#and it will feel unbearable

[weaksspot]

can't stop thinking about i bet on losing dogs as a samdean song. going crazy about it

[gotchibam]

Rockruff and Houndoom ko-fi doodle for teethcritter!

[sunderwight]

Bingqiu AU where Luo Binghe's the chosen village sacrifice to the evil deity who lives up the mountain.

Normally the village sends maidens, but they've more or less run out of expendable girls of the right age and, ahem, "virtues". So of course Luo Binghe's early life bad luck kicks in. In the wake of his mother's death there's no one to really care about what happens to him, he's fairly pretty, and the village leaders decide that if they dress him up like a girl the teenaged homeless kid should pass well enough. And hey, y'know, he's probably got a hard life ahead for him anyway -- dying in a brothel of some venereal disease or on the streets of exposure or starvation. At least as a sacrifice, everyone else gets to benefit from his loss! And the kid will get added to a shrine and be remembered as a hero! If anything, he should be happy about this!

Binghe is not happy about this.

But he's also a skinny underfed nobody who is easily overpowered, dressed up like a bride, and tied to a post. So. Not much he can do but wait for the evil deity to come and do whatever horrible thing he's gonna do to him.

Meanwhile, Shen Yuan is pretty sure he's been isekai'd into the over-powered hero of some kind of supernatural adventure story? He's not totally sure because he doesn't recognize the setting, but the signs are there. He's got a shrine-like base of operations (though it seems to have become corrupted/ruined, probably he has to restore it somehow), he has a very resilient and handsome new body with spiritual energy of some kind flowing through him, and a very clearly magical sword. Plus lots of neat starter powers! Though it feels like he has other abilities that have been blocked somehow? Probably he has to level up in order to access them.

When he treks out of his "base" and finds what seems to be a distressed maiden, he takes it for his beginner hero mission. The girl claims that she's been doomed to be sacrificed to an evil god. That sounds a little above Shen Yuan's pay grade for dealing with, so he unties her and decides that they had better just get out of the whole region altogether. He already packed up anything useful from his base, anticipating he might get caught up in an adventure once he left, so they follow the river away from the settlement until they reach another one.

While they travel, Luo Binghe tells Shen Yuan about the cursed deity, Shen Qingqiu, who was cast out of the heavens for slaughtering one of his brethren and has apparently being do-who-knows what to maidens from the local village in exchange for his "protection" ever since. Sounds like a real asshole! And also mid-level boss type bad guy at least. Shen Yuan hopes he doesn't have to fight him, but he probably will.

Thank goodness he found Binghe, though! Clearly the helpful little sister type! He's definitely going to require her assistance if he's going to figure out how to navigate this world and level up his skills enough to take on a god.

[idolomantises]

Twitter does fascinate me, because I feel like tumblr has been a lot more accepting of people who draw women with big boobs, who draw adult art on the side, and who aren't afraid of being sensual and intimate.

But twitter seems to be actively terrified of anything that could turn them on. For years I've been harassed for my art. Way back in 2020 I was called out for "sexualizing" Ankha, but this was the image they were referring to.

This fear of adult works and porn has to end man. Queer artists shouldn't be harassed or labeled as bad, untrustworthy people because they want to draw women with curves or big chests, or draw some NSFW art on the side.

[applebees4prez]

snl wishes they could be this funny prepared, let alone off the cuff. nobody has perfected the art of comedic timing like zac oyama has but also, nobody could work with other comedians well as these guys do.

[seiwas]

cw: suggestive, just iwaizumi being hot in a muscle tee, use of 'baby', sweat, unedited sawry (this is my pure carnal desire for this man)

iwaizumi hasn’t worn a muscle tee in years—

it hangs off him like a singular piece of cloth, haphazardly cut to show off as much skin as possible. slutty, the way mattsun and makki had intended for it to look when they gifted it to him in his third year of college.

which, to be fair, maybe he was one—a slut, that is. whoring himself out completely with those ‘subtle’, ‘lowkey’ thirst trap instagram stories on his fitness account. the way his skin flushed a darker peach after your joint gym days was always borderline inappropriate, the strands of his hair sticking up in what you could easily mistake as sweat-matted sex hair.

iwaizumi’s muscle tee days are well associated with him being the image of absolute sin.

but it was all for you anyway: the instagram stories he set on ‘close friends’ only, the hours he kept free so he could align his gym schedule to yours—

“oh! that’s perfect!” you beam at him, your smile completely unaware.

“yeah. it all worked out…” he casually brushes it off.

—it was oikawa's idea in the first place.

"you have to sell yourself better iwa-chan," the brunet whines over the phone.

and so he did; followed every embarrassing idea oikawa came up with, posed and posted in ways extremely un-iwaizumi, and stocked up on muscle tees. a lot of them. only for him to be called—

"simp," oikawa snorts on the call. iwaizumi groans, rolling his eyes.

—"baby," you stop dead in your tracks, your breath on hold.

yeah, he thinks, it was all worth it because this is what you call him now.

"is that—?" you inch closer, mouth falling slightly open. he thinks there are stars in your eyes as you ask, "are you wearing—?"

oh.

iwaizumi looks down at the muscle tee hanging off his body and feels a little bit exposed. he just came from the gym and he hasn't worn a muscle tee in years, his collection of them having dwindled over time. the only reason he kept this one is because of its sentimental value, and the fact that it came from makki and mattsun.

compression shirts are his thing now, which you approve of very much, but you're both in the middle of moving, and some of his clothes are still in boxes.

you approach him slowly, "is this a comeback?" the smirk on your face grows when you reach him, your hands fiddling with the fabric.

this is the same muscle tee he was wearing the first time you told him you loved him.

he moves away before you can come any closer.

"sweaty," he scrunches his nose as he takes your hands into his, kissing your fingertips.

you scoff, pressing yourself right into his chest, "even better."

your hands cling to his sides, slipping underneath the damp cotton of his muscle tee as you rake your fingers down planes of taut muscle. he shivers, breath hitching as the heat travels up his body, flushing the sides of his neck deep peach.

you peer up at him and grin, placing small pecks at the areas of his collarbone that peek through.

fucking—

his hands grip your waist, keeping you in place as he tilts his head low, lips grazing just the tip of your ear.

"don't tease," he warns, voice low and hoarse, but his hands show no signs of moving away.

notes: i would like to thank @pastelle-rabbit for asking me the hardest question of all time, otherwise this little blurb wouldn't exist

[napping-sapphic]

I just want to fall in love with someone who makes me feel safe like even when we’re angry or sad or upset i just want to know that both of us are still going to be okay

[zer0point5ive]

“the worst they could do is kill you” actually the worst they could do is crawl closer to you instead of leaving even though they’re currently bleeding out after cutting their own foot off with a hacksaw in order to escape and the door is open for the first time since you both woke up in this room, just to pull you away from beating the now lifeless body of the man who was about to kill them and proceed to cup your face with the sort of tenderness that wasn’t meant for someone like you, wasn’t meant for either of you not here not now, before saying things that you both so desperately want to believe but know deep down are near impossible all while you feel the searing ache of the bullet wound they put there not moments earlier and then, even as they start to make their way towards the door, even as their shirt slips out of your grasp and your scrabbling fingers can no longer reach their wrist and the chain around your ankle starts to feel like your fate, they still turn back to assure you that they wouldn’t lie to you. if you’re adam saw 2004

[esmes]

2023 revival todd/lovett + touch

[jerejerejere]

I'm crying big fat grown-up tears about this. After everything. At the bottom line of it all. He is love.

(Thank you @richletozier for the scans!)

[incarnadinedreams]

This isn't really new or anything but the more I reread random passages the more convinced I am that there's something very unique about the way Jiang Cheng reacts to Wen Ning and it's just so interesting!

I'm convinced it's more than just being angry. It's more than just hating him, or blaming him for Jin Zixuan's death or his sister's life. It's more than being a Wen, and it comes long before so many of those tragedies unfold anyway.

There's a sort of urgent, visceral reaction to Wen Ning's presence that just has this different feeling to it than how he reacts to any of the other characters. Even characters he has strong emotional responses to, it's never with the same panic or recklessness. It's not the same as the whole "vengeful wrath, fathomless hatred, or raving ecstasy" situation he's got going on with Wei Wuxian (sexy as that might be).

When it's Wei Wuxian, it's all "...well, well. So you're back?" and "Haven't you got anything to say to me?" Even when he's not being very nice, even when he's throwing teacups and furious at Wei Wuxian, there's still an edge of calmness in the way he lashes out. He's fucking mad but he's had more than a decade to think about this and he's got things to say and he's trying so hard to get a reaction from Wei Wuxian that he just won't give him.

But he can't tolerate having Wen Ning anywhere near him. Much of the time he instantly lashes out, physically, in ways to create space between them. He's mean to Wen Ning, but he doesn't really have much to say to him; he just wants to get away from him.

It really stuck out to me how instinctive and instantaneous and emotional that reaction is when I was reading this passage from chapter 81 (ExR translation since I've got it on hand in digital text form), when Jin Ling returns Zidian and rushes back into the fray during the Second Siege:

When Jiang Cheng was unaware, he stuffed Zidian's ring back into his hand and sprinted toward the crowd, all the way up to the most dangerous area before the mouth of the cave. Jiang Cheng was about to chase after him when he managed to slice a few corpses, staggering. He felt that Sandu was no lighter than hundreds of pounds. Two female corpses threw themselves at him from both directions.

Jiang Cheng cursed. As he lifted his sword again, another pair of hands tore the two corpses into pieces, "Sect Leader..."

Jiang Cheng lost his temper as soon as he heard the voice. He kicked Wen Ning away and cursed, "Get the fuck away from me!"

Obviously that is not very nice and poor Wen Ning didn't deserve a kick for being legitimately helpful there, but the point is that not only does he lash out - the reaction happens even when he's clearly got higher priorities going on in a chaotic situation. Throughout that entire event he reacts in a somewhat more even-keeled way to almost everything except Wen Ning being in his vicinity.

And it's not just after Wen Ning's death, not just after he became Wei Wuxian's greatest weapon, not just after he was forced to kill Jin Zixuan - it's specifically a pattern established from the moment he woke up in the Supervisory Office without a core:

Before he could say anything, those sun robes reflected against Jiang Cheng's eyes. His pupils suddenly shrunk.

Jiang Cheng kicked Wen Ning, toppling over the bowl of medicine. The black liquid all spilled onto Wen Ning. Wei WuXian wanted to take the bowl of medicine. He pulled up Wen Ning as well, who had been shocked speechless. Jiang Cheng roared at him, "What's wrong with you?!"

At this point he doesn't even know how he was rescued, since he was unconscious for all of that, and thinks they're in a Wen trap and likely going to die (or worse). But there's so many echoes of that interaction again, and again, and again between them.

And combined with Wen Ning's remarks during the scene just before this, where he tells Wei Wuxian about the discipline whip injuries and how Jiang Cheng 'should have other injuries as well', the way the narrative is so deliberately ambiguous on what exactly occurred, it all makes me want to crawl up the walls and gnaw on the light fixtures wailing WHAT DID YOU SEE, WEN NING?! WHAT DID YOU SEE?

At a minimum, Jiang Cheng knows that Wen Ning was there at Lotus Pier prior to his capture by the Wen guards, because they'd both seen Wen Ning examining Jiang corpses on the training field before they fled for Meishan.

But everything after that is only implication and subtext and suppositions and speculation, not directly stated in the text. But based on his reaction, you can pry my headcanon from my cold dead hands that that Wen Ning probably witnessed all or much of what happened to Jiang Cheng after he was captured, and Jiang Cheng knows it.

I've also posted before how I think there's an at least nonzero chance that Jiang Cheng was never directly told that Wen Ning wasn't actually there with Wen Chao when they saw him early on, but came later to try to help (because when Wen Ning gives Wei Wuxian that information Jiang Cheng isn't conscious, and nobody tells Jiang Cheng anything. I don't think that headcanon changes much either way, but there is a slight difference, at least emotionally, between 'I helped you while I was there to slaughter your clan and destroy your life' and 'I came when I heard my crazy cousin was slaughtering your clan and tried to help you' and I think it's a juicy thing to add to the pile of misunderstandings they each have of the other's motivations and actions).

Which, if I go with these two ideas together, really drives home what a bespoke and specific nightmare the way the Golden Core reveal played out - not only the substance of the reveal, but the fact it was Wen Ning who revealed it.

He was already furious that they were even there at Lotus Pier, particularly Wen Ning. But the way it all happens it feels like it's not just echoes of the amplified emotions of the confrontation with Lan Wangji & Wei Wuxian in the Ancestral Hall, it's not just Wen Ning being a Wen, or even Jin Zixuan's death, the way the narration calls out. It feels like there are deeper layers to it.

I also feel a bit stupid for not noticing before this probably extremely obvious to literally everyone else who isn't a dumbass like me parallel of Wen Ning getting a gruesome scorching whip mark across his chest at Lotus Pier in the course of saving Wei Wuxian (more or less, sort of - we know as readers Jiang Cheng was intentionally trying not to hurt them with Zidian, but I don't think Wen Ning knew that when he jumped in).

Jiang Cheng looked to find that the uninvited guest was Wen Ning. Immediately, he raged, "Who let you inside Lotus Pier?! How dare you!"

He could manage to tolerate others, but definitely not Wen Ning, the Wen-dog who put his hand through Jin ZiXuan's heart and ended both his sister's happiness and her life. Just a look, and he felt the urge to kill him right there. How dare he step foot on the earth of Lotus Pier—he really was looking for his death!

Because of the two lives and many other reasons, Wen Ning had always felt guilty, and so he'd always been somewhat scared of Jiang Cheng, consciously avoiding him all the time. Right now, however, he blocked Wei WuXian and Lan WangJi as he faced him, taking the hard lash. A gruesome scorch climbed across his chest, but still he didn't flinch.

I don't know that it actually means anything but it's making me FEEL THINGS incoherently at this specific moment, so. Also I find it legitimately sad that Wen Ning has to live with guilt over things that happened when he was controlled by someone else, though the scene before the Ancestral Hall when Jin Ling starts crying on the boat is probably a better example of that. Anyway.

It's just there's so, so many layers to how uniquely horrible it is for Jiang Cheng that he not only finds out about the Golden Core transfer this way, but also that Wen Ning, specifically, directly witnessed this life-shatteringly huge deception and sacrifice too - while Jiang Cheng was unconscious, no less.

And, well, we know how everything got capped off in that scene...

Obviously the shock of the information was going to get a huge reaction no matter what, no matter who or how he found out. Even without the Wen Ning element, it already hits every one of his deepest weaknesses and insecurities and fears.

But to come from the guy who'd witnessed his family being slaughtered, who'd witnessed who-knows-what humiliations heaped on him (who also happens to be the same fucking guy that Wei Wuxian thought it was worth leaving Yunmeng Jiang for, breaking his promise for...), the guy he blames for his sister's tragic fate (whether that blame is misplaced or not), the guy he exhibits a panic response towards even decades later, and goddamn.

There are just so many layers to this perfect little nightmare reveal on so many different levels aren't there?

There's just SO much meaty stuff for these two to dig into post-canon and all we get is an extra with a 'oh yeah sometimes Jiang Cheng yells on night hunts and Wen Ning is there' about it?!

I should probably just shut up and go read some Jiang Cheng and Wen Ning focused fics or something (whether romantic or platonic that's probably an area I really haven't explored enough vs. the amount of sheer interesting hints and material the novel gives to work with! If by some miracle anyone made it to the end of this beast feel free to drop any recs that explore them, especially that 'what did Wen Ning see?!' aspect of the whole situation because that is the current little brain worm haunting me right now).

[mellpenscorner]

Jane Austen: and here we have the love interest. He might have some issues, but once you get to know him, he's a great guy. Good looking, heart of gold, the works.

Charlotte Brontë: get ready for the weirdest man you have ever met.

[39oa]

2023 BRITISH GP | PIASTRI & ALBON | POST-RACE

JENSON: You (Alex) were battling with Ferraris, and you (Oscar) were battling with Red Bull. Did you expect that coming into the British Grand Prix? ALEX: No!  OSCAR: I think we've gone into a different universe for this weekend. 

[posletsvet]

Was anyone going to point out to me that the reason why curses were swarming the streets and filling every empty nook and cranny in the summer of Geto's spiral was actually Gojo Satoru?

The narrative already bears witness to how Satoru's mere birth tips the balance of the world. As the first Gojo to be born with both the Limitless and the Six Eyes in what is almost a half-millenium, he holds unparalled power. Him simply existing is enough for curses to spring into action and start growing in strength as well.

When he suffers a crushing defeat by the hands of Toji and subsequently thrusts himself vigorously into perfecting his technique, this rapid increase in his strength puts into motion a similar process. He becomes stronger, and so cursed spirits follow suit. He breaks the fragile equilibrium, and cursed energy seeks means to restore it.

First time Satoru Gojo changes the world, he is named the strongest. Second time Satoru Gojo changes the world, he becomes the strongest.

Now, this might be a bit of a stretch on my part, but what if Geto's defection and everything in its aftermath is how the world responds to Gojo being the strongest? After all, you cannot balance the scales by putting too much weight on just one side.

Suguru's abilities as a sorcerer are inherently deeply tied to Satoru's, and intentionally so. The stronger he is, the more potent the curses are -- and therefore the more potential there is for Geto's technique. I have said it before and I'll say it again: they are a perfect counterbalance to each other. The equilibrium is broken by Gojo twice. Each time, Geto is there to restore it: first by being born with the ability to manipulate curses, then by creating the opposition to jujutsu society, which Gojo has become the centrepiece of.

Ever since Suguru Geto entered the narrative, he has been the one to keep Gojo's powers in check -- hence preserving the balance. That's why the narrative brings him back: in order to be well-balanced, it needs both of them to be present.

[skeletoninthemelonland]

do talk about them i would love to hear

soap anon

:O Hi Soap Anon! Sure, let's talk about em

As some of you have figured out, they make one chaotic duo. It's fair to say they share one (digital) brain cell.

[english-history-trip]

...No time hath she to sport and play: A charmèd web she weaves alway. A curse is on her, if she stay Her weaving, either night or day, ⁠To look down to Camelot.

She knows not what the curse may be; Therefore she weaveth steadily, Therefore no other care hath she, ⁠The Lady of Shalott...

....But in her web she still delights To weave the mirror's magic sights: For often thro' the silent nights A funeral, with plumes and lights ⁠And music, came from Camelot. Or, when the moon was overhead, Came two young lovers, lately wed: "I am half-sick of shadows," said ⁠The Lady of Shalott.

A bowshot from her bower-eaves. He rode between the barley-sheaves: The sun came dazzling thro' the leaves, And flamed upon the brazen greaves ⁠Of bold Sir Lancelot. A redcross knight for ever kneeled To a lady in his shield, That sparkled on the yellow field, ⁠Beside remote Shalott....

...She left the web: she left the loom: She made three paces thro' the room: She saw the waterflower bloom: She saw the helmet and the plume: ⁠She looked down to Camelot. Out flew the web, and floated wide, The mirror cracked from side to side, "The curse is come upon me," cried ⁠The Lady of Shalott.

On either side the river lie Long fields of barley and of rye, That clothe the wold, and meet the sky. And thro' the field the road runs by ⁠To manytowered Camelot. The yellowleavèd waterlily, The green-sheathèd daffodilly, Tremble in the water chilly, ⁠Round about Shalott....

...With a steady, stony glance— Like some bold seer in a trance, Beholding all his own mischance, Mute, with a glassy countenance— ⁠She looked down to Camelot. It was the closing of the day, She loosed the chain, and down she lay, The broad stream bore her far away, ⁠The Lady of Shalott...

...Under tower and balcony, By gardenwall and gallery, A pale, pale corpse she floated by, Deadcold, between the houses high, ⁠Dead into towered Camelot.

Knight and burgher, lord and dame, To the plankèd wharfage came: Below the stern they read her name, ⁠"The Lady of Shalott."...

Text: Excerpts from "The Lady Of Shalott" by Alfred Tennyson, 1833

Images: Howard Pyle, 1881; John William Waterhouse, 1915; William Maw Egley, 1858; William Holman Hunt, c. 1905; John William Waterhouse, 1888; Edmund Blair Leighton, c. 1887