#and my self-indulgence is drawing emotions
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drgnflyteabox · 2 days ago
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happy wife happy life
pairing: kate laswell x fem!reader summary: welcome home, soldier tags/warnings: housewife kink, oral sex (f), reader is emotional<3, vaginal fingering, mommy kink, age difference, dom/sub, self indulgent, soft, praise kink, tit play, dacryphilia, service kink, face sitting & 69ing, kate isn't into penetration but reader is, scent kink, orgasm delay/control w.c: 2.4k
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Kate is back.
She’s in one of those moods again, contemplative and quiet. You’ve seen it before, and though you haven’t been official for that long you’re starting to recognize a pattern.
Her back is tense, shoulders hiked as though still defensive. There’s a physicality about her that’s different when fresh off her ‘missions’, as you’ve taken to calling them affectionately. Knots in her that don’t fade until she’s properly well-fucked, sat in a bath and had you waiting on her.
“Had a good flight?” you ask, voice soft. The lights are dimmed, too. Nothing overhead. A linen candle burns on the coffee table while dinner cooks in the oven.
A game, almost. You, the housewife and she, the returning soldier. It would be all true and not just half true if not for the fact that you’d just finished your third year of university, but it’s fun nonetheless to pretend. Doting on Kate is the most fun you’ve had in a while.
“Long,” she sighs. Her boots go by the door, nice and tidy the way you like it. Happy wife, happy life, she’d joked once.
She steps quietly into the room, surveilling it like it’s got some hidden threat. You stand and wait for a moment, waiting for her to lose a fraction of the tension she’s holding and deem your apartment safe.
Clear.
When she acknowledges you, you step toward her and press your nose to her cheekbone, inhaling. Cotton deodorant, some sweat underneath it, the smell of some flowery conditioner they’ve probably got for the women on base.
Her arms find your back, smoothing up and down like the softness of you is something she’ll never get enough of.
“My girl,” she says affectionately against your cheek, lips a little chapped but still soft. Airplane air, you figure.
“I’m glad you’re back,” you murmur, stepping back just enough that you’re facing each other. “Want a bath?”
Kate hums, so you pad diligently to the bathroom and set up.
Little tealight candles, a heap of epsom salts for her muscles, her favourite bubble bath scent. You know it's her favourite because she used to compliment you on the way your skin smelled, the way the smell of ylang-ylang and cinnamon would drift up from your skin on some of your first dates.
Hot water for the epsom salts to dissolve and for her likely sore muscles. It’s a treat for you, too, to watch her sink in and groan. Makes you feel warm inside. Accomplished.
“Mm,” Kate hums, stepping out of her work pants. You try not to look at her panties, then her pussy, but you must fail because she laughs in the quiet of the bathroom. “Greedy girl. Be patient.”
She’s a little overgrown, and your mouth salivates. You turn so she can’t see your hungry expression and pull out some bath oil.
“Here,” you squeeze a few drops into the steaming water. “For your airplane skin.”
She tilts her head back, smiling at you. You take a seat at the edge of the tub, trying again not to look at her soft breasts peeking through the bubbles and once again failing.
“Missed me?” she closes her eyes, smiling stretching into a grin. Her arms leave the water and hold the sides of the tub, as if ready to pounce.
“I always miss you,” you say, trying to be sweet. Trying to ignore the steady pulse between your thighs.
“Mm?” she pokes one eye open, sinking a little lower into the bath, wetting her hair. “Is it you missing me or is it that naughty little pussy?”
You suck in a breath, heart flipping.
“It’s me,” you squeak.
Her eye squints as the apple of her cheek pulls up, smiling like a prideful lion. You feel her finger draw light circles on the exposed skin of your thigh, hand tilted towards you.
“Don’t lie,” she says, ignoring the way your breath stutters like someone’s punched you in the sternum. “That isn’t polite.”
She always knows exactly what you need, when you need it. Never bothers drawing you in and never has, she’s always dropped you right in the deep end.
Mommy. You breath out, skin prickling and hot. Sex was something odd for you; something you’d never been able to fully enjoy before Kate, not with your propensity for turning the act into something people usually don’t sign up for.
You’re a crier, is what it is.
Sex is vulnerability for you. A shedding of layers, an extension of tender trust and expectation of care you haven’t found much in strangers, and so casual never worked for you.
Kate wasn’t casual. She’d bent you till you broke the first week of knowing her, weeping fat tears onto a hotel pillow and saying thank you mommy, I love you mommy. Cracked you open and spilled your insides into the palm of her hand.
Not even a few months later and she knows she’s got you wrapped around her finger. In more ways than one.
“I really did miss you,” you breathe. Her fingers touch your knee, tapping idly.
“I know, sweetheart,��� she closes her eyes again, tipping her head back. The line of her neck shines from the heat, illuminating faint scars and skin turned tan from hours in the sun.
God, you feel shameless. Your throat tightens, thighs coming together, clit swelling. Though her eyes are closed, Kate exudes a smugness you know is helping her unwind. Giving her that power helps the both of you. It’s a bonus that it feels so good.
You end up leaving her to soak. The lasagna looks good in the oven, steadily bubbling under the tinfoil. In two minutes, you’ll peel it off and let it crisp up, hoping Kate will touch your cheek and call you a good wife.
She emerges in a towel, clean and white and sprayed with your linen laundry scent. Her skin still steams a little, but her shoulders have relaxed and her neck isn’t so stiff.
“Looks good, babygirl,” she throws a terry cloth robe on and sits, letting you slide a plate full of lasagna and Caesar salad towards her.
“Thank you,” you tuck in. Cooking is nice, but nicer when it’s for Kate and exam stress is behind you. The freedom of time and the motivation to impress her really pushes you to do your best, and the feeling of gratification as she licks her fork rivals only the needy throb of your cunt.
“I thought I told you patience,” she raises a brow at you. “I can see you squirming.”
“Can’t help it,” you sigh, trying to lick your fork to tempt her.
“No? Do you need another lesson in patience?”
“Ah, no, no. I can be patient,” you don’t want another lesson; don’t want to see her stern tonight. Already your chest pinches with emotion, both her recent absence and the elation of seeing her again fighting a tug-of-war over your heart.
Doing the dishes takes a distinct amount of self control, but you manage it. Even though she stands beside you, smelling so good and wearing only a robe with her sternum exposed, you manage it.
She turns to you when the last plate is dried, when the lasagna is put away, and grabs your hips in a firm grip.
“Bedroom?”
Though you’ve been acting like a bitch in heat panting over her since she stepped in the door, you appreciate the check-in.
“Mhm.”
“Use your words.”
“Yeah, bedroom,” you’re barely finished saying it when she gently spins you, crowding up behind you and walking forward to push you in the direction of your bedroom.
It’s practically shared at this point, what with how often she’s here between her deployments.
Kate kisses the side of your neck, inhaling your skin and sighing like she’s saying finally.
Fuck if you aren’t feeling the same way.
“Kate,” you breathe, hands cupping over hers as she reaches up to squeeze your tits.
“Ah ah,” she tuts. “You know what to call me, my girl.”
“Mommy,” and it’s nearly a whimper.
You’re spun again, gently still, and then stripped of your dress. Kate rubs your sides appreciatively before she unclips your bra, letting your tits fall into her hands.
“Beautiful,” she smiles. Your underwear comes off next, her sure hands sliding them off and tapping your calves to get you to step out of them.
You stand naked in front of her, already hazy, already soaking and wetting your inner thighs.
“I’m gonna sit on your face, sweetheart,” she slowly pushes you, letting the back of your knees hit the bed first before your butt does. “Lay back for mommy.”
You lay back, scooting a bit up the bed to give her room.
“I’m going to use you, mkay?”
You nod.
“Words, babygirl.”
“Use me,” you breathe, skin tightening over your whole body, forming two points at your nipples and making you shiver. Kate crawls on top of you, turning to face your body when she reaches your head.
“Keep your hands at your sides,” she orders.
Though you can see her pussy, though it’s so fucking close to your face you can hardly stop yourself from moving, you wait like a good girl as she sheds her bathrobe and slowly lowers her hips.
She smells good. You’ve never expressed it out loud before for fear of judgment, but you love the way she smells.
Kate is particular about what she likes, and she’s taught you her preferences diligently. No fingers, nothing but your hot little tongue inside her.
You run the tip of your tongue around her clit, then toward her hole, spreading her lips with your tongue and licking between them, softly at first and then building pressure. The flat of your tongue rubs against the hard nub of her clit and makes her sigh with pleasure. Her bush tickles you a little.
“That’s good, sweetheart,” she swivels her hips a little as you push your nose between her folds, letting her grind down on it as you lap at her.
The wetness between your legs grows until you feel a damp spot under you, thighs rubbing together as she ignores your neediness in favor of reaching down to tweak your nipples.
“Mm, make mommy come and then I’ll give you a kiss,” she sighs.
You suck her clit into your mouth, teasing her a little with your tongue and feeling her thighs tense beside your head.
Wetness coats your nose, your cheeks, your mouth and chin. She tastes good, too.
You feel it the moment she starts to come, her clit pulsing against your tongue, hands gripping your breasts like anchors in a storm. You moan into her, knowing the vibrations are helping her alone.
“Good girl,” she pants, grinding out the last little aftershocks. “My sweet girl deserves a reward for a job well done.”
And finally, she leans forward and spreads your pussy lips with her fingers, diving in with the point of her tongue aimed for your clit.
“Mmm,” Kate moans as you lick her gently, returning the favor between your own legs. “She’s needy, isn’t she sweetheart?”
You moan against her again in agreement.
“If only you could see this desperate little clit,” her voice is pleased, amused. Smug again. “Jumping out at me, begging for attention.”
You don’t need to see it — you can feel it. Your clit juts out, sensitive and tender. The feeling of her wrapping her lips around it and sneaking two fingers below and into your hole makes tears sting at your eyes.
“Always so sensitive,” she murmurs. “That’s alright, let it out.”
It becomes harder to focus on your task, but you try. Her second orgasm builds much slower than the first, coming in tandem with yours.
“Wait ‘till I come again,” she warns.
You try to hold it, desperately spearing your tongue into her and rubbing your nose against her clit. She twitches against you, breathing harder, moaning.
When she does come, finally, you let yourself release and your tears mix with the wetness already on you.
“Fuck,” she curses. “That’s good, good girl.”
You shake, pleasure cresting in waves over you, body alive and singing and relishing in the feeling of her skin over yours.
“Mmmhn—” you pant, hands clenching at your sides.
Kate sits up, swinging a leg over and laying down beside you. Her hand finds your stomach, gliding over it with her nails and making it jump.
“Such a good girl,” she kisses your jaw, sucking a mark into it. Her fingers move from your stomach down to your cunt again, spreading you open and pressing inside.
You pant, tears squeezing out of your eyes and trembling from sensitivity.
“You’re going to give me another,” she sucks your earlobe. “One more, for mommy.”
“Yes, mommy,” your mouth falls open and you shout.
Her hand cups your pussy, two fingers curled inside you as her palm presses hard into your sensitive clit. She murmurs soft words into your ear, and though you can’t hear them well you let them shelter you as the storm of your pleasure builds and builds and builds—
Until you come apart in her hands again, crying out and arching your back and clenching your hole against her fingers.
You sag against the bed as you finish, shivering with some aftershocks and sensitively, whining as she pulls her fingers out.
“So good for mommy,” she praises. She lifts her hand and sucks her fingers clean, leaning forward and doing the same to your mouth.
You end up in a messy kiss, more licking than anything.
“What do you say?”
“Thank you, mommy.”
“Mm, my good girl. Ready for a shower?”
Another aspect of your relationship you hadn’t been able to find elsewhere — she cares for you after, too. You know it's normal, expected even. But it still touches you, still fills you with a kind of glowing warmth that’s impossible to hide from her.
Especially when she’s relaxed now. When she’s letting you scrub her back and doing the same for you, filling the bathroom with that same scent. Ylang-ylang, cinnamon.
The sheets are a mess, but you drag a quilt over them and resolve to do them in the morning.
Kate curls around you, cocooning you against the world.
“I love you, my girl,” she kisses your cheek.
“I love you too, Kate. Goodnight,” you yawn.
“Goodnight, sweetheart.”
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goodluckclove · 2 days ago
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clove my kind comrade. i have a very emotional writing advice question for you. this turned kinda long, i apologize
i've been working on college applications these last few months, with the majority of that time taking the form of essay writing. and in these months it has been discovered that, at least to my dad's standards, my normal nonfiction prose writing skills are absolutely abysmal. i would write a draft, think i had everything pretty much shiny and complete, only to have everything i had worked so hard to finish absolutely picked to shreds by my dad and told i needed to start over. and there's nuance to this; i do quite literally forget a lot of writing tips and processes that worked for me, and it took last week's adhd diagnosis 17 years too late for me to stop hating myself for not being able to write a 300 word essay in a week. but this has left deep scars on my psyche and sent me for the most intense mental heath loop ive had in years.
that all contributed to a very intense anxiety ive developed about writing. i'll open a wip (or hell start writing an ask) and i will feel such a sense of dread. it's like i'm reaching into an oven that i know i've burned myself on so many times before. i can barely write a sentence before i start overthinking things too much and give up. this is specifically talking about my own personal writing. five minutes ago i opened my most self-indulgent wip that only four people on earth would ever be allowed to see and felt such an overwhelming fear of "what if it's bad". "what if it doesn't read this way to people". i've never had that before. i write what i write, and it's generally pretty damn good. but the anxiety i have about these stupid college essays has bled into MY work, MY own fun projects.
essentially, what i'm asking you is if you can offer any advice of how to conquer this anxiety. i know that an essay and a gay little fanfiction are fundamentally different things that cannot be equated with each other, and i know that other people's opinion on what is ultimately a self indulgent project can be easily and happily disregarded. but i can't have a self indulgent project if i can't even bring myself to physically write it.
this turned into a vent lmao. i hope you and Wife and the cats are doing splendidly.
Hi Bas! This ask made me deeply angry when I read it last night! Shame from artists, especially young artists just starting out in life and in their craft, apparently provokes a pretty deep rage in my soul.
I'm fine now. I'm at a coffee shop. Thank you for a pretty vulnerable and heartfelt insight into your brain-space, and I'm going to give it a pretty long and ramble-y response because that's what it deserves - and honestly, you've known me for long enough that I'm sure you kind of assume this is what's coming. Before that, though, I get the sense you're pretty anxious and drained. In the name of meeting your sincerity I would like to offer a look at the drawing my surrogate child demanded I draw for them after they saw the terrible Sonic the Hedgehog I drew from memory last night. Their prompt was "T4T Sonic/Shadow"
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What do you think? I gave Shadow a wallet chain. I've never drawn fan art before but I do think going forward I'm going to give most, if not every famous IP I draw a wallet chain. This made me grin a lot because it's so fucking weird. Also it's not canon. Canonically Shadow would not smoke a blunt. Canonically Shadow the Hedgehog vapes.
Okay I made myself properly silly time for business. Come follow me into a hypothetical situation so I can talk to you (and anyone in your position - which is a lot of people your age) more intimately.
Okay, so I'm at a new coffee shop. It's open concept, fairly minimal an industrial in decor. I'm in this seated nook in the back at a bench by a large round table. The lighting is soft. There's a lot of plants and the baristas are like kind of anti-social which usually means the coffee is going to be great or pretty bad. Luckily it's the former - I got this iced maple cardamom latte. They have other drinks too. Tea. Your usual coffee varieties. They have a rosemary syrup you can put in lattes that I might try if I feel like I want another coffee later. Take my card and order something. I'll wait here.
You're back? What'd you get?
Mm. Fuck. I should've gotten that too. Nevermind, it's fine. I'll probably come back here again.
Okay, so college essays. I'm going to go ahead and just open by saying that college essays are absolutely not the same as nonfiction prose. Flat out, end of sentence. They're aren't apples and oranges - it's like comparing an apple and a used 2007 Honda Accord.
Good nonfiction means different things to different people. I personally enjoy a bit of humor and love for a subject, even if it's mundane to most of society. My wife prefers a Wikipedia-level of dry Academia. Different strokes.
College admission essays, however, are not good. They're really not. From a vague amount of research it seems this has been an issue for decades now.
You can still write like a bad college essay, don't get me wrong. Something riddled with typos or dribbled out by a generative AI. But if you look a little bit at what the people who actually check applications are, it seems the spectrum isn't "bad to great" as much as it is "bad to fine". My own college essay was some bullshit about how I learned about myself and the world around me by going to the grocery store before school and buying a baguette to have for lunch. It was stupendously mediocre. I got into college.
There's a lot of reasons for this. It could be because the average 17-18 year old isn't given the tools or opportunity to write really solid nonfiction - probably because the society we live in doesn't expect them to have anything to contribute in that way, but that's beside the point. You're taught essays. Ways to format papers that, from what I gather, only really apply in academic settings. When I was in high school the average essay had pretty stark parameters students were expected to follow, and from what I've heard those parameters have only gotten more specific.
With all that in mind, I understand why you're freaked out. If you look up tips on solid college essays the advice is like just comically vague. Be authentic! Focus on deeper themes! Pose a philosophical question! That last one actually made me laugh out loud when I read it, because it's so insanely discordant compared to how I've seen people you're age be treated. To go straight from people assuming you need your hand held on nearly anything to having a person say "Hey solve nihilism in 450 words " is baffling.
There's real advice in this odd, clickbait-y quips. You shouldn't feel like you have to play a character or pretend to be something you don't want to do, because that comes across in the text pretty easily. You should consider exploring a topic, because it reveals more about you as a person and that's valuable to the application as a whole. You - I'm going to go out and say you don't need to pose any sort of philosophical quandary at all, actually. That's a pretty wild thing to ask a huge portion of New Adults to be able to do.
So this isn't nonfiction. This isn't a think piece or a memoir, even though people might compare it to both. This is closer to a cover letter. You should still try, but do so knowing this is separate from your skills as a writer. Once you do that, you'll hopefully be able to relax enough to actually let your character slip into the work. What you mainly want to do is express a sense of your voice and sort of imply an idea of the type of presence you would be as a student at your school of choice. That's the point of the application as a whole. It's not going to win a Pulitzer. It would be truly, very weird if an admissions essay won a Pulitzer.
The other thing that I think might be making you and people in your shoes feel crazy is that you're in the period of your life when a lot of adults around you are going to say just the wackest nonsense. Oh this application determines the rest of your life! The stakes have never been higher! This is your future! You're setting the entire course of the rest of your life right now, somehow!
That obviously is also not true. Next year will be a decade since I graduate high school, and I still actually have no idea why some people had that level of intensity. It strikes me as incredibly counter-productive. I explained this to my kid, and they were shocked when I told them how many paths there are to get a higher education. You can get your first few years at a community college and then go to a university. You can go to a polytech school (They make them for the arts too! my brother went to Cogswell and it was such a cool campus) and get straight into industry experience. You might get into a university and transfer to a different one because it has a better program or opportunity.
All of these are cool. Not going to college is also cool, although it comes with other pitfalls. You can also go to college later on down the line. If you haven't figured it out yet, existing in the world is actually really flexible and open in terms of life choices. A college application, essay included, is not likely to play a huge part in the grand scheme of your life. The results of this will give you a sort of better understanding of your options for a plan for the next - like - year, maybe? It won't even determine it. It's more of a cool, maybe or a cool, I guess not right now situation.
It's also way harder for most people to work with a smaller word count. Less words mean less margin for error. That's stressful. You aren't a failure for struggling to write 300 words in a week when you can't choose the parameters of the writing, can't change the deadline, and probably have a bunch of people saying how crazy important all this is. Those are batshit work conditions for someone who doesn't have ADHD.
For someone who does, I can see how easily this would warp the perspective you have on everything else you do. Being picked apart by someone who hasn't been where you are in like 20+ years but still expects you to take their words as gospel? Confusing! Maybe feeling the inexplicable need to compare yourself to any published nonfiction you've read and loved, even though this isn't even nonfiction - and if it was, those writers have definitely been working in the genre longer than just goddamned now.
I think I've told a few people your age that this is the point where you kind of have to pick and choose how often you listen to the adults in your life. That feels irresponsible for me to say, but I do stand by it. When it comes to the transition between high school and college, most established adults are just crazy biased. Maybe because they raised you. Maybe because they're blinded by nostalgia and think that high school was the best part of their lives. Maybe they aren't familiar with the work you want to go into and what's needed to get a start in it. Or they could just straight up not understand how the college system works now.
It is such bullshit that you eventually have to craft a sense of internal intuition out of essentially nothing but it is a thing. It takes time, though. I won't pretend like you can make it happen immediately right now.
What matters is that you're okay. I promise you that - you're okay. Looking you straight in the eye, Bas, you're a good writer. Not "good for your age", I have read enough of your actual writing to know that you're pretty solid already. I've also read enough of your posts and had conversations with you to know for certain that if you wanted to pursue nonfiction you'd be pretty good at it right off the bat. This would be under the usual standards of a nonfiction writer, of course - meaning you get to pick the length, subject, and when you finish it.
You are in the unfortunate period of going through multiple transitions at once. It's hard enough to navigate the way relationships change when people decide (or struggle to process) how you're an "adult" now (also not really true in a lot of ways, but that's another ramble). But going so long under the assumption of having a Default Brain Experience and then realizing that all of the struggles you assumed were normal are actually an imbalance of chemicals is jarring.
It's treatable, yes. Once you get on a medication that helps with the dopamine everything is immeasurably easier, holy shit. But even then it's still painful at times because the difference is so palpable you sometimes stop and think why did it take so long for me to be able to have this? Why did no one see I was struggling? That was my experience, at least.
This is a crucial point in life where you have to be extra kind to yourself however you can. Once you get on stimulants, if you go that way, drink a lot of water and remember to eat (Some of them can make appetite wonky and I think they all dehydrate you). Be careful with caffeine because they do make you more sensitive to that. Maybe like just stop thinking about whether or not your writing is bad or doesn't work in certain ways because I am a Professional Writer and those kinds of thoughts have literally never been helpful to me. When they pop up in my brain I literally say "no" and force myself to think about something else.
Whether your writing is "good" is not an actual question. Is it coherent and does it contain a noticeable and unique voice? Yes. Is it what you want? I can't answer that, but if you say no the way to fix that is usually read more/write more/think more/share with other more.
Also does it read the way it should to other people? Stop it. Don't worry about that yet. You have to finish the damn thing or else it won't read any way to anyone. So much of writing is Second Draft You's problem.
Anyways that's all I have to say. My heart goes out to you for being pulled in so many directions. From my own experience it gets slightly easier once you submit the apps, but people do continue saying dumb nonsense until like midway into your first year in college. And if you end up leaving college for some reason or another people will keep occasionally saying dumb nonsense. But usually by then you're more equipped to ignore them.
You're going to be okay. You are an intelligent, insightful, artistically capable and deeply kind individual. Whether you share your thoughts and make your stories, true or not, through text or art or a mix of both, you have so much to offer. Just remember that.
Also I'm hungry. I've been writing this for a while and I didn't get any work done on the painting for my wife, but it's almost noon and I didn't have breakfast. There's an American Chinese place near here and they have pretty cheap lunch specials. Come on, get your stuff and let's take a break.
Mongolian beef yum yum.
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princema-k · 2 months ago
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ha ha ha wheeeee
(individual smaller expressions under the cut!!)
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bonus:
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if a total of Two (2) people are interested i will ramble abt my hcs abt layton's emotions REQUIREMENTS HAVE BEEN FULFILLED!!! check here for my rambles :)
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mintjeru · 3 days ago
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jersey maids 🎀💕
open for better quality | no reposts
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boobchuy · 4 months ago
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age swap au in my head goes crazy nothing else in my entire life has had me reimagining an entire series from the ground up like this one
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vampirade · 9 months ago
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reaching for my colored pencils and stickers
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chocopink · 1 year ago
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Buggy the clown I would like to award you the highest honor I can bestow, drawing you with pink hair
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plugnuts · 2 years ago
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Birthday present for myself this Valentine’s Day!!
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cathalbravecog · 1 year ago
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i'm the antonymph of the internet
#how many tributes to this song will i make in my life#MANY ! it literally changed my life and means a lot to me. i love antonymph and vylet pony's music is worth checking out - please do.#unsupervised internet access as a queer neurodivergent kid anthem !!#i chose to do misty since we all know i like drawing her in experimental pieces and putting her in outfits. she also has art in a gir hoodi#from the clash team in treasure trove!! :D#this is also experimental/stylistic as well!! had fun!! nice to just draw something in one day and not worry. leaves me tired but...#haven't done a nice piece like so in one day in a while!!! i'm very proud :] it's a fun one#anyways... both a little tribute to the song and misty as a character#ihave so many thoughts about misty even if i dont talk publicly on them. shes a very interesting character to me and i care about her so#much. i compared her to fluttershy in the past - and realized that if i liked ttcc as a kid she would've been my favorite.#fluttershy on her own meant a lot to me as a child. including mlp itself as it's one of the core things that got me into drawing art online#a lot of my analysis on misty and headcanons at least on the more emotional scale do come from a bit of projecting but...it makes it more#fun to me when i can put myself into the shoes of a character like her who i already relate to. rrghh too bad im scared to talk about her#too much in nuanced detail in public since some people are... not so nice about her. though i know the tumblr audience is nice and unders#standing!!#anyways from me just having fun being me#i let misty have a little bit of fun... something i think she would possibly enjoy? i do see her as someone who gets nostalgic#and is stuck in more childish things and matters. she wants to play ip dip with you...its very sweet to me. letting myself and her be#confident through a song that means so much to me is kind of powerful to me. i had a lot of fun making this drawing.#anyways. love this song. love ttcc. love mity /p. be swag and be self indulgent and have fun. you can do anything u want forevah#toontown#toontown corporate clash#antonymph#guz art#rainmaker
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gutter--trash · 1 year ago
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step one: befriend a person who can sew
step two: infiltrate a party you weren’t invited to
step three: ????
step four: profit
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dandyshucks · 11 months ago
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genuinely so glad I started drawing selfship art because i am so much happier these days and love making art way more than I did before
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Mm because I've been feeling kinda sucky about my art for the last week nice little self-improvement post over the past ehh 5 months or so?
Under a cut because it's literally just some art I've already posted from the last 5 months (literally the first finished drawing of LMK I did far back. It's literally only been 5 months why does it feel like a year. Geeze.) so I can see tasty improvement but uhh yeah
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2 notes · View notes
bitchfendi · 1 year ago
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thinking abt my ocs for layton and vibrating bc i dont have motivation to draw or write them right now
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moinsbienquekaworu · 1 year ago
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Vibrating with the urge to talk about a topic I do not want to discuss publicly
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goldfades · 3 months ago
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LOVE IS THE ONE THING THAT CANNOT BE TAINTED BY FEAR OR DOUBT──FATHER CHARLIE MAYHEW
part two!!!
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for this request!!
─ summary | you and father charlie share a bond that goes beyond the confines of your church duties, with your public image as a nurturing servant masking the frustration and resentment you harbor privately. when nun megan grows suspicious and begins spying, she uncovers the intimate, vulnerable side of your relationship, catching a moment where emotions boil over into something more forbidden
─ pairing | father charlie mayhew x fem!mother!reader
─ word count | 6k
─ warnings | few kisses, kinda angsty, pretty wholesome though, nun megan being nosy AF, mentions/descriptions of being longing to be a mother + have a family, forbidden love, ends on a cliff hanger (part 2 coming soon, i just couldn't fit everything in one part)
─ ev's notes | my requests are open if you wanna send anything in! (please do btw i'm obsessed w nicholas LMAO). again this turned out very wordy and self-indulgent, my apologies
ok love u bye!!! pls send me requests!!!!!!
⇨ missing out on updates? check out my masterlist!
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The faint scent of incense lingers in the air, the wisps of smoke curling upward toward the stained glass windows, where muted beams of light filter through, casting the nave in shades of gold and crimson. The church is quiet now, save for the soft rustle of robes and the shuffling feet of the last parishioners as they take their leave. You remain rooted to your spot at the front, hands clasped in front of you, your gaze lowered in practiced reverence.
You’ve spent years perfecting this image—a serene, dutiful figure in service to the church. The warmth you offer is genuine, but it's also an armor, a shield from the world beyond the altar. You can feel their eyes on you as they depart, expecting grace, expecting humility, expecting nothing more than what you’ve always given them.
But beneath the surface, you can feel the stirrings of something else. The long hours, the endless work, the weight of expectations—it grinds against you, slowly wearing away at the image you’ve created. And no one sees it. No one, except him.
Father Charlie stands beside the altar, his back turned to you as he speaks to one of the deacons, his voice low and calming, as it always is. There’s something about him—something steady, something real—that draws you to him. He’s the only one who understands the pressures you both face, the only one who sees through the veneer you maintain for the sake of the church.
As the last of the congregation filters out, a wave of relief washes over you. The doors close with a soft echo, leaving the two of you in the lingering quiet of the empty church. You allow yourself to breathe, to let go of the tightness in your chest. It’s only in moments like these, when the others have gone, that you can finally be yourself—unburdened by the expectations of the flock, free from the eyes of those who can never truly understand.
But you sense it, don’t you? That something else is watching, something creeping at the edges of this sanctuary, waiting for you to slip.
You feel a prickle of awareness, an instinct, perhaps, that you’re not as alone as you think. But you push it aside, telling yourself it’s nothing—just the remnants of the day clinging to your thoughts. After all, in the safety of the church, what could possibly be wrong?
You step forward, closer to Father Charlie, your voice dropping to a murmur. “They never stop looking, do they?”
He turns toward you, and there’s a softness in his expression—something that tells you he’s been thinking the same thing. “No,” he says quietly, “they never do.”
You exchange a glance with Father Charlie, a silent acknowledgment passing between you. He sees the cracks in your facade, the weight you carry, but you don’t speak of it yet. Instead, you let the stillness of the church settle over you like a heavy cloak.
From the corner of your eye, you notice a figure lingering near the back of the nave, her sharp eyes scanning the room with a quiet intensity. Nun Megan.
She’s always watching, isn’t she? Always hovering on the fringes, her gaze lingering just a second too long whenever you’re near Father Charlie. At first, you thought it was nothing—just her usual vigilance. But lately, you’ve felt her eyes more than ever, probing, curious. She’s never said anything outright, but the suspicion is there, woven into every glance, every pause when the two of you are together.
Today is no different.
She lingers by the back pew, her hands folded in front of her, eyes flicking between you and Father Charlie, as though waiting for something, anything, to confirm what she already suspects. You can feel the weight of her judgment, subtle but ever-present, like a shadow you can’t shake.
Father Charlie hasn’t noticed her yet, his focus still on you as he speaks softly, a reassuring tone to his words. “You know we can’t let this consume us. What we do here… it’s bigger than us.”
His words are meant to calm you, to pull you back from the edge of frustration, but your thoughts are already racing. You glance toward Nun Megan again, just in time to see her quickly avert her gaze, pretending to adjust a candle on the altar. She’s watching—of course, she’s watching.
You wonder if she’s been watching longer than you realize.
“I know,” you say, your voice low. But the bitterness creeps in, twisting your words. “But sometimes I think we’re expected to be more than human. How long are we supposed to pretend we don’t feel anything?”
Charlie’s eyes soften, but before he can respond, you see him glance over your shoulder—finally catching sight of Nun Megan. The tension in the room shifts, subtle but palpable. He straightens, his face smoothing into the calm, composed expression he wears so well. “Sister Megan,” he calls out, his voice gentle but pointed.
She steps forward, her smile small and tight, her eyes darting between you both. “Father Charlie,” she says softly, inclining her head in a show of respect. “I didn’t mean to intrude. I was just… making sure everything was in order.”
Her words hang in the air, innocuous enough on the surface, but there’s something else there, hidden beneath her polite tone. You can see it in her eyes—the doubt, the questions she doesn’t dare ask.
Not yet, anyway.
Father Charlie offers her a kind smile, though you can tell he senses it too. “Everything’s fine, Sister,” he says. “We were just finishing up.”
But even as she nods and steps back, you know this won’t be the last time. She’ll keep watching, waiting for the moment when your guard slips. And when it does, she’ll be ready.
As Nun Megan retreats to the back of the church, your pulse quickens. You’ve held your composure for now, but the unease gnaws at you. The walls feel tighter, the air more stifling. She’s already too close, and it’s only a matter of time before she sees more than you want her to.
Father Charlie steps closer, his voice barely above a whisper. “We have to be careful.”
You nod, but inside, you know it’s already too late. Megan’s already seen enough to suspect—and suspicion, in a place like this, is dangerous.
───
You lay on Charlie's bare chest, still breathless from the earlier exertion. The warmth of his skin radiates beneath your cheek, your fingers tracing lazy patterns along the scars and soft ridges of his chest. The room is quiet, save for the steady rise and fall of his breathing, the muted sound of your heartbeats thrumming together in the aftermath of what you’ve just shared. The intimacy of the moment feels stolen—like something you shouldn't have, but neither of you can resist.
You close your eyes for a moment, letting yourself sink into the softness of him, the way he smells of incense and something darker, something distinctly him. This is the one place where the world falls away, where the weight of your roles within the church, the expectations, the endless eyes watching your every move—they don't matter here. In these stolen moments, you’re not the pious Mother superior they expect you to be, and Charlie is not the solemn priest. Here, in the seclusion of your shared quarters, you are simply you and him.
He lets out a quiet sigh, his fingers brushing through your hair as if to anchor you to him, to the present. You shift slightly, lifting your head just enough to meet his gaze. His eyes are softer now, the usual veil of composure lowered, revealing the tenderness he reserves only for you. There’s a question in his gaze, though, something unspoken yet palpable, like a prayer hanging in the air between you both.
“Do you think she suspects?” you ask quietly, your voice barely above a whisper, as though even here, in this hidden sanctuary, you’re afraid to speak too loudly.
Charlie’s hand stills for a moment in your hair, and he hesitates before answering. “She watches,” he says softly, his tone measured but tinged with a hint of unease. “Megan always watches.”
You bite your lip, trying to push away the knot of anxiety tightening in your chest. Nun Megan’s eyes have been everywhere lately, her presence lingering in corners, her footsteps echoing in halls where no one should be. You can feel her judgment even when she’s not there, like a shadow creeping just behind you.
“What if she knows?” you ask, your voice shaking slightly. “What if she’s already seen too much?”
Charlie’s hand cups your cheek, drawing your gaze back to his. “We’ve been careful,” he reassures you, his voice steady and soothing. “But even if she suspects, we won’t let her tear us apart. Not here. Not now.”
His words should comfort you, but they don’t. There’s too much at stake—too many risks. And yet, despite everything, you can’t pull away. The bond between you both is too deep, too powerful to sever. You close your eyes again, letting the quiet blanket you both, willing the worries to dissolve into the stillness.
But somewhere beyond the walls of this sanctuary, you know Nun Megan is watching. Waiting. And it’s only a matter of time before the veil of secrecy slips, and the forbidden truth of what you share is laid bare.
The silence between you and Father Charlie feels heavier now, like the air has thickened with all the unspoken words and the knowledge that your time together might soon be fractured by someone else’s gaze. You shift your body, propping yourself up slightly on his chest so you can look at him fully.
His brow is furrowed, but he wears the same soft expression he always does when he's with you, the kind that calms your nerves even when the weight of the world presses in on you. You reach out and gently brush a stray lock of hair from his forehead, your fingers lingering for a moment longer than necessary.
"You can’t be the one to carry all the worry," he murmurs, his voice deep and soothing, laced with that unwavering faith that you’ve come to rely on. He places his hand over yours, his thumb tracing circles against your knuckles. “I can see it in your eyes—you’ve been holding too much inside.”
You want to deny it, to say that you’re strong enough, that you can bear whatever comes next, but you know he’s right. There’s too much weighing you down—too many people to answer to, too many demands, and far too many secrets.
“I’m scared,” you admit quietly, the words slipping from your lips before you can stop them. “Not just of Megan… but of what happens if we get caught. What they’ll do to us. What they’ll do to you.” You lower your gaze, the vulnerability of the confession hanging between you like a leaden weight.
Charlie exhales softly, his hand moving to your jaw, tilting your chin up so that your eyes meet his again. There’s something fierce in his gaze now, an intensity that reassures you despite the uncertainty swirling around you both.
“Whatever happens,” he says, his voice firm, “we’ll face it together. They can’t take that away from us.”
“What if it’s not enough?” you ask, your voice barely a whisper. “What if this… this thing we share, this love—what if it’s not enough to save us?”
The church is supposed to be a sanctuary, a place of peace and solace, but lately, it’s felt more like a prison. You can sense the walls closing in, the tension rising between the expectation of holiness and the very human desires you’ve tried so hard to suppress.
Charlie shakes his head slowly, his gaze never leaving yours. “It is enough,” he insists. “Love is the one thing that can’t be tainted by fear or doubt. What we have—it’s sacred in its own way. Even if the church sees it differently.”
For a moment, you let yourself believe him. His words wrap around you like a protective shroud, and in this space—this room, away from the watchful eyes of the others—it’s easy to imagine that maybe, just maybe, he’s right. That what you have can survive the scrutiny, the judgment, and the dangers that loom just outside these walls.
But as much as you want to cling to that hope, the doubt is still there, lurking at the edges of your thoughts.
You don’t say anything else, instead letting your head fall back against his chest, listening to the steady rhythm of his heartbeat beneath you. The sound is calming, a tether to the present, to this moment you share together.
But somewhere in the back of your mind, you can’t shake the feeling that time is running out. That soon, Nun Megan will step beyond suspicion and into certainty, and when she does, the fragile world you’ve built with Charlie will come crashing down.
Outside, the wind howls against the old stone walls of the church, a reminder of the world waiting for you beyond this small sanctuary. But for now, for this brief and precious moment, it’s just you and him—together, against whatever comes next.
───
The sun hangs high in the clear afternoon sky, casting a golden light over the open field where the annual church picnic is in full swing. Children run through the grass, their laughter ringing out like tiny bells carried on the breeze, while the adults gather around tables laden with food, exchanging pleasantries and stories. You stand near the edge of the field, watching as a group of children pulls you into their game of tag, their faces lit up with joy and mischief.
You can’t help but laugh, your heart light as you chase after them, the stress and fear that have weighed on you for so long melting away, if only for a moment. The children's energy is infectious, their innocence a brief but welcome reprieve from the gravity of the world you usually inhabit. They dart around you, giggling and shrieking with excitement as they narrowly avoid your grasp, their small hands brushing against yours in passing.
You catch a young girl in your arms, swinging her around in a playful twirl before setting her down. Her laughter is so pure, so unburdened by the weight of the world, and it stirs something inside you—a long-forgotten lightness that you’ve almost forgotten was there.
From across the field, Father Charlie watches you, his eyes softening as they follow your movements. You are radiant in this moment, free from the burden of secrets and suspicion, your face bright with genuine joy as you interact with the children. His heart swells at the sight, an unfamiliar warmth spreading through his chest.
He has always admired your strength—the way you carry so much, how you stand tall even when the weight of your responsibilities threatens to break you. But here, now, seeing you like this, surrounded by children, laughing freely, Charlie feels something different. Something deeper.
It's more than just admiration. It’s a longing, a quiet ache for something more than the life he’s chosen. Watching you with the children sparks a warmth inside him he hadn’t known he could still feel, a yearning for a different kind of closeness. One that he knows is forbidden, yet he can’t help but dream about.
You twirl around with another child, your smile wide as they tumble into your arms. For a brief second, you catch Charlie’s gaze from across the field, and your eyes meet. There’s something in his look that makes your breath catch—a tenderness, a softness that you’ve rarely seen outside the privacy of your hidden moments together. His lips curl into a small, almost shy smile, as though he’s caught himself staring but can’t quite tear his gaze away.
For a moment, it feels as if the rest of the world fades away. The laughter of the children, the hum of conversations, even the sounds of nature—all of it dulls into the background as you stand there, frozen in that quiet exchange with Charlie.
It’s a connection you feel deep in your chest, one that’s always been there, simmering beneath the surface, but is now rising to the forefront, too powerful to ignore.
The children pull you back into the game, and the moment is broken, but the warmth of Charlie’s gaze lingers with you. As you chase after the little ones again, you feel a blush creep up your neck, knowing that even here, in the open, with the church congregation all around, there’s something between you that no one else can touch.
Charlie tears his eyes away, his heart still beating a little faster than before. He forces himself to join in the casual conversations around him, but his thoughts remain with you, and that moment. He’s always been good at keeping his emotions at bay, keeping his desires hidden beneath the layers of duty and faith. But now, watching you like this, he feels those walls crumbling, just a little.
And for the first time in a long while, he allows himself to wonder: What would it be like to have this warmth—to hold onto it, to let it fill the hollow spaces inside him? What would it be like if the life he’d chosen wasn’t a barrier but something that could coexist with the connection he feels with you?
He shakes his head, trying to push the thoughts away. But they cling to him, persistent, like the warmth in his chest that refuses to fade.
As the afternoon wears on, and the children slowly tire out, you make your way back toward the picnic tables where the rest of the congregation was. Your cheeks flushed with exertion, your hair slightly wind-tossed, and you catch Charlie watching you again, and this time, there’s something in his gaze that makes your heart flutter—a promise, perhaps, or a confession yet to be spoken. Charlie begins making his way over to you, a warm smile on his lips.
One of the little girls run up to you once again, practically tumbling into your arms. You giggle, grabbing her waist and pulling her into your lap.
"Mother Y/N, have you ever wanted children?" she asks.
Her question catches you off guard. The little girl's innocent eyes peer up at you, wide and curious, and for a moment, you’re unsure how to respond. You feel Charlie’s presence nearby, his footsteps slowing as he hears the question, and your heart skips a beat.
You smooth the girl's hair back gently, buying yourself a second to gather your thoughts. Children… it’s not something you’ve allowed yourself to think about much, not with the path you've chosen. Being a mother in the literal sense feels like an impossible dream—something meant for another life, another version of you.
Still, the warmth of the child in your lap, her trust and affection, tugs at something deep inside you.
You smile softly, running your fingers through her hair. “I suppose I have,” you admit, your voice gentle. “There was a time when I thought I might have a family of my own one day. But now... I think my place is here, taking care of all of you.”
The little girl tilts her head, a frown crossing her face as she processes your words. “But wouldn’t you like to be a real mama?” she asks, her small hands gripping your arm as if to anchor you to the moment, to the question.
Before you can answer, you feel a presence behind you—Charlie has arrived. He crouches down beside you, his hand brushing your shoulder in a gesture so natural, so easy, that it almost makes your heart ache.
“The way you care for everyone here,” he says softly, his voice warm and filled with admiration, “I think you’re already a mother to so many.”
You glance up at him, your eyes meeting his, and there’s something in his gaze—something gentle and understanding, but also deeper, more personal. His words resonate in a way that goes beyond the roles you’ve both taken on within the church. For a moment, you allow yourself to imagine it—what it would be like if things were different, if you and Charlie could have a life beyond the confines of the walls you’ve built around yourselves.
The girl beams, nodding in agreement. “See? You’re like a mama to us already,” she declares, then wraps her small arms around your neck in a tight hug before hopping off your lap and running back toward the other children, her energy renewed.
You watch her go, your heart swelling with a mixture of emotions. When you turn back to Charlie, he’s still crouched beside you, his expression softened by something you can’t quite put into words.
“You handled that well,” he says quietly, his smile reaching his eyes.
You laugh softly, shaking your head. “I don’t think I was prepared for that kind of question, if I'm being honest.”
He chuckles too, and for a brief moment, the world feels lighter, the weight of everything you’ve been holding inside lifted by the simple connection between you two.
But as the children’s laughter echoes around you and the other parishioners continue with their picnic, you feel the weight of reality creeping back in. This quiet moment with Charlie—this glimpse of what could be—feels like a fleeting dream. You know the path you’ve both chosen is far more complicated than that. Yet, as you stand together in the warm afternoon sun, you allow yourself to linger in this feeling for just a little while longer.
Charlie’s hand brushes against yours, lingering for just a moment, and you know that whatever happens next, whatever challenges come your way, you won’t be facing them alone.
───
The last light of day has faded, leaving the courtyard steeped in a deep, quiet twilight. You stand by the fountain, your fingers tracing the cold, rough surface of the stone. You try to breathe deeply, but frustration gnaws at your insides. On the outside, you wear the same mask you always do—calm, nurturing, and devout. But inside, there’s an ever-present storm, growing louder by the day.
Your thoughts drift back to Father Charlie, to the comfort he offered earlier. His words felt like a balm on your wounds, but they didn’t erase the resentment. The weight of expectations presses on your shoulders—constant demands, endless servitude, all while suppressing the truth of who you are.
Your gaze flickers toward the chapel, half-hoping to see him stepping into the courtyard. But the figure that emerges from the shadows isn’t him.
Nun Megan.
Her steps are silent but deliberate, and her eyes are as sharp as ever. You’ve noticed her watching lately—her gaze lingering on you and Father Charlie, suspicion glinting in her eyes.
“Out late again, I see,” she says, her voice carrying a quiet accusation. She stops a few feet away, her gaze fixed on you, unblinking. “You’ve been spending a great deal of time in Father Charlie’s company.”
You stiffen at her words, but force yourself to remain composed. You know how to wear the mask—how to keep the perfect image intact. “I seek guidance, Sister Megan,” you reply, your voice measured. “Father Charlie offers wisdom.”
Her lips press into a thin line, her expression hard. “Guidance, is it?” There’s no mistaking the suspicion in her voice now. “We all seek guidance, but you’ve been… close.”
The accusation hangs in the air between you, cold and heavy. You feel a flash of anger rise within you, but you suppress it, keeping your voice even. “We are all called to be close to God. To each other, Sister.”
Megan steps closer, her eyes narrowing. “Perhaps. But eyes are everywhere. You should be careful. It’s my duty to protect the sanctity of this place.” Her words are a thinly veiled threat, warning you that she’s watching.
Before you can respond, a voice cuts through the tension.
“Sister Megan.”
You turn at the sound of Father Charlie’s voice, relief washing over you as he steps into the courtyard. His presence brings with it a sense of calm, as if the storm threatening to engulf you has momentarily eased. His gaze flicks between you and Megan, though when his eyes land on you, they soften.
“Is there a problem?” he asks, his tone neutral, but his eyes hold a silent reassurance.
Megan stands a little straighter under his scrutiny. She hesitates, clearly uncomfortable with challenging him, but her suspicion remains. “No, Father,” she says finally. “I was simply offering our sister here a reminder of her vows. It’s important we maintain propriety.”
Father Charlie’s expression doesn’t change. “Of course, Sister. We all must uphold our vows. You may return to your duties.”
There’s a pause, and for a moment, you think Megan might push further. But then she inclines her head and turns away, her steps sharp and purposeful as she leaves the courtyard. The weight of her presence lingers, like a shadow refusing to lift.
As soon as she’s gone, you exhale, tension slipping from your shoulders. Father Charlie steps closer to you, his voice low and steady. “She grows more suspicious.”
You nod, swallowing against the knot in your throat. “I don’t know how much longer I can keep doing this,” you admit, your voice barely above a whisper. The mask you’ve worn for so long feels suffocating now, the weight of expectations unbearable.
Father Charlie’s expression softens, and when he reaches out, his fingers lightly brush your arm. “You’re not alone,” he says, his voice filled with warmth. “We’ll figure this out. Together.”
His touch sends a spark through you, and for a moment, the weight of your burdens eases. But as you stand there, alone in the darkness with him, you know that the road ahead will only grow more difficult. Still, with him beside you, it feels less daunting.
You stay silent for a long moment, standing there with Father Charlie. His presence should be enough to calm you, but the weight of your thoughts has become unbearable, pressing down harder than ever before.
“I never wanted this life,” you finally whisper, eyes fixed on the fountain’s surface, the soft ripple of water reflecting the sky. “When I was a little girl, I dreamed of something else.”
Charlie says nothing, letting you speak, his silence a kind of permission.
You take a breath, the memories flooding back. “I used to imagine myself far away from here—away from society, the rules, the eyes always watching. I dreamed of having a family, children running through an open field, laughter filling the air. I wanted to be a mother,” your voice wavers slightly, “to nurture my own, not just serve others.”
The words feel strange as they leave your mouth, like a confession you’ve never dared to speak aloud. Even though you’ve lived in service, dedicating yourself to this life, there’s always been a gnawing ache inside you for something more—something that belonged solely to you.
“I imagined a small cottage,” you continue, your voice growing softer, “with a garden, flowers blooming. Somewhere far from this place, where no one could judge me, where I could be free. I wanted to love, to build a life that was mine.”
Father Charlie shifts closer, his hand lightly brushing against yours, offering silent support.
“But instead… I ended up here.” The words hang in the air, heavy with regret. “I thought I was doing the right thing, choosing this path. I thought it would bring me peace. But it didn’t. It feels like every day, I’m giving up more of myself—burying my real desires so deep I hardly recognize them anymore.”
Your throat tightens as a tear escapes, sliding down your cheek. The picnic earlier flickers in your mind, how for a brief moment, you allowed yourself to feel happiness. Real happiness. Sitting under the sun with him, laughing, letting your guard down—it had stirred something in you, something real and raw, a glimpse of the life you had always wanted.
“That picnic…” you murmur, your voice thick with emotion. “For the first time in so long, I felt alive. I didn’t feel like the person everyone expects me to be. I felt like… me.”
Father Charlie’s gaze softens, and he doesn’t pull away when you step closer, his presence like a steadying force. “It’s not wrong to want more,” he says gently. “You deserve to feel whole.”
“I don’t know if I can,” you confess, your voice trembling. “I’ve given up so much already. What’s left of me?”
He lifts your chin, forcing you to meet his eyes, and in them, you see the same conflict, the same struggle that mirrors your own. “There’s still time,” he says, his words a quiet promise. “There’s still time to find yourself.”
Tears spill freely now, and before you can stop yourself, you collapse into his arms, seeking solace in the warmth of his embrace. For a moment, the walls around your heart crumble, and you let yourself feel the ache of all you’ve lost—the life you could have had, the dreams that seem so distant now.
“I wanted a family,” you whisper into his shoulder, your voice breaking. “I wanted to be a mother, to love, to be loved. But instead…”
He tightens his arms around you, his voice barely above a whisper. “You are loved. In ways you may not see yet.”
Father Charlie holds you close, his arms steady around you as your tears soak into his robe. The dam has broken, and there’s no holding back the flood of emotions anymore. You cling to him like he’s the only solid thing in a world that’s crumbling beneath your feet, each sob rising from a place so deep it scares you.
“I thought… I thought if I buried those dreams long enough, they’d go away,” you murmur into his shoulder. “But they haven’t. They’ve only grown louder. I see families, mothers with their children, and it’s like a knife in my heart. I want that—so much it hurts.”
You pull back just enough to look up at him, eyes searching his face for understanding. His brow furrows, concern etched into every line. “I feel trapped here,” you continue, voice cracking. “I’ve spent my life giving and giving, but no matter how much I give, I can’t find peace. All I ever wanted was a simple life, with love. But instead, I’m… this.”
Father Charlie’s hand comes up to cradle the side of your face, his thumb gently brushing away a tear. “You’re not alone in this,” he says, his voice soft but resolute. “I see your struggle, and I feel it too. Every day I ask myself if I made the right choice. If this is what my life was meant to be.”
The vulnerability in his words makes your breath hitch. You’ve never heard him speak like this before, never knew he had the same doubts gnawing at him. It’s both terrifying and comforting at once—knowing that even someone like him, someone who always seems so sure, is just as lost as you are.
“I don’t know how to keep pretending,” you admit, your voice a fragile whisper. “That picnic, earlier today… it felt like a glimpse of the life I could’ve had. And for just a moment, I was happy. Truly happy. But then it all came crashing back—the guilt, the expectations. The life I chose. It feels like a prison.”
Father Charlie’s thumb pauses on your cheek, and he lets out a slow breath. “I understand,” he says quietly. “More than you know.”
The air between you feels heavy, thick with unspoken truths and shared pain. There’s something unspoken in his gaze, a longing that mirrors your own, and for a brief moment, you wonder if he’s wrestling with the same thoughts—if his dreams have also been sacrificed for a life he’s no longer certain of.
“I never thought…,” you begin, but the words catch in your throat. “I never thought I’d feel this way, here of all places.”
His hand slips from your cheek to your shoulder, his touch warm and grounding. “Feelings are complicated,” he says softly, his eyes never leaving yours. “Sometimes, we think we’ve made peace with our choices, but deep down, our hearts tell a different story.”
A silence stretches between you, heavy but not uncomfortable. There’s something raw and honest about this moment, like the two of you are finally shedding the masks you’ve been wearing for so long.
“I don’t know what to do,” you admit, voice barely audible. “I feel so lost.”
Father Charlie’s gaze softens, and he leans in just slightly, his face close. “You don’t have to have all the answers right now,” he murmurs. “But you don’t have to face this alone.”
The weight of his words settles over you like a blanket, and for the first time in what feels like forever, you allow yourself to believe that maybe, just maybe, you don’t have to carry this burden on your own. Maybe there’s room for something more—something real.
Your heart races in your chest, and you take a shaky breath, eyes locked with his. The closeness between you feels electric, every nerve in your body attuned to his presence, to the quiet intensity in his gaze. It’s dangerous—this connection. You both know it.
But in this moment, it’s all you have.
───
The church bells have just finished ringing, signaling the end of Sunday Mass. You stand outside with Father Charlie, your heart still heavy from the morning’s sermon. The congregation begins to disperse, everyone offering quiet blessings to one another as they leave. You and Father Charlie remain, lingering by the old stone archway. It’s quieter now, the sacred stillness of the church grounds wrapped around you both like a secret.
He turns to you, his gaze soft and familiar, and you can feel the pull between you—stronger now than ever. The unspoken connection that had simmered all week after your vulnerable conversation feels unbearable in its intensity.
“I shouldn’t…” you start, but your words falter as he steps closer, the warmth of his presence radiating into the space between you.
“I know,” he replies, his voice barely above a whisper. But the way his eyes flicker from yours to your lips betrays his struggle, mirroring your own.
Before either of you can talk yourselves out of it, your lips meet in a kiss. It’s soft at first, tentative, but it quickly deepens, fueled by the weight of everything you’ve been holding back for so long. The world seems to disappear—just the two of you in a moment stolen from time itself, as your heart pounds wildly in your chest.
The kiss is both a comfort and a confession, a silent surrender to everything you’ve been too afraid to say. You clutch the fabric of his robe, pulling him closer, needing to feel the solidness of him, to anchor yourself in this forbidden moment.
But then, a gasp—a sharp intake of breath that slices through the intimacy like a blade. You break apart, breathless, and turn to see Nun Megan standing at the edge of the churchyard. Her face is a portrait of shock and disbelief, eyes wide, hand clasped over her mouth as though she cannot believe what she’s just witnessed.
Your stomach drops, cold dread flooding your veins.
“Goodness…” she whispers, her voice laced with horror, “what have you done?”
Father Charlie immediately steps back, but the damage is done. The air is charged with accusation, and you can see the betrayal written across her face. The weight of your actions crashes down around you, guilt mixing with panic.
“Megan, it’s not—” Father Charlie begins, but there’s no stopping her now. She turns and rushes back toward the church, her steps frantic as if she’s running to report what she’s seen, to stop the corruption before it spreads further.
You and Father Charlie are left standing in the aftermath, the kiss lingering on your lips, now tainted with the knowledge that everything is about to change.
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cheyisagirlkisser · 26 days ago
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.・College Ellie Headcannons゜・
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Note: This is more loser Ellie-centric, I wanna maybe do a part two with just reader and her. Some sexual content and mentions of getting zooted below so 18+ warning!
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•Art major, but she’s not the typical hot artsy lesbian you dream of her to be. More like rolls a fat blunt and sketches in her journal, it’ll either turn out to be a masterpiece or look like a crackhead had a go with her paper.
•Speaking of art major, when she’s horny and frustrated because she refuses to hook-up…she draws the lewdest art known to woman-kind. Those are her real masterpieces, but she can’t exactly turn them in for credit in her art class, can she? Fuck, the things that woman can make, though. Lowkey uses her exes naked bodies as inspiration though, maybe kind of weird but who’s gonna stop her?
•Doesn’t eat the food on campus half the time. She is embarrassingly addicted to Tai Pei containers and the occasional microwavable egg-roll. “That shit’s nasty, Ellie! Goddamn, just eat the Tacos 4 Life we have on campus.” Her friends will all tell her, but no. It’s like a guilty pleasure. Maybe it’s cause she grew up lower class and is used to TV dinners, has a special trauma bond to food that should be banned and probably is outside of America.
•Wardrobe consists of band tees, honorable mentions to Gorillaz and Falling in Reverse.
•Is actually an insanely talented writer. After reading her journals I feel like nobody talks about how emotional her entries are and she keeps a journal of her own in college for sure, not only for sketching and organizing art but also to write all her feelings out.
“Fuck me, this is my last year being gay.” -After her and Cat’s break-up, probably.
•Hates coffee. Definitely game-cannon, but this is important to the college setting. It’s the classic Monster or nothing, and she will absolutely judge you for drinking coffee. She calls it “the devil’s dirt.” So dramatic.
•Used to watch bad Hallmark movies because of Dina, now watches them alone because she misses Dina. There’s nothing like crying your eyes out to Christmas Under Wraps!
•Has a collection of rubber ducks on her shelf. Doesn’t use her very small space for normal things like her wallet or books, no. It’s rubber fucking ducks.
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•Also has a slipper collection in her tiny closet, from Pikachu all the way to dinosaur feet.
•Has the “two-seater” t-shirt (iykyk) but refuses to wear it in public because she’s a pussy
•Favorite fruit is grapes. I just know my girl loves grapes when she can get her hands on them steer clear bc she will NOT share. Favorite candy is gummy worms!
•Actually wears rain boots when it’s wet outside or snowing
•Likes wired earbuds over airpods, listens to Pearl Jam when she misses living with Joel
•Is oddly good at making those little paper stars and has a huge grocery bag of then in all different patterns and colors
•When she starts dating you she shows you her dinosaur cookie-cutter collection because you're really good at baking. (Also bc she wants to see you in a frilly cute apron!)
•Is a slut for hugs. Kisses are cool, sex is great but agghhh Ellie just loves wrapping her arms around you and sometimes when you two are in her dorm she'll just hug you for what feels like hours on end, she calls it her 'weekly therapy.'
•Loves high sex because when she's sober she hates feeling like she's awkward or all up in her head. She also has a tendency to invite you over for sex after smoking.
•Has a septum piercing. Maybe this one is self-indulgent because I would go ballistic over seeing actual Ellie with one, but I say that college Ellie got hers pierced at 16 and didn't cry over the pain but wanted to literally jump off of a bridge the entire healing process it was so bad.
•Sometimes when you kiss her, her septum will slide over and look uneven and she feels fucking NIGERIA FALLS in her boxers when you fix it for her. Also for those of you who are sluts for glasses, you can fix her glasses too and it'll make her just as weak.
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