#and it's almost always something autistic

[frankingsteinery]

i’ve seen a lot of people in general agreement of the headcanon that victor is on the spectrum, but i’ve very rarely seen someone examine the why, and being the persnickety superfluous person that i am (and not being immune to projection myself) i thought i’d try my hand at it and break down his autistic traits!

disclaimer that this interpretation is speculative and is simply my unprofessional neurodivergent opinion + it’s based on contemporary understandings of psychology, which were not part of shelley's context, however autistic people have always existed even if there wasnt a word for it during that time period, etc etc. you know the drill

without further ado!

-- communication & social interaction

first and foremost, many autistics struggle with socialization. victor’s inclination to attach himself to a single friend (henry) and only talking to those inside of his close circle rather than forming many connections reflects this tendency, and he himself acknowledges his dislike and indifference of strangers. for example:

“It was my temper to avoid a crowd and to attach myself fervently to a few. I was indifferent, therefore, to my school-fellows in general; but I united myself in the bonds of the closest friendship to one among them”

“My life had hitherto been remarkably secluded and domestic, and this had given me invincible repugnance to new countenances… I believed myself totally unfitted for the company of strangers”

furthermore, he lacks relationship degradation (he does not require regular interaction or relationship maintenance to sustain a bond). during the creation process, he (presumably) goes months without writing to his family and friends, which clerval lectures him for:

“Very well, and very happy, only a little uneasy that they hear from you so seldom. By the by, I mean to lecture you a little upon their account myself."

yet upon his arrival at ingolstadt:

"...nothing could equal [his] delight on seeing Clerval."

victor also takes things literally several times and social nuances can fly over his head. he demonstrates this literalism when first meeting elizabeth:

"And when, on the morrow, she presented Elizabeth to me as her promised gift, I, with childish seriousness, interpreted her words literally and looked upon Elizabeth as mine"

and, of course, the infamous i will be with you on your wedding-night scene, when the creature obviously means he tends to harm elizabeth, not victor himself:

“It is well. I go; but remember, I shall be with you on your wedding-night.” I started forward and exclaimed, “Villain! Before you sign my death-warrant, be sure that you are yourself safe!"

he also goes nonverbal and groans/vocalizes instead of speaking when upset. there's several instances of this that i can recall (i believe another is with walton), but i could only find one, where elizabeth has to speak for him during their visit to justine:

"When she saw who it was, she approached me and said, “Dear sir, you are very kind to visit me; you, I hope, do not believe that I am guilty?” ... I could not answer. “No, Justine,” said Elizabeth"

and this is more of a sidenote but he gives walton every. minute. detail. of his story, including his childhood in-depth (which was not particularly relevant to the moral of victors tale, which was the whole reason he wound up sharing his story in the first place) which definitely feels like. Something. reminiscent of infodumping almost.

-- repetitive behaviors

victor shows both repetitive motions and repetitive language to such an extent that it'd be ridiculous to put them all here, particularly when he is distressed and agitated. some of these motions include clasping his hands, covering his face with his hands, and gnashing his teeth, which he does on walton's boat, after finding out about william's death, in his confrontation with the creature, during his time at the orkney islands, etc. the use of certain phrases/verbal repetition  include his many "great god!"s and "begone!"s, which he usually says in reaction to the creature or while grieving a loved one. these behaviors are arguably self-stimulatory (stimming) and done to cope with overwhelming, stressful situations.

-- fixations/spinterests

ths one's perhaps his most blatant characteristic. victor has a highly focused, intense interest, initially in in the workings of the world itself:

"It was the secrets of heaven and earth that I desired to learn... still my inquiries were directed to the metaphysical, or in its highest sense, the physical secrets of the world."

"The world was to me a secret, which I desired to discover;"

"I have described myself as always having been imbued with a fervent longing to penetrate the secrets of nature"

this is to the extent that his education is noticeably different from his peers, both in acceleration in the topic of his choice and neglect of other, more typical studies due to the intensity of this focus:

“I confess that neither the structure of languages, nor the code of governments, nor the politics of various states possessed attractions for me.”

“…but by some fatality the overthrow of these men disinclined me to pursue my accustomed studies.”

this early fixation eventually narrows into a special interest in ancient alchemy, after victor finds one of agrippa's works and a "new light seems to dawn upon [his] mind," upon which he proceeds to acquire all the works of agrippa and other authors:

"When I returned home my first care was to procure the whole works of this author, and afterwards of Paracelsus and Albertus Magnus. I read and studied the wild fancies of these writers with delight; they appeared to me treasures known to few besides myself"

this remains his special interest until he is a teenager, upon which, after finding out ancient alchemy has been disproven, he takes up mathematics until his arrival at ingolstadt. then, his interest shifts into a fixation on natural philosophy, particularly chemistry, which becomes his "sole occupation":

"He concluded with a panegyric upon modern chemistry, the terms of which I shall never forget... one by one the various keys were touched which formed the mechanism of my being; chord after chord was sounded, and soon my mind was filled with one thought, one conception, one purpose"

"I read with ardour those works, so full of genius and discrimination, which modern inquirers have written on these subjects... the stars often disappeared in the light of morning whilst I was yet engaged in my laboratory. As I applied so closely, it may be easily conceived that my progress was rapid. My ardour was indeed the astonishment of the students, and my proficiency that of the masters"

which, of course, develops into an interest in physiology and the structure of the human frame, which leads to his obsession over the secret of life, followed by being "thus engaged, heart and soul, in one pursuit" during the creation of the creature.

-- intense, volatile emotions; resistance to change

in general, victor is very emotionally demonstrative, and has difficulty managing these emotions. he also experiences quick fluctuations in emotion. this is something he has experienced since childhood, and is something he maintains as an adult, when he acknowledges that:

"My temper was sometimes violent…"

some examples of these shifts in emotion:

"My heart, which was before sorrowful, now swelled with something like joy..."

"Sometimes he commanded his countenance and tones and related the most horrible incidents with a tranquil voice, suppressing every mark of agitation; then, like a volcano bursting forth, his face would suddenly change to an expression of the wildest rage as he shrieked out imprecations on his persecutor"

hand in hand with his emotional dysregulation, he shows resistance to change and has strong reactions to this change. the most obvious example of this is during the animation of the creature:

"The different accidents of life are not so changeable as the feelings of human nature... but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart"

"Mingled with this horror, I felt the bitterness of disappointment; dreams that had been my food and pleasant rest for so long a space were now become a hell to me; and the change was so rapid, the overthrow so complete!"

but it also occurs when moving to ingolstadt, suggesting a discomfort with unfamilarity and a need for stability:

I threw myself into the chaise that was to convey me away and indulged in the most melancholy reflections. I, who had ever been surrounded by amiable companions, continually engaged in endeavouring to bestow mutual pleasure—I was now alone.

-- black-and-white thinking

this aspect is most clearly shown through the way victor thinks about, and drops and gains interests and relationships. he spends years studying ancient alchemy and it is his principle interest, and then drops it on a dime and suddenly looks upon this passion with contempt:

“By one of those caprices of the mind which we are perhaps most subject to in early youth, I at once gave up my former occupations, set down natural history and all its progeny as a deformed and abortive creation, and entertained the greatest disdain for a would-be science which could never even step within the threshold of real knowledge. In this mood of mind I betook myself to the mathematics and the branches of study appertaining to that science as being built upon secure foundations, and so worthy of my consideration”

later, he spends four years with his mind filled with "one thought, one conception, one purpose" studying the processes of life so intensely he forgoes adequate food, water and rest. this culminates in the creation and subsequent animation of the creature, which he again turns around and abandons this interest immediately, to the extent that he cannot bear to think of natural philosophy:

Ever since the fatal night, the end of my labours, and the beginning of my misfortunes, I had conceived a violent antipathy even to the name of natural philosophy.

it's a very polarized, all-or-nothing approach that is mirrored with his relationships, too, which he alternatedly neglects -- he cuts contact when he goes to ingolstadt but abruptly picks it up again when henry comes into his life; when the creature flees victor's apartment, victor treats it as if he never existed entirely; his family only comes to the center of the narrative again when he gets the letter from alphonse about william's murder, despite 2 years having been passed at ingolstadt, etc.

and finally;

-- low empathy

victor repeatedly focuses solely on his own internal emotional experience, and struggles to fully comprehend and understand the depth of feelings of others and respond with compassion in conventional ways. during justine's trial, for instance, he elevates his own suffering above justine's, even as she faces her literal execution:

I rushed out of the court in agony. The tortures of the accused did not equal mine; she was sustained by innocence, but the fangs of remorse tore my bosom and would not forgo their hold.

Despair! Who dared talk of that? The poor victim, who on the morrow was to pass the awful boundary between life and death, felt not, as I did, such deep and bitter agony. 

similarly, victor dismisses ernest's grief after william's death, he frames it in terms of how it affects himself -- telling ernest to "be more calm" to avoid causing his own discomfort:

Ernest began to weep as he said these words. “Do not,” said I, “welcome me thus; try to be more calm, that I may not be absolutely miserable the moment I enter my father’s house after so long an absence.

this detachment suggests not deliberate cruelty (victor very clearly loves his family, and he's said to be kind several times) but a limited capacity to process and respond to other's emotions. this is a detachment that extends to his views of the dead. during the creation of the creature, he refers to the corpses he utilizes as only "materials" instead of once having been fully-fledged human beings, and he does not contemplate the lives or dignity of the deceased.

aaaaaand thats it! thank you for indulging my. headcanon projection land. let me know what you all think...

[stinkrat-aleks]

Only if you want to! but would love to hear your thoughts about telepaths/psionics bias within the in-universe mutant community. I've always liked seeing Erik's particular dilemma explored in fanworks since in the movies we got to see his relationship with different telepaths, but I always like seeing it explored more generally too. so I guess I was wondering if you'd explored/thought about these bits of canon too, and of course, no worries if not!

Hello!! Sorry it took me so long to reply to this, I was thinking my answer over and all the stuff I wanted to say (/overthinker).

I think a LOT about psionphobia (or whatever the term would be called) in-universe. Especially because to me, mutations are symbolic for disabilities and different neurotypes. The term “neurodivergent” describes people whose brain differences affect how their brain works…and to me, that means all telepaths are inherently neurodivergent.

Now I see Charles as autistic, but even if he WASN'T autistic, that means his psychic powers affect the way he perceives social situations, information, etc.

And so, when I see in-universe characters (like XMFC Raven) tell Charles to stay out of their minds—while I understand the desire for privacy—it feels ableist to me. I'd understand if Raven asked Charles to keep out of her more private thoughts, but to keep out of her mind in general feels almost like asking an autistic person to stop stimming when they're around you.

Like, that's just the way Charles is. He probably overhears people's thoughts and feelings at a surface level at all times, without the intention of delving deeper.

This artist does a REALLY pretty comic depicting this and it's 1000% how I headcanon Charles' telepathy now, please go read and reblog the full thing if you haven't already:

Artist: yancant on tumblr

I also think just because Charles CAN intrude on people's innermost secrets, doesn't mean he necessarily WILL. Like, lots of people drive a car. Anyone could technically plow that car into a crowd of people. But most other people assume they won't. So we don't freak out when we see cars. Ya know.

With that logic it feels unfair to assume Charles is going to do bad things with his telepathy simply because he can. ALL humans are capable of bad things! Why is he being singled out for the way he thinks.

Re:Erik, he is the only one who seems to understand this. Him inviting Charles to be in his head (in fanworks but also XMFC) shows that he is not only tolerating Charles' mutation but EMBRACING it. (We all know he has a telepathy kink but that's something different okay.) To use the neurodivergent metaphor, he's telling Charles it's okay to unmask around him.

Like obviously this scene is very emotional for Erik, and Charles is definitely too caught up in his savior complex to take notice of his own emotions, but imagine!! Feeling that welcomed in someone else's mind for the first time!! And them not pushing you out or getting angry for touching a sensitive memory!

I have no idea any of that makes sense or if I'm grasping for straws but that's my overall take on it.

ANYWAYS…so that's my overall take on it. In terms of the soccer AU I'm currently working on..I have other thoughts and some of it will be addressed in futuer chapters (I'm gonna try to upload today). So we'll see. Sorry if this completely didn't answer your question LMFAO.

[ghostat7am]

1 4 and 15 😊😊😁

1. What WarioWare games have you played? (And do you have favourites?)

I've played Mega Microgame$, Touched, Smooth Moves, D.I.Y, Gold, Get it Together and Move It!

I own Game & Wario, I just need to find my gamepad charger to finally play it. And I'm currently searching for physical copies of Mega Party Game$ & Twisted to go on my Wario shelf!

I think Get it Together & Move It are my current favourites - I love the gameplay of GiT, but the cutscenes & storyline for Move It are my favourite (the gameplay for MI can be very tiring for me since I suffer from chronic pains - so I find it harder to pick up & play than GiT)

4. Do you have any personal headcanons or interpretations of the characters? (In relation to design, hobbies, connections to other characters, etc)

Ohhh boy, do I! I'll mainly keep it to general headcanons I have and only to 2-3 per character, also not doing EVERY character in this since if I delve too far into it it'll be a whole essay. Most of these hcs are for canon and Diverged, btw.

(If someone wants me to share more or hear about the others, just ask me this question again! Or ask about a character directly)

Wario speaks german fluently, and was born & raised on a farm. Often crashed at Jimmy's house when they were kids/teenagers

Lulu owns a dog, and stays with Mona when she's visiting.

Cricket has social anxiety, and works part time as a waiter when he's older

Mona runs the company's social media accounts, and she sees Ashley and Lulu as little sisters to her

Ashley has solar urticaria (allergic to sunlight) and the stuffed bunny she owns, she's had since she was born

Crygor is disabled, having prosthetics for his left arm & right leg (I don't see them as power gloves n stuff. They've always been prostheses to me) - he has autism & adhd, and his dancing are a type of stim

(Not gonna say it for the rest of the Crygor family, but they're all neurodivergent to mee + quite a few of the others. Like Orbulon-)

Mike falls asleep cuddling his microphones, he has a phobia of insects and he idolises Jimmy

Orbulon is an artist - uses painting & sketching to connect further with human culture. His species speaks telepathically which is why he struggles so much with talking verbally, and he has a fear of yelling/conflict

15. If you've played Gold, which microgame type is your favourite? (Mash, twist or touch)

Touch! I have a faster reaction time visually. I have a score of 100+ on Orby's level in that game

[commsroom]

i don't think early-series hera gets enough credit for how funny she is. "scans do indicate a percentage drop in the tank's capacity that is commensurate with the amount officer eiffel could stuff into a crewmember duffel bag"? she saw him do it. she probably talked to him while he did it. it's the tonal dissonance between highly technical phrasing and a very blunt observation. like when eiffel asks her for her top five 'stick it to the man' songs and she asks him things like 'top five lanthanides?' until he says "you're just yanking my chain, aren't you?" and she responds by quoting anarchy in the uk at him. sure, sometimes there are things she genuinely doesn't get and/or would express differently, but the way she frames it is playing with the false expectations people have of her. she knows exactly what she's doing.

[puppyeared]

who up seeing their disorder in a fictional character but feel like its not their place to put a name on it

[soullessjack]

another fun bonus of being into arcane and spn is that on one hand, i get to see all of my favorite characters analyzed and truly understood, and on the other hand I’m still seeing that fuckass baby and the same stale opinions because this fandom can’t critically think to save its life. Not a recommended experience if I’m being honest

[lupins-hehim-pussy]

i want top neuvillette who's still femme and a crybaby my god is that so hard

[harbingerofwhump]

Question for my fellow sensory issue haver's (autistic or not) :

do y'all find that your sensitivity to sensory input is worse when you've first woken up (like the first hour or so), regardless of how much you slept/when you woke up/etc.?

[allthegothihopgirls]

jake webber got his autism diagnosis and johnnie pretty much immediately pulled out the 'see guys i'm not ableist, when i make an autism joke about jake it's because he's actually autistic, and i just like to make fun of him'

[crypt1dcorv1dae]

Apollo yelling "I'm Apollo justice and I'm fine" is literally just him stimming ok? Ok.

[six-improbable-things]

On a happier (or at least less mixed) note, @cream-and-tea and @vexalia will be glad to know that I listened to the first episode of The Silt Verses today, and while it made me feel a little sick (for some reason reading body horror doesn't bother me, but hearing it did??? idk I've never really listened to an audio-based story before, and horror usually isn't my genre), I did like it. Idk if my adhd that makes me automatically tune out all audio if I'm not spending energy to concentrate really hard on it and also have a visual in front of me (in this case the transcripts) will let me keep up with listening to the episodes, but I will definitely keep trying for as long as I can, and at the very least read the transcripts.

[the-pea-and-the-sun]

when ppl find out that being autistic is correlated with being transgender they freak out and try to conclude that it must Mean Something and something must be Done About It but when they find out being autistic is correlated with being left-handed they're usually just like "oh what the fuck. weird i wonder why"

[notvv0ltz]

I think whenever we talk about infantilization of autistic people we should think less of "I'm not that stupid to get infantilized" and more of "even if I'm stupid and incapable of doing anything I still deserve human respect and treatment"

[pankomako]

dude i swear if i actually make gang's bay a real show and i write a joke about being trans people are gonna be like "this is incredibly offensive to trans people" and im gonna have to come out and be like "yall im literally a trans person writing myself im just having a laugh why cant you too"

like seriously where's the line between a joke poking fun for laughs and a joke that's actually offensive? i feel like that's a little bit subjective dontcha think

[autisticlee]

sometimes I think about how I was legitimately the most hated and bullied kid in my entire class, and probably entire school. I knew this as a fact. there was nothing I could do about it. not just by the kids either, but the teachers/staff as well. all because I was autistic and unable to speak and they didn't want to treat me decently. and I ask why. (rhetorically of course, because I know all the excuses given as answers)

being an autistic kid and knowing damn well this is true, that you're the most hated person in the entire building with not a single person on your side, knowing you're the main target for everyone's aggression every day, is....truly something. you know. like carrying the weight of everyone's hatred and negativity on your back alone, being their punching bag, internalizing their hatred for then. from ages 4 to 18. nonstop. never getting better. never knowing why. not being able to stop it. never getting any help. on your own and alone. blamed for it all.

yet i'm simply told to "get over it/stop caring" and get blamed for it fucking me up and having a lasting effect. lmao ok. let me just forget more than half my life existed at this point and magically get better! thanks!

[symbioticsimplicity]

I think I just figued out why I like music so much.