#and like I said she is bad with emotions

[rds-passerine]

Sierra WHAT?

-🪷

What I do

[sukibenders]

"Rhaenyra isn't the stepmother, she's the mother who stepped up!"

The HOTD writers themselves are hardly doing anything to support that narrative, so I take this rhetoric with a grain of salt. While I think, in some way, Rhaenyra does care for Baela and Rhaena....if I had to point out a motherly figure for them that could pose as someone stepping in Laena's place, Rhaenyra would not be it.

[sergle]

I really truly, from the bottom of my heart, hate you bitches so much, because on the tiktok of literally COCK AND BALL jokes w brittany broski, there were a few notes/messages like this:

And I KNOW you don't think anyone's going to check. You had someone go into your askbox and say "hiii brittany broski is shitty about palestine she's really ignorant :/" and you went oh omg I didn't know!! thanks for telling me! So I checked! This is in reference to her talking in her podcast, because people were asking why she hadn't done any big press statements about Palestine, you didn't retweet this or that, you must not care, don't you care, what's your stance, etc etc please say more OKAY COOL. So what's going on there? What did Brittany say on her podcast? Is she a Bad Person? Can I have some transcript, please? ____ "Hey guys, before we get into this week's episode, I want to talk to you about the ongoing and prolonged suffering and loss of life in Gaza, in Israel, and the oppression of Palestinian people widespread. I don't ever want it to be a question that I would ever not be against the oppression of any group of people, that I would ever stand on the side of the oppressor." "There was a lot of fear of misusing my platform." ... "I will admit that I was nervous to talk about it, because I don't want to say the wrong thing. And this is too fucking serious of an issue to misspeak, or to spread misinformation, or to speak over or for someone." ... "So I want to take a moment on my biggest platform- which is this podcast, to say that I stand with the people of Palestine, I stand for the liberation of Palestinian people." ... "Every day, to log on to social media, and be just inundated with graphic, unimaginable violence, and loss, and grief, it's just--There are no words." ... "And I feel helpless. That's part of it too, when you feel helpless, the last thing you want to do is talk to people about it-- but visibility is a resource in and of itself. And I can offer that." ... "The outpouring of rage and passion online, and anger at what's happening, I would argue needs to be dedicated and focused on our elected officials. We live in a democracy- albeit an inherently flawed one- we live in a democracy where we have elected officials who were elected and put in power to represent us, and if we feel misrepresented, if we feel underrepresented in foreign affairs? These officials have public phone numbers and emails. There are scripts available online to express your disdain and your rage, and unfortunately that's one of the only ways we'll see actionable change."   "If you expected more from me, it's a terrible feeling- but I don't want to center myself, this needs to be all eyes on Palestine right now, where the real activism is happening. I would encourage you to follow journalists that are on the ground, people who are in Gaza, we need to be listening to them. I would also hope that we're at a point in this conversation where I can express my desire to stand in solidarity with the people of Palestine and that NOT meaning or suggesting or condoning anti-Semitism of any kind. There's a rise of anti-Semitism and islamophobia in the United States and it's just-- it's disgusting, and it's scary, so I want that to be said too. I just wanted to share that I am experiencing part of this collective sense of helplessness and hopelessness-- but it DOESN'T HAVE to be hopeless. I'm going to include a phone number in the description of this episode where, if you don't know the name of your senators or your Congressman, it's never too late to learn, and you can reach out to them." _______ Hm. What a bitch!! Yeah, just so ignorant and uncaring. Obviously she's not keeping up with anything. Should've retweeted more shit ig!

[bacchuschucklefuck]

love thinking kipperlilly spends her afterlife looking for lucy in a familiar forest

[princema-k]

i would actually love to hear your thoughts on when layton would emote the ways you've drawn him! if you want! no pressure if not!

OH B OY HERE WE GO!!!!! again take everything with a grain of salt bc i Forgor bits of the series

BLANKET SPOILER FOR UNWOUND FUTURE/MIRACLE MASK MAYBE??/AZRAN LEGACY

(for reference we are talking abt this post)

SURPRISE: As we know in the PL series, it's very very hard to catch the professor off-guard in any way. Most of the things you would think would surprise him, he's already known for a long time and was just keeping quiet about it so that he could use that information at the right time.

With that being said, the times where he does seem to get somewhat surprised (or taken aback. he's so goddamn emotionally constipated) seem to be when the shocker in question has personal relation to him. Though in the series proper, none of the shocking personal factoids are ever presented in a way to make him jump. So theoretically, if any twists like Claire or Descole's reveal were presented much more aggressively, he might emote like how I've drawn him (though I kinda doubt it). Or just jumpscare him lmao

SADNESS: Obviously we know that Layton can feel sadness and cry, though even at the end of Unwound Future it's clear that he's still holding back with his crying. I'd wager that it's because he's out in public and around an impressionable individual (Luke) that he's not letting himself fully express his grief. After all, a true gentleman never makes a scene in public.

I'd say, if he were to cry like the way I've drawn him (that is, bawling his eyes out), it'd probably be at the end of UF when Luke leaves for America, and he'd have to be alone. And I mean completely alone. He'd be very careful about having anyone even remotely near him before he breaks down sobbing; he'd wait for Luke to go home, and wait a while to make sure that he hears no other footsteps around who could potentially walk in on him, before crying. And even then, he'd still repress it - trying to choke back sobs to make sure he isn't heard, pulling the brim of his hat over his eyes and covering his eyes with his hand, the works. Because sadness/crying is weakness to him, and a true gentleman can never show weakness.

ANGER: Frankly, I feel like this is one of the emotions I've drawn that I actually could see him showing in the series proper. We've seen him in Unwound Future just barely holding back his anger at Clive when he endangered Flora/started wrecking havoc on London (obviously still restrained- yadda yadda yadda "true gentleman" blah blah blah).

To get him to unrestrain it, I'd say you would have to put a lot of people he cares about (particularly his wards - Luke and Flora would likely be excellent choices) in direct danger, as well as taunt him to a personal degree enough times. Because even the Professor has limits to how much mental strain he can take, and all limits can be broken. It's just a matter of pushing the right (or wrong!) buttons on him.

FEAR: This one's tough I think. As an adult who's seen a lot (including his own death), it's pretty hard to find something that would really scare him to that degree. Throughout the series the most he seems to show in terms of fear is either: a) surprise that he quickly recovers from, or b) the end of Unwound Future when he realizes that Claire can't stay with him.

I say that theoretically (and REALLY emphasize on the "theoretically"), you might be able to get him to emote the way I've drawn him... if you subject him to anything akin to his recently unrepressed memories of his childhood, and he's rendered helpless to do anything to help but watch. But like I said, only theoretically. I'd wager that he'd probably just be angry too.

LAUGHTER: ...I honestly have no good clue to how or when he'd emote like this. For him to laugh so heartily, he'd have to be in a state of extreme emotional vulnerability, which isn't often.

I'd say it'd be at a time where he's feeling very relieved, or elated (and they'd both have to be situations that connect to him personally too; outside events won't phase him). How he'd laugh to such an extent I'm not actually sure, BUT I could paint a bit of a scenario: It's the end of UF, but Claire could actually stay without dying, and she makes a sort of lighthearted joke in light of the events. Would he laugh wholeheartedly? I dunno. But judging on what we've seen of him, it's a maybe.

It's a shame we never get to see him emote so colourfully in the hexalogy proper, but as I've stated before in another long-winded half-legible ramble character analysis, he's SEVERELY repressing his emotions due to Claire's last words/"gentleman" values/positive reinforcements from his peers and environments for successfully hiding his emotions. Poor guy.

[saturnniidae]

Sorry for all the yapping but truly, hiccstrid and just Astrid as a character, are a tragedy with their wasted potential.

Astrid and Hiccup's similarities are like never brought up, neither are the overlaps in their hobbies (they're both incredibly stubborn and protectors at heart, care deeply for their community but don't always know how to show it, astrid collects weapons, hiccup makes them, they're both artists in their own rights, etc).

In canon they have barely anything in common and are together for seemingly no reason other than Hiccup's childhood crush.

Their dynamic throughout the franchise is just consistently Hiccup continously fucking up or being unsure of himself and Astrid giving him a Motovational Speech to make him feel better, very rarely (if at all) do we see this in reverse.

Astrid exists to uplift Hiccup and nothing more. She isn't her own person she isn't allowed to exist outside of him. We barely see her interacting with the other riders beyond surface level of her 'putting up with' them despite the literal crumbs we're shown of their bonds.

(wasted potential of Ruff and Astrid friendship, the way there was a whole episode about her learning to work with Tuff and they just forgot about it immediately after, hints of her being close with Fishlegs, her dynamic with Snotlout)

In rtte especially she comes off as so mean for no reason towards people who are meant to be her friends (Hiccup very much suffers from this too 💀) or ignoring the words and ideas of anyone that isn't Hiccup.

It's honestly frustrating how at a glance, Astrid is seen by many as some kind of feminist icon for being able to fight. She is such a byproduct of that whole 'girl power' era in the 2010s where they were so afraid of getting in trouble for making women seem weak, they went for the reverse extreme by making her seem cold and unfeeling or just angry for no reason (past the first movie at least) towards everyone but her love interest.

[whiskey-tango-matcha]

not to brag, but my therapist told me today that i did incredible during our emdr session, which means i get an A for the day in therapy, something that is both normal to want and possible to achieve 🙂‍↕️😌

[perenlop]

havent seen this take in a while thankfully but it popped up in my head and i wanna post this anyways. i think everyone who talks about how siffrin “got off too easy” at the end of isat and his friends should have abandoned him should go read warrior cats if they want an example of a character using their trauma as their god-given jailbreak card to treat their family and peers (a good amount of whom who were completely innocent) like dogshit, and who faces zero consequences from the narrative for it (and in fact bends over to blame their peers). like read all the shit jayfeather does while the narrative sobs over how tragic but awesome and quirky he is and then look me in the eye and tell me siffrin’s ending was poorly written.

[animentality]

I know it's a fact of life and all, but it does give me the heebie jeebies, knowing there's someone out there whose job is to masturbate male pigs so they can ship off semen to artificially inseminate sows.

Like I get it... it's just...like...business, circle of life, this is how the meat industry is efficient in how it breeds livestock, but...

I'm trying to imagine someone whose job it is to masturbate a caged pig, and it's like...

Hm.

I hope they pay them...something good.

Also I wonder if like...female pigs ever feel super weird about being artificially inseminated.

Like they know it's not natural.

I assume.

And then I think, well, what about the male pigs?

They probably know it's not natural either, being jerked off in a cage by some human.

What is going through their heads during all this...

[mylittleredgirl]

as someone with lifelong chronic illnesses that have bailed me out of some awkward situations in my time, sometimes i feel the need to be like hey universe!!!! listen up!!!! i do NOT want to be rescued from this scenario by getting sick!!!! i mean you know i'll always be grateful for that one time with the midterms, i understand you're trying to be on my side here when you hit the eject button using a whole stick of dynamite, BUT NOT THIS TIME!! I APPRECIATE THE THOUGHT BUT I'M GOOD!!

[bumblingbabooshka]

TOS-Era Michael Burnham

[hallwyeoo]

Ellie’s memory of the golfing scene and what it tells us about her.

🚨spoilers for tlou2🚨

I think Ellie’s flashback to Joel’s death is very telling of how she internalized the event and the meaning she applied to his death. It’s also a good demonstration of her relationship to autonomy. Let’s break down the elements that were inconsistent with the actual event:

The stairs/hallway are much longer than they were. This suggests a sense of helplessness, an inability to get there fast enough. Joel is constantly out of reach.

There is blood on the floor outside of the door. Not entirely certain on this one but my hunch is that she blames herself for not seeing more obvious signs of violence/not knowing something was wrong sooner.

The door is locked, another roadblock in her path to Joel. She can’t access him, she can’t help, he needs her and she isn’t there.

Most importantly. Joel yells “Ellie, help me” (which he didn’t in the actual scene, he just screams. He doesn’t say a word in the actual scene)

Ellie hearing Joel scream for her help, calling for her while being horribly beaten, and her being repeatedly impeded on her way to him suggests that what she took away from his death is that she wasn’t enough. They always helped each other, always had each others backs, always got up. Ellie views his death as a failure. She was too slow, too weak, not smart enough to save him. She failed him when he needed her most. She is absolutely helpless to save him, just like she was helpless to save Riley, Tess, Sam, and Jessie (and Marlene, and humanity, and and and-).

Once again, Ellie makes a decision (staying with Riley, going to the fireflies, staying with Joel, being the cure, trying to forgive Joel) and once again her autonomy and ability to find closure is ripped from her.

This is the inciting incident of tlou pt2, this is the moment where Ellie’s whole world shatters the same way Joel’s did at the start of pt1. Ellie enters into the same cycle (which I like to call the “Joel cycle” because… yeah.) that he did, and throughout pt2 she stays in the “20 years later” phase of the cycle. She is changed, she has lost her light, lost what she fought for. She lost her chance to genuinely forgive Joel and rebuild their relationship. She is stuck in a gruelling and violent world that she has no anchor in, at least not anymore. His death is so sudden and so incredibly violent that it practically gave her (and me as well, tbh) whiplash. She’s in a state of total shock.

On another devastating note, this is one of the three times in tlou that we see Ellie beg (that I remember). The first is begging Joel to get up at the university of Eastern Colorado, the second is begging him to get up and for Abby to stop, and the third is begging Abby to not kill Dina because she’s pregnant. (Two times she begs Joel to get up, one time he doesn’t. Two times she begs Abby to spare her family and one time she does. What a beautifully haunting contrast)

To wrap up, every person creates an internal narrative, a story of their life that is crafted from their context and lived experiences. The meaning we derive from those experiences doesn’t always reflect the truth, and that can sometimes bite us in the ass majorly when we experience a traumatic event. We tend to want to find someone or something to assign blame to, some reason or rationale to why it happened. We tell stories. We write them in our minds about ourselves and what happens to us and what that says about us.

But Ellie is wrong. Joel’s death happened in response to a conscious and willing choice he made. It is in no way her fault, and there was absolutely no way for her to know or to stop what was happening. I think Ellie knows that much on an intellectual level, It just doesn’t change how devastated she is over the whole event. It can’t change the fact that she FEELS as though this was all her fault, that Joel did what he did to save her, that she could have saved him. That she should have.

[beartes22]

Super angry at arc 3 of arcane btw. They rushed to close everything up and it shows

[screechingfromthevoid]

I know I'm totes missing something about Vax and his whole deal (I haven't watched the original campaign & I'm like half way through LoVM)

But I thought the implication of Keyleth having a perch for the ravens was that those ravens ARE Vax? I have been thinking this entire time Keyleth hasn't gotten over Vax because he was actively visiting her. But the only way he could get away and see her is to be a raven.

Idk this shit sucks I hope this night lasts forever

[starbuck]

me: hey, so i feel like you maybe disregarded my saying that caretaking on top of work and school and pre-planned travel is a lot for me right now and i’m not comfortable with all of that pressure being on me alone when i wanna make sure you guys have everything you need when i’m not around…

my family: of COURSE we heard you, that’s why we started doing a bunch of things by ourselves at great cost to our physical well-being instead of asking you for help!!!!!!

me:

[crybaby-bkg]

Dabi is surprisingly a lightweight. You honestly would’ve never figured by looking at him, but as you think back on it, you’ve never really seen him drink a lot. Not when there were celebratory parties, or when things didn’t go right for him. It’s why you’re so shocked when you convince two shots into his system, why he suddenly looks so loose, why his grin splits so wide.

He’s a clinger, you’ve also learned as you’ve started observing the blue eyed man where he shoves his face into the crook of your neck. His body bends over almost uncomfortably to fit into the position, and you can’t help but flinch a little when his damp breath blows a quiet little raspberry on your flesh.

omg wait my favorite thought is of you not even necessarily being a heavyweight, you can just handle your liquor a little better than anyone expects. you love to knock back drink after drink, convince Dabi into some stupid competition that he falls for because he’s such a little nerd and secretly wants to impress you. he does it thinking you’ll be the drunk one first, the one hanging off of his arm and hopefully his dick by the end of the night.

it belatedly shocks him when it’s the exact opposite. when he’s slurring a little and smiling at you, when you watch him through low eyes with a wide grin, when he wraps himself around you like a python, when you shake his face gently as you squish his cheeks together in hand. he’s just so utterly obsessed with you in these moments, and maybe it’s the liquor in him, but he knows his lowered inhibitions are only bringing forth the feelings he’s always suppressed.

drunk sex with Dabi where he’s the one too loose limbed and limp and weak. he flops onto bed like some rag doll with his arms and legs spread wide, but he musters up enough strength to release the heavy weight of his cock from its confinements. doesn’t do much besides lift his head from the pillows with a point to his crotch and a lazy grin, an announcement of, go ahead and hop on already before he’s flopping back down again, ready to lay back and get fucked like how he knows he deserves.