking up at you.

“That’s all.”

͙⁺˚*･༓☾ ‧͙⁺˚*･༓☾

“What’s wrong?” Alina asks you.

She must have noticed your anxious fidgeting; you’ve straightened the same pen on your desk four times already. But you can’t tell her what is actually on your mind.

“Nothing. I’m just keeping an eye on the time. Aleksander’s driver should be arriving soon.”

Sure enough, your phone rings and Aleksander’s driver is on the line, informing you that he’s parked outside the building. Once you’ve retrieved Aleksander, you accompany him down in the elevator.

He lists a few tasks for you to complete while he is out at his meeting and you distractedly make a note of them all. It’s only once the two of you are out in the fresh air, that you’re able to speak.

“I need to talk to you.” He doesn’t turn, ignoring you until you grasp at his sleeve, just as he reaches his car. “Aleksander.”

He turns to face you.

“What is it?”

Instantly, the weight of his eyes makes you nervous. Of course, you’ve thought about what you want to say to him but now the words fail you. The Aleksander in front of you now is different from the one you were with the other night.

“It’s about that night at your house,” you clarify. “I don’t want any special treatment because of what happened between us.”

He raises a brow, the corner of his mouth twitching slightly.

“Special treatment?” he repeats.

“Not that I don’t appreciate the set you offered me, but I don’t want anyone to think you’re favouring me.”

“Tell me about the designer of that piece.”

“She’s a Ravkan designer. All her work is couture, with hand stitched embroidery and embellishments. The pearls and gems are all sourced sustainably; she limits her collection to only forty pieces per style to minimise the environmental impact…”

When you realise how much you’re talking - about things that Aleksander most likely knows already - your words trail off into nothing. His mouth quirks into a half-smile that he quickly smoothes out into a more neutral expression.

“You are the one of the few people who understand the value of that design,” he says in a low voice. “And that is the only reason I wanted you to have it.”

“The only reason?” you repeat, hoping that he might have wanted you to have the lingerie because you would look good in it.

He doesn’t respond. Instead, he glances down at the front of your top, eyeing the skin on show there briefly before he turns away, leaving you in shock as he climbs into his car. Did Aleksander just eye up your cleavage?

͙⁺˚*･༓☾ ‧͙⁺˚*･༓☾

“Are those new?”

Alina’s question makes you peer down at your shoes - the object of her attention - and you smile.

“Yes. They are.”

The pale blue of your shoes are an almost perfect match to the lingerie set Aleksander had gifted to you - not to mention the heels are adorned in shimmering gems and pearls.

Alina takes the time to admire them, as the two of you stand beside the printer.

“Miss Starkova,” Aleksander calls out, standing in the doorway between his office and the one you share with Alina. “I need ten scarves from Gucci, and fetch my coffee on your way back in.”

Alina glances at you momentarily, wide eyed, before she nods resolutely.

“Yes, sir.”

There’s an anxious edge to her movements as she grabs her phone and bag, but she seems determined to adhere to Aleksander’s demands on her own this time. Both you and Aleksander watch her leave.

When you turn back to face him, Aleksander’s gaze is sweeping down your body, assessing your outfit as he always does, yet he lingers on your shoes for a moment. His throat bobs lightly as he swallows, his eyes darkening as they meet yours.

“A perfect match,” he observes.

Before you can respond, he turns and walks back into his office.

͙⁺˚*･༓☾ ‧͙⁺˚*･༓☾

“Where have you been?” Alina asks, shifting her weight anxiously on the pavement.

Cheeks flushing with warmth, you wipe at your lower lip with your thumb to ensure your makeup is still intact. The two of you head up the steps, into the entrance of Cartier.

“The car got caught in traffic.”

“Aleksander must have been furious.” You hum rather distractedly in agreement, smoothing down your skirt.

“He’s waiting in the car now, so we’ll have to make this quick.”

͙⁺˚*･༓☾ ‧͙⁺˚*･༓☾

“Where are you going?” Alina asks, turning to watch as you back away down the pavement. “I thought we were celebrating.” The last night of fashion week, the pinnacle of all your hard work over the last year has been finally reached.

It’s been almost a year since Alina first started working alongside you, but you don’t yet trust her with the full truth when you answer.

“I’m going to head back to the hotel,” you tell her before adding, “I’m exhausted.”

“Do you want me to walk with you?”

Shaking your head, you tuck your coat tighter around your body.

“I’ll be fine, thanks. Go enjoy yourself.”

When you finally reach your hotel bed, you collapse onto the mattress, still wearing your coat and shoes. It’s completely unintentional, the way you fall asleep draped over the bed.

After an indeterminable amount of time passes, a kiss is pressed to your cheek, rousing you from your slumber as someone nestles themselves over your body.

“Hello there, sleeping beauty,” a familiar voice coos playfully. Blinking the drowsiness from your eyes, you murmur a mildly bemused response,

“Sasha?”

He laughs softly.

“Who else, milaya?” He presses another kiss to your cheek, his lips moving toward your ear. “I didn’t hear you come in.”

“I stuck my head in the study,” you explain sleepily. “You were working… didn’t want to disturb you.”

He slips your coat off your shoulders, lowering kisses across your neck and collarbones as he reaches for the zipper on the back of your dress.

“You should have. I would have come to bed hours ago had I known you were back.”

“I’m so tired,” you murmur as your eyelids droop. Aleksander smiles fondly, pulling your dress down your body.

“You outdid yourself this year.” A pleased smile lifts the corners of your mouth. Aleksander lifts himself off the bed, crossing the room towards the en-suite. “The Starkova girl has improved,” he states, wringing out a cloth. “You seem to like this one.”

“I do,” you confirm, kicking your shoes off onto the floor. “She’s nice, though she’s been asking a lot of questions lately.”

“About us?”

“About you, mostly. I think she has a crush.”

“Poor girl,” he remarks drily as he sits down beside you and begins to wipe the makeup from your face. “Have you told her about us?”

“I thought you wanted this to be a secret?”

He shakes his head.

“I want to keep you safe. From the press and the gossip that follows me. Besides, I know how much you love working for the magazine. I would hate to jeopardise that.”

“Well, I might find something that I enjoy more than working as your assistant.”

“Such as?”

The smile you give him is soft as you fidget with the creases in his trousers.

“Your wife.”

His own smile is boyish as he teases,

“That is quite the promotion you’re offering yourself.” Then his expression grows more serious. “Even as my wife, I wouldn’t expect you to give up your job - not unless you wanted to.”

That makes your smile widen, your cheeks warming at the casual tone his voice adopts when considering you as his wife.

“Besides,” he adds. “Where would I find someone as capable as you?”

“I could mentor Alina.”

He hums, unconvinced, and you laugh at the sight of his apprehension. It’s sweet, knowing you’ve taken such a root in Aleksander’s life. He trusts you, unconditionally.

“I’m not handing my notice in yet,” you tease him, before adding with a small laugh, “Unless you’re planning on proposing tonight.”

Aleksander doesn’t laugh.

“Sasha?”

The corner of his lips quirk with the hint of a laugh, embarrassment touching at his features.

“I-” He sighs, shaking his head as his smile widens. “You’ve ruined the surprise.”

“Sasha,” you repeat, thoroughly caught off guard. “You’re not serious.”

“Of course I am.”

“Aleksander, I’m not wearing any makeup. I’m in my underwear.”

He doesn’t look impressed by your protests.

“Milaya, if you’re finished making rather obvious statements, I’d like to propose to you.”

The look he gives you has your lips pressing closed, giving him the chance to speak. Almost immediately, your excitement spills over your expression - a giddy smile tugging at your lips. Aleksander smiles fondly, stroking your cheek with his thumb as he admires you.

“I can’t believe you used to hide this from me. My pretty girl.”

“Well, dating the Aleksander Morozov was rather daunting at first,” you admit bashfully. He tilts his head at you.

“And do you think you can marry the Aleksander Morozov?”

Being married to Aleksander will attract attention - the kind that you’re unused to. The entire world will have something to say about you - what you wear, how you act - it will all be scrutinised by the tabloids and the social media comments. But he’s worth it, a million times over.

“I will if he actually asks me,” you remark teasingly.

He breathes out a laugh, kissing your cheek.

“Let me fetch the ring.”

͙⁺˚*･༓☾ ‧͙⁺˚*･༓☾

marvelmusing Tag List: @dreamlandcreations @blanchedelioncourt @idaofinfinity @slytherheign @ellooo0ooo @vixenofcourse @dumb-fawkin-bitch @jane-arthur @ilikefictionmen @budugu @watersquirtpewpewboomm @mysweetlittledesire

S&B Tag List: @motheroffae @daddymaster21

Aleksander M Tag List: @nyctophiliiiiaaa @jazmin2211 @wooya1224 @seronsalk @acehyacinth

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[shesimsplayer]

shine bright like a diamonds..

I think this is going to be my favourite category.

I was inspired to create Aaliyah by the singer Tyla, so let's think of her as a prototype, so here are a few facts about her biography:

Age: 28 years old, birthday June 15, 1996, zodiac sign: gemini

Living: Oasis Springs, Aaliyah lives in a luxurious, expansive mansion in Oasis Springs. Her home has been featured in lifestyle magazines for its blend of modern architecture and artistic decor.

Musical Genre: Aaliyah is a versatile artist who seamlessly combines elements of pop and jazz in a style she calls "Jazz-Pop Soul." This approach, with its rich jazz undertones and catchy pop rhythms, appeals to a wide audience and has made her music memorable.

Influences: she draws inspiration from classic jazz legends like Nina Simone and contemporary pop icons such as Alicia Keys. Her sound includes touches of blues and R&B, giving her songs a soulful, emotionally resonant quality.

Early Beginnings: she started her musical journey at just 16, singing in local clubs where her powerful voice and magnetic presence quickly attracted attention. She was discovered by a producer and signed her first record deal at 20.

Awards and Recognition: Aaliyah has earned multiple Grammy nominations and won the "Best New Artist" award during her first year in the industry. Critics have praised her unique ability to infuse jazz nuances into popular music.

Fashion: her style is both chic and eclectic, often featuring a mix of designer brands with bold, unique statement pieces. 

Hobbies: Outside of music, Aaliyah has a passion for art and painting. She also actively supports local artists, hosting exhibitions in her home to showcase their work.

Personal Life: A huge basketball fan, Aaliyah often attends games in her free time. She’s been open about her admiration for a well-known NBA star, with whom she’s rumored to share a close connection. Fans speculate about a budding romance, though she remains tight-lipped about the details.

Lots recommended: The Osasis Restaraunt, SBA Stadium, Techo Azul 

With her deep roots in jazz and a flair for pop appeal, Aaliyah Lawson stands out as one of the most dynamic performers of her generation.

All rights belong to the creators, and huge thanks to them for the custom content.

If you have any problems, don't be shy and text me. But hopefully everything will be fine. If you add Aaliyah to your gameplay, tag me under posts, I'll be insanely happy!

DOWNLOAD

[comingdownwithme]

I love your creepypasta au and designs and lore. Do you have anything for Nina the killer, Jane the killer and clockwork?

Sure! Sorry for the late response! had school n' stuff, and I had to reread the old original stories of some of the creepypastas and catch up on any newer additions since this is (technically) my first run in the fandom.

Anyways! Here's my take on the girls! Hope these are alright! This was like- my first time reading Jane and Nina's and my 2nd time since I was 12 reading Clockwork's ekdjske

Nina the Killer

Growing up with a love for horror, Nina Dagon was a young girl isolated from her fellow peers from a young age, with no one else but her brother and mother to confide in. As she grew, so did her love for the macabre, and that love soon grew into an avid interest in True crime. There, at a young, impressionable age where she's at her most isolated and vulnerable, was when she found the man who would change the course of her life, whether he knew or wanted to, or not.

Out of the Creepypastas I've drawn so far (as of Sept. 2024), she's the youngest adult at 25-ish! (Though this may be subject to change as with the actual ages of other characters ://)

Bilingual! Spanish is her first language, English is her second. She's not the best at it, but she's trying.

Grew up with unrestricted Internet access lmao. This... severely impacted her development and how she acted around people at a young age, and a small part of that influence is still present in her childish demeanor as an adult.

Found out about the death of Mr. And Mrs. Woods, alongside the murder of three other kids in the family's suburbian town following their deaths and the burning of their home, through true crime channels.

That is also how she found out about Jeff and related a little too much to his background (her blorbo from her shows).

Jeff's copycat killer, down to his iconic smile, (though hers is a lot thinner and cleaner than Jeff's). They say that imitation the highest form of flattery.

She gets a chainsaw. I think it looks cool :))

Learned exclusively through true crime. Though she's less graceful or experienced than Jeff, she still managed to keep the police off of her, especially when the first of her bullies had gone missing.

Follows Jeff's murders closely. Wherever he strikes, she strikes soon after.

Jane the Killer

While the fires of his own grief and rage still burned bright, Jane E. Arkensaw was a woman that came home at the wrong time. Despite the risk of death as she stands before someone who's hands were stained with the blood of many- including her own parents- Jane fought with adrenaline and anger coursing through her veins like a drug.

The rest of the night was a blur. All Jane remembers as she looks up at the golden silhouette of her burning home amidst the dark backdrop of the evening was that disgusting, Glasgow smile and the fact that within the chaos, she had managed to hurt him.

Jane was scarred worse than Jeff was if comparing their burns. This was because amidst the fire, Jane stayed in a vain attempt to save her dying parents.

As she stands outside, injured, confused and alone as the weight of exhaustion slowly settles in, she wonders why exactly Jeffery "Jeff the Killer" Woods dragged her out of that house before she could die in that fire.

Jane's father used to be in the military, so she learned a thing or two from him in terms of holding one's own in a fight.

Stole the mask she now wears from a Halloween sale at some nearby store during October. A lot of the things she wears has also been either stolen or bought at cheap from thrift shops.

She a lesbian :))

Hasn't and will never kill anyone. Her main target is Jeff.

Despite that, due to her inexperience and Jeff's tendency to escape without a trace, she's sometimes caught in the scene of his crimes instead, leading her to be indirectly framed when she had first decided to hunt around for the white-hooded killer. She's gotten better now though.

Has a complex relationship with Jeff. Despite her seething hatred for him and his apparent distaste in turn, the killer had helped her escape the cops on several occassions, even feeding her during her earlier days.

Still, she won't and will never forgive him, and she dare not try to make sense of the mind of a literal serial killer.

She was an avid enjoyer of the occult and the supernatural before the incident. She still is now, though she's often busied with other priorities.

Clockwork

Having been raised in a broken family and knowing nothing but pain for most of her life, Natalie Ouelette, even at a young age, felt as if both time and space were working against her, puppeteering her life to entertain whatever twisted Gods were watching over humanity. As the years went on, the line between pain and the mundane- even enjoyable- had began to blur, which is reflected in her art during her younger years which she had used to cope. After a series of continuously concerning events, leading to her hospitalisation at a mental institution, Natalie "Clockwork" Oulette escaped, leaving a trail of blood in her wake, including her so called "family".

Practically homeless (like most of my interpretation of the creepypastas are tbh) and had never changed out of the scrubs she had to wear during her stay at the mental institution.

The mutilation and replacement of her eye was a desperate attempt to regain some control of her life, and in the end, she felt like she had

Often confuses physical pain with other sensations.

Doesn't like being touched. Even with injuries where it would prove easier with someone's help, she'd much rather do it herself, leaving some injuries to heal for far longer and scar worse.

Her jacket was one of the few things she brought along with her after she had ransacked her family home.

Usually targets families, especially its older members. She then stays in the family home for a short moment before she moves on.

[funnyoldworld-isnt-it]

There are so many posts about the weirdness around Nina and Maggie, but the thing that has always bothered me the most is that both of them know Aziraphale but neither one of them seems to know Crowley. Like, at ALL. Not even by sight. Which doesn’t make any sense. For the last four years, Crowley has basically been unemployed and homeless (this sentence made me so sad to type). He has had literally NOTHING to do except hang out at Aziraphale’s bookshop. And the vibe at the beginning of s2 is that he’s there a LOT. Like, multiple times per week (“we both get plenty of use out of it, don’t we”). When Aziraphale calls him in the first episode, he says “2 minutes” the way you tell your spouse how long until you’re home from the grocery store, especially if you were on your way home already.

The dialogue goes to great lengths to highlight that Nina and Maggie SHOULD know Crowley, which just heightens the weirdness of it. When they're at the pub, Crowley asks Aziraphale, “What’s wrong with the cafe?” (implying they usually go to the cafe), but Aziraphale made a point of introducing Crowley to Nina in the first episode. And Nina makes a point of saying to Maggie that she always remembers “the regulars," but she doesn't seem to remember Crowley. Of course, she immediately notices both Jim and Muriel outside the bookshop, so she's clearly paying attention to what's happening in the neighborhood and it seems like she couldn't have failed to spot him coming and going all the time.

And Maggie's situation is even weirder. Her whole back story is that she basically grew up IN the bookshop because her grandmother’s record store was essentially in a corner of the bookshop. And yet, when Maggie and Nina see Crowley on the street right before the lightning strike, Nina says, “Do you see that bloke? Six shots of espresso and he's smoking,” and Maggie responds, “I think that man was just struck by lightning.” Which is something you say about someone you’ve never laid eyes on before. She didn’t say, “Oh, that’s Mr. Fell’s friend,” or “I’ve seen him around. He stops by Mr. Fell’s shop a lot.” And then when he comes back, "It's him. The one who was just struck by lightning. The six shots of espresso." Again, no flash of recognition of anything before the current day. This happens immediately after she's just told Nina about knowing Aziraphale since she was little. It’s just weird. Why build a back story that would put her in extremely close proximity to Crowley LITERALLY her entire life and then write dialogue that makes it clear she's never laid eyes on him before?

You could maybe think, well they're just so used to having to hide...but then I asked myself: Does it make sense that the day that you find out there is an extremely dangerous, existence-threatening problem hiding out in your ineffable husband's bookshop is also the day that you would decide to STOP keeping a low profile and start wandering the streets with abandon, introducing yourself to all the local shopkeepers, and ferrying large plants into and out of said bookshop? No. No, it does not.

In any other show, you could assume that the writers just didn’t think about it very carefully. But, given the layers and layers of meaning and symbolism baked into every detail of this show, from the dialogue, to the costuming, the set design, lighting, blocking, etc., and the way that the story folds back on itself again and again, it just feels significant.