#and just adore this new song so much

[dragonfruitghosts]

You know where to find me And I know where to look

So I may or may not be spinning these two in my brain at high speeds, focusing a bit too much on these silly fellas (to the point where I have a silly little fanfic idea for them)

Also TV Girl reference because I love Taking What’s Not Yours

[kyouka-supremacy]

Average bsd anime watching experience

[livelovecaliforniadreams]

[lock-my-feelings-in-a-jar]

Russ Ballard producing Daltrey's album

1975 Interview

Russ Ballard has something special. Call it professionalism, the sure touch, luck, talent, a mixture of the lot if you like, but everything he's involved in seems to turn out pretty good, even when it's something completely new to him, like record producing.

When he was fourteen, he wrote his first song and sold it to The Shadows after having had the sense to demo it after their style. Having mastered the guitar and scored quite a bit of acclaim for his playing, he turned to keyboards and now nobody hearing him play would think he hadn't been brought up on them. Argent reached the height of their success when he was with them, he gave Colin Blunstone a monster hit with I Don't Believe In Miracles and now Ride A Rock Horse is enjoying considerable favour. Its producer? Russ Ballard! The man, wearing his customary shades, exudes an air of quiet confidence. He can afford to. He's well respected as a musician and as a writer and he's now in a position many people could envy. After all, a singer of Daltrey's calibre doesn't call up just anybody and say "How about producing my album?"! What is really surprising is that Roger should ignore all the established record producers in favour of Russ, who has only ever produced one album before in his life and that was the solo one he made after leaving Argent.

How did his new role come about? "Well, I worked with Daltrey on his first album, played a little drums and piano on it, but I didn't produce that one, just put in some ideas. He must have liked them because when he was planning his second, he just asked me if I wanted to do it." Russ explained. In an issue of Beat dated April 1966, Daltrey himself described his voice in pretty disparaging terms. "I don't have a good voice, no-one needs to tell me that. I'm a screamer with a group and I'm happy. I'm not worried about my voice, though, it is developing and I can notice the change." He also added "I'd get a real kick if I could have a proper girl vocal group backing." It's taken nine years, but now he's achieved what he hoped for, a voice which no-one can deny is pretty exceptional, and backing singers led by Marsha Hunt, care of Russ Ballard! "I was involved with everything." said Russ. "Going through songs with him, deciding what musicians should be used, who would be good for this and who for that." For a reluctant producer, who admits that "I'm not really into production, even though it's a creative thing, I'd rather be an artist." Russ had some pretty definite ideas as to his treatment of the album. "I deliberately kept his voice well up because in so many recordings I've heard of Roger, he's been immersed in sound. He's got such a powerful and such a good voice which contains many aspects that people haven't heard before. What I set out to do on the album was to expose all those voices for the first time. I don't think it is a good thing for a producer to put his own standpoint on an album, the most important thing is to project the artist." Russ thinks that Daltrey's film work has given a lot more confidence and he also found getting to know him has radically changed the concept he had of The Who. "Many people would imagine Daltrey as an ego tripper, but he's not in the slightest. Before I got to know him well, I was under the impression that The Who were Pete Townshend's baby. But speaking to Roger, listening to his ideas, I think that a hell of a lot of his ideas must have always gone into The Who, a lot more than people think."

It was originally Roger's idea to record an album of his early influences. Then he changed rock horses in mid-stream. "By then we'd already recorded Walking The Dog and that Beachboys sounding song, so we were lumbered with them." The second idea was to project the different sides of Daltrey's voice in a collection of mixed rockers and ballads, including three songs of Russ's, Come And Get Your Love, Proud and Near To Surrender. "We didn't actually discuss the point but I felt he wanted to make a heavier album than the one we'd originally planned. Yet not totally heavy, but a record which would compliment the heavier stuff with lighter stuff. Right from the very first session when he sang the first song I could see his voice was so much better, I feel it's improved tremendously since the early Who days even though I think he had a good voice in 1964."

The next thing to decide on was the overall sound and the arrangements. Ex-Shadows drummer Tony Meehan was the man who worked on these. "I decided to make the sound quite sparse,-" explained Russ, "- rather than over-producing it. Some people just don't know where to stop. I decided that if a song called for piano and nothing else, that's what I was going to do." (Hence Phillip Goodhand Tait's beautiful slow rocker Oceans Away with the composer on piano.) "The most important thing in an arrangement is the song. If it's a good one you should be able to sing it with no backing at all and it should still sound great. If it's not, no matter how many extras you add it won't work." Russ reckons that having been in bands himself definitely helped him as a producer, enabling him to put himself in the artist's shoes. Yet he doesn't think he'd like to produce his own next album entirely alone. "When I was in Argent I found being produced by somebody else was very frustrating because I could tell people were veering away from the original ideas I'd had for my songs. That's why I decided to produce my first solo album, which turned out a bit of a mixture because I had a backlog of work to get out of my system. My next album will be slightly deeper, not so light-hearted. I hope to be co-producing it with Muff Winwood, whom I really admire because he's got such a good ear and can really make a musical point."

At the moment, Russ is doing very well with songs of his which are being covered by other artists. One called Heartbreak, has recently been recorded by Olivia Newton-John and yet another is currently being recorded in L.A. by Stevie Wonder's band. Russ has got a new band together consisting of the ex-drummer from Curly, Alan Wickett, bass player Tony Lester and guitarist Alan Skates- "He really does!" joked Russ. He's got three weeks booked in E.M.I. Studios to get the album done. As for his producing career, it looks like Ride A Rock Horse may be his swansong. What if Roger asks him to produce his third album? "Well… if I want to do what I want to do, that is, sing, play, write and record, I just won't have time to produce anybody." said Russ. There's nothing like getting out when you're on top!

[ifwebefriends]

I hope these silly Australian dogs live happily ever after together :)

Epilepsy warning: Slight Flashing images around 6 seconds to 8 seconds in

[Video ID. A 30-second fan edit of various pictures and clips of Chilli and Bandit Heeler from Bluey roughly in sync with the song Taking What’s Not Yours by TV Girl. The first clip is from the end of The Sign when they look at each other over dinner. The pictures include (in order) them as kids meeting in Fairytale, their wedding photo from Puppets, them as new parents from Baby Race, them sitting together on the playground from Pirates, and them looking at fireworks in Bob Bilby. The other clips include (in order) Bandit taking a picture of Chilli in Bob Bilby, Chilli tackling Bandit towards the end of The Sign, Bandit hugging Chilli in Relax, Chilli spinning and falling into Bandit’s arms from Housework, Chilli jumping on Bandit’s back in Piggyback, and Bandit and Chilli ballet dancing in Work End ID]

[akkivee]

was thinking about music production and i think it’s neat that bb’s speakers contain the ‘essentials’ for producing your own music 🤭

[flowerakatsuka]

the new ado collab song with miku is so kurokara core......

[archersartcorner]

Had mentioned my interests kinda being all over the place, and currently I’ve been watching D20 and having a lotta fun with it. I have some doodles I want to post, but gonna post this one separately first cus I love Sofia Lee 🥺

[cosmogyros]

.

[coquelicoq]

family gatherings like me 🤓 my sister (really cool and popular 26yo) and my sister (actual local celebrity rock star 20yo)

[khruschevshoe]

My Hot-Take/Controversial Ranking of Doctor Who Seasons (excluding specials bc my special order is really unhinged)

3 > 1 > 10 > 4 > 5 > 8 > 11 > 12 > 9 > 7b > 2 > 6 > 13 = 7a

Disclaimer: I have favorite episodes that come from every single season on this list, including 7a. For example, even though Season 6 is low on the list, the God Complex, Almost People/Rebel Flesh, and Impossible Astronaut are some of my favorite of the show. I do really love the Power of Three. These are based on season arc/average feeling per episode/rewatchability on a subjective level.

[hopeinthebox]

tagged by the tastemaker @cordiallyfuturedwight for the july list 💕 Category 5 Breakdown in the tags as per usual but tagging some favs if you fancy a go @aprylynn @thvinyl @monismochi @banghwa @pauls-mccharmly @avizou mwah

[sinhasfluffyheadfur]

ADO ADO ADO ADO ADO<3333333

[claitea]

finished mario wonder it was SOOOOO good i love it to PIECES

[thefabelmans2022]

i have so many thoughts about the little mermaid (2023) and it's like. oh my god who cares.