#and logically they should but I should probably realize that other people do have stuff going on?

[weaselweaselweasel]

I hate dnd I’m killing myself

[hedgehogcryptid]

I’ve realized that the main reason I don’t give a fuck about Red Hood’s actual canon crimes is not that I think they’re justified, or reasonable, or even just funny. He has been shown doing very fucked up shit that at times has very little, if anything, to do with any reasonable moral code. But the reason I don’t care is that I’ve steadily become very critical of villain framing. It’s so very common to have a villain say something very reasonable like “poor people shouldn’t die” and then complement it with “and I will kill babies about it.” If the first statement is reasonable, and the narrative does not provide a reason that justifies the balls-to-the-wall batshit “solution” the character came up with, then I assume the author is either deliberately or subconsciously villainizing a specific group of people for no reason, and I don’t vibe with that. At that time I no longer care about what the author/narrative actually has to say and my reaction becomes “the narrator is actually a biased witness and anything they say about this person’s actions should be taken as exaggeration”. Oh, so Jason is an indiscriminate killer who thinks every petty criminal deserves to die? Wrong. They’re exaggerating and taking the facts out of context. So he killed a hundred people in prison with barely any provocation? It probably wasn’t that many and the ones he did were trying to kill him to begin with, with no intervention from the guards, so it was self defense. He attempted to kill a child? Wrong, that was a two-sided fight between two teenagers, he just won so the other one’s bitter. Like, I don’t care how much made up context I need to stuff in there to make it make sense, I will do it because the narrative decided to frame the homeless kid from a poor neighborhood as the villain against the nice and kindhearted humanitarian billionaire so its logic is fucked from the get-go

[olderthannetfic]

I have really mixed feelings about the small proportion of F/F fiction (original or fanfic), because yeah sure, people have their desires, they should write what they want, I get it. It all works out when I hear it from person to person. But somehow the logic only ever applies in one direction? "There are more male protagonists because men only care about male characters! Women also mostly care about male characters, because that's the majority of characters they get!" And then somehow we also yet kvetch when men write female characters (because it's incorrectly or something, nevermind if women are writing male characters correctly). Why don't we expect gay men to feel compelled only by femslash for the same reasons (but gender swapped) as the lesbian slashers/fujoshi? All of those very rational justifications are applied selectively, "for me for not for thee," and it all only leads to "idk I just don't wanna write femslash", for Reasons. Do we get to call them microaggressions yet?

--

No, you don't get to call other people's fantasy life a microaggression.

That is indeed "for me but not for thee" in the sense that you get to want what you want but other people aren't supposed to follow their id.

Do you also police gay men who spend too much time on drag and obsessing over female divas? That's an actual real world behavior that's somewhat equivalent. It frequently goes unchallenged, at least by progressives, because men are allowed to do whatever they want with chick stuff, while women are "stealing" if they dare to stray into dude stuff.

(God, I've seen so much more policing of drag kings being ~problematic~ for acting out stereotypical gender than policing of drag queens for the same. It's nuts!)

Fujoshi are often queer, but it's absurd to think we're mostly lesbians. We tend to be bi or asexual women with gender stuff going on, though there is a mix of everybody, including lesbians. There are also a lot of AFAB non-women who get lumped in with us. On the rare occasions I find a man willing to admit to being a similar demographic, he usually does like gender play in his hobbies and entertainment. It's just that men face even more pressure than women do to fit into tidy categories. Bi women get told we're whores. Bi men are told they don't exist.

Yes, I know plenty of lesbians who write more m/m than f/f, but in the big picture of all of AO3 or all of fanfic or all of media, they aren't the demographic driving these numbers. They're vastly outnumbered by the bi women, the asexual women, and the straight and gnc women.

The men we should be looking at as an equivalent aren't cis gay men but bicurious soy boys and the like.

Do most of us fujoshi object to equivalent men doing an equivalent thing? I've seen it sometimes, and I agree it's hypocritical. I'd like us to afford men the same ability to play and take on identities in their art. I remember enjoying Ranma fandom back in the day and reading quite a lot of f/f that was probably by men. It had some of that same sense of distance and fantasy that I so enjoy in m/m aimed at fujoshi. (I do consume some by-cis-gay, for-cis-gay content, both m/m and f/f, but it's often too literal and too bound up in specific named identities for my taste.)

On average, the people I see complaining most about men producing f/f material are the same people who think that because I have a clit, I should center my life around women exclusively. In other words, people spouting radfem ideology, perhaps on purpose or perhaps without realizing.

I do agree that some of the ways of expressing a lack of desire to write femslash can get pretty douchey. I want us to move away from some of the less accurate ones like "There are no compelling female characters" because of this.

But the reason for all these jerkass explanations is that women and people perceived as women who like m/m are constantly asked to explain ourselves. These aren't usually microaggressions: they're openly hostile. People get defensive and try to answer with important-sounding reasons about identity and pain because society at large won't accept "I like this" as the true explanation.

Pleasure is never enough of a reason for a woman to do something.

[ardbar]

You know. Noobs aren't really expected to last very long. Every time we see one that isn't Evbo, they never last long. We watch at least 5 of them die. Who knows how many Evbo has watched die. They probably aren't expected to last more than a few weeks.

And who would waste resources teaching things to people who will be dead in a few weeks anyways? Who would even teach them things? The Pros? The pros would Never, even if it was their Daily Task they would likely just sneer at the Noobs and call them stupid.

It makes me wonder. How many things are considered Common Knowledge that Evbo simply doesn't know even exist? How many things does he do that everyone else would consider him Utterly Insane for that were just... normal on the Nood Level?

EMF catches him using a bucket of water and bar of soap to wash his clothes instead of a washing machine and just thinks he likes doing it the old fashioned way. Shades Pro sees Evbo counting on his Fingers, only after 5 he's speaking jibberish. Shades decides he misheard him or Evbo is fucking with him. Seawatt finds him picking grass blades off a grass block and turns away with a roll of his eyes, not seeing Evbo stuff the fistful of grass into his mouth. He says that even reading is parkour because that's how he refers to all things he's never seen before (and 90% of the time is Correct in this assumption) and EMF and Seawatt think he's just making a joke.

And no one helps him because they don't know he needs help. They don't know that he can't read or write, he doesn't know numbers past 5 and ended up making up names for them, doesn't understand any sort of machine, even unable to understand how furnaces work really, as they had them on noob level but had no fuel for them, he eats grass blades because sometimes... sometimes Pros would "forget" to deliver some meat to his house, or he would be late and not get any, or sometimes the hunger would just get To Bad. Does he even know what a callender is? Evbo has no idea any of these actions are incorrect or that there's things he should learn.

After all, how can he possibly ask for the answers to a question he does not know exists?

Wait I actually love this. I've also believe that Evbo just wouldn't know as much as everyone else because as you said the Noob level just has no infrastructure. Like to your point about him saying even reading is parkour, he specifically mentions he only started to learn it after becoming the champion. This really goes to show how the noob layer just wasn't cared about. However this has always made me question some things, what exactly is the point of the noob level if ranking up is impossible. The master level is obviously a parallel for the wealthy elite, which would make the pro level something around the working class, following this type of logic the noob's would be like the lower class and menial labor. However, the noobs don't actually do anything. While we didn't spend too much time in the noob level all we really saw was that they have to do their daily parkour for food and then as long as they follow the rules they have no other tasks. Do they just exist to keep the pro class busy, to make the pros not realize they are still at the bottom of the social hierarchy?

Personally I think it would be cool if that was why the Noob layer is so underdeveloped and as you said not well educated. The noobs were only a means to an end. I think it would make sense that the Pro level has the biggest population since they aren't prone to dying like the noobs and because they do most of the jobs. Because they have the biggest population and thus a decent amount of sway the champion keeps the noobs around to make the pro's antagonize them instead of trying to rebel against the masters and him. By keeping most of the conflict between the pros and noobs he has effectively prolonged his society.

The noob's exist as an example that things could always be worse. That while the pros need to work to get time to practice parkour they at least have food, they at least have nice homes, they are safe as long as the noobs exist.

Personally I think it would be really fun wrote a fic about various things Evbo does and everyone else just looks at him like, "how are you alive right now?"

[violetrainbow412-blog]

Memories [S. R]

Spencer Reid x fem!reader

word count: 4k

summary: the case of the self-appointed Fisher King comes with too many sentimental implications and you discover that you and Spencer had more in common than you imagined.

warnings: mention of mental illness and some trauma

A/N: directly based on 2x01 of the series "The Fisher King" part 2

people who might be interested: @c-m-stuff @no-soy-fer @synthsescape @bella-fics @cynbx (if you want to be removed or added tell me!)

To say that you were worried about the case was an understatement, you were actually terrified of what might happen. An unsub holding a hostage, who was also her daughter, and who knew so much about each member of the team, was worrying in itself. But Elle being in a hospital dying, the case being so tied to Reid's life, and you being so stupidly far from knowing where Randall Garner was, was what made you want to throw up everything you'd eaten during your interrupted vacation.

The team, as always, had split up and throughout the investigation you had stayed with Spencer and Garcia to try to crack the riddle, using the man's brain, the woman's internet find-anything skills, and your vast knowledge of the world of codes and literature. During that period you never believed that the doctor's mother would be involved, much less did you think that she would find herself in the… condition she was in. Throughout the time she was there, he treated her sweetly and calmly, but you couldn't help noticing the discomfort that was palpable in the environment. Not that he was ashamed of her, of course, although you figured he didn't visit her very often and it was obviously not her intention for the entire BAU to find out that her mother was a schizophrenic who was in a sanatorium.

You remembered, hours ago, asking Garcia to let you tell the man that his mother was fine when he requested a plane to bring her to Virginia, and all day you had that conversation etched in your mind like a tattoo on your skin.

"Your mom it's ok" you had said, approaching her desk and leaning on it to look at it "Agents picked her up. She's flying here right now” you completed, although he seemed too amused with the piece of evidence that he had in his hand and then you felt the need to say something else “How are you?”

"I feel kind of dumb, to tell you the truth," he replied. Most of the time he avoided looking at you, but you had already gotten used to it “I forgot she used to always read me this poem. And I think that I should have realized sooner than that”

"Why?"

“Nobody knows things like the fact that JJ collects butterflies except for me,” he said, with a guilt-tinged shrug. “People tell me their secrets all the time. Think it's because they know I don't have anyone to betray them to… except… my mother. I... I tell her pretty much everything”

"It’s fine”

“Do you know that I write her a letter every day?”

"That's very nice," you said sincerely, for the idea of the man carefully writing a letter to tell his mother about the day was a sweet image to imagine.

“It depends on why I write her”

"What do you mean?"

“I write her letters so I won't feel so guilty about not visiting her,” Reid added. If it hadn't been for that case, probably you, or anyone, would have known that his mother was hospitalized and you thought it was completely logical that he didn't want others to find out about that part of his life about him, including that he didn’t visit her. Spencer was always available for everything, always working, always alone in his apartment and now that you knew about Diana you understood why. He waited a moment and then finally made eye contact with you, looking somewhat fearful “Did you know that schizophrenia is genetically passed?”

And when he mentioned that your world fell apart. You understood that this was the reason why he didn't go with her; because he was afraid. You didn't know how to react, at least not at that moment, and you just looked at him sadly, feeling your own heart tighten a little at unfortunate memories.

Although, for work reasons, the talk hadn't gone any further than that, you'd thought about it all along, even now that you were all gathered to put the last pieces together of what you hoped would be a successful puzzle.

"Nevada? So we don't even know what state he's in?” Hotch muttered, already quite frustrated at how fruitless the search was turning out. There was little time left and you all knew it.

“I'll search the tax records, see if he owns any property”

"Excuse me," Diana Reid intervened from the chair next to the blackboard and her son practically jumped to try and stop her.

"Mom, do you know we're..."

“Just before the agents got me from the hospital, a man delivered this to me” she continued, ignoring “It's a photo of a house with an address on the back”

After showing her direction she turned the image and you saw what was a house that looked just like a castle, with illuminated windows, trees around, and a night sky.

“Shiloh, Virginia?”

“That's only 10 miles from here”

"Well, there's no time to waste. Morgan and Reid are coming with me”

"I want to go too," you said immediately. Something about the whole thing gave you a very bad feeling and you wished you could help in any way you could, but you were surprised to see that Spencer was the first to oppose your request.

“We don't want anyone else to get hurt, Y/N,” Morgan added, his voice almost pleading for you to obey Hotch's orders. You were in no position to demand a ride and only agreed because you knew that an argument would only take away valuable time. “We have to get ready. Reid, let's go.”

"I'll be back soon, mom"

"I'll stay with her" you suggested, hastening to take a step towards him, in an attempt to continue your mission to help.

"Are you sure?"

"Of course," you said to reassure him. Diana already seemed quite satisfied with the fact that you were going to accompany her and you still didn't know why “Go. And be careful, please."

"I will" he nodded and immediately went after Morgan and Hotch, the three of them leaving the room to carry out the rescue mission. You had your heart in your hand for thinking about what could happen to them and only the woman's voice brought you back to reality.

"I'm glad you're the one who stays"

"Really?" you asked, somewhat flattered to think that she had liked you within a couple of hours of knowing you. 

"Spencer talks to me about you all the time" she confessed and both you and the other two women present widened their eyes in surprise “He said you like literature"

"Yeah, I'd say so," you muttered, trying to smile at her to hide the nervous wreck you were, partly because of concern for your partners and partly because of what she had just told you.

"He's going to be fine, right?"

By God you hoped so. You didn't know what you would do if he got hurt or… he just didn't come back from there.

"Yes, I promise" you managed to say, as serenely as possible to try to keep your companion calm "And if you tell me about your favorite book? I imagine it will be a good one,” you said kindly, taking her arm and leading her to a couch where the two of you could sit. You knew that part of suggesting the talk was to distract yourself from the bleak outlook and thus kill time until the team returned.

Waiting was all you could do.

Diana had talked to you for a while until she ended up finding it more interesting to write in her notebook so you decided not to bother her, although she left you silent and ready for anxiety to grip you tight. After about an hour JJ herself had come to tell you that Elle was safe after surgery and you swore you could have cried with happiness when you found out. So, the pain that stayed in your chest was just from waiting for news from the three remaining agents and when what felt like an eternity passed without receiving any reports you couldn't take it anymore and apologized to Diana to leave the room. with the excuse that you needed to go to the bathroom. You were confident that she would not be a suicidal or aggressive patient, but you still wanted to hurry to get back to her as soon as possible, and when you had barely walked a section of the corridor you met a gangly figure who was already on his way to look for you.

"Rebeca?"

“She's safe” was the first thing you said, making the knot in your stomach finally dissolve “But Randall died. He blew himself up,” he continued, and you thought you wished you had heard a better outcome, even if the man was a criminal “And my mom?”

"Calm. Writing” you assured him, taking a few steps towards him to get a better look at him. He was dirty and what would later be a bruise could be seen on the left side of his face, but other than that he seemed to be safe and sound. "Is everyone there okay?"

"Yes," he breathed out. It was a relief to know that, it was a relief that things were finally over and that no one had been lost.

“I'm so grateful to hear that, Reid,” you said. You stretched your fingers up to his side and ran the tips over the mark that was beginning to form. "Does it hurt a lot?"

"No," he assured you, with a tight-lipped smile.

"Your mother. It will make her happy to know that you're back" you murmured immediately, and tried to go back the way you had come to go tell him, but he held out a hand to stop you "What's wrong?"

"Do you think I could take a moment before going with her?" he asked you and you retraced your steps to face him, still not letting go of his hand. You nodded and he sat on the floor with his legs drawn up and his back leaning against the wall in an attempt to calm down a bit from the adrenaline rush of all the previous events. You dropped down next to him in the same position and looked at his profile, thinking that if you had something to say, now was the time to talk.

“She told me you talk about me all the time,” you ventured, and he bit back an embarrassed smile.

"You weren't supposed to have found out about that"

"So you say bad things about me?"

"She didn't tell you?"

"No" you answered kindly.

"It's a relief"

“So these are definitely bad things, huh,” you teased, pushing your shoulder against his and seeing him shake his head slightly, too embarrassed to admit what he had written to his mother about you. You were silent for a moment as it didn’t seem that he had any intention of getting up to cross to the meeting room, you spoke again "Do you really not want to see her?"

“It's not that I don't want to see her, it's just that dealing with everything sometimes is so… so hard. You wouldn't understand,” he told you, his voice threatening to crack at any moment. You took a deep breath before opening your mouth to reply and the lonely hallway muffled your words, which were barely a whisper.

"What do you know about Alzheimer, Reid?" saying this, he turned a little to look at you, just in case he had misheard, but he realized that now it was you who wasn't looking at him.

"Excuse me?"

"Alzheimer" you repeated.

"Huh, it's a type of dementia that causes problems with memory, thinking, and behavior," he replied, still not quite sure why you were asking, “It is progressive, which means dementia symptoms gradually worsen over the years, and it is also the sixth leading cause of death in the United States. Live an average of eight years after symptoms become apparent, but survival can range from four to 20 years, depending on age and other health conditions. There is currently no cure."

“Have you ever lived with someone who has it?” you exclaimed and he shook his head. It was easier to look directly at you when you were the one who looked away “There are experimental treatments that reduce symptoms, but none are totally effective, appearing early in life in only about 5% to 6% of people. Although there is no defined cause, the genetic factor can affect you if you had a direct relative who suffered from early Alzheimer's” you exclaimed. He wanted to ask you why you were doing this exchange of information, but he thought it impolite to do so, so he just kept quiet "You said earlier that people tell you their secrets because you have no one to tell them to, but I'm sure it's not because that. We trust you because you are kind, understanding, but above all a good friend who we know will never judge us" you took a moment to take a deep breath again, feeling the nervousness running from the tip of your feet to your head and also to gather something of courage "I personally tell you because I am very afraid of starting to forget them"

It all clicked in Spencer's mind in a split second and he wished he was misreading things, searching your gaze so he could identify something that indicated you didn't mean what he was assuming.

"You…?” he started to say, but the question died on the tip of his tongue.

“It was my father. He was barely 35 years old when it all started, it was with the time he forgot to come to his birthday party. I remember it perfectly, he hadn't been feeling well for weeks due to the stress of work and the company decided to run all kinds of tests on him, without finding anything to worry about, so we just ignored it. But the symptoms recurred: he was disoriented, discouraged, sometimes he became aggressive with the family and forgot plans or things that we had told him. When he almost crushed one of his colleagues with a machine that he forgot that he was working, the company decided to give him a permanent break and we began to worry.

»By 36 it was already a fact that it was the beginnings of dementia. The doctors were surprised by the diagnosis because it is not very common to find the disease in patients of his age and for more explanations that we tried to find, we didn’t find any other. They prescribed a treatment that only kept him calm and it got to a point where it felt inhuman to drug him daily, and about two years after he got the diagnosis my mom decided it was better to put him in a mental hospital.

I was only fifteen years old at the time, but I already understood everything perfectly. I went to see him every day, after school, talked to him, read my homework to him, and we watched movies together, which to a certain extent made his illness feel tolerable. The worst thing at that point was that he asked me to watch the same movie as the day before or that he asked me if I was nervous about the exam I had done a week ago" you looked at the man just to make sure he was following the story, which that you verified with the way he was looking at you; fully attentive.

“Anyway, the years went by and it got more and more complicated. Sometimes a nurse had to remind her of my name and at some point my mother just gave up, probably when my father completely disowned her and started yelling all over the hospital that a woman was harassing him in her room. I continued to visit him, but when I grew up and entered the FBI academy my hours were cut down considerably, so in recent years I only went to see him once a week.

»At 42 my father no longer knew that I was his daughter, he thought that I was a nurse doing social service by keeping him company. He talked to me all the time about his family and sadly told me that neither his wife nor his daughter had been to see him for a long time, but I assured him that they had both asked me to tell him that they loved him very much and that they would go soon” silent for a moment, careful not to burst into tears, and prepared to finish the story “He died during my first year as a BAU agent. I saw his decline over the years and even at the end I think he left thinking that his family had abandoned him. I don't talk to my mother anymore, because I think she feels very guilty about me for having left me all the burden of taking care of my father. But every day I feel at peace with myself because despite how painful it was to see him, I never left him.

»Many times I cried before entering the hospital and when leaving, thinking that I had to pretend to be able to spend a moment with the person I loved the most and who was now only a ghost of what my father once was. And it was terrible to look at it and think that this was my future, even to this day. They say that reading is a good exercise to reduce risk and that's why I always carry a book wherever I go, that's why I always want to do new things and that's why I strive every day to solve our cases because I don't know when the last. I have gone to specialists who have told me that there is nothing to worry about and that, if I have it, Alzheimer's could last until I am an old woman, but even so I am afraid every day.

If I really get sick and manage to get old, the most likely thing is that I will end up in a sanatorium, but right now what is worth it are the things I do every day. I'm scared, yes, but it's worth fighting for if I can help people in this job and especially if I can live with people like you.

I know you said that I wouldn't understand, but the truth is that of all the people in this building I can assure you that I am the one who can do it best. I know that you can't bear to see her because you are afraid of ending up with her like her and that at the same time you are so worried that you take the time to write everything about your life to her. I'm probably boring you with all this stuff that you never asked me to tell you, but I just wanted to tell you how important it is that you be with your mom. And more than doing it for her, do it for you.

I would only give you one piece of advice, which you can decide to take or not: don't waste your time, Spencer. Your mother loves you very much, go and talk to her, accompany her, listen to everything she has to tell you and forgive her faults if there are any. Because you don't know about her when it may be the last time you see her, either for your health or for hers”

There was total silence. You hadn't noticed until that moment that your cheeks were already wet from crying and you still didn't dare to look at his face. No person knew that part of you, because after your father got worse you had decided not to talk about it with anyone, so you could say that you were practically giving your heart to that man bruised by the mission a few hours ago. Suddenly you thought that perhaps you had talked for too long or that for him it had no relevance and he had only stayed to listen to you because he was not rude enough to leave you talking to yourself. But while your head was drawing the wrong conclusions, something you never expected happened: Spencer extended his hands to you and wrapped you in a hug.

It only took a bit of effort to make their bodies fit perfectly and he clenched the fabric of your knitted sweater in his fists, tucking his head into the crook of your neck to allow you to lean yours against his golden hair. It was as if all the time you had been destined for that particular moment, fused in that embrace that communicated everything that words could no longer express.

He wasn't the person who loved physical contact the most, all of you had noticed that, so hugging him was totally new to you. The feeling of peace that this brought you had no comparison point and the softness of his body covered you completely.

“I had no idea,” he murmured, the sound of his voice muffled by your skin. And Spencer was being completely honest, because he didn't even imagine that you could fully understand him after having lived through such a tragic story. He had understood many things thanks to your story and he was eternally grateful that he had felt the confidence to tell him something like this, so he also thought that maybe it was his turn to be honest with you "What my mom said is true, I always talk to her about you. I tell her that you are the sweetest companion I have ever had, that you always pay attention to me, and that you make sure that I feel comfortable wherever we go. I tell her that you are strong, that I want to be half as brave as you, and I also tell her that I have never felt affection and gratitude for someone as I feel for you, because you have made these two years different from any other time in my life” his words, whispered so close to you and drenched in so much love, only intensified your tears "And as long as my conscience remains intact, I assure you that if I need to remind you of all the secrets you have told me, I will do it"

That, more than a proposal, was a declaration of pure love that promised to reach many years into the future.

"Maybe we'll even end up in the same sanitarium, you and me, huh?" you exclaimed, with a slightly joking tone "And so I will have the opportunity to know your wonders again every day"

You felt on your neck that you managed to get a smile out of him and that made you smile too. That's when he pulled away so he could look at you.

“I think that… I will go with my mother back to Nevada. I guess we both deserve it, don't you think?" he told you and you nodded with a small smile. He didn't want to leave your side, but you got up first and held out your hand to help him do the same.

“She still has enough lucidity to tell me what your favorite food is. Maybe you should eat with her on the plane” you suggested. You didn't want to rob him of any more time he could spend with his mother, so you just wished him luck and started walking in another direction.

"Y/N, before you go" he called out to you. You were already a fair distance away, but it was enough for you to still speak in a small voice. "You know you're not alone, right?"

You smiled as he looked at you with those eyes that only showed sincerity, and you wished you could encapsulate that moment for eternity.

"I know" you replied calmly "And I trust that now you know it too"

[soloroomies]

lifemate (Chapter 4/ Sakusa x f!reader)

summary: talking about the details of your arrangement with Kiyoomi word count. 2.4k cw. marriage pact au, mature content, suggestive a/n. it's here!! the marriage is happening!!(＞0＜；；；) Masterlist

When you step inside your apartment, your heart starts to pound hard. The full realization dawns on you quickly. The fuck. You can't be like this. You fan your face, feeling the heat rising to your cheeks. You kind of feel like screaming. “You can't be like this,” you repeat the words loudly to yourself.

Why do you feel this way, though? You despise yourself for it. Maybe the idea of tying the knot with someone is really getting to you. You walk to your kitchen and gulp down some cold water to hydrate your throat. You need to be logical about this. Gosh, you need your best friend, Tami, right now. But she’s probably asleep already; it’s almost 1 am. So, you send some urgent texts to her, telling her that you’ll meet Sakusa tomorrow. You also send her a message that says something like, “The marriage plan is happening!! I’m gonna make a list of things that I need to discuss w him. Please give me ideas for some important topics!:( Love u.” You know your best friend can at least give you some pointers, especially since she's been married for four years.

You start to clean yourself up, changing your clothes, removing your makeup, brushing your teeth, washing your face, and doing a quick skincare routine. Now that you’re more comfortable, you might think more clearly. You check the time on your phone and lie down on your bed. Okay. You’ll make a few points yourself first.

You try to think hard, but nothing substantial comes up. So, you search for it on Google. You click on some articles and jot down notes in your notes app. You can't write much because you find some topics aren't relatable to your situation. Some of them are too real couple things. For example: "How to spend the right time together?" or "What happens if you feel like you’re drifting apart?" type of questions. That’s totally not relatable, right? A few topics that you’ve written down are: finances (how will you split the bill?), where you will live, personal space, and how you will divide the chores. Before you know it, your eyes start to close as you drift off to sleep.

When you wake up, it's because of the constant vibration from your phone. You check it and see that it’s still around 7 am. The vibration is from Tami’s texts. You quickly check her responses.

She lists a few topics, some of which are already written in your notes app. Then, there are some you haven't listed before:

1. Who is allowed to know about this pact? Damn, she’s right. You'll need to create your version of a love story either way.

2. How would this marriage be? Can each of you date other people, or do you want to be exclusive? Oh. Right. You’ve thought about this before, too. This is important.

3. The wedding. How big should it be? Yup, you still need to talk about this.

4. Physical intimacy? (P.S. Please talk about this, girl! You’re stupid if you’re not getting that dick) 

You roll your eyes. This is so her. But then you start to reflect on yourself. Sex? Of course, you're no virgin. You’re sure he’s not either. But, to be honest, you can’t really remember the last time you had sex. Damn! You think it was years ago with your last situationship. Yes, you’ve had your share of one-night stands, but that was in your early 20s. You just know that those kinds of activities are not that safe. Not that you judge anyone who does it, but for you, you usually do it with someone you trust pretty well. And there aren't a lot of men that you can trust to do that. Plus, the act is often disappointing. So, sex isn’t your top priority nowadays. Yes, you have your needs, but you could always take care of yourself. So far, so good. It’s manageable. You’re not sure how to bring this topic up to Kiyoomi, though. It feels wrong too to imagine stuff like that with him. You huff. You won't bring this up.

5. Children? Hmm, you haven’t really thought about this topic. 

Do you want children? Yes, you do, but it's not like you really want them. You guess it’s just because of an image of a perfect family you had in your head since you were little. This discussion will also complicate some financial topics. And you don’t know whether Kiyoomi wants children or not. So, you might skip this part. This is not something you considered when agreeing to this anyway.

6. Deal breakers? You can’t really think of what this would relate to in your relationship right now. Since there’s no romance involved, right? You might as well skip this part.

You type your thanks profusely to Tami and then start your Sunday morning by snacking on your energy bar. You'll have your breakfast with Sakusa. Then, you take a shower and get ready. After you finish getting ready, you check your phone and see some messages from Sakusa saying he’s on his way to your apartment. His trip to your place usually takes about 20 minutes. So, you sit on your couch and continue watching the series you haven’t finished.

A few minutes later, your phone vibrates. It's a text from Sakusa saying he’s arrived. You quickly respond and make your way downstairs. Spotting his car, you knock on the passenger seat window. He opens the door, and you slide in.

"Hey," you greet him.

"Hey," he replies. "Where do you want to eat?"

You suggest a restaurant not too far from your apartment that serves good avocado toast and truffle mushroom benedict. He agrees and starts to drive there.

As he drives, you take a moment to look at him. He's wearing a dark green corduroy jacket over a white shirt and black shorts. He’s not wearing his mask, but you notice the mask box between your seats. He smells good, a pleasant combination of his shampoo, soap, and cologne. He always smells good, you realize.

The car ride is quiet but comfortable, the kind of silence that feels natural rather than awkward. As you approach the restaurant, you feel a mix of anticipation and nervousness about the conversation that awaits.

As soon as you arrive, both of you order avocado toast and coffee. You finish your breakfast first, then you start the discussion. “So? Where do we start from here? Do you have anything in mind?” you ask.

Sakusa nods. “I do. Do you?”

“Yes,” you reply. Then you start to run through your list. For the financial topics, Sakusa insists on paying all the bills related to your living place: housing, electricity, and water. But you're confused. “Then, what should I pay for?” you ask.

“Some of the groceries, I guess.” Sakusa replies.

“What? No. I can’t. At least let me pay for the water or something, too?” you protest.

“Please. Just let me pay for that,” he insists.

You have never seen him plead before, but seeing his face now, you think this might be as close to pleading as he gets. “I’ve told you, you can leave some of your jobs if you’d like. It’s better for your health, too, I guess…” you can hear a hint of concern in his voice.

You're silent for a moment but then accept his offer, albeit reluctantly. Maybe you should try to relax a bit more. Isn't that one of the perks of this marriage pact? You then move to the next part, which is the living place. He suggests you move into his apartment, and you think it's more reasonable since he has three rooms in his apartment, allowing you to have one as your own room.

“How about personal space?” you ask.

“What about it?” Sakusa responds.

“Do you have a room or place that you won’t allow other people, like me, to enter?”

He’s silent for a bit. “My room.”

You nod your head. You’re no stranger to his need for personal space. In fact, you remember some of his past girlfriends complaining about it. He's the type of person who’s quite rigid about his boundaries. You'll try your best not to cross any of them. You express this concern to him, asking him to please let you know if you ever step over any boundaries. He answers with a simple "okay."

Next, you start to discuss the chores. You both conclude that he’ll be the one who cleans around the house, and you offer to be the chef. You’re not the best cook, but you’re also not bad. You'll do this since you'll have more spare time after letting go of some of your side jobs. Laundry will be done alternately each week.

Then, you start to discuss the topic list that Tami has given you. You both agree that the only ones who will know about this pact are the two of you, Komori, and Tami. You already told him that you shared this with her, and he’s understanding about that. He tells you that he already informed Komori about this plan as well. You’re a bit surprised, wondering whether Komori has known since the New Year party or before that. If he knew, he seemed nonchalant about it. But, he will definitely tease you about this.

The love story for both of you will be simple. You know each other since high school, secretly liked each other, and have been secretly dating for a year before deciding to get married. That’s just perfect. Your parents also know each other, and your mom has teased you about him before. Quite early in your friendship, even though you clearly stated to her that you considered him just a friend. Well, she might be quite shocked and cocky, having her “I told you so” moment upon hearing this wedding news. It’s okay; you’ll just have to deal with it for a bit.

You then mention the wedding and tell him that you actually want to have an intimate one. He agrees and chimes in that he needs to inform his manager as well since there will likely be some media coverage for an athlete's wedding. You nod, remembering Komori’s wedding. You hope there will be no big commotion from the public. You know he has some persistent fangirls and just hope they won’t give you threats or anything. Fingers crossed, you sigh. This is for Kiyoomi’s benefit too. You remember he always says he struggles with rejecting gifts and random confessions; maybe this marriage will reduce those kinds of things.

“How would this marriage be? Can each of us date another person, or do we want to be exclusive?” you read from your notes. He stares at you. “I think it’s up to you.”

You nod at his statement, understanding that it’s also up to him. It’s reasonable. Why would this marriage stop him from getting any girl he wants? You don’t know much about his hook-up activities, never inquiring about them either. He’s very private about that. You sigh mentally, feeling a tinge of insecurity, which you think is stupid. You can’t be unfair to him. “Yeah, let’s just be careful about it. We can’t let people know, though. It’ll look bad on us,” you respond, staring down at your phone.

You don’t hear his response and see the notes on your app, deciding to skip some of the topics that you're not sure how to bring up. “Is there anything you want to add?” you ask him.

“Will you take my family name?” he asks.

You think for a moment and nod. “I will.” Then, you start to repeat your name with ‘Sakusa’ in front of it in your head. You kind of want to laugh, thinking that you used to call him by his family name during your early years of friendship. Now, that name will be yours too.

After that, you delve into detailing the aspects of your wedding. You had stated earlier that you wanted an intimate ceremony, so you emphasize making the wedding small and estimating the budget, aiming to keep it as economical as possible and split it 50/50. Sakusa interjects again, insisting he’ll just pay it all. You don’t mind the budget since it’s much cheaper compared to what some of your friends usually spend. You also have enough savings for it. After a bit of disagreement, you settle on an 80/20 split.

Your wedding will be held in mid-February with a garden party theme, which you suggest. All the preparations will be handled by a wedding organizer that you both found together. Sakusa is actually very cooperative, offering to contact the wedding organizer and jotting down some of the information you discuss together on his phone’s notes. You thought he’d be bored with such detailed discussions, but he had even done a lot of research beforehand and gave you insights about the wedding experiences of his relatives and friends. You heard from some of your friends that their partners didn’t really put in the effort and handed it all over to the woman. So, you’re very glad he’s not like that. After all, marriage takes two people to make it work.

You both then decide that everything sounds good and finalize the plans. As you’re about to stand up, he suddenly grabs your hand. You look at him and see him hesitating a bit. 

“What? Is there something wrong?” you ask.

He then pulls you down, prompting you to sit again beside him. You stare at him curiously as his hand moves inside his jacket pocket, taking out something. It’s a box. A ring box! You realize, flabbergasted by his action. Your mouth falls open.

“Wait, wait. What?” you stammer, staring at the navy velvet ring box. 

He proceeds to open it, showing a silver ring. You notice that the ring features a row of detailed Forget-Me-Not flowers running into delicate leaves on either side of the band. You’re totally speechless. You didn’t expect him to give you a ring right now. You thought you could just buy some matching rings together that simply show “Yeah, we’re married.” But this ring in front of you looks expensive as hell.

“I know this kind of marriage is something you never expected. I know this is not something you dreamed of either. But let me make this a bit proper. I want you to have this,” Sakusa says.

You feel like crying, touched by his sentiment. He then slides the ring onto your finger, and you can’t help but thank him and hug him, driven by your emotions. You widen your eyes, taken aback, and mumble a quick apology, afraid that you’ve invaded his personal space or something. But he hugs you back.

It seems like this marriage pact isn’t so bad, after all.

[jesus-is-an-ally]

How do you get past feeling stupid when you believe in God? Like, how do you ignore the feeling that you should be an atheist and not believe in God and that all this is just, a fake made up religion meant to control people? And obviously when i say you i mean i. I want to believe but i feel so dumb for it. I know im a smart person but every time i get involved with christianity i feel like im taking to an imaginary friend because thats how everyone refers to it. I feel like im feeding into an industry that colonized people, when i dont even go to church.

And ive had experiences with God that feel so unlike any religious experience ive had, but my brain always forces me to logic it away. Like ill feel an immeasurable level of calm and happiness and then my brain will go 'those are just endorphins'. How do i get past that?

Long read ahead, but I encourage everyone to read it, because I did my best to answer this and I think there's some good stuff in here.

Hey anon. First I'd like to say that I am not professionally trained, I do not possess a biblical degree of any kind, nor am I a pastor or a priest or anyone like that. But I have been a Christian my entire life, so that should count for something, Lord willing.

I also want to say that I think this is a very good question and I thank you for asking it, as it gave me a chance to think deeply on my faith in order to put it into words.

I always find it really hard to explain faith. I struggle to explain to fellows Christians, to non-Christians, and especially to people who aren’t religious or spiritual in any way. This is probably because faith is very much not a thing of this world, so it is nit easily translatable. But I will try my best.

I too have dealt with doubts in my life. I have felt the need to logic it away. All Christians have one doubt or another, and if they say they haven't, they are lying or potentially believing in a watered down, more palatable version of Christianity.

Either way, let's face it, the world is designed by the devil to make you doubt. The good news is that there is no question or doubt or critique that is going to make God start shaking in Their boots, realizing They hadn't thought of that. They are omnipotent, and anything you are wondering can most likely be found in the Bible, if you know where and how to look.

There are many books that explain the logic of Christianity, such as “Person of Intrest” by J. Warner Wallace or “The Case for A Creator” by Lee Strobel, who has also written many other books similar to this. Fair warning, it’s been forever since I’ve looked into either of these books, so there’s a chance there’s questionable stuff in there that I don’t remember.

However, I do need to say that faith is very much NOT a logical thing. It’s a belief in something that you cannot see, touch, hear, or otherwise sense except with your soul. It's the trust that God is out there, even when you lack concrete evidence.

I believe a person cannot become a believer by force, whether their own or someone else's. You have to truly open up your heart and let the Holy Spirit in. You must confess with your mouth that you believe in the Son of God who died and rose again, that you are a sinner, and that you need forgiveness and guidance.

I'm not pulling this out of my ass, there are a bunch of verses on how faith is not based in the logic of this world. Here are a few.

Trust in the Lord with all your heart and lean not on your own understanding;

‭‭Proverbs‬ ‭3‬:‭5‬ ‭NIV‬‬

My message and my preaching were not with wise and persuasive words, but with a demonstration of the Spirit’s power, so that your faith might not rest on human wisdom, but on God’s power.

‭‭1 Corinthians‬ ‭2‬:‭4‬-‭5‬ ‭NIV‬‬

For we live by faith, not by sight.

‭‭2 Corinthians‬ ‭5‬:‭7‬ ‭NIV‬‬

There's a story I heard when I was a kid about a pastor being asked if he can hear God speaking to him in his prayers, and the pastor responded "no, I can't hear Him, it's much clearer than that". Faith is something practically unexplainable in earthly concepts or words. But it is solid, even it doesn't feel like it.

Hebrews chapter 11 is all about faith and what people have done by it, and I encourage you to read it, but I'd like to specifically call attention to Hebrews 11:1, which says,

Faith shows the reality of what we hope for; it is the evidence of things we cannot see.

This is the verse often pointed to when people discuss the biblical definition of faith, and it's the best I can offer.

However, it sounds like science and reason is not the only thing you are struggling with. As for morality, how can we be Christians when Christianity was used to abuse, colonize, and murder innocent people all throughout history and even today?

I'm not going to use the bullshit excuse of "oh they just weren't real Christians" because that is unhelpful, defensive, and probably not even true. All Christians are sinners, and hatred, murder, and all of that other stuff are sins, so it is possible that many or all of those people were true believers.

The simple answer to this question is that sometimes you just have to accept that your people did bad things and swear do your best to stop it from happening again (without spending so much energy on it that you burn out). I have had a lot of practice at this since I'm also white.

In German elementary schools, when they teach the children about WW2, what they basically say is “hey, this is our history, you didn’t do it so you don’t have to feel guilt, but you do have a duty to never let it happen again”.

I think this sort of thinking should be taught to the descendants of all oppressive people. I will also add that we also need to check ourselves that no nasty thoughts have slipped their way in. Often, you can continue the hurt without realizing. But this doesn't mean that Christianity is secretly evil or that Christians are inherently going to abuse others or any of that.

At the end of the day, there's nothing I can truly say that will instantly make you believe.

Like I said, it's not something I can force nor is it something you can logic your way into. No amount of evidence, even if it's the most rock-solid thing in all of the universe, can make someone have faith.

I hope there is something in here that can help you in some way, anon, and I pray God blesses you and keeps you safe.

[lucianalight]

Loki S2 Review

I rewatched S2 and I liked it even more on the second watch. I'm giving it a 6 out of 10 in average(8 for the finale). Since I didn't post a review week by week like for S1, I'm just going to talk about the main things I liked/disliked

The Improvements & Things I liked:

The pace and the narrative's tone and framing have changed. While the pace drops sometimes, these moments aren't as boring as S1. Meaning you don't want to constantly check when it's going to end(like you know, S1 and especially 1x06). The narrative is neutral and doesn't villain code Loki and hero code others. It doesn't turn Loki into a clown, a punching bag or someone who deserves humiliation(I guess they've done enough of that in S1). On the contrary the characters are shown as flawed people, with Loki being the most moral, considerate, logical and heroic amongst them.

They stated bluntly in episode 1, that what TVA used to do, were atrocities. That they were killing numerous innocent people who had a right to live their lives as they chose.

The characters were three dimensional, likable or tolerable despite their actions in S1. They showed remorse for the things they had done. Although the way the narrative chose to go about it in S1 still leaves a bad taste in my mouth. It shouldn't happen to you for you to realize sth is wrong. But at least it was shown that the characters weren't slaughtering people mindlessly and some of them deep down knew it was wrong. Although the fact that they still did it, because of the "greater good", and "woe is me! It's not a comfort it's a burden" attitude about it is repulsive.

OB, Casey and Timely being funny, cute nerds and fanboys :D

Loki using amazing magical stuff and DID YOU SEE THE GREEN MAGICAL GLOW IN HIS EYES?*incoherent screaming*

No Romance. It was unnecessary and rushed in S1. This time they focused more on Loki needing friends and that was definitely a better choice imo and what they should have gone for in S1 too.

Sylvie's actions and personality framed as what they were. She wasn't put on a pedestal as this amazing different FeMaLe version of Loki. She was framed as a flawed character with wrong and right actions and beliefs.

Loki and Sylvie's talk in the pie land, about change, hope, fixing what's broken and being gods. That sigh before Loki saying "We are gods" with all the weight of the world on his shoulders. Wonderful acting.

The ending and its epic soundtrack.

Topics & Things That Could Have Been Handled Better:

The Topic of New York Invasion

"Sometimes a rage builds up and you just gotta let it out. Do you remember that time I was so angry with my father and my brother, I went down to Earth and I held the whole of New York city hostage with an alien army? Tried to use the mind stone on Tony Stark? It didn't work so I threw him off the building. It wasn't tactical. I lost it"

On the surface it looks like Loki's saying that's why he attacked New York and probably most people accept this without a second thought.

But the context of the scene matters. We see during the interrogation Mobius loses his temper. He was worried about Loki getting angry, but he was the one who loses his temper and hits Brad. Loki tries to calm him down by sympathizing with him to try and see what caused his behavior. It's the same thing he did for Thor in the first movie, before coronation and after it, while Thor was nervous and angry. What he says about New York while isn't the whole truth, it also isn't untrue. He was angry with Thor and Odin but as we know his anger and thoughts were influenced by the scepter. We also know Loki doesn't like to talk about his time with Thanos or being tortured. Instead he uses a half-truth, sth that is in character for Loki.

So the scene can be rationalized by this analysis but it's still annoying that this analysis is even needed. They should have been clear about the scepter's influence especially when mcu confirmed it.

Loki thinking about Thor's change as being a weakness. While both Thor and Loki were groomed and taught to consider being soft as a weakness, that wasn't Loki's true feelings. At least I don't think someone who prefers words and magic-that are considered a weakness in Asgard-over brawn thinks like that. His goal in the first movie was to goad Thor into fighting him. So the line should have been sth like this: "Asgard taught us being soft is a weakness, so I used that against Thor to goad him into a fight. I said he's gone soft…"

Plotholes and things that weren't explained.

Why Loki and Sylvie weren't sent to their original timelines like others? And why neither of them showed any interest in seeking their family? You're telling me Loki wants to see these people he knows for 10 seconds more than Frigga or Thor? OOC.

Sylvie's sudden mastery of magic since 1x06 isn't explained. She didn't know much, but then suddenly could do everything Loki did. I mean I can headcanon that her and Loki linking their power taught her some things but these sudden developments without any explanations are annoying.

Loki's genderfluidity. No mention of it at all. Although I believe that no representation is better than bad representation. And you should leave a topic alone if you don't understand it, otherwise you're gonna mess it up. Because bad rep can be more harmful. And so maybe it was a good thing mcu let that one go. But they could still fix it with some shapeshifiting, explaining its difference with illusions and Loki confirming that he is comfortable in her female form.

Loki's clothes. It's probably not that important in comparison with other issues but I really hate that beige suit. Why Sylvie who doesn't even want to be Loki and wasn't in Asgard since childhood changes into an Asgardian outfit for a fight and not Loki? Yeah I get it. It was because of the last reveal and transformation and finding his identity blah blah blah but at least they could have gave him his old Asgardian clothes or he could change the suit's color ugh

Criticism & Things I didn't like:

The ooc moments for Loki in some comedic scenes. Especially in episode 5. While the character has a comedic potential, it's not based on clownery or clumsiness. The best humorous moments for Loki are the ones where he outwits others, use sarcastic language or he is being outwitted despite his careful plans.

Certain emotional stakes aren't clear from the start. The audience know that saving TVA is the right thing because it protects all the freed timelines but they don't know why they should care? Or more accurately why Loki is so emotionally invested in this goal. That gets answered in episode 5 and while Loki's talk with Sylvie is a good emotional scene, the fact that it's stated so late in the story, makes the first few episodes boring when it comes to saving TVA.

The main reason the emotional stakes aren't clear(at least for me), I believe is because most of the people Loki call them his "friends",  haven't done anything to either deserve his friendship or aren't close enough to be considered a friend. Let alone someone Loki tries to move heaven and hell to be with them, instead of for example trying to find his brother and family. It is an issue which again is rooted in S1 and carried to S2. What happened in S1 wasn't therapy or a healthy friendship.

However, Loki being loyal to anyone who show him an ounce of affection or him being moral enough to try to save people are in character for him and that's sth good about it.

The torture scene.

The trick Mobius and Loki pulled was predictable as hell. I didn't even doubted Loki in TDW, let alone here. And even though I didn't believe for one second that Loki's actually going to hurt the guy, and he wasn't shown enjoying it, I still hated that he went along with the torture idea Mobius had come up with. Especially considering the fact that he was a victim of torture himself and never shown any sign in canon that he would torture someone. So yeah I hated that scene.

And why that scene was even necessary? Loki could get into X-5's mind when they weren't in TVA. We know he is capable of it. He did it both through mind stone in Avengers and in TR. how else they were going to delve into Mobius' problem though smh

But alright let's say they needed a scene like that. Still the whole Brad believing Mobius is against torture, and Loki's the one who would be in favor of it, is so fucking ridiculous. Any way you look at it, it has always been TVA and Mobius who did any torture we've seen during the two seasons. The tortures that Loki endured might I add. Even in the previous scene, it was Loki who didn't hit Brad and only tried to intimidate him non-physically by acting as a villain. It was Mobius who hit him, who was shown more affected by Brad's insults. So logically the scene they had planned to fool Brad, should have been played completely the opposite way. By having Mobius do the torture. At least it was recognized that the torture idea was from Mobius and both he and Loki gave the credits for it to Mobius.

Verity Willis. Hunter B15 unlike the Verity in comics, doesn't have a close friendship with Loki or truth detector powers. Not having a good friend like comics Verity for Loki, was such a wasted opportunity in the series.

Mobius saying to Loki "You're a man of action...". That was such a stupid, unnecessary line. As if the main difference between Loki and Thor wasn't Thor acting before thinking, and Loki thinking and planning before acting. While Loki is also a man of action, he is first and foremost a man of strategy. The only plausible explanation imo is that Mobius said it to not feel useless in comparison with Loki and his skills.

"Thor's not that tall". Yeah, no. I don't think Loki's reaction to seeing Thor and Odin's statues would be that. Knowing his brother and family were murdered by the very same people he's working with now. Remind me again why he's considering them "FrIeNdS"? Someone really needs to explain the concept of friendship to Loki. Or rather the writers of this show.

And while we are at it. Let's talk about how Loki's past and identity issues were completely swapped under the rug as if they were all magically fixed and didn't matter anymore. As if those weren't the most important part of his journey. Another issue rooted in S1.

Final Thoughts(for now :D)

Season 2 was definitely better than season 1. Not perfect, and not for those who care about OG Loki's issues. They set him on a completely different path in S1 and they messed up any chance to actually delve into his problems. So in S2 we're having a character that we're supposed to accept has moved on from certain issues, and now tries to find what he wants and where he belongs. Still, I think that they listened to the criticism for once as they tried to fix some of the problems of S1. After many years it didn't feel like that the creators hate the character, or using him as a prop, or a plot device. It was a story about Loki. A bittersweet story for the god of stories.

[abyssalshriek]

Drop some more parallel cannon agnst please🙏

How they found out Parallel Canon was a copy of Agent 4 (warning long and open-ended):

(Note, this is slightly more specific to my version of the agents. Namely, that a couple of them use sign language instead of talking at least some of the time.)

For context, with all the palettes safely reconfigured, Marina, the Octarian engineers, and even their new ally Smollusk were working together to undo the damage Order did to the spire.

Smollusk was the first to realize what Parallel Canon was. It knew that, as Order, it used Agent 4's palette as a base for Parallel Canon, copying the data over directly (imperfectly, but surely it was close enough to be the Order Defense Force). Parallel Canon itself was then copied into further soldiers.

After disabling the aggression algorithms in all the Jelletons, it noticed the Parallel Canons didn't become inactive like the others. Instead, the Parallel Canons became... panicked? They were acting in ways that seemed irrational to Smollusk.

It was digging through their code that made Smollusk realize what was up. The file size of each Parallel Canon was massive, comparable only to the other sentient AIs like Smollusk and Cipher.

While Smollusk didn't understand the full ramifications of what it had done, it did know it was probably bad. It had the mind of a child, and it knew Marina was still upset about some of the other stuff it did as Order, so it did what seemed most logical to it:

It locked the Parallel Canons to the Intensifying Harmony floor and tried to hide that floor away.

Marina noticed what seemed to be a coding bloat in the Intensifying Harmony floor. The data seemed to be concentrated in the boss Order had kept there. Was a basic turfling enemy really so hard for it to make? Smollusk insisted it would take care of it, and that she and the other engineers should focus on restoring the other floors instead.

But weeks went by, and there were no changes to Intensifying Harmony. Eventually, she went to check it out herself. (I imagine, for the sake of narrative, it is easier to program an area in the Memverse by "physically" being there. Like how she had to be on the top floor to reconfigure palettes.)

Marina arrived to find the Parallel Canons "zoning out" for lack of a better term. Some lied on the floor. Some sat around. Oddly, a couple seemed to be interacting with each other, as though they were conversing.

When she went to get a closer look, she suddenly had all of their attention. They all started running towards her. She got out of there before they got close.

Now, she was worried. Smollusk insisted it would handle it when she brought it up. She started to think Smollusk might still be trying to create its world of order.

When she went back, she brought some help to protect her. Most notable being Eight. She still hadn't gotten around to offering Agent 4 the head of security role, and if this was in anyway an attempt for Smollusk to regain power, it was safer to have Eight leading the charge.

When the group arrived, they once again got the attention of the Parallel Canons. Pearl was ready to start blasting them, but Eight was the one to point out they weren't attacking. They didn't even have their weapons. They mostly emitted distorted noises and made... hand motions?

Eight started to recognize it as Inkling Sign Language. She didn't use it much herself, but she learned some of it because her roommate, Agent 4, would use it a lot. The Captain used it, too, sometimes. She wasn't fluent, but she knew enough of the basics.

She was concerned when she picked out things like "Please," and "Help me," and even "I want to go home."

Her first thought was, if this really had to do with Smollusk recreating Order, were these people Smollusk trapped in the Memverse? But that couldn't be. It couldn't bring anyone into the Memverse anymore after its first defeat. The Parallel Canons had been in the Memverse since Eight first climbed the tower, and everyone Order initially pulled in was freed, too.

"Yo, Eight," Pearl started to ask as she noticed Eight's facial expression, "what's up?"

Eight ignored Pearl's question, and asked one of her own. "Who are you?"

She was answered by the Parallel Canon with a mask rather than a helmet. One with a tentacle style that, while familiar, she hadn't questioned before because lots of squids styled their hair that way.

"Eight," the masked Parallel Canon signed, "it's me, [Agent 4]."

--

A couple notes: I tried to draw Parallel Canon signing the word "me" in American Sign Language, but since I don't know sign language, I used a picture from the internet as reference. Apologies if it came out wrong.

Also, where "Agent 4" is said in brackets, Agent 4 would say her actual name, but since I (currently) try not to use headcanon names in my works, I just put her universal name.

Also, this started as a sort of summary of more angst, but evolved into a short ficlet at the end, haha.

Anyway, hope you enjoyed! I don't normally receive asks, so this was fun!

[btr-rewatch]

Big Time Rush Season 1, Episode 12: “Big Time Terror”

I've been looking forward to this one since I decided to start doing this rewatch. SHOT IN THE DARK!! Let's gooooo!!!! *tosses confetti into the air*

Highlights: Ghost hunting, ginormous bowls of oatmeal, and the best song ever written in the history of ever.

It's a beautiful night at the Palm Woods, and BTR and many of the Palm Woods residents are gathered around the fire, hanging out and having a grand ol' time. The guys are singing "Stuck," which is a song I'd probably rank among my favorites.

Their fun time is interrupted suddenly by a strange sound. As everyone turns to look, they see that a small table is moving along the patio all by itself. The boys look on in confusion and fear, with Carlos and Logan immediately gravitating toward Kendall for protection, which certainly gives me feelings. I love them. I love that the reaction is instinctual and says so much about who Kendall is and how the other guys see him. The Protector. The one who will shield them from harm. Kendall is a source of safety.

After returning to their apartment, Logan, ever the logical one, explains to Carlos that it wasn't a ghost but the air conditioner causing a backdraft that shut the doors. He doesn't have an explanation for the moving table, though. Carlos insists it was a ghost.

There's a knock on the door, which startles everyone but Kendall, and he explains to his scaredy-cat friends, "there is nothing terrifying behind this door." And who's behind the door? Gustavo! He tells the guys that his mansion is flooded, and he has to stay with them tonight.

They're not particularly thrilled about a sleepover with Gustavo, but Mama Knight tells the guys that they should let him stay the night because "Doing nice things for people who aren't so nice is nice."

We go to the lobby oh-so-briefly then to see Bitters and the Palm Woods residents all running frantically from something. We don't see a ghost, but there is mysterious wind and spooky green lights.

Up in 2J, everyone is seated around the table for dinner. It's Fish Stick Friday (with tots)! After some initial skepticism, Gustavo discovers the fish sticks aren't so bad, and he asks what else the guys do on Fridays, which leads into a montage of their evening. Gustavo has a blast. The guys...do not.

But the award for Not Having a Good Time goes to Logan, who gets SAT ON by Gustavo for HALF AN HOUR.

Cannot even begin to put together a theory on how this managed to happen.

The boys are all relieved when it's finally time for bed, but they quickly realize they aren't going to get much sleep with Gustavo's snoring practically shaking the whole apartment. Carlos has an idea for how to fix the problem, though.

Carlos's expression kills me. Look at him. Jaw set and that look of firm determination in his eyes. Carlos has a roll of duct tape, and he isn't afraid to use it. He will silence the big, snoring man. I don't know if we've ever seen him look so serious and angry before??

Also, I just have to point out that First Episode Kendall absolutely would've been on board with this plan. He probably would've grabbed the tape and done it himself. Maybe even gone a little further and taped Gustavo to the couch just for extra fun.

They trudge down to the lobby to sleep there but are scared off by the Palm Woods Ghost, who shuts off the lights, breaks a vase, stacks the furniture, and slams the doors. They run back to the apartment and are greeted by the image of Gustavo scratching his butt.

THE BOYS ARE HAVING THE WORST NIGHT EVER

The following morning, everyone wastes no time in handing Gustavo his stuff and all but kicking him out the door. They're all like:

But Gustavo isn't so eager to leave. Instead, he decides to join Kendall and James for a fun afternoon by the pool.

Listen. I love Gustavo, ok? Especially in these scenes, where he's just a loveable teddy bear of a guy wanting to hang out with his buddies. He is having SO MUCH FUN with them and is SO OBLIVIOUS that they're not having fun. No awareness at all.

Meanwhile, Logan and Carlos are having their own little adventure conducting paranormal research in the lobby. Carlos is convinced they're going to catch evidence of a ghost. Logan is convinced Carlos is just an idiot.

So far in the series, any time Logan and Carlos are paired together, all they do is bicker. But it makes sense, given that Logan is the smartest of the group and Carlos is...probably last in that particular ranking. Which is NOT to say that Carlos isn't intelligent in his own way, because he certainly is, but he doesn't have the same type of intelligence as Logan. Carlos is just innocent. Child-like. And we love him for it, but it sure does put him in a good position to clash with Logan over everything, doesn't it?

After setting up the camera and taking some time to smack each other around, Carlos, Logan, (and Bitters) catch sight of a ghostly green figure going through the lobby. They all take off running.

We skip ahead to the next day, where Gustavo's reign of terror over apartment 2J continues. He's not even trying to return to his mansion. In fact, he moves a lot of his things, including his bed, into 2J.

Also, everyone is eating the most ridiculously big bowls of oatmeal I've ever seen.

Look at James's bowl. That's like oatmeal for three or four people. And I know, I know, they needed to have a big bowl in order for Gustavo to be able to push James's face into it but come on. That's the most oatmeal I've ever seen in a single bowl.

After hearing that Gustavo will likely be staying several more days, Kendall pulls James out into the hallway to tell him that they need to handle this like men. Immediate cut to them begging and pleading to Kelly for help.

Kelly is confused because she had told Gustavo the previous night that he could return to his mansion. She reveals to the guys that Gustavo didn't really have a chance to live a typical childhood and play with other kids. Which is, um, really sad and something that should've been explored more!! She tells Kendall and James to figure everything out and flees the Palm Woods. Kelly wants no part in dealing with this lol.

The "Get Gustavo out of the Palm Woods" plot takes a backseat then as BTR focuses their energy on defeating the ghost. Armed with vacuum cleaners and goggles, they engage in a Scooby-Doo-style chase around the lobby.

Finally, they catch the ghost and reveal that it's not a real ghost at all. It's the new girl, Stephanie King!

She's making a horror movie and has been using the Palm Woods residents as her cast. She asks them not to tell on her, which Kendall agrees to under one condition.

We cut to 2J, where a peacefully sleeping Gustavo is woken up by Stephanie's ghost "floating" by his bed. Armed with a fan, projector light, fog machine, and a microphone, the guys manage to send Gustavo running from the apartment in terror.

The following scene is. The scene is—it's...

IT'S SHOT IN THE DARK!!! WOOOOO!!!

"Shot in the Dark" is by far my favorite BTR song, and I loved it so so much when I first heard it in this episode. You can imagine my yearning all these years to get an official version of it. Apparently, a full-ish demo version was released on youtube like...10 years ago?? I had no clue there was ANY full version until the guys released it in November. So, all this time, the only version of it I've known has been the one from this episode. Just about fainted when I checked Spotify and saw "Shot in the Dark" on there.

And I do have ✨thoughts✨about the song, but I might put them into a separate post. It's such a good song.

We end the episode at the pool, where everyone is once again sent running in fear from another moving table. This time, it's the work of Katie, who has discovered Fun With Fishing Line. The end.

Fantastic episode. This one would rank pretty high on my list of favorites. Both plots are great, and I like the way they merge at the end to wrap everything up. +46287593 bonus points for having "Shot in the Dark" in it. However, I do think there was a missed opportunity to include a heart-to-heart type scene between the boys and Gustavo. The guy had a lonely, isolated childhood and just wants a sense of connection with his dogs! He wants friends and to run around with reckless abandon playing "tag and seek" and an altered version of Marco Polo using dodgeballs! I wish the boys could have taken more time to acknowledge the whole situation and reached out in some way to Gustavo instead of scaring him away with a ghost. That would have been some nice relationship development.

[objectsarebestest]

So, there was a post posted in the objectum tags not too long ago. I’m 99% sure this person doesn’t actually believe this stuff and is just trolling to get a reaction. Or maybe I hope that. I have since deleted my reblog as to not draw attention to them, and they are blocked from my blog. But I still wanted to address the post, given that I know that some people actually do think like this. Here is the post, with identifying information cropped out.

I’m going to copy and paste my initial response because I think I made some good points. It should probably be reworded to be less targeted at this specific individual, but I don’t have the energy to do so.

Okay. This is just so blatantly wrong on so many levels that I can’t not address it as one of the larger objectum blogs on here.

First off, this.

“every time i try to interact with other objectums i get angry when its not the same thing i experience or when its blatantly retarded.”

You should not be using the r slur like that. Yes, I know you have autism and ADHD. It still doesn’t mean that you can use it in this context. Disregarding the whole discourse about whether autistic people and those with ADHD can even reclaim the r slur (I don’t care enough to get into it), reclaiming involves using a word in a positive context to take power away from those who use it to deride others. It absolutely does not involve slinging slurs at other people as an attack. To do that in a community of majority neurodivergent people is quite frankly really disgusting.

Next, let’s get into this.

“like some schizo saying “omg my plushie told me it loved me and it talks to my other plushies about me”, no tf it did not.”

For one, “schizo” is also a slur that only psychotic people can reclaim, which based on your intro I don’t think you are. If you mean “schizophrenic” type out the whole word. Schizophrenic. It’s not that hard. Secondly, you don’t get to tell people what their reality is. Reality checking someone in this way can be very dangerous if they are already in an unstable mental state. At worst, you could make someone break down. At worst, someone will just say “lol” and scroll past your post, because the way delusions work is that they are unchanging beliefs.

Okay, last bit.

”i can’t believe im saying this unironically but most of you are POSERS. “hehe computer so cute! he’s so Edgar so cutie! I wanna fuck my computer!” you don’t even get it on the celestial level that i do. you find it attractive, sure, but you like the idea of that attractiveness, you dont really experience a genuine attraction or connection with computers.”

This is absurd. Yes, I will admit becoming frustrated at times with the objectum community’s obsession with Edgar (I have never seen Electric Dreams). But using that fact to straight up call people posers? This is basically the truscum thing of “X people are faking and aren’t really X label. I can clearly tell what is going on inside their heads and I can tell they’re lying. I know because I’m a real X.” Like, you do realize this, right?? You’re not a mind reader. You have no way to tell if these people experience “genuine attraction” to computers. So logically the right thing to do is to believe people when they say they do.

I can 100% see why you’re struggling to relate to the objectum community if this is how you think. It’s genuinely disgusting.

I’m well aware that this person was likely trolling. But I also know that there are some people who actually think like this. Who do degrade neurodivergent people they don’t like and think it’s okay because “they’re ND too”. Who think psychotic people and those with DCS are a “lesser” part of the objectum community. Who gatekeep obsessively because only their experiences can possibly be real. So I wanted to show that this behavior will be called out in objectum spaces whenever it rears its ugly head.

[wuntrum]

Oooh I just started rewatching Twin Peaks yesterday! The last time I saw it was around 4 or 5 years ago. Just putting on the first episode again made me realize how much like home this weird little show feels like to me. It’s been nice to see your enthusiasm for it on my dash :)

may I ask what you enjoy most about the show, or why it appeals to you, if anything comes to mind? I find it’s a bit of an odd one to try recommending to people - I love it, of course, but my taste is a little strange, and I don’t find other fans out in the wild that often.

oooh, that's an interesting question! i think theres a lot of aspects that appeal to me about twin peaks...on a very surface level i love the aesthetics of the show, as someone who lives in new england (pacific northwest and new england are connected pacman-map-style in my mind), the settings and fashion are all excellent. i also love its absurdity, i love the fact that no one talks like a real person and theres people with such weird and distinct archetypes and over the top emotions all colliding with each other---that, and the way it approaches the sort of worldbuilding going on, plus the importance of dreams in the narrative contribute to such an interesting and dreamy atmosphere. i think what makes twin peaks special compared to things that were made after it and were inspired by parts of it is that even when its confusing and strange on a literal level, its always emotionally resonant--you don't need to understand it, because you feel it. the way they're able to set up all the people and relationships in this town so quickly, you really feel like you're a fly on the wall in this living and breathing place, even when its strange. you rarely see how buildings and places connect, but you don't need to because its all so convincing as a woven together location (and of course thats for like logistical/filming purposes, but it creates an interesting effect lol). it uses the familiarity of americana tropes (and even television tropes) and distorts them to create meaning, while still keeping parts of their signifiers intact. even watching it for the first time in 2021 was shocking throughout, so i genuinely can't imagine how it felt catching it live when it was airing, like there was nothing else like it! the fact that david lynch helped to make a prime time television show is something that like logically should never have happened, but i'm so glad it did. i also think on a production/creative level, its so interesting to see how it sort of morphed and developed as the original run and fire walk with me and the return unfolded, like what themes were dropped versus what (at first) insignificant details were given meaning and expanded upon.

i do think it can be a hard sell to convince people to give it a chance--i've had a friend or two try to watch it and say its too slow for them, or it just wasn't clicking. but i've also had more friends really get into it, probably because i have a lot of weirdo artsy friends (i say that with love of course). but i think it's a great gateway into other weird and absurd stuff, or at least it was for me. i also enjoy a good ol "weird thing happening in small town" story, and so it was interesting watching twin peaks and then revisiting stuff that was clearly inspired by it, or at least partially (welcome to night vale, s1 of stranger things...s1 of riverdale. but also i think the return has its own sort of inspiration fuel, like season 4 of barry and beau is afraid struck me in the same way that the return did)

[catbunblue302]

Wrote all this out for a Youtube comment and then realized that Tumblr would probably like it too.

"I really don't understand why this is such a controversial topic. Chatbots shouldn't exist. Full stop. There is no nuance to this because there is absolutely no way to proceed from here that makes the use of AI chatbots ethical.

I'll start with the most relevant point to the issue. People are going to get hurt using them. The most likely candidates for this is children and the mentally ill. Yes, as a mentally stable, mature human being, you are fully aware that the bot is not human. But it reacts like one. The human brain anthropomorphizes things. That's just what it does. As an example, look up some of the history around people filming with Muppets. Even though people can see the "wizard behind the curtain" it is very easy to forget that fact and slip into the mentality of "the thing I am talking to is real. It has real human emotions and opinions. I can form a bond with this thing." I can only imagine how much easier it is to fall into that mindset if you don't have a good support system around you, especially when the set-up of chatbots is made to look so similar to any other DM system.

I've seen people comparing this issue to violent video games or stuff like D&D when that could not be any further from the truth. Video games try to be immersive but they don't try to be real. There are pop ups, menu screens, video game logic. At no point is the character looking directly at you and trying to convince you that they're real. There are set dialogue prompts. You can't say whatever you want and have the characters respond like real living people. D&D is always played in a group. There are people there with you to monitor you and ensure that you're not falling into delusion. There is a constant connection to reality though the physical act of rolling the dice and going over your character sheet. And, again, there are REAL people there with you who CAN think and feel and make decisions. Part of the reason why AI chatbots are immoral is because of this. If you roleplay with a person, there's an individual there who can monitor you. Who can call it off if they think you're in danger or going too far. And if that person DOESN'T stop you, and instead encourages you? We can hold them accountable for your death. By the very nature of AI, there is no one to hold accountable.

I am all for having a safe place to vent your emotions, for being able to explore dark topics in a controlled manner, but there is a reason why most dangerous activities have a buddy system built in. There is a reason why you need a valid ID to buy alcohol. There is a reason why bleach doesn't come with a straw. Just because you don't need the handrails, doesn't mean we should stop building them because you think they ruin the experience of walking up stairs.

Even putting aside the fact that these machines will kill people and HAVE, there is still no moral way to engage with them. Having chatbots gives companies an excuse not to hire people for call centers and instead replace them with these garbage hunks of code. A single prompt from an AI uses tons of water to cool the computers powering them, along with using massive amounts of fossil fuel powered energy, causing ever more pollution. Using an AI chatbot is no different than engaging in fast fashion or buying all new holiday decorations every year. Don't buy things that will go straight to a landfill. Don't engage in helping to destroy the planet when there are viable alternatives such as talking to a real person. Or just using your goddamn imagination like people have been doing since the dawn of time.

AI chatbots work by scraping the data from fanfiction, many of which the authors did not consent to having their works used in this way. This has been an issue long before AI, but people tend to look at artists as content mills. As dancing monkeys for their own personal amusement. Because of today's culture of constant stimulation on demand, if we stop dancing for even one moment, our audience will move over to the We Kill Dancing Monkeys And Puppet Their Frankenstein-Style Corpse On A String company. I'd have to look into it, but I can only imagine commission rates for writers have plummeted with the advent of AI because now people can just get it for free. I don't even want to think about how decimated the actual roleplay community is.

And if you engage with or support AI even while knowing all this, that it's potentially dangerous and destroying the environment and actively harming people's livelihoods, then yes, I do believe you are fundamentally a bad person. If you've used AI in the past but hadn't considered or known about some of my talking points, that's fine. Now you do. Now stop and make better informed choices. For any AI supporters who still believe that they are in the right or that they're not harming anyone: honestly, just get away from me. I don't want to talk to you. I barely even want to exist in the same world as you."

[bloodyshadow1]

my detailed thoughts on the first season of Percy jackson.

Cons:

The pacing, I know everyone says this, but really the pacing of this season was all over the place. having 8 episodes while probably the only option for the writing team really hurt the series overall. Adding an additional episode would helped keep things better I think and would allow a better flow. Not to mention it would help keep things structured in a 3 act system with a beginning, middle, and end that a lot of stories, are told in which would have just fit and flowed better. I would prefer 12 eps, for each act having 4 eps, but that is greedy since they're probably going to be stuck with 8 for the rest of the series too

Lightning, the series was just too dark in a lot of scenes, I didn't have much of a problem because I watched on my smarttv, but I know a lot of people who watched on computers or phones had trouble

The beginning, there should have been more episodes in Camp Half-Blood, at least 1 more. I get that the meat of the story is in the journey, but by not establishing camp half-blood as the first place Percy felt like home it makes it feel emptier. I do like how they including flashbacks of luke training percy in the finale but I would have liked more in camp half blood before the start

There's a less wonder and magic in the series than there was in the books. I don't really know how to describe it, but the books made it feel like there were two worlds hiding within each other and there is magic everywhere. Just small things like Ares turning his lost shield into a bullet proof vest because that's the more modern take.

I'm not with a vocal part of the fandom that bitch and moan over the kids not falling into every trap, I like that Percy is smarter, but instead of just making him smarter, I think they should have just had him ask more questions, like if he was a 12 year old with ADHD who had his eyes open to a world. By making him ask questions, it would help let them explain the world more by having people answer Percy, instead of him knowing everything. Certain things I think could have been done better, like the Kronos reveal and the Luke reveal, it could be done as a reveal instead of Percy figuring it out and I think it would have worked better. like have Percy realize it when talking through the prophecy with Luke because Luke mentions the bolt and the helm, something Percy wouldn't have told him or anyone at camp.

For the most part, I like how they did the gods, with the exception with Zeus and Athena. Zeus is such a larger than life figure, as much as I love Lance Riddick's performance, he played him too epic. The Zeus from the books feels more like a powerful blowhard while the series makes him feel too cool to me. As for Athena, I'll admit I'm bias because she's my favorite god but I don't like her being made the villain in Annabeth's story especially offscreen. I get that they're playing up the gods being shit more than the books and since they made Poseidon more sympathetic, making Athena more antagonistic is a choice to make. I just don't think it fits her cold and logical, but still cares about her kids in her way that she was portrayed in the books.

Grover. I honestly like a lot of the things they added to his character, but I wish they didn't take away from his canon character moments. Not many, but I liked him being a different species than Percy and Annabeth, he isn't human, he's part goat and instead of the books stuff, he's more just a kid with different legs and short horns than another creature. Also by taking away his reed pipes and not showing him being able to do magic, it limits the character.

While people complain about the show... showing not telling, I feel like there was a lack of exposition in the show that wasn't there in the books. It kind of goes with Percy being smarter in the show than the books, but there's a lot of stuff left out of the show that is good world building. small example, no one mentions that monsters don't die for good, which is a very important plot point in heroes of olympus, even if they don't make it, it's a good thing to tell a new demi-gods. Or other plot points, like Annabeth wanting to see her father after all these years, despite how badly things broke before, which just kind of resolves offscreen.

Honestly though, it was only the fandom that ever really bothered me. Too many people focusing on uncharitable changes about the series that had to be made since there is a difference between a first person perspective book series and a tv series that they had to make. That they couldn't fit everything into an 8 ep series that's in a whole book

Pros:

Honestly, one of the best adaptions I've seen despite all the cons.

The acting in the show is awesome, the actors for the kids are young but perfect for the roles they were assigned. they might not look like the books, but I genuinely think it doesn't matter if they're going to be this good. Walker, Leah, and Aryan stand out as the stars of this show and for good reason

I really like the way they portrayed Luke in the tv series, I get the twist in the books, but by bringing up stuff with him earlier I think it makes him more sympathetic. I also think by not including the scorpion to kill Percy, and instead make it clear Luke doesn't want to kill Percy makes him feel more like a kid making a dumb decision instead of someone willing to murder a 12 year old.

I like how they portrayed Sally in the show even if some people disagree. I like that she shows more flaws and character than just being the sweetest saddest woman that she was in the books. As much as Sally loves Percy, him not only being a demi-god, but a neurodivergent kid, it wears on any parent's patience, especially a single mother. Having her get angry and lose her temper, having us as the viewers know what she's been through makes her feel more real and fits better for a tv show.

I like most of the effects, I think it fits in the show and looks better than a lot of blockbuster movies. Lightning aside. I think the monsters looked good and so did the magic even if I think the latter could be better

Honestly, I think the fight scenes were great for a disney show where the main character is supposed to be 12. I know people are annoyed with how short they are, but that's how they were in the books. I think they were adapted fine.

I like that since we're not in Percy's head, we get more of Annabeth and Grover. It feels like a real proper adventuring trio than the books where it felt like it was so Percy focused with Annabeth being the secondary main and grover being a main, but kind of sidekick character. Letting Grover and Annabeth be characters, to have scenes without Percy and changing things from the books, like having Annabeth seeing the fates cut the thread, makes more sense when you're not doing a first person books

Overall I think they changed things in a very fair and pragmatic sense. There were a lot, but there were less egergious than the movie that changed the whole plot.

[crguang]

I feel like there’s a lot of sacrificing for a joke in hsr, which is definitely annoying especially when it just…doesn’t make sense, tonally and just logically. And I really do wish we found out more abt the TB, and I would’ve like even like a tidbit from firefly since we talk to her sm, we even play as her at the end. Or maybe get an offhand mention abt how she’s not supposed to tell us bc of the script or smth . I def agree w you, I cannot take the ipc seriously, bc there’s all this stuff abt how they’re doing stuff for their own benefit and profit but idk the stuff w the stellaron hunters and them is just so goofy, like it doesn’t make any sense.

ok so, I was looking thru ur blog and I realized I sent a message abt two-ish weeks ago, tumblr probably ate it smh. I was just saying how it was silly that Kafka’s wanted poster literally says she likes coats on it, and her bounty, like that’s it. Shes so sjsjshbsbddbbewv. And I also came up with another fic idea, like Kafka in an idol/band AU, but also I think her being an actor w the other stellaron hunters would be funny. But yk if I ever get around to writing anything instead of Kafka just living in my brain, who would she be in a band with, I was think abt using some of the characters from the animated before the show starts thing, but the instruments just don’t go together. Also I think I need to work on writing Kafka in general, bc she’s so complicated and it’s fun but I also overthink things too much.

And the leaks were unfortunately right abt 4 characters on one side. I’m not as devastated as you ofc, but hopefully I win my 50/50. Hjskalskskskndn I will cry if I loose.

also, no need to apologize for ranting, your rants always make more sense than mine, and I really enjoy your thoughts. -🌠

i agree with you 100%!!! missed opportunity with firefly and the tb reconnecting it could have been so nice. and omg i think i read that ask, it sounds familiar but i have so many (most are really old reqs, the recent ones are the event reqs i keep to answer eventually) and sometimes things get lost or i’ll click on the notification, answer in my head, then go do something else and forget to actually post my reply, im sorry😭😭 but YES i was thinking of kafka’s description in the game and while i know its the objective writing of the game and not the ipc, i find it funny to believe that whoever was in charge of her wanted notice thought she was hot as fuck because “dashing” and “beauty” in the same sentence is crazy work. her bounty is even funnier bc im wondering how they found out that she loved coats like😭 did she steal a bunch (she did), are they rlly monitoring her credit card and seeing all the purchases of expensive coats, is she always found in a store— what is it?!

actor au stellaron hunters would be really fun… you could also just put then in a band together for the idol/band au because i do think they’re the people who understand her best. the thought of kafka and jingliu practicing together is so funny because jingliu would hate that woman like GDJFBFNG her arrogance would have liu clenching that instrument so tight

i dont think you should worry about overthinking when it comes to writing, it can be a weakness because then you focus too much on details and forget the big picture, but personally i also think j too much into things when i write characters like kafka especially. when every genuine emotion is in the twitch of a finger, there’s kinda no choice lol

“im not as devastated as you” is killing me but its true… im the biggest victim of this banner system bc if i dont get my swanie i’ll @)&$(&)@)£<£#%. i hope u win the 50/50, unless i lose mine in which case i hope everyone else also loses <3

[emblemxeno]

Man I hate the fire emblem fanbase so much it is hurting my enjoyment of the games. They can nitpick every little thing about Engage's and Fate's story, but watch out if you point out that Edelgard blaming the church for her experimentstion and not, y'know, her uncle who she KNOWS is an Arganthan, or how it doesn't make sense that the disappearance of 9 royals was swept snugly under the rug in the empire, or how Jeralt was suspsicious of Rheas doing to Byleth what she did to HIM, and suddenly you're a "hater" and "you have bad taste" and " lack media literacy".

3houses has the same storytelling issues Fates and Engage have, but bc the game has big tiddy lesbians and "I can fix them" traumatized characters = best JRPG since FF7. Fuck right off bruh. I'm so tired.

It does lend a lot of chances to be hypocritical in the fandom yes.

For as much as people can hate about Engage's time travel and magic stuff, or anything regarding Valla in Fates, at least those are purely fantastical. Does it erase the problems? No. But "magic world has magic things that don't need to always be explained in great detail" is-or at least should be-a sufficient explanation.

3H's issues, meanwhile, are almost always logical, informative, and communicative. Edelgard's war is predicated on logic jumps built upon exaggerated issues, an inflated ego, a savior complex, and half truths, and she herself is a canonical liar and manipulator. 3H's worldbuilding is based upon taking NPCs, books, and character biases as fact, despite there being known cover ups in Fodlan's history; to the point where it's not even fully known whether the other Hresvelg siblings actually exist. Jeralt is supposed to be 100% trustworthy as your dad, but being vigilant means you'll probably realize he's kind of shit and did a poor job properly teaching Byleth growing up.

Fates might have the Valla curse and a magic truth throne, but those things have a simple A -> B explanation and impact on that game's plot. It's easy to criticize because it's easy to understand.

3H on the other hand, you have to constantly twist yourself into a pretzel in order justify every angle and every motivation for every character in the game, mostly in service of not overly shitting on Edelgard's character, which usually results in kowtowing to her fans by shitting on Rhea, Dimitri, the church and Faerghus or, in my eyes, giving up and claiming "no one's completely in the right and that's why the story's good in the first place!"

From my perspective, if this happens, where someone can't form a rock solid opinion on even just how they personally feel/think about the writing, then either they need more time to themselves instead of online discourse or (where I lean) the writing they're discussing simply isn't that good enough to warrant engaging with its bad faith fans.

Side tangent that doesn't really fit but I wanted to say it anyway: Other FE games' moral dilemmas worked as well as they did because they were ornamental; a spice to the main emotional and thematic thrust of what their stories were trying to convey. Even the more complex examples like the Tellius and Jugdral games, weren't trying to sell their stories based on "look how complex and morally gray everything is", they were natural elements of war stories that supplemented the more major storytelling beats (Tellius' discrimination aesop, religious and political dogma, class warfare, and Jugdral's geopolitical inheritance feuds and territorial disputes, blood quantums, and passing the torch to the next generation).

3H's main drive... is the moral grayness. War horrors, comparisons between peace time and conflict, and constant conversation over "what the other side's justification is" while trying to "fix Fodlan." And the sloppy, fractured, and overly bleak attempts at nuance exemplified in the story is precisely why moral grayness shouldn't be the main factor. But people ate it up because... well, the prose wasn't too shabby I guess.