#and it was going pretty fast too

[rowenas-my-fave-child]

Enoch: *yells out a car window at a child* hey kid you want some candy!?

Horace: *at the same exact time* imsosorryimsosorryimsosorry

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[splickedylit]

You can't fight the role the Mother had in store for you

[pianokantzart]

I have a headcanon that alcohol in The Mushroom Kingdom's world is way less potent than the alcohol in the regular world. To a ridiculous degree.

As a result, Mario and Luigi can drink almost anyone under the table despite being lightweights compared to the rest of their family.

On the other hand, Princess Peach tries one mimosa in Brooklyn and realizes she's made a terrible mistake.

[rivalmelty]

lucy redraw doodle 🫶🏽

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[comixandco]

cleo sertori had a fear of swimming since she was a child and nobody considered for a second that getting stranded on a boat in the middle of the sea then falling into a cave system where she had to swim through subterranean water tunnels to the ocean where she had to tread water until a s&r team found them would be traumatic and exacerbate her fear into full aquaphobia

secretly becoming a mermaid helped her get over her fear but to everybody else her being cagey about the pool party and washing the dishes makes 100% sense when they stop for a moment and consider she’s probably terrified

[turtleblogatlast]

Do you ship any of the turtles with anyone? or do you ship anything in rise at all?

(This ended up being a lot longer an answer than I intended hoo boy sorry about that)

Hmmm, I’m not too big a shipper tbh! Especially since I really enjoy canon interactions backing my ships, so it’s hard for me to actively like any that don’t really have that going for them. There’s plenty that I see around that I think are cute, but that’s usually the extent of my thought process for them.

For ships I more actively have, I guess I like AprilxSunita! They’re very very cute and I think they have some huge meet cute energy in their first episode together, and their chemistry is genuinely adorable (plus them being featured means more April screentime which is ALWAYS a good thing.)

I also think AprilxCasey (and when I say Casey I mean our OG girl) is really good, as I’m a sucker for enemies to lovers, and I think they have a lot in common and just bounce off each other very well (not to mention this ship in other iterations of TMNT has a loooooot going for it.)

Keeping the chain going, I think RaphxCasey (again, OG Casey) is also one with a tonnnnn of potential. They have a lot of common characteristics, and considering Raph’s whole thing with Franken-Foot, I really think there’s a lot of room there for a relationship to develop. Plus, like AprilxCasey, Raph and Casey tend to have a close relationship throughout the iterations of TMNT and it would be great to see that more with these two, even if not romantically.

Actually going back to enemies to lovers, I unironically think there’s a ton going for DonniexKendra. I know a lot of people hate this ship, but I don’t and I actually think it could very easily work whether in a love-hate way or a slow burn way. There’s a lot to like here and honestly they’re good together! Kendra is legit Donnie’s type too haha (cute, but mean.)

Lastly, SplinterxDraxum is good…when done right. I really like when people take it and don’t undermine the very real trauma that Splinter has gone through. As I’ve stated a lot, I love me some enemies to lovers, so I can see the potential here. Plus lbr Draxum was down BAD for Lou Jitsu when he first saw him haha.

I think that’s the extent to what I actively like? Everything else usually falls into “aw cute” or “ehhh not for me thanks”. And before you ask YES leosagi is cute and I’ll read fics with it if the premise is appealing, but I’m afraid I need some canon interactions to establish base character dynamics before I actively ship it alas.😔 Super cute though, no hate to it or any of the other CanonxCharacter-they’ve-never-met ships, I genuinely think people should just have fun! And for what it’s worth I really do wish we got a Usagi and Leo interaction in Rise like we have in other iterations.:(

So yeah. Overall, I have a few ships I enjoy, but I fall much more in the “prefer to keep everyone to themselves and make the focus family and friendship” category.

[solargeist]

they made him study a lot, train, not sleep, and didn’t give him any glasses . It was immediately hell on ice

[expelliarmus]

[the-cowardly-cheese]

Halloween animation FINISHED 🛌

Here's your mental health break for 7.5

Original audio/Video https://youtu.be/6bqhk0GMEek?feature=shared

[hi-i-just]

I'm surprised this isn't talked abt much, and I know by supernatural standards it takes a lot to get drunk, but tbh? Crowley is kind of an alcoholic.

What's the first thing he reaches for whenever he encounters something that evokes great emotion? A bottle. He always goes for a bottle. He doesn't do it always w every situation but when he does he copes with a bottle. Satan's attempt to kill the children of Job. The 7 year old boy's death. The belief of it being his last night on earth thanks to Furfur's evidence. Trying to convince Aziraphale to help him raise the Antichrist. Actually losing the Antichrist. Losing Aziraphale. Nina's talk.

[noirandchocolate]

I just started reading Terry Pratchett's "Nation" out loud two days ago and I just want everybody to know I'm doing SO good at not crying my eyes out and ruining the flow so far. I wanted to share this book and I'm being so brave while I do it.

Also Mau is my son and god Pratchett is so good at describing how emotions and experiences feel by showing actions and thoughts.

[andromeda3116]

rereading order of the stick (again), and greyiew is only in a few comics so far but man do i love this nihilistic wolf

[worstloki]

people just ignore Thor was a feral child, huh? like his life goal was probably to demolish another race at age 12 and he was probably begging to go to war and attempted to murder their father for not letting him via telepathy that he didn't have.

[trentcrimminallybeautiful]

i think the diamond dogs should play improv games just bc it would amuse me, an ex theater kid, specifically