#and like YES we have confirmation now that they would have been canon but it still blows my mind

[mengyan]

“I don’t want it to just be ‘me’ and ‘you’ anymore,” she mumbles, outstretching an unsteady hand. Shangguan Qian is so far away that she can’t even brush the edge of her clothes, let alone grasp her. “Can we… Can we be an ‘us’ again? Please?”

Yun Weishan watches Shangguan Qian carefully for her answer, sifting through the fog of the sea in her eyes. Wearing white and framed by the candlelight, she looks a little too unreal, like she doesn’t belong in the same plane as her at all.

Shangguan Qian exhales. She glances at her hand, keeping it hovering, trembling in mid-air.

“That’s not up to me, is it?” she returns. “What about you, Yun Weishan? Will you show me mercy, or will this all end the same way?”

破晓; daybreak

🌤️ of ten thousand journeys, the path home is the longest one to walk. 🌊 estimated 63k~70k (total) 🌤️ a post-canon fix-it— or, how shangguan qian and yun weishan change each other’s ending 🌊 starting october 25th, this fic will update every friday around 7 PM EST! 🌤️ with cover art and illustrations by the incomparable @notedchampagne <3

link: https://archiveofourown.org/works/58230550

[tiarathief]

crying because i was looking up knight squad cast pics for something that i'll be posting realllly soon and i came across this???? quality aside i swear i've never seen this before in my life and i'm so excited because new cast pic, but also now why are arc and ciara posing like that??? like ok canon couple i see you

[unproduciblesmackdown]

fascinating lens on taylor's goings on in s6 there re: Romance. epic win that they have rian turn them down but i'm also really not sure why they did. oh you know, rian who's always defined by being so prudent [montage of actually pretty much everything seemingly defining rian has been pretty anti prudent] like ok w/e

but we start out with taylor Particularly Unmotivated By Work and instead watching a The Bachelor beach proposal which involves extasis through this Reality(tm) pastiche of romance. i am assuming. wherein the journey Ends with this transcendent all-consuming joy upon the realization of said Romance for one contestant. then when their somehow still bestie mafee (relevant tangents about how all taylor's relationships seem to involve their having an approach where they have low standards like "well but i guess this is all i can get / expect" including that they can't even necessarily expect shit they like/enjoy/are at all supported by, while readily accepting whatever blame/reproach from others) is like "gee but are you really happy" they're apparently inspired to pursue happiness by pursuing romance. which they seem to consider is possible only through rian, intriguing here when the entire basis of their dynamic seems to be [trapped in work hell together] like boy we have nothing outside our jobs? i sure hope we can be Everything to each other then :) and how it's even more baffling that rian is completely unbaffled by this development when you might operate on some assumptions like "you should have ever seemed to enjoy any interactions you've ever had" to consider choosing more vulnerability and more time / effort spent on this relationship, and "you also don't need to have Found Fault with someone / otherwise have some grievances or dislike of them to not want to date them" especially if rian's apparent sense of responsibility for taylor's theoretical negative feelings about rejection supposedly doesn't involve thinking about any power dynamics, she just feels the need to repeatedly reassure them she'd actually Love to date or have sex but she's just so set on not dating through work, b/c of the complications, that she's never considered not having casual sex with bosses and also never mentioned this stance to turn down winston nor done anything but revel in how he might feel about even being rejected as a conversational partner. too prudent to mention it. certainly also a relevant matter that it Need Not Be Explained to anyone that winston for one is excluded as a potential Romantic partner for pretty much everyone i guess. whilest as this potential mirror to taylor, he's not only considering specifically rian w/"we're similar; let's hang out; i'd like to have sex maybe even" (though winston's sexuality, like his communicative capacities, is also simply Not Allowed) but also seems to be like "i guess this is all i can get / expect" or hanging on for a long time to the possibility of Otherwise at his own expense or taking blame / whatever pretty egregious treatment like. taylor being willing to talk to wendy still is akin to winston still being willing to talk to rian. though maybe that's changed by the end of s6; it'd be very warranted after the pretty make or break [rian & winston Share An Interest; hang out outside work about it] moment there and also after Everything Else on its own, just like how it'd be very warranted if taylor expecting Nothing Better from wendy could turn into their hardly being willing to interact

anyways, sure is fortunate for taylor (or is it???) that Work becomes more enriching for them suddenly, and through someone with whom they have this promising personal dynamic with, a Peer with whom, in fact, they do both seem to find reward in interacting with each other / want and choose to do so, imagine, while [reiterating for emphasis]: they are both finding reward in interacting and feeling Complementary rather than only seeing exactly themself in each other, while having this respect for each other and flexibility and knowing they don't Have to work together, and may not always be doing so.

but most to the point it sure is something that the season starts off with taylor being dissatisfied with their work situation and responding by not being at work and instead watching people be overjoyed about their (also, relevantly, Peak Normal Correct Cishet) romance, though they don't outright claim to straightforwardly enjoy this. then they Do outright claim to us repeatedly, if ever begrudgingly, that everything rian does is worthy &/or sympathetic (and totally comprehensible and consistent so as to believably retain any sense of Character....) while every time they interact, it's a business meeting and one or both of them is unhappy about some part of it. but then once taylor's asked to think about their happiness Beyond Work they apparently are simply motivated to go ask someone out, and it may as well be rian For Lack Of A Better Option really, but then there's the wrench of "for some reason rian is unsurprised and not at all put off by this, or even just somewhat confused" and "for some reason rian's like 'sorry but no. fr im soooo sorry'" with these perspectives of [happiness Outside Work = romance] and [someone deemed Objectively Worthy = you'd of course at least consider romance, or else you must think actually they're Unworthy in some way, or have some more general Reason you'd reject others categorically in just the same way] (rian rejecting winston for unworthiness so much that she doesn't even need to bother actually telling him as much; rejecting taylor for [i don't date through work] with followups to reassure them it's Not the unworthiness) (that on and off paper winston & taylor have no reason to not be kissing but i think we can assume that won't happen, b/c billions itself may also assume we understand that [winston is unworthy] is just true. &/or that anyone Worthy understands as much)

so hoping that taylor has Some kind of enriching lasting relationship with philip, truly, which was the hopes for winston and rian but the updated hope is his enriching lasting disengagement with rian, f

[byerseason]

why byler is the only logical way to end stranger things: a personal opinion

long post incoming. i've been thinking about what else can they do other than canon byler or is there any logical way which would please everyone. but i genuinely can't find any logical ending.

first of all, let's see the options i heard from people who doesn't think byler is gonna happen.

not adressing will's love for mike, mike never finding out about it and will's arc simply focusing on supernatural part : well, we all know that's impossible. not after spending a whole season to show us his deep love for mike. also it's confirmed that an emotional arc for him is what is gonna tie up the story.

"his love for mike was for him to explore his sexuality, he's gonna have another boyfriend." : they could easily show it to us without bringing mike into it. the byers moving to california was a perfect chance for it since it's a place better than hawkins when it comes to LGBT, they could easily give him a love interest, include him to their journey to find el just like they included argyle and give him a good character arc in s5, just like robin in s4. well, they didn't.

"mike is gonna reject will" : okay, then what was the reason of making him fall in love with mike? did the writers want to write a horrible story for the only gay child in the group? especially after showing us how miserable he feels about mike and how much he loves him? no.

now let's look deeper at the character arcs. my biggest reason to think byler is the only logical way is: will byers

i don't think i have to mention how much will suffered throughout the show and how he needs the happiest ending. they left season 4 at a point where everything about that love triangle is unresolved and they're obviously going to do something with it.

we all know mike is the one who understands will the most. he always been, since the very beginning. we've been shown that their bond is different and special. in a scenario where mike rejects will, we all know this is gonna be ruined. will is not gonna magically bury his love and go back to being besties with mike. and for mike, it's not possible for him to ignore will's love for him and stay friends as nothing happened. it would ruin their friendship for absolutely nothing.they can't simply take the only one who understands away from him.

will said he wants to spend the rest of his life with mike for two times. even if he doesn't have any hope, he desires it. so why giving him a love that he will never have? in this scenario will's character arc is literally "the gay kid always thought he will never have love just because he is gay, he thinks it's wrong and he is a mistake, well yes, he was right! he will never find the love and just watch the other straight people have it. thanks for watching stranger things." will's arc should be an arc where he is proven wrong, where he understands it's okay to love, where he is loved the way he loves, purely. otherwise his character arc is gonna be useless. where did we leave will in s4? he was thinking there's no chance for mike to love him and he has zero hope-- he ripped off the band aid. if mike rejects him the character arc and all the build up in season 4 becomes useless. he was at zero, and he is still at zero.

like i said giving him an arc where he is loved the way he loves was easy to be done without mike but now it's too late. they made it super clear that will doesn't want to be loved, he wants to be loved by mike. mike hurts him yet he still thinks mike makes him feel like he's not a mistake at all. that's not a simple crush. that's pure love. as a writer of a show you don't spend too much time to sympathize the characters love to the audience -something you never did with your other characters, at least not as much as will- you don't show them pouring their heart to a gift, just to waste it, just to make the character feel the worst they can feel just to make the person they love happy. will loves mike such a way that he prioritizes his happiness over his. this is what is gonna pay off.

the second character whose character arc needs byler: mike wheeler

mike has always been the most complicated character of the show, but most of his actions have no explanation other than him dealing with his own feelings. the show introduced mike as the leader of the party and i think it's okay to say he was one of the main characters in season 1 & 2. what happened after s2? a crazy character downfall. the audience started to dislike him and think he is useless. he didn't have any character development in the past 2 seasons. why? why? why?

because we all just watched him struggling. dealing with something inside of his mind that we don't know.

let's talk about a scenario where byler doesn't happen. this makes all mike's arc about being a love interest since s3. no development, no explanation for his behavior in the past 2 seasons. of course mike is traumatized and never talks to anyone which effects his behavior a lot. but there's still an unanswered question. why is he distancing himself from will specificially? the writers showed us that they understand each other the best, they know each other the best and notice if somethings wrong, so why is he distancing himself from the person who he needs the most as a best friend?

this is where we start to think if the problem is will himself, for mike.

why did we make will fall in love with mike just for mike to distance himself from will for no reason and make will upset? did we want will to suffer for no reason or create an empty storyline?

if mike is not how we think he is, he is going to end the show with an empty character arc who is nothing but a love interest, a side character. if mike ends up how we think he is, he is going to be the best onscreen representation of internalized homophobia. people think he is useless or just an asshole but he will turn out to be a perfectly written character who has his own arc.

people love to say "gay people didn't exist in 80s, byler would be unrealistic." which is completely wrong. gay people DID exist in 80s and they DID find love. did they have peace? they didn't. this is why mike and will are gonna be a real representation. we watched all the real struggles they went through. even if we don't get to see them as a couple, they will know they love each other by the end and that's what matters. and there's nothing unrealistic about it.

[bunnieswithknives]

hey in ur peri animatic: (https://youtu.be/OCqlRuDaXYU?si=K52WDu_vw9rg7chz) that I have been permanently obsessed over since today and have watched about 20 times by now so much that I have drawn & posted stuff based on it what was that partial bug form peri had?

I haven’t watched either of the show btw so if it’s explained in the show please tell me plsssss

OK, SO the bug thing is not technically canon to the series. It's based on my own headcanons for fairy biology, but i do have justifications for it!! Fairies have very strong shape-shifting abilities, so it would make sense that the form they show to humans isn't necessarily their true form(not to mention extreme that mimicry is very common in insects). And you want to know the visible traits almost every fairy has in common? Being very small with Insect-like wings.

The fact that their humanoid form isn't their true form in actually confirmed in the show! Cosmo and Wanda are revealed to look like biblically accurate pseudo-angels in the museum episode. (I say pseudo angels because the Flaming Sword of Eden is only debatably sentient and I don't think is considered an angel. Ophanim are also debatably not angels because they don't have wings (sorry for the angel tangent I like angels))

So wouldn't their true forms be angelic then? Well, yes. But I like bugs so. Also I have more headcanons to justify myself. I like to think that they have both a true-true form (incomprehensible to the human brain, probably exists mostly in a dimension invisible to us, that looks how we imagine biblically accurate angels), and a fairy form (which is visible to humans but is naturally very insect like and tends to scare people). So, in order to interact with humans, they have to learn to shapeshift into a humanoid form but will occasionally slip if they get too relaxed/aren't careful, hence the mandibles coming out when he yawns!

The reason they struggle so much more with human forms than the animals or objects they typically turn into is that, well, they aren't trying to convince those animals or objects. The more human they try to look, the harder it is to keep up convincingly. If you turn into a really uncanny squirrel, only other squirrels will notice. If you turn into a really uncanny human, they form a lynch mob and burn you at the stake.

[welcome-to-green-hills]

I really want a spin off so we get more background on Shadow and Maria. Why did Maria move to the military base? Was Gerald her only living relative? Was she the only child on the base? Was she lonely and curious and wanted nothing more than a friend? Was shadow the only friend she had? Did she play guitar because she was a huge fan of the beetles? Did she want to teach shadow how to play guitar?

Also, my HCs of Maria playing guitar and dancing with shadow are canon now and I’m so freaking happy

Hi Hon!❤️✨

I think that we’re all hungry for some more Shadow and Maria content after the third film. I mean, can you blame us? It’s all great content! I’d 100% be open to more SCU!Ark Sibling content!

For now, I’m going to go with a couple of my own headcanons:

I strongly think that the reason for Gerald’s closeness with Maria has to do with wanting a daughter. Yeah. This is an assumption, but I think that this is the best idea that I’ve got. If he had all sons like he did in game canon, I think that the idea of wanting a daughter might have made him form an exceptionally powerful connection with Maria.

I think that rather than being cousins, I think that Dr. Robotnik and Maria might have been siblings. It was pointed out a couple of days ago by a lovely individual here (an anon ask) that the movie never confirmed that they were cousins, but it also never confirmed that they were siblings. I’m leaning more towards the idea of them being brother and sister in the films because it feels like it would be a twist for SCU!canon.

I think that Maria wanted to be a scientist and willingly moved to the bunker with her grandfather. Any opportunity to contribute to the field of science excited her. But… being a young soul can be a bit lonesome. Luckily, Shadow was there. He saved her just as much as she saved him. They both were each other’s best friend.

Maria totally picked up guitar from listening to the Beatles. And yes, they both know the lyrics to every Beatles song ever. I think that there was an attempt to teach him guitar, but I think that he might be the most comfortable listening and humming along.

[valenschmidt]

Let’s not spread false information - it’s never been said it WAS supposed to be Tommy & Eddie. It was said it was a possibility, not a guarantee, but it quickly fell through.

Then Tim revisited the idea of bisexual Buck that got shot down (by Fox, I assume cause, well, Fox) and he then made the effort to specifically get Lou, because he is fond of him and yes there would be no need to introduce a brand new character and thus Tim started writing his lil romcom as he calls it.

Well if you wanna get technical let's get technical...

Tim Minear confirmed that he wanted Lucy in the very beginning but since Arielle was not available THAT LEFT TOMMY. So no, he didn't get Tommy because he was revisiting the idea of bi Buck. It was the other way around. BECAUSE Lou was available and Arielle wasn't, Tim decided to revisit the idea he had had during s4.

So no... He didn't make the effort. Lou just was available and Tim didn't want to introduce a new character to explore Buck's sexuality and therefore Tommy

They even let us know in the show that Hen requested for Lucy and Tommy just happened to be there

And then he had to choose... Ryan himself confirmed during my previously mentioned podcast interview that he didn't know to which one of them that storyline was gonna go so yes it was a "possibility" but it went to Buck because Tim (and maybe Ryan) didn't believe that it was a storyline that fit Eddie so Tim went to Oliver instead. Oliver also confirmed that he was approached with the Tommy idea in the early days of preparing either eps 2 or 3 so it was something that was decided as they were filming so Tommy definitely wasn't the original plan

It was ALSO confirmed yes that the main reason Tommy was chosen to be Buck's first male love interest is because Tim didn't want to introduce a new character which doesn't go into bt favor since Tommy's place could literally be filled by any other man

So yes Tim chose him but trust me when I say he's no Endgame. Especially after all the trouble bt have been causing. Tim called it an entry relationship and yes Tommy is important to Buck because he's his first boyfriend. But there are no wedding bells in the horizon...

ALSO LET ME ADD! Thanks to the lovely @/fiooredimaggioo on Twitter that Buck was supposed to have a big storyline involving Natalia and their break up that was gonna go throughout s7 but because Natalia's actress wasn't available this was scrapped

And as we've been able to see in canon... there is nothing tender and positive about their relationship because Tommy doesn't actually listen to Buck or understand him. So yes... bucktommy is canon now but with the way he's been excluded from every promo/bts/content since they started filming (even though we all know he's coming back) well that doesn't sound good, does it???

AND because I'm petty I'm gonna add this. During the days previous to S7 Tim kept posting buddie stills on his Facebook account (the first one he ever posted was of Eddie himself)

Clearly you can tell Tim has a favorite right??? And I shouldn't even bring up the first still of s8 he posted just a couple of days ago...

Oliver liked a couple of bucktommy posts yes but after 7x04 he never liked a bucktommy post again and just kept liking and posting buddie content

And to finalize...

The ONLY post he liked post 7x10 was a buddie one so... if Oliver himself had to choose Buck's Endgame well the choice is pretty clear

Hoped this helped...

[onwhatcaptain]

I still have tons to say about the Garashir Goes Canon™ moment in Lower Decks so here is my big meta post about it! Below the cut is a meta discussion about the penultimate Lower Decks episode, contextualizing what it means for something to become canon.

To be clear, this is a mostly positive post with analysis included. You’ll see lots of love for Garashir and Lower Decks and also oodles of fandom meta below the cut, since we have a complicated relationship with Paramount. My analysis and graphic is based on a recent lecture about Star Trek canon I gave at KiScon!

First, I have to say that both Unification and this Lower Decks episode following mere weeks after of my lecture panel at KiScon titled Fuck Paramount, about what Star Trek canon really is and what its place is in relation to us as slash fans, is absolutely mind-blowing timing. I wish everyone in both the K/S and Garashir fandoms had been able to attend it because it was absolutely designed to serve as a framework for both of these major fandom moments. And also it was just funny as hell. But most importantly, it was relevant, and existed to give us a sense of understanding when navigating Paramount hell, particularly when they play Gay Chicken (will they, won’t they — most of the time, they won’t).

Since not every single Star Trek fan on this website was at KiScon last month, I want to expand on that a little more here, this time in Garashir context, since last time it was centered on K/S, though Garashir came up several times! When I was giving my lecture, I asked the audience what it would look like if K/S were made canon tomorrow. Everyone had different ideas—but the most common theme that came up was sheer distrust of Paramount doing it justice.

For those of you that are reading this, the thesis of Fuck Paramount was that you as a fan and a viewer have more control over what is and isn’t canon than you think, and that our role as fans is to take ownership of our stories back from corporate interests. I also developed a four-sided framework to describe how we interact with canon to take power back and make sense of canon. Both Unification and the very, very fresh Lower Decks episode have already been controversial for a number of reasons, the primary one they share being: “Wait… does this make this canon?”

So far it looks like the main reactions for this Lower Decks episode (especially considering how sudden and late in its run it is) are mostly “HOLY SHIT THEY REALLY DID IT” and “I AM DISAPPOINTED BY THE MERE SCRAPS.”

And my position on it is that both of them are completely reasonable reactions that don’t contradict one another! I’m going to make the case for both sides as I try to explore the implications of this episode with respect to the episode’s subtext, corporate storytelling, and so forth. I’m not going to go too much into the academic aspects, but I am happy to make the original slides available for anyone who is curious about my canon analysis framework.

Why It’s Enough

On one hand, this episode is done well. Undeniably. It’s a lot of fun. I have also said many times before that the only way I’d want K/S or G/B to become canon is if they suddenly randomly drop the info that they were married and don’t bring it up again, because otherwise they might do more harm than good! This was an example of it done incredibly well, in my opinion.

This episode serves as all the confirmation you could possibly really need of Garashir. Yes, there are quite a few gimmicks involved—it’s all AU, all the way. Garak is now a surgeon from another dimension, and Bashir is from an entirely different dimension, and also not really himself, but a hologram. Here’s how they’re introduced:

WILLIAM BOIMLER: “Elim Garak, a brilliant Cardassian Surgeon—and his husband, an emergency medical hologram based on Dr. Julian Bashir.”

What I really love about this moment is that it actually does more than it looks like it does, at face value. For most of us, our first instinct is to go, whatever, he’s based on Bashir, he’s not even the real one! But what they did here was brilliant—it serves as implicit confirmation that our man Bashir is also bisexual, and loves Garak. He is indeed not a corporeal human being, but as the DS9 episode where the LMH is designed based on Bashir tells us, the hologram is designed and based on who he is. It has his personality traits. Interviews are conducted to make sure that the hologram is as authentic and true to the real thing as possible:

O'BRIEN: “You mean this programme is going to have all of his personal likes and dislikes?” ZIMMERMAN: “That is why we bother to choose a human template in the first place.”

William Boimler, from the prime Star Trek universe, doesn’t say the EMH is based on some Bashir, he says this one is based on Dr. Julian Bashir. Again, this serves as clear confirmation that he is modeled on recognizably the same character from DS9. They’re not that different in essence from their prime universe counterparts, or it wouldn’t be fun for the writers or the audience. We learn that Garak is still former Obsidian Order. They are still the same people, in essence. They may be AU characters but the point is for them to be similar to the originals, or they may as well just have been some guys!

The important thing, for me, is that it’s a clear, unambiguous acknowledgement. It’s played straight. Well, not straight—but not as some elaborate joke or filled with contempt. It doesn’t tease and doesn’t dance around the issue and wink and nudge, begging the viewer to question whether or not they’re together. That much is made immediately very clear. In the episode, AU Garak and AU EMH Bashir are a married couple, and they kiss. Every moment of their relationship is sincere, the comedic moments being not about the fact that their relationship exists, but about the dynamics it brings to the story. It also tells us very clearly that they’re not even from the same universe, and that their compatibility remains nonetheless:

HARRY KIM: “Are they from the same reality?” CURZON: “No, but they love to brag about how statistically unlikely their marriage is.”

Again, I tend to see this as a positive nod to the compatibility of these characters rather than a brush-off that says the prime universe Garashir couldn’t be together. And then Garak tells us his universe’s Bashir is like the original: still a racquetball player and competes with Chief O’Brien—again, revealing quite a bit.

And the B-plot is about them squabbling, acknowledging very clearly to us that Cardassians really do just love flirting via argument, which serves as a brilliant nod to everyone who complained for three decades that the DS9 writers never really admitted that Bashir and Garak were just flirting. Finally! The writers seem to understand quite well what’s important to us, even if this isn’t the ‘Real Garashir.’

What satisfies me ultimately is that this doesn’t in any way look like a rejection of the possibility of Garashir in the prime universe. It looks to me like it supports the text, not a mean-spirited denial that it could only happen under bizarre AU circumstances. To sum it up with another Boimler quote:

BOIMLER: “The multiverse is just a rehash of stuff I already know.”

Hm… :)

And as I pointed out in a prior post, the whole point of the episode is to show that even in different circumstances and worlds, the love characters have for one another remains a constant and is utterly transcendent. The episode straight up tells us that some relationships are so powerful that they span dimensions and realities, and then Garak and Bashir say they would follow one another to any reality!

In my panel-lecture, I said, “[Paramount’s control over the text] suggests that certain readings require their endorsement or confirmation to be true.” But this doesn’t feel like that to me, and so I accept this. It leaves room for possibilities of all kinds, and opens more doors rather than closing them. I can appreciate that.

I also spoke about how canon isn’t one thing—not a binary yes or a no, and that there is no singular meaning. I call this multiplicity:

“Multiplicity is about the continuous proliferation of ideas and the rejection of the text as having a single meaning. It rejects mere viewing or the consumption of media in favor of dialogue and participation rather than a one-way communication.”

This episode served to defy singular interpretations of the text. It tells us that there are infinite possibilities and it took a route that challenges the single-story interpretation of Garashir = Not Canon. It made room for new perspectives and affirmed what “the stuff we already know.”

Why It’s Not Enough

Now for the other side of the coin: why it’s not enough. As exciting as it is to have this kind of confirmation from the current writers for Star Trek in a frankly increasingly conservative storytelling environment, it’s still disappointing for many people that even in the most progressive Star Trek that exists, they cannot or will not openly state that the prime universe Garashir got the ending and acknowledgment they deserved. 

It feels like begging Paramount as a corporation for scraps and thanking them for what really doesn’t feel like enough—it stops short of full, sincere, complete validation of Garashir’s queerness. As I said in my panel, it’s normal for us to want confirmation from the writers and creators that what we’re seeing is real and not just imagined, even when the role of fanfiction is for us to transform canon and reject it ourselves.

It’s absolutely exhausting for us to say we see something that is continuously denied by those who ‘own’ the story in favor of mass appeal, and to me, that is a legitimate perspective that can coexist with the idea that fandom is designed reshape the canon to fits its own needs, and that we don’t need confirmation from the creators for something to be true. Fandom exists to defy corporate ownership of stories, but to have to fight for mere moments where marginalized perspectives are foregrounded causes anger for good reason. We may not need confirmation from them, but saying that we should never expect anything from Paramount releases the corporation of accountability and obligation to respect the audience and their own characters. We should be able to expect and trust that these characters and their relationships can be done justice by those who have the privilege of steering that ship.

It’s one thing for me to say that this episode affirms the reality of Garashir, but it’s also true that prime Garashir probably could not be given complete canonization because this is the best way they knew how to ‘get away with it’ all while maintaining its mainstream and popular appeal with heteronormative audiences that would have a problem or reject it if it happened to ‘real Garashir.’

Slash fans, for decades, have existed in the lane of compromise—firmly between having our truth validated and entirely rejected in favor of a Star Trek that is designed to be sold as a product to as many people as possible. Rarely do we receive more than a bone tossed to us by the powers that be, and when we do receive it, it’s on their incomplete terms, often with massive concessions made to make it happen. For Garashir to receive their blessing, they had to twist it into an AU. The reason they could do this episode is because it gave them the neat plausible deniability to also say this has nothing at all to do with prime Garashir, so that it didn’t entirely alienate audiences who wouldn’t support a queer narrative.

This is their way of having their cake and eating it too. In some ways, it looks like they’re just trying to make everyone happy, but the story shouldn’t have to make everyone happy, and a compromise can really just feel like everyone loses, or like prioritizing the status quo again. For decades, the status quo has always left those with marginalized readings of the text unhappy, sidelined by a narrative that is supposed to be progressive and supposed to look to a future where queerness is natural and not taboo. And if this is the best they can do, it’s only reasonable that it should still sadden us, disappoint us, anger us. It’s hard not to resent that reality.

What Now?

I urge folks to continue negotiating the text, as I did above in the first section. I made sense of it in a way that fits my understanding of Garashir! You do not have to assume that there’s no more to it than that because it was all that was said on screen. We don’t have to look at canonization as the final say on the text. My perspective is that we should take it as a wonderful and deserved affirmation, and continue to transform the canon as we see fit. This is your time to decide what it means for these characters. Personally, I see it as a massively positive step forward. Just remember that where canon is concerned, you are in control of what it means.

Canon is still transformable, multiplicative, negotiated, and timely. Holders of the ‘IP’ are only one piece of the puzzle where the truth of a story is concerned. So take this as a beginning to more, not an end! As I like to say, “canon is a means to an end, not the end itself.”

Also, please don’t hesitate to add your thoughts, questions, comments, or anything else. I hope you enjoyed this meta post, if you read this far.

[raven-at-the-writing-desk]

I interpreted the "adaptation from the manga" thing to imply that they'll animate the 3 Yuus (like you said) but my partner proposed smth to me that raised my concerns... what if they only animate Yuuka? or like- default to a female Yuu? I could see that bc it would be probably easier for them to have only one protagonist.

don't get me wrong I like Yuuka and I know a lot of TWST fans are women but since the studio involved is apparently known for shojos I'm scared they'll make it seem like the story is romantic/the game is an otome... Which I mean- we do have SOME fanservice stuff but it's definitely not a romance story. That's why I'm scared 😭 if they do go that path... I much rather prefer the disconnection (?) of having 3 different Yuus than the possibility of this...

Also I'm just 🥲 I'm scared ppl will see that and say ahhh So Yuu has always been a woman!! Because as a trans guy, one thing that rlly made me feel valid in a way was seeing that in the game Yuu has no gender at all... I don't go by they/them but I'd much rather be referred as that than to be misgendered. It's a small thing but it's such an important detail for me (the fact that Yuu is gender neutral/can be whatever u want them to be) that it being erased in the anime would make me pretty sad... even more if ppl take the anime as "confirmation" of Yuu's gender, which it wouldn't be regardless if they end up giving us a girl OR guy Yuu- it would just be another Yuu interpretation different from the game.

But yeah, personal stuff aside, I'm more scared by the possibility of them making it seem like it's a romance story 😭 or ppl calling TWST an otome... which I mean... some people already have that misconception, even some fans...

[Referencing this post and this news!]

I definitely think they're probably leaning towards a new Yuu every season; otherwise, there would be a very uneven distribution of screen time for one Yuu over the others, and that leads into the problem of one Yuu being "more" canon than the rest. Yes, it will probably be easier logistically speaking to keep the same Yuu for the entire anime--but I also said the same thing when we only had the Episode of Heartslabyul manga, and look what happened with that. We ended up getting Yuuka and Yuuta following Yuuken, regardless of the logistical inconvenience of it all. I think if the anime intended to have a singular Yuu to follow for the main story, they would have chosen to adapt the light novel (which has Yuuya across multiple volumes) instead of the manga. The conscious decision to adapt the manga (with changing Yuus) says something to me. So really, I don't think we have to worry about one "kind" of Yuu dominating the anime. I took a look at the portfolios of the two studios collaborating for the Twst anime and didn't see a ton of shoujo myself. There was definitely a handful of them, but overall there was a spread of genres. I think Yumeta Company (one of the studios) has Tokyo Mew Mew New under its belt, which is probably one of its better-known works and maybe that's where the "they're known for doing shoujo" allegations are coming from? Don't quote me on that, though. I'm not someone who closely follows anime studios.

I would, however, like to point out that we shouldn't put all our stock into the studios behind the anime. Yes, they are obviously animating the project and thus have an influence on how the final product is. However, there are tons of other people involved (like the script writer) that will dictate how the anime looks and feels. (In fact, the script writer for the Twst anime, Kato Yoichi, is not known for writing shoujo.) I highly doubt all the staff involved at every possible level of production are conspiring to make Twst a genre it's not. (Related: I blame socialization for this, but it's a little sad that most of us by default think one woman + a bunch of men in a cast must be romantic.)

Now, to your main point. I understand the initial fear of people misunderstanding Twst as a dating sim/otome from how it is presented. Really, I do. I also understand the frustration that comes with people claiming Yuu's identity or gender or what have you is "confirmed". But to that, I ask you: so what? And I don't mean that in a "your feelings aren't valid" way (because your feelings are very valid!) I mean in like... Do these misconceptions others have truly impact your own enjoyment? Do the people believing in these falsehoods erase what you know is the truth? I would wager it doesn't. There has been and always will be those who see Twst or interpret Yuu as something they are not. Lots of us (myself included) thought Twst was an otome game when they first heard of its concept. People claimed Yuuken was the definitive Yuu when the first chapter of the manga dropped. That's fandom, especially the larger they get. If we fixate on those sore spots, it will ultimately make us unhappy because there will never be an end to misunderstandings. I would advise that you try and detach from those worries and just focus on having your own fun in the fandom rather than worrying about how others are consuming or reacting to Twst. Yes, we want Twst, a franchise we've seriously been invested in and love, to be seen a certain way--but I don't think that should come at the cost of your enjoyment. Fandom is meant to be fun, and we don't want to make ourselves miserable by stressing over the "what ifs", you know? Please focus on yourself!!

[thebisexualwreckoning]

Armand's backstory and how I, your local bengali vampire fucker and armand's 24/7 defence lawyer, am going to make him bengali and muslim while still keeping it showcannon accurate

(Note: this is not meant to be taken seriously and is very much just written because I was bored and had time on my hands and if i have gotten anything wrong please correct me)

One thing that always annoyed me about IWTV showcannon is the fact that armand pre-marius days were either left majorly unexplored or made absolutely no sense to the time period. Which, I find pretty surprising considering the care and sensitivity Louis' new backstory was handled with by the same creators and show writers.

We know 3 things about Armand and who he is as a character in regards to his ethnicity:

His birth is Arun

He is Muslim

And that he was taken from Delhi somewhere around the early 15th century

For the purposes of this essay, we are going to assume all of this is true and not something Armand made up to get sympathy from both Louis and the audience.

Armand's birth name being Arun, while incredibly lazy, does make his identity as a bengali man much easier to confirm. My own full blooded formerly bangladeshi grandfather has the name Arun and Arun continues to be an incredibly popular bengali name for boys to this day. The problem arises when it comes to his religion.

The thing about the name Arun is that it's an incredibly *Hindu* first name, given that it is quite literally one of the names for the Hindu god of the sun (Source: I'm Hindu and confirmed with my mom who is sitting beside me scrolling on facebook). While muslim people can have the name Arun, given that Bengal was still an independent kingdom around the time which Armand would have been born in, his parents being hindu would have been likely.

However, around a similar time, the Mughals were setting up shop in, you guessed it, delhi and the surrounding region. Now, my proposal is as such: During the same time period, many parents sold their children to zamindars (land owners) for money or food or land. Young Arun's parents did the same thing. Now, this zamindar either sells armand to someone else immediately after who takes him delhi or takes young arun to delhi himself where he either sets up shop with him or once again sells arun to someone else.

Seperated from his parents and newly immigrated indenture (because yes, mughal era punjab and bengal were different kingdoms and as such this would count as immigration) to a kingdom which had just gone through a major political upheaval and had a new ruler forcibly converting people to islam, arun, who has no ties to hinduism given that a. he is a child and b. his hindu parents very much just sold him into slavery, converts to islam as well as a safety tactic.

Thus child arun grows into teen arun and he has never known anything of his life before delhi but those first few years that he spent in bengal and has definitely had no contact with hinduism and has been a devout muslim for the vast majority of his life. Here is where things get a bit iffy. There are two ways how the rest of this can now go.

Route no. 1, armand's indenture is sold to the portuguese, the portuguese take him to europe, marius buys him, everything proceeds as it must.

Route no. 2, the overly complicated, book and show canon accurate version which requires some significant suspension of disbelief and handwaving to accomplish but i like it so i'm still writing down this crack theory. Also we're doing this in dot points now because i'm getting tired:

We know armand speaks crimean because daniel mentions it after he catches fake rashid praying

crimea was part of the ottoman empire during this time period.

the ottoman empire had relatively friendly relations with the mughals because they were afraid of babur.

crimean ottoman merchants buy armand's indenture

armand ends up in crimea

crimea and kievan rus, book armand's original homeland's complex relation means armand ends up in kievan rus.

Things proceed as they did in the books for how armand goes from kievan rus to under marius's hold

and that's all i have, this has been your local crack theorist on tonight's armand show. see you next time.

[jamespotterismydaddy]

Lord Husband (Chapter 12)

A/N: ik it took be forever to post this, pls dont crucify me. I also don't care if we have canon cregan; thats literally not my man

WORD COUNT: 1,078 words

masterlist

You gave him hope. You knew you did and perhaps you shouldn’t have. It would have been easier if you didn’t, but you think you… wanted to? Do you want to have dinner with him?

“Seven hells.” You grumble to Sȳndror after you’ve dismounted. “I suppose I have to eat with him.”

Well, you know you don’t have to. You didn’t even give him proper confirmation, but it’s much simpler to think of it as something you can’t avoid, you decide, making the walk back inside the castle.

“Draw my bath.” You say to Rose as you enter your chambers. “And you’ll need to select a proper evening gown for me today. I’ll be having my supper with Lord Stark.”

“You will?” Your handmaiden asks, looking at you as though you’ve grown a second head.

“I have just said it, haven’t I? Don’t look so bewildered.”

“My apologies.” She curtseys and runs off to start your bath.

When you walk over to the prepared tub, she begins to help you undress. “My apologies for my harsh tone. The situation is simply unusual for me.”

“You never need to apologize, princess. I understand fully.” She finishes undoing your dress and lets the garment drop before also helping you out of your shift.

“I brought him to meet Sȳndror today.” You say wistfully as you step into the perfectly hot bath. Rose always knows just how you like it.

“What prompted that?” She asks carefully, knowing that not even your closest friends have met the beast.

“He caught me watching him train. I wanted to frighten him.” You reply and she giggles.

“I would expect nothing less.” She says and begins to wash your body clean from the smell of dragon. “I also quite like watching the way the northernmen train.”

“There is something unique about the way they move.” You murmur thoughtfully.

“I would say there is something… primal in it.” Rose says with a giggle, clearly thinking about a different adjective in truth.

“Yes, it's very rough.” You muse.

“Did he get along with Sȳndror?” She asks, now running her fingers through your wet hair.

“He is not dead. So, I suppose the answer is yes.” You both giggle.

“Well, I am sure he is appreciative of the honour.”

“He doesn’t quite realize how much of an honour it is.”

“Lord Stark doesn’t know he is the first non-Targaryen you have brought to meet your dragon?” She gives you a slightly bewildered look.

“Of course not. He would be far too pleased with himself if he knew.” You roll your eyes and with your hair washed, you stand, Rose bringing you a robe.

“It is very gracious of you to allow him the meeting nonetheless.” 

“I am known to be gracious.” You reply with a cheeky smile and the both of you giggle.

“I am excited that you’ll be getting more wear out of your evening gowns.” Rose says as she throws open the doors of your closet. “This one could be most suitable.” She holds out a stormy grey dress and you scoff.

“There’s no way in the Seven Hells i’m wearing Stark colours.”

“But it would make him go positively insane.” Rose muses.

“I’ll have one of my black and red gowns.” You say, ignoring her. “The one with the sleeves that Baela adores.”

“Oh, that will be a splendid choice. Lord Stark has never seen you in a proper evening gown. This one will make for a strong start.” She admires the dress in the cupboard before fetching your small clothes.

When you’re dressed, you look nothing short of phenomenal. 

“He may faint from the sight of you.”

“I hope he does.” You murmur, checking yourself one last time in the mirror before strutting out of the room. “Come, Ser Robert. I will be suppering with Lord Stark.” You say to the surprised guard as you walk past him.

“You will dine… with your husband, princess?” He asks in a confused tone as he catches up with you.

“Well I just said that, did I not?” You shoot in a snarky tone.

He chuckles. “My apologies. I simply did not realize you enjoyed his company.”

“I am starting to think that I don’t enjoy your company. Perhaps I should get a new protector.” 

“Any man but I will be subpar and that is the second time you have threatened to replace me today, princess. Should I be worried?”

“Not worried. Perhaps just less irritating.” You smile.

“Anything to please her highness.” He responds playfully just before the two of you arrive at one of the smaller dining halls in the castle. The doors are thrust open for you, your protector waiting just outside as you walk in.

Cregan stands when he sees you and immediately makes his way over before bringing your hand up for a kiss. “Princess.” He murmurs, not wanting to seem too casual by using your name (even if you are his wife).

“Lord Stark.” Your formality makes him frown. His own formality also made him frown.

“That dress looks beautiful on you.” He says, wanting to make sure you know he’s complimenting you and not the gown. He couldn’t care less about a few pieces of fabric.

“You are also looking well.” You murmur in response, meeting his eyes for a fraction of a second before gliding out of his hold and to your seat. You can feel the ghostly touch of his lips on your hand and you see how he lingers for just a moment before sitting down himself.

“How was your ride today?” He asks as you start to plate your food.

“‘Twas as good as it can be. Sȳndror is restless these days. He doesn’t enjoy flying as high as he used to; I think the bite of chill in the air bothers him.”

“I hope that he can settle soon. It will get warmer… in a few months' time.” Cregan tries to help, but the discussion of the passage of time unnerves you. You don’t want to think about how in a few months, you will still be here.

“He isn’t used to being alone.” Neither are you.

“Then we will have to house your brothers for a visit. I know how important family is.” He sees it then, the little glimmer in your eyes at the suggestion. Your husband feels like he’s made you somewhat happy for the first time ever.

“I would like that.”

comment to be added to the taglist

[dumbbitchenergy17]

Where the Wild Things Are - Chapter 10

Chapter Ten: Family Line

Plot: Wild men or monstrous infected creatures, the world is wild and ravaged by Cordecyps but some are raised in it and flourish becoming a wild thing.

Word Count: 4K

Pairing: Joel Miller x Platonic!Teen!Reader, Ellie Williams x Platonic!Reader

Warnings: canon-typical fighting/violence, injuries, harsh language, tw: NOTES OF SELF HARM, ANXIETY ATTACKS/RESPONSE, trauma from abusive mother, description of child neglect/abuse

a/n: I hope everyone enjoys the holiday season and here is a Christmas angsty post

—————

Scattered 'cross my family line.

I'm so good at telling lies That came from my mother's side. Told a million to survive

Scattered 'cross my family line.

God, I have my father's eyes But my sister's when I cry.

I can run, but I can't hide From my family line

Anything could happen. One wrong move can turn this into a bloodbath. You can see each individual, pausing at a woman who wears a balaclava covering the lower half of her face but you recognize those eyes. Lila squirms seemingly recognizing the group as the woman lowers her mask, both you and Lila saying the same thing.

“Mom..?” “Momma!”

The air is like daggers filling your lungs, stabbing you as you inhale, scraping and cutting you as you exhale. You’re not sure if she knows you anymore. Are you some fleeting memory of her poor child that left her? Abandoned her all those years ago. Do you even recognize her? Of course you do, she is the same in your memories, in your dreams and nightmares. She probably smells the same if you were to be in her embrace. The smokiness and burnt smell that others would cringe away but you seek comfort from it, the smell of burning wood always reminds you of her. The sharpness of almost rubbing alcohol changed to something more fruity whether it was wine or yeasty beer. But that smoky smell never left her. Even now breathing in fresh air you expect to get that hint of smoky. You are surely death gripping the reins as Lila vibrates in your saddle her hands reaching out to be taken…by her mother. You see the shocked looks from Tommy and Ellie as their gaze darts from you to the woman staring at you with equal shock. She finally speaks and it sends chills of fear but also safety through you.

“Y/n…is that really you honey…you’re alive?” She says and you think this a dream? As you see tears fill her eyes. The others that a with your mother lower their weapons and even Tommy and Ellie lower theirs too. You are speechless afraid if you say something you’ll wake up or she’ll disappear hearing you confirm you are the child she lost all those years ago.

“I’m sorry. I know this is all overwhelming. But it’s getting close to dark and infected tend to roam here. Look you should all come back with us to Jackson so we can figure,” Tommy says glancing over at you who is still silent dead staring at your mother someone he can’t help but feel like he knows, “Figure this all out.”

Your mother quickly wipes the tears from her face, “Yes I’m sorry. Thank you that is so kind of you.”

With that decided you all head towards Jackson. Tommy leading up front, Ellie in the middle with the other group including your mother, and you in the back with Lila. You’re sure Red could sense your complete shut off and taking over. You take in everything about her, her hair is longer and greying with age, and she looks the same but just older and weathered with time. She dressed normally for the weather nothing standing out, a sawed-off shotgun in her free hand the other holding her reins. You had so many questions since you knew that Kansas had fallen to infected where had she been this whole time? Lila yawns snuggling into your chest. When did she have time for another child, she could be old maybe five or six. She could have had her when you were gone makes sense, you wouldn’t know if your mother was pregnant when you were in the QZ. Or would you have? The way she just acted was nothing you experienced in the fourteen years with her. Was your leaving cause her change? Did she miss you? Looking down at Lila you feel your chest tighten, did having her change her? Was this child the reason she wanted now to be a good mother? You wince already remember her words at that comment. She was the best mother she could be with the resources she had. It’s your fault you made it harder on her to raise you. You wouldn’t have a better childhood if you listened more. Did Lila listen? Was she better at things you struggled to do before? Did she have your mother’s affection? Did she have your mother’s love? Was Lila being born a way to heal her broken heart from you abandoning her?

Your restless thoughts keep you occupied for the duration of the trip and when you come partially aware you are at the gates of Jackson right as the sunset dips below the horizon and the lights of the community start turning on. Watching the large gates open to a small crowd of people waiting for your return but also hearing of the newcomers. Your gaze sweeps seeing members of the council, Dina and Jesse there most likely for Ellie, and Joel and Maria are waiting in the forefront of the crowd. All your horses draw to a stop the stablehands come and start guiding the Jackson and outsider horses to the stables for food and rest. In your arms is a sleeping Lila, your pack and rifle still on your back an empty expression on your face. There might be a look on your face but you can’t think of one as you stare off as the man with the gruff voice helps your mother off her horse and you see a slight weight shift to her, something is either wrong with her leg or foot. You are motionless as everything else moves around you, Dina and Jesse greeting Ellie who seems to be keeping an eye on you. The council alongside Maria with their son as they speak to Tommy about the newcomers, his gaze also flickering back to you as you still just stand there. Other members of Jackson check out the new people the local doctor coming to check some of their injuries, especially a man who’s currently in a makeshift sling. You don’t notice Joel’s concerned gaze on you as people move around you but remain frozen with a little girl in your arms. One person comes over a nurse or someone comes and takes Lila from your arms and you slip your rifle and revolver off to someone so they can be locked up with the other weapons. You mumble lightly that she might have some minor injuries to check, but it comes out like, ‘Cuts…no bites…she’s hers.” Your gaze is still locked.

It’s a shock to the Millers and even those that know of you. Since you’ve been here, it’s harsh, bitter, curses or glares thrown. A hot temper, but then it mellowed out still a spitfire but wasn’t picking fights. This version was frighteningly silent, like the entire world around you faded away only focused on one thing, but even you didn’t dare to speak up or try and react. Joel just sees someone coming at you and he makes a step to go protect you but a woman throws her arms around your shoulders pulling you into a tight hug and crying into your shoulder.

“Oh thank god you’re alive. I thought all these years I lost you and I never forgave myself.” She sobs into your flannel her tears and snot getting on it, your body rigid hands held at your side as she holds you with such tender affection. This was the first time she hugged you, you would remember other times trying to get one only for her to push you away. It was always you trying desperate to initiate one but here she was holding onto you like you were going to crumble apart if she let go. She pulls away with teary eyes she clutches your cheeks looking over you taking in every detail of you and keeping it in your memory. You shudder at the eye contact, you don’t think she’s ever stared at you for this long and it only gets your heart racing more.

“You are so beautiful and all grown up. I’m so sorry I couldn’t find you then, but I was given a second chance now,” She sniffs and you don’t know what to say your hands clenching and unclenching trying to keep yourself grounded. A burning sensation at the back of your eyes.

Everyone could sense how uncomfortable you looked, not knowing how to act in this very emotional situation, “Tommy who is that?” Maria asks not fully able to hear every word being said but it was clear whoever this was knew you.

“The little girl, Lila that’s her mother,” Tommy hesitates in dropping this bomb, “She is also Y/n’s mother.” Joel’s eyes widen once he gets a better view of the woman immediately getting thrown back almost 20 years ago remember her. It was still early in the Outbreak with people being evacuated to other QZs. They were all together in the Dallas QZ until they got separated when it reached capacity. Tommy and he went to Boston and she went to another QZ. He wouldn’t have forgotten her.

“Tommy what did you do,” Maria asks immediately on edge. If that was your mother she knew exactly what she was capable of. Does she warn them to stop this? Had things truly changed with time? No, she abused you as a child she can’t change…but with her crying in front of you Maria felt hesitation to speak. Both Tommy and Joel give her a confused look before returning to look at what’s happening before them.

Your throat feels tight as you barely get the word, “M-mom…I..I” out and she’s all teary while you feel on the edge of having a breakdown.

“Shhh don’t worry about anything. All that matters is that we are together as a family. You, me, your sister,” Her mentioning Lila pushes you further to the edge, your hands squeeze so tightly you’re sure blood is drawn, “Oh honey you’ll love it,” She gushes. Honey that name you only dreamed she’d call you another step towards the edge.

“We’ve been waiting for this moment and…you have Derek…your father.”

You are shoved off the ledge as tears spill from your eyes but you know they aren’t tears of joy. It’s far from it as you see the gruff man with the bandana now lowered come over standing beside your mother. He rests a hand on your shoulder and you can feel it burning through your clothes and scarring your flesh.

“Hey kiddo…it’s been some time,” It’s like every warning bell is ringing in your head. This isn’t how it’s supposed to be. You’re not supposed to get a face to the name ‘dad’, he was nameless. A bastard father to a bastard daughter. You were going to die and never know what he looks like conjured up some image of a man that is always changing. You shove your mother off you and she gasps as your father goes to steady her all eyes immediately on you. Your hands are clenched so hard in fists that your face tenses up with these wide frightened eyes. An almost pained noise comes from your throat like you want to scream or cry but are forcing it back.

“Honey..” “Kiddo.” Both your parents try reaching back to you but you take a clumsy step back and then book it pushing through the crowd. Your vision is a blur and you nearly run into Joel who tries to steady you but you shove him away and book it down the street darting down an alley. Your mother tries going after you but is held back by your father.

“Ellie,” Joel calls out getting the girl and her friends' attention, “Try and find her please.” The younger girl nods and the three young kids run off in search of you. Joel turns back to the couple bickering as Tommy and Maria approach.

“I told you it would all be too much,” The man says and the woman runs her hand through her hair, “It doesn’t matter now. We can’t take it back.” She turns to look over at the adults her gaze pausing on one familiar man.

“Joel Miller?” She seemed shocked to see him especially alive after all these years there almost seemed to be a twinge of fear in her eyes.

“It’s good to see you after all these years,” Joel says and Tommy looks between his brother and your mother and it clicks how he recognizes her. The QZ was back in Dallas in their early days. She and Joel were pretty close that was…like 18 ye— Immediately his gaze darts from both Joel to your mother, then to your ‘father’. His first memory of you was thinking how familiar you looked then when he came back with Joel it was like staring at a mirror from face down to attitude. Especially now looking at your ‘father’ you didn’t look a lick like him, maybe Lila did but you certainly did not. He squeezes his wife’s hand and flashes her a small ‘when need to talk’ look which she understands and squeezes back. Your mother laughs awkwardly.

“Yeah, what are the odds…anyway thank you for all you’ve done for our daughter it’s good having her safe with us.” She says and the irony from it given the fact you just ran off.

“It’s glad to see you alive and well,” Maria says fixing her grip on her son, “Y/n has said much about you…but not much about her father.” Her gaze moves from your mother whose gaze almost narrows to daggers to your father who looks a bit nervous.

“Unfortunately Y/n and her father haven’t had the best relationship but we’re hoping to reestablish that, especially in this world where anything can happen,” Your mother says smoothly and Maria tensely nods.

“Well…let’s get you situated with some food, check in on your other daughter, and then we’ll get you and your people settled for the night,” Tommy suggests, and your mother and her group all nod. Tommy begins leading them off to the Tipsy Bison. Maria goes over to Joel who watches the whole scene.

“Joel go find Y/n,” She says and Joel nods but he notices the conflicted look in her eyes.

“You know something,” He questions and she flashes him a look but sighs.

“Just give me time Joel, please. Go worry about her for now.” She pleads and Joel looks at her trying to unpick her but sighs and goes off and looks for you.

Joel hits your normal spots, the stables, specifically Red’s pen but not there, checks Maria and Tommy’s house to see if you’re there, and even goes to his home to see if you decided to run off there but no, he was going to head to the library when he runs into Dina who tells them they found her. The pair head out into the woods to reach a clearing, there’s an unlit stone firepit and some benches made my logs, he’s been here a few times with Ellie and Tommy, but this was mainly a spot for the younger kids.

“Go!” You screech like a wild banshee as a rock hits a stray tree. There he finds, Ellie and Jesse on the outskirts where the forest ends and the clearing starts. You are in the middle of it pacing and he feels a spike of concern seeing flecks of red in the snow.

“Y/n let’s just talk—” Ellie starts jumping back as another object is thrown in their direction a pained held-back scream.

“Fuck off!” You grit out. Your bloody hands grip your hair, your gloves tossed amongst the snow as you pace your heart racing and they can see you choking to get air in your system.

“Kids go,” Joel says and Jesse and Dina nod starting to trail away he sees Ellie look at him hesitant before she too leaves. Joel takes a step into the clearing the crunch of snow makes you whip to face him and he raises his hands like taming a wild beast. Your chest heaves as you eye him with sharp panicked eyes. Tears stream down your flushed cheeks as you continue making that pained noise.

“I’m not gonna do anything kid,” Joel says calmly as one of your hands that grips your hair moves to your flannel clutching your collar as if it’s choking you. Joel rushes as you drop to your knees with an unhuman cry like this tidal wave of emotions finally takes over. He pries your blood hand from your hair to stop harming yourself allowing you to death grip his sleeve as you scream this gutwrenching sound. Joel squeezes you close to his chest as your screams muffle in his coat soon it turns into a heartbreaking whimper. He has to look up to the sky to blink back the burn in his eyes holding you close to him his hand stroking your hair to soothe you.

“It’s okay…I got you,” He says as you tremble in his hold weak sobs and hiccups as you break down. It took a while for your cries to settle down just sniffles fill the clearing, the cold snow seeping into both of your pants a grounding force. Joel pulls back to get a good look at you and you see the pity frown as he takes in your bloodshot eyes, snotty and just out of it from your breakdown. His thumb swipes at your cheek to help rid the stray tears and you don’t even react to it. You don’t flinch at his eye contact unlike your mother, his contact doesn’t send pain throughout your body, your heart doesn’t race, nor does your chest tighten as he holds you. It’s quiet between you too as he helps you to your feet, shrugging his coat off and putting it over your shoulder to stop your shivering. Your stare is endless completely checked out as he rushes to collect your gloves shoving them in his pocket turning and seeing you still standing there. The coat seems to engulf you and he sees little droplets of blood fall from your slack fingers staining the pure snow crimson. Wrapping his arm around your back he begins guiding you out of the clearing to civilization. The other proof something happened would be the stains of blood that litter it. Like a sacrifice was needed to completely let yourself go.

Joel brings you to Rancher Street but instead of the home you’ve been staying at the past month he guides you up the porch steps to the place where it all started. The lights are dim as he guides you to sit on the couch before the still-crackling fire. Footsteps from upstairs and he sees a concerned Ellie coming down the stairs taking in the sight of you unmoving on the couch.

“Ellie get some blankets and a clean rag with water,” Joel says and Ellie rushes off the complete the order. Joel leaves his coat still on you but kneels to untie your boots and you do little to help just a deadweight. Your eyes were almost lifeless the flames of the fireplace flickering in them. Ellie returns with the items before heading off to the kitchen, Joel takes the cloth getting it damp before pushing back some of your hair seeing the scratches you caused, and being gentle to clean them away. You don’t barely react when he accidentally puts pressure on a cut as he cleans the blood and tears from your face. Once your face is clean he goes to work on your bloody hands when their a knock on the door.

“Joel, go I got this,” Ellie says returning with a steaming cup of what looks like hot chocolate, to try and lift your spirits. Joel lets the young girl take over heading to answer the door. There he finds his brother alongside his wife and child.

“Did you find her?” Tommy asks and Joel leads them inside from the cold but not completely in. They can see Ellie speaking softly to you as she cleans your hands but your gaze remains on the flames an exhausted look on your face. “Christ,” Tommy sighs pinching the bridge of his nose and Maria looks over a high wave of emotions seeing you completely shut down.

“Her…her mother…wanted to see know if she would be staying with them,” Tommy asks and Joel immediately feels a rush of anger, “I know it’s a stupid question.”

“Hell no Tommy,” Joel spats, “You think any normal person would react the way she did if they saw their mother and father again? I won’t let that happen.” He points at your lifeless body as Ellie tries offering you the drink but it’s like she’s invisible staring right through her.

“I know that Joel, you think I didn’t see that as well, but that’s her kid. Y/n is their family,” Tommy sighs and Joel scoffs.

“And is she not ours?! Who took care of her all these months? Who let her in their home when she thought she had no one? Who did she cry to and confided to? Us Tommy!” Joel points at himself then at his brother and wife, “Sure I know her mom and we all had our history together, but if my child tears themselves to the point of bleeding at the sight of them I’m not going to stand by.”

“I agree with Joel,” Maria's voice is smooth but a held-back anger in her tone. She holds her son with the protection of a mother and if she could she would be right over by you holding and comforting you. Both Miller brothers are surprised at Maria’s stance and Joel scrutinizes her trying to pick her apart to learn what she knows.

“You know they aren’t going to like this,” Tommy says but the looks on both Maria and Joel’s faces make him sigh. Both of them are willing to die on this hill. “I’ll go let them know that she’s already asleep.” With that, Tommy presses a kiss to his wife’s temple before leaving the home. Joel looks back seeing that you are indeed asleep with Ellie resting her head on the armrests looking over you. Maria rests a hand on Joel’s shoulder as he looks down at his sister-in-law.

“Just take care of her Joel,” Maria says and Joel nods as Maria leaves. Joel comes over to Ellie who looks over you with such genuine concern and care.

“Come on kiddo,” He says offering a hand and pulling the teen to her feet keeping her close to his chest, both drained from the high emotions.

“Will she be alright Joel?” She asks and Joel is silent looking down at you resting on the couch a frown on your face. Even in sleep, you were being tormented.

“She will…come on up to bed,” Joel says and Ellie tiredly listens heading up the stairs as Joel begins putting out the fire. He turns to where you lay lit by the sliver of light from the window and the hallway lights. His hand pushes your hair back making sure you’re comfortable, he doesn’t stop himself from smoothing out the crease between your brows and you seem to settle more a bit of tension released. A flash of Sarah covers your feature and he flinches at the resemblance of his daughter. Why looking at you brought memories of the daughter he lost confused him. There were moments when Ellie acted that reminded him of Sarah but the two of them were nothing alike, while Ellie was loud and brash, Sarah was gentle and soft-spoken This brief moment you look so young and innocent, a child that never got to be a child. You looked like his child.

“No one’s going to hurt you babygirl,” He says as he rises to his feet looking down at his daughter until he blinks and there you lay. He whispers into the air his oath to you.

“I promise.”

Where the Wild Things Are Tags

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If your name is crossed out tumblr won’t let me tag you for some reason. Sorry :(

[kamiana-ruzha]

so, because of what is happening on twitter with opbee currently, i think some things need to be said.

for context: there's a trend "we listen we don't judge" going around social media, which, well, most of the time you're not listened and judged and roasted instead. so someone posted an 'opbee edition', asking of people's opinions on the pairing. at first it's been...more or less okay. but i won't be wrong if i say shit hit the fan rather quickly.

there were words about how disgusting the ship is. how disgusting are the shippers. there were words that the shippers must be investigated. there was a death wish and i think kai agreed with it?

why there was so much hate?

because people see them as father and son. because Bumblebee is infantilised by the fandom. and that is the problem. not the shipping or shippers.

so... let's go over all the facts, okay? calmly. read all of this post please.

1) Father and son

the biggest argument why this is a 'trash ship' is because people *see* them as father and son. yes. *see them*. they're not father and son. there's no canon confirmation of Prime ever adopting Bumblebee, or Bee being blood-related to him. if you google it -- you'll get a wattpad AU! fanfic. they're not canonically related in any way.

why do people see them like that?

as far as i'm aware, it started in g1 and some tfone voice actors said that they see them like that too, but a) i don't have the interview, b) it all grew out of a meme.

and that argument crumbles after a couple questions. what a father would Prime be for sending his alleged son to war? even after his arch nemesis literally yanked his alleged son's throat out, taking his voice away (tfp)? yeah, that's a great father an son relationship, don't you think?

a less... scientific or journalistic or rational, call it what you want, answer, is...daddy issues.

people just see Prime as a father figure and because Bumblebee is infantilised he's seen as his child.

i have daddy issues too, i don't deny it. my father was emotionally unavailable until recently. but to people who say only fatherless ship opbee -- look into your own traumas. please. talk to a therapist and then think twice about telling others something like that.

2) Bumblebee is a child

no he is not. there's no canon info about how old he is. from what I was able to find - he's six millions old. SIX MILLIONS. Optimus is nine millions, and that COMBINING his existence as Orion Pax (4-4,5 mil) and as Optimus (the rest). so, do the math. Bumblebee might be just a little older than him, older than PRIME, but a bit younger than PAX.

the infantilisation of Bumblebee is a huge problem for transformers fandom and the canon itself. no-one takes him seriously. and yes, i agree, he might be in his very late teens or a young adult, but he's not a child, not a toddler, not a middleschooler, not a minor. look at Bayverse Bumblebee. look at War for Cybertron (especially Netflix) Bumblebee. look at Earthspark Bumblebee. even G1 is *not* a child.

think about it. would a child be able to kill Skyquake or any other Decepticon (tfp)? would a child be a mercenary, that avoided war up until it killed cybertron (netflix wfc)? wouldn't a child hesitate when sent through the city that is currently being destroyed and heavily bombarded to tell some guy named 'Optimus' that Zeta Prime is dead (wfc game)?

think about it twice. rewatch anything but animated while watching for "signs of adult personality".

think thrice before saying Bee is a child or child-coded. at most, he's neurodivergent-coded, or just someone who's not really in touch with his emotions (think the rage moments)

3) age gap

there's none. i said about it slightly higher. at most their age gap is three millions old. that is insignificant for beings that are essentially immortal, unless they get sick or killed.

now think of all the mech+human pairings. how come that kind of age gap is normalised?

i'm not saying that to shame the fans of Charlie/Bee or Mirage/Noah or Optimus/Michaela or any other, no. i like those ships. every ship is relevant.

the double standard and hypocrisy is not. it's not okay.

4) all, or anything of listed above makes people uncomfortable

it's okay. your feelings are relevant.

and i, a shoker, don't like opmeg too much. i didn't like that my whole twitter was only them after tfone. you know what i did? i added 'opmeg' and 'megop' into ignored words. and that's all. my soul is at peace.

is it so hard to do the same? let the shippers be. are they hurting you? no. are they hurting anyone else? no. so just use the feature twitter and tumblr have had for a long while and bluesky has too. use it. and ignore the ship if it makes your eyes hurt. spare yourself and spare the people that like the ship.

5) there's no dynamics

no there is. watch fall of cybertron trailer. rethink all "Optimus I'd die for you" and actual deaths.

6) the shippers are sick and other words people say

you know what i read? i read that someone thinks that blocking shippers isn't enough, they want them, they want me dead for shipping and creating content. that i'm weird for shipping opbee. that i'm sick. that i, and others, need to be investigated.

no, no we are not weird. i don't know about everyone, i only know about myself. i have issues. i have trauma, hell, who doesn't? i know it could have been worse, for example, if i stayed in Kyiv after the war began. opbee helps me cope. and it helps not only me.

have you.. actually mindfully, objectively read what is posted under opbee tag? yes there's a lot of valveplug, but have you seen the size difference? the kink is tickled.

but the content shippers make is wholesome, cute and comforting. hell, opbee helped me get over my self halm issues, slightly helped with my anger issues, that's what my first fics of them are about.

any ship might be someone's way to cope. respect it. respect people's feelings. it saddens me that empathy doesn't exist anymore. think what impact your words may have on someone before writing those words. think for a moment more. and think again, would it be worthy? would saying that someone's favourite ship is shit and they're sick for loving it be worthy of someone killing themselves? and i'm not exaggerating -- that happened many times.

if you think it's worth it...just block me, okay? like i blocked many people who asked to block them if you ship opbee.

respect other people. respect their feelings, their ships, their requests.

and don't be a dick.

[rassicas]

Frye is not a Vampire Squid.

It's one thing to headcanon something, but it's another to pass it around a fact, which is why i have to say: Frye is not canonically a vampire squid. This idea originated from a popular twitter thread made at the time of Splatoon 3's direct, and the evidence it's based on is...weak. And yet I still see this info passed around... Yeah I think Frye is just supposed to be a regular Inkling.

the splatoon team has shown us that inklings, like humans, can have a lot of diversity. while our player character models are limited, in-universe its a different story. these are all considered regular inklings. look at the varied eye masks, faces,...they can even have blue skin! So i think that frye is just the splatoon team showing us how more diverse inklings can be.

I made a google drive folder of Inkling hairstyles with a lot of concept art, you can see many diverse examples. To address the other specific points of evidence used:

Long fangs: All Inklings have sharp "teeth"/ beaks. Inkling beak shapes can vary. the last one appears to have a snaggletooth.

Long ears: Ear shapes can vary as well. compare ears of the squid sisters with the player character. Pearl has short ears. hell even the player inkling ears between s2 and s3 are different.

purple fingertips: prior to S3, fingertip coloration was something only seen on octolings, not on inklings. with how her and Shiver can freely change finger tip colors according to their ink, it seems like just a thing inklings and octolings can Do and we just haven't seen much of until now, like how we didn't see much varied hairstyles until s2. Perhaps with how integrated octarian culture is in the splatlands, inklings have caught onto this style as well? Her earrings, the sharp pointy bits in her design: Yes this was used as evidence for the vampire squid thing. That's all eel motifs.

Now the biggest reason she cannot be a vampire squid... vampire squids are NOT squids! They're more closely related to octopuses, but really, they're their own thing (also they're called 'bat octopuses' in japanese... the language the splatoon developers speak. nothing to do with vampires or squids)

With how splatoon's designs have been so far, other species of cephalopods are not guaranteed to look like inklings, especially if not closely related to ink-producing squids and octopuses (and vampire squids are not) Here we have a dumbo octopus (not octoling). also nautiluses. In the case of a species that would be more closely related to the playable species, what seems to be an octoling based on a blue ringed octopus.

Going off this, if the splatoon team were to make a vampire squid character, it most likely wouldn't be a subtle 'inkling/octoling but 2 inches to the left,' For such a unique species, I think they would be pretty explicit about it in the design itself. And considering that they are deepsea creatures that do not produce normal ink, a vampire squid in splatoon might look pretty odd! In conclusion...please stop claiming frye is "supposed to be" or "canonically" a vampire squid, it's a flimsy headcanon based on superficial traits at best and there is zero evidence that was the developer's intent.

(And while I'm here, Pearl is not confirmed a pygmy squid, marie is not confirmed to be a firefly squid, marina is not a webfoot octopus etc. That's fanon based on their japanese names, not canon. As far as we know, the player inklings and inkling idols are all just one species of inkling. inklings and octolings seem to take inspiration from multiple species, but it's not confirmed if they are those species.)

[flutterbyoz]

It's 2024 and still the Rick/Jessie discourse is still making an appearance 🙄

It's something that seems to pop up every now and again and just becomes another excuse for people to voice their dislike for Michonne and Richonne. I get everyone has their own opinion, though many of these opinions have little to no evidence to back them up, but let's just make one thing clear, Rick loves Michonne. He loved her when he met Jessie, he loved her when Jessie cut his hair, he loved her when he and Jessie shared that awkward garage kiss and when he chopped off Jessie's hand. He loved Michonne then and he loves her now, more than life itself. Had Jessie lived he still would have fallen in love and married Michonne.

Some people like to invalidate Richonne anyway they can, even grasping onto crumbs like Jessie, but in the end none of it matters because Jessie was never supposed to be anything more than a plot device, all she did was delay the inevitable. The believability of Rick having feelings for her was dashed pretty quickly given the heart eyes he gave Michonne every time he saw her and I'm sorry but no one can compete against Andy and Danai in the chemistry department.

If you can't see the electric chemistry between Rick and Michonne/Andy and Danai then I do feel a little for you because you're missing out on experiencing what I believe is the best love story to have ever graced the screen.

I do sometimes wonder if I'm watching the same show because the way some people interpret storylines and character interactions can be so polar opposite that it makes me think that they must just be purposefully ignoring the facts just to make it fit their opinion. I'm all for differing opinions but when the facts go completely against those opinions and clearly prove them wrong then it's not so much someone giving an opinion as them just saying whatever just to arouse a response. And yes I know I'm feeding into that with this post but I just needed to say it and sadly I think we all know the reason for most of this dislike and hate towards Michonne and Richonne.

Michonne is not Rick's second choice, she's not his third choice, she's not someone he got with just for the physical side of a relationship or because Jessie and Lori died. Michonne is his first, last and forever choice, the love of his life, the mother of his children, the woman he'd kill and die for, she is his entire world. This has been confirmed multiple times throughout TWD and TOWL, there are no ifs or buts about it, all of this is canon and fact and ignoring it doesn't make it any less true. I always have this thought that if you mentioned Jessie to Rick now it would take him a moment to remember who she was.

This ended up being longer than I thought but when I began writing I just kept going! People will always find a way to disrespect and invalidate Rick and Michonne's relationship, no matter what canon tells them but their negativity changes nothing. They can have as many opinions as they wish but Rick and Michonne will still be married, living happily with their children and being more in love than ever and if we are lucky enough to see them again then that will be shown over and over again.

Forever and always it will be Rick and Michonne

[thefreakandthehair]

we feel a little warmer now.

rating: teen & up | wc: 1.1k | tags: canon-typical injuries, pre-relationship, getting together, fluff, light hurt/comfort | prompt: love is a fire that never goes out @steddielovemonth & a happy birthday gift for @henderdads! title from the woods, by hollow coves.

February in Indiana is still the dead of winter— cornfields are barren, trees sway in the wind without their leaves, and the sky seems to have a sheer layer of grey even on the cloudless days.

Eddie’s always loved winter. The shorter days followed by longer nights, snowy Sundays, watching the smoke from a joint or cigarette dance in the freezing air, and excuses to do donuts in the local abandoned grocery store parking lot. He’s always loved winter, or at least he did until his world shattered at his feet, leaving him with injuries that take ages to heal and scars that leave him perpetually cold.

It’s been difficult to explain, even to the people who’d lived it with him. He can’t fully enjoy winter anymore because the cold seeps into his bones, maybe through the scars, maybe just because of the nerve damage. He’ll never know for sure because Hawkins General doesn’t exactly have a Demobat Specialist on staff so he just keeps it to himself.

Well, mostly. Steve knows.

Hiding anything from Steve has proven impossible. His constant chill, his frustration with the new but still-improving limp, the grief, the guilt, the confusing simultaneous euphoria of survival. The only secret he’s managed to keep is the big fat crush he’s harbored, probably since Steve helped find him in the woods.

Maybe earlier. Maybe since high school. He tries not to think about it too much.

The point is, Steve knows and even if Eddie hasn’t said that it breaks his heart to lose the quiet winter nights smoking on the porch or the hood of his van, Steve figures that out, too.

He must, because Eddie nearly jumps out of his freezing skin when knuckles rap on the front door of his and Wayne’s new trailer. There’s a system these days: check the peep hole, crack the door with the chain still attached to confirm, and only then does Eddie open the door completely. An unfortunate system, but he’s far from the town hero that Steve’s been hailed as, albeit against his will.

Speaking of, through the peep hole, he sees Steve standing on his porch wrapped in what looks like a thick hoodie and winter coat.

“Who goes there?” Eddie asks, cracking the door and peering out with one eye.

“It’s me, you ass. Let me in, I have a surprise.”

The door chain unhooks with a metallic click and Steve enters the trailer like he belongs there.

Because he does, Eddie thinks.

“A surprise? For me? Oh, do tell.”

Steve stands in the living room, a live wire if Eddie’s ever seen one. His hair is a little messy, as though he’s been raking his fingers through it. His nose is pink, complemented by his frosty cheeks, and his eyes are wide and wild.

“If it’s overstepping or whatever, we can pretend I never mentioned it but I know how much you miss winter nights. And I uh, I built a fire pit at my house?” His voice pitches up, as though it’s a question.

“You built a fire pit? Today?”

Steve nods. “Yeah. It was a lot easier than I thought it would be honestly, time consuming but, yeah. I built a fire pit. And I was thinking that maybe with the fire and some blankets and a good jacket— a real winter coat, not just your leather jacket— you might be able to get some of that back.”

Eddie tries his best not to think about Steve lugging brick pavers and forcing them into place, thinking about Eddie and his stupid broken internal thermostat. Wanting to give him back something the Upside Down took. Worrying Eddie would somehow see this as overstepping.

It’s a quick Yes and even quicker drive to Loch Nora, a drive that Eddie’s always found hilarious. How can two neighborhoods exist so close together but feel like different worlds?

The whole way there, Eddie keeps Steve talking. If Steve’s talking, there’s less room for Eddie to spill yet another truth inadvertently, the only one left to spill. Instead, he asks questions about work, and Robin, and if he’s heard from his parents.

(“It sucks,” “she’s great,” “nope”. In that order.)

Pulling into the driveway, Eddie hops out of the car as best he can in one of Wayne’s old winter coats and follows Steve to the backyard. His jaw drops when he sees exactly what Steve’s done. More than a simple circle of bricks, there’s a pit made of concrete blocks in the center of a larger circle filled with wood chips and grey pavers marking the perimeter. Wood logs are already split in a pile off to the side next to two lawn chairs and dear God, Eddie really hopes that Steve bought that already split. He’s still not over him swinging on demobats with his bare hands, and the image of him with an axe is enough to put him down for good.

“C’mon, I’ll get it started,” Steve nudges their shoulders together and walks through the pit to the stack of logs.

Steve gets a roaring fire going, the kind that cracks and burns both red and blue, and passes Eddie an extra blanket. Flames dance beneath the clear sky, speckled with stars that do little to distract him from how unbearably warm he is for the first time in months.

People don’t just do things like this for him, not without expectation or out of obligation. So much of Eddie’s life has felt like a spectrum spanning from pity to transactional with very few exceptions in between.

Then again, Steve feels like an exception to a lot of things.

“Why?” Eddie eventually asks, exhaling a puff of cigarette smoke like a kid seeing his breath.

Steve shrugs and tosses the butt of his own cigarette into the flames. “You lost enough down there, and I know how that feels. If there’s something easy enough to fix, I want to. You deserve that.”

Eddie turns and sees Steve smiling, just a soft upturn of his lips as he looks up at the sky. His face is flushed and Eddie wants to think it’s not from the flames.

“You’re really something, you know that?” Eddie says, scooting his chair over close enough for the arms of their chairs to nearly touch.

Steve looks back from the sky to Eddie, long lashes and the scar on his neck on full display.

“That a good thing?”

Eddie nods. “Oh yeah, definitely. Maybe the best thing.”

They sit outside for hours, eventually sharing a blanket draped around their shoulders and a first kiss that lights him up from the inside.

Eddie’s warm long after the fire burns out.