#and my favorite character is the ball

[clarissasbakery]

Can we maybe see some more test tube and golf ball interaction? :] Also if i asked this earlier im sorry i remember i was going to but i dont remember if i did😭

you asked for interaction…. i said “here they are standing next to each other in matching outfits” hope that’s good

[royaltea000]

trying to learn how to draw this dude

credit to @/transparentalia for the ref images :)

[partyhorn]

Kai guy

[ribbittrobbit]

the ball bouncing around in his office

(not seen: any one of the bad kids or his mom, nodding along)

[skyyxlite]

it's my birthday. gave my cake to my two favorite guys 🫶

[s735]

[yogurtlid10000]

moon phos.

closeup + sketch

….and 6 more color variations while playing with layer modes, I JUST REALLY LIKE ALL OF THEM TBH theyre so funky.

This is like an all moon phos long ass post ok

More silly phos head doodles.

Moon phos is probably my all time favorite character to draw 😓

Some panels of moon phos for my reference, Ik the way i draw them doesn’t reflect their attitude in the manga- but i do love their design!!! Especially their moon clothes theyre so pretty the collar and sleeves…. One of my favorite things to draw.

Another part of moon phos is their pearl eye!!!! In the manga phos get their left eye replaced by a camera pearl eye and it glows in the dark and never closes which is the reason whenever i never draw them with both eyes closed…

Hehe anyway yk phos’s alloy arms? They are so cool people dont make enough fanart of phos doing stupid stuff with their arms

Forget Luffy or whatever. Baller phos is way better. Phos can stretch their limbs so far… AND they can mold and bend into whatever they want. Come on thats so cool-THEY CAN MAKE MORE HANDS AND ARMS.

More ideas of mine. Phos has actually used their double hand wave in the series already:

Anyway i just think there are so many possibilities to what they could do

Multi arm phos idea…. This is very important to me

In the series their arm is more like a whip but i just wanted to draw a bunch of arms

^^other example of how alloy arms could be used-SO COOL!! Man i wish they’d animate season 2 :(( we could get cairngorm and moon phos

Also when they use their arm to make a net to “catch” cinnabar man phos what are u thinkin-anyway i like seeing all the things their arms do. Theres many other examples in the anime, like making a whole mother person with their alloy, or making flowers or making a shield or using it out of their heel to shoot them into the sky (so cool!!)

Here’s some miscellaneous phos:

I was looking for more panels and ended up just basically rereading the whole moon arc of hnk. So here’s a couple panels i like

Here some references of their outfit and sword (i realize i drew their sword handle design wrong,… i was drawing it from memory)

Here’s phos getting #REJECTED i think its funny

Wait ok what the fuck only 30 images allowed in a post?? IM NOT DONE WITH MY PHOS IMMAGES. Ok more coming soon what the heck

[we-love-morioh-cho]

peace and love on planet earth :)

[anthurak]

I’ve been thinking recently about how a key aspect of Steven Universe is that Steven is placed in the narrative position of what might normally be filled by a standard fantasy-hero-shounen-protagonist-guy, while EVERYTHING about Steven as a character is all about going in basically the exact OPPOSITE direction of that archetype. To the point where the one time he actually TRIES acting like some typical shounen-protag to solve his problems in Future, it’s presented as this gross, twisted perversion of his character that goes horribly, HORRIBLY wrong. Basically, the show makes it clear that Steven trying to act like your standard ‘cool, badass anime hero guy’ is very much a BAD and WRONG thing. Like in anime terms, Steven is essentially a Magical Girl placed in a position that was meant for a Shounen Hero. Or in a more specific reference building off of the show’s numerous references to Dragon Ball Z, Steven essentially represents a take on Gohan who’s kindness and pacifism are ultimately allowed to be presented and emphasized as a strength rather than a weakness.

Yet the flipside of all this is that even in their few appearances, has anyone else noticed that Stevonnie shows quite a few of these ‘cool, badass anime hero guy’ traits? They have a cool sword, they race cars, they fight space battles in a starfighter, they get badass fight scenes like getting to 1v1 Jasper and get to say cool one-liners. And the funny thing is, NONE of these are ever presented as somehow ‘wrong’ for the character. Heck, going off of the same references to Dragon Ball Z, Stevonnie has a bunch of design similarities to Future Trunks of all characters, one of THE iconic ‘cool, badass anime hero guys’.

And I think that’s really interesting.

Like in-universe, it says some interesting things about how Fusion works. That Steven himself trying to act like a cool, badass anime hero guy is a BAD thing because it leads him to start rejecting many of the core aspects of who he is as a person, namely his kindness and empathy.

Whereas Stevonnie is their OWN person, distinct from Steven and can exhibit these traits just fine because they clearly got them from Connie. They clearly haven’t abandoned or rejected any of the core aspects of Steven such as his kindness and empathy, they just ALSO have all this other stuff from Connie as well and can exhibit these traits without actually losing anything. They are after all, everything from Steven and Connie and more.

And narratively, I think it makes for a fun inversion. Steven represents this big subversive take on the typical fantasy hero archetype by being this young BOY with a big, heroic destiny who is defined by his kindness, empathy, emotions, a general disdain for solving problems through fighting and generally rejecting the typical ‘cool, badass, anime hero guy’ traits.

So it’s actually rather fitting that it is the non-binary, intersex, very-much-NOT-cisgender-male, fusion Stevonnie who ends up getting to do more traditional ‘cool, badass, anime hero guy’ stuff. Who in turn got much of those traits NOT from Steven, but from his best-friend/partner/girlfriend Connie.

And I just think that’s pretty cool, you know? Particularly when imagining a permafused Stevonnie. Like I think its fun to imagine an alternate take on the later seasons of the show, or just post-series, with a permafused Stevonnie doing more traditional anime-protagonist stuff that would otherwise feel out of place with Steven, but doesn’t feel out of place with them.

For example, Steven never went through any kind of big ‘training arc’ like so many anime heroes because that just doesn’t fit who he is. Steven is not a ‘fighter’, he always tries to talk things out before things turn to combat. So it makes sense that he wouldn’t directly pursue training to become a better fighter on his own.

But Connie DID. And of course that wasn’t presented in and of itself a bad thing. Which as an aside, is interesting for Steven as his joining was more to support Connie rather being presented as something he needed to do himself.

And speaking of fighting, this is another place where the differences between Steven and Connie make Stevonnie in turn all the more INTERESTING. Because whereas Steven isn’t a fighter, Connie very much IS. The symbolic sword to Steven’s shield.

Now where this gets interesting is that in practice, Connie generally follows Steven’s lead. We see a number of instances wherein Connie likely wants to or even is full-on about to launch into a fight, but backs down because Steven wants to talk things out. Connie may be a fighter, but she also generally defers to Steven.

But what happens when these two aspects are coexisting in the same person? What happens when Connie’s preference towards fighting isn’t deferring to Steven’s preference towards non-violence, but is rather exhibited right alongside it? And because of that is seen by Stevonnie as a much more valid option?

What does Stevonnie’s response to conflict look like when they’re much more of a fighter like Connie, while still retaining Steven’s intrinsic kindness and empathy?

Personally, I imagine Stevonnie actually being a fair bit like Ruby Rose, ie; someone who often tries to talk things out, while also not hesitating to jump into a fight if people aren’t willing to negotiate. Perhaps even reading the situation/people enough to get a preemptive strike off.

And all that is just one aspect of what I think makes Stevonnie so compelling as a character.

[agnisleftpec]

ok ok ok ok my brain is buzzing. this is probably absolutely not the direction op intended but i could not stop my brain after the pinball machine launched this ball into it. this idea slammin around creating high scores you couldnt dream of

this started as tags and then i hit the tag limit, so i guess i have to be brave and add text to a reblog. horrifying. anwyay

i have no idea what exactly op has planned but imagine: zuko just fills out these little pocket journals, averaging about one journal a month (with exceptions to particularly busy months), as he lives through his banishement. journaling was a suggestion from iroh and like a year into it some crew memeber finds one, reads it, and is immediately like "damn this is actually so easy to read. its almost like this kid grew up obsessed with plays and really understands narrative structure........i could make money off of this." and they start sending copies of these journals off to short story anthology publications or weekly writers magezines. (<- do more research on the history of book publishing but ykno.) theyd probably change names and market it as fiction. and it goes well enough that the crew member is like "i need the others. im going to be rich"

long story short, the journals get really popular#they end up getting their own anthology instead of scattered around others. this 'fictional' narrative is taking the world by storm and the crew is making bank. zuko is so confused as to why the budget problems that were constant in the first year have vanished. also very confused as to why he's getting journals and pens and brushes as gifts?? from the CREW???? but whatever he has an avatar to find we cannot stray from that

come the start of the show with a still oblivious zuko and a crew swimming in cash. the avatar shows up and theyre like "holy shit we're about to break the publishing world." and as zuko is running around trying to catch the avatar and being very loud about it. readers start to realize UH. maybe this isnt so fictional. fringe rumors about that are gaining traction. suddenly the books are banned in the fire nation. civil unrest as readers realize that the fucked up story they read about a fictional prince being burned and banished at 13 was NOT satire

and zuko the oblivios fucker still has no idea these books exist. very confused as to why sometimes people get real creepily excited when they see him (they are fans). the crew is unaware that they've unintentionally been fueling a rebellion in the homeland, until they are suddenly VERY aware and VERY concerned cuz they just wanted money

can you imagine how fuckin obnoxious zhao would be when he finds these books. like zhao would fuckin try to be all mocking at first and then he'd realize that zuko has NO IDEA his shit is the equivalent of a new york times best seller. he'd be such a menace, he would never stop making sly lil remarks. and he'd find it too funny to give up the jig, until some point in the show where hes like "alright, game's over, it's been fun but now shit's serious." and zuko's like "wtf are you talking about. what is he talking about. why is everyone leaving. jee where are you going. why are you hiding. what"

at some point sokka pops out between some market stalls, new fancy bag over his shoulder, filled to the brim with lil coverless mass market books, and he's fuckin vibrating. "guys you are not gonna believe what i just found"

"are those books. since when do you read"

"i love reading now actually, this is my favorite activity"

Halfway into his banishment, Zuko decides that since he's traveling the world in search of the Avatar, he might as well record his adventures. He'll finally get a hobby, like Uncle wants him to, and work on his penmanship.

(Or, Zuko becomes a bestselling author, overthrows his father with the power of friendship, makes friends, and gets bitten by a shirshu, not necessarily in that order.) Travel writer!Zuko AU

This has been sitting in my notes for too long. Here. Have it.

[voidfanatic]

Tw: Themes of mental illness. (Also, there's spoilers for the new Solarballs episode and possibly broken English).

I watched the new Solarballs episode and like other people have already mentioned, Uranus is NOT doing well.

He's, in my opinion, mentally unwell in a more discret way than other characters like Neptune, Earth and Jupiter. Characters like them, with their memory and identity problems (Neptune), depressive episodes (Earth) and boderline paranoia (Jupiter) are obvious examples of bad mental health overall, but Uranus is there too with them to be honest. He's insecure asf and clearly has a low self-steem, and the new episode really showcased that.

He has like, no principles at all. He doesn't care that the guy who basically acted as an older brother to everyone is now gone (he doesn't seem conflicted about what Jupiter did, he just... got over it) and he doesn't mind X basically bullying Saturn (even though Saturn became his friend in the searching for Neptune arc). Don't get me wrong, X has all of the right reasons to be mean to those two, but Uranus really doesn't. He doesn't care unlike Neptune because X is going to give him what he wants: recognition, respect, -atention-. That's what he wants.

Because he's just known as the "stinky planet", the "one with the funny name" and probably discount Saturn. His social skills are lackluster, his only friends are the guy who is better than him and his honorary cousin who is gone like 50% of the time. For heavens sake, they don't even have that much in common. And we can't forget that he doesn't even get to say anything about the "big matter at the moment" a majority of the time. He's irrelevant not because he thinks he is, he's irrelevant because he actually is. That's why he acts like an asshole sometimes (wich I'm not justifying, I'm just stating the reasons) just to get validation.

And, personally, I like this direction. Sure, it won't work if Solarballs keeps refusing to give him his own arc or at least make him more relevant overall, but I do think it fits him.

[sharkneto]

what about five made him ur blorbo…

Man, what made Five my guy.

There’s the surface level stuff – he hits a lot of tropes I love. Asshole with a heart, competent in everything but people, an assassin who gets cool fights to good music, teleports, last man in the world, has a fucked up wife situation. He’s a fifty-eight-year-old man who looks thirteen, that concept right there has so much to work through, all by itself.

All of that is really fun stuff, but under all of that, I think I can sum up why Five hit so hard with just that he has heart. The show could have gone the route of comic!Five – unredeemable bastard of a tiny man. That would have been fun, I love comic!Five, but he works better on a comic book page, where things can be more 2D. The change the show made – maybe on accident – is that show!Five loves an incredible amount, and that’s what hooked me hard. Sure, some of this is fan interpretation, but I think it’s got moments in-show to back it up. One of his first moves he made, when stuck in the apocalypse, was to make Delores – he has her within a few days of landing there. She says so much about him the second we meet her in the show - shorthand to tell us just how bad the apocalypse was, and that, when faced with nothing, Five makes a person he has to take care of. With that, he survived four decades as the last person on earth in dystopian hell before he could get back to save the world – so he says, at least, but he has always prioritized his siblings. They're his world. He’s not great at saying it, but he’s a man of action and his actions speak very loudly.

With all that love, comes a lot of grief, which is actually what keeps me going with Five. I’m pretty open that I’ve had a lot of grief in my life. I’m doing better, it’s been a number of years now, but grief doesn’t go away, and Five is an incredible vehicle for playing with and processing grief. Experiencing it, growing from it, moving on with life around it. And Five has so many layers of grief to play with. There’s the grief for his family who he found dead when he was 13, grief for the world because it all ended, grief for the life he lost, grief for the life he had to live, grief for what he’s had to do, grief for his body and his situation. How do you keep going and move on after experiencing such loss? I find it both cathartic and motivating to think about and sit in that space.

He's a walking tragedy and I adore him for it. Character of all time.

[hi-there-buddies]

170k people thought Vegeta deserved forgiveness more than Piccolo.

They think Vegeta, the guy who murdered bunch of Namekians and laughed when they didn’t get brought back, deserved forgiveness more than Piccolo, the guy who literally hadn’t killed anyone innocent (other than Goku) before he sacrificed himself for Gohan

[nukacourier]

It always makes me happy to see transmasc couriers or self inserts being shipped with Arcade because I'm so tired of how cis-centric content for him ends up being

[wikoymi]

GAULF BAL

[skyyxlite]

father son nap time