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thecleverqueer · 2 years ago

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Random thoughts while watching the Book of Boba Fett Episode Six:

*I really don’t like the Armorer. I don’t know why. Something about her bothers me. I know that she’s not in the episode, only the recap, but yeah. I don’t like her.

*Cobb Vanth has great hair.

*I think the moral of the story is that if you decide to f*^% with the Pykes, you need to just kill them. Don’t leave any of them behind to go back and squeal to their bosses. Just off them all.

*I know that Din wasn’t all for it, but that Naboo N-1 Starfighter is a huge upgrade from that busted ass Razor Crest that he was flying around in before.

*I want to know where Luke got all those spider droids from to build his little Jedi Temple School. He’s got an army of them. Who’s funding this escapade?

*The one-eyed frogs scene is something. Luke’s like, “oh, you think you’re cute trying to use the force to lift one measly frog to fill your stomach!? Watch this! I’m going to lift every damned frog on this planet up into the air!”

*Grogu flashback: That was Barriss’s room in the temple. Which brings up two questions in my mind that I want answers to (no, three questions):

1.) Was Barriss the one that saved Grogu from the Temple during Order 66? Because holy shit! I hope so.

2.) Did Ahsoka find out who saved Grogu when he and she connected minds during “The Jedi”episode of “The Mandalorian”? Because ouch!

3.) Are they ever going to stop tormenting Ahsoka with the memory of her first girlfriend and that particularly nasty breakup that they had? Because give her a break! We’ve all dated questionable girls in our youth. It’s part of the lesbian initiation process.

*It does sting watching the 501st mowing down Jedi after watching the Clone Wars series. It didn’t hit the first time I watched this show as I hadn’t watched the Clone Wars. Rewatching it again for the first time… it hits different.

*Luke really isn’t a very compelling teacher. He’s not a terrible warrior, but rebuilding the Jedi was a tall order. Ahsoka would be a better teacher. She actually has a proven track record of being compelling. She’s also a Schrödinger's Jedi now though, and I suppose the drive she has to embark on her own adventures would hinder her from being remotely interested in raising force sensitive children. She’s got auntie vibes. She’ll love your kids, but not as much as she loves being able to just say “f*^% it”, hop in her space ship and do whatever the f*^% she wants when she wants.

*Din asked Ahsoka what she’s doing there. Bitch, she trained Luke. She’s got to make sure he’s okay. She’s his auntie. That’s her job.

*The line where Din tells Ahsoka that he was looking for “the kid” so R2 brought Ahsoka to Din because she was “the kid” is so f*^%ing cute that I can’t stand it. OMG.

*Luke Skywalker Parkour > Fennec Shand Parkour

*”So much like your father”… nah, Ahsoka. Luke’s not responsible for multiple episodes of genocidal rage that resulted in the extinction of entire groups of people, but I do love your optimism and your unwillingness to see what a huge asshole Anakin was.

*Ahsoka’s like, “trust your instincts”….which is basically her all but saying, “Nah fam, don’t train this kid. It won’t end well.” Based on Luke’s facial expression though, he get it.

*THERE HE IS!!! We went an entire episode and a half with no Boba Fett and he is the titular character. Come ON! And don’t give me this, “oh well, no one knows Boba Fett like they know the Mandalorian” because that’s bullshit! It’s Boba f*^%ing Fett! We’ve had Boba since the Star Wars Holiday Special in the 70s. He was in the original trilogy. He is an icon. If you know Mando, and you don’t know Boba Fett, then give your f*^%ing “Star Wars Fan” badge back, sit down and start over from the beginning because you failed epically.

*Why doesn’t Black Krrsantan dismember that mayor’s major domo? He’s far more vexatious than the Trandosians, and there are arguably more limbs from which to rip apart thanks to his lekku.

*Why would anyone live on Tatooine willingly?

*Cad Bane in live action was a brilliant move… not gonna lie.

* F*^% the Pykes for blowing up Twi’lek Bette’s casino bar brothel.

*Luke gives little Grogu a choice: He can have the Beskar armor or f*^%ing YODA’S LIGHTSABER! Really, Grogu, take the lightsaber. You can f*^% a Kryze later (assuming there is one left) when you get old enough, and they’ll gladly give you the Beskar. Ask force ghost Obi-Wan or Ahsoka- they both boned Kryzes, and have the Beskar armor AND lightsabers to prove my point.

*Luke makes a valid point. Din is going to die in about forty or fifty more years (give or take, I don’t know how old he is), but Grogu is going to live to be damned near a thousand years old. Only one, Grogu. Do you want to be a Jedi or a Mandalorian?

#star wars #the book of boba fett #din djarin #the mandalorian #luke skywalker #ahsoka tano #the 501st #boba fett #fennec shand #tatooine #cad bane #grogu #black krrsantan #barriss offee

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nibeul · 4 years ago

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Saberstaffs: A Guide for People Creating Jedi/Sith OCs

I posted this on Instagram a while ago but I figured I should post it here too! This is basically my analysis of saberstaffs paired with some history and extra info. I’m by no means an expert, just a SW weapons nerd who enjoys rambling about things, bonus if people find it helpful :) most of the general info is backed by the wookiee for anyone curious to give it a look

The History

Saberstaffs are rare among the Order, and while a decent amount of it has to do with how hard it is to master, its origins also play a part in this fact. Originally known as the “Sith Lightsaber”, saberstaffs were created by the Old Sith Empire (as the name suggests), serving as weapons of aggression with the ability to easily overwhelm and overpower. The design had been pretty much unheard of until it was wielded by Exar Kun during the Great Sith War, the fallen Jedi having modified his original lightsaber using schematics from Sith Holocrons he had found. It was forgotten shortly after, trading off from hand to hand before eventually making its way to the Order for safe keeping (this is obviously a very simple explanation since I don’t want to dwell on it too much). The design became popularized among the Sith during the Jedi Civil War, and was even wielded by some skilled Jedi, though the Council frowned upon its use as the staff was a weapon of aggression purely designed to kill more effectively than the standard saber. The Order’s prejudice against the weapon remained a constant even into the waning days of the Republic, and as a result, very few Jedi utilized it. By the time the Invasion of Naboo rolled around, they’d faded into almost complete obscurity, so you can imagine the surprise of Qui Gon and Obi Wan when Maul pulled one out.

Schematics

The original saber staffs were much more complicated than the ones seen during the Clone Wars, consisting of a singular lightsaber mechanism that had two emitters, Exar Kun’s modified staff fitting this design. The more modern staffs, such as Maul’s, were made up of two, standard lightsabers that were melded together at the pommel in order to form one, elongated hilt. I’m actually not sure what the exact reasoning for the simplification was since the original was more effective, though I assume it has to do with the loss of the original holocrons and a change in wielding styles as the years progressed. The Council was right though in the fact that they were made for better effectiveness in combat; two ends meant faster attacks, and rapid assaults could be dealt out by the wielding with minimum movement. On the flipside, it was also good for defense—specifically in dueling, I’ll get to combat against blasters later—because it covered more area with less effort. There was also a psychological impact that comes with most unorthodox weapons, as tracking two blades is obviously a lot harder than one, and either end was often thought of as separate weapons instead of one.

Of course, there were still weaknesses, and with great killing power came debilitating flaws if put in the wrong hands. Wielding a staff without training was fatal in most cases, and it was likely that an inexperienced user would slash or bisect themselves trying to utilize one. A prime example of this comes from Antos Wyrick who accidentally impaled both himself and his daughter when trying to kill her. The minimum movement needed also came at a cost when it came to attacking and parrying because it’s impossible to simply adjust positions, as someone using a standard blade might. The sun djem contact mark could be employed by an opponent with little experience, and due to the length of the hilt, it’s hard to defend against. The best comparison to a saberstaff in terms of modern weapons would be the quarterstaff, though it’s not completely adequate because there’s only so much area for the user to put their hands whereas a quarterstaff, you have the entire length. The weight is also different as the weight of any lightsaber is condensed at the hilt while a quarterstaff’s weight would be evenly spread throughout it. Because the user’s hands have to be positioned at the general center of the weapon at all times (the hilt), power that would be possible with a quarterstaff is lost with the saberstaff.

Wielding Styles/Forms

Next, we have a breakdown of wielding styles, and to do this I’m going to be using Maul and Krell.

Maul

There’s apparently some controversy over what lightsaber Form Maul uses, though based on what I’ve seen from the show and the movie, I think that Juyo is the closest form to compare his fighting style too. Maul’s lightsaber is an extension of his body; he was raised for one thing, and that was to kill Jedi. He is, in the simplest sense, a killing machine, and his fighting style is reflective of that, martial arts interwoven with his strikes and parries, etc. etc. Maul, while obviously capable of defense, is a very aggressive, offensive fighter, and this is abundantly clear in his duels against Ahsoka, Obi Wan, Qui Gon… I’m sure there are videos floating around for each of the duels, I recommend giving them a rewatch if you’re curious. His power comes from his hips, and he relies on straight up striking power and prowess in combat in order to overwhelm his opponents. His style is pretty similar to how one would wield a quarterstaff, which is incredibly effective when it comes to melee combat against one or multiple opponents, but an open battlefield is a different story.

The biggest problem for Maul’s fighting style when applied to an open battlefield is the lack of maneuverability and the uncovered area that makes up the hilt of the staff. In a lightsaber duel, he has full coverage of his body since the blades are pretty one dimensional (I’m not sure if that’s the right word to use, but I’m using it anyways) while against blasters, there’s more open, uncovered area that he’s not going to be able to defend. I don’t recall seeing a lot of blaster vs lightsaber action with Maul, not when it came to his staff anyways, so it’s hard to determine what he’s capable of when it comes to that. I’m just applying what I’ve seen to a hypothetical situation—the bottomline is that Maul is likely a more effective duelist than anything else, and his use of the saberstaff plays into that strength.

Krell

Krell—who I know you all love—uses Jar’kai and I want to say hints of Form V based on his aggressive way of fighting while also on the defensive against dozens of clones. We unfortunately didn’t see a lot of fighting from Krell until he was slaughtering the 501st and 212th, so I don’t have a whole lot to work with here, but I do know that he used the Force in tandem with his staffs which was something that was made easier by the fact that he had four arms. Unlike Maul, Krell doesn’t face the problem of lack of coverage when it comes to fighting on the battlefield—because of his anatomy, he’s able to fully rotate the blades in a manner that covers him entirely, though something important to note about that is the change in power. The power from his strikes come almost entirely from his arms, which is clearest when he’s fighting the clones up in the tower. He’s able to cut through men without putting a huge focus on power, 1) because he’s already naturally strong and 2) because of the reach of his lightsabers. He’s outnumbered, but his sheer combative prowess with his lightsabers allows him to keep an edge during the entirety of the fight until he’s ultimately taken down by Tup.

I think the most important thing to note about Krell is that he constantly makes space, which is a tactic commonly used by staff users specifically (it’s also used when handling other weapons of course, though that’s when it comes to multiple opponents; with a staff, you constantly want space so you can strike from afar). He makes space to prevent himself from getting overrun even when severely outnumbered, and this tactic allows him to employ the deadliness of his lightsabers on an open battlefield, whereas Maul would have more trouble doing so thanks to the differences in their fighting style. Because I haven’t seen Krell in a duel, it’s hard to say how he would combat someone else with a melee weapon, though I want to say it’s likely similar to Grievous’s way of fighting. The sheer amount of blades he holds makes it easy to overwhelm an opponent, and because of his stature, he doesn’t have a need for extreme power behind each swing, which allows better maneuverability (as we see when he’s spinning his lightsabers).

General Pros and Cons

So, I’ll just finish this off with the main pros and cons after breaking everything down and giving my input.

Strengths:

• Offensive and defensive capabilities

• Faster attack rate

• Bigger surface area for deflecting/parrying

• Unorthodox/Uncommon

Weaknesses:

• Hard to store

• Exposed hilt

• Dangerous to user

• Often requires both hands to wield

In general, staffs are best for characters who are older with more than a couple years of training under their belt due to how hard it is to master and the dangers of inexperience. These characters tend to be heavily combat focused since the staff was pretty much made for killing. However, this is just a general breakdown I did for fun, so don’t let that stop you from giving your characters whatever weapons you see fit :)

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obwjam · 4 years ago

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the tiniest jedi

okay folks, here we go... i’d like to introduce you all to my oc, Jedi Knight Jayla Nor’al! she is five inches tall, 22 years old and the former padawan of good ol’ yoda. she was knighted so she could fight in the clone wars, and now she’s off to help command her first-ever battalion!

when i rewatched clone wars recently i basically took note of episodes where a tiny could fit into the plot (spoiler: there’s a lot lol) so this is part 1 of the first installment of me recreating the filoniverse into the obwjamverse

i hope y’all enjoy <3 love you all sm

the hidden enemy, part 1

>> part two

To say Jedi Knight Jayla Nor’al was nervous would be a tremendous understatement.

It had taken a lot of convincing that bordered on begging to get the council to agree to this. Having Anakin vouch for her seemed like a good idea in theory, but in practice it usually ended with Obi-Wan rubbing his eyes while the council fiercely debated the merits of Anakin’s argument.

Anakin was always sticking up for her. She was a few years older than he was, but more than anyone, he understood what it was like to have a tough life. They first met one day when he was a padawan, no more than 13 years old. Obi-Wan was sent off on a mission by himself to retrieve a holocron and a disgruntled Anakin went to Yoda to continue his training. He was far more advanced than the group of younglings he was with, but before he could complain too much, something -- no, someone -- caught his eye.

She was standing on a table at all of five inches tall, arms crossed in a dim corner of the room. The other younglings were practicing basic combat stances. She looked rather bored with it all. Anakin would have probably glossed right over her if it wasn’t for the tunic she was wearing.

“Master Yoda, who is that?” Anakin asked while the group was taking a break. She had now sat down, cross-legged, with her eyes closed and her shoulders relaxed. He marveled at how her tiny silhouette almost blended in with the scenery entirely.

“My padawan, she is,” Yoda stated.

“Padawan?” Anakin was shocked. Obi-Wan never told him Yoda had a padawan.

Yoda hummed. “Surprised, you are, hmm?”

Anakin could only nod as Yoda trotted over to her. “Well, it’s… she’s…”

“Padawan Nor’al, ready, you are?” he asked quietly. Anakin gasped at how Yoda practically towered over this tiny person. She calmly opened her eyes and gave a single nod.

“Younglings, gather here,” Yoda called out to the group. He nodded to Anakin, who curiously followed. He heard a couple of the other younglings snicker in disbelief. “Demonstrate Form III, my padawan will. Close attention to footwork, you must pay.”

Anakin’s eyes widened as a training remote whirred to life. To a normal-sized person, practicing with a remote could sting if you didn’t know know what you were doing. But she was not a normal-sized person. That remote must look like a tank to her!

“Master Yoda--” Anakin started, but Yoda held his hand up.

“You may begin.”

What Anakin witnessed next may or may not have changed his life.

It was like she knew where the blasts were going before they were even fired. She was so quick that Anakin’s eyes could barely adjust to the blinding speed she seemed to be moving at. She firmly stood her ground as she deflected blast after blast, her eyes moving wildly as she deciphered the shooting pattern of the remote. She found her opening, charged forward, leaped up and sunk her lightsaber straight through the metal. The droid sputtered and sparked before falling to the table, lifeless. She hopped down and gave Yoda a small bow as if nothing had even happened.

“Thank you, padawan. Continue to practice, younglings. Much work to do, you have.”

Still in shock, the younglings picked up their sabers and began to practice, some yelping in surprise when the blasts stung at their legs. She had made it look so easy.

She was taking note of the younglings’ form when she paused to raise her eyebrow. Anakin was still standing there.

“Staring is rude,” she said shortly. Looking at her up close, Anakin could clearly see how she was nervously eyeing him.

“That was really cool,” he said, crouching down a bit so he didn’t loom too large.

She gave a small smirk. “Master Yoda is a good teacher.”

“What’s your name?”

“I’m Jayla... Jayla Nor’al,” she said, giving Anakin heavy side-eye. What does he want?

“My name’s Anakin. I’m Master Kenobi’s padawan.”

“Anakin Skywalker?” she asked incredulously. “What -- what are you doing here?”

“My master is on a mission and didn’t want to take me.”

She scoffed. “That’s silly. Padawans should always be with their masters to learn.”

“Tell that to Obi-Wan,” Anakin sighed. “Does Master Yoda take you on missions with him?”

Anakin’s lips pursed into a frown as she sat down, looking dejected. “Mostly, yeah. But sometimes I think he thinks I’m too… well… you know.”

“Too small.”

She gave him a surprised look. “Yeah.”

“A little ironic, coming from him.”

Jayla laughed. “You can’t say that!”

Anakin laughed back. “Sure I can.”

It was hard for Jayla to really grow close to anyone, no matter how hard she tried to befriend the others. Anakin knew exactly how that felt. The two were lonely, and they found each other. Their friendship only grew stronger as they got older -- Jayla helped Anakin learn to trust in the Force more and Anakin helped Jayla grow her confidence. Obi-Wan admired how well they complimented each other.

Yoda eventually began to take Jayla on more dangerous missions. Spending time with Anakin and Obi-Wan had diversified her skill set more than most padawans and, as the Jedi Council sensed the growing discourse between the light and the dark, Jayla and Anakin were both knighted so they could fight in the Clone War.

But everyone had underestimated the fierceness and enormity of the conflict.

It was evident from the beginning of her training that Jayla was fearless -- that she would not let her size stop her from doing anything. She was a fierce negotiator; a skilled fighter; she had a deep and powerful connection to the Force. And yet, her size was the very thing stopping the council from giving her any responsibilities outside of putting together training recordings, teaching younglings and spearheading negotiations.

“I can’t believe this,” Jayla groaned to Obi-Wan one rare quiet day on Coruscant. Anakin was off on a recon mission. Obi-Wan had duties to attend to, but he would always take a pause to talk with Jayla.

“If Master Yoda and the council feel this is for the best, then you need to listen.”

“I didn’t become a Jedi to play it safe. I just… I don’t understand why Yoda keeps babying me.”

“You’ve only recently become a Jedi knight,” Obi-Wan pointed out. “You need to be patient.”

“Yeah, the council did that so I could fight in the war.” Jayla got up, pacing around the windowsill. “I mean, it doesn’t make sense! I’m trained in combat. I have useful skills. I’ve been out there before, Obi-Wan! Why spend my entire life telling me ‘size matters not, hmm’, then use it as a reason to hold me back?”

Obi-Wan frowned. He hated how her frame seemed to get swallowed up by the bustling backdrop of the Republic captial outside.

“Can I be honest?” Obi-Wan asked slowly. Jayla’s expression softened as she plopped down, resting her elbows on her knees and meeting Obi-Wan’s gaze a few feet from her.

“Always.”

“Well, I shouldn’t really tell you this, but I think it’s important that you know. The council has its reservations, but they mostly agree that you are more than capable of being a general. It’s… it’s the Chancellor who has persuaded them into keeping you here.”

“The Chancellor? Why would he care?”

“It’s my understanding that many in the senate feel it would be a sign of weakness if you were to command a battalion.”

“That’s ridiculous! It’s not even the senate’s decision to make!” she cried.

“On military matters, it is. And until Chancellor Palpatine changes his mind, then I’m afraid there’s nothing that can be done.”

Jayla tried to forget about that conversation every time she got upset. But as the conflict raged on and Republic forces took beating after beating on the Outer Rim worlds, Obi-Wan felt the situation was becoming dire. It was less about who had strength and more about who had the tactical advantage. The better strategy. The better intelligence.

Yoda too felt desperate. He was engulfed in the war and convinced that winning it was the only way to save the galaxy from certain doom. He heard the plight of his former padawan day after day, to the point where he began to question if his gut feeling was really right. He hadn’t been meditating as much lately. The Force always gave him the guidance he needed. Between Anakin, Obi-Wan and her own former master, the council was able to convince Palpatine that allowing her to lead stealth and recon missions was a perfectly reasonable starting point.

Since it was nearly impossible to plant a conventional spy into the droid army, Jalya and Anakin had conspired and came up with the idea of using her as a spy. Mace Windu was concerned about her being captured. Anakin argued that her life sign registered so faintly on scanners that capture wasn’t as easy as it seemed. Ki-Adi-Mundi feared she would get lost in the blur of so much violence. Obi-Wan said that all she needed was a wrist comm and someone to use as transportation and protection.

So after months of debating, planning, talking to Yoda and gear-building, the perfect situation had arisen. Today, it was finally going to happen.

And she… didn’t know how to feel.

She was accompanying Anakin and Obi-Wan on the Resolute to Christophsis, where the GAR was getting whalloped day after day. Most recently, a secret plan was thwarted before it had even gotten underway. It was obvious that the Separatists were somehow accessing Republic intelligence. And it was Jayla’s job to find out how.

“You’re not nervous, are you?”

From the comfort and privacy of sleeping quarters, she was perched pensively on Anakin’s shoulder; which, in retrospect, was probably a bad place to be with the way she was fiddling with her hands and bouncing her leg.

“Don’t ask me that when you already know the answer,” Jayla mumbled.

“I didn’t, actually, but thanks for confirming it for me.”

Jayla groaned. “I’m not nervous about going into the field.”

“Good. You shouldn’t be.”

“It’s…” she started, but couldn’t bring herself to admit. She was hoping Anakin could connect the dots.

“It’s… what? It’s the ship?” Anakin knew how much she hated flying.

“This isn’t my first Star Destroyer. It’s the starfighters that make me sick.”

“Okay, so it’s not the ship. Is it Obi-Wan?”

Jayla sniffed a laugh. “Why would it be Obi-Wan?”

“Well, it took a little bit of convincing to get him to agree to this.”

“You mean a lot of convincing,” she sighed. “I can personally guarantee you that Obi-Wan is not making me nervous.”

“Well, Tiny, I’m at a loss--”

Anakin was cut off at the sound of his wrist comm beeping. She quickly grabbed onto a stray piece of his hair for support as he moved his arm up.

“Anakin, Jayla, come meet me at the bridge. Captain Rex will be arriving here shortly.”

“Copy that.” Anakin turned his head slightly to meet Jayla’s gaze, and the Force flashed in a brief moment of worry. Anakin furrowed his brows.

“You’re nervous about Rex?”

Jayla sucked in a deep breath. “No -- not particularly -- no. No, I’m not nervous about Rex.”

Anakin knew she was lying, but he wasn’t about to push it. After all, he didn’t want Obi-Wan lecturing him for being late. Again.

Jayla clung to Anakin’s robe as they made their way through the gray halls of the ship. Even from her perspective, the walls seemed suffocating, so Jayla kept her eyes trained on the ground, avoiding the gaze of every trooper that passed. The rigidness of clone armor was… off-putting.

As they approached the bridge doors, Jayla cautiously took a seat and closed her eyes. When all else failed, the Force was always there for her, guiding her and bringing her to a place where she felt at ease. Going into this mission with any apprehension would be fatal, and she knew it. The Force was pulling her toward the battlefield -- to Anakin, to Obi-Wan, to the citizens of the worlds they were helping to protect. The Jedi Order was her life, and that meant she was forever in service to the people of the galaxy that needed her. She was chosen by the will of the Force; bestowed this great power that so many lusted after. In the galaxy’s biggest conflict, she could finally start making a difference. She could finally be worthy of the gift she was given.

“There’s gonna be a lot of clones in there, you know.” Anakin’s tongue-in-cheek remark broke her from her meditation. “You could always turn back and let me and Obi-Wan handle this.”

Jayla sniffed a laugh. “And let you have all the fun? I’m alright, Anakin, I promise.” She paused, took one glance up at her giant friend, and stood up. “I’m ready for this.”

Anakin smirked. “Well then, here we go.”

The vastness and buzzing energy of the bridge brought about a sensation that Jayla would never get tired of. There were clones on the lower levels punching buttons and pulling levers; there were clones standing around tables, going over strategy and making sure they were ready for the fight. Then there was Obi-Wan, standing in front of a star map and pretending to read it. His mind was occupied with other things.

Anakin nodded his head to Obi-Wan. “Master.”

“Ah, Anakin. And here I thought you’d show up late.”

“For Tiny’s first mission as a general? I wouldn’t dream of it.”

“Is now really the best time to bring up nicknames?” Jayla groaned. It was times like these she was glad she was small; nobody could see her blush.

“I thought it’d help loosen the tension.”

“Sure you did.” She wasn’t going to admit it, but in his weird Skywalker way, it did help bring her back down to earth. This was her first mission as a military general. She outranked nearly everyone in the room. To the clones, that meant everything. Even if they didn’t want to listen to her… they had to.

It was then she noticed a tiny brown bag on the holotable below. Just poking out of the side was something that looked like armor.

Armor fit for a tiny.

She slid off Anakin’s shoulder and flipped down to the holotable. Obi-Wan couldn’t help but grin as she pulled out two shoulder pads, two wrist guards, a pair of black gloves and a torso pad. They fit perfectly.

“We couldn’t have you going out in the field unprepared,” Obi-Wan said as she practiced some stances in her new armor.

“Huh. You look like a tiny Obi-Wan,” Anakin smiled.

“I thought we were done with the degrading comments,” you said smugly.

“Oh, very funny, you two. It’s a wonder the council took this long to allow you both to work together.”

Jayla was prepared for another quip when the main door slid open. Her eyes first fell on the wide shoulder wing, then to the Jaig eyes painted on his helmet. She had never seen clone armor quite like what Rex was wearing. She blinked and straightened her posture.

“Captain Rex. Nice of you to finally join us,” Anakin joked.

“Sorry sir. Needed to help Fives find his other blaster.”

“He lost it again?”

“...more like misplaced,” Rex clarified.

“Good to see your troops are on top of things, Anakin,” Obi-Wan quipped.

“Sorry sir,” Rex repeated. Jayla could sense… unease. “So, where’s the new general?”

Anakin’s lips curled into a smile. He had told Rex that the 501st was to be accompanied on this mission by a Jedi knight who was a master of stealth. When Rex asked who it was, Anakin refused to say. He wanted it to be a surprise.

“Rex, I’d like you to meet Jedi General Jayla Nor’al.”

Rex was glad he had kept his helmet on, because the look of confusion on his face would not have done him any more favors.

“Uh… sir?” Rex asked cautiously, trying his best not to sound too lost. Is this some kind of joke?

“You know, I think it’s helpful to scan the entire room before saying something.”

Rex’s stomach dropped. That voice… that voice was coming from the holotable. Ever so slowly, he tilted his head down. He tried to keep his body language as neutral as possible, but he had a sinking feeling that all three Jedi in the room could sense his surprise.

“Oh,” was all Rex could utter for a moment. It was like this Jedi had stepped right out of a holoprojector and onto the table in front of him. This has to be some kind of test. She’s only a few inches tall! She won’t survive five seconds out on the battlefield.

Anakin cleared his throat. Rex snapped back to attention.

“Right. Uh, sorry about that, sir,” Rex fumbled, giving this General Nor’al a nod of acknowledgment. “Nice… nice to meet you.”

Rex tensed up when Jayla ever so slightly rolled her eyes. He was surprised he could even see her do that.

“Likewise, Captain. General Skywalker has told me all about you.” She smiled softly when she sensed Rex’s heartbeat escalating. “All good things, of course.”

She turned to Obi-Wan and, without either of them saying a word, Obi-Wan placed his hand next to Jayla and she casually stepped on, using his thumb for support as she was lifted up from the holotable.

“You’re going to be offering General Nor’al support in the field,” Obi-Wan said, tapping the holotable to life. “We’ve drawn up a plan to get her to the chief tactical droid stationed here to extract information and battle strategy.”

“I think we can finally turn the tide if we can get ahead of the Seps like they seem to keep getting ahead of us,” Jayla added. “Once I get the information, I’ll need an extraction team to get me out of there quickly.” Without warning, her tone shifted from stern to somber. “The last thing I need is to be caught by those stupid battle droids.”

Obi-Wan and Anakin exchanged a brief glance.

“I’ve got to finish some mission prep,” she said quickly. “When are we getting to Christophsis?”

“Should be there within the hour, sir,” Rex replied immediately.

“Great.” She tried to peer through Rex’s helmet, but unsurprisingly, she only had the downturned expression plastered on the front to work with. Rex was not expecting to see a five-inch-tall Jedi -- that much was obvious. Her worry lied more in the possibility that she was embarrassing him just by being here.

“I’m sure Anakin will become bored and come join us in, oh, five minutes or so,” Obi-Wan cut into her thoughts with a smug smile, throwing a glance to his friend as he walked out.

“For mission prep? You know me so well,” Anakin shot back with a smirk, turning back to the window.

Before Obi-Wan left the room, he turned to Rex, who was all but frozen to his spot.

“Do come and join us when you’re done here,” he said shortly. Rex could only nod.

Once the doors finally closed behind him, he stiffly made his way to Anakin’s side and took off his helmet.

“Rex…” Anakin sighed, already prepared for the conversation they were about to have.

“Sir, you know I mean no disrespect…” Rex paused to see if Anakin would say something witty to that. He didn’t. “...but I’m not sure how well my men are going to respond to taking orders from someone who can fit in the palm of their hand. Especially someone who hasn’t done this before.”

“Rex, she’s a Jedi knight, just like me. She wouldn’t have achieved that rank if she wasn’t fully capable.”

“I--I believe you, General. It’s just… well, they’re used to the way things work. We’re used to a Jedi leading us through battle.”

“And she can’t do that?”

“Well, it’s not like she can cut through clankers like you or General Kenobi.”

Anakin was prepared for this, but it still didn’t change the awkwardness of the conversation. He knew how fierce of a Jedi she was. Rex didn’t. He was hoping this mission could change things. He knew as well as anyone else that a warrior of her size would wreak havoc against the Separatists if used properly. Plus, he knew how painfully boring it was to be stuck inside the temple all the time. He wanted this to work for her.

“Her strengths lie in other areas. She doesn’t need to cut through droids like me and Obi-Wan,” Anakin said, putting his hand on Rex’s shoulder. “Given the world she’s grown up in… the things she’s had to overcome… I’d say she’s the bravest out of all of us.”

Rex hummed and turned his gaze to the front of the ship. He never really grew tired of the swirling brilliant blue of hyperspace. He found himself wondering if it looked any different five inches off the ground.

“...I should go brief the men,” Rex said finally.

“Yeah,” Anakin said, pursing his lips. “You probably should.”

#g/t #writing yoda is so fucking funny to me i laugh every time i try and reverse engineer a sentence for him #can you believe this is the first oc i've ever posted to the internet #it's so intimidating but i rlly hope yall enjoy!#writing star wars is so daunting to me but #i have so many ideas for one shots and things #so expect more soon :)#star wars g/t #giant/tiny

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fencer-x · 4 years ago

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Fencer’s Big Eva Review

Just got done watching the Eva finale, so it’s time to get out thoughts while they’re fresh! Caveat: Eva is difficult to understand for native speakers, and I’m definitely not a native speaker XD I feel like I got maybe half, and got the rough gist of like 10% of the rest, and the remaining was just no friggin’ clue. Would’ve gone better if there’d at least been JP subs, but you’ll have to deal with what I’ve got for now!

It should be obvious, but there’ll be HELLA MAJOR SPOILERS for the final Evangelion movie. Ready? Let’s go.

The movie very helpfully starts off with a ~2 min recap of the movies thus far. This was great because I didn’t have time to rewatch the previous three before going, and while I’ve seen them a few times, it took me a second the recall what had happened at the very end of Q, so I was glad to get a very brief recap.

The actual movie itself opens on...Paris! Or Paris post-Near-Third-Impact (Third Impact?), which is a red and black wasteland. It seems that Wille has been developing these things that look like Entry Plugs that they shove into the ground and restore everything to pre-all-impacts (so like, blue water and everything); couldn’t get HOW it managed that, but they had them and were attempting to restore Paris.

Would have been a walk in the park except for weird Eva-Angel-Machine hybrids that were trying to prevent them from activating the plugs. Lots of fighting happens, with Mari piloting her Eva to give them cover while the Wille staff set everything up. Eventually they manage it, and Euro Nerv is restored.

Then we switch over to right where Q left off: Asuka, Clone!Rei, and a catatonic Shinji wandering around trying to go who knows where. They eventually get picked up by...Touji! Yes, an older Touji now who lives in a commune of survivors, scraping out a semblance of a life in one of the areas protected by the aforementioned plugs (they had another name but I couldn’t get it).

In this community, Touji is the local doctor--and he’s married with a kid! He married Hikari, and they have an infant daughter named Tsubame.

Now, let’s check in how our main three do when introduced to this relatively normal life they get to enjoy for a few weeks:

Asuka: Still in ‘fight mode’, ready to go at a moment’s notice. How she thinks she’s gonna fight when she has no Eva idk, but for this entire little bit, she’s either naked or in her plugsuit. She stays with Aida Kensuke, who’s kind of the handyman, and is generally just rude af.

Shinji: For 90% of this bit, he’s totally shut off. He’s incredibly fucked up from having JUST watched Kaworu die, essentially because of him, and Asuka has on a DSS choker, and every time he sees it, he collapses and begins vomiting violently. He stays with the Suzuharas at first but is quickly sent to stay with Asuka and Kensuke because they don’t really know how to deal with him. Kensuke manages to get him to open up a little bit, but eventually it’s Rei who gets him started on the path back to being himself. At one point he runs away and ‘lives’ alone for a while in what I think was either the building where he first met Kaworu playing the piano or one that looked a lot like it. He goes out to do odd jobs with Kensuke a lot, and on one occasion he’s taken to an ‘outdoor lab’ where some workers are experimenting with new gardening techniques. It’s here he’s meets...Kaji Ryouji. No, not that Kaji Ryouji. That Kaji DIED. This is the son he had with Misato (named after him).

Rei: Now, let me say I’ve never been super interested in Rei. I didn’t dislike her, like I did Asuka, but I wasn’t really interested in her either. She was just there. Guys.....I LOVED REI IN THIS MOVIE. I would have watched 2.5 hours of the Rei Learns To Be A Human show and been happy for the $20 I paid. Rei spends her time in the commune learning to be an individual. She stays with the Suzuharas and learns what different words mean, like “Good morning” and “Good night” and “Thank you” and “Goodbye”, she gets super close with a bunch of old ladies who essentially adopt her and teach her how to plant turnips and what a bath is, and she becomes her own person. When she first arrives, the Suzuharas think she’s “Ayanami Rei”, but she explains that she isn’t, so they call her “Sokkuri-san” instead (”Miss Spitting Image” essentially), and the old ladies find it amusing at first but then encourage her to choose her own name, and when she can’t think of one, they tell her to have someone choose one for her, so she asks the Uber-Depressed Shinji to choose one. These interactions are what eventually pull him back to himself, but ultimately he’s unable to come up with one, because “Ayanami is Ayanami”. She thanks him for trying anyway, returns his SD player to him..............................and then dissolves into a pile of LCL fluid, as apparently all clones eventually return to LCL. Fantastic, because Shinji didn’t need EVEN MORE TRAUMA.

Somehow, the above doesn’t break Shinji, and he resolves to go back to Wille and face his father I guess?? I’m not entirely clear on why (gotta go read some reports of my own I guess lol). Back on the ship with Misato et al., Shinji isn’t forced to wear a choker but he’s put in a cell with like explosives in it I guess. He starts having visions of Kaworu helping him accept things.

At this point it’s getting close to the climax, and Wille are going after Nerv/Gendo once and for all. During the final fight, Asuka tried to take out Unit 13′s core, and then she’s not managing it, she rips off her eyepatch, and we see that the patch was keeping the 9th angel bound within her eye, so she decides to throw away her humanity and let it take over to destroy Unit 13. Unfortunately, she’s killed in the end--how? She’s approached by a vision of her ‘original’. Yup, Asuka was a clone herself, like Rei, and she turns back into LCL and she and unit 02 are absorbed by Unit 13.

Eventually the fight comes down to Shinji vs. Gendo, who has thrown away his own humanity and bonded with Unit 13 in the hopes of completing the Human Instrumentality Project. He and Shinji go head to head as Shinji summons (???) Unit 01 from inside Unit 13, and there’s a really REALLY WEIRD final fight between the two that involves some weird animation choices. Lots of storyboards and overly CGI’d CGI, and some bits that seem to take them through the different incarnations of the Eva series.

We also get Gendo backstory by the boatload as he and Shinji have an actual goddamn conversation for once. Mari features prominently in Gendo’s flashbacks so she was definitely one of his classmates it seems, who introduced him to Fuyutsuki. I’m still not entirely clear on who she is/was.

However, through this conversation, Shinji gives the people he’s interacted with most closely/been closest with closure I guess? Gendo, Asuka...Kaworu.

So about Kaworu. Their conversation was VERY VERY WEIRD; it’s made clear that Shinji is also now aware of all the different iterations of their meeting. When they talk, it’s set at the beach where they first met in the TV series, and Shinji says he remembers all the times they’ve met before. Shinji mentions that Kaworu reminds him a lot of his father, and then there are some very strange flashbacks (????) of Kaworu’s that I feel like imply he’s to Gendo as Rei is to Yui. At one point, he’s seen talking to Fuyutsuki, trying to decide on a name for himself and settling on ‘Nagisa’ as it means ‘beach’, where the ocean meets the land. Fuyutsuki later addresses Kaworu, who’s sitting in Gendo’s desk, as “Commander Nagisa”. Kaworu reflects to Shinji that he failed so many times to make Shinji happy, but he’s realized now that that’s because he doesn’t know what would make Shinji happy and it was arrogant to think he knew better. He was looking for his own happiness all along.

In the end, after all these goodbyes, Shinji is left with the decision of what to do with, well, reality. He decides, in a conversation with Rei, that he’ll reset everything--create a ‘neon genesis’--to a world without Eva or Angels.

Our last shot is an older Shinji meeting his (presumed??) girlfriend Mari on a train platform. On the opposite platform waiting for their own train are Kaworu, Asuka, and Rei. Shinji and Mari hold hands and run, laughing, from the train station.

NEON GENESIS EVANGELION GOT A HAPPY ENDING. 2021 REALLY BE OUT HERE WILDING.

My final thoughts:

Okay I’ll say it: the fuck with Shinji/Mari endgame? Believe me, it was completely out of left field even in this movie. They just happened to be the only final survivors. Mari flirted a hell of a lot more with ASUKA and was distraught at her death than she did with Shinji. They were a kind of cute couple in the end, but very ?????

I’m disappointed Shinji wasn’t the one to give Kaworu his happiness in the end, after Kaworu spent so long and so many lives and realities trying to make him happy and failing. I’m choosing to believe, since these multiple realities/resets are canon now, that he did it in one of them. They all deserve the happiness of their choosing, not just Shinji’s, and Kaworu showed us time and time again that his happiness definitively involves being with Shinji.

I’m sure I missed a lot, because yanno, Eva, and it was long enough as is, but gosh I wish I could’ve understood more of everything that was going on, cause there was SO MUCH WEIRD SHIT.

If I watch this movie again, I will 500% just be watching those “Rei learns to be human with the help of a bunch of old cackling biddies” bits :> Those were THE BEST PARTS OF THE MOVIE.

#neon genesis evangelion #spoilers #review

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popculturebuffet · 4 years ago

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Lilo and Stitch Crossover Arc: “Rufus” (Kim Possible) Better and Worse (Paid for by WeirdKev27)

Aloha all you happy people! It’s back to Kauai for the third of my look at LIlo and Stitch’s crossover episodes! This retrospective was made possible by WeirdKev27, who had the idea for it and paid for me to review these episodes. You too can buy reviews for only 5 bucks a pop. Just go to my ask, Direct Messages or discord.

Now with my plugging out of the way, this one, out of all four is the one I looked forward to the most, and out of the four shows in this crossoverathon to make the trip to the Kauai, this one is hands down my faviorite.

Kim Possible was just damn good and having rewatched a handful of episodes and the movie (Easily one of my faviorite Disney movies and the best DCOM, I will not back down on either), I can say it holds up every bit as good as it did in the early 2000′s. Frankly like Danny Phantom i’m surprised I never thought to get to it till now. But no time like the present: The show proper is a fun super spy sendup, but still feels unique: Instead of i’ts Teen Superspy working for some knockoff of MI6 or S.H.I.E.L.D., Kim is self employed, simply helping people because it’s the right thign to do and not for any reward with the help of her bumbling but loveable sidekick and future boyfriend Ron, though the romance angle wasn’t overplayed with the two, just hinted at here and there, enough to make it plausable for Ron to realize he has feelings in the movie and for Kim to return them and frankly it’s probably the best handled “Friends to lovers’ plot i’ve seen in a children’s cartoon. I”ll get more into that if I hit my stretch goal for it on patreon, more on that at the end of the review, but while it has no baring on this review I still felt it worth noting as that trope is NOT easy to pull off.

Point is, the show was smart, funny, engaging and had two great characters, a tremendously talented voice cast, and more anchoring it. It was a treasured part of my adolsence. It also had one of the only succesful “Save our show” campagins from fans i’ve ever seen. Despite So The Drama having been written as a finale and having reached Disney’s episode count, fan demand for a fourth season was so incredibly high we got one and it’s to this day one of the very few Disney shows to live past three seasons as a result. The show is in full on Disney Plus, along with the movie, which I HIGHLY recommend and hope I get to talk about, and the recent live action remake movie which .. is not bad. Not GREAT but the leads do make a good kim and ron, paticuarlly my boy Sean Gambone as Ron, and for a live action remake it really does get the spirit of the show.

But obviously we’re not here to talk about the show proper, though I REALLY want to now, but instead it’s crossover. So far the crossovers for Lilo and Stitch have been, much like said live action remake, OKAY, but nothing amazing, often shoving in sideplots related to Lilo and Stitch proper we didn’t need, forced morals and not really having a good amount of character intraction. The good news is this crossover DOES fix a lot of that.. the bad is that it also has some new problems, and still falls into some of the same traps the other episodes have. See what I mean with the full review under the cut!

We open at night, with Lilo and Stitch playing hide and seek. Adorably though Sttich dosen’t quite get the hang of it and proudly announces where he is. However things are quickly interupted when he’s kidnaped by a mystery ship out of the blue. It’s a good hook to start with, leaving us wondering who it could be...

And thus, if you hadn’t gone into this episode knwoing it was a crossover, giving us a hell of a reveal with a cut to Dr. Drakken being the one to kidnap stitch!

Look I love this Doofus. He’s easily one of John DiMaggio’s best roles, up there with Jake and Bender, and the one along with Bender that cemented his career. as one of voice acting’s finest. He’s just so loveably incompetent, over the top and quick to bicker with Sheego, which leads to some of the funneist moments in his home series as she’d either skewer him good or he’d shove his boot in his mouth and help her point instead of his own. He’s just such a great character and he not only fits neatly into Lilo and Stitch’s world, but the writers clearly get him perfectly. We get a hilarious bit where, fed up with Hamsterviel, who he’s teamed up with, he simply fakes the radio going out, adjusting the dials purposfully to make it come in buggy something I GUARANTEE he put in for SHeego and I gurantee she saw right through. His plan is to create a clone army of Stiches.. meaning Hamsterviel’s big evil plan.. is a copy of someone else’s.

Lilo goes to Jumb and Pleakly, the latter of whom has been collecting magazines adorably. Lilo plans to go after Stitch but Jumba says she can’t go on dangerous missions without him and to get a professional and this part.. does not work for me. Most of the time Jumba ENABLES Lilo’s behaviors and while not wanting an 8 year old to run out into the night is a good call, he also suggests getting help.. instead of you know GOING WITH HER WHEN IT’S LIGHT. It sounds more like Nani’s idea... it fits her more to not want Lilo to run out and to want to get help versus Jumba whose admant about keeping secrecy yet very lax on things, and you know would BE concerned that his prized creation was suddenly stolen and actually think about it. He’s just so horribly out of character it hurts.

And Nani’s absence really hurts the episode. See the last two, as much as I missed the lovely and talented Tia Carrere’s presence, didn’t really need her, though still could’ve included her: she could’ve made a cameo at the start since Lilo was there to visit her and she woul’dve made a better target for Spats than trudy, with Oscar fighting Jumba instead, allowing us some crossover interactions instead of having Jumba argue with a random asshole the episode wrote in. But it’s minor stuff. Here though? Her being the one to tell Lilo not to go would’ve made more sense: She’s protective by nature, and while she’s let go more since the movie, it’d make sense for her NOT to want Lilo to blindly chase after someone who beat stitch of all beings, as well as for her ot be the one to later tell Kim not to let lilo be involved. It’d be stronger coming from her sister and surrogate mother than Pleakly and it would’ve been a better arc to have Nani let Lilo off the leash so to speak and accept she needed to save kim. Instead she’s just gone for no reason and Jumba is grosly out of character and i’m disapointed.

That said the setup is the best and most intergrated so far: Pleakly sees an article about kim so he reaches out to her via a message on her site, while Lilo is stubborn about not being help.. obnoxiously so to the point it hurts the episode. While her being inscure about someone else saving Sttich would be fine, the episode never adresses that and instead just has her say she can because shut pu instead of accepting help. The episode would’ve flowed better if instead she accepted kim but Nani had Kim push her away, and thus create more problems. More on that in a bit.

But as I said this setup is great: it uses BOTH shows for once isntead of feeling like the first two, and honestly the next one judging by the blurb on the wiki, where its just “Hey x character visits Kauai”, here it blends both: The two main villians team up, and Kim is logically called for help since that’s what she does and they don’t want to risk lilo’s saftey. It’s good stuff.

So our other heroes enter the episode, on a ritzy jet as Kim’s dad had an old college friend with an airline. I admit the episode weirdly downplays Kim’s penchant for getting rides, getting a helicopter that appears to be a touring one and getting this one via her dad instead of the usual person who owes her a favor. IT was a neat part of her character: that she got help from people she already helped on adventure’s we hadn’t seen to establish she can’t drive herself yet and to show she’s an experinced heroine with a lot of history before the show started. I also like how a handful of episodes after season 1 had returns from people we HAD seen before or linked to them, a clever way of having callbacks.

It’s simple stuff Kim is ready for the wrold saving mision and ron hopes to get a vacation in. Nothing too out of the ordinary.

So the next day Lilo tries to go it solo but is spotted before she can leave, while Pleakly has built a.. photo colloage of Kim’s face on the wall...

... no wait i’m getting paid for this. Nevermind.

It is funny as it is unsettling though and Kim arrives and Pleakly faints.. Ron also arrives doing fake kung fu moves. This episode gets ron about half right... they overdo it a bit on the shenanigans, but Will Freidle’s natural charm and talent mean that even standard ron bits coughed up by a cat onto a page and used for this script still work simply because he’s that good at delivery.

We also get the who’s on first bit you all knew was coming as Kim asking what’s the Sitch confuses lilo and i’ts .. pretty funny. Again you could see it coming from a mile away, but Daveigh Chase and Christy Carlson Ramano really sell the hell out of it and we get a nice runner after of Kim misprouncing his name and trying NOT to say her usual catchphrase.

She also gets filled in on the alien thing... and while she admits i’ts a lot to swallow, she also admits she’s seen weirder. And given this episode would, by airdate (ignoring the one for So the Drama as that aired before the last batch of season 3 episodes but continuity wise takes place between seasons 3 and 4), take place around the same time as the season 3 intended finale “Team Impossible”, by this point she’s seen vengeful fishteens mutated by a horrifying summer camp, a rogue gentecist who basis her crimes against nature on a beanie baby knockoff, magical monkey based kung fu, a magican egyptian amulet, killer robot’s resembling teenage girls, a body swap episode, a plan using a barcode to destroy the internet, an attack on canada, a giant poodle, a complicated time travel plot, a trucker with a mullet, her sidekick getting turned into a surprisingly competent supervillian, and draken’s plan to use his rap career to promote brainwashing shampoo. And that’s just a handful of the things I was reminded of on the episode list. So yeah, this isn’t THAT much of a stretch. Oh and lest you think Kim never encountered aliens the series finale was an alien invasion by aliens Draken had pissed off earlier in the season. Suprised Lilo didn’t you know have Stitch and the family army pitch in. Maybe Leory and Stitch was going on at the same time?

Point is she’s in but goes with Pleakly in trying to keep Lilo out of it. And here’s yet another place the episode missteps: Kim’s REALLY patronizing to Lilo, treating her like she can’t do anything and later ignoring her advice when she brings up the current later, something that ends up getting Kim caught. The latter part especially bugs me since Kim normally listens to her clients pretty well, and had she doubted him could’ve at least asked Waid since she contacts him in the same scene. Speaking of which THAT’S why I feel her patronizing “not now kiddo” atittude dosen’t work: her spy master IS a child, her brothers have helped out multiple times, and the incident I mentioned from where she met her younger cousin who idolized her at an old west town was understandable: Her cousin was getting into dangerous stuff and throwing herself out there recklessly with no regards to her own saftey and impeding the mission with her well meant antics. Lilo.. knows who their looking for, knows the island well, and knows stitch’s weaknesses. And she goes from being annoyingly hostlile to kim to helpful, so it makes kim even more obnoxious for not accepting said help. It’s just.. draining as when this part of the plot ISN’T in play, Kim is fine. She’s her usual self.. not AS well written as the parent show, a bit too reliant on her catchphrases, but still not half bad and Christy Carlson Romanao, like Fredle helps paper over the weaker bits of the script. She’s not even out of character in her actions, as she does have a tendency to think she knows everything or undereistmate people.. the problem is it’s written poorly enough she comes across as insufferable, and unlike the show, where she actually learned something here.. she just learns to work as a team? When she does on a regular basis with Wade and Ron?

It’s just so frustrating because they almost had it just right, but instead just had to try and put some half assed moral about teamwork in there. They broke from the formula of having an experiment of the week but they still just HAD to keep to their own formula. And look Kim Possible has it’s own formula.. but it used that to great effect, often using the episode’s plot to shake it up in fun ways, and the plots were still diffrent enough and the villians bold and intrestin genough that it didn’t grate. This is starting to grate. And I do remember good and intresting episodes of the show.. but i’m starting tor ealize why I don’t remember NEARLY as much of Lilo and Stitch as I do the other shows it’s crossing over with: it’s so bolted to the formula they all just sorta blend together. It’s really fucking disheartning to realize something you loved so damn much as a kid just.. isn’t as good as you remember. And with these other shows.. I don’t have that as much. I accept proud family’s fault, Jake Long actually seems MORE intresting than it was at the time, and rewatching kim possible it’s excellent, same with recess coming up. I really need to watch more Recess. The most disheartining thing about this arc is the crossover just shows how BETTER the other shows were. Lilo and Stitch wasn’t a BAD show, and it isn’t here.. but it’s a mediroce one. it has a good premise. but it feels like they just don’t break away from the premise enough. This just... hurts a lot to type and realize. I really loved this show and movie as a kid and while the movie likely still holds up this.. this just dosen’t.

I need a moment... i’m breaking open the glass case containing my emergency patrick stewart clip excuse me...

youtube

That.. I needed that.

So before the bicker sisters can head off, we get our goofy comedy subplot: Jumba thinks Rufus is one of his experiments, one that could destroy the universe if not cancel and is highly unstable. As for why this one wouldn’t of worked out, I get why: it’s TOO powerful. Stitch is a weapon of mass distruction in a cuddly package, but he’s also easily deployable, kind of like Wolverine if he was in the body of a cartoon mascot. Having the THREAT of destroying ap lanet is fine and good for the long term but it does you no good if you can’t control it and i’td just destroy you too.

So he and Pleakly try to steal rufus without telling Ron why after Ron naturlaly refuses to sel land a chase insues. So while the boys and gender fluid person have their comedy plot, the girls head to where stitch was taken and find Draken’s glove.... they know it’s his because he put a note saying “return to dr. draken, his mother gave it to him”. That’s just.. fucking precious. And entirely in character. So kim aranges a ride, and dives into the ocean, but finds lilo in her parachute, and tries to send her back despite LIlo offering valuable advice both about the area , the current I mentioned earlier, and about stitch, i.e. Draken’s base is underwater (something Kim didn’t realize which feels odd for her), because Stitch can’t swim, something I genuinely forgot.

So while Kim sends Lilo back, or rather intercut with that but I choose to compress plots for my own convinence we cut back to Drakken and Shego. And I WAS worried that Shego wouldn’t show up, she wasn’t in the synopsis or anything and was delighted to find that nope she’s here. Drakken just isn’t the same without her.. I mean I liked the recurring subplot in season 4 where other villians would break her out, that was great, but in the end the two need each other. I may not ship them romantically but as a comedy team one just needs the other: Drakken needs Shego to cut down his ego and Shego needs someone to snark at and complain about. Sullivan and DiMaggio just had perfect chemistry and it’s easy to see why Drakken and Shego went from just another part of the Rogue’s Gallery to Kim’s arch enemies.

Which is why I am sad Gantu and 625 don’t show up for this one. I mean I can buy it: Hamsterviel likely is doing this on the sly to see if he can find a better minon, but the two sets of villians have similar dynamics and i’d love to see Shego and 625 dunk on their bosses together. It’s a really big missed opportunity but I do get it as they may of just nto been able to fit the two together or it may of been hard to block a lot of scenes iwth the human sized drakken and the giant sized gantu. So unlike a lot of missed opportunites in the other episodes, this one I at least can understand.

We get some GREAT banter with the two though. Out of the four guest characters in this one the crew really got Drakken and Shego down and the two bicker like any episode of Kim Possible, with Shego pointing out the massive bill on Stitch’s cage and how Drakken’s tried cloning about five times now and it’s never worked, and of course how he’s 50 50 splitting with a hamster bellow his station. Seriously why get rid of Gantu and 625 but keep the annoying rodent, I don’t get you episode.

Of course while they quack quack bicker bicker Stitch escapes and Shego gives chase. Sadly we don’t get a fight between the two like we did with Jake, another missed opprotunity but Stitch getting out of her grasp by licking her is objectively funny. Stitch finds he’s underwater though and gets recaptured.

Kim gets captured for the first time shortly after as the current caught her, but luckily she has kimunicator gloves and calls waid to call ron. Meanwhile Ron finally catches rufus back and Jumba explains the situation.. but Ron understandably dosen’t want to give up his buddy especially since Rufus has shown no signs of being a planet killer before. He’s not mooncake... althought i do think those two could hang. God now I just want a final space kim possible crossover to wash this out of my mouth.

So it’s down to Lilo, the really not all that ambigiously gay their pretty darn gay duo, and Ron to save the day. Lilo finally gets to do what she kept asking kim to do: use jumbas hot rod car spaceship thing to go down under the sea, and they send Lilo and Rufus in since hteir small enough to get in and suriive the pressures. Our heroes arrive and Drakken is nonplussed.. only for Lilo to prove WHY she can keep an alien in line by freeing stitch from teh leash drakken has him on using kim’s grapple gun, and then frees kim. The good guys win and the bad guys loose and the base starts to self destruct.. eh they’ll be fine. They still have the movie to get to.

So time for the wrap up: Stitch sniffs Rufus and confirms what the audience knew... that he’s a naked mole rat not an experiment. Which didn’t make sense to begin with for either show: Jumba’s archive should’ve been able to scan him or something (And if not he could build something to do that), and Kim Possible not only implied from day one Ron had Rufus a while, long before the rain of the pods, but A Stitch in Time outright confirms Ron bought him years ago in middle school. It just makes no sense and while it thankfully dosen’t take up a ton of the episode it still takes up too much.

But with that our heroes prepare to part on good terms but Pleakly decides to celebrate with Luau. Kim’s repsonse “Well I can do anything...”

And we get a gratuitous luau sequence! I do love a job that allows me to type the phrase “Gratuitous Luau Sequence’ They clearly ran short and we just get a good minute of everyone doing hula dances for no reason. I mean.. you could’ve done a quick gag with the experiment who was mistaken for Rufus... who I now realize given the finale was befriended by someone. I’m headcanoning now Kim and Ron came back for that one and Kim had him sent to space as part of one her dad’s projects where he and earth would be safer and he could help with space missions or something.

Final Thoughts: As you could tell I had mixed thoughts. As a crossover this melded things better, had a more original plot and the actors from Kim Possible brought their a-game.. but once again some disapointing characteteriztion and downright stupid decisions really let the episode down. These episodes just depress me every time and I’m looking forward to being done.. which given how excited I was going into this.. yeah. Like all of these despite their flaws I recommend checking it out if you like Kim Possible, if nothing else than for some extra drakken shego banter but.. keep your expectations low.

Next Time on Kim Possible: A team of spiteful assholes who are in a way repsonsible for Kim’s Career try to shut her down. It’s the intended finale episode outisde of hte movie people buckle up.. or you would if I was doing any of these. Though I should do “Team IMpossible” at some point.

On the finale of these crossovers: The Recess Gang are the final visitors to Kuai as Lilo must find and stop a lazy monster... no i’m not guest starring too.

Tommorow: Another kev one this time by patreon as I put two similar episodes of a show or franchise against each other and ask “Who Did It Better?” This time it’s two episodes of Celebrity Death Match, original versus revivial may the original.. probably win.

If you liked this review, please consider supporting my patreon, YOU CAN FIND THE LINK TO IT HERE. For just 2 bucks a month you get access to my discord, to pick a short each time I do one of my shortstravaganzas, and acess to my Patreon exclusive reviews! Next month I intend to do one for the show whose crossover gets the most likes within a week of it’s relase. Proud Family has already passed American Dragon so you have a week to get it ahed. And if you like Kim Possible, help me reach my 25 dollar stretch goal! At that i’ll review So The Drama, along with the Recess and Proud Family Movies. So check it out and i’ll see you at the next rainbow.

#lilo and stitch the series #lilo and stitch #kim possible #ron stoppable #doctor drakken #shego #Lilo Pelekai #Stitch #experment 626 #jumba jookiba

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vaguely-concerned · 4 years ago

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The Mandalorian Chapter 11 reactions; the ‘the sea is a harsh mistress’ edition

- on first watch this wasn’t really one of my favorite episodes. I think it’s something to do with... one of the many things I love about the mandalorian is how it made the star wars universe feel HUGE. big and surprising and unknowable, there could be fucking anything out there man we don’t know. so having first bo katan show up and then ahsoka being set up right after (quite aside from who’s rumoured to play her, which is an entirely different can of wormy beans) in additon to opening the season on tatooine... eh. I’m not that into it, it feels like shrinking the world. we haven’t even gotten to see any other type of force user yet. it is only early/mid season tho so they’re probably going to pull some unexpected twists on us

my opinion might change with rewatches too, that happens quite a bit with this show!

🎶I’VE COME TO TALK WITH YOU AGAIN🎶

honestly I had kind of a hard day yesterday and watched this the next morning and kept pointing tiredly to the crest like ‘it me tho’

- I was unreasonably happy about seeing the calamari flan again hahaha he’s been keeping that shit in his pockets for a season and a half now (didn’t he pay with some at one other point too?)! also the sound effects for them are SO EXCELLENT, I keep thinking about how well this show does texture which is wild considering how it’s filmed

- the warm pat din gave frog lady’s arm when he thanked her and said goodbye 😭😭😭😭😭😭😭 I love the small ways he’s thawing

my heart ached so much for him at this point, he just looks so small and tense and lost, like a kid who’s lost his parents in a supermarket

(he keeps his hand on the blaster the whole time too so he knows this is a bad scene but now they’re right out in the middle of the ocean already soooo)

- din’s very very very dry sense of humour is so blessed. ‘a bowl of chowder for my friend’ faklhfsadkjlfhsadkjhfsd

the baby’s look when he poked the squid thing with his knife too -- yodito’s like ‘dad is a wizard??’ haha. some good baby & dad stuff in this one

- oh din... side quest boy, side quest booooooyyy

- the shot when bo katan helped him out of the water is perfectly mirroring the scene of bb!din being pulled up to safety by the mandalorian in the flashback, which seems Very Intentional

I Extremely Do Not Trust Her in the larger scale tho. I think it’s important that din knows now that he was raised in a very specific offshoot of the mandalorians ant that there’s some Stuff he hasn’t been told, but I also think it’s crucial to remember that her pov is not unbiased either and she, in fact, already has an established tendency to selectively share information with him to manipulate him into fulfilling her goals. (which he realizes because he keeps saying ‘that is not my mission, my mission is the child’ and I could not love him more). hell, I’m not sure exactly how ‘the children of the watch’ were positioned within death watch, but she was fucking death watch too for the longest time! and she hardly left for particularly noble reasons, she just didn’t like maul! she already lost mandalore like twice, do we just have to trust that third time’s the charm or what!

she lied to him about the scope of the mission to force him into a position to do what she wanted (fully knowing he’s responsible for a child!!) and she called that ‘the way’ just as easily as the thing about not letting his bravery be forgotten! big red warning lights, NO! I think the thing is that din is having to find his own ‘way’ of being mandalorian (/how does one be a person exactly help?? relatable content, and he’ll get there in the end I’m sure he’s so good), but her way is no less fucked up to me than the children of the watch from what we’ve seen so far. she’s good at killing imperials though which is of course a mark in her favour

(considering that the episode gives her the epithet ‘the heiress’... yeah that’s probably a hint that she’s loyal first and foremost to her entitlement, getting the position she considers hers by right of inheritance. guess we’ll see if the text agrees with her)

- ‘mandalorians are stronger together’ yeah that’s probably why the cosmic balance makes sure they’re mostly engaged in being at each other’s throats lol

- so I might be feeling kind of sketch about these guys but on the other hand... when that one lady saved the baby and then promptly took off her helmet to reveal she looks like t h i s ?

you better BELIEVE I was ready to fall down on one knee and propose right then and there holy shit

- ...wow if he didn’t have the jet pack din probably would have just sunk like a rock and drowned there huh 😨 that armour’s pretty heavy, turns out

- in happier news: din has become so good at reading what the child is expressing and responding/labeling the feeling for him! that’s so important to his development! ‘I know you’re hungry’ and both telling and showing him there’s a solution! still a bit of an issue that he thinks he can inform the baby of things like it’s a reasoned adult and have it understand, but we’re getting there we’re getting there lol

- that poor lady guiding them in for landing and sounding more and more worried fhkasjdlhfkjsdlahf (and he fucking TURNS OFF THE RADIO or whatever he’s using to talk to her through sdkfhaksdfhjs he takes a precious split second just to cut her off asfdjhaslkdfsdfhsda I love my salty dad)

- when the fisherman asshole tells mando he knows where to find more of his people there’s the tinkling bell sound in the background music, I think it’s meant to convey almost childlike longing for belonging and connection, for finding someone who’ll know what to do?

- when they took off their helmets and baby looked up at din like ‘???dad what the fuck? can you do that???’. (or like he just sensed his father taking a shitload of psychic damage all in one go)

- the way din didn’t start breathing again until they got the baby up from the water and he had him in his arms... the way he held him... sladfhasdklfhsjakdhfjsakldhfsakjldhfsjkadhfjaskdhfskajdhfjsdakhfslakhfskladhfsakljdhfjskadlhfkjsld

that whole scene was like a nightmare, so desperately unpleasant, in a way it mirrors the way the mandalorians have been hunted down and pummeled these last few generations, this must sort of be what it feels like to him subconsciously

- din isn’t particularly inflexible as a person, after the initial kneejerk rejection he did listen to what they said and is carefully considering it (he did say ‘this is the way’ back at the end!)

- the baby’s babbling when he wakes up and looks around in the beginning sounds half like ‘baba?’ and I almost had a heart attack

- loved how greasy and awful and dumb all the empire dudes were (and the comedy on board the ship too it was good for me)

- the boob plates huh. shit they’ve shown with the armorer that they don’t have to do that in any way shape or form and they still brought the boob plates back :/ I guess it’s so they match up with the rebels/clone wars look, evoking that ~*era*~ and everything, but I don’t have to like it lol

- I feel so validated in my theory that the razor crest is symbolic of din’s sense of self (now with beautifully added commentary!) after this haha (and also so so scared now they might be ditching it for a new ship eventually). it’s in pieces, his world view is going to pieces and can’t be patched together the way it was before, from what he knows he’s about to deliver the baby to someone else who’ll understand/love/deserve him better (I do think that feeling is still in him) and he doesn’t even have the certainty of the code anymore to fill the void. oh buddy.

the discomfort I felt when we got back into the cockpit -- into where it’s supposed to be familiar and safe! -- and saw all the ocean junk lying around, making it feel weird and changed and dirty (it probably smells like rotten seaweed in there now :( no likey)... I mean it was also very funny to see the pilot’s chair held together with a literal fishing net, but please favreau leave my dad’s car/ego alooooone

- baby laughing his little bum off at din catching the small sea monster before it got him and then munching it......... the ‘there’s nothing in this world my dad can’t fix’ safe energy.......... I’m so scared we’re coming up on something din can’t fix

- knitwear in star wars: I didn’t know I wanted it, but I am ELATED with having been given it

- moff gideon’s amazing evil voice... back in our ears, in our hearts, I gleefully hate him

- at least din’s armour is clean again after that (awful) swim? one must appreciate some silver linings along the way I suppose

- din goes straight for the main pilot’s seat once they get the imperial out of it, so he must feel really secure that he’s probably the best man for the job; he is genuinely a good pilot! (and after this I am wondering even MORE who taught him. who raised you within the mandos din??)

- even while everything is new and scary and falling apart we can live safe in the knowledge that at least frog lady and frog husband had a good day and will have a good and happy frog life together with their frog children

couple goals tbh

(I don’t necessarily know how it works for frog people but I uh. guess they got busy quickly huh hahaha good thing mando didn’t turn up again until later)

#star wars #the mandalorian #the mandalorian spoilers #the mandalorian meta #I've mostly seen people love this episode so I feel a bit like a buzzkill about mostly being 'meh' about it but what can you do lol #I actively disliked a lot of the clone wars mando stuff so I'm biased I suppose

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seasidewriter1-writes · 4 years ago

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Replying to @elizabeth0020 for: Hello!! I’ve always wondered how you decide what arcs/episodes you’re going to write? There are sooooo many, how do you know what’s a good one for your story vs one that isn’t? And a second question (if you feel like answering lol): how do you picture all the details you wrote? Like lighting, movements, facial expression etc? You’re so good at that and I’ve always been amazed at how you come up with them!

I love answering anything and everything, so never worry about sending me too much! I don’t often get to talk about the technical stuff (like the questions you’ve asked), so I love getting any chance I have to talk about them! (So hold on tight, ‘cause this is a ramble! 😂)

So, for the first question regarding the arcs... I picked out what episodes/arcs I thought were beneficial when I did my first watch through of the Clone Wars this past summer. I had a google doc that I wrote down all the episode names in, then jotted down the preliminary ideas. Let me tell you, with a show that has seven seasons of 20+ episodes, it was... so daunting to even think about narrowing down what episodes and arcs to use. It was what initially deterred me from using any of them at all. So I started to look for things that I felt would directly impact Elara, her character, and her development. For example, I didn’t really use all of “Cat and Mouse” because the episode, on a whole, wouldn’t have Elara much involved in it. It did, however, provide a wonderful backdrop for her time on Christophsis, which is why I didn’t nix it entirely. Aside from forcing Obi-Wan and Elara to be tied together, “Dooku Captured” and “The Gungan General” were used to introduce her to Hondo, whom both allows her to be more playful, and showcases her knowledge of the seedier side of the galaxy. And there are plenty of episodes that I love and adore that I just... don’t think would fit. For as much as I love “Senate Spy” and the introduction of Clovis, there’s no way for me to put Elara into that episode and not have it feel forced. That’s another huge thing I look for when picking episodes; if Elara doesn’t feel like she would naturally fit into the storyline somehow, even if it’s indirectly, I’m not going to force her into it. That’s when I do things like mention the events of the episode in a chapter (like with “Clone Cadets”) instead of doing a whole episode. So Clovis is obviously going to get a mention (she’s Anakin’s sister and Padmé’s bestie, of course she’s going to hear about the debacle), but the whole episode won’t be written out.

Then, of course, you have the arcs. The ones that I had immediately chosen are (and these probably come as no surprise): Ryloth, Mandalore, Mortis, Slavers, and Deception. The arcs I find easier to choose because you have a chance to work with more surface area so to speak. It gives me a chance to really flesh out Elara’s part in the story, focus in on her and her emotions and how she’s tied to this particular plot. With the Mortis Arc, for example––Elara is a Skywalker. She is strong with the Force, and in the “Balance” verse, considered a Chosen One. That ties her into the Mortis Arc very interestingly, since it’s not just Anakin going God Mode. It’s going to lend me the chance to really dig deep into Elara, her connection to the Force, to the Light and Dark (the Daughter and Son), and her relationship to being a Chosen One. At first I was like ‘holy shit I’m never gonna be able to do this arc,’ and then when I buckled down and really thought it over... I realized it’s going to be really important for her as a character, and particularly her relationship with Anakin (stay tuned!). It also probably comes as no surprise that a lot of the arcs (and episodes) that get picked are influenced by whether or not Anakin or Obi-Wan are in them. Which is why I almost turned a blind eye to the Umbara Arc until someone brought it up. I did a rewatch of it and knew I had to include it, too. Because that’s going to be an awesome opportunity to flesh out how close Elara is to the 442nd, and be able to contrast her ideals as a General against those of Krell. A lot of the picking of episodes and arcs ends up being trial and error. I wrote the first four-ish pages of “Clone Cadets” before I realized it just didn’t flow right.

All this being said, I like to envision Elara is around for all of the Clone Wars episodes, so I’ve got lots of fun little random snippets for things that I’ll probably never write, but figure would happen in some part of a CW episode.

And after all that, here we finally are at your second question! ☺️

Coming up with all those small details is actually an amalgamation of things at work. I do attribute a lot of it to my training as an actor/theatre artist. I think about how, if I were directing it, how I’d want the movements to look, and how that would translate on both a small scale, and a large scale. A touch of a hand for Obi-Wan and Elara can feel like a world shifting movement––but come off as nothing but a simple, friendly gesture to their fellows. On a small scale, what makes the difference is the way the touch happens. How light the pressure of the touch is, how long it lasts, how slowly their fingers brush against the other person’s hand... all those things help me figure out the mood of that touch and how they’d respond to it. Also, when choosing words to describe movements I often think about the attitude attached to it. A ‘turn of the head’ when Anakin’s being moody may end up being a ‘swivel,’ or the ‘arch’ of an eyebrow from Obi-Wan is more sarcastic than a gentler ‘raise.’ I often agonize picking out those sorts of words. I’ll sit there and try them over and over again, then put them all into a Thesaurus website because I worry I use the same words too much. The thesaurus (particularly when writing Obi-Wan), is my best friend.

When I write mannerisms for canon characters, I use a lot of reference for. I’ll literally just scroll through gifs, watch movie clips, or rewatch the scene I’m writing to pick up on character-specific mannerisms. A couple chapters ago I was describing Anakin’s angry face, and I just looked at images of him from Revenge of the Sith (him alone in the Council room, him being knighted as Vader, his expressions on Mustafar, etc.) I’ll also do this for vocal ticks/inflections. I will also unashamedly admit I will sit there and compose my face into whatever expression I’m trying to describe. Sometimes feeling it physically, or physically composing it helps me come up with words or ways to describe the look. Same thing with touches AND with vocal inflection. Do I sit by myself and read what I’ve written aloud in my best Obi-Wan Kenobi cadence? Yes, yes I do. And has it helped me figure out what words/phrases do and do not work? Yes, it absolutely has!

Also, a lot of describing the details of motion/facial expression/touch gets affected by music for me. Like, if you listen to “Stairway to Heaven” as played by the London Philharmonic Orchestra while reading, say, the scene in “The Gungan General” where Obi-Wan and Elara wake up pressed up to one another... that song is just THE feel of that moment. Listening to the right music when writing (the little details especially) is big for me. Kinda like how “Blue Monday” is the music that works best for the bunker scene in “Storm Over Ryloth.”

There are also a lot of details that I pull from real life. I remember when I wrote Elara seeing Naboo for the first time—and consequently grass, trees, and flowers, too—it was summer time for me. I was staring out at the trees and the way the light filtered through them, watched how they swayed... the grass had just been cut and the breeze smelled sweet... and I was like ‘god, imagine experiencing this all for the first time.’ So I took what I felt and elevated it a little, tried to add a kind of wonder to the things that we all, for the most part, kinda take for granted. I like pulling on experiences I’ve had in real life as a basis.

I ask attribute a LOT of my detail work to my training as a theatre artist. I think about lighting now differently than I did a couple years ago; because I learned what kinda of light fit different moods. Like the scene of Obi-Wan at Dex’s would feel completely different if I’d described the light as cool toned. It would lack a sense of hope. His reminiscences would be sadder, it would feel more stark. The warmer tones suggest that there’s still heart and hope, a possibility for things to get better, and that reflects his inner life better than colder, bluer light. Or how I used light when I wrote Elara seeing Watto again after 10 years to describe her struggle between Dark and Light in that moment. She stepped out of the sun and into the shade because, for a moment, she almost gave in to the Darkness. (Inspired by the scene in Force Awakens where Kylo asks for Han’s help and the light shines down on them... with hints of red low lighting to hint at the struggle... only to have the light disappear as he overrides his own vulnerability, reverts to the Darkness and kills his own father).

I also love using physical objects as emotional triggers, like is done in theatre quite a bit. A good recent example being Elara’s lightsaber. Obi-Wan having it reminds him of his worries regarding her safety, and his struggle with choosing what path to take in regards to his feelings towards her. Or Elara with the Snow Blossom. These things have the ability to spark different emotions depending on the situation. On a good day, the Snow Blossom will make her smile; on a bad day, it may make her feel more sad than happy. And sometimes they don’t have to be objects—they can be bruises or scars or healing wounds. Having something physical spark an emotional response can be really helpful, and has actually helped me though rough spots in my writing.

I could literally go on for hours about all of this kind of stuff! So thank you for asking about it and giving me a chance to discuss it even a little bit! ☺️

#mary talks balance #mary responds #my writing stuff #detail work #elara skywalker #obi-lara #balance stuff #fic writing

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bisexualmikisayaka · 4 years ago

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disclaimer: i haven’t watched the most recent episode yet (as of 6/19) buuut ive seen a couple spoilery gifs and i’m thinking about what i wanted out of the show. sorry if this makes no sense with the newest material 😭 but you know, and this is just my opinion, if filoni hadn’t defaulted to his standard “competent yet traumatized grizzled man with sweet mystical child” trope and made half the show a circlejerk of his tv ‘verse, i think the bad batch could have been really interesting as the only media to be set during the empire building itself.

what comes to mind is the narrative structure set up by another show he’s been involved with - ATLA. something i noticed during my summer rewatch of it that i didn’t as a younger viewer was the really excellent way that so many steps of aang’s journey were made to parallel or foil zuko’s in some way, or vice versa. the show was structured to play both of the characters off each other narratively until they ultimately came together and didn’t need to show their separate stories. if we had gotten that with hunter and crosshair, or even the bad batch overall and crosshair, i think it could have been much better. we would have been able to see more of the empire’s internal mechanisms, while being able to keep an eye on characters we knew previously (tarkin, lama su and taun we, crosshair - hell, i’d even take one-off characters like shaak ti’s clone team from the fives arc in tcw, since they seem to be the military presence on kamino) while also taking steps into a new era. we could have explored what happens when clones are under long-term influence of the chip, something we’re sorely lacking in canon. would crosshair have been able to resist at all due to his (sigh) mutations? so far the only trooper we’ve seen be able to resist for even a little bit when directly given the order is rex, and i personally like the theory that it’s because his faith in his duty was challenged so much during the clone wars, but there’s never been any real explanation or evidence to prove why others could or could not do that. how do people treat clone troopers when they start getting phased out? do clones under the influence of the chip care that they’re going to die? for god’s sake, the first death trooper is a clone! that kills me and i wish we could have seen more of crosshair’s time as an arm of the empire constructing itself from the existing structures of the republic!

and to counterbalance that - the violence, the order, the suppression and subjugation - we could have had the bad batch’s journey. omega could still be an important character in their newfound literal and emotional freedom, and whatever purpose she serves could likely be incorporated as a plot point. we could also get the other side of the equation, as the bad batch are now persecuted by the empire - we got a good taste of that with the cut lawquane episode and the chain code stuff but personally i think there could be more. crosshair as an agent of the state empire vs the bad batch as subjects actively being marginalized by the empire - it’s a really interesting parallel to draw. because everybody involved is dehumanized (and has been since the republic days) but crosshair and the chipped clones still serve a purpose and are granted sort of a modicum of citizenship (again, implications from the chain code episode), whereas the bad batch are rogue entities who need to be eliminated, on top of their status as clones. and yet ironically, despite the way they are now forced to exist on the margins of Star Wars society, they’re freer than the rest of their brothers. there are so many avenues to take with a group of clones having to adjust to citizen life while still working in active combat situations to survive - funny scenes, emotional scenes, kickass scenes, you name it. i just really wish that more clear parallel storylines had been drawn that we could follow so what when they converged once again, it would be that much sweeter.

#this on top of you know. fixing all the problems in that last post i reblogged #but if i got into the whitewashing in-universe and weird mutual prejudice the clones and tbb seem to have for each other #and what that says about clone standards and society and how i wish we could dig into that #this post would be even fucking longer #star wars #the bad batch #tbb critical #the bad batch critical #sw critical #star wars critical #tbb meta #the bad batch meta #crosshair #hunter

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basura2319 · 5 years ago

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Who lives, who dies

Pairing: Rex x reader (gender neutral)

Anonymous said:

“Hey! I’ve recently gotten back into the clone wars and Rex has stolen my heart 😂 would you be willing to do a Rex x Jedi!Reader but with a bit of angst where it’s older Rex in the Rebels series and he talks about the reader to Ezra? I hope that made sense 😂”

WC: 2.5K

Warnings: Takes place in Rebels, Ezra being nosy, angst, character death, blood, *S7 spoilers for tcw finale*, and things in italics are flashbacks.

A/N: I hope I did this fic some justice and sorry for making you wait so long. I had to force myself to rewatch the last episode a second time because that episode really messed me up, anyone else feel that way?

Rex never thought that he would be serving again since the Clone Wars. But times were changing and ever since the Ghost Crew came to him for help, he thought long and hard about joining a cause like the Rebellion. And when he did, it made him feel almost happy that he was doing something purposeful again. Something he’s choosing to be a part of. But at the same time, whenever he went on missions and saw rebels dying, ones he grew newly acquainted with, it brought back tons of memories he spent so much time on Seelos trying to repress.

Memories of his dying brothers, of Anakin and Ahsoka, and especially of you. Which was why he was outside of Chopper Base. Sleep eluded him right now and on those days when couldn’t sleep, he went outside to sit underneath Atollon’s night sky to think.

He sat on one of the crates by the shooting range and pulled out a hologram. With shaky hands, he turns it on and a tentative smile falls onto his lips at the image he sees.

It was a hologram of him—his younger self—and you, smiling at each other. Judging by the clothes you both wore, someone could look at the hologram and never guess that he was a soldier and you were a Jedi knight. But you were more than just a Jedi; you were his love. His everything. And this hologram, Rex thought, was his most prized possession. Because showed it a time in his life when he was in utter bliss. A feeling he would never have again.

Rex felt tears begin to build up as he gazes over your face again for the thousandth time. The light in your (e/c) eyes as you look to Rex and the crinkle on the edges of your eyes as you smiled. He remembered the day this hologram was taken. You convinced Rex to join you on a night around Coruscant. You had been the one to take the image without his knowing and you gave him a copy of it to keep. Since then, he has kept it with him at all times, as it is the only thing he has to remember you by.

He blinks the wetness in his eyes away. How he wished things turned out different. If only he believed Fives. If only he didn’t answer that incoming call from the Chancellor. If only they got out of the blazing cruiser fast enough. If only—

CRASH!

Rex immediately clicked the hologram shut and reached for his blaster, aiming at whatever made the crates behind him, he noted, fall over.

“Whose there” He growled. “Show yourself.”

It was probably those Atollon spiders again. How did they get inside the base?

“Relax! It’s just me!” said a panicked voice behind the crates. “Ezra!”

Rex sighed in relief. It was just the kid.

“What are you doing here?” asked Rex in exasperation, giving the boy a stern glare.

“I would ask you the same thing,” Ezra replied with raised brow. “Seeing as how you’re just…sitting here, doing what exactly?”

“That is none of your business,” said Rex sternly.

“Okay then,” he said sheepishly. “Well I guess my being here is none of your business so—”

“Ezra.”

“Alright,” he groaned. “I came out here to practice my lightsaber forms, see.” He waved his lightsaber around as proof. “And well…”

Ezra stared at the ground in shame. “And then I saw you by yourself a-and I didn’t mean to spy on you. I was—”

“Kid,” sighed Rex, feeling a slight tingle of warmth reach his face. “It’s alright.”

Rex shouldn’t feel embarrassed. It’s not like he could in trouble for possessing the only image of you he had. And it’s not like Ezra understood the context of what he saw.

He opened his mouth to say something but stopped seeing the way Ezra looked at him. Something akin to concern? Pity? The young boy looked as if he had more to say.

“Something wrong?”

“No—it’s,” Ezra said hesitantly. “That person—in that hologram— I know them.”

Rex furrowed his brows in confusion. “How?” You died before Ezra was born.

“Kanan has these holo-recordings he’s been showing me,” Ezra began. “They’re mainly Jedi Knights teaching how to do a certain form. I saw them teaching a session on how to do the Soresu form, their name, I think, is—”

“Jedi Knight (Y/N) (L/N),” Rex finished hoarsely. The first time in a while since he had said your name out loud.

“You don’t have to answer this,” Ezra said with a curious tone in his voice. “But, did you work with them?”

Rex smiled, recalling all the adventures you both had. “I did, in fact (Y/N) was part of Torrent Company.”

He sat back down on the crate and so did Ezra. “I met them a little after I met Commander Tano.” He chuckled. “They came in to save our forces after the disastrous stunt we pulled off in Felucia. Had they not came in to rescue us, we would have died trying to fend off those clankers.”

Rex, in his mind, remembered it all. You coming out of nowhere with gunships, screaming at Anakin to fall back. He recalled Skywalker being almost stunned at your presence.

“What are you doing all the way out here (Y/N),” Rex remembered Anakin asking you as they got inside the gunships.

“Here to save your ass,” you commented back. “Only this time from a battlefield instead of from Master Kenobi.”

Anakin chuckled. “Always with the quip remarks.”

“We both trained together since we were kids,” you stated with an arched brow. “Why are you surprised?”

“So you’re a general now?” he asked.

“No,” you answered with a knowing grin. “But I am assigned to one.”

“No way!”

You threw your head back and laughed. “You better believe it.”

“Well then, I should introduce to my second in command, other than you,” he said, smirking at the offended huff you made. “Meet Captain Rex.”

He remembered you reaching out to him as you hung to the straps of the gunship to shake his hand. “Hello Captain, I’m (Y/N) (L/N), but please call me (Y/N).”

He was so entranced by your smile that he almost forgot you were speaking to him.

“Nice to meet you (Y/N),” he said, silently thanking the force that he had his helmet on so you couldn’t see the tinge of red in his cheeks. “And please, call me Rex.”

Rex smiled at the memory. “(Y/N) was a very clever Jedi, but most importantly they were compassionate. They treated us clones like equals and was always there to listen and understand our grievances.”

“They sound amazing,” Ezra replied. “I would’ve loved to meet them.”

Rex paused. “I think (Y/N) would’ve loved to train you and certainly wouldn’t hesitate for a second to be apart of this rebellion if they knew what became of the Republic we both swore to protect.”

His smile disappeared. He really wished you were here to see this.

Ezra looked to Rex with sadness. He could feel the clone veteran’s grief so strongly and could also feel his love for you; just like how he could feel the love between his parents as a kid before the Empire took that all away.

“They didn’t make because if the order did they?”

“No…” said Rex hoarsely. “If it weren’t for them, I wouldn’t even be here…”

Everything fell apart after Mandalore.

He had no idea he was going to be forced to kill (Y/N) and Ahsoka by just one simple command that was enough to overpower his senses.

While Ahsoka managed to escape the blaster fire from him and his men, he was relieved to learn after his chip was removed that you were in your quarters when the order happen, giving you time to hide in the vents.

He was so afraid that his men might’ve gotten you. But he could see the fear and realization on your face when he woke up from his chip removal.

“Fives…” you said in a hushed voice as you three ran to open the hangar doors. “He was right about everything.”

Rex reached for your hand and gave a hard squeeze. “I know, but it weren’t for him, I would’ve killed…”

He couldn’t say it. The thought of you or Ahsoka being executed out of his own will, he—

He just didn’t want to imagine it.

But things worsened. The cruiser was beginning to break apart as they got out of hyperspace and the cruiser was on its way to crashing on a moon.

His men. His brothers who he loved so much, were all waiting for them at the main hangar. Willing to kill themselves trying to complete the mission.

Tears were streaming down his face as he argued this realization to you and Ahsoka.

You knew more than anyone how he felt. Removing his helmet, you pressed you forehead against his in affection. “Rex…it’s okay. I know your brothers. Ahsoka and I know that they are good soldiers and this isn’t their fault.”

He knew they might not have a chance in finding a ship and leaving, but he went with the plan of trying to reason with Jesse, his little vod, on not killing you or Ahsoka. But Rex already knew his brother was long gone, lost somewhere in his mind. He was desperate when it didn’t work and they kept firing at them.

To add to the ongoing mess of things, their chance of escape was taken away by Maul when he took the last remaining shuttle.

They were reaching the moon’s surface rapidly and running out of time.

“Wait,” you called out to Rex. “I see another unharmed ship. There!” You pointed to the Y-wing bomber.

You deflected the blaster shots away as you three ran towards it. Using the force, you wasted no time in pushing Rex towards the ship and jumping your way over.

“There’s only two seats!” exclaimed Rex in panic. “What do we do?”

Your heart seized at the problem. You looked over at Ahsoka who you realized didn’t make it over to the ship, still trying to hold the clones back. She wasn’t going to last long.

“Rex…” you called out, voice strained.

He looked to you, face contorted in anxiety. “What is it?”

You took his helmet off so you could stare at his face one last time. “You know that I love you, right?” you said breathlessly. “More than anything, more than life itself…”

“Y/N stop—“

You kissed him, one last time, savoring his lips as tears leaked from your eyes. “I’m so sorry.”

You shut the cockpit canopy before he could stop you. “I hope one day you can forgive me.”

He was screaming your name and it broke your heart in two. Rex tried opening the canopy but it was too late.

“Ahsoka go!” You force pushed the clones out of the way and continued to deflect your lightsaber against their firing.

“No, I’m not—”

You didn’t let her finish. Using your remaining strength, you push your friend towards the ship. Rex felt the cruiser begin to tilt, watching how it made you lose your balance and fall towards the opening of the hangar. The cruisers billowing speed and harsh winds caused the Y-wing bomber to fly out before Rex and Ahsoka had a chance to help you.

As Rex gained control of the ship, he maneuvered through the rubble trying to see if you were alive, possibly hanging onto debris. He didn’t see you. Instead moments later, he found your mangled body in the debris along with his brothers.

He fell to his knees, gathering your body in his arms and wept. His watery eyes gazed at your form, noting the blood matted on your head that must’ve been from something blunt that collided with your head. The dried blood from your nose and mouth. And the most haunting thing of all was your (e/c) eyes, staring lifelessly at the sky.

It only made him cry out in anguish.

Ahsoka watched from afar as her friend mourn, silently crying at everything that went down. She felt the connection between her and her master die and now, you were gone too. To save her and Rex.

Rex reached a shaky hand over to close your eyes. He didn’t want to leave you here, but what choice did he have? Someone was going to come to evaluate the site soon. They had to leave.

Rex and Ahsoka took one last look at the burial site they made and left with a creeping feeling of numbness. When they went into orbit, Rex stared at the moon below while reaching for his necklace that held the hologram of you he hid under his shirt.

Pressing the device to his lips he whispered, “I love you… and I forgive you, my cyare”

They made the jump to hyperspace, uncertain of what their future would entail now.

***

“Did you ever go back to the crash site?” Ezra asked a little after Rex finished talking.

“No,” sighed Rex. “The place for all I know could be swarming with Imperial probe droids or they probably took whatever they deemed important.”

Ezra reached over to put a hand on his shoulder in a comforting gesture. “I might not know (Y/N), but from what you’ve told me, I think they would be proud of where you are now.”

Rex smiled at the young Jedi. “I’d like to think so too.”

***

All beings become one with the Force after death.

That’s what you’ve been told along with all Jedi.

Yet you didn’t feel like you were apart of the Force. Sure you could feel it binding you, but it was nothing like you’ve imagined. You thought that after death, you wouldn’t recall your past life, but you did. Or that you wouldn’t be aware of anything that’s happening in the universe.

You are able to see and acknowledge what’s become of this universe. And you're horrified of it. You’re horrified of what you know.

The only thing you’re thankful for is that the one’s you cared about made it out alive.

Ahsoka, you gathered, is following a path you knew suited her apart from the Jedi ways and you couldn’t be even more happy for her.

As for Rex, you never left his side after death, just not in the way you expected. He couldn’t see you. No one could unless they were Jedi. But that only happened when you wanted to be seen.

But you’ve watched over him after all this time and watched his struggle in adjusting to a new life as a free man. That didn’t mean you couldn’t feel his guilt though. His guilt that he lived whereas his brothers didn’t and lastly, his guilt over you.

You were filled with sadness whenever he grieved over you, like what he was doing now. Sitting by himself, staring at the hologram you gifted him.

You hated that you couldn’t talk to him or that you couldn’t give him some sort of comfort. There was so much you wanted to say to him, but oh how you couldn’t wait to speak to him to again. It’s only a matter of time.

For now, all you can do now is be in his presence, wishing he knew you were here.

#requests #captain rex #captain rex x reader #commander rex #commander rex x reader

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invisibleicewands · 4 years ago

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Staged's Anna Lundberg and Georgia Tennant: 'Scenes with all four of us usually involved alcohol'

Not many primetime TV hits are filmed by the show’s stars inside their own homes. However, 2020 wasn’t your average year. During the pandemic, productions were shut down and workarounds had to be found – otherwise the terrestrial schedules would have begun to look worryingly empty. Staged was the surprise comedy hit of the summer.

This playfully meta short-form sitcom, airing in snack-sized 15-minute episodes, found A-list actors Michael Sheen and David Tennant playing an exaggerated version of themselves, bickering and bantering as they tried to perfect a performance of Luigi Pirandello’s Six Characters in Search of an Author over Zoom.

Having bonded while co-starring in Good Omens, Amazon’s TV adaptation of Neil Gaiman and Terry Pratchett’s novel, Sheen, 51, and Tennant, 49, became best buddies in real life. In Staged, though, they’re comedically reframed as frenemies – warm, matey and collaborative, but with a cut-throat competitiveness lurking just below the surface. As they grew ever more hirsute and slobbish in lockdown, their virtual relationship became increasingly fraught.

It was soapily addictive and hilariously thespy, while giving a voyeuristic glimpse of their interior decor and domestic lives – with all the action viewed through their webcams.

Yet it was the supporting cast who lifted Staged to greatness,Their director Simon Evans, forced to dance around the pair’s fragile egos and piggy-in-the-middle of their feuds. Steely producer Jo, played by Nina Sosanya, forever breaking off from calls to bellow at her poor, put-upon PA. And especially the leading men’s long-suffering partners, both actors in real life, Georgia Tennant and Anna Lundberg.

Georgia Tennant comes from showbiz stock, as the child of Peter Davison and Sandra Dickinson. At 36 she is an experienced actor and producer, who made her TV debut in Peak Practice aged 15. She met David on Doctor Who 2008, when she played the Timelord’s cloned daughter Jenny. Meanwhile, the Swedish Lundberg, 26, is at the start of her career. She left drama school in New York two years ago and Staged is her first big on-screen role.

Married for nine years, the Tennants have five children and live in west London. The Lundberg-Sheens have been together two years, have a baby daughter, Lyra, and live outside Port Talbot in south Wales. On screen and in real life, the women have become firm friends and frequent scene-stealers.

Staged proved so successful that it’s now back for a second series. We set up a video call with Tennant and Lundberg to discuss lockdown life, wine consumption, home schooling (those two may be related) and the blurry line between fact and fiction…

Was doing Staged a big decision, because it’s so personal and set in your homes? Georgia Tennant: We’d always been a very private couple. Staged was everything we’d never normally say yes to. Suddenly, our entire house is on TV and so is a version of the relationship we’d always kept private. But that’s the way to do it, I guess. Go to the other extreme. Just rip off the Band-Aid.

Anna Lundberg: Michael decided pretty quickly that we weren’t going to move around the house at all. All you see is the fireplace in our kitchen.

GT: We have five children, so it was just about which room was available.

AL: But it’s not the real us. It’s not a documentary.

GT: Although some people think it is.

Which fictional parts of the show do people mistake for reality? GT: People think I’m really a novelist because “Georgia” writes a novel in Staged. They’ve asked where they can buy my book. I should probably just write one now because I’ve done the marketing already.

AL: People worry about our elderly neighbour, who gets hospitalised in the show. She doesn’t actually exist in real life but people have approached Michael in Tesco’s, asking if she’s OK.

Michael and David squabble about who’s billed first in Staged. Does that reflect real life? AL: With Good Omens, Michael’s name was first for the US market and David’s was first for the British market. So those scenes riffed on that.

Should we call you Georgia and Anna, or Anna and Georgia? GT: Either. We’re super-laidback about these things.

AL: Unlike certain people.

How well did you know each other before Staged? GT: We barely knew each other. We’ve now forged a friendship by working on the show together.

AL: We’d met once, for about 20 minutes. We were both pregnant at the time – we had babies a month apart – so that was pretty much all we talked about.

Did you tidy up before filming? AL: We just had to keep one corner relatively tidy.

GT: I’m quite a tidy person, but I didn’t want to be one of those annoying Instagram people with perfect lives. So strangely, I had to add a bit of mess… dot a few toys around in the background. I didn’t want to be one of those insufferable people – even though, inherently, I am one of those people.

Was there much photobombing by children or pets? AL: In the first series, Lyra was still at an age where we could put her in a baby bouncer. Now that’s not working at all. She’s just everywhere. Me and Michael don’t have many scenes together in series two, because one of us is usually Lyra-wrangling.

GT: Our children aren’t remotely interested. They’re so unimpressed by us. There’s one scene where Doris, our five-year-old, comes in to fetch her iPad. She doesn’t even bother to glance at what we’re doing.

How was lockdown for you both? AL: I feel bad saying it, but it was actually good for us. We were lucky enough to be in a big house with a garden. For the first time since we met, we were in one place. We could just focus on Lyra . To see her grow over six months was incredible. She helped us keep a steady routine, too.

GT: Ours was similar. We never spend huge chunks of time together, so it was a once-in-a-lifetime opportunity. At least until David’s career goes to shit and he’s just sat at home. The flipside was the bleakness. Being in London, there were harrowing days when everything was silent but you’d just hear sirens going past, as a reminder that something awful was going on. So I veered between “This is wonderful” and “This is the worst thing that ever happened.”

And then there was home schooling… GT: Which was genuinely the worst thing that ever happened.

You’ve spent a lot of time on video calls, clearly. What are your top Zooming tips? GT: Raise your camera to eye level by balancing your laptop on a stack of books. And invest in a ring light.

AL: That’s why you look so much better. We just have our sad kitchen light overhead, which makes us look like one massive shiny forehead.

GT: Also, always have a good mug on the go [raises her cuppa to the camera and it’s a Michael Sheen mug]. Someone pranked David on the job he’s shooting at the moment by putting a Michael Sheen mug in his trailer. He brought it home and now I use it every morning. I’m magically drawn to drinking out of Michael.

There’s a running gag in series one about the copious empties in Michael’s recycling. Did you lean into lockdown boozing in real life? AL: Not really. We eased off when I was pregnant and after Lyra was born. We’d just have a glass of wine with dinner.

GT: Yes, definitely. I often reach for a glass of red in the show, which was basically just an excuse to continue drinking while we were filming: “I think my character would have wine and cake in this scene.” The time we started drinking would creep slightly earlier. “We’ve finished home schooling, it’s only 4pm, but hey…” We’ve scaled it back to just weekends now.

How did you go about creating your characters with the writer Simon Evans? AL: He based the dynamic between David and Michael on a podcast they did together. Our characters evolved as we went along.

GT: I was really kind and understanding in the first draft. I was like “I don’t want to play this, it’s no fun.” From the first few tweaks I made, Simon caught onto the vibe, took that and ran with it.

Did you struggle to keep a straight face at times? AL: Yes, especially the scenes with all four of us, when David and Michael start improvising.

GT: I was just drunk, so I have no recollection.

AL: Scenes with all four of us were normally filmed in the evening, because that’s when we could be child-free. Usually there was alcohol involved, which is a lot more fun.

GT: There’s a long scene in series two where we’re having a drink. During each take, we had to finish the glass. By the end, we were all properly gone. I was rewatching it yesterday and I was so pissed.

What else can you tell us about series two? GT: Everyone’s in limbo. Just as we think things are getting back to normal, we have to take three steps back again. Everyone’s dealing with that differently, shall we say.

AL: In series one, we were all in the same situation. By series two, we’re at different stages and in different emotional places.

GT: Hollywood comes calling, but things are never as simple as they seem.

There were some surprise big-name cameos in series one, with Samuel L Jackson and Dame Judi Dench suddenly Zooming in. Who can we expect this time around? AL: We can’t name names, but they’re very exciting.

GT: Because series one did so well, and there’s such goodwill towards the show, we’ve managed to get some extraordinary people involved. This show came from playing around just to pass the time in lockdown. It felt like a GCSE end-of-term project. So suddenly, when someone says: “Samuel L Jackson’s in”, it’s like: “What the fuck’s just happened?”

AL: It took things to the next level, which was a bit scary.

GT: It suddenly felt like: “Some people might actually watch this.”

How are David and Michael’s hair and beard situations this time? AL: We were in a toyshop the other day and Lyra walked up to these Harry Potter figurines, pointed at Hagrid and said: “Daddy!” So that explains where we’re at. After eight months of lockdown, it was quite full-on.

GT: David had a bob at one point. Turns out he’s got annoyingly excellent hair. Quite jealous. He’s also grown a slightly unpleasant moustache.

Is David still wearing his stinky hoodie? GT: I bought him that as a gift. It’s actually Paul Smith loungewear. In lockdown, he was living in it. It’s pretty classy, but he does manage to make it look quite shit.

#Michael Sheen #David Tennant #Staged #Staged 2 #Georgia Tennant #The tidy corner #we noticed it #Staged2 #SwedishFishAL

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icouldntthinkofabetternamesook · 4 years ago

Text

Lets Get Dangerous review

spoilers

St Canard looks cool

are the Ramrod accidents ever explained? Are the costly set backs, the disappearance of Dr Waddlemeyer? who else has been hurt?

on a rewatch, I think Bradford might be intentionally trying to keep Scrooge away from Bulba because he’s a F.O.W.L asset and he doesn’t want Scrooge to get wise

LP and Dewy are so bad at keeping secret identities

there’s my gremlin boy!! Drake tried to be cool and completely flopped. nice set up on the later swoop

Bulba is laying it on thick. man he is smarmy

oh god I love the hideouts up. it’s sleek and homey and high-tech while having those deconstructed cardboard boxes to look a bit rough in progress. It’s batman inspired but still unique. also Drake has a big record collection. also those windows look amazing

I personally head cannon that the fearsome four of the in universe show where all people who authentically had those powers and either where doing community service instead of jail time or decided to do acting instead of crime. explains how they used their abilities on screen while still being low budget with few special affects, and ties into how it keeps being stated that St Canard used to have actual super villains

Huey noticed the key immediately

drake gives me second hand embarrassment

there’s the baby Gos-those are some sharp arrows

oh Dewy has his phone in his mouth. also his legs are just wrapped around LP’s arm. that is some strong core muscles

I theorized after the reunion clip came out that Drake would try to do the intro twice and get interrupted before finishing, until the third time where he would give the whole speech we heard over the teaser. I was right

Bulba is awfully ready to shove Darkwing into the spotlight. Maybe trying to get up ahead incase those accident investigations get to noisy? As well as control the narrative over Goslyn? Owlson is also very eager to reward him. maybe she’s a closet DW fan.

THE COOKBOOK!!!

KEEN GEAR SHE SAID THE THING HELLS YEAH!!!

Drake is justified in asking for evidence. also where has Got been living since her grandfather disappeared? bets on foster home or homeless

Gos and Dewy have a cute dynamic

All four of them in the motorcycle is cute. LP has is hands around Drake’s waist Dewy and Got in the side car, Drake and Got sharing that little look. so cute!

Drake and slapstick

Gos climbing over everything

Accordion Drake and his yep, yep, yep, but also accordion Darkwing, he is really in the realm of toon physics

so....did the ramrod really accidentally backfire or did Bulba, maybe...push him?just saying it might not have been an accident. also he could be telling this story as a cover for straight murder, he is a bit homicidal and a very skilled liar

“Hold it right there young lady” is a strong display of parental behavior

Drake using detective skills to sus out Bulba wth zero hesitation

she lost her crossbow!

a wonderful use of misdirection, the right way to use a smock bomb

zero hesitation to just jump

Drake only being able to swoop with Gos’ help is great illustration of them being better together

Drake and LP playful banter

and enter the fearsome four

ok Drake has called Fenton to ask for help with the portal at some point off screen. I think there was a semi major time gap between the fight with Bulba and the news cast

Liqidator is right in his element with Bulbas weird sudo work place stratagem. he’s Vice President!

jamming out to the theme song

Launchpad picks up the child

Dear lord Bushroot is creepy and cool. he’s just sitting there in some random beam of light. also he screech

Drake has a Darkwing Duck arcade machine

ok it’s this hasn’t slept in days thing that keeps tripping me up about the timeline. all of this could very well be happening in one very busy night except for that one line. also how can be staying up all night with Fenton when we’ve been seeing him at night with LP and Gos? this bugs me. I added an extra day between there the episode would split as a two parter to justify his extreme tiredness but what LP is saying makes no sense

Darkwing face pancakes thats a great detail

while no Negaduck in this episode(which makes sense he totally needs his own debut to deal with the ramifications of Jim Starling and stealing the show in general) Bulba manages to step in nicely as the scary, team leader from another universe. a twist on the classic while still paying homage

Goslyns emphasis on this being reality is...kinda grating actually. she’s not a dw fan so she’s not comparing it to the in universe show. also we as the audience are watching it be a show. theres no in universe reason for her instance that its real and its annoying out of universe. maybe its supposed to mesh with the ramrods use of fictional realities, and Bulbas later assertion about making their own reality, but as is it’s kinda flimsy

Reggie snake tail thing is really cool. Honestly he was given such an intense and cool redesign it makes no sense for that amount of effort to have only gone into one episode. I really hope Reggie left like a clone making seed pod thing so we can get more of him without having to dimension hop again

oh hey she got the crossbow back

why did Bulba even turn on the ramrod when he did?

you know that BTAS post going around Tumblr about how making it so you can never show death, forced them to come up with things worse then death? that’s what happened with waddlemyer. They couldn’t show us him dieting or dead so they had to find a way to make it even more gut wrenchingly painful while technically not killing anyone. ouch

annoyed we don’t get the adoption, or at least something more familial then explicitly making it about crime fighting

appreciate Dewy giving LP permission to go to his family. that transition is going to be rough so I appreciate the indication that Dewy will be supportive

and they ride off into the night together!

God this episode is fun! I have some nitpicks mostly about Gos and the timeline, but those pale in comparison to just how enjoyable and emotional it is to watch.

#ducktales #darkwing duck #dwd

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dreamingofscully · 5 years ago

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5x02. “Redux II” - X-Files Rewatch

I'll be including more pics below because there's just too many good ones in this episode.

Mulder desperately searching for Scully. Yelling at people in frustration.

"I'm only half dead." - Mulder 😫 😭

The whole scene with Mulder seeing Scully is heartbreaking (DD does a masterful job here). He gets the wind knocked out of him seeing her so sick. He had no idea it had gotten this far, he thought he had more time. Being confronted with the reality of her illness here... She's seemed okay up until now. Fighting desperately to be near her. Only leaves because he's forced away and is pissed at Skinner for taking him away from her. He can't take his eyes away from her the whole time he's leaving.

When Mulder visits Scully in the hospital & she's conscious. The whole scene is just disgusting. 😍 So much touching and gazing. First the cheek kiss, holding her hand and sitting on the bed close to her. Caressing her hair. Then kissing her hand when he leaves.

He tries to just be there and not stress her out about what's going on. Him being around and it not being work-related is not something that they do. Scully insists on needing to know. She tells Mulder to let her take the blame for the murder of Scott Ostelhoff - to give her illness some meaning. Mulder is blown away by her offer - that she would try to protect him even when she's dying. "Mulder, if I can save you let me." He can't do that to her, can't tarnish her memory by letting her do that. UGH.

Bill telling Mulder to leave the work away, to let Scully die with dignity. What does Mulder think Scully told her brother about him?

Lone Gunmen! Finding the chip.

The disagreements in Scully's room. "I think that everybody here has their heart in the right place."

"She's your big defender, but I think the truth is she just doesn't want to disappoint you." Bill Scully

"If it works I don't care what you think she thinks." Again, Mulder doesn't give two shits about what other people think about him. He just wants to do what he can to help people, to find the truth.

Bill hitting back with "You're the reason for it." and "You're one sorry son of a bitch." - more guilt :(

Mulder is just... there, now. He's done what he can and given Scully the chip. Now he just has to wait to see if it works.

I'm going to go off the rails and talk about some Samantha stuff here (even though I don't really care all that much). Is the Samantha in this ep a clone? Must be, given what we learn later. What is the purpose of keeping her around? Is everything she told Mulder a lie or does she actually believe she's Samantha and is living a lie? For what reason? Because CSM relishes having power? Having his own family that views him as benevolent instead of the evil man that he really is? What happens to her after his attempted assassination?

CSM offers Mulder the truth/his sister in exchange for leaving the FBI and working for him instead. It's a tempting offer, and one that Mulder may have taken if he didn't have Scully in his life. CSM has a singular obsessive focus that I think you can parallel with Mulder (not obsessed with power but finding and exposing the truth). They focus on these goals at the expense of everything else.

EXCEPT Mulder chooses Scully over the truth at the end - CSM cannot comprehend that Mulder would do such a thing because he would never do it himself.

I think it is assumed by most people that it is the chip that saves her life. But I like to imagine perhaps it is the three things in her life that save her.

the Chip - representing Mulder and their search for the truth

the Science - her unconventional treatment

her Faith - praying with Father McCue, returning to her church, her family and history

I love that she uses everything at her disposal to try to save herself. She doesn't just rely on one thing. She desperately wants to live. Hugging her mom and talking about pushing away her faith when she needs it the most.

Mulder visiting Scully at night and crying. 😭 I love his infatuation with caressing her hair.

"I was lost last night."

Why did he make up his mind to take the deal with CSM after crying by Scully's bedside? Maybe he thought it would save her and he was desperate. Maybe he thought that he had nothing to lose, if Scully wasn't going to get better.

Again - she offers to take the blame but he CAN'T let her. He couldn't live with the thought of her memory, her legacy being anything but the one she should have - that she is so full of goodness, the only one in his life that has ever shown him decency and respect.

"We all have our faith and mine is in the truth." - Mulder

"Then why'd you come here if you'd already made up your mind?" - Scully "Because I knew you'd talk me out of it if I was making a mistake." - Mulder, with a giant grin at her. Acknowledging that he respects her opinion, that she saves him with every question and comment she makes that goes against his initial thoughts.

When Father McCue arrives, she reaches for Mulder's hand. Needing his strength to make another leap on her own. "You'll be in my prayers."

He kisses her cheek again. Her desperate grasping of his hand when he leaves. Not wanting to let him go. Knowing she has to do this last thing by herself.

The consortium has CSM assassinated because he keeps protecting Mulder unreasonably. Why they kept the spying from him.

"It's the best news I could have ever heard." Mulder's expression telling Skinner about Scully's remission. So soft, relaxed. Holding his vigil outside of her room. Really wish we'd gotten to see Scully telling Mulder this news. ARGH. Thank god for fanfic.

#xfiles #x-files #x-files rewatch #x files rewatch #msr #msrheadcanon #mulder and scully #fox mulder #dana scully #season 5 #cancer arc

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legobiwan · 5 years ago

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TCW Rewatch: “Dooku Captured” (S1, E10)

HERE. WE. GO.

So I find it interesting that with the exception of “Destroy Malevolence,” Obi-wan and Anakin are not seen on-screen having missions together until this episode arc. Did the Council separate them on purpose after Ahsoka was assigned to Anakin? Was Obi-wan just too busy running the majority of the GAR? Anyway, it’s good to see them together again. (But it also begs the question, just what has Kenobi been doing this entire time, inquiring minds want to know.)

I love this man.

Also, narrator guy, “last known location” of Anakin??? COME ON, KENOBI PLANNED THIS HE *KNOWS* WHERE ANAKIN IS.

OBI-WAN, YOU JERK

One of the things we never really learned about this plan was why Anakin’s capture had to be “convincing.” Obi-wan infiltrated the ship easily, I’m not sure what throwing Anakin in jail accomplished aside from annoying him which, knowing Obi-wan, may have been the point.

Ah, Dooku! First of all, I love that he’s meditating when Obes and Anakin show up. One could interpret this as a) he sat down to meditate two seconds before the Jedi showed up just to look important or b) he’s still clinging to some of his Jedi-hood. Probably both are correct.

I also love that the writers are SO consistent with how Dooku reacts to Obi-wan versus Anakin, in that Dooku always only addresses Obi-wan and Anakin is a mere afterthought to him. AGHHH, I really, REALLY wish we had more Kenobi-Dooku content because Dooku obviously respects Obes’s abilities, despite his alignment with the Jedi. (LIIIIIINEAAAGGGE).

This time? What happened the last time, Ahsoka??? (Also, poor Rex is so done with all of this and it’s only Season 1.)

Now here’s an interesting shot:

Yes, yes, Anakin is chasing Dooku, oh no, where did he go, but more importantly, the way this shot is framed, Anakin is choosing between one side and another side. As in, Light or Dark, Jedi or Padmé and I think it’s an excellent, subtle piece of foreshadowing (and one we never discover what the ultimate choice was, because at this point, Anakin hasn’t chosen either, but sits continuously, for 7 Seasons and most of a movie, on the threshold as he does right here.)

Obi-wan: “I thought you were following him.” Anakin: “I followed him here.”

KENOBI’S LOOK OF DOUBT HAHAHAHAA

I also love how Dooku is in the middle of a space battle looking like he’s thinking about how he is so not tipping this Uber driver at the end of this trip

So Obes and Anakin crash-land, of course. (”I’ve had better landings” HONESTLY, KENOBI). Interestingly, when Dooku causes the mini-avalanche, Obi-wan runs while Anakin brute-strengths his way out with the Force.

HONDO, WHAT ARE YOU DOING?

First of all, how did Hondo of all people pickpocket Dooku for his saber? Also, why doesn’t Dooku just annihilate all the pirates? He’s a Sith Lord, ffs, it’s not beyond his capabilities. Which lends further credence to my personal theory that Dooku wasn’t all that far down the Dark Side at this point (which is why he didn’t immediately kill Anakin in the next episode) but as TCW wore on, Dooku fell further down into the Dark.

*COUGHCOUGHCOUGHLINEAGECOUGHCOUGHCOUGH* WHY ARE THEY SO SIMILAR??????? WE WERE ROBBED OF THESE TWO TOGETHER, DAMNIT.

The scene with Obi-wan, Anakin, and the gundark has been giffed to death so I won’t add to it. But Obi-wan futzing with his saber while the gundark gives Anakin the run-around will never *not* be funny. Also, on a deeper level, it shows how much Obi-wan trusts Anakin’s abilities that he is able to tease through this entire scene. If Anakin were truly in mortal peril, Obi-wan wouldn’t be playing like this. Obi-wan is a right bastard when he wants to be and I am HERE for it.

Although I do love how annoyed Ahsoka is with the both of them.

Okay, but when Hondo is trying to extort the Republic - he knows that Dooku is a Sith Lord? How??? And how does Hondo know about the Sith? I mean, we know that despite his eccentricities, Hondo is smart, but with the Sith being hidden so many years, I find it very revealing Hondo had no doubts as to what Dooku is.

Palpatine must be so pissed at Dooku. Also, we never found out how Hondo got to Dooku and that’s something I truly need to know. And it seems a little out of character for him? Why is Dooku so off his game in these episodes?

THAT’S MY QUESTION, TOO, ANAKIN

THIS IS IT, RIGHT HERE. THIS IS CLONE WARS. THIS SHOT. HAHAHAHA.

I will always love this episode for gracing us with the best aggrieved Obi-wan Kenobi scene of all time:

I will laugh FOREVER at this.

Ah, and of course, this is the beginning of the illustrious Ohnaka/Kenobi friendship, a bond that lasted the test of time. I do so love Hondo.

Ah, next episode is the quality Dooku-Obi-wan content I am always here for! Plus! New Clone Wars later tonight! Maybe we’ll get an Obi-wan sighting! :D

#hello there #legobiwan rewatches tcw #so maybe i'll finish this project by may 4?#ha!#maybe not #obi wan kenobi #anakin skywalker #count dooku #hondo ohnaka #I WANT MORE DOOKU OBI WAN CONTENT I GUESS I'LL JUST HAVE TO MAKE IT MYSELF

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