#and it’s not that I dislike him but like I feel like everything I know from him is told rather than shown

[anyacad0]

I am super invested in the dynamic between Dan Heng and Aglaea because clearly, he does not like her, but I want to unpack that dislike a bit.

First, there's the fact that she's constantly watching and manipulating. For someone like Dan Heng, who spent so many lifetimes with people always looking for ways to exploit him and find his weaknesses, that's especially uncomfortable. Then there's the interrogation, which was definitely a sore spot for him, all-to-familiar to the way he was treated in the shackling prison.

But despite all that, they have a lot in common. Aglaea, in order to protect the people of Okhema, distances herself from her own humanity, and they see her as a goddess of sorts. And despite her truly wanting to protect everyone, there are still those who wish to manipulate her for their own gain.

In other words, Aglaea is everything Dan Feng resented about himself. And so naturally, Dan Heng resents her too. But I think he could also feel some degree of pity. He knows what it's like to be in her position. He knows that if she can't live up to the people's idea of a "hero", she'll inevitably become their sinner instead. And so I think, if they were willing to let down their depressingly high walls and properly talk to each other, they could get a lot done. Maybe even be friends.

[numberonetacostan]

TACO'S TIRADE ANALYSIS

OKAY! It is time for the requested analysis of Taco’s Tirade. This is my first time doing a big analysis of like, anything, so I’m very sorry if this is the worst take on the song of all time or if everything I’m saying is obvious!! Can anyone tell i'm nervous about posting this lol. I have a lot of thoughts about Taco and her Tirade. I love it so much. Feel free to imagine me gesturing wildly with tears in my eyes as you read this. We’ll go in sections based on the lyrics and visuals :) Lyrics will be inside brackets, then commentary will be below! Please enjoy!! <3

Tw: slight discussion of suicidal ideation

[Any moment now...

Are you sure this is what you want?

(Scoff) Oh spare me your spin, you tablet tabloid. If you want to psychoanalyze someone, don't look at me.]

Alright, so we immediately see Taco still in a very emotional state. Mepad asking if she’s sure she wants to interfere with the challenge immediately provokes her, and starts her off on her entire tirade. Because he asked if she was sure. She immediately insults him and moves to change the subject and get his attention off of herself and her own mental well-being. She’s very in-denial of her own emotions and emotional pain in this song, as we’ll see going forward, and remains quite defensive for a lot of the song.

[Look at them! It's so pathetic,

How they run to fetch their sticks.

Sure, call me polemic, unsympathetic,

At least I know other tricks!]

We start here with her, as I stated, changing the subject and shifting the view onto the contestants figuratively and somewhat literally, as they’re all seen picking up the sticks for the challenge, although she still remains the main focus of the shot. We move to her dancing around Mepad, who takes up the center of the shot, but Taco is still the focus here!! She’s moved from deflecting conversation to the contestants to, in a way, defending herself, despite Mepad not having insinuated anything yet. Taco is calling herself polemic and unsympathetic here, not only because she thinks that of herself, what with her abysmal self-esteem that we see more of later in the song, but because she thinks that’s what Mepad thinks of her. Not only do her only other two friends ever hate her (I wouldn’t go that far for Mic, but that’s definitely what Taco thinks), but the rest of the season 1 cast don’t seem to think too highly of her either, yeah? Mephone certainly isn’t happy to see her soon after the song ends, and season 2 contestants like Mic and Suitcase have been shown to be wary of her before they’ve even met her. (She doesn’t know about the season 3 cast so they don’t really matter here.) The point being, Mepad is Mephone’s right hand (leg?) man, and Taco doesn’t know about their argument, so she’s pretty reasonably assuming that Mepad dislikes her just as much as everyone else does. So, she’s saying what she thinks he’s thinking about her before he can!! Forgive me for not knowing the technical name for it, but this is an actual way of deflecting criticism!! I’ll use an example. Say you made a drawing of a person, a little stick guy, but the proportions are off. One of their legs are way bigger than another, but you still want to post it anyway. To keep people from telling you that one leg is bigger than another, you might say “here’s my stick dude!! One leg is bigger than another but I’m too lazy to fix it.” By stating the potential criticism before anyone else can, it makes others MUCH less likely to comment on it themselves!! And that’s what I believe Taco is doing here!!! I hope I explained that well enough. She then goes on defending herself, self-justifying by saying she at least “knows other tricks.” I read this as her doing things outside the game, and it’s limits. That could be her acknowledging how she doesn’t play by the rules of the competition like they do, but I see it as a note of the hypocrisy/lying to herself we see from Taco in the song. And!! In the transition to the next verse, she has her eyes closed!! Which happens everytime we travel in and out of that purple-y space! We are seeing Taco’s inner image here people!!!!!

[Look at me and all you'll see is the debris of some defective outcast,

A frenetic, antithetic (if poetic) little iconoclast,]

Here we have Taco insulting herself more! Yay! She’s getting more emotional as we get into the song, and she becomes less and less able to keep her usually sturdy walls up. She’s just lost Mic, and as I’ll go over later in the analysis, is expecting she will be permanently dead relatively soon. Of course she’s having a lot of trouble keeping it together! You know how sometimes, if you’re trying not to cry and someone asks if you’re okay, it makes you burst into tears? It’s like that! Mepad asked if she was sure, and the dam began to break. So, the descriptors she uses tell us a lot about her view of herself!!! Debris. Broken remains of what was. That’s pretty accurate to how Taco is feeling right now. She’s drowning in debris, really! The debris of her old, broken friendships, the debris of her master plan to win season 1, and it’s to the point where she sees herself as broken and incomplete as well. She believes she’s broken!!! And that leads us right into her calling herself defective. Imperfect or faulty. She’s very separated from everyone else, yeah? Everyone else (to her knowledge) lives in the hotel. Everyone else is part of the group. Everyone else has people who care about them. Everyone else happily plays by the rules of the game. After everything, compared to everyone else? No wonder she sees herself as incapable of changing, she believes there’s something just, deeply wrong with her as a being. If everyone else can do this and have this, she has to be the problem. And almost right after she started putting forth that effort to get Mic to trust her, focusing on someone other than herself, Mic left her. Rightfully so, but please it is so important to think of it from Taco’s perspective rather than Mic’s in this analysis. Taco was trying to give Mic what she thought she wanted (recognition), trying to be a good friend, and it immediately lost her the most important person in her life. She’s been watching for years, she sees everyone else making strong connections, but she can’t do it when she tries. And before that, it’s her plan failing. Like Brian said in a stream, it was inconceivable to her that her plan would fail. Yet it did. And after a long enough time alone out in the woods, there isn’t anyone left to blame for that but herself. She was the reason her plan had failed, and she’d lost everything. Of course she’d see herself as defective. Outcast is pretty obvious, because she checks all of those boxes. Lives hidden, alone, and very much away from everyone else. She is very very much not part of the group anymore. 

Frenetic!! Fast, wild, and uncontrolled. Frankly, something you’d be more likely to describe Taco’s season 1 persona with, yeah? It’s quite different from how Taco usually tries to present herself, being cunning and calculating around others. But of course, the further we get into the song, the more honest Taco unintentionally can get about how she sees herself. She had her whole plan for season 1 down, but it was in the end where she lost control over the situation in which she lost control of herself in which she lost everything. It was in the ship, where something she didn’t and realistically couldn’t have planned for happens that she once again lost control of the situation and thus control of herself, and used violence despite Mic’s plea not to, in which she lost everything again. Of course she’d see herself as wild and uncontrollable, because moments in which she was are standout moments of her life! Not to mention again, how she’s the contestant who tried to steal the prize and cheated in season 2. For better or for worse, she’s much less controlled by the rules of the game than the other contestants. Just another thing that separates her from the group, yeah? Antithetic!!!! In direct opposition to something. And the following word as well, iconoclast, an attacker of a beloved institution or beliefs. She’s against the game that everyone else plays again and again, something that really matters a lot to them, but we see in the show and especially in the finale that the game isn’t good for them. As much as it’s not always for quite the right reason and exactly how she ends up going about it, she has a strong point about the game itself and what it can do to all of them. But she still sees herself as the villain. Despite her genuine, and correct, belief that ending the game will make things better for everyone, she still sees herself as the villain!! And it’s an image of herself that she’s had for a long time, and that she can’t shake after everything, because she doesn’t believe she can be anything else. And I did not forget how she mentions herself as being “poetic!” Whether that’s her believing in “karmic justice” or whatever and that she got what was coming with her, or believing her role as a season 1 finalist who’s come back out of the shadows to try and end season 2, it is one of the few neutral adjectives she uses for herself in the song. It might even be her previous popularity and persona she’s referencing here, that antitheticism and iconoclasm being how she went from a silly, well-loved character to a serious, well. She’s still loved out of canon but none of the people she knows like her at all. She’s the antithesis of what she used to be, and her coming out of the act destroyed the beloved image of who she had pretended to be.

As for the visuals here, how the scene fades back into her and Mepad is so important! She falls off of a cliff into darkness!! A very clear visual representation of how she sees things having gone. After her fight over the suitcase with OJ in the s1 finale, she kept falling and falling and falling, deeper down into the dark hole she’s dug herself, until she’s landed right where she is as she’s singing. Not only that, but this visual is another excellent representation of how she sees things as over for her. How she sees herself as incapable of changing, starting over, or getting better at all. Think about the cliff we know of on the island. Now think about who actually fell off that cliff at the end of season 1. Think about what happened to them. They all DIED!!! And she is picturing herself falling off this cliff!! I doubt this was intended to be a sign of suicidal ideation for her, since ii does have a younger target demographic (ex. Justy said in a stream that OJ and Paper sleeping in the same bed would be a bit too mature), but it can definitely be read that way. Seeing herself as “dead” in a way revolves around that disbelief in self-improvement she has, she thinks it’s too late for her in the same way it’s too late to save someone who’s died!!! And if anyone is questioning whether the scene is just a visual effect or if it’s definitely Taco’s inner picture-y thing, please note her closed eyes during the transition from her falling from the cliff to standing with Mepad!! She is picturing these visuals as she sings!!

[But I won't live in the past.

(Spoken) I almost won this game once, you know. But!]

So we all agree that Taco is totally living in the past, right? She’s saying she’s moved on, she’s telling Mepad and herself that the past doesn’t matter and that she doesn’t care about it, and then immediately she mentions how she almost won before. She has not healed at all, and is not over a single thing that happened!!! She is doing so awful I love her <3. She longs for everything she’s lost constantly, because she’s lost everything!!!!!

[History is rearranged just to credit those who win the glory,

So reality is changed in the edit when they spin the story,]

So!!! Interestingly enough, I think that these lines are quite a bit about the disparities between OJ and Taco!! So, Taco had a whole strategy going into season 1 that got her into the finals, and had it not been for Bow, she would have won! She’d planned meticulously, and in the s1 finale is shown to have great physical capabilities, at least to the point to which she was able to get way ahead of OJ. And, while this may be by great bias towards Taco speaking at least in part, OJ… did not go to such lengths. Don’t get me wrong though, this is definitely a thing. It’s brought up in the show that he wasn’t a huge player in the game! Multiple times!!! S1E15 “The Tile Divide,” after OJ wins immunity with help from Paper Mephone4 says “OJ wins! Wow, that hasn’t happened for a while.” And in S1EP16 “The Penultimate Poll,” Pickle says “-even though [OJ] barely actually won any challenges.” Yet after all is said and done, Taco is outcasted, has nothing, and is disliked by pretty much everyone, and OJ is hailed as the “King of Inanimate Insanity”, is rich, and becomes the de facto group leader with his hotel. The way the narrative has been spun does certainly glorify OJ beyond his actual performance in the competition. And with OJ having his massive ego problems, I don’t doubt that he definitely let that get to his head and contributed to that narrative himself. 

And in this shot we have Taco looking down at the hotel from the forest, the same way she’s looking down on everyone participating in the game and how she’s been watching Mic (and presumably Pickle) from the outside. Only now, she’s even further away from them. 

[And we choose, to feel this pain,]

Taco denying her emotions again!!!! She likes to be in control, and she can not control her feelings nor keep pushing them down as she has been, so she’s onto deny deny deny!! She is in a lot of pain, and she knows it, so she deflects by saying she’s choosing to feel the pain of her losses. She’s keeping up her act, her defense, by desperately holding on and pretending she has control over these feelings!! I’m certain she’s tried to control them!! To justify herself, replace loneliness with anger, but it hasn’t worked!!! And her defensiveness is reflected in the visuals as well, her putting her hand up to keep a distance between her and Mepad, her still stubbornly keeping up those walls and forcing him away as he looks concerned for her. 

[And we lose, more than we gain…]

OH BOY TIME TO LOSE MORE THAN WE GAIN. I use this phrase daily. I'm serious. A pretty obvious reference to Mic having said she gained nothing, and also an acknowledgement that their partnership truly meant something to Taco and is still greatly affecting her. Which is obvious to the audience, but not only is Mepad learning things about Taco and her issues through the song, but we really see Taco starting to fall apart, accidentally implying the feelings that she’s so desperate to keep down!! She’s like a trauma volcano <3. Anyways, Taco had gained a lot when she’d met Mic, even if it took her quite some time to realise, and by the time she did she’d lost it all, again. AS FOR THE VISUALS we once again move into Taco’s head!! The transitions here for the beginning and end of this short sequence have her with her eyes closed!! She’s walking, and hard stops when she sees Pickle and the time travel portal. You see her little feet slide to a stop on her heels! She leans away from him, leans towards him just a tad, and immediately turns and walks away, only to see Mic. She hard stops when she sees Mic too, though it’s less extreme than it was for Pickle. And when she does this, she reaches a hand out towards Mic. It’s for a few reasons I think. Holding it out to try and keep that hurt away, protect her from her thoughts of missing Mic and how much she must hate her, fully reaching out because she misses Mic dearly and that pain is so fresh, reaching out to the person she’s been so close to, closer than anyone before. Another part of it, I think, is how her conflicts with both Pickle and Mic went. With Pickle, Taco was the one who insulted him, claimed they were never friends, and cut things off. Thus, she hard stops when she sees him, only leans a bit closer to him, before turning around and walking away. With Mic, Taco was the one who was left this time. Mic cut things off with her. So she’s left reaching out to Mic, as Mic’s image leaves the screen, and Taco collapses onto her knees where she is. Taco’s left on the ground, squeezing her eyes closed and clutching her head as the darkness in the background, the darkness in Taco’s head closes in on her, until she closes her eyes and jumps straight back into her villain act, the song speeding up with her as she keeps trying to get away from all of her feelings!!! My queen with awful coping skills <3.

[But I will break this cycle,

Of mistakes, unlike all,

Of these snakes whom I call to condemn,]

So! We see Taco hard cutting from her guilt and sadness, straight into her evil plan. Right back into her villain front as she realises she’s begun to open up and get emotional!!! So she’s explaining her plan to Mepad, and projects her own self-hatred and experiences very hard onto the contestants. She’s upset about what happened between her and Mic and sees the game as at fault for what happened as she’s trying to justify things to herself, and push down the guilt she feels about their split. Heck, I’d say she’s probably blaming the game for what happened between her and Pickle right now, even if that one is more on her. And she sees the final four as complacent in what the game does, with them all continuing even though none of them are even enjoying themselves anymore. Most of them haven’t been enjoying themselves for a while now, but they still stay in line and play, as they’re programmed to. This is a bit off track, but it’s important to keep in mind that at this point, Taco has been acting more outside of her programming for longer than any of the other contestants. She was never in whatever sort of waiting-mode they end up in inside the hotel, and she’s cared less and less about the rules of the game as time has gone on. Her plot in the first season was done fully inside the rules of the game, but we see her having broken out of those constraints in season 2, with her encouraging Mic to straight up attack other contestants, which is implied by Taco to be against the rules. And she keeps interfering against those same rules of the competition. Like Marsh breaking the rules by leaving the show’s parameters, Taco explicitly goes against what is meant to happen in the game. And here she is at the peak of that, having gone from breaking the rules of the game to wanting to break the game, the cycle of mistakes, entirely. Her calling the remaining contestants “snakes” of all things specifically is interesting as well, since I’m sure plenty of the season 1 cast would use that to describe Taco. Part of it is her projecting, but another part of it is her actually seeing her own mistakes in the remaining contestants. Keeping secrets from each other (Knife), never properly talking out interpersonal issues (Suitcase & Baseball), and plain loneliness (Lightbulb). And she’s condemning them for their complacency in all of it, for their actions, most certainly in part with her efforts to ignore her own feelings and as well to call out how the game changes people and makes them act. 

[If I can't win the prize,

I'll play this last reprisal,

Just to bring their lies all to an end.

-Ack!]

The first line here is more of Taco playing up her villain act. She mentions later on in the episode, while she’s being more honest since it’s surrounding Mic territory, to the final four that she doesn’t care about the money anymore. And I really believe she doesn’t! She’s broken out of that programming after having connected with Mic. She was one of the contestants, if not the contestant, made to be most dedicated to getting that money, so of course she mentions it as she’s still desperately keeping up her front!!! But she says in the very next line that this is her “last reprisal,” she clearly doesn’t intend to interfere or interact with the game again, much less try to swoop in and steal the million. And the last reprisal line is very important!!!! Notice how in the visuals, Taco lets herself fall out of a tree as she says this and upon landing she’s hurt by her injury. There is symbolism here guys!!!!!!! She is letting herself fall here. In her eyes, she doesn’t have anything left to fight for anymore. She’s lost the people important to her, she’s lost any goals she’d had driving her forward, and she hates herself!! She knows she’s injured, and that her injury could very well be lethal, as we see later in the episode, but she’s doing nothing to minimize the risk to herself. She’s not going to sit away and let herself feel and process, she’s going to burn the game down and die with it!!!! This, my friends, is called passive suicidal ideation and self-destructive behavior!!!!! And her facade starts to falter again and she mentions bringing their lies to an end!! Because she is lying to herself, and she herself is not ready to stop holding on to her lies, either to herself or to others in her persona. Bringing the game and all the lies tangled up in it to an end means she would finally have to face everything, and just thinking about that is enough to wipe the villainous grin off her face. But she’s still stubbornly going through with her plot, because she isn’t truly expecting she’ll have to face it, again because she is fully expecting to die permanently in the near future!!!! 

[You need regeneration.

Unfortunately, I don't have much faith in that process.

Of course not.

Why "of course not?".

You believe yourself to be incapable of starting over, in more ways than one. I do not know who you lost, but is it not possible to get them back?]

MEPAD TIME!!!! Okay, here we have Mepad (rip king you would have loved the storyboards of your own death) urging Taco to heal!!! He’s looking out for her physical well-being, he can tell that she’s in pain and that her injury is quite dangerous, that being especially obvious the way he emphasises “need” in the line. And he is implying that she needs emotional healing as well!! He starts his Therapad-ing in his next line!! <3 He is very clearly worried about her, a lot of his presence in the first half of the song is just him looking at Taco with big concerned eyes!!!

And Taco has zero faith in the recovery process, between her, as Mepad helpfully says, believing herself to be incapable of starting over in more ways than one, her believing no one would want her to be recovered, her having a hunch of Mephone’s reluctance to revive her, or her own inability to see much of a future for herself, she does not believe she can come back!!! Angst!!!!! She is hurting so bad I love her <3

And Mepad is an empathy king!! And is probably the least biased against her out of everyone on the island!! And he can see beneath her crumbling exterior!!!! So her self-loathing and regret and everything she’s trying to push down is obvious to him. Of course she doesn’t believe she can be revived. And we see even Taco is surprised and even a bit miffed by this!!! Aside from Mic to a lesser extent, Mepad is the only person who can really see through her facade. Mic did try, and saw that Taco was hiding things, don’t get me wrong, but Taco was much more stable at that point and shut Mic’s attempts to see underneath her image down much harder than she is able to do during the song. 

And Mepad plainly spells out what she’s feeling. This is so important to why she opens up to him more in the next verse. Not only can she not hide her emotions from him, because he already knows, but having it spelled out like that means she can’t keep hiding it from herself either. She can’t ignore her feelings when they’re being clearly stated back to her. So all that she’s been pushing down comes springing right back up in the next verse!!!! She has to physically turn away from him and cross her arms in a final attempt to keep herself closed off, keep anyone from looking in, but after everything she just can’t do it anymore. 

["Clear the slate, start again",

Are you hearing how preposterous that sounds?

How do you not comprehend that for someone with my MONSTROUS BACKGROUND,

the whole slate has fallen apart!]

Oh my god guys Taco is being honest about her feelings it’s happening guys it’s happening!!!!! She’s turned away from Mepad for the first two lines, but as she really opens up to him, she turns back around, and gets louder along with the music. And we have Taco be like, the most emotionally open we see her!!! She’s putting Mepad’s rather succinct evaluation of her feelings into her own words. She doesn’t just think she can’t change or have a new start, she finds the notion preposterous!!! Forgiveness is inconceivable to her!!! Inconceivable!!! I can’t emphasize enough that this is the first time Taco has ever emotionally opened up to anyone ever and it is her telling Mepad that she is evil, unable to change, and will never be forgiven. We really get a feel for how everything has been weighing down on her for years, and how everything has built up to a point that she really can’t take it anymore!! But she doesn’t believe there’s any chance of a happy ending for her. Not only the whole slate, but her entire life has fallen apart!! She has lost everything and is fully confident she will never get anything back!!!

[Taco, that is not true.

There are other ways to-

It's too late-

It's not too late,

For me to restart!]

Mepad coming in trying to help <3 Notice how he comes in while she’s still holding the previous note!! He is immediately refuting her idea that she’s irredeemable!! He does the same to refute her when she says it’s too late!!! He is very concerned for her and trying to convince her that it’s not too late for her. He’s trying to tell her there are other options, that she’s not so far gone, but this sort of ends up backfiring, since not only does she not listen to him when he says these things but his interjection ends up snapping her out of the state of emotional vulnerability, and she pulls her facade right back up. Taco saying it’s too late for her kind of breaks my heart honestly, I love it when my blorbo is in pain don’t get me wrong but ow, my taco it’s gonna be okay I love you. She really sees no redemption or even future for herself, and at her lowest she’s finally expressed that to someone!!! Which is a very important step to healing!!!! She accidentally started the healing process by talking about her issues. I mean, she backpedals immediately, but still!!!! Great job Taco <3 And at the end of this line we head into Mepad’s face!! Because there’s a shift from Taco’s feelings to her pushing him away, literally and figuratively, after that moment of vulnerability!! The audience is going with Mepad, at the moment, chasing after Taco!!!

[But it's not I, its they,

Who deign to play this game, so,

Cruel and inhumane, base and uncouth,]

AND HERE COMES TACO WITH THE IMMEDIATE SUBJECT CHANGE!! She just did her first ever emotional vulnerability, and as per her usual strategy with her emotions she’s hard changing the subject!!! In this case, back to the final four and the game!!! She’s deflecting back on to both of them in quick succession trying to get a topic that isn’t her to stick! She is quite literally walking away from the topic in the visuals too!! She’s trying to get away from Mepad, who is trying to keep them on the subject of Taco’s feelings, looks back at him angrily when he keeps talking about it, and then is even more angry when he keeps going, before storming away from him again!!!

[Let us talk about it when your,

head is not so clouded. You're no,

menace, Taco, how did they hurt you?

Please think this through]

Mepad is trying to get her to go back to that emotional vulnerability!!! He wants to help her, he wants to talk through her issues with her rather than watching her self-destruct!!! I think this is where the idea that running the Truth or Flare challenge will help her comes from, too. He can tell she’s vulnerable, despite how hard she’s trying not to be, and she is talking things out, in a way, during ToF!! In a healthy way, no, but it’s Taco so we need to take what we can get. As he says, he’d rather do it when Taco has calmed down, taken a moment to not bury her feelings and even gets recovered, maybe. And here we get to a very important line!! Mepad asks her how they hurt her!!!! I genuinely don’t think Taco’s been asked this, yeah? Her whole schtick is supposed to be that she is the villain, she hurts people, not how she’s been hurt herself! And dare I say, me, the biggest Taco apologist and forehead kisser you ever did see, they have hurt her. She’s seen every other person who’s hurt the others be let into the hotel and accepted into the group, yeah? Balloon was accepted, after quite a bit of effort on his part. No one really seemed to care that Knife had killed Marsh for fun, Taco mentioning it in episode 13 as they’re arguing. Nickel and Taco are relatively similar in personality, but Nickel seemed to have relatively free reign to asshole all he wanted until Suitcase snapped at him, and even then it was just Suitcase who was angry with him. But not her. She hasn’t apologized to Pickle in person, at this point, but she had sent letters. She’d at least tried to contact him, and while he was well within his rights to ignore her, I can’t really blame her for not wanting to go inside the hotel either. Not to mention, Taco has been watching them all very closely, at least for the duration of the second season and likely after the first as well, for her to have found out about the second season and to have begun scheming so quickly. So every time they’ve spoken about her, every insult and awkward silence after someone mentions her name, she’s heard. That’s got to hurt!! Taco is very much not perfect and I don’t really blame the others for not reaching out to her given she hadn’t decided to make a change yet, but it also can’t be easy to make a change for the better when you are homeless in the woods!! Mic and Mepad’s willingness to help her is what really convinced her change would be good and possible, she hadn’t had anyone else reach out to her before, and to be fair, she folds pretty damn quickly in the grand scheme of things. Mic showed her she was likable as a person, and Mepad showed her she was redeemable, and with that support she is doing her best now!!! Anyways. Uh. There’s still one more line!! Mepad is pleading with Taco not to make things worse for herself, because taking over the challenge and such is only going to make them think she hasn’t changed at all and feed into the persona he knows is a sham in shambles at this point! Talking it out with him would be a much better way to do this!!! But alas, she’s dead set. 

[I think they're too afraid to,

Bear the bed they've made,

Can't bring themselves to face the awful truth.]

TACO & THE AWFUL TRUTH that she’s projecting. Yeah Taco is the one who is afraid to actually face her mistakes, the people she’d hurt. Though, she probably sees her isolation as doing so, yeah? She’s hurt people, so she has to be alone as punishment, even though that doesn’t give anyone closure. However! As for the awful truth, yeah, Taco really is one of the only ones who’s looked the competition in the eyes for everything it is and spat on it. She’s motivated by a lot of complicated feelings she tries not to feel, but she sees the game for what it is, and how it hurts the contestants involved!! And the final four are yet to take that look, until she gets everything laid out in front of them!!

[Feeling double-crossed is part of,

Dealing with a loss, yes, but the,

Healing is a process, that's the truth]

FEELING DOUBLE-CROSSED this line is also important because!! Taco does feel betrayed by Mic!! She feels guilty and blames herself for what happened, yes, but she still does feel that sting of betrayal, since Mic left her, yeah? Oh her part, she’d finally accepted Mic as her first true friend, someone who liked her for who she was and she liked being around, and almost immediately Mic left her. A lot of that is on Taco, don’t get me wrong, but from Taco’s end she still doesn’t even fully understand why Mic was mad at her!! She thinks it was all because of her getting violent, not because she didn’t listen to Mic. My low empathy queen is still struggling to fully grasp Mic’s motivations, her first friend that she could act “normal” around, so of course she’d feel betrayed! Taco is dealing with a loss!!!!!!!!! And she is NOT healing!! She is trying to push it down like always, but it’s become too much for her!!! And Mepad is telling her that healing is a process because it’s so much for her at the moment!! He’s trying to communicate that she’s going to feel better eventually, that she needs help and time to do so, instead of rushing into another scheme!!! He’s telling her the truth, that healing is possible!!! But as Taco rejects his pleas for her to reconsider and grabs him, we shift back into reality. Taco is unconvinced, and they’re more or less at square one, with Taco’s mask for the rest of the world securely back in place.

Everyone look at this shot RIGHT NOW I’m going to explode. All these cracks come from the ii logo that Taco stomped on, yeah? And those cracks in the game spread, and create the cracks in her. She has been broken by the game!!! Look at her face! Does she look whole and happy to you? I didn’t think so. And here we have Taco close to the camera, looking out towards the viewer, to illustrate how although she’s separate from the game, more of a spectator than the player anymore, she’s still trapped inside the competition that’s broken her!! And we have Mepad in the background, further away with his position as an assistant!! The cracks are all around him rather than through him, because he’s not being hurt by the game!! He’s not a competitor!! But the game is crumbling everything around him. He’s watched everything, just like Taco has!! Every betrayal, every fight this season, Mepad has been watching. And the more he’s been seeing, the more he’s been feeling, and the more he’s been able to see how the game tears people apart and breaks them, just like it’s broken Taco. 

[So I'm turning up the heat to "sauté",

I've a beef to get grilled,

But I fully guarantee that today all the beans that get spilled,

Won't be mine, no I'm fine,

Shhhh...

Now it's time…]

Guys I think Taco might not be fine. She’s shoved her facade right up and has closed herself back off, moving to continue with her plot. She’s going to grill the final four and 100% not get upset or feel any feelings, nope. Of course this is not what happened, and from Taco’s facial expression when she claims to be fine she has a hunch it’s not going to be so easy. She knows and has acknowledged to herself that she is not okay, which is a big step, but she still stuck in her ways in terms of ignoring it in favor of playing the role she’s been designated. Her mask is cracked, her confidence is transparent, but she’s still acting. Mepad is still trying to help her here, but she physically silences him. Not literally, per say, as turning him invisible wouldn’t stop him from talking, but she shushes him and he gets the memo. The window to convince her to stop has closed, and she’s going forth with her plan regardless of how well she is. 

THANK YOU FOR READING!!!!!! <3 I HOPE YOU ENJOYED!!! I REALLY HOPE THIS DIDN’T SUCK. IT TOOK A WHILE TO WRITE SO IF IT SUCKS THAT SUCKS FOR ME. HOPEFULLY I DIDN’T MISS TOO MUCH. THROW TOMATOES AT ME IF I DID (i will be sad). GIVE ME COOKIES IF NOT (joy inducers).

[sunsetsover]

looking back at kantbison's relationship and specifically kant's relationship with submission throughout the show after episode 8 has really put a lot of things into perspective for me.

bc like. it's complicated. i'm not gonna pretend that it's not. there's too much there in kant's character to ever really be able to isolate one thing he says or does before like. episode 6 or so. and be able to say 'this was exactly what he meant, this was his sole feeling and/or his sole motivation here' bc everything's far too intertwined to ever pick apart properly.

that said though. i always felt there was a sense of reluctance in kant when it came to giving bison power over him and specifically the bdsm thing. and i could never quite figure out bc i didn't particularly get the impression that he disliked it either but there was just something that was off about it that i could never quite put my finger on, but i think i've finally figured it out. and it's really not that surprising, bc as this show's gone on it's become increasingly clear that with kant all roads lead to the same place, and that's the issue of choice - or lack of choice, in kant's case.

submission was never really the issue i don't think. kant knows how to submit, is good at submitting - at the end of the day, isn't that what he does with christ? submit to his will, follow his orders? isn't he collared and chained to him? isn't he such a well behaved dog for him? kant knows very well how to submit. but the thing is is that it's not a willing act of submission where christ is concerned. kant submits because, like with pretty much every other facet of his life, he has no other choice. he behaves because he has to.

and then the next thing kant knows there's bison, outright telling him that he'd like him to submit. to let bison take charge and have kant bend to his will, to follow his every whim. and bison wasn't pushy about it - if anything it was the opposite. he was reluctant, assuring kant that it was fine, that he didn't have to, that actually maybe it was better that they didn't. he gives kant the choice. but it's not a real choice. kant's answer is already laid out for him.

and i think that's where the dissonance entered. you see hints of annoyance and frustration before then, but the much more subtle 'off' feeling that i felt started around then. and i think it's bc for all intents and purposes kant was already completely submitting to bison's will. he was already going along w whatever bison wanted bc he had to, bc he needed bison to trust him, bc saying no to anything thrown his way wasn't (and had never been) an option.

but ofc bison didn't know that. he just wanted to dom his boy. but i think he could also feel the reluctance and the confusion around it all. bc despite what he said and did to reassure bison that he was into it and wanted it too, kant was always subconsciously resisting. and as i said i think there's a lot in that too, it's not simply one thing - bison is a murderer at the end of the day, and dom/sub dynamics are supposed to be built primarily on trust, and kant didn't trust bison not to hurt him too much or go too far. it was also clearly a new thing to him considering he didn't even know what a safeword was. and it was maybe even some weird sense of loyalty to christ. you know what they say: you can't serve two masters. and kant already had one. he was already collared and chained, already submitting. and kant's current master had an awful lot of power over him. he knew what kind of punishment awaited him if he disobeyed.

but above all else kant knew he couldn't really say no. and he hated that.

and so we're back to choice again. the one thing kant has never had. here he is getting forced into submission again - not by bison, but by circumstance. and so no matter what he says or does or how into it he really does seem, there's always this subtle reluctance that rolls off of him. there's always just something off about it all. (which, thinking about, may have been one of the reasons why so many people were turned off by kantbison, bc there was just something not quite right in the vibes, but i digress)

but obviously things change. kant accidentally falls in love with bison, despite his best intentions. and, maybe even more importantly, bison falls in love with kant. and that love changes bison - bison, who needed power so desperately when they first met that he turned nearly every interaction they had into a game of tug of war. bison who, despite not necessarily needing kant's submission, would also never ever give in to kant's will, not even a little. but that same bison falls for kant, and he begins to yield. starts to let himself just be, and by extension let kant just be too. bison begins to settle, become a little docile. he lays on kant's chest and kisses his feet. he rolls onto his back and lets kant loom big and dominating over him, despite how desperate he once was for power. and kant is clever, he knows that's what bison wanted. that's why he gave into him all the time. but by letting kant maintain some of the power in their relationship without a fight, he's basically telling kant i would like you to submit to me, but i don't need it. i just want you. and kant hears that. and that changes things. because without knowing it or even really meaning to, he's given kant a choice.

and we all know what kant chooses.

and to be clear, for the most part i think this is all happening on a subconscious level without either really realising it or thinking about what's happening. but the choice is conscious. it's his. and kant chooses the master that gives him the option to choose. that choice changes everything for kant. everything. it recalibrates his whole world view, his whole life. and the minute he chooses (chooses!) bison, he submits himself to him wholeheartedly. he puts the collar on himself.

but we don't get the reality of what that means until ep 8 bc of yknow. all the stabbing and kidnapping and manipulation and retraumatisation and scheming such. but then we do see it. and we see just how deep it goes for kant, that ease of submission, and his desire for it. how he doesn't run despite having many, many opportunities to do so. how he doesn't eat even when bison's nowhere to be found and he has freshly cooked food in his hands bc bison hasn't said he can. how he doesn't untie himself despite being able to bc bison tied him up for a reason. and sure, all of that is love too, and it's also playing nice bc he desperately wants bison's forgiveness. but this is all also an active form of submission, the same way a dog submits to their owner when they say sit, down, stay, wait. a good dog doesn't eat until it's given permission. and ultimately doesn't the fact that kant safewords tell us exactly what kind of state of mind he's in? what he thinks about their situation and their relationship? (and i won't go over it bc i've already talked about in length here but the act of safewording truly said so, so much)

and yknow, thinking about it really it shouldn't even be surprising bc we were literally shown who kant was back when they first met. and what did he do? went when bison said to go, came when bison said to come back. bison said you're not doing this alone and kant sat still and let bison ride him to his heart's content. it was very subtle, but he really was submitting to bison in little ways all the way back then! the signs were there!

and the beautiful thing about it to me is that in episode 8 there is not a single moment of dissonance between kant and bison. there's no more weird vibes. there's just kant and the first choice he's ever got to make. kant and his chosen master. kant and the hand at the end of his leash. kant and bison.

[yierrem]

a/n: i honestly don't know if gepard has an office. he probably does. i also have no idea how his coat works. damn you hyv clothing physics. i knew he was educated to some extent but while i was doing a deep dive into his lore, i learned he has a bachelor's degree and that really is so sexy. i do hope you enjoy the ramblings of a man starved

gepard x m!reader (no gendered terms, though) ; suggestive, implied sex, nudity ; wc: 563

a notification breaks the captain out of his work-induced stupor. at the sound, he picks his phone up, a small smile gracing his lips when he sees your name on screen.

he unlocks it, looking forward to whatever update you sent him before immediately slamming it back down on his desk with enough force that makes him momentarily worry about the device’s condition. he wouldn't want to lose what he just got.

his face is burning, but he tries to compose himself after taking a deep, shaky breath. he unlocks his phone once more to your messages. one was a photo, yet it wasn’t just any photo. while he was used to receiving mundane snapshots of whatever you were occupied with, even pausing to admire ones with your face in them, nothing could’ve prepared him for the sight that greeted him in your shared chat.

you were laid down on your chest in front of a mirror positioned at the foot of your bed, the sheets pooled around you. your phone covered half your face, yet gepard couldn’t even find it in himself to complain because, from what he could see, the rest of you was bare, save for his coat blanketing your form.

the fur was tantalizingly draped over your shoulders, leaving him with a glimpse of skin that showcased proof of your... escapade the previous night. red marks dotted the crook between your neck and shoulders and your hair still appeared unkempt. the blue cape was spread to one side, a stark contrast against your sheets and the white of his jacket.

💬: “miss you”

gepard swallows, suddenly feeling a little too warm in his uniform. that’s all they were; a couple messages. but his heart betrayed his thoughts, beating too fast for his liking and sending his blood rushing to places he really doesn’t want it to be at while he was on duty.

should he scold you? no, he was a weak man when it came to you. he… liked the photo, after all, but he felt that he shouldn’t encourage you to keep teasing him either. the sight of you waiting—presenting yourself— for him in such a way charged him with a sense of affection and lust he felt almost guilty for having.

his mind wanders away from his initial contemplations. although his skills as an artist left much to be desired, he knows how to pleasure you, take you apart with his hands and yet also ground you with his touch. as much as he belongs to belobog, he belongs to you. he knows your likes, your dislikes, and everything that made the gallery that was you. he's memorized each crevice, dip, and line, having devoted himself to the art of knowing your every detail.

mentally, he slaps himself, placing his focus back on the present. qlipoth, help him. what was he to do with you? that photo might've just rewired him. its been several minutes and he still hasn't formulated a response to your messages. he can almost see the smug grin on your face, knowing that you flustered him. cheeky thing. with an exasperated (slightly fond) sigh, he types out a reply. too bad he just felt like such a fool for you sometimes. he'll get back at you one day.

(and if he saves your picture to a private album of his, no one needs to know.)

[plethorawrites]

So we’ve seen all of the batbros as cats but what about the reader? What would happen if they were turned into a cat?

This took forever, sorry! But yes, I totally can!

Bruce: Weary and worried.

• Before all else, he's concerned with making sure you're alright. He calls Zatanna immediately to ensure it's not permanent and then after he knows it's not, he can relax enough to try to comfort you.

• He was never a cat person, only ever owning dogs, so he really has no clue how to take care of a cat. Let alone a cat who's really the love of his life. He tries, though. He gets Alfred to make you dinner, something that's fresh and not gross Tuna or Salmon from a can. He gives you your choice of every throw pillow in the manor to tear up when he sees you get antsy, your claws flicking in and out in stress. And of course, everything poisonous to cats like the peace lilies in the living room are moved far away.

• Bruce still has to go to work, unfortunately and with no idea how to keep you entertained, puts on those "Soothing cat videos" on the big TV in his bedroom for you to watch. A six hour loop of a fishtank is less than ideal but seems to work well enough.

• You're in the same place as when he left you, so he assumes you didn't mind too much. He notices you grooming yourself, not because you want to, but out of some strange instinct you've developed and he can tell you're grossed out by your own actions, so he does his best to clean your fur himself. You might be a cat, but you seem to like water so he puts you in the bathtub and scrubs your fur with your normal soap which makes you pur.

• Until he takes you out of the warm water and you're absolutely freezing, shivering from the cold. He wraps you in a towel and holds you to his chest until you're mostly dry, then, despite the dampness of your fur, let's you curl up under the covers since you're still a bit chilly. It makes his own skin wet, but he doesn't mind since at least you seem a bit happier.

---

Dick: Amused and empathetic.

• He tries not to laugh. He really does. It's just...so much harder than it should be. You look so small, so adorable, so fuzzy. You have a tail, for God's sake. How could it not be hilarious? He only stops chuckling when you swat your paw at him, catching him with sharp claws, cutting him. He doesn't get upset since he knows he deserved it.

• Goes to the pet store with you, letting you sit in the cart and pick out your own things, which, he can tell you dislike but reluctantly comply—otherwise he'd buy you a rat themed toy instead of the feather one you wanted. You gurgle and growl repeatedly when he picks up those stupid cat costumes, but he still buys them anyway.

• And yes, he does force you to wear them. You resisted, at first, of course, but eventually gave up when he gave you those puppy dog eyes. If you thought being a cat was humiliating, you couldn't have prepared for being a cat wearing a sombrero and poncho. "Those are our Christmas cards this year," he tells you, kissing the top of your head while you meow in protest.

• Despite that, he's still sweet to you, apologizing for you having to go through this and swearing he'll fix it. In the meantime, just try to stay positive. He'll say you can rip up the drapes if it makes you feel better. You do and it does. You always hated them and he refused to get rid of them, but now there was a valid reason to.

• He sits on the floor with you, swinging the feather toy around as you chase it, gaining a good amount of height the longer you play. His arm gets tired but you're clearly not, so he sits there until you eventually get sick of it and he sets it down while you crawl into his lap for a nap. He was going to make something to eat, but he supposes he can wait.

---

Jason: Paranoid and terrified.

• His initial response is to reassure you that you'll be fine. He'll do whatever it takes you turn you back into a human, no matter what. His second response, is to freak out. He has no idea how to take care of a cat, let alone his partner who's a cat! What if he hurts you? What if he can't fix it?

• Being a cat, you, unbeknownst to him, sense him apprehension and almost immediately start rubbing against his legs until he hesitantly picks you up, cradling you in his arms as gently as possible. You rub your head against his jaw, trying to soothe him and he takes a few deep breaths, relaxing and nuzzling your fur.

• It takes him a while, and a lot of trial and error to figure out how to take care of you, be it buying food you don't like, to accidentally leaving the window open and panicking that you escaped (you were under the bed, because it was warm and safe) but he eventually calms down once the day is finally over.

• Cuddling with you on the couch, he can barely even feel your claws kneeding on his arms because there's so much scar tissue it's too hard to scratch and hurt. Your purring is what calms him down the most though, after an extremely long, stressful day. You sitting on his lap, his hand resting on your back as he slowly and accidentally falls asleep.

• When he wakes up, you're still a cat, still sleeping on him. He picks you up carefully, taking you to the bedroom so he can sleep in his bed and you aren't left alone in the living room. He has a feeling you'll be yourself soon enough, even if he doesn't know exactly when. He'll keep you safe until then.

---

Tim: Shocked and Frantic

• He immediately starts to panic. You're a cat. A freaking cat. How? Why? What does he need to do to fix it? He has a million questions and no answers. But his stress only adds to your own and he quickly tries to calm down before soothing you: "No, no, no. It's fine. You're gonna be fine. I swear."

• Still, the second he gets you out of the room, convincing you that you'd be more comfortable in the living room than in the batcave, he starts to pace and freak out again. It's actually Damian, of all people, who gets him to snap out of it, literally slapping him across the face and telling him to be there for you instead of worrying about the details.

• He listens, to an extent, going back upstairs to where you were chewing on the fern in the living room, ripping a leaf apart. Pulling you away from it as you meow in protest, he cradles you in his arms, apologizing for fretting and promising he won't leave again.

• And he doesn't. He does, however, keep working on a way to fix you. He tries to be annoyed when you start knocking things off his desk, pushing stuff into a water bowl, jumping into his bottom drawer, laying on his papers, but he can't do it. You're just acting too cute to genuinely be mad. Eventually, he takes a break, closing the drawer you were sitting in and hauling you to his bed.

• He'll admit, he threw you with a little less caution than he probably should have, but you didn't mind, crawling onto him the moment he laid down, eager to close your eyes after being awake for far too long. Aka 5 straight hours, which, for a cat, was a lot. He didn't quite realize that, but notices almost immediately how fast you fall asleep once you lay down, curling into a ball, tucking your nose under your tail to keep it warm.

---

Damian: Is both fascinated and prepared.

• He has over a dozen pets, so when you're turned into a cat, he already knows everything there is to know and gets you anything you could possibly need. A nice cat bed, toys to keep you entertained, a post to scratch so you don't ruin any furniture.

• His others pets want to play or chase you, but he scoops you up before any of them can get even close to you. And he insists you stay close to him and not wander off, because you could get lost, kidnapped, or hurt.

• You always knew his knowledge of animals was extensive but didn't realize how much so until he was petting you, explaining how the hair follicles on cats work, which is why they never like to be pet in certain areas.

• Despite having an extremely nice bed, you'd really rather prefer his and he allows it, reminding you not to scratch the pillows or the sheets. "They're Egyptian silk. Don't ruin them." Still, when he catches you clawing at them in your sleep, unaware you were doing it, he doesn't stop you.

• In the morning, he switches feeds you breakfast, in a human bowl so it's not so degrading and takes you with him while he works on a way to fix you. He quickly gets distracted, though, by how you're looking around at everything like it's the most interesting thing ever.

[jishyucks]

˗ˏˋWhile the World Sleeps — njmˎˊ˗

0. Profiles One !

— y/n.

Major: Nursing Likes: reading, writing, being delusional on purpose, sleeping Dislikes: renjun (im joking), the smell of weed, being wrong Hobbies: does daydreaming count?

y/n’s someone who thrives off of romanticizing every single part of her life, almost to the point where her friends don’t know if she’s joking about her delusions or not—though she obviously uses these delusions to get rid of boredom. works at Nookstore with jisung. roommates with karina and giselle. tends to act before she thinks. lacks sleep because she claims that she's a night owl. just wants life to be more exciting than it currently is.

— yu jimin.

Major: Nursing Likes: flowers, cafes, being helpful, self-care Dislikes: deadlines, bedrotting Hobbies: baking, pilates

y/n’s right hand (wo)man. the one she turns to first when everything seems to be going wrong. hates deadlines despite her type-a personality. y/n’s anchor as much as y/n is her’s. often the voice of reason, if not renjun. she just wants what’s best for her best friend, so she takes care of her in return for the joy she brings her. roommates with y/n and giselle. also has a bit of crazy in her, but it takes a bit to dig it out. best best friend you could have, according to the group.

— huang renjun.

Major: Industrial/Mechanical Engineering Likes: My friends, debating, that one hot pot restaurant near campus Dislikes: Group projects, stupid people Hobbies: Painting and drawing, meditating

practically deemed the only (real) brain cell of the group. although he and y/n always tease and pick at each other, it’s all out of love—she’s almost as close to renjun as she is to karina. loves to counter anything y/n talks about in hopes of making her brain work hard. secretly very loving but won’t admit it. isn't afraid to speak out. shares an apartment with chenle. busy with schoolwork (a little more than) half the time. so very close to losing his patience (his straws are scarce).

— uchinaga aeri.

Major: Nursing Likes: blind boxes, gossip, parties Dislikes: having FOMO & being out of the loop, men Hobbies: nothing, just whatever I feel like doing that day

you know that one friend you have who knows everyone? it’s giselle—though you never really find out until you actually go out of your way to ask her about them. has a ‘if i can do it, then why not?’ mindset. very outgoing, almost too outgoing in a group almost full of extroverted introverts. roommates with y/n and karina, but very rarely at home because she's out and about doing whatever it is giselles do (if not school).

— zhong chenle.

Major: Kinesiology Likes: basketball, stephen curry <3, talking, being a supportive friend Dislikes: homework questions with multiple parts, losing (boooooo) Hobbies: basketball, playing 2k? idk

you could argue that chenle is the most extroverted of the group alongside giselle. loves it when the gc is active and tries his best to be there to contribute to whatever is going on (even if he has no clue what’s going on). plays intramural bball at the gym with his friends and cohort when it’s off-season, and then plays for the team when the season starts. generally just a ball of sunshine. everyone loves him.

— park jisung.

Major: Dance, minor in psych Likes: my lucky hat, performing, dogs Dislikes: mean people, cooking Hobbies: practicing choreo, bedrotting

finds it hard to make good friends so he only has two or three close friends if you don’t count y/n and the group. loves working at Nookstore because it’s cozy and quiet. only recently joined the group but he’s happy to be included. easily swayed. can get a lil lost but everyone’s okay with redirecting him. always means well even if his actions don't quite translate that.

✮ — m.list — next.

an: and so it begins, the first set of profiles !! honestly, this was kinda fun to make.

[atangledfate]

She knew that Tangle's home life growing up wasn't the best. Even if Tangle hadn't told her everything. It didn't take a genius to see it when she faced her father. Maybe she recognized it because she knew that feeling herself. That sense of loathing, and a tinge of hate and yet that respect you feel forced to give them. The man wasn't even her blood and she still felt like it was drilled into her head to treat him a certain way. She couldn't imagine how Tangle must feel about Twists choice. She'd always had to deal with the fact her step father would ALWAYS be part of GUN no matter how awful they were. No worse then that--- he was part of those who made those messed up choices and he always justified it by saying it was just his duty. It still disgusted her...

She smiled watching the Wisp pester Rowan, and had to cover her muzzle with her fingers in amusement. So this was what it was like on the other side of it? She always had her own side arm, and the wisps hated it but she still carried it. An old habit is sometimes hard to be rid of. So she understood the need for such a thing though, her head tilted as Rowan explained why he bought it. She saw no harm in owning a fire arm, especially for defense. Though she could understand the Wisps dislike of such things. Even her wisps hated her sidearm even if the reason she had hers was... far darker then Rowans.

She sighed and looked thoughtful at Rowan's explanation, and doubted any amount of explaining would make the wisps feel better. Whisper picked up her note pad and scribbled on it and tore it off and handed it to Rowan.

✍️I Understand, they may not and may never. But i do understand, I know Tangle hates mine as well. I'm waiting for her to try and hide it... or worse throw it away. ✍️

She held the paper so Rowan could read it and reached up to the fury Wisp and gave a soft whistle to tell it, that it was necessary. That he needed it in case mimic ever returned. But also to watch over Rowan and keep him safe.

✍️Just stay safe out there, oh and take that thing to a firing range and practice. If you intend to use it practice makes perfect ✍️

Not that she thought Rowan needed told this but, she felt like it should be said. No point in owning a firearm if you forget how to shoot the damn thing. She leaned on the banister and offered Rowan a warm smile as she was sure the Wisp wouldn't like it still but she wasn't going to deny him the same thing she carried around with her.

================================================

The Pamphlet was for a rather well known Clinic in West city. The way the edges were pent and places on the pamphlet faded it had probably been read, again and again. As if someone kept coming back to it and never quite going through with it. The number had been underlined so many times that it was cutting through the pamphlet and it even looked like it was crumpled a few times only to be unfolded yet again.

The Clinic itself was run by a rather well known doctor, and sported many pictures of her successes. Entire limb replacement, eyes, fingers, and most recent addition was vocal implants. It seemed as if Whisper had picked a rather good clinic most well known for helping War Vets. But as Tangle had already surmised the Wolf had no love for machines and bots especially. It took her so long to warm up to Belle and it was very likely that this was a big step for her--- and one she was reluctant to make.

"I mean, I'll except his choice, though respecting it is a different matter." Tangle couldn't say she respected either of her parents with the way they treated her growing up and after she dropped out of college. The lemur's attention went to the shadow Wisp, though it seemed to be mainly talking to Whisper. She assumed the Wisp asked the wolf for something as they kissed her and said they'd be right back. "Oh, alright." She was wondering what the Wisp wanted, though they clearly wanted the other's help.

===========================================================

Rowan was currently having his path blocked constantly by Fren despite how he was attempting to get past the Wisp. The lemur's attention went to hearing the whistle and seeing Whisper holding up a notepad. "Yeah, why?" He asked rather confused, though his attention went to the Frenzy Wisp grabbing the revolver and flying over to the wolf with it. "Seriously?" He would start to walk back.

"I'm guessing Shade asked you to check on me," Rowan said as he walked up to the Wisp and held out his hand. The Frenzy Wisp reluctantly handed over the revolver to which the lemur would return it to the belt. "I won't sugar coat it, when I first bought this it wasn't for the best reason, and I mainly did it out of anger because of something Twist did. After I cooled off I put it in a safe in the cabin. Didn't think I'd ever take it out again if I'm being honest. Had these two around when it all happened. They don't really know what it is, though understand I didn't get it for the best reasons, so they're sorta freaking out." He was surprised he remember the code.

"If you're concerned for the reason it's mainly for Mimic if he ever gets out again. I'm getting back in shape, though I'm also smart enough to realize he had me a bit out classed in several area's." Rowan wasn't as young as he used to be, and didn't have the type of heavy military training that Mimic clearly had. The lemur was good at throwing off one's pace by never matching his opponents intent, though that could only carry him so far.

"I figured I'd better be safe than sorry and have something to fall back on if the worse happens. Just, don't tell Tangle I have it. She freaked out after hearing I bought the thing which is the main reason I locked it in a safe. Though this time around it's for pure self defense reasons." Rowan heard a lot about Mimic, and he seems petty to go after anyone who he deems have gotten in his way.

===========================================================

Tangle had gotten up and after taking a few steps heard paper slightly crunching below her shoe. The lemur moving it and seeing some sort of pamphlet. "I wonder what this is?" She asked aloud as she bent down a picked it up. She was surprised it seemed to be some sort of Cybernetic Clinic, and took note of the vocal implant wording was circled. She always sorta knew Whisper sometimes hated she couldn't talk, though she also always seems against cybernetics. Most are because of Eggman.

Tangle would look back at the door and pulled out her phone. The lemur going through her contacts and landing on her moms number. She hesitated for a moment, though called. It rang for a bit before someone picked up. "Hey, um, I have some questions about a Cybernetic Clinic."

[captain-astors]

Creature. (The rendered ones are referenced from manga panels)

[brionysea]

if stranger things 5 comes out and they're like 'omg! the upside down has been a product of someone's dark and twisted mind this whole time! it's... WILL!' I'll immediately lose interest

[thechanglingchronicles]

Okay okay fine

We’ll talk about Scott (1/18 traffic analysis)

I’m gonna start by saying if you’re a die hard Scott fan you probably won’t like this, I’m not the biggest fan of his. Please go look at my other posts or just ignore this.

I’m starting a new thing where I just don’t want to ruin something for someone but I am a little hater.

I’m also so incredibly biased and not in his favor.

Also just about characters!!

So with that out of the way……

Scott!!

Honestly I think people mischaracterize him a lot. Which who cares do whatever you want forever but for the sake of this you’re wrong <3

Let’s start with 3rd life!

I don’t like how he treats Jimmy. I’m so sorry flower husband fans I totally get the appeal!! It’s like yeah Jimmy is a goof and he’s bad at stuff but like Scott doesn’t think Jimmy can do anything right. He berates him and makes fun of him to other people. He’s nice to him only for the benefit of himself, so he won’t drag down their team.

He expects his death.

Isn’t that tragic? He makes a widow’s alliance like he can’t wait for him to die. Like it’s expected. Jimmy’s not cursed yet. It’s not likely he’s going to win or anything but you can’t believe in him at all? You have zero faith he can live past you?

It’s so demeaning. It comes across as him thinking he’s better than Jimmy and I think he does believe that.

Of course in the end Scott seems pretty heart broken but the reason he doesn’t go through with his new alliance is because Cleo died.

Then we have the home scene at the end which is sweet but doesn’t make Scott any less annoying to me.

Scott never gets overcome with bloodlust which is interesting because of how many kills he has. That’s all him, no revenge, very little red/boogy bloodlust, he kills because he can.

What is the bloodlust just not strong enough for you? Too good for that too?

Okay he teams up with Pearl in last life because he hopes she will give him a life. Just for teaming up with him? And she does of course.

At least Ren had something to offer undying loyalty and willingness to die for Lizzie.

Like that’s a deal worth taking.

Pearl at least is like you gotta prove your worth somehow?

Then again he’s trying to team up with Cleo like real shit I guess, I would too. it just feels shity to me. If I was teamed with Scott I’d question whether or not he really cared about me at all.

He just comes off as selfish in any situation he can. I should probably give him a little credit, he is in a death game.

It’s the way people portray him as this guy who’s very morally superior and doesn’t play dirty.

But he’s ALWAYS playing dirty.

He’s constantly manipulating everyone around him.

He’s such an asshole to me idk

He’s telling Scar that they’re friends and allies but he never does anything for Scar or spend any time with him. Ditching him when Cleo tries to stay aligned with him after they get a life from him.

He very easily lies to whoever he wants to and gets away with it. His actions never catch up to him. He’s never held accountable and he’s constantly being rewarded for lying and manipulating the people around him.

Anyway the start of my hated journey is double life because he’s the worst in this.

I don’t understand why Cleo and Scott are so butt hurt about not finding their soulmates, it was funny though so I’m not upset about that.

When Pearl comes and finds him, he expects her to grovel like Martyn does. They didn’t really do anything wrong though? They were both properly geared up and it’s not like they were the only people trying to get recourses?

It’s nonsensical after listening to their explanation to still be upset, but they don’t listen or hear them out they just want to be begged for forgiveness.

Pearl of course was not going to do that and she of course is not innocent and antagonized him after that.

He’s not forgiven by me for what he did to Pearl for letting her win. She should have killed him.

That is not Scott’s only sin, what kinda douche builds a ranch specifically so you can make one better than your friends? The ranch by the way was also created to break up other peoples relationships while gaslighting them about that very fact.

Cleo and Scott spend all of double life trying to manipulate the different soul bounds because they are unhappy in their own.

Scott’s defining characteristic is being petty.

Limited life we have all the sacrifices he does, overdone at this point.

He’s so cocky. I feel like people miss that. He antagonizes and tries to get people to want to kill him. Which is how Scott has killed Joel so many times.

Scott is annoying so Joel will want to kill him but he keeps getting him.

In limited life specifically it’s so jabansksjsjsj

Because Joel is just trying to stay in the game longer he’s getting desperate and a little deranged and Scott just keeps killing him. I don’t how many kills but it was over kill.

Ugh and how he acts around Jimmy, like respect his boundaries. MAYBE theirs a good reason he doesn’t want to be around you, FREAK.

Keep the stupid pufferfish to yourself he’s over you!!

I get the ick or whatever

Ahem

Then he lets Martyn kill him for time and then the win and like where’s the drama???

Scott frfr would had another basic bitch ending like thank you Martyn for being the one interesting guy here.

Secret life

All of his actions became unforgivable when he didn’t let western duo team up, genuinely wanted to strangle him.

God again with the thinking you have some authority with what Jimmy does and thinking you know better than these grown people.

MAYBE some people are here for a good time, a loyal time, a fun time! Not a long time, but YOU wouldn’t know anything about that.

I appreciate the growth this time the final self sacrifice kill did have drama, but it was mostly Gem sounding genuinely devastated about killing him. (Idk know why that’s devastating I’m still upset about Jimmy and Scar not teaming)

I honestly don’t remember anything about real life really don’t count any of that as canon besides Cleo being a winner and Joel getting motion sickness really easy.

My hatred might actually be mostly the Jimmy and Scar thing and the fandoms interpretation.

I feel like he’s either worse than you think or just as bad but in a different way???

Kill the twink in your head.

[aceredshirt13]

gang i have to share this P. G. Wodehouse quote with you all because ever since I found it I can't stop thinking about it. it's from a letter he wrote when he was 78 years old to his friend Guy Bolton (many thanks to P. G. Wodehouse: A Life in Letters)

I have been on the sick list myself, but am better now. Inflamed bladder or chill on the bladder or something, the symptoms being agony when I passed water, as the expression is. It brought back the brave old days when I used to get clap.

he really said "yeah the pain from my bladder issue reminds of the days when I used to have so much sex I repeatedly got venereal disease"

[hephaestuscrew]

Pan-Pan, Boléro, and Minkowski's different responses to loss

I want to compare two key lines of Minkowski's which indicate very different responses to grief:

In Ep29 Pan-Pan, Minkowski breaks down and says "Doug Eiffel is gone! There was nothing we could do to save him. It wasn't anyone's fault. It's horrible, and pointless, and it just happened."

In contrast, after arriving at the funeral in Ep46 Boléro, she says "[Lovelace, Hilbert and Maxwell are dead] to make the fact that we're not gone yet important. They're gone... so that we never forget how important it is that we're still here." 

TL;DR: In Pan-Pan, Minkowski expresses her unprocessed grief through despair and hopelessness. Whereas in Boléro, she is able to find hope in the loss and lead her crew in trying to move forward. I suggest a significant reason of the difference is the presence of Eiffel to force Minkowski to confront and process the sense of loss.

Pan-Pan: "It's horrible, and pointless, and it just happened"

In Pan-Pan, the whole episode is full of anger and despair, but Minkowski speaking about the horrible pointlessness of losing Eiffel is one of the most painful and hopeless moments. It doesn't feel like she's really speaking to the others. She's focused on her internal despair (as suggested by the fact that she goes on to talk about the cracks, which Lovelace and Hilbert aren't supposed to know about).

The only potentially positive thing Minkowski says here is her recognition that "it wasn't anyone's fault". When Hera and Hilbert have been blaming Lovelace, and Minkowski has been blaming herself, it's significant that she acknowledges that sometimes a horrible thing just happens without there being anyone to blame. 

But in this context, and in the tone of voice Minkowski uses, even the lack of blame doesn't really feel like a positive thing. If Eiffel becoming stranded was just pointless and random, if there was nothing any of them could have done to save him, then the next tragedy might be just as unpredictable and unpreventable. Minkowski strikes me as the kind of person who can sometimes fall into the trap of subconsciously wishing that the awful thing is her fault because then at least she'd have control over something. In her train of thought here, the lack of blame is followed by focusing on how horrible and pointless what happened to Eiffel was. The only conclusion she can draw is "it just happened". There's no sense of hope in those lines. Eiffel being stranded just happened, and so do the cracks, and the crew are at the whims of brutal fortune with no meaning to any of it.

Boléro: "They're gone... so that we never forget how important it is that we're still here"

In Boléro, Minkowski can't even say that the tragedy wasn't anyone's fault. For each of the deaths, someone pulled a trigger. There is blame, and some of it lies at her feet. She didn't want to come to the funeral because at first she didn't know what she could say about the deaths she feels responsible for.

Yet even so, this time she finds something reassuring she can say to her crew, a grain of hope she can provide without attempting to diminish the loss: "[they're gone] to make the fact that we're not gone yet important. They're gone... so that we never forget how important it is that we're still here."

In another show, or another context, this kind of line might have had an 'everything happens for a reason' tone, which is something I deeply dislike as a response to other people's loss. But it doesn't feel like that's what Minkowski is saying here at all. She isn't trying to make any grand philosophical statement about the ultimate beneficence of the universe, or about how mortality gives meaning to human life. What she says here is working on a much more personal level. It's more about finding something other than despair that the crew can take from what has happened. This tragedy may still be horrible, but it provides a reminder that they are still alive in a context where that's far from guaranteed. Minkowski emphasises that the fact the survivors are alive matters - her crew matters. I'd argue that this contrasts with the 'it just happened' outlook discussed above. 

I don't know how much Minkowski fully feels the importance of them still being there in the moment, but it's something that she can offer her crew, something that she can say in a situation that words can't grasp. I think the moment when she joins the funeral is such a key moment of her leadership. In the end, despite her doubts and struggles, she's there for her crew. Eiffel brought them together for a funeral, but he doesn't know what to say when Hera asks why they have to be gone. Minkowski enters just at the right moment to support her crew and she provides an answer to Hera's question. It's not a perfect answer, but it allows the funeral to move forward. It allows the crew to move forward (even if that emotional movement is somewhat thrown off by a dramatic change in the circumstances). Minkowski starts off the eulogies; she leads her crew in the acknowledgement of what's been lost.

Why such a difference in responses?

There's lots of ways you could interpret the difference between the outlook of these two moments, and there's probably more to say about it though the lens of Minkowski's character development than I'm going to say here. But for me, the main difference between these moments is that, in Pan-Pan, it feels like no processing or recognition of grief has really occurred. When Minkowski says "Doug Eiffel is gone!", it almost feels like the first time that Minkowski has fully confronted and acknowledged the loss. Eiffel has been lost in space for 116 days, but it's only at the end of this episode that Minkowski brings herself to say in her distress calls that he is "presumed dead". Whereas in Boléro, she's already eulogising the dead and thinking about what can be learned from the loss, not even a full day after the mutiny.

Obviously there is much less ambiguity to a body bag (or least there would be, if not for alien interference). But I can't help thinking that the difference between the attitudes towards loss which Minkowski displays in these two quotes is less about the difference in the kind of loss, and more about a situation that prompted and enabled the processing of emotions in Boléro: namely, the funeral. After Eiffel was stranded in space, I think Minkowski probably went months without looking her grief in the eye. But after the deaths of Lovelace, Hilbert, and Maxwell, Eiffel's suggestion of a funeral forces Minkowski to confront her complicated emotions and provides a space in which she can offer direction to her grieving crew.

This is a good illustration of how I think Minkowski and Eiffel complement and support each other in a really valuable way. On his own, Eiffel couldn't provide the leadership that the crew needed for the funeral to work. But without Eiffel, and his determination to recognise the emotional weight of the three deaths, the funeral would never have happened and Minkowski would never have been in a position to provide hope and direction to her crew. When Eiffel was the one the Hephaestus crew were grieving, Minkowski couldn't offer much emotional direction to her crew beyond despair. But when Eiffel is beside her in the grief, saying that the grief deserves to be felt, then Minkowski can find a way for them to move forward emotionally. It's not the deaths that remind them how important it is that they are still here. It's the grief. It's the ability to confront that grief together.

[beatcroc]

been rereading idw to my baby sister and gotta say im a big fan of how direct this is

[puhpandas]

its been so long since human content/new content with no book relevancy even the youtubers and theorists like dawko and john are getting restless😭

[weird-unlimited-ramblings]

I feel like what hurts me most about Sparrow being all “I’m not proud of you” isn’t that he said it, cause I could already kinda guess that from the first scene.

It’s just that normal doesn’t seem to have had any inclination of it prior. Like, to him that’s just his dad being his dad. Not his dad trying to nudge him into being more normal.

And that’s exactly why Normal believes his dad hates him (at least in my mind). Cause as humans we are built to remember the bad as a way of survival, and normal probably can only think about the times he’s seen his dad cringe and how he’s so stupid for just thinking his dad was worried (even if he was worried and not in fact cringing.) like every memory gets corrupted with this new realization. When Teeny won the mascot contest was your dad actually smiling at how happy you were or was he just avoiding a scene, Did he actually enjoy watching those anime movies with you and hero when you were little or are you misremembering, was your uncle trying to warn you that you shouldn’t trust when your dad says he loves you, and so on and so on.

[velvetjune]

Spoilers for Alan Wake/Control games and DLCs: one of the things I really like in Alan Wake 2 is the confirmation that, no, Alan can’t create something out of nothing. There were implications in-story that supported that, but it was good to have that be a big part in the sequel. The AWE control dlc easily made it seem like Alan himself had a role in the events of the game and the formation of the FBC, and, personally, seeing it through that lens cheapened a lot of the game and Jesse’s story. Instead, having his writing influence the Hiss and try to manipulate (even out of desperation) Jesse/the FBC to end Hartman and get help, fit right into plot and conflicts of Alan Wake 2, with Alan being sympathetic, but also an asshole for trying to change and control people’s lives in his writing.