#and its just occured to me that i could actually

[toastling]

Maybe this is just me. But. When you step back and look at the last 20 years, isn't it a bit weird what, specifically, is still being censored, vs what isn't? It used to be that even in Saturday morning action cartoons based off superhero comics, like Superman TAS, you often couldn't show the specific frame of, say, a fist impacting someone in a fight. Now, this improved over time, but if you really pay attention, you'll notice a lot of the time instead of actually seeing an impact there's a white flash that conveys said impact without actually showing it.

The fear among censors was that any violence that could easily be replicated by kids wasn't safe to show, and gun violence also got thrown in there since so many American families own guns. Incidentally, the DCAU is one of the biggest reasons this changed over time, but it stood for decades regardless. The kind of violence you saw in Tom & Jerry and the kind of violence you see today wouldn't have flown in the 90s and 00s.

Similarly, there were certain things you just couldn't really animate for kids and families when it came to things like body horror or outright cruelty that involved bodily trauma. There were times and places, genres, where it was a little bit more acceptable and you had more leeway - gross-out humor has always been a thing and has allowed more freedom in form and disgust, and horror media, even when aimed at a younger audience, is allowed to get away with more because it is an inherent aspect of the genre by nature - but you usually wouldn't go into something like Spongebob expecting something truly gruesome or horrific to look at.

When body horror did occur outside of its native environments, it was always toned down or humorous in some way. Think pulling off a face but you just see a skull or some messed up computer parts, or the OG Spongebob Halloween episode where he gets shaved down to a brain and a nose. It was gross, but it wasn't quite horrific, because firstly it wouldn't really serve the intended purpose of comedy, but also because censorship about that sort of thing was a lot more strict, it was categorized under violence.

Meanwhile today you have episodes where Spongebob's face skin is peeled off to reveal the highly detailed musculature underneath in an image that is not in any way humorous, or Squidward's toenail trauma depicted in a way that is not disgusting for the sake of humor but gratuitous and horrific for its own sake, and nobody bats an eye. Not the kids watching, not the Christian adults, and certainly not the censors.

And that's not necessarily a bad thing! I have a low tolerance for body horror in general which is why I chose it as the topic here, but I can just. Not watch. Evidently times have changed and these sorts of things aren't as off-putting for newer generations, or maybe I'm just especially susceptible to it. I don't think it's inherently bad if the world moves on without me and I end up left behind in some aspects, that's part and parcel with progress, and all things considered, it's probably a good thing that censors aren't so up their own ass about this stuff anymore. It allows for more freedom, and not everybody's going to jump to the extremest of extremes now that they have it.

But when you step back and look at how censorship has loosened over the years with regards to violence, body horror, sexual innuendo, themes and topics... you ever notice that anything even remotely queer hasn't received that same sort of grace? If anything it feels like it's gotten even tighter restrictions, if only because it's so front and center in the cultural conversation these days, and the public is more okay with it than the censors are. But any mention of queerness, especially transgender queerness, and suddenly the Comics Code Authority is very real again and your show is poised to lose a sizable chunk of Christian and/or Conservative viewers.

Nobody cares anymore if Spongebob is dissected on screen with unnecessarily detailed human-like anatomy showing all his muscles and ligaments and various blood vessels, that's just health class. So it wouldn't have flown back in 1995, who cares? But god forbid you have a story that treats a transgirl like she's a human being! Oh no, no, no! That's not appropriate for children. That's not appropriate for anyone! And even with homosexuality - yeah, we get our gay couples now and then, but you ever notice how a lot of them are either at the very very end, or when they aren't, suddenly that show ends up cancelled early or facing production or promotional issues for some strange and definitely unrelated reason?

Violence is okay. Even sex is becoming more okay than it used to be. Being queer still isn't, though. We still get censored into the dirt.

It's been incredibly surreal watching it gradually unfold these past 10 or 15 years. The more things change, the more they stay the same. And it always goes on to reveal the inherent biases and flaws with the idea of censorship in the first place.

Maybe it's time we stop trying to classify media as being strictly for any one demographic, to stop censoring any content whatsoever in its entirety no matter who the "target audience" is, and force parents to actually do their job and vet what their kids watch themselves. Maybe we shouldn't leave it to some old white business major to decide what is or isn't suitable for who, as if they are the only thing standing between the human race and moral annihilation. Maybe people should just make up their own minds on what is or isn't okay instead of having it dictated to them by someone else. Maybe.

That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.

[acearohippo]

I love fandoms, especially witnessing what fans take away from source material and how fans interpret it based on their experiences. Not to mention the stark difference of interaction between new fans, casual fans, experienced fans, and long-term fans.

I say this because the SVSSS fandom has continuously fascinated me in insisting in discussions that there are parallels between Shen Jiu and Luo Binghe (tell don't show), but in their fanworks, I just see parallels between Luo Binghe and Yue Qingyuan (show don't tell).

And it's not even (fully) a case where they're blending character personalities because they want what the other dynamic has, it's just how the characters are based on canon in two different timelines.

All of this to say, perhaps original draft PIDW (NOT original!PIDW nor pre!SY PIDW which are completely different) was supposed to revolve around the dynamic between SJ and YQY vs SJ and LBH. Perhaps YQY was to be the last hour mastermind, the true foil to LBH.

And fandom is just circling this idea without realising it because, once again, the unreliable narrator that is SY has already convinced this fandom that any version of SJ has to be a/the villain, regardless if it's through his own actions or baseless rumours.

Warning, run-on sentence ahead.

I don't know, mans, but it's gotta mean something that LBH and YQY have such similar life beats of being orphaned and having a tough life but remaining kind/compassionate because they had someone to live for until they didn't which left them empty until they found (or refound in YQY's case) one (1) man to obsess over in an uncomfortably intrusive way with no regards for his feelings and rejections, eventually reaching a position as the most powerful being in existence with a huge caveat that their sword is 83% of that power and is slowly killing them which did nothing to soften said man of their obsession's into showing them kindness leading to the ultimate confrontation between the two in which only one could survive and keep their obsession, not that it mattered because neither of them got to experience his feelings reciprocated, except in another timeline where the same things are happening until their obsession suddenly stops rejecting their (still intrusive) advances even if he is acting a bit silly, but hey take advantage while you can and take advantage they did because now they have that reciprocated feeling (except one still "won" as he gets to keep him for himself) and be thankful that all it took was, in their perspective, a near death fever that drastically changed his personality and most likely left him crippled in some other way, preventing their obsession from not NOT needing them anymore, all-in-all fulfilling their desire to be relied upon again, hooray! 😋😁✌🏽

In all seriousness, at the end of the day people are going to draw connections between characters that fit whatever narrative they understood from the story. SVSSS fandom just seems to be trying to convince others of one narrative while believing on a deeper level of another narrative. It's amusing and makes following the fandom fun.

[rmbunnie]

I'm reading A Lonely Place of Dying and Alfred latching immediately onto Tim is NASTY work. Tim shows up and is like "I never aimed to be Robin! I mean I did karate my whole life to emulate Robin and just so happen to have sought you out and grabbed this costume in my size out from that case and really you should be calling me Robin just for now and let me come with you as Robin but I never dreamed it would specifically be ME being Robin. You have a lovely house and home btw :) Now go back to being 10." And Dick's understandably like "No I am a grown man now who are you" and Bruce is not here for this one, but later on is like "You aren't Robin, you're some kid dressed up like my dead son." But Alfred?

IMMEDIATELY Alfred is implying Dick was trying to subtly ask Tim to be Robin (simply not true in in NTT 61, when the implication is made, although he changes his mind in Batman 442) and that Bruce should be grateful for this young man's profound bravery and immense natural skill and maybe show him a few pointers or something idk we'll see :) Like let's be clear, the idea that Tim didn't want to be Robin is simply not part of this story outside of like two lines of dialogue where he's like "oh I didn't consider it could be me!" after which he immediately goes "Wow so you ARE gonna let me be Robin right?" the second he sees the opportunity. The guy essentially makes himself Robin once Dick makes it clear he isn't gonna be. Dick tells Tim nobody should be at first (until he changes his mind) but is ignored because Tim doesn't get why and goes with what he understands, his own stance.

I'm of the opinion that the whole "Tim understands that being Robin is an arduous task full of suffering from the start and chooses to bravely yet sadly martyr himself for the cause" thing I see sometimes is strongly disproven, at least in the beginning of his Robin career, by his "Batman NEEDS a Robin (to love and care for and to watch out for him in return :) )" line of reasoning, his subsequent willingness for Anybody to be Robin whether or not it was him (unless he was consciously okay with other children suffering for his benefit which I find really hard to believe,) and his active glee at anything involving being Robin and persistent smiling pursuit of Doing So against Batman's strong disapproval, because he hasn't officially said no (he did several times, but you can't blame a kid for being excited.) Like, I think he said he never dreamed of being Robin just because having a kid come in begging to replace Batman's dead son because it was a personal aspiration would be extraordinarily rude and arrogant and they wanted people to like this one. He was NOT in any way adverse they just couldn't make him THAT presumptuous, and he is by nature of what he's doing already moderately so.

But say it was true, that Tim was actively opposed to being Robin? Alfred would be pushing this shit HARD onto this thirteen year old kid like what the fuck bro. And "From what Master Richard said, he follows your orders." is HEINOUS but let's not get into that.

[seaofreverie]

Sparkstember Day 24: FFS (Things I Won't Get)

I have something terrible to confess, which is that at first I was not much of an FFS fan, at all. I actually actively DISLIKED most of what I've know from them at that point, which was what the Spotify algorithm seemed very content to throw at me whenever possible until it eventually forgot about it. Well, nothing wrong with that I guess, but I also want to think that most of my initial aversion to this project came from how I was still pretty, uh, close-minded in a sense when it comes to music at the time (and I'm saying all this as though FFS is even THAT much of a departure from Sparks, which it's really not? But maybe I just I saw it differently back then, which I guess is also fair).

But yeah anyway, I had a huge change of heart a couple months later, decided that all these songs are incredibly cool actually and I'm a huge fan now. This is a very solid collaboration and album and I'm so glad this happened. Like, it really is among my very favourite things from Sparks that I barely ever think about in such terms for some reason. Because I've noticed that I treat FFS more like a compliation than an album maybe? Cause yeah I'm pretty sure this is the only album where I have 30-40+ plays on several songs and only around 5 or so on a couple others. And I'm not super attached to the order of the tracklist either, and I'm mostly saying this because I've been a 100% albums over playlists type of person for the longest time. I will listen to the whole album start to end even if I don't like everything on it. It's like, well, if I like the whole thing enough to revisit it, then too bad, I'm sitting through it all until I can enjoy everything on it to at least some extent.

Overall, to me this album embodies that mid-2010s electro pop / indie rock energy that I love very deeply, in the sense that it feels appropriate to think, had I known about it back in the day, I feel like I would have LOVED it and it would have been my personal soundtrack of those early middle-school years of my life (or even earlier, I have this one note of me saying that "FFS is so primary school-core it hurts", so. While it didn't exist in the world yet at that time it still FEELS like that time, and I absolutely love it when music reminds me of a period in my life from around its release even if I was absolutely not aware of it yet at that point. It's like this source of free nostalgia that you didn't know would be attainable from this particular place.)

Also I will just say that it's ENTIRELY because of FFS that I eventually decided to give FF a go as well, and now I'd consider them one of my favourite bands, so, well, heck yeah to that!!

Favourite songs (and other highlights):

Johnny Delusional: oh yeah, I think it's important to note that it was especially THIS song that I found annoying as heck in the beginning. I thought it got very schematic and predictable at points (the long pause after the bridge especially I found to be so.... ahhhh come on, I could see this coming from a mile away!!) All of, which... well, maybe that was still a valid point in a way, but who cares since I love this song now, absolutely and completely and it's just soooo replayable. Every day is a good day to listen to Johnny Delusional a dozen of times

Call Girl: huge huge fan of the intro on this one and that whole wobbly synth sound it has

Dictator's Son: I really like that little guitar riff moment during the bridge

Police Encounters: notably the only FFS song among those early ones for me that I really liked from the start. And it's the ultimate jam, it's incredible how instantly happy and energized this song always makes me feel even after so many listens

Save Me From Myself

So Desu Ne: maybe the biggest offender (positively) when it comes to that "primary school-core" sound. Those cutesy synths are so important to me personally

The Man Without A Tan: realized quite regrettably late how much of a banger this is

Things I Won't Get: you know how it is with me and Russell's falsetto

So Many Bridges

[rainmonarch]

.

[blackcurrant-juice]

wondering why im so fucking sleepy for no reason then remembered I forgot to take my meds for 3 days

[robotpanties]

uuuuuhhh no reason just wanna see the robot get preggers because nobody is really taking advantage of the narrative consequences of the robots of ULTRAKILL having fleshy bits inside them (in my humble opinion hahahaha...hahaha....hah....). Anywhosen also a sucker for general Bad End especially when it involves a psycho-sexual (breeding) binding to a greater entity but also I wanna see the murder-robot get knocked up. And the galaxy brain bit of this is instead of calming down they just get Worse.

YEAH NO ONE REALLY TAKES ADVANTAGE OF THAT. and well i mostly assumed a very small percentage of people actually want to breed the robots like that which is why.

also i don't think this as a bad end, but a bad path that can lead to some other.. inch resting things (my stupid ass is trying to craft a plot with horror and drama from this path and how it'd change the story slightly despite knowing I will never get around to writing it in fic form except tiny excerpt ideas and art)

also i have so much to say abt the 'it doesn't calm down it just gets worse' bc its So true

[joelletwo]

FUCKED UP: i can muddle my way thru reading 80% of hiragana by memory now

[opens-up-4-nobody]

...

[slamrink]

klay 0 points but he looked sexygorgeous doing it + lockdown defense + mavs WIN and dubs clinch so im leaving here with something 🙂‍↕️🙂‍↕️

[caffeinatedopossum]

Whoa I just had a surreal moment. I just saw the words from one of my most popular tumblr posts quoted verbatim in a tiktok/reel (idk which one it was)

[asinglesock]

just realized my fatal flaw and the great struggle of possibly the rest of my life. while watching a cdrama.

[wander-wren]

me: i don’t wanna be a cog in the capitalist machine!! my job doesn’t care about me and i literally don’t get paid enough to care about it!!

the part of me relentlessly scrutinized for being the family fuckup: but,,,,when i do good job customers like me,,,,when i do extra managers think i’m the best,,,,

[lesbiradshaw]

height differences in ships stop being fun when you have to start rewriting history and doing backflips to force it like omg.

[widevibratobitch]

ive been havin a worrisome amount of Gender Thoughts in the last few weeks. or months even. im this close to just shaving off my eyebrows completely. i need to do Something. i need Change. and therapy.