#and mostly because that character is not real

[the-badger-mole]

Okay, so here's the thing. Of all the criticisms you could have for Iroh as a character (his redemption arc happening mostly off-screen is not great; him leaving Zuko to open a tea shop in the city he tried to invade was arrogant and stupid on so many levels; his potential collaboration with the Rough Rhinos needs to be addressed) his relationship with Azula doesn't even make the list.

His big crimes against her were getting her the wrong gift and saying she was crazy and needed to go down- after she tried (and almost succeeded) to murder him. And Zuko. She was aiming to kill both times. To decide you hate someone because they got you the wrong gift is wild. And to be fair, Azula didn't do that. She hated Iroh because Ozai hated him. That happened well before he sent her a doll. There's nothing Iroh could have sent her that would've made her not hate him.

Also, to reiterate, it's entirely possible that the last time Iroh spent any real time with his niece, she did like dolls. We don't get to see much of Iroh's perspective on his pre-ATLA relationships with his family. But even if she never liked dolls, jumping right to mortal hatred of anyone over an ill-thought out gift- especially if you weren't particularly close to that person- is an insane leap. Which, again, is not what Azula did. If Iroh had sent her a knife like Zuko's, it still wouldn't have been good enough, because she didn't like Iroh.

[theesteppenwolf]

More Lucanis rambles because I’m still thinking about it and got nothing better to do :P

I am not here to tell anyone how to feel but putting words into peoples mouths who criticize the Lucanis romance (or Lucanis in general) for being unsatisfactory by saying;

“You don’t know what a slow burn is/ it’s because you expected zevran / you don’t get it he’s traumatized/ you just wanted something spicy and didn’t get it so now you’re mad” etc.

Is completely disregarding the fact that his lack of reactions and lack of content actually led people to believe he is bugged. Most DA fans didn’t expect spice or steam or whatever but they did expect an effective story, one they didn’t get.

This is at the end of the day a visual storytelling medium and implication will only get you so far, if i have to start thinking up entire plotlines in my head to make sense of the story or relationship progression then they failed at good storytelling. If i have to write paragraphs of explanations that the game doesn’t even remotely touch on then that isn’t a slow burn, it’s just a lack of content and poor pacing.

If he is traumatized and reluctant because of it you have to give me a scene where i can actually read that. If he is awkward and doesn’t know how to react to flirting you have to exaggerate to an extent for people to tell. If there is longing and angst give me banter that reflects it.

A romance in a game should give me some kind of deeper personal insight into a character and if i have to do the writers job and in my head think up those insights then the actual romance is mostly moot. I’m not saying give me all the details i’m saying at the very least give me a jumping point, some info buried in the game i won’t get otherwise. His romance fails at this.

Mary Kirby was fired yes and it’s awful what happened but unfortunately the product still remains and it leaves a lot to be desired for a big amount of people. When players are straight up going back on saves to romance someone else it’s a real problem. For me, it soured my first playthrough, especially later when i saw how Davrin and Emmrich had content, convos, specific romance outings and at the bare minimum actually had a noticeable reaction to flirting dialogue.

Again I’m not telling anyone how to feel, if it works for you that’s awesome, but to disregard his obvious lack of content by calling other fans basically stupid is incredibly disingenuous.

I love his character, loved it since The Wigmakers Job and he is still my favorite after my first playthrough. I think the beginning of his romance was very promising and the end is great but everything else is missing I’m sorry. His romance was not well executed and i honestly don’t think his character really was either. (But i won’t vent about that right now)

I know what a slow burn is, i was not expecting Zevran, i did not want a steamy romance. I wanted a well executed story and i didn’t get one. I am critical because i think it could’ve been great, i still love the game and i am not shitting on it, his character or other fans i just hate wasted potential.

[charmac]

Opinions on Charlie woobification? Also, do you think the fandom woobifies Dennis (too much)?

A few people have sent me asks about my thoughts on Dennis being woobified in the fandom and I’ve failed to answer them (sorry). Not for lack of interest on the subject, it’s just hard to answer. I think, though, answering this Charlie question in the same ask might make it easier to explain my thoughts on this.

When we talk about the fandom we’re generally talking about the people here, a couple hundred people on Twitter, maybe some Instagram stans(?) and tend to ignore the million (1,000,000)+ people on the subReddit and the huge chunk of people on Facebook and casual Twitter who are constantly, continually pushing a narrative that these characters have no depth, and thus their characterisation is what we see on the surface and nothing more. I think the one time it’s probably important not to ignore those people as fans of the show is when it comes to woobification.

Because at a surface level, the people who are consuming this show as a comedy and making posts that exhibit their takes/opinions on these characters to the majority of people portray the characters very simply: Charlie is an idiot and the best member of the Gang, in every sense of the word, and Dennis is a mere representation of toxic masculinity to a psychopathic degree. And those opinions are the loud majority.

So any discussion in our minority section of the fandom that woobifies Charlie or Dennis operates within and on top of the general narrative of the public perception (“face value”) of the characters. Woobification of Charlie, then, almost always further infantilises the majority of his traits to contribute to the idea that he’s not a bad guy and doesn’t deserve the position he’s in in life, while woobification of Dennis mostly works to counteract the idea that he’s a cold-blooded psychopath.

In a way, I think you have to woobify Dennis to a degree in order to properly understand his character (and Glenn makes that clear). Do some people take it too far? When it gets into the realm of genuinely somehow believing he’s not a bad person, absolutely, but in over a decade of Sunnyblr posts, I think I’ve seen that conclusion once, maybe twice. I really don’t think any post that’s diving into how Dennis' actions reflect his insecurities and trauma is ever speaking ignorant of the rest of his character, and that normally seems clear to the majority of people because rarely, if ever, does a dive into Dennis woobification cause fans to understand the character worse than they understood him at face value.

Whereas, with Charlie, you constantly do see this. Posts and threads and fights between fans arguing up and down that Charlie is better than the rest of them: he’s the smartest, actually, he means to do good, he shouldn’t be lumped in with the rest of them as sexual predators... People in this fandom genuinely argue that you are a *better person* if you’re a Charlie stan, that Charlie ships are softer, more moral, than toxic Dennis ships. The result of Charlie woobification seems to often make people less media literate about the character (and the show as a whole if we’re being real) than they would be if they just watched at face value.

They’re all morally despicable characters.

TL;DR: Due to the face value perceptions of the characters, woobification is an almost necessary tool for better exploring and understanding Dennis under his surface, while it really only exacerbates an annoying surface-level understanding of Charlie

[cranberrymoons]

i agree sooo hard about buck & shannon not being friends, that's always been a popular fanon thing in this fandom that i can't stand lol. largely because i got the sense that even if shannon had stuck around i'm not sure how involved of a parent she really would have been, like you said. even what we got in canon in s2 was mostly like her doing outings with chris (and arguing about money in that one ep lol). i always figured she'd have been the, have chris for a day here and there doing fun stuff kind of mom and not actually involved in the real parenting work. but ymmv

yeah <3 and that's why she IS a good character imo, is because she's not perfect and is kind of messy? i feel like tv moms aren't usually allowed to be messy. like for example i feel like in a universe in which she survives, christmas morning is strictly buckeddiechris territory, and then shannon comes over in the afternoon for presents and dinner and then goes home at the end of the night. and buck spends half the time she's there hiding in the kitchen so eddie doesn't get mad at him for saying something mean on christmas. but the Hans are also there so maddie is being his "assistant" in the kitchen, which basically consists of hiding in there with him and refilling his wine glass while she listens to him whisper-rant, and then trying not to laugh at his fake smile when eddie comes into the room to say hi and give him a pep talk

[water-to-drink]

How They Became Attracted to You

(Characters): Al haitham, Ayaka, Kaeya, Chiori

(Synopsis): First meetings with the most popular or influential students at the academy

(Tags/Warnings): gn!reader, reader is an artist, school au, reader is a transfer student, possible ooc Chiori, (if I missed something lmk)

(Word Count): 1.4k

(A/n): If you all like this then I’ll make a part two, just tell me which characters you want to see

🦅Al haitham🦅

🦅 The first and only one to best him in a test, a geometry test to be specific. He only came in at 99% while you come in at a perfect 100%

🦅 At first refused to believe that a mere art nerd could get a better score than him and so with as much delicacy as a bull in a china shop Al haitham came up to you and asked you how you got your score

🦅 Being randomly approached by the school’s smartest student you were very nervous and told him that you just did what you learned from class. Seeing that you won’t give him the answer he asks for you to tutor him which you agreed to go it, mostly because you were very nervous under his sharp gaze

🦅 While tutoring it became apparent that you sucked at explaining things to him, don’t get him wrong he already knows the material he just wants to know how and why you got a 100. As these sessions went Al haitham saw how your hands would glide across the paper, the delicacy almost amazed him

🦅 Slowly but surely Al haitham realized that there was more to your shy exterior. You were sassy and quick witted, you could even match his intellect on many topics, he finds himself feeling that he on an equal level with you.

🦅 Now he looks forward to your tutoring sessions, recently you two won’t do any tutoring just do your homework and talk about anything on your mind, the same mind that he finds so interesting and beautiful

🪭Ayaka Kamisato 🪭

🪭 The two of you have seen each other in the hallway before and after classes. She would always see you with a sketchbook in your hands or drawing in it. You didn’t take up too much real estate in her mind, the poor girl has too much going on as the daughter of the Kamisato family. That was until one day where Ayaka was leaving cram school and her chauffeur was stuck in traffic, she was approached by an older man

“What’s a girl like you doing out so late?”

“I’m leaving cram school, sir.”

“Cram school? You kids work so hard, I can show you a good time.”

“Uh, no thank you, sir.”

“C’mon, don’t be so stuck up, live a little-”

“What’s the problem?!”

🪭 There you are, yelling at the top of your lungs, she can tell that you’re scared but you still yell drawing more attention to yourself and the creep in question. Once a lot of people are watching the scene the creep walks off leaving you and her alone

“Are you okay?”

“Yes, I am. I’m sorry that you had to step in.” Ayaka bows her head

“Don’t worry, I saw that you were uncomfortable so I decided to step in. See you around.” You waved goodbye as you walked off and her chauffeur pulled up

🪭 Later Ayaka came to learn that you didn’t know of the prestige that came with the Kamisato name. You came up and scared off the guy of your own volition, thinking that she was just an ordinary girl who needed to be rescued and that is what she’ll continue being to you

🪭 It wouldn’t be hard since you two are in different grades, you being her senior by a year. You would both meet up in a quiet cafe you work at, she learned that it was your family’s business and work there to help your family and to earn some pocket money. The two of you got so close that you even let her look through your sketchbook and Ayaka was amazed by your skills

🪭 When you offered to draw a portrait of her she jumped at the offer. So one day at your family’s cafe you presented her a drawing of her. You drew her as a swordswoman dressed in traditional Japanese clothing and armor, she profusely thanked you and framed it the moment she got home

🪭 There are some nights where if she can’t sleep mainly because of nerves she’ll take your drawing and look at it, thinking about you would quell her anxiety and give her the best of dreams. Just don’t tell her brother, she’s afraid he’ll scare you off

❄️Kaeya❄️

❄️ Is the complete opposite of his adopted brother, he’s known as the school’s flirt and a total playboy. He makes girls and guys alike go head over heels for him, and you, the new transfer student, is on his radar

❄️ He lives for making innocent things like you into a flustered little mess. So when he sauntered over to you and threw his usual flirty remarks, he wasn’t met with a sheepish face nor an oblivious one. No he was met with a look of disgust

❄️ Without saying anything you walked away from him, leaving him bewildered. Did he do something wrong? Everyone falls for him. Refusing to take this laying down Kaeya decides to find out why weren’t you under his spell

❄️ And so he began to make an attempt to learn more about you, your likes and your dislikes, or your hobbies. At first you would just ignore him when he would try to strike up a conversation and after a few weeks he decided to make a deal with you

“Are you serious?” You asked

“Dead serious. We’ll act as friends and if you still can’t stand me in 2 months, then we’ll stop. Does that sound good?”

“Only if you promise to leave me alone after?”

“If you still can’t stand me.” Kaeya threw his signature smirk

“Ugh fine! But no flirting!”

“I make no promises~”

❄️ The two of you tried to act as friends, before it was awkward but soon you got used to his presence and you slowly began to come out of your shell, finally showing your true colors after about 3 weeks of “friendship”

❄️ Kaeya finds himself laughing at your jokes, actually laughing and not the fake laugh he would do when he’s trying to fuck somebody. Now Kaeya’s heart thumps whenever you would laugh at something or wave at him in the hallway. Oh gods, is he in love?!

❄️ He wishes he didn’t have the reputation he has, he wants more than your body, he wants your heart

🪡Chiori🪡

🪡 The president of the sewing club. Chiori and her club members have made various designs, many of them for the theater group whenever they’re putting on a performance. However the best designers have their slow movements, not being able to come up with any designs that are up to their standards. That is what plaguing Chiori

🪡 One day she finds a random sketchbook in the sewing club. Curiosity getting the best of the young seamstress she flips through the book, there she sees the most beautiful character designs, the obvious inspiration from big names like Chanel, Gucci, and Thierry Mugler, but the person who made these designs are unique to them. It all gives Chiori a surge of inspiration

🪡 Immediately she opens up her own sketchbook and begins drafting up some designs, some are amazing but others don’t compare to the designs in the mysterious sketchbook she found. She must find the person who made this

🪡 She hears the door opening and when she turns her head, she sees you looking a bit embarrassed.

“Uh, I left my sketchbook here, have you seen it?”

“Yes, I have.” Chiori picks up the book and hands it to you. “I looked through it.”

“Wait, what?!”

“And I like what I saw, can I make the designs in this book?”

🪡 So every Tuesday you would go to the sewing club and let Chiori bring life to your designs, the two of you would talk about various fashion styles and designers. Chiori is very impressed by your vast knowledge on how different styles and cultures arose, she might even say it rivals her knowledge (but she won’t)

🪡 The more time you two spend together the more Chiori likes you, she would look forward to your presence right next to her talking her ear off about your characters as she worked. Normally she would play music but the sound of you rambling is more than enough for her

🪡 In the privacy of her room Chiori would often find herself drawing up designs for wedding garments for her and yours wedding, she can’t wait for the day you to call her “my wife”

[chaifootsteps]

(warning, hazbin leak spoilers)

Just saw the full episode leak of season 2 episode 2 of hazbin hotel and no words that will describe how discomfort and disappointment that it gave me. I'm a selfshipper of Pentious and my god the way that this episode gave me nauseous. How can they mess his character this bad? How can they mess his backstory this bad? HOW???

They're bits and parts that I liked (his human design for example, he looks so cutie pie) but mostly it was discomfort. Him being chained was the biggest discomfort that it gave me considering that Viv has a fetish of it (ew), and I don't really like how they handled his backstory. It was the most lamest backstory that you could write about it. And him rubbing his neck after being chained made me verge of crying because he looked like he was about to cry and he looked so much in distress.

And the episode ends with him crying in the bed made my heart broke so bad. This poor man, they've done so SO dirty on him.

I know that an episode shouldn't make feel this bad but Sir Pentious is such a comfort for me and it hurts me that seeing him suffering right in my eyes hurts and me can't do anything to help him because he's not real hurts me so bad and it makes me cry. I'm covered myself in a blanket and cuddling my plush and trying to think that he's with me with so much comfort and happiness because this episode gave me so much disgust.

And to Sir Pentious.......I'm so so sorry that you have a shitty creator.

We'll all just have to collectively love him and hope it's enough to make up for how much his own creator doesn't.

[mackmp3]

☕how the writers delt with river song

SCREAMING CRYING THROWING UP THEY DID MY GIRL SO DIRTY there are so many. good river song moments. and there are so manythat make me want to tear a strip off steven moffat like every goddamn episode with her they have to make some obnoxious sex joke or some Honey Im Home type shit & i understand this is like. A Moffat Theme & i dont always hate it but goddddd its so reductive like there is so much!!!! that could be done with her character !!!!!!!!!!!!!!! that is overshadowed by haha what if she was sexy like STOPPPPPPPPPPPP.

like silence in the library was a really good character lead in & i like her!!! as a character !!!! even the overly flirtatiousness unfortunately that would work on me but even aside from that. she is a good character let down but the sheer pull-it-out-of-your-ass writing of her backstory. like?? she could regenerate cos she was conceived in the tardis okay thats really cool much weirder stuff has happened when it comes to tardises & making babies but then WE SeE THIS FOR LIKE. ONE OR TWO EPISODES BEFORE THEYRE LIKE WHOOPS THAT DOESNT WORK ACTUALLY COS SHE'S DEAD UHHH SHE BETTER UHMM IDK SAVE TH E DOCTOR OR SOMETHING WHATEVER> COS HER ENTIRE LIFE HAS TO REVOLVE AROUND HIM. HASHTAG MARRIAGE AMIRITE like even the fact that her entire life was shaped around him isnt a Bad Idea it just feels like no one considered the tragic impies (implications) of this, & simultaneously doing amy so dirty in the process as well like??? she loses baby mels & then discovers she was her (never previously mentioned) childhood friend but then she uhhhh dies & turns into this woman you already know and them????? barely eveer mention it again???? holy shit?????????????????????? amy & river is a freaking horror story but one that the writers seem imcapable of dealing with because sOMEONE is too busy making obnoxious jokes about married life

a lot of thsi is specific to the General Vibes of the eleven era stuff as well which was in general so so weird about women & while its not like twelve or any of teh other doctors are expemt from this eleven is a massive dick to people quite a bit & a lot of this falls on river b/c he is seemingly (iirc i havent seen some of this stuff for a while though it Haunts Me) almost careless? with her? like a sort of 'welllllll she's here now so it was all okay in the end :)' sort of attitude ignoring that she went through A Fuckton Of Stuff before she was even a concious human(mostly??) being

even the husbands of river song is tragically guilty of some of that stuff like. she's seen some wild shit & she should have known it was twelve wayyyyyy way way quicker. like i understand why she didnt for plot reasons but she is in fact very intellegent like. she's allowed to show that. unfortunatley sometimes women cant be smart & have their boobs out at that same time I GUESSSSSSSSS

also the nine & river audios from earlier this year? i really like archipelago i listened to that a couple of times & i thought it was really powerful but AGAIN the writers make river So Fucking Obsessed With Romance like. you'd let it go by that point. nine had literally just proved he's the most aro guy in the universe (good for him) and shes stillllllll flirting at him. which. imo she wouldnt do anymore because, shock horror, she does actually like him as a person & values his company and you would think you would be friends wit hthe guy YOU ARE GONG TO MARRY OR WHATEVER. NOT THAT THEIR MARRIAGE WAS PARTICULARLY ROMANTIC EITHERIM GONNA BE SO REAL. obviously sex is important to her & good for her but yikes. it doesnt need to be mentioned so often.

like its the whole 'inherent tragedy of waiting for a time traveller' stuff which i do eat up every time meeting her in silence of the library & knowong that there is so much more there - VERY COMPELLING !! really good character intro augahagaauuaajaaajahhahahahhhh but nooooo her Entire Fucking Goddman Life has to revolve around being manipulated & The Doctor AS WELL AS !! the completely uncalled for ohhhh im a PSYCHOPATH ( <- unfounded & demonstrably untrue lowkey this is saneism right. thats an ableism there yes? ) thing they alllwaysssss have her say like well!! shes not !! theres 'youre talking about commiting a murder'/'no im not, i'm actually commiting a murder' which i like & is funny & she would say that and then theres teh vauge oooohhhhh im so Freaky & I Have A Gun or whatevr like augsugsaihuahahaouoauauoouauoauoauoauuo

also twelve & river had freaky t4t bi4bi aroallo sex after the end of husbands of river song but no actual dw writer is enlightened enough to see that because they have to flatten her into The Doctors Wife & she would have had a far better dynamic with 12 than with 11 (not that i'm biased) i wish they got more time togetherrrrrrrrrrr also you should listen to the bekdel test (diary of river song audio with missy)

[leggerefiore]

so I have an angst request that I’m wondering if you could do. I love the fankids but I’m wondering if for some reason the fankids end up in another world. Where they don’t exist. Their respective parents exist but due to some nonsense (Cyrus and his refusal to stop, Grimsley cheating, Nanu pushing reader away) their parents never got together and now they are stuck in such an unfamiliar place without the comfort of their parents. They stay with reader and the pokemen realize that in another world they are happy and have a loving family. So lots of angst from all sides until one day the real parents come to rescue their children and take them away. Leaving the people in this weird world confused and in despair. Hope that makes sense! Idk why I am in such a mood lol

cw: angst, some (not) parental arguing in cyrus's part, cheating in grimsley's, fankids amuck

characters: Grimsley, Cyrus, Nanu

i wrote this for no one to read lmao. changed the request a bit sorryyyy

interesting

♠️Grimsley❤️

♤ Nero held tightly onto Morrigan as they looked around at their surroundings. It was still Alola, same as ever. A place he originally had been upset about moving to, yet now it was a comfort to see. The Ultra Wormhole had been a surprise, both had not been expected such a thing to just pull them in. Nanu had warned them – Telling them stories of fallers without memories ending up in unknown places. They had not had their memories scrambled, at least. Well, he had not. Morrigan had fallen unconscious. It seemed that it likely had just looped them back around. He bravely supported his twin on his shoulder and headed towards the nearest pokemon centre.

♡ Yet, as he headed to the one near the Tapu Village, he passed a familiar man. A man who was just about to walk past them when he felt his annoyance spike. How could he ignore his son and daughter like that!? It was frustrating enough that his father never seemed to learn from his mistakes. His glare seemed to make the gambler come to a stop. “… May I help you?” he asked, “Are you playing the hero to a helpless damsel with the hopes of winning big in the end?” Nero felt like gagging. That was his sister.

◇ “… You're not funny, dad,” Nero grumbled, “Help me with Morrigan. She's been unconscious for a minute, and I'm seriously worried.” He went to move his sister to the older man, but Grimsley took a step back. Icy blue eyes observed him for too closely before switching to Morrigan. He cocked up a brow and brought a hand to his chin. “… Dad,” Nero urged, “Seriously. Help. This is your daughter. Don't you care about her?” This once more caught the gambler off guard. There was much pondering.

♧ “Can you tell your parent I don't appreciate being informed of such a monumental thing in this way?” was Grimsley's reply, “Do they want child support or something? I'm completely broke these days. They played their hot hand too late.” Nero felt frustrated. Was he mocking them? This truly was not the time. He felt Morrigan begin to stir. Her head lifted as she looked around and grasped her head. Then, her gaze landed on Grimsley.

♤ “Dad!” she smiled and moved to hug the gambler, “Nero and I got pulled into one of the Ultra Wormholes!” Grimsley awkwardly dodged her affection. She tilted her head, unsure if this was her dad messing with her. “… Well, I guess it was mostly my fault,” she admitted, “The thrill of whether we would end up in some strange alien world was too much to resist.” His expression was strange at her words. She shrunk back. He almost looked like he was regarding her as one might an insect.

♡ “… I don't know what lies you have been fed,” he let out a breath, “But, I have little interest in being a dad. I doubt you're my only children out there. Just because I had some on and off again relationship with your parent doesn't mean I'm interested in you.” He shook his head. Morrigan took a step back, confused. It was the first time in her like in which her father had ever spoken so harshly to him. Nero stepped forward and stomped a foot at him, already sick of his shit. Whatever game he was playing at, he was taking too far. Being cruel to Morrigan for seemingly no reason and insulting their other parent was too much. Grimsley actually looked a bit intimidated. “… They should have told you this. I made that clear before we broke up.”

◇ Both stood shocked. Broken… up? Neither could recall their parents being unhappy with another despite the circumstance that had happened to them. In fact, if anything, their other parent had been happy Grimsley had more time to lavish on them. Both looked at one another in horror at the thought. This had to be another world. Or Grimsley was really messing with him, but both could tell his expression was too real. “… What?” he questioned, cooking a brow at the twins, “Did they not tell you? Apparently, when I started dating them, I wasn't supposed to keep sleeping around.” Nero had to be physically held back. Though, it did confirm that this was not their world.

♧ Before the situation could intensify any further, a familiar voice called out their names. Both stood astonished when their father seemingly appeared with you in strange not-quite spacesuits. The other Grimsley took a few steps back when his counterpart removed his helmet. “… Oh, man, you two actually nearly gave me a heart attack,” he seemingly ignored his lookalike to approach the two kids, “You certainly did Nanu. The old man was calling all the shots on your missing investigation. Didn't think he was that attached to you both.” He brought a hand to rest on each of their shoulders. Morrigan soon shoved Nero out of the way to cling to Grimsley. Nero watched as the other one observed how you approached them, too, smiling softly. He should have felt at ease.

♤ “… What a situation,” the other Grimsley remarked, placing a hand on his hip. It was clear that he could comprehend this scene. Yes, he understood Ultra Wormholes thanks to Nanu's badgering about avoiding them, but here stood a testament to something far greater than his understanding. Something inside of him twisted at the sight of the happy family. It was something that he never desire, but he could observe the genuine smile on his counterpart's face. “… Did something happen to your head?” he questioned his alternate self.

♡ That Grimsley managed to escape his daughter's hold. Turning to his counterpart, he tilted his head. “… Nope,” his simple reply was with a shrug, “I fell in love. I simply couldn't resist them, and now I've built myself up something. It's better than any high from a thrill.” He pointed the twins to follow you as he headed away. “When you really want something as yours… It drives you into a special kind of madness.” He bid his counterpart farewell and walked over wrap an arm around his partner's waist.

That Grimsley pondered if he could have ended up like his counterpart.

🌌Cyrus🛰

☄️ Cyllene would admit she was perhaps a little too playful. Even if she was a child, there were certain things she knew better than to do yet still did. Engaging with Palkia was chief among them. The legendary had opened a portal, and she, curious crawled in. Which led to her seemingly being atop Mt Coronet. She was lost as to what had happened, but simply assumed that Palkia had created a portal to the top of the mountain. She opted against thinking too much on it, as nothing was immediately odd or uncommon. That was until she found herself riding the train back towards Veilstone. Most people glanced at her strangely. It made her a bit nervous, but she otherwise made her home trip as normal.

☄️ The glances in Veilstone were far more intense as she was spotted by some Galactic grunts. She tilted her head at their reaction. They gazed at her like some unexpected oddity. She ignored them and simply made her way to apartment her family resided in. It was only as she approached the door that she realised she did not have her key. Nervously, she brought her tiny fist to knock against the door. It was quiet for far too long until the speaker beside the door beeped on. “… Are you lost?” It was unmistakably the voice of her father, “There is a police box just a few buildings down. They can help out find your parents.” Cyllene stood stunned. Her eyes went wide, and her heart raced in her chest. Her father was not one for such jokes. Tears burned her eyes.

☄️ “… F-Father…?” her voice was small. The PA system was quiet for but a moment. Then a reply. A simple questioning, “Pardon?” Cyllene moved closer to the speaker, knowing it doubled as a camera. “… Dad…” she begged, “Please…. please don't tease me…” She felt like crying. More silence followed before the door clicked open to reveal the man who was no doubt her father. He was wearing more casual clothing and his hair was unstyled, but it was him. She clung to his legs and felt herself begin to cry. Why was he being mean to her?

☄️ This Cyrus stood stunned, however, at this little girl who stood outside his home. He was no fool. The resemblance was plain as day. This child was a relative of his, if not directly related to him. Some horrible sense of empathy burned in his hardened heart as she wept. Instinct got the better of him as he knelt down and rested a hand on her back. Her reactions… They reminded him of someone. He swallowed. Judging by her age… It was not illogical to assume a possibility that she was… He sighed. “There, there…” his voice was soft, “… Are you claiming that you are my daughter?”

☄️ Cyllene nodded. She could not fathom her own father not recognising her. Had he attempted to mess with the Lake Guardians once again? Her panic led to her gripping his arms tightly. “Father…” she mumbled. His eyes went wide. Another question came from him. A question about her whole parentage. Cyllene blinked at this one. “… My other parent is…” A familiar name left her. Cyrus was frozen by her words. His theory… It was correct. How could this be? The question was about to leave him before he finally motioned her in the apartment.

☄️ Cyllene was further shocked at the state of it. There was no trace of family home she had come to know. Nothing of the small projects she had worked on with her father or the bed for Weavile in the living room. It was dark and seemingly mostly unused. Slowly, it finally set in about what had occurred. She felt sick. All she wanted was her Rotom toy or her bed or for her father to sit her in his lap and explain a star map to her. Instead, she was stuck with an alternate reality version of her father. One who clearly did not recognise her. More tears escaped her eyes. This Cyrus seemed to attempt to comfort her again.

☄️ Forcing down her torment, she was faced with a situation. Yet, before she could be given a chance to explain, her father had out his phone and was making a phone call. His tone was reserved, but Cyllene recognised the voice on the other end of the call. A demand was made for them to meet him at once. Seemingly, they relented after a bit of back and forth. Cyrus informed her she would be back with her other parent soon enough. Yet, they needed to have a chat before he handed her back off. Cyllene felt bewildered. There was no time to object when he grasped her hand tugged her along to a certain building in Veilstone. There stood another, waiting with their arms crossed and clear frustration on their face. Though, this was changed when they saw Cyrus approach with Cyllene.

☄️ “Why did you fail to tell me of our child!?” Cyrus's voice was a rare kind of loud and aggressive. Cyllene was startled away from him due to it. Her other parent stood shocked, too. Their eyes went to Cyllene and back to Cyrus. A simple response of not knowing failed to appease the man. The two soon fell into an argument, making Cyllene curl into herself. Panic burned inside her and made her arms feel numb. All she could do was tap to two stones she found on the ground together. It only seemed to grow worse and worse until finally a voice cut through the fighting.

☄️ “Cyllene.” Her head whipped up as tears fell from her eyes. There, approaching from stairs leading up to the Galactic building was another Cyrus. His gaze was firmly on her. Her legs had never moved so quickly. This version of the Galactic Boss caught her and held her tightly to himself. Another person ran up the stair to them. You. Her eyes burned as you brought a hand gently to comb through her hair. The alternate pair of you both came to an abrupt silence.

☄️ “… What is this?” the Cyrus of this world asked. The Cyrus she knew shook his head. “… Pointless to discuss such things. The idea of parallel worlds existing is something that you are no doubt aware of,” was his reply, “It seems we are two versions of the same person who engaged with different choices. Intriguing.” He clutched Cyllene tighter to himself. The other Cyrus nodded. The other you stood shocked at how close you were to your Cyrus. “… I apologise. We will be correcting this error,” with those words, Cyllene was lifted into the air and carried away by her father to a nearby portal.

Somehow, she felt as if those two had been changed by the experience.

🐈‍⬛️Nanu❤️‍🩹

🌑 Ohi'a would admit what he did was dumb. And, without a doubt, would piss off his dad. The geezer probably would be ready to kill him and then himself if he learnt that he got pulled in an Ultra Wormhole. It really had not been his fault. A toddler almost pulled in, and he dumbly rushed over to push them out of the way. He, instead, was sucked in. Yet… Despite all the horror stories of fallers and Miss Anabel's own existence, he did not fell discombobulated nor without his memories. Looking around, in fact, he still just seemed to be in Alola. The same as ever. He shrugged it off and headed back towards the Po Town police station. He needed to discuss whatever happened with his dad even if it was going to be a pain in the ass. He could already feel the hardened glare of the Kahuna piercing his soul.

🌑 He found himself approaching the station, seeing a familiar man and girl outside the door. Both turned to glance at him strangely. Ohi'a cocked up a brow at them. Acerola approached him with a bright smile and asked if he was lost. He was bewildered. Lost? He lived here. His gaze drifted to his dad, who was trying to pretend that he was not there. “… Huh?” he finally spoke, “… It's me. Ohi'a. I live here.” Acerola's head tilted while Nanu's attention finally shifted onto him.

🌑 “… In Alola?” Nanu finally cut in, carefully treading over, “Where, boy? You aren't trying to join Team Skull, are you?” His hands were in his pockets. Those crimson eyes stared into his own matching ones as if attempting to intimidate him. Ohi'a's nose scrunched up. What? He was acting extremely suspicious towards him. Why? Acerola was even treating him like an anomaly, too. It stung more than he would like to admit. Was this some kind of punishment? It was not like his father at all. Nanu could be a bit of a hard ass, but nothing cruel. Something was wrong here.

🌑 “… No. I mean…” Ohi'a trailed off, pondering what to say. The idea of parallel realities was no unknown to him. That one trainer on their island challenge had told him about their travels in the Ultra Wormhole. An alternate reality, far into the future of a destroyed Hau'Oli city. He stiffened up. Bringing his hand to the back of his neck, he sighed. “… Look, I don't think you'll believe me, but I fell through an Ultra Wormhole,” he explained. Nanu tensed up visibly at his words. “Through some struck of luck, I still have my memories,” he met his gaze, “… No idea what's going on in this world, but in mine, you're my old man.”

🌑 Nanu registered his words in an instant. The suspicion towards him somehow seemed to both fall and increase. Shaking his head, a sigh left him. Acerola gasped at Ohi'a's words and looked between Nanu and him. The Kahuna motioned for him to follow him into the police station. He waved Acerola off, too. Both of them sat in the station for a moment in silence. Ohi'a took in that it seemed much more… different from his memories. A single couch for sleeping. Nothing really to survive on. Some take-out and instant ramen about. “… So, can I ask who your other parent is?” he finally broke the silence. Something told Ohi'a that he already had an idea. His reply of a certain name only got a nod. “Figured…” He sighed, “… Am I a happy family man in your world or something?”

🌑 “… Nope,” Ohi'a replied, watching a Meowth approach him and give his hand a sniff. He brought a hand to pet the pokemon. Its soft fur, a familiar comfort. Nanu observed the interaction. “You're exactly the same, but you're married,” he shrugged, “… I guess you get busy with us, though. Tapu Bulu seems quite happy you had a kid.” Nanu scoffed at that. “I need to get back, you know” he continued, “My parents… They'll end up worried. You seem to think I'm more trouble than I'm worth until something happens to me.”

🌑 Nanu glanced at him. “… Are they happy?” he asked seriously. Ohi'a thought on his family for a moment. It was difficult to tell with how tormented Nanu could be, but he knew his father simply enjoyed the peacefulness of being in a loving relationship. You adored Nanu, often being far too affectionate for either of their tastes, but the small smile on his father's lips. You were happy as can be. Despite everything, he felt his family life was healthy. His parents were in a loving relationship, and they both cared for him.

🌑 “… Pretty much,” he nodded, “… What happened here?” He glanced at the alternate version of his father. Nanu shook his head. Ohi'a felt curious. His father always seemed quite attached to his other parent, typically being quite open to whatever they wanted simply to appease them or make them happy. Granted, it was still in his usual lazy fashion, but it was much like a cat putting up with its owner annoying it out of love. “Are you not together?” Another head shake. Ohi'a felt his heart drop. It was already strange enough being in a world where he did not exist, but his parents not being together felt strangely more difficult.

🌑 Before the conversation could grow any deeper, the door to the station opened, revealing three people in strange suits. Ohi'a recognised them as the attire of the Ultra Recon Squad. Stepping in, one removed their helmet to meet the eyes of the other two. Another Nanu. It felt like something out of a bad movie. “… There you are,” he walked to Ohi'a, “… You're more trouble than you're worth, boy.” The boy rolled his eyes in return. The other person revealed themselves to be you as you rushed over to hug him. He groaned at the tightness. The third actually seemed to be one of the Ultra Recon members.

🌑 The other Nanu relaxed as the recon member explained that they had a way to safely return to their original world. Yet, he felt himself staring at the family for far too long. Everything he had rejected because he felt so unworthy stood right in front of him. His counterpart met his eye. “Thanks for watching over him,” he nodded, “I apologise if he caused any problems.” The Kahuna shook his head. As the four departed from the station, he sat alone for a moment in deep thought.

Maybe he should contact them. It probably was not too late.

[utilitycaster]

#reblogging for the “see: girlfailure” tag#caus I have opinions on the insular fandom memeification of characters but I don't - as this post highlights - have the words for it#but I keep those to dms caus anytime I or a friend has challenged it in a public space it gets shot down#it reeks of my troubles with the general fear of using the word woman these days and how it's girldinner this girlmath that#also what do you call as intentional character traits vs a flopped dice roll

(via @distant--shadow)

so I agree and this is interesting to me because what always frustrated me about "girlfailure" outside the more general issue of "um, coquette/bimbo/girl dinner/uwu soft divine feminine cottagecore domesticity don't you mean u want to braid her hair is actually TRUER feminism than being the surly woman who loves math and sword fights and hates sewing" and the fact that, as you said, it mostly came from bungled dice rolls and no real intent, is that the same people who call her a girlfailure insist that Imogen is the main character. And like, she kind of is! And yet - and I've said this about Imogen and Laudna in the context of their relationship but I'm going to not include that because I actually don't think that's even relevant, it's about them as individual characters as well - people want them to simultaneously be The Main Character or at least heavily in focus and also never, ever have any agency. Like, they want "capable" to mean that everyone likes you, and not that you are a person who makes hard choices for the better.

Maybe it's because I'm playing Baby's First RPG right now, but the deal with RPGs and I think(?) especially this one, is you must make every choice and it is laden with consequences (not that I as a D&D player, or, you know, a human woman, am unfamiliar with that already) but what drives me nuts about the just a silly guy! girlfailure! she chooses to be good and therefore is good narrative for Imogen, and the "stripped of choice" (another highly repeated turn of phrase) for both her and Laudna is that it's untrue and it means nothing. For all my criticism of What Doesn't Break, Laudna makes choices. I frequently dislike them and wish they had more gravity, but she does make them. She doesn't make every choice - notably, her death and Delilah's presence are huge things that happen to her without her input - but even while barely herself she frequently brushes off Delilah. You can imagine the dialogue trees and the paths she takes, to intervene or not. She decides to renew her pact; she decides to run into the desert. Imogen decides to attack the villagers with lightning to defend Laudna. She decides to leave, she decides to keep burning their rivals in the Twilight Mirror Museum, she decides to tell her mother that she won't join her, she decides not to help assassinate her mother.

Fearne has a wonderful line when she's talking with Chetney after shardgate, in which she explains that she's terrified of making bad choices. Not of being a bad person, but of making the bad choices. And that's the thing. You cannot choose to be good. You cannot choose to be bad. At least not in any general sense. You can, however, make choices that harm people or help them. You constantly must do this. You can stray, or change the type of choices you've made, but they do accumulate to a point, eventually, where it becomes harder and harder to stray. However, the premise of D&D is very much that your character hasn't become locked in, yet. Is Imogen making choices that will be better for other people? If the world rests on her shoulders, is she making better choices for the world?

This is perhaps the core theme of this campaign, dating as far back as Downfall. Aeor made their choice - many, many choices. The gods made theirs. Ludinus kept making his, over, and over. It's particularly resonant among the women of the campaign. Obviously there's Fearne, and I've covered Imogen and Laudna, but going over to the Crown Keepers, Morrigan becomes a paladin in a few short weeks - an immense choice. Fy'ra advises others on what they are going to do. And Opal is where she is now because in one moment she put the crown on her head - and in doing so, ceded further choice in the long run. The deities of both fate and free will in this world are given considerable presence in this story, and both use female pronouns.

Maybe I'm making a mountain of a molehill, but I don't think I am. I really do think people cling to "girlfailure" and act like we're just being meanie haters who don't believe Imogen is good because she can be the central character who has power to change the world and the narrative; or she can be pure and innocent of all wrongdoing. she cannot be both. No one can. And deep down I think the "girlfailure" proponents prefer a useless innocent girl to a powerful woman who sometimes makes choices or does things that hurt other people. So I don't think that one's just harmless meme-ing, and if you want to see Imogen as an exceptionally important part of this narrative I think you have to reject the girlfailure, and anyone saying "oh it's just a joke" is either unthinkingly repeating or is pushing a story where Imogen is just a MacGuffin without agency, and neither is worth, in my opinion, listening to. Someone "stripped of choice" in real life is worth our pity and deserves our assistance but they make for a pretty terrible fantasy protagonist, and it's maddening to see a woman in the center of the story and then to be attacked if you want her to be treated like a person who, as a result of being a key protagonist, holds particular power and isn't just a girlfailure.

[adonneniel]

Ok, after finishing Veilguard and sleeping on it, my final impression remains disappointment and frustration. Spoilerific thoughts beneath the cut. Long post. Maybe a bit ranty/incoherent in parts, but I don't feel like going back to edit.

Positives, in no particular order:

The game is beautiful, even on (mostly) medium settings. Despite wishing for a few more wavy options, the hair is perfection and I honestly can't complain.

On a related note, the character creator is amazing. Customizing body & face tattoos! Height and weight sliders!!! I wish the bust and glute sliders went a further, but whatever. I can live. I like that we can import our characters on a new save, and I hope they patch in an option to do that with the Inquisitor as well.

Mechanically it was fun to play

THE BLOOD OF ARLATHAN QUEST. Absolute perfection. Everything I wanted out of this game. I felt hopeless and overwhelmed. My skin crawled. My gut clenched. The horrors of the Venatori were on full display & served as an excellent parallel to the rise of irl facism. And Solas an Elgar'nan exchanging insults inside my head?? I was giddy. I felt the centuries of compounding animosity mixed with grudging respect. I felt utterly out of my depths and it was wonderful. (And LMAO at the one dude fangirling over Rook)

The siege at Weisshaupt was pretty good too. I like failing. It makes the stakes feel real.

I loved the fresh take on Necromancy. Like, yessssss, make it beautiful and romantic and haunting! It's such a interesting departure from necromancy = gross & evil. They even made it mesh with spirit lore and kept the question of an afterlife alive.

Elgar'nan and Ghilan'nain's relationship. I was not expecting them to genuinely care for one another. It did a good job humanizing them & helped balance out the "muahahaha evil" vibe.

I actually didn't mind the magitech-ness. It makes sense that the ancient elves perfected magic to that point, and Tevinter really felt like a knock off version built on the elven empire's bones. It still looked fantasy overall.

I like most of the lore reveals. They were well foreshadowed and, no, I don't get the impression that they just decided to randomly make all the popular theories true. Even if that's the case for a few, they still make sense. (Though I can understand why people might be let down by all "the elves did it!!")

Fighting alongside Solas at the end was fun. Directing my companions during the final fight was fun. I liked that some of them could die (and did--poor Harding)

Solas in general honestly. I didn't find him out of character, just more openly desperate than he was in Inquisition. I also don't hate his dynamic with Mythal like some people, though I understand why it's divisive.

All that said, the negatives still outweigh the positives.

The writing felt timid. Like they were scared to offend anyone so they just decided to ignore the messy parts of their lore and/or hide it behind codex entries that most players probably don't even read.

All those lore drops and we barely had time to sit with them or deal with cultural consequences. Especially when religion is such a huge part of culture? You can't just disprove it and expect people to move on in a few conversations. The Dalish especially should be a wreck.

Tevinter was a disappointment after all the build up we've gotten over last three games. And no, I don't accept southern propaganda and events happening off screen as an excuse. It just reeks of lazy writing. Dorian and Mae's political party failed. Fenris and Dorian are primary sources. Tevinter is fucked up and we should've seen it explicitly on screen, not just limited to a few nasty individuals and codex entries. Instead of a racist, mage run slave state, we got a generic corrupt city with the unique bits alluded to. If you want to argue that it's just because we were in dock town, so obviously we wouldn't be seeing the decadent mage aristocracy...that's just an excuse. The writers didn't have to make that choice.

Wtf did they do to the Crows??? The assassins built on brutality and child slavery are now just being presented as freedom fighters??? Don't try to tell me Zevran reformed things behind the scenes. That's just another excuse for lazy writing (not to mention that he's dead in some player's worldstates). They didn't even deal with Lucanis' abusive upbringing! And it was right there!

The Lords of Fortune are a joke. Pirates Against Cultural Appropriation. Seriously? Combined with that codex entry trying to convince us that their fighting pit is purely volunteer based and death free?? Nah. I don't buy it. They were ultimately useless to the plot and even to the worldbuilding. I learned absolutely nothing about Rivain that hasn't already been told to us in past games (and they didn't even take the chance to show us those things! We just got an empty beach and a few background npcs.)

Tbh this all just feels like another symptom of the game's timid writing. We're good people who only ally with other good people. There's no "enemy of my enemy is my friend". There's no faction with ulterior motives. There's not even a political quagmire we have to navigate to get the Good Ones on our side. The closest we get is the First Warden. And tbh the Wardens are the only faction I felt was truly well written and well integrated into the overall plot. The Mourn Watch was interesting, but they mostly did their own thing over in the corner.

God, don't even get me started on the elves. No existential dilemmas when their gods are running rampant. Even the major god revelations happened off screen! The Veil Jumpers already knew! Lazy lazy lazy.

AND. AND they somehow projected their white guilt onto the most persecuted minority in Thedas! I wanted to crawl out of my skin every time someone apologized for what their people (the gods) did to the world. And to make it worse, they barely, barely, showed anti-elf racism on screen. A few throwaway lines are laughable in the face of that. As a jew--one of the groups DA elves are inspired by--I'm insulted and disgusted.

And someone pointed out that a Crow codex used the phrase "Never Again" in relation to the Dales? Get that phrase out of your mouth, Bioware.

In a similar vein, their treatment of the Antaam reeked of racism and orientalism, even moreso than usual. Big brutes yelling in a scary language with artificially low voices?? Barely dressed? We don't even get to talk with one until the end of the game? Other people have explained it better than me, so I'll leave it at this.

"Why do you want racism in your game? Are you secretly a racist edgelord in real life? Do you get off on people calling you a knife-ear? Do you just want an excuse to be a piece of shit?"

NO. I want good writing. I want realism. If you're going to include racism in your worldbuilding (which Dragon Age does), you have to own it. You have to deal with it. You can't just sweep it under the carpet because you want to avoid more controversy. The absence in Veilguard makes it look worse. You can't pat yourself on the back for angering the anti-woke brigade while perpetuating your own racist tropes. Do the writers even know they're being racist, or do they think it's all ok because the player isn't allowed to be fantasy racist?

Taash's story is a good example. Why the fuck are we put in charge of deciding their culture for them? Why is it tied to their gender? As a cis person I won't comment on the gender bits (I've heard conflicting opinions), but the culture aspect is handled terribly. Seriously. What the actual fuck, Bioware?

The companion situation has been beat to death, but I mostly agree with the criticism that everything is too HR-friendly. And I honestly can't believe those Taash/Emmrich and Harding/Emmerich intervention scenes actually made it through editing. I felt like a fucking preschool teacher lecturing children on how to play nicely. bad bad bad

I don't, however, think the companions are awful. They just kinda bored me. Or maybe not bored, but...didn't grab me? I like some of them, but I don't love them. There's no one I latched onto that makes me go feral. But I can accept that it's a matter of preference. I'm glad some people are happy, and I don't mean that sarcastically.

Maybe I'd feel differently if the game wasn't marketed as "found family"?

More personal preference: I don't like Rook, and I don't like their relationship with the companions. It feels too sterile & corporate, and Rook feels simultaneously too blank and too defined. And the defined bits of their personality are not for me. Dialogue options weren't diverse enough in feel.

LOL at not allowing the player to asshole options, but then the best we can give Harding is "Haha, no idea what you're talking about but good for you. Bye."

Also the game couldn't seem to decide whether my Rook was Dalish or not? According to the mirror I'm not, but then Rook outright says she's Dalish later in the game... Which is it, Bioware? Which is it?

THEY DELETED SOUTHERN THEDAS OFFSCREEN.

The illuminati secret ending is an awful decision. Way to take agency away from some of the more interesting antagonists. And this was obviously a retcon? There was no buildup to this. At most they were toying with the concept in DA:I, which is when the Executors were introduced.

It's hard to think of this game as a love letter to the fans when these last two points feel like a huge middle finger to everything that came before.

Yeah. Just...yeah.

Disappointment and frustration. All the building blocks for a great game are there, but they just...didn't come to fruition.

I might do another playthrough, but I also I might just take what I like from the lore and go back to previous games + my silly crossover fanfic. And BG3. That obsession was only just taking root when DATV came out, and I didn't get a chance to sit with it.

I'm sad.

[sugar-crash]

🏎️Turbo (Wreck-It Ralph) x (gn) Reader🏁

(Drunk Turbo Edition!)

(Picture’s not mine!)

(Request here! Oh this loser… He just screams Oingo Boingo vibes, which is a bit ironic considering they were very popular during the 80s… I feel like I’ve probably already said this but I don’t care if I did or did not you know? I have a nasty habit of repetition lol)

- Who knows if alcohol (I believe Tappers sells Root Beer cause… Kids arcade game) or even cigarettes exist for the arcade members, but it’s fun to think about.

- I for one think him getting drunk is kinda rare, mostly because I think smoking and being self-absorbed among other things are his main way of coping with his emotions over drinking… Though he isn’t exactly against it.

- When he finally lets himself let loose and drinks at Tapper's… He drinks. Getting drunk as a goddamn skunk, like how Fix-It Felix chugged it in the… Sequel that must not be named, as witty as the name is. A real waste of a good movie name ngl.

- ANYWAYSSSS, I think he either somehow miraculously manages to find his way to you or you find him after one of your… Dare I say, friends?? Mutuals??? Complain about him being a drunk little shit and killing the mood.

- Honestly I think he flip flops from mean drunk to emotional drunk, really empathizing the turmoil that goes on in that gold ball shaped head of his.

- Going from wanting your comfort to insulting you, his speech is even more slurred than it usually is as he clutches onto you…. Freak.

- He’s so pathetic in that state, which is partly the reason why he doesn’t drink that much, against his whole thing of not being perceived as vulnerable keeping him from relying upon you like that.

- That reflects in his insults towards you as one might assume, insults elementary on the surface but tells you what’s going on in that fuzzy pea brain of his a lot more than it usually does.

- Alcohol really dumbs him down for a bit, too focused on standing up or the bug that’s clinging to the side of the wall to really string his thoughts together more concisely as words just pour out of his mouth if you poke and prod him just enough.

- Something tells me he does do the stupid ass cartoonish drunk hiccups when he’s smashed just enough… Why not? He has a bit of cartoonish whimsy to him.

- The type to try to get into a bar fight if he gets offended by some minuscule thing someone did or said, wrangling him is lot harder than one would think.

- Overall it’s usually not a great experience for any party though he does have his extremely rare moments of chilling the fuck out while drunk, mostly when he’s only sort of buzzed and still has some of his wits while being at home.

- Again I can see him being more clingy, not in a “Hehe I just like holding them💫💫🧚” but in a “Oh fuck I think I’m going to fall HELP—” Kind of way, he’s not the most graceful by any means.

- Like definitely as tripped over his shoelaces and makes you swear to keep that to yourself when he’s sober and embarrassed as all fuck when he’s able to recall the foolishness he partook in.

- Oh and keep him away from his kart— You think he’s a menace behind the wheel sober?? He is an absolute scrounge when he’s drunk, that one meme personified— Has definitely attempted to drive his kart into the Game Central Station before you put a stop to it much to his drunken annoyance.

- In a way, he was always wild, ‘liquid courage’ was just a more bitter way for that to be less constrained under his urge to maintain a powerful main character persona, makes him more honest but more incoherent.

- Rambling about what anything that comes to mind as he grips onto you as you lead him to Turbo Time to try to get him to wind down and hopefully sober up before opening time.

- Honestly, I think the more drunk he gets the more emotional side of his drunkenness comes out other than the usual slurred snarky remark he makes towards someone as they simply walk past him. Like I said he’s a little shit.

- A little attention-monopolizing hobgoblin who just so happened to get more than he should’ve drank.

- Hungover Turbo is a kind of creature you don’t want to mess with… Mean as a mother fucker, you just know his fellow racers taste his even uncaring cruelty as he fights back a migraine.

(. -. .. --. -- .- - .. -.-./.-. ..- ... .... . -../.-. . -.-. -.- .-.. . ... .../--- -... ... . ... ... .. ...- ./.-. .- -... .. -..)

[wilson-is-a-slut]

I think that because house is set (mostly) through house’s eyes that we are not supposed to like amber in the beginning, because he doesn’t like her (and I’m not using the word hate bc I can think of a lot more people that he would pick on before her)

but when I was on my second watch of season 4, I realized why I personally didn’t quite care for her the first time around; she was too brash for me, but that’s ok because that’s her character!! you can see the cuts and scrapes on her character and honestly it’s really cool thinking back and once I realized why I didn’t like her, it actually made me like her more.

I love amber very much as a character, but back to her being to brash for a second; me realizing that she was to brash for me and that being why I didn’t care for her also made me realize that amber as an actual physical person is not someone who I would actively seek to hang out with. given we had a mutual environment, I think we would hang out in that environment, but neither of us would seek out to hang out outside of said environment. and that’s perfectly fine!! there are real people in real life that are like that.

no spoilers but I really like amber and I wish the 07-08 writers strike didn’t kill season 4 halfway through and I would literally kill to see what a 22-24 episode season 4 would look like and how it would have most likely given us a different show entirely after that.

this post is mostly for @crack-cocaine-kibe who most likely just found out about amber and wilson given their most recent posts lmao

[nicosraf]

With the angels on some being pocs, what are all the races and ethnicity of all the angels if they have one? Because Uriel and Azazel are described as being black and Lucifer having copper skin and wondering if he’s Native American or middle eastern and Rosier having straight bangs like an Aztec royal! It’s been on my mind, sorry for the outlandish question >>

Not very outlandish ! but the answer is pretty complicated

The angels have diverse phenotypes, some of them fit very cleanly into race categories that we have here and are un-ambiguously one thing or another. For example, like you said, Azazel and Uriel are read as Black without nuance from people, which is fine (and good even!) But the majority of the characters are pretty vague, very intentionally.

I take a lot of inspiration from real world culture and real ethnicities for each one, but it wouldn't make sense to say something like "Rosier is Andean" even though that was my inspiration in designing him because Andean culture doesn't exist yet. Humans don't exist yet. The angels don't have ethnicities because all angels in Heaven are part of one cultural group -- angels -- which is mostly homogenous. They don't have race either in the sense that race is a social construct. They have different phenotypes, some of which are either impossible or extremely rare to see as naturally-born in our real life: for example, Lucifer's dark skin and wavy golden hair and golden eyes, Kokabiel's dark skin and red hair.

So none of them have races or ethnicities but I can tell you a few that inspired me though:

Rosier was inspired by Andean culture.

Uriel was inspired by Ethiopian culture.

Phanuel was inspired by North American, Eastern Woodland indigenous culture.

Michael was inspired by Colombian generally

Baal was inspired by north Brazil

Lucifer was inspired by central Mex

Samyaza was inspired by Greece

The only confirmed pale-r characters are Gabriel and Armoni.

[rootspiral]

part [1][2][3]

After managing to keep away from social media for almost two months, here comes Agatha All Along sucking me back in 🙃 I want to rewatch the whole thing and see how many details I can catch, but I guess I might as well go through Agatha's scenes in Wandavision first. and you guys are coming with me!! we can all hyperfixate together (spoilers from both WV and AAA below. this is going to be just a stream of consciousness as I go through scenes, don't expect anything elaborate)

SO.

Agatha arrives in Westview attracted by Wanda's Hex. She might already suspect she's dealing with the Scarlet Witch because lbr, who has that sort of power? She takes a calculated risk to come investigate (detective Agnes of Westview on the case!) It's funny that her calculated risks are always way more emotional than she'd admit, because who in their right mind comes after the SW? But all that power is too alluring, so Agatha takes possession of Ralph's house, ruins the market value adding a creepy basement and brainwashes him into being her husband/minion/pet.

And now it's time to do what she does best, con artist is gonna con! I adore that Agatha became one of the most infamous witches in history thanks mostly to her improv skills.

She's a magical gal is a small time locale!! he's a husband who's part machiiiiiine (great now it'll get stuck in my head again)

worth nothing that both witches and androids have historically and culturally been used as queer allegories, and here's a very sapphic witch pretending to be a straight 1950s housewife and another witch who's got an elaborate fantasy going on where her husband is able to pass and all their problems are sitcom-level fixable.

How to solve the Hex mystery according to Agatha Harkness:

step #1, casually fish for personal info

step #2, flirt with your suspect (obviously)

she literally asks if Wanda's single ¯\_(ツ)_/¯

AGATHA

she's lying it on soooo thick

she dropped that pot so deliberately LMAOO stinky chaotic goblin

knowing she' s being an asshole on purpose makes this scene 100 times funnier tbh

(also a moment of silence for Sharon's irreparable trauma. her last words will be "Wanda, I'm begging you, let him breathe, please")

episode 2: Agatha keeps being a menace

And knowing now that she's always playing a part and her real personality is much more emo makes it easier to spot when she slips out of character

"was that too much? might rein it down a lil bit" (btw I'm still suspicious of Dennis the mailman and totally expect a big reveal in Westview season 3)

I'm betting that this was Agatha rather than Agnes too. she's so miserable lol. she hates playing this part so much. and that wig is hideous

not Agatha casually planting the idea of children in Wanda's head. She probably was the one making people chant "for the children" too. literally manipulating Wanda into showing her if she can create life, calculated risk my ass, she's out here playing with fire

(does that mean that Agatha is a liiiiiiitle bit Billy's and Tommy's parent too?? she planTED the sEED. hear me OUT.)

you know she was dead inside at having to sit through the whole talent show. she probably took it out on the talent show contestants and made them trip onstage or something

Episode 3 of pappappa pappappa wandavision!

Agatha helping Wanda to pick baby clothes, I'm going to sob. (look at this technicolor filter! modern shows CAN color their shit! it's just that they'd rather make everything look like muddy ass instead)

not much from Agatha this episode except scheming to get Monica kicked out of the Hex, seeing as she's the biggest obstacle between herself and Wanda ('s powers). Also you know she was stalking the house to keep track of when the babies were born. Also also, the painted scenery! Like mother like son, it's such a big hint about the nature of the Road.

look at this piece of shit, I love her so much. And she does tend to wink when she's just told a truly egregious lie, doesn't she? it's like her little signature.

Agatha in episode 5 coming in like: LEMME SEE THOSE BABIESSSSSSS

kathryn hahn with 80s curls is doing something to me, let me tell you

so manipulative, in so many ways. and knowing what we know now about Agatha and children, imagine the turmoil inside of her!! triumph at having confirmation of Wanda's life-giving powers. nervousness about the mess she's putting herself in. exasperation at having to keep up the charade. and, most importantly, getting to HOLD A BABY BOY AFTER ALL THIS TIME (amazing, terrifying, traumatic, wonderful)

what is she doiiiing. this bitch, I swear.

OH MY GAWD I FORGOT WANDA SAID THIS. "so she keeps coming at me like a cat in heat, that's not her fault Vision, she has a Medical Condition"

"kids. can't control them. no matter how hard you try"??????? the suddenly wistful voice?????????????????????? why don't I flung myself off a cliff?????????????????? was this woman actually honestly dying inside while still having to play pretend, I can't, I cannot. And how much of Agatha's backstory was decided at this point, was Kathryn given a general idea?

Agatha and Billy, partners in crime already! Seriously, Jac Schaeffer must have had an idea of where this was going. And it's obvious in retrospect that Agatha would be drawn to Billy the most, he's a witch unlike Tommy and he's such a polite, sweet little fellow, he probably reminded her of Nicky so much?? Here's this scary dangerous witch who on one side is planning to murder everyone in the room, and on the other is fighting back the urge to go full mama bear on this kid and protect and cherish him forever. This is not what she signed up for when she decided to stalk Wanda!

She is so horrible. She is despicable. I'm allowed to say it because I love her so much! I can't remember, was it revealed that she turned a fly into a dog or something? Or did she kidnap a dog dog from a shelter / someone's garden and then stone cold killed him? No, wait, she made Ralph kill him. Do your own killing of cute innocent little creatures, you coward! Love that vest tho.

"Fix the dead!" "You can do that?" And of course she's pretending here but you know that's EXACTLY what this whole sordid Sparky affair was about, she's testing and prodding at Wanda's powers, trying to figure out her limits. There's an eagerness here that she doesn't need to fake. Who knows, maybe she was actually squeamish about killing the dog (she does have a cuddly bunny and woves him vewy much), hence why Ralph had to do it. But more importantly even if she didn't like killing a pet, even if she wasn't happy about traumatizing these kids - that's exactly what she's doing here, she's willingly hurting two children - she went and did it anyway, because her thirst for Wanda's powers is too big. She kills witches out of anger, out of fear and self-preservation. She is ultimately a selfish person, and that is what makes her a villain. It's not that she doesn't have feelings. She has plenty of feelings, she has a conscience, and she chooses to do the bad thing anyway.

"And we can't reverse death. No matter how sad it makes us. Okay? Some things are forever." These two shows above all else are about grief. You can peel this scene and find more and more layers, it was about the kids losing Sparky at first but also about Wanda losing Pietro, Wanda losing Vision, Wanda losing the kids. And it's also, DEFINITELY about Agatha losing Nicky. I need a drink.

Agatha discreetly wiping a tear in the background nbd

And I can only upload 30 pictures per post so there's going to be a part two. I was NOT planning to write so much, help. What are you doing to me AGATHA

go to part 2

[smallishzine]

very important official zine stuff for real this time guys please spread this around

we realized we haven’t asked you what you want this zine to be, so here is poll with some different options for things we could do, but this still won’t set things in stone cause we’re aware that we’re working with a relatively small albeit amazing awesome and extremely appreciated audience, but it’ll give us a good idea for what direction you want the zine to go in.

some examples of what we mean for added coherence, please read before voting unless you wanna be like that guy in the Simpsons movie:

an eras tour zine (yes this is a Taylor swift joke shut up if you’re judging us you’re wrong) would be like different pieces dedicated to each, for lack of a better word, “thing” that Joel has done. @/inthelittlezine is a great example of this concept, except the mod has far better organizational skills than we ever could hope to

tourism brochure would be like we pick a specific thing Joel, such as esmp 1 or 2, or x life, or one of his hardcore/survival worlds (I haven’t listed Hermitcraft season 10 cause that’s still in progress but if you guys really really wanna, that too), and make an in universe guide to it expanding upon the lore and characters and builds and stuff. @/scarland-artbook is an amazing example of this, though of course we would be a much smaller scale of a project.

do you wanna tell a story? Or ride our bikes around the halls? We can’t help with the second one, we’re not very sporty people, but this option is both the most difficult and dangerous to the success of the zine, and the one that intrigues me specifically the most. Like, guys, I know I’m polling this, but I’m secretly hoping that this one wins. Like all the hoping. Ever. But I’m not gonna just say yeah let’s do this because if like only three people also wanna this zine will never get made and I will be really, really sad. This option is basically do we wanna take something Joel has done and work together to create an original universe/story based off of it, each contributing a small part of the story in comic or writing form. Unless you’ve been living under a rock and/or this post broke containment sorry if it did I assure I’m usually mostly sane, you probably know where I’m shamelessly stealing taking inspiration from. We heart you @/hotguycomiczine. If we went with this we would obviously create our own universe and storyline, and we’d try to base it off of one of Joel’s characters if possible. Also, if we went with this, we’d start the mod and application process and stuff and once we knew everyone who was going to be in the zine then we’d all get together and start working on the story, and this is the part I’m worried about because if we’re all stumped then I guess the zine is out of luck and I’d be sad. Also even if we did do this, like preemptively temper your expectations I am no where near as good as the legends at hotguycomiczine at organization and promotion and story writing and all that good stuff. However, if you have an idea for a story and want to share, send us an ask cause we might just end up using it.

I think the last two are mostly self explanatory.

please reblog for reach.

[halfwayunder]

Caitlyn Character Arc Theory! ("the 3 Caitlyns")

I've had some thoughts on the "3 versions of Caitlyn" that I think we'll have seen by the conclusion of the show and how the final act of season 2 will show us Caitlyn in her completed character arc. Caitlyn 1: the first season

This is the Caitlyn we see in season 1. Optimistic, hopeful and a bit naïve or sheltered you could say. Always seeing the good in people and has an abundance of empathy for the people of Zaun. Fighting is a last resort (not that she's unwilling to defend herself, but if she can resolve it peacefully she will) and killing is also not something she is keen on. (As shown by her intentionally only disabling Sevika's arm despite her trying to kill Vi). Caitlyn 2: the second season (act 1 & 2)

This is the Caitlyn we see develop in act 1 of season 2, after the death of her mother and who I think we'll see for most/half of act 2 (I believe the seeds of her realizing she's becoming someone she doesn't like will form in act 2). Fuelled by grief, revenge and anger. This is the first time she's experienced true loss in her life and she does not cope with it well. She starts by blaming it on the actions of one person, Jinx, like her season 1 self would do, but subsequent attacks on Piltover lead to her generalizing Zaun and her empathy for them runs out. Violence is now her first option and she is more than willing to kill people (she was ready to blow that one gang account's head off during questioning even). Caitlyn 3: the second season (act 3) Completed Caitlyn

Now this is basically pure theory as I write this in the wait between act 1 and act 2. But, I believe this will be Caitlyn at the end of her character arc. Having realized the error of her ways, soul-searched, discovered Ambessa has been manipulating her, looked at her family legacy and its positive impact on Zaun (the filtration system she once weaponized) and concluded that her mother would not want her to go down this route. She has taken responsibility for herself and reconciled (see: had very rough and passionate reconciliation sex) with Vi. We do know that Cait and Vi will reconcile and be on the same side at least based on the trailers. She may have been confronted with the consequences of her decisions on ordinary people in Zaun near the end of act 2 and be horrified. Or just realize this naturally once she 'snaps out' of Caitlyn 2. This restores (most) of her season 1 empathy for the people of Zaun. I say most because as I allude to in the paragraph after this one, she isn't naïve like her season 1 self anymore, and knows now that while the people of Zaun should be respected as human beings and given the best chance possible at a safe, prosperous life like those in Piltover. There are elements in the undercity whom still seek to do harm (justified or not) and need to be treated with caution. It's not blind optimism or compassion, but it's the most a person can give in the real world, not the sheltered one she was raised in. This Caitlyn has the best of both previous iterations and is a Caitlyn who has confronted and (mostly) bested her demons. She has the hope and kind spirit of season 1 Cait, but the pragmatism and toughness of season 2 Cait. She is still willing to kill, but only if necessary, not at will. If confronted by another threat like Jinx, she won't hesitate to take the shot, much like Caitlyn 2, only now it isn't a decision made from anger or a desire for revenge, but dedication to protect as many people as possible like Caitlyn 1. She has managed to wrangle her emotions of grief and rage and learn from them. There may be a scene near the end to show this growth when Jinx inevitably appears and Cait's anger flares up again, only for Vi to assure her for one last time that she's got it, and Cait agrees to let her go fight Jinx on her own. Now, of course most of this is guess work! But, I think it would make sense from a narrative perspective for this to be Cait's arc. I don't believe the writers would want to have her just become a full on antagonist and end her story as a villain, it'd be immensely disappointing for the audience and not up to their standards. And I think this would be a very satisfying way to conclude her character development. (I'm also basing some of it based on her appearance in act 3 lmao)