#and kinda needs the scene after too but

[lover-of-mine]

The way I'm debating posting for fuck it Friday one of Buck's monologues that had me crying on my keyboard so hard I had to stop writing kspakpakapakapaka

[xxplastic-cubexx]

welcome back to my accidental newfound journey to redraw every frame from this movie i GUESS

[fraternum-momentum]

Heya Fran! Have you ever played or heard of the game "The kid at the back?". If not, I think that you'd like it! :D

Hope you're having a good day! :3

i havent played the latest update yet but i have some doodles from when i played it a while back

(i hope you're having a good day too !!)

[roots-symphony]

do you think the reason agatha’s trial felt weird is because she was the only one who did not actually buy into the mythos of the road since she knew the truth? like that was why no perspective change and all the other reasons why people thought it was a fake trial

[spacebagfullofstars]

Honda Oddysey Scene but in Evolution

This is a snippet of my X Men Evolution Deadpool AU that's been on my mind lately. Inspired by the most talked about scene in Deadpool and Wolverine

It was hard to tell when exactly the night rolled around. It was still dawn when they arrived in San Francisco and they haven't left their beaten up meat truck since.

Wolverine was still driving without any kind of direction. His mask was on, but his frown was visible through it. Deadpool, driving shot gun, seemed to had completely dissociated himself from his surroundings. He was switching between radio stations and trying to find the right music. The mutant, unfortunately, had to suffer through each song whenever the other man changed his mind. Currently, they were listening to Cher's 'If I Could Turn Back Time'.

A few seconds passed. Another switch, they were listening to 'War' by Edwin Starr.

Another few seconds. 'Shake your Groove Thing' by Peaches and Herb.

Another few seconds. 'Sugar, Sugar' by the Archies.

Before another few seconds passed, Wolverine reached out and turned off the radio, momentarily returning his attention on the road. The lack of eye contact and how quickly it happened made it come off as passive-aggresive.

"I was listening to that." Deadpool said, in all his audacity. Logan didn't give him the luxury of response. The mercenary tried to focus on the window, but without the background noise, his need to open his mouth grew stronger.

"I was going to give you half of the cut, you know." He said after a second, looking at Wolverine, who still refused to give him time of a day. "I'd never make it not worth your time. Think whatever you want of me, I treat my business partners with respect."

"You lied to me." Logan suddenly growled. Somehow, he sounded even more angry than usual.

"Strike two, ferret man." Deadpool said, making a peace sign at him. "I said that I needed your help, and I said that the old Hydra base could be of interest to you. Not my fault they didn't have any info on your past. That didn't count as lying, I just didn't tell the whole truth."

The mutant snarled, making Deadpool jump. He saw him gripping the wheel, which he was sure would leave a few dents. Not that he planned on returning the vehicle at that point.

"What? Tell me honestly, would you help me if I came up to you and said: 'Hey, Wolvie! Some rich weirdo paid me to go and steal something from this place that looks like a horror rip-off of Area 51! Also, did I mention that this place is full of freaky water tanks? Also also, did you know that apparently, our healing factor isn't immune to drowning?'"

"Would've been nice knowin' that before you waltzed right into a trap." Logan retorted through gritted teeth.

"You've had your healing factor longer than I have." Wade said, leaning against his seat and crossing his arms. "That one's just on you."

And just like that, Wolverine's buttons were pushed. Without any warning, he made a sharp turn. Deadpool regretted not tightening his seatbelt when he had the chance as he crashed onto the door next to his seat. The truck fell off the road and down the hill. It was far from a pleasant experience, but thankfully, it survived to tell the tale. It landed on a beach right under their road. It was empty, so the mutant parked on its sand.

As soon as the vehicle stopped, he swung and punched Wade in the face. The mercenary screamed, hiding it in his hands. He was lucky that he wore his red mask because he was pretty sure Logan broke his nose.

"Dude-!" Wade shouted. Before he fully recovered, he felt a strong grip on his neck. Now that Logan wasn't focusing on the road, all of his rage was directed at him.

"You want an apology? Fine, I'm sorry!" The mercenary managed, holding onto the hand crushing his neck. "If I knew you'd be so mad, I'd ask that brute Sabertooth to come!"

Logan roared as he slammed him against the back of the seat.

"You lied to me! You wasted my time! And because of you, we're bein' hunted down like animals!" The mutant's voice was barely there with all those grunts.

"I didn't lie!-"

"Yes, you did! You used my lost memories against me! You knew how much it meant to me to regain them and you still manipulated me into doin' your dirty work! You used me as a weapon, just like everyone else!"

"... Oh, boo-freaking-hoo!" Deadpool frowned, growing more defensive. That shift caught Wolverine off guard. "Little Wolverine can't remember his first day in new school! Guess what, jerk, I don't remember much after my experimentation either! But I don't let that hold me back! Here are some hard pills to swallow: You're so desperate to know your past that you let me of all people make a monkey out of you! Me! Keep trusting the wrong guys and soon you won't even have a future to look forward to!"

After he finished, he looked back at Wolverine. He was staring at him with this empty look that freaked him out even more than the angry snarl. Suddenly, he let him go and Wade fell back on his seat. He coughed and massaged his neck.

"Look, Wolv. I'm sorry." He tried, because he couldn't handle seeing him like this anymore. "Really, I am. But take it from me, maybe it's better to just forget... No hard feelings?..."

He didn't know yet that he said too much. Wolverine was silent for a few more moments. Then, he wheezed. The mutant threw his back against the seat, and running his hand up his scalp, he succumbed to his laughter. It wasn't a pleasant sound at all. It was strained, almost hysterical, and obviously provoked more by his fury than actual amusement. Still, it was the first time Deadpool actually made him laugh.

"Oh wow!... " The mercenary said through his nervous chuckle that was muted by Wolverine. "So that's how you laugh! Just as terrifying as the rest of you!... I didn't say any joke yet, though."

"You didn't have to." Logan sighed deeply, partially regaining his posture. The next look he gave Wade was entirely venomous.

"You are the biggest joke I've ever seen! There hasn't been as much of an audacious, or insecure, or callous stain on humanity than this manchild I have the displeasure of sittin' right next to! You're good for nothin' but spreadin' mysery everywhere you go! You ain't got no morals, no friends, and you make it everyone's problem, 'cause you can't ever accept the fact that your actions have consequences!" Logan paused to catch his breath. Deadpool visibly shrinked in his own seat. Suddenly, the mutant's claws came out and he shoved them to the back of the truck, scraping its surface in a long line.

"Oh, how I wish I pushed you off that cliff first time we've met! Maybe that would've gotten the message through your dense skull, just how much I want to see you set on fire! Hate doesn't even begin to describe what I'm feelin' towards you! Ain't no wonder why that blue woman you keep yappin' about hasn't come back to you yet! You have to make up an imaginary girlfriend to protect your delicate feelin's from the fact that nobody will ever want you! How 'bout this hard pill to swallow: The doctors that tortured you didn't ruin your life! You did! You have to act like an obnoxious clown, otherwise no one would ever give you the attention you're so obviously cravin'! I can't wait for the day when you'll wake up and realise that you'll be spendin' the rest of eternity alone, and you can thank only yourself for that! But that's just wishful thinkin', 'cause you're-" His claws pulled back and he slammed his fist against the marked metal.

"-too-" Slam!

"-stupid-" Slam!

"-to think of anythin' outside of your own bubble of insanity!" SLAM! The wall bended and partially fell apart, just enough for them to see the inside of their cargo.

At long last came the silence. Logan used his hand to support himself from collapsing. He panted and bared his teeth at the mercenary who grew concerningly quiet. Not for Logan, though.

"No more jokes, bub?" He leaned closer and sneered, not being able to resist one last jab. "Come on, give me a real tear-jerker. I'm feelin' like laughin' for a change."

He looked directly into Deadpool's eyes. All he saw in them were two empty voids. The mutant settled back on his seat and tried to catch his breath. A second later and he would've regretted some of the things he said.

"... Take it back." Deadpool murmured softly. Had it not been for Wolverine's super hearing, he would've missed it.

"You don't know when to quit, do you?" The mutant snorted loudly. It was his own enjoyment of seeing the mercenary be put in his place that led him to lower his guard. Before he knew, Wade grabbed the back of his head, painfully gripping a handful of hair and hood.

"I said take it back!" He roared with the anger he never let anyone see. Without any warning, he slammed Wolverine's head against the front of the car. Then he did it again and on his third time he accidentally turned on the radio.

'Why Can't We Be Friends?' by War started playing.

Slam!

'Express Yourself' by Madonna.

Slam!

'You're the One That I Want' from the musical Grease.

"Why you little-!" Wolverine wouldn't take it any longer. He grabbed onto whatever he could and prevented Deadpool from slamming his head again. He pulled out his claws and jammed them into the other's right shoulder. Wade cried out. Using the moment of distraction, the mutant freed himself. Then, he grabbed Wade's head, pulled him close, and then slammed his head against the radio. This time it played 'Don't Go Breaking My Heart' by Elton John and Kiki Dee.

Despite being a taller man, Deadpool had to trouble slipping into a different position in his limited space. He kicked Logan onto the door, breaking the window and leaving a huge dent. The mutant growled, glaring back at him with pure fire in his eyes. Deadpool tried to throw a hit, but Logan caught his fist and then repeatedly punched him in the face. Wade dodged and a hit full of claws meant for him punctured the already beat down back of the truck.

The mercenary used this for his advantage. He managed to grab Logan by the shoulders and then threw him in order to take down the rest of the space separating them from the cargo. They both fell into the cold, smelly abyss where they could barely see each other. Not that it would stop them.

[liquidstar]

a friend who'd wait :)

[cassmouse]

My attitude towards Shauna this season so complicated but she really got that Iago thing going on where she's doing the most horrific things imaginable but you literally can't help but want her to do worse because it's making the show really REALLY interesting

[aro-aizawa]

me: its been a while since i last wrote anything i should really get my ass in gear i've got like maybs 2 chapters until im done w the current arc....

my muse: lol write your not-posted wip instead

me: wait

my muse: this wip is now 25k words and you won't be able to post it for at least 25k words more

me: wait please

my muse: have fun!!!!

[movielosophy]

You'll never walk alone

[hellafluff]

Currently obsessively thinking about a silent hill from Mary's perspective. Starting in the hospital, the nurses replaced with doctors, faces blacked out except for white shiny gnashing teeth. She only has in her pockets a note written on hotel stationary that says I'm Sorry.

Escaping and meeting a young man, cute and a lil awkward, who says you look a lot like his girlfriend Maria, and shes missing too? Can we look for her together?

Hes... sweet, a bit quiet. He gets very close to Mary often, pushes her boundaries, but this is all weird and strange and maybe hes just scared. When she mentions it, however, he makes a rude remark abt Just Wanting To Help Her but backs off.

They get seperated when the Red Pyramid Thing, unchanged in this version, comes and attacks them both, but chooses to persue him.

Laura is still there, and when Mary and her meet they cling together. She talks about an awful, ugly man she met earlier, and to watch out for him. She helps guide Mary through a maze like area before the Other World sets in and separates them.

The monsters in Mary's Silent Hill are almost all larger then her, and many masculine in appearance. They attack her head, try and choke her. Certain ones cough and gasp, arms thrashing wildly and thrashing on the floor when knocked down. Some seems to have exposed, black lungs that stutter to breathe. If Angela and Eddie are the same in this version, then their boss fights remain the same. The Abstract Daddy just as horrifying to Mary as it is to Angela.

Every reunion with the man, hes different. Less nice, more haunted looking. He starts to call her Maria, and barely acknowledges her if she corrects him. Following his advice leads to darker and more dangerous areas. The Red Pyramid keeps coming and chasing him away, but shes always collateral damage when that happens.

Eventually, she makes it to the hotel. Hes waiting for her in the hotel room, haggard, almost unrecognizable from the man he was when they first met. He has a monologue about how she's been sick, and hes been trying his best to be there for her. She doesnt understand, she doesnt know him, shes NOT Maria! She never will be. She starts coughing.

He makes to leave but at the last second turns, and hes a monster now. Large, fleshy, imposing, always trying to suffocate her under thick hands. Upon his defeat, two Red Pyramids arrive and stab at the dying thing over and over until finally impaling themselves.

There are different endings still. She remembers her disease, and her murder, in most of them. In the best ending she leaves the town with Laura, likely still ill, but alive again. In one of the worst, she wakes up in the trunk of a car, as water begins seeping in.

[galacticlamps]

actually ascension needs its own post since that's the one with the most details to speculate over and im starved for soho talk so i will talk to myself if need be

First the cover again, because I kinda can't get over it:

my only thing is that I had been hoping we might get Lizbeth on a cover again since she's never been on one of the boxsets before, despite being the 2nd person credited on all 4 of them (even if that's just alphabetical, still, she's the only one of the four main characters who never makes the cover)

But letting that go...

I know we already kinda knew the brief for this one but damn I didn't expect it to go quite this hard. Maybe that's just because the Parasite & Ashenden covers were (comparatively) similarish to each other and I was so pleased with Unbegotten's, and then got so used to it as the placeholder for Ascension while they kept postponing it, I wasn't expecting anything this colorful or detailed or with what I can't help but register as Fun New Outfits even though these are still like, pretty damn basic as far as costumes go. Still, it's a different vibe from everyone in suits and trenchcoats on every cover, technically. (Oh the woes of being an audio fan such that two characters owning sweaters actually does qualify as new information)

On top of just being visually delightful though, I know we knew religion was gonna be a fairly big part of this one, but I didn't actually expect to get quite this much of it - though I'm glad of it for a number of reasons. The BF twitter already made the ineffable joke so I don't have to, but also yeah I did very much spend all of season 2 episode 4 of good omens half convinced Samuel Barnett & Dervla Kirwan were about to pop up around any given corner (if you will go around being gay supernatural and horrible at your messy bureaucratic jobs in midcentury soho then I'm sorry, this is where my brain's gonna go) - so, fuel to that fire. But in terms of actual important things, at least one of my Soho wishes looks to be being granted because we have a Rev Edward Folgate on the cast list, which must mean we're finally meeting Norton's father, even if his mother & brother don't appear (which they could, technically, I've definitely seen BF not list all the doublings on their cast tabs before). Religion, domesticity, and the nuclear family are all things that absolutely fascinate me when it comes to Norton's character, so getting any amount of story involving his father & his church is something I've been actively hoping for for a long time now.

(I will say I'm a tiny bit bummed Saffron Coomber isn't on the cast list to play Mia again, but I kinda figured she wasn't going to be since Greg Austin's Armitage, who's making his first recurring appearance after originating in Unbegotten, was listed ever since the boxset was announced - presumably if she was also returning, that would've been handled in the same way. But since Unbegotten ended with Lizbeth and Mia going on a date, I still held out hope. Who knows though, maybe things did go well for them and Lizbeth just has a better work/life balance than Norton so she can date someone without them getting dragged into every scifi plot. I know that's not a very common accomplishment for any Torchwood agent, but a gal can hope)

At this point I know I'm completely in the realm of speculation & even wishful thinking, but I'm really really hoping we get some more clues as to Norton's overall timeline in this one, and I have a feeling that even if there's nothing as direct as dates given, the events of a plot like this one are going to heavily influence my personal interpretation of it.

To say that life & death are major themes for the soho crew feels wildly reductive, but even by Torchwood's standards and taking into account its origins as a piece of media with Jack Harkness & his newfound immortality at the heart of it, the living/dead status of this bunch has always been fantastically up in the air to me. Obviously Ghost Mission introduced Norton as kind of a ghost before revealing more obvious ghostly characters later on to which the title might have been referring, but his being from the past did beg the question of his survival into Torchwood's present era all the same, which Outbreak later alludes to much more directly, and his habit of showing up via hologram in multiple stories only further obfuscates any certainty we might have about where & when he definitely can be said to be alive and well. Then you've got Lizbeth and Gideon both being effectively 'brought back to life' via paradoxes that prevented them ever having died in the first place. Again, they are very very far from being the only Torcwhood characters this happens to (for a sprawling EU, it's really rather impressive how often & in how many different ways Torchwood as a whole manages to circle back to being about like. chaotic undead queers at the end of every day. though I suppose that consistency is part of why I keep falling in love with its different iterations again and again). That's without even getting into the question of Norton's dubious fate in God Among Us - and I say dubious because I know some people take that to be his ultimate death, but I personally think that reading something as vague as that as having any kind of finality rather goes against the spirit of this whole world/series, not just because I want him to live. (There are obviously other ways to make him survive/reappear, but I don't see this as a River Song scenario where we can safely assume one of his earlier-released adventures had to happen at the end of his personal timeline). But wherever God Among Us falls for him, he does very much meet God in it - or at least, a god, since the sentinel in Unbegotten is also described as a god of sorts, and even if he doesn't ultimately have the status of the god Jacqueline King is playing there, Unbegotten is still full to bursting with ghosts/undead/came back wrong/echo characters to continue underscoring that life/afterlife theme.

So all things considered, even allowing for the fact that we know Norton's twin hobbies are lying about himself and abusing time travel to suit his own ends/ever-shifting alliances, I find it difficult to believe we could get through a whole 6-part boxset about religion & death without something providing some kind of compelling evidence about where this adventure fits in among his other run-ins with apocalypses and gods and ghosts and dead-but-still-here characters/creatures, so I'm very much looking forward to any further exploration on that front.

And lastly, and least intellectually, I really want to know what the hell 20th-century Torchwood's obsession with Reginalds is. Reading through the cast list, I had to do two separate doubletakes over the character 'Sir Reginald Peebles' - firstly, because I had Reginald Rigsby on the brain, this being Soho (and the other Troughton brother being so active on BF's releases for this same month) - and secondly, because reading this in conjunction with the announcement for the July monthly adventure in which the new main Torchwood guy of the 20s is apparently called Sir Reginald Dellafield, there was a brief moment where I took that monthly release to be a tie-in with Ascension. I don't expect it to be, but damn. was it really so popular a name?

anyways, catch me thinking about those stained glass windows for the next couple months I guess (and knowing Torchwood Soho, for a long long time after it comes out as well lol)

[iamthepulta]

Spent the evening rereading Chapter 27 because I just wanted hardcore fluff and the three of my beloved OC children did indeed deliver.

[larkwinged]

planned out the rest of the outline for TATT last night and u guys r truly in for a treat >:))

[microwavetoaster-selfships]

Just now realized I wonder if Leland's last name has subconsciously been influencing my opinion of him. I mean, most the Cars characters have last names that are puns in some capacity or some sort of trait(I mean we literally have Finn. McMissile. Over here.) But Leland is just. Leland Turbo. Finn's last name is important to his caricature(er- his weaponry at least), Rod's last name is Redline, which is related to the type of car he is but also I think a bit of his personality as well, I wonder what Leland's is about.

Though, alternatively, this also simultaneously makes me even more curious about Grem and Acer, cause I understand they are technically villain thugs who's most of their role is sort of reduced to "reoccurring bad-guys so kids can keep up with knowing who we say you should root against because it's the same guys", veryyy few of the character's don't have full names. And some have full names that just aren't ever used in the movies but they exist. I mean, *every single* racer in every movie has a full nams, and all the ones from the first Cars movie(and a couple future ones) have backgrounds as well. And I mean every little background racer that you see on the track for five seconds. They got a full name. So it's interesting that Grem and Acer are just lackies that don't have one. I could maybe drag Professor Z into this but for some reason it feels more understandable to have a revealed last name and not a first name, and he's.. Zündapp. Then again. Grem and Acer are wanted in about every continent, so it probably isn't too far fetched if these are just nicknames that they sort of built up into aliases.

I may or may not have done another thing of the tags were supposed to be two sentences but now they've turned into two paragraphs again.

[writerbits]

Doing editing practice on a scene were a character gets too wound up and snaps and it's funny cause this guy just jumps between mildly annoyed and completely insenced since I haven't written enough of it out to start picking at little things like pacing so I keep making him too angry to escalate and then realize I have to escalate for plot reasons so I just pretend he wasn't that angry