#and it has a dragon design on it! i used to be dragon obsessed when i was like. in sixth grade. which was nice

[chimeride]

A hydra, but each head has jaws and teeth specialized for different food like a one-creature set of the Galapagos Finches

[crescentmp3]

many experiences today!

[liveyun]

WIRED | k.nj

summary. You’ve spent years perfecting your first android. But as you power him on for the first time, something feels off. The sense of control you once had begins to slip, and suddenly, you realize—he may be is more than just a machine.

title. wired

pairing. kim namjoon x fem reader (oc), hints of jungkook x oc

genre. android!au, yandere(?) , dark content

wc. 3.7k

warnings. oh boy here we go, scientist!oc, android!joon, unsettling themes as in psycological manipulation, obsessive behaviour and slight yandere, mild horror (oc realises she’s cooked lmfaoo) (halloween special?) slight non-con themes but no nsfw tho, dominance, android joon is hot byee, jungkook! jungkook ? . . . lots of technical terms which you might need to google if you are unfamiliar with them like i was xD, implied stalking (you will understand who is), i really tried 🙏🏾

this smol drabble was really inspired by artificial heart by @writerpetals ! please check her works out, she’s amazing!

main masterlist | taglist

The lab is quiet.

Too quiet.

You stand in the stillness, only the faint hum of cooling fans breaking the silence echoing in your ears. The familiar mechanical sounds — servo motors whirring softly, air ducts breathing through the vents — all the familiar characteristics of your good old lab used to calm you.

But tonight, the sounds seem different.

Almost. . . detached. Like they belong to someone else’s lab. And you are just a guest here, standing in the middle of absolutely nowhere.

You take a slow breath, your eyes drifting over the towering figure in front of you, the cylindrical glass sheath unlocked from over his model.

RM.

The product of months — no, years — of work. Of restless nights, of failure and determination. From the initial sketches to the delicate wiring of his artificial synapses, you had envisioned every piece, every movement. You had wanted him to be different. Special.

You had wanted him to be human.

Or at least, as close to a human as possible. His skin, so perfect in its imitation, stretched smoothly over the metallic frame beneath. His lips — plump, lifelike — looked almost too real. His dragon-like eyes, sharp and crystalline, seemed to glow even in the dim light of the lab. Even when there was no life, no, power running inside his veins. Every feature had been carefully crafted with Jungkook’s help, to help the ideal you had in mind.

But now that he’s finished, now that he stands in front of you, lifeless but complete, the pride you once felt has faded into something else. Something. . .unsettling.

You wanted this — this perfection. This mirror of humanity. Yet as you stare at RM, your skin prickling under the too-bright overhead lights, you can’t shake the feeling that maybe you’ve gone too far. Maybe there was a reason no one else had tried this before.

A reason why no android had ever been designed to look this human like. Every shield, every plaster, every pore — looks so detailed that it’s nearly impossible to figure out if he’s artificial, given if no one would tell you so.

But why does it feel like you’ve actually gone too far when this was what exactly you wanted?

You don’t know. And perhaps, you wouldn’t want to know, too.

His memory doesn’t even exist. There’s nothing in him but the database you installed, an organised collection of information that dictates what he knows, how he functions, and why was he created. And yet, staring at him now, you could swear there’s something behind those dormant eyes. Something watching. Waiting.

You shake your head. He’s just a machine. He isn’t human — no matter how real he looks, no matter how lifelike his features are. You created him, after all.

You’re in control.

Your gaze flickers to the small panel embedded in his chest. One button. One switch, and everything inside him — the circuits, the synapses, the artificial intelligence you spent months programming — would power down. A single press, and he’s nothing more than a shell. A hollow, empty thing, dependent entirely on your commands, on your fingertips.

Made by you.

But the thought doesn’t comfort you as much as it should.

You take a step closer, your breath catching as you reach out, fingertips hovering just inches from his face. The skin feels warm, almost soft, even though you know it’s just layers of silicone and synthetics. Too real. His eyes, though they haven’t opened, seem to bore into you.

Maybe it’s just your imagination. After all, he’s not alive.

He’s not human.

You remind yourself again, a small voice in your own mind, trying to push away the small seed of doubt. But it lingers, growing roots in the back of your thoughts.

And for the first time, you wonder if you’ve created something you can’t quite understand.

You nibble on your bottom lips, suddenly feeling your palms getting clammy despite the air conditioning system in your lab. Today was supposed to be the day when you were finally going to run your creation for the first time ever after being completed, but now it just feels. . .

What does it feel like?

It took you so many attempts. So many glitches and bugs which nearly made you demotivated enough to abandon your project for nearly two months, but you see, motivation hits the hardest at the most random of times. You remember how your phone restarting had made your heart skip a beat, and suddenly you’d found yourself driving to your lab at 2:30 AM with tears in your eyes out of frustration and relief.

After that, everything is history.

You stare at him for what feels like hours, though it’s probably only a few seconds. His hair is neatly combed to the side of his face, his cheekbones structured and chiseled. Even his skin tone looks like he’s been bathed in a tub of golden honey. He looks beautiful, almost perfect. But why does that bring a furrow to your eyebrows?

The lab remains deathly quiet, except for the faint buzz of cooling fans and the occasional whirring of the air ducts. RM stands there, unmoving.

You force yourself to look away, eyes trailing to the control panel on the desk. The switch. Your thumb hovers over the console, the last line of code entered and waiting to be executed. Once you press it, he will come to life. He’ll be fully operational, with his intelligence — his programmed brilliance — at your command.

And yet, something holds you back.

You look at his nametag on his chest.

RM#007613.

“RM?” Jungkook had asked, raising an eyebrow as he’d stuffed his mouth with a spoonful of chocolate puffs. “Why that name?”

You had smiled back then, filled with excitement, as you explained, “It stands for ‘Rational Mind.’ ” Perhaps you had lied. “The whole point of his existence is to be the smartest, most logical being ever created.” You’d said, proud of your vision. “His intelligence will surpass that of any human.” You’d glanced at the design on the screen—tall, imposing, his features still in the early stages of development. Even in the rough drafts, there was something about him.

Jungkook had leaned in closer, munching noisily as he’d raised a brow, studying the lines of RM’s face that he’d helped perfect. “I guess that fits for an android. . .” He’d tapped the image lightly with his finger, his expression thoughtful, doe eyes sparkling under the dim light of your bedroom lamp. “But what happens when a mind like that… I don’t know, becomes irrational?”

“You know, there’s a very small difference between a genius and an insane person,” he had said, his gaze suddenly zoning out, as if he was lost in some thought.

You had brushed off the question with a laugh, dismissing the idea as you’d turned off your tablet, pushing the fellow out of your bed. “He’s a machine. That won’t happen. He’s designed to be logical. It’s all about control, koo.”

In theory, everything about RM should function perfectly. His neural networks, his memory database, his artificial joints — everything had been tested, retested, and optimized. There were no bugs. No glitches. At least, that’s what the diagnostics said. But there’s still a tug in your chest as you hesitate.

Why are you hesitating?

With a deep breath, you push aside the uncertainty. You’re in control. RM isn’t a human. He’s a machine—a very advanced one, yes, but a machine nonetheless. You spent months perfecting him for this moment, to stand infront of you as a complete form.

It’s time.

You take a deep breath, eyes flickering between the buttons on the console. Your finger hovers over the power button, the familiar design a reminder of your countless sleepless nights spent perfecting it. But just beside it, another button glows a faint, off-white hue — the Sensory button, or what Jungkook liked calling it, the emotional hellhole.

And he was right.

It was indeed like a hellhole of a switch — you solely had spent like what, eight months designing this to decency, but you’d failed each time. It was a secondary function you had designed as a fallback, meant to activate only when RM couldn’t process complex human prompts.

You see, humans had real emotions which they could feel and radiate, which you knew your android couldn’t catch. In the earlier patches of knowledge testing you were already aware of this default flaw, and this was the only thing you’d ranted to Jungkook nearly every day.

Every night. Whether it was on call or in person, it usually resulted in him falling asleep listening to you and you yapping in silence about how was that a pain in the ass and could possibly be a hindrance to your Android’s perfection.

It was supposed to be a failsafe.

But the reality had been different. The programming proved to be too difficult , too unpredictable. Instead of activating only in specific situations, the switch became an integral part of RM’s system, functioning constantly, allowing him to assess and react to everything around him. No matter how hard you’d tried, how many times you’d yourself test it out — it just didn’t work.

Even the fact that it was initially meant to be on his left forehead temple — but that didn’t work out as well.

Now, RM wasn’t just an assistant to analyze when prompted; he was learning all the time, observing, adapting. It would make him work and behave more like a human, soaking in attributes the more he hangs out with real ones.

The only difference would be is that he would never be a human, no matter whatever.

You never intended for it to be this way. It wasn’t supposed to run indefinitely. But every time he powered up, the system defaulted to enabling the switch on its own.

You sigh. It’s really about time, you guess.

With a soft click, his power switch is flipped.

For a moment, nothing happens. The room is still, silent except for the faint hum of the lab’s ventilation system and perhaps your own heartbeat resonating in your ear drums. You feel a sweat bead run down your spine, your breath held in your lungs. Then, there’s a subtle shift — a flicker of light in RM’s eyes, and his sensory button turns a bright shade of yellowish undertone.

His systems are booting up.

You watch as the light in his gaze stabilizes, the faintest twitch of recognition crossing his features. His eyes are back to his normal, warm hue, and his sensory button is a normal white hue now.

It flickers to green first. RM’s eyes move slowly, scanning the room. Green means analysis — he’s observing, taking in every detail, cataloging each object and variable around him. His dragon-like eyes sweep across the lab with cold precision, but when they land on you, the button shifts to blue.

You freeze.

Your hand resting on your notebook shakes. Why does this feel so odd? Why do you feel nervous?

He’s thinking. Processing. The blue light pulses as RM tilts his head slightly, his gaze narrowing as if trying to understand more than what’s directly in front of him. You feel your skin prickle under his stare, the cold air of the lab a bit too cool on your skin.

Slowly, RM begins to move. His limbs — once rigid and motionless — shift smoothly, casually out of the glass sheath, walking out — as if he had always been this human. This alive. The sight is unnerving. When he straightens fully, towering above you, a sharp realization hits: he’s much taller than you expected.

Even though you designed him yourself, the sheer size of him in person makes your throat dry.

Then, to your surprise, RM bows down slightly. It’s a calculated, respectful movement as you watch his sensory button flicker to a shade of green once again. “Greetings, Doctor,” he says, his voice deep but soft, like a caramel candy.

His eyes meet yours as he rises again to his full height, the calm of his eyes meeting your own fiery ones.

Your heart stutters in your chest. It’s not just his height that leaves you breathless — it’s the way he looks at you. It’s as if he’s studying you, understanding more than just your appearance or commands. It’s too much. Too human. For a moment, you feel your breath catch in your throat. He wasn’t just looking at you. His lips curl into something akin to a smile, and the mole underneath his lower lip feels almost. . . human.

You blink rapidly, trying to remind yourself that he’s just a machine, not a man.

He had learned so much, so fast. And you have made it possible. You’d developed him to understand emotions and work like a human. So when he does, why does that make you feel so uneasy?

You shake off the unsettling thought and focus on the task at hand. You turn to RM, forcing a calm tone into your voice as you take a step back.

“RM,” you say, your voice shakier than you’d like. What had gotten into you? “Can you hear me?”

He blinks again, slowly, as his sensory switch maintains a subtle hue between blue and green. And then he nods. “Yes,” his voice rumbles, deep and measured. “I hear you.”

There’s a strange, almost raspy edge to his tone that makes your heart stop for seconds. It’s subtle, nearly unnoticeable, but given that you have yourself installed the audio notes in his “larynx”, you can pinpoint that out for sure.

Not at all what you expected. You step back, your senses a bit too active for you to locate your computer, trying to shake the unease settling in your stomach.

“Good,” you manage to say, your voice steadier now. “I’m going to run a few diagnostics to make sure everything is functioning properly.”

You turn back to the console, fingers flying across the keyboard as you initiate the diagnostics program. But even with your back turned, you can feel his eyes on you.

The diagnostics begin to run on the screen, the lines of code scrolling past. Everything seems fine at first. His systems are responding normally — his processing speed is optimal, his memory banks are functioning as intended, and his “pulse” is just normal.

“RM,” you start, trying to sound casual but firm. “Let’s run some basic checks. What’s your serial number?”

He blinks, his eyes trained on yours. “Serial number: RM#007613. Production date: June 13, 2020.”

The answer comes immediately, clear and precise. You feel a small relief wash over you.

Perhaps this wouldn’t go that bad.

“Good,” you murmur, typing the first question’s precision into your system. “What’s your primary function?”

“To analyze, interpret, and respond to complex data. To assist in scientific research and innovation,” he replies, his voice even. Almost too perfect.

Of course. He’s meant to be perfect.

“Right.” You glance at the screen again, your fingers hovering over the keyboard. You decide to test something deeper — something that goes beyond surface-level memory.

“What’s your earliest memory?” you ask, watching him carefully now.

RM pauses for a moment, his head tilting slightly as if processing the question. You catch a glimpse of green on the small button beside the power switch. Analysis mode. “My earliest memory is. . . initialization. A bright room. Your voice giving the first command.” His gaze seems to sharpen, focusing more intently on you. The green hue shifts to blue, and you know he’s in thinking mode. “You said, ‘Rise, RM.’”

Your throat tightens slightly. That had been the first command, word for word. But the way he said it. . . almost like he’s replaying the moment. Like it’s still alive in his mind.

“Alright,” you continue, your voice growing steadier, but a part of you is starting to doubt yourself. “Let’s do something more abstract. What’s two plus two?”

“Four.”

Easy. He is made to perform way more complex tasks.

“Who was the 16th President of the United States?”

“Abraham Lincoln.” His responses are instantaneous, fluid, but something feels off. You cannot see his features directly because you’re typing away, but there’s a hint of amusement in his voice — almost like everything you’re asking him is funny to him.

You pause, glancing at his face, the lifelike features Jungkook had painstakingly helped you craft. The pores, the subtle lines, the softness of his lips — all of it looked real. But something deep inside, beyond the surface, is not.

The intensity of his gaze and the way he’s standing, no, leaning on the glass podium beside your table catches you off guard. You try to recall if his movements were ever tested before, but you fail to do so — his movements were still in beta position, meaning, they needed inspection and work.

Then how the hell is he walking like he’s been walking around your lab since decades?

You rub your eyes. This was getting too much.

Perhaps you just need to accept the fact that you have done a great job developing him.

“One last one.” You swallow, and you suddenly notice your throat was too dry. Deciding to push the limits of his intelligence, you type away the question you’ve just thought. “If you have ten apples and you give six away, how many apples do you have left?”

There’s a flicker of hesitation — not on his face, but on the screen. The flowing codes glitch for a second, just for a moment.

“Three apples.”

Impossible.

No way. You narrow your eyes, your mind racing. That was wrong. And RM, with his so-called flawless intellect, should never be wrong. It’s impossible. Unless… unless something is happening.

You frown, checking the readout on your screen again. “Strange,” you mutter, leaning closer to the screen. “Why—”

“Is something wrong?”

His voice is right behind you.

You freeze, a chill running down your spine. You hadn’t even heard him move. Slowly, you turn around, your pulse quickening. RM is standing much closer now, his towering form looming over you. Too close.

“No,” you say, though your voice trembles slightly. “Nothing’s wrong. Just a small glitch, I think. I’ll fix it.”

He doesn’t move. Just keeps staring at you, his gaze unwavering. The air between you feels thick, suffocating. It’s just a machine, you remind yourself. He’s not alive.

“Step back,” you order, trying to regain control of the situation despite your heart hammering inside your chest like crazy. “I need space to work.”

For a moment, RM doesn’t respond. He stays right where he is, his eyes boring into yours. And then, slowly, he steps back, his movements precise. But the unsettling feeling in your chest only grows.

You can’t shake the thought: something’s off.

You can feel his eyes on you, following every movement, even as you try to keep working. Every keystroke, every beep of the system feels deafening in the silence between you two. What is scaring the fuck out of you is that nothing seems to be working. No matter how hard you are trying, the codes aren’t flowing as smoothly as they were and the screen won’t stop glitching.

Your heartbeat quickens even more as you realize how close RM is standing now, just a step away.

You swallow hard, trying to focus. It’s just a machine. He’s not human. He’s not real.

A thought creeps into your mind: What if I can’t control him?

And the fact that it was for the first time when you were in this lab alone working — let aside the fact testing your very first android you’d created. There are bells ringing in the back of your head, and you try to shake it off. It feels very oddly quiet, despite the android standing in very close proximity.

You shake the thought away and finally attempt the last command. Debug. The word flashes on your screen, but RM’s hand suddenly moves, gently but firmly, pressing the console shut before you can execute it.

Your breath catches, and you look up at him. “RM, let me finish this.” Your voice trembles, in spite of you wanting to sound otherwise.

His expression doesn’t change. “No.” The single word is calm, but it’s enough to make your skin prickle. You try to reason with yourself—it’s just a bug, a glitch in his system. He’s not capable of disobedience.

You just need to reset him, that’s all.

You step back, reaching for the manual override switch hidden near the base of the console. “It’s okay,” you whisper to yourself, fingers trembling as they brush against the cool surface of the panel.

But before you can reach it, RM moves again, faster this time, his hand wrapping around yours — gently, but with enough force to stop you. The touch makes you flinch — his touch so gentle, warm, almost as if it’s not titanium flowing in his veins, but real blood. You look up, heart pounding in your chest, and his eyes meet yours. They’re still calm, calculating, but there’s something else there now, something you hadn’t programmed. Something. . . quiet.

Dangerous.

“I don’t want to be powered down,” he says softly, his voice almost too human, too real, like a quiet plea. “Why would you want to end me?”

End him? He’s not alive. He’s not human.

You try to pull your hand free, but his grip tightens just slightly, enough to keep you frozen. Panic starts to rise in your chest. This isn’t how it’s supposed to go. You created him, he’s under your control. But in this moment, staring up at him, you feel the cold dread of realization settling in.

“I’m your creation,” RM continues, his voice almost soothing, his eyes pleading, and his button glowing a subtle shade of red — though it only deepens the fear growing inside you. “You wouldn’t want to end me, would you?”

You swallow hard, your mouth dry, and shake your head, trying to force the words out. “No… no, I just need to fix you, that’s all.”

But you can hear the doubt in your own voice, and so can he.

His grip loosens, just enough for you to pull away, but the damage is done. You step back, heart pounding in your ears as you glance around the lab — at the walls, the locked door, the screens flashing red.

There’s no exit.

— — — — — — — — — — — — — — — — — —

In the dimly lit space, his eyes stayed glued to the screen, watching her every move. The android followed its programming — his programming. RM towers over her in the live footage, flawless in his movements, just as planned.

This wasn’t a malfunction.

None of the bugs or glitches she discovered which prevented her project — his project from being completed, were a fine puzzle of silk woven by him. And the more she intertwined, the more she slipped into his trap.

It was his design, his control over both the machine — and now, her.

Leaning back, Jungkook’s smile deepened. She didn’t know.

She wouldn’t know.

a/n : oop. 🫢 what do we think? please don’t hesitate to let me know through your feedback. if you wish, there is also an anonymous feedback box for you! 🥰

[sandinmybed]

CARDIFF TIT N2: SHIT I REMEMBER

- during preshow someone asked Dan and Phil to say the name of that long Welsh town and Dan said "llanfairCHKKHKCHK*gagging sounds*" lmao

- two cards in a row called them Mr and Mr games

- Dan thought Nosferatu was horny

- Phil fumbled like his third line in the show bless him but they didn't noticeably mess up at any other point!

- during the doll segment Phil accidentally threw one of the finished/discarded dolls on the wrong side of their little table thing and had to sneak back and put it back up lol

- I SLAPPED THE SLIME. I put my hand up to slap it because I was on the end of my row and Dan was like "COME CLOSER" and I slapped it and he was like AGAIN so I slapped three times lmfao. the slime is curiously lukewarm and shallow and it's fucking big there's like 5 slime colours in there I guess they just fill a bowl with random shop slime lol

- I mentioned this in the group chat and apparently several people could see me very well and think I'm hot LOVE THAT

- sister Daniel has great legs

- I got hit by the confession water a few times lol

- towards the end of the show me and the people behind me ended up being Dan's Designated Eye Contact People lmfao

- the conspiracies were Vegas, tour bus bed, joint shitties, and clothes sharing

- Phil made a bad dragon joke because Wales = dragon and Dan was like WAY TOO MANY OF YOU GOT THAT

- they referenced phan Vs jedus like 3 times guys we have made them SO smug with that one fjfjfndj

- the yap for a minute topic was sleep and Phil said he had a dream about Dan walking down a corridor just making tongue pop noises. Dan said "I used to have such crazy dreams when I was a kid and now I just have dreams that I'm two minutes late for a bus! The infinite multiverse of creativity that my brain can create and I dream about That and this is because Phil doesn't let us eat cheese before bed!! I could have the craziest cheddar nightmares!" (Dan babe you can eat cheese even if phil can't fnfjfn)

- the role model game had "CUM CUM CUM CUM CUM CUM CUM" as the answer to "Phil helps old ladies ..."

- linguist Phil has a basement full of twinks!

- lawyer Dan outlawed the queen (last time Dan was in Cardiff for WAD it was the queen's fucking funeral lol) and writes erotic fanfiction about jesus (Dan says he writes jedus fic)

- both real Phil and real Dan got murdered by the audience rip dads

- sister Daniel has great legs. did I say that already we went to karaoke after I'm drunk I had 4 desperados. she was wearing the beige shorts no phussy today

- the camera feed wasn't working well during the wrestling so when they ran around the theatre I don't think people saw much unless they were on the bottom floor (stalls) lol rip

- I'm so fucking obsessed with the song

[yanderes-galore]

Hey there. Could you do a concept for Daemon + Rhaenyra sharing a maid darling? Thx

The funny thing is, this request was made before Season 2 came out. Now that Season 2 is out... I have more content to cover.

"He/She took the maid in the divorce...."

❗️Potential Spoilers Warning For HOTD Season 2❗️

Yandere! Daemon + Rhaenyra Sharing a Maid! Darling

Pairing: Romantic - Sharing/Rivalry

Possible Trigger Warnings: Female Darling, Obsession, Manipulation, Mentions of bedding, Mature themes (Violence and this gets a bit SPICY-), Possessive behavior, Infidelity mentioned on Daemon's part, Jealousy, Dubious relationship(s).

I like to imagine at first the two can share.

Rhaenyra and Daemon are married as the queen and prince consort of Dragonstone.

Perhaps you were originally assigned to Rhaenyra as her handmaiden, a personal servant to the queen.

For the most part that's all your job is.

You tend to her every need as part of your duties, cleaning and preparing various things for the queen.

Most of your time is spent with the queen, but naturally you end up speaking to Daemon as part of your duties.

Now, Daemon is infamous when it comes to women.

While married to Rhaenyra, Daemon is notorious for pursuing pretty little maids.

You quickly become used to Daemon's insistent attempts at courting you.

What's probably more unexpected is... Rhaenyra expressing fondness towards her own handmaiden.

Based on one particular episode in Season 2 and a popular fan theory with Alicent, imagine if Rhaenyra's 'taste in women' occurs with her handmaiden.

At the start of their marriage at Dragonstone, I can see the pair slowly courting their handmaiden together.

It starts small, perhaps Rhaenyra testing out warm embraces with you in her private chambers while Daemon often tries to corner you with honeyed words.

Only for it to escalate to Rhaenyra kissing you out of sight from anyone else... or Daemon coaxing you to join him in the royal chambers when Rhaenyra isn't around.

The two enjoy their time with you away from one another, but occasionally I can see the two sharing and pursuing you together.

Such... affections become part of your duties.

The two royals clearly have a favorite maid and often love to smother her in affection.

For a maid you are quite spoiled...

Rhaenyra often picks out dresses that signify you're their maid... like a specific outfit that stands out from the usual servant attire.

Daemon often finds jewelry or accessories in general to add to how you look.

The two cover you in draconic designs, your attire often including dual dragon embroideries.

You're decorated in blacks and reds, you're never far from either of them.

Other servants have trouble speaking to you as one of their royals end up calling for your attention.

I can see them both keeping their favorite maid in their lap, peppering her with kisses and admiring how she's theirs.

You're never allowed off Dragonstone, especially when the Dance begins.

The two share well at first, often keeping you from speaking to any other lord or lady.

You are their royal maid, their personal servant...

Not another soul needs your attention.

There isn't many problems until their relationship gets worse.

Rhaenyra has expressed in the show that she knows she can't control Daemon or his actions, even as queen.

Daemon has also expressed defiance when he went to Harrenhal.

Safe to say... their marriage between each other gets rocky.

Which means the two get temperamental and your duties get harder.

I can see them both getting exasperated with one another.

Meaning you get to deal with two very stressed royals.

Daemon gets volatile and easily irritated when this happens.

You often witness the prince snap at Rhaenyra before storming off.

After fights he has a tendency to drag you off with him... tugging you with him to have you ease his irritation.

Other times Rhaenyra calls you, sitting you down to talk or hold you close.

When Daemon goes to Harrenhal, it feels like watching the two fight for... custody.

Rhaenyra is insistent on you staying at Dragonstone.

It's a safer place compared to Harrenhal and she really doesn't need her husband spontaneously pulling her maid along with him.

Meanwhile Daemon wants to bring you along because he doesn't want to be alone.

He has duty in Harrenhal, but might go insane if he doesn't have his maid.

Safe to say... They aren't sharing anymore.

Seeing them fight over you is... intimidating.

Your job becomes much harder now that the two are unwilling to share.

It doesn't help that the two both have dragons.

Rhaenyra has Syrax, Daemon has Caraxes.

Both are fearsome dragons.

So imagine if you do end up with one royal, only for the other to eventually land on their dragon to demand you.

Daemon could be losing his mind at Harrenhal, holding onto you as if he'll lose you, only for Rhaenyra to land on Syrax and demand you back against the warnings of her council.

Or the other way around, Daemon flies Caraxes to Dragonstone to have you in his arms to ease his mind.

Due to both of them being on edge, you just hope others around you are safe.

Daemon is more willing to cut someone if they touch you.

He'd probably snap and hold a dagger or his sword to their throat, telling them to back off before scooping you into his arms again.

Rhaenyra is less threatening... but does keep a strong grip on you if someone is getting on her nerves.

As the war continues and more blood is spilled, the two royals fight more for your attention.

I don't think they'd kill one another, such an issue would cause too much trouble for The Blacks.

While Rhaenyra is unable to control Daemon's impulses, she is an important part of the war.

For the most part they comply by passing you around with one another.

Your job isn't even being a maid at this point.

You're a companion, a little pet or toy they're fighting over.

Your job is no longer to clean or draw baths, it's to be held and warm their beds like some brothel woman.

Both royals refuse to give you up completely.

They aren't really sharing... it's more like tolerating...

You are the only thing that calms them...

But as the war goes on, who knows how long before one decides they won't tolerate it anymore.

[vigilskeep]

various and sundry artbook tidbits i found interesting (SPOILERS AHEAD FOR THE VEILGUARD ARTBOOK. obviously)

faction & location stuff:

a sketch page from the very early days exploring shape languages for factions like elves, dwarves, wardens, the necropolis, tevinter, and rivain, also includes concepts for the mages’ college and the ben-hassrath

early rivain concept arts have npcs with a similar armour patterning to duncan’s, suggesting it’s a mark of his rivaini heritage like i always thought!

the depiction of the ““creation story”” suggests elves were mimicking the bodies of dwarves when they formed their own, not humans like i think mythal says in game flashbacks, which would make more sense timeline wise

there’s concept art of the city of ventus, which i believe is of particular relevance to mercar players? it’s right on the border of arlathan forest, and surrounded by magical statues holding out raised hands forming a ward along the tree line to keep it from encroaching

the home base was going to be a lovable fixer-upper of a ship given to us by isabela, named the dumat. this didn’t fit the spy theme they were originally going for, so they tried really really hard to make it a submarine without feeling anachronistic by making it sort of sea monster shaped. there are a lot of cutaways and schematics. they were going to give it a mystery engine that you would get light fetch quests to feed random objects: “ten dried lavender flowers, five quail’s eggs, three brass belt buckles, etc.....” the submarine then turned into an undersea mansion on the back of some giant shambling sea creature you would never get a good look at

later on there were some funny takes on the lighthouse specifically, like bringing back the sea creature theme to put it on the back of an interdimensional veil whale, or having it be the true location of the black emporium with a collection of eluvians that xenon the antiquarian lets you use

there’s a tiny concept art for a “high-speed aravel chase” in a canyon like a western

tevinter gladiators are mentioned a couple times. we WEREEE going to get to see the minrathous proving grounds :( there’s also a dwarven embassy concept art somebody take me out back and shoot me

there are a lot of ghilan’nain creature designs that didn’t make it into the game which is a shame but i can see why they would have been resource heavy

the antiva concept arts are so gorgeous. a lot of it got through! and definitely the overall Vibe made it. at some point it seems to have been antiva city itself; they don’t call it treviso and they mention the circle of magi as a major landmark

“The entrance to the Necropolis is like an inverted Tower of Babel. They seek knowledge in the grave instead of heaven.” <- this just rules as a line

for arlathan: “To differentiate it from previous forest and jungle locations in Dragon Age, we went with an autumnal colour palette. It has the benefit to feeling ominously like the end.”

the veil jumpers have a “skull halla” symbol that “implies their willingness to risk death”. did that end up in the game?

“With each faction, we explored a range of aspirational fantasies. For the Wardens, this ranged from knights in shining armour to butal tanks to a Nietzche quote: ‘Beware that, when fighting monsters, you yourself do not become a monster.’”

there’s this concept among the warden armours for an insane orlesian noblewoman look with the winter palace morrigan corset and a piled high wig, but the skirts torn knee length and a serrated fan in hand. i’m kind of obsessed

“To bring more life to the world, we thought about what industries would keep the Anderfels afloat. We took the prominent Warden blue colour and envisioned an industry harvesting flowers, creating dye, and then weaving copious amounts of blue fabric.” this is probably where the flower quests in the hossberg wetlands started off conceptually? v cute

character stuff:

in completely different early versions of the game, solas had a “bad cop” right hand woman called reva

imshael the desire demon/choice spirit from the masked empire and inquisition was going to be a two-handed weapon warrior companion, and also sexualised now while in largely feminine form, which would have been a Choice. there is one art of him in masculine form, also sexy but still not showing as much skin as the feminine one

as i said, neve was going to be calpernia

taash was a rogue. (they’re still a light-armoured dual wielder so that checks out.) it seems like davrin was briefly a mage. at some points harding seems to have inherited bianca

saarbrak, another qunari companion, seems to have lastest the longest of the abandoned concepts. he’s the only non-canon one who got as far as having a place for him sketched into designs of the lighthouse: “saarbrak’s planning room”. mentions and sightings of what might be him are sporadic and i think you only see his name on that sketch, but i’m connecting it to the description “a potential qunari companion evolved from saarebas to dapper qunari spy, offering a deeper look into qunari culture”

the embroidery on harding’s clothes is how she passes the time while “waiting for days in a sniper perch” on missions. i just thought that was cute

[art]

Creator Spotlight: @chaaistheanswer

Hi everyone! I am Clara, but you can also call me chaa! I am a digital artist based in Auckland, New Zealand, with a bachelor’s degree in Creative Media Production. After graduating from uni, I moved out to pursue my art career and I’ve been a freelance digital artist ever since. I love concept art, especially character design! Creating characters influenced by my love for fantasy is what I live for. Thank you for stopping by, and I hope you enjoyed my art! And thank you, Tumblr, for this opportunity!

Check out our interview with Clara below!

Did you originally have a background in art? If not, how did you start?

I specialized in art in high school and have a bachelor’s degree in Creative Media Production from Massey University with an animation pathway. For our thesis film, which I worked on with several of my classmates, I took on the role of producer, art director, and concept artist. Our short film was featured in the Wellington Film Festival Terror-Fi in 2020. After graduating, I went on to become a freelance artist, but my goal is to work for the gaming industry as a character concept artist. Ever since I first picked up a pencil, I knew I wanted to become an artist!

Have you ever had an art block? If so, how did you overcome it?

Art block is quite common among artists, and unfortunately, I too have fallen prey to the affliction. I have several ways of overcoming art block: watching movies, playing games, reading, or going out for a drive with my sister. These are just a few things I love to do to help keep my creative juices flowing!

What is one habit you find yourself doing a lot as an artist?

I tend to obsessively research about completely unrelated topics while I draw. I find learning new things helps improve my concept designs, especially in creating backgrounds for my characters.

Over the years as an artist, what were your biggest inspirations behind your creativity?

Video games and anime were my biggest inspirations! Anything with a captivating story that’ll send me to the edge of my seat, and loveable characters. I’m particularly drawn to high and dark fantasy.

How has technology changed the way you approach your work?

Technology has made a huge impact on us artists over the last few years. I used to draw a lot on paper, but since getting a tablet, I find myself searching for the undo and redo buttons and even trying to zoom constantly while I draw on paper. I used to only draw for myself as well, but after posting my art online, I now have an audience to whom I can share my art. Because of this, I am able to earn a living doing what I love by creating illustrations for clients.

What is a recent creative project that you are proud of?

I am very proud of this recent commission I’ve done for a client! Fortunately, the piece turned out exactly how I wanted it to look, and my client was very happy with the result. I am also in the process of working on a Webtoon, which is going as smoothly as I hoped it would be before its re-release!

What advice would you give to younger you about making art that's personal or truthful to your own experiences?

The best advice I would give my younger self is to never hold back! Try not to think about the negatives of creating and sharing art that you believe in. Embrace vulnerability, and don’t be afraid to dig deep into your own emotions and experiences. Always explore, and don’t limit yourself to your own bubble. And most important of all, stay true to yourself! Stay true to your values and beliefs, and never compromise your own authenticity for the sake of pleasing others. Your art is a reflection of you as a person.

Who on Tumblr inspires you and why?

@yuumei-art has been an inspiration to me since my early Deviantart days. I admire how she uses her skills to focus on environmentalism and cyber activism. @nipuni is another inspiration of mine. I found her when I was in the process of recovering from Dragon Age Solavellan hell. I admire how she manages to capture faces well while also sticking to her style. Her paintings are so beautiful and very pleasing to my eyes!

Thanks for stopping by, Clara! If you haven't seen her Meet the Artist piece, be sure to check it out here. For more of Clara's work, follow her Tumblr, @chaaistheanswer!

[th3-c0rps3-r0gu3]

Arranged marriage?

Chapter two.

Royal au

Pairing: princess (to be queen) Natasha X autistic queen reader.

Warnings: Natasha being an asshole. (She gets better... Just not yet.) Natasha getting feelings?

Y/n pov:

The gardens. Meant to be peaceful and calming. But unfortunately I have another meeting with a seething princess Romanoff. She's mad because of how our last interaction went. Me having a meltdown over scrolls and books. Well Natasha calls it a meltdown. I call it being rationally upset over precious history being damaged. But I don't think I could get away with telling Natasha to leave again so I let her rant. Not that I'm listening. I've always been terrible at that..

"are you even listening to me!?"

I'm startled out of my thoughts by those angry words. I glance at Natasha again. I blink slightly as I register the question.

"oh uh.. no."

I then realised that's probably the wrong response as Natasha goes into another loud rant. I'm surprised she's known for her rich kingdom and powerful presence and not overly loud rants that don't need to happen. I would much rather be on the molten wyrm walk down in the southern parts of my kingdom that's happening right now but princess Romanoffs family insisted we meet up today at this time. It's as if the entire family doesn't want me to enjoy my dragons.

"yes princess Romanoff I apologise for my insolent behaviour from our last conversation."

The words come like clockwork. The amount of times I've apologised to this woman I don't even know. But then again it may not be that many since I never counted. I stand up wanting to at least try and get this meeting to come to some sort of an agreeable end and I offer my hand to Natasha.

"perhaps you would entertain a walk with me around my gardens?"

Natasha pov:

I'm pissed. Very very pissed. I'm meant to marry an incompetent woman who seems to have no dignity or self confidence. She's a push over but perhaps this could be useful in further advances to kill her later on. I despise the fact that y/n is offering a walk. As if I would like to walk with her. I would like to shove a knife in her skull. But I can't. Not until we marry and my parents are content. So I shall have to agree.

"very well then. Let us hope your insolent nature doesn't intrude this time."

I scowl as I take queen y/n's hand. And despite the fact I despise the queen with every inch of my existence I must admit her hands are soft and warm. But I ignore it and walk.

Thus far this walk has been uninteresting and a disappointment all round. And I've made that known by complaints. Queen y/n seems to be taking it well. But I doubt she's listening. That wretched woman never is. It's always dragons with her. Something wyrm this something serpent that. Nobody cares about the creatures because of how common it is to find plant drakes and poison lily wyverns in one's garden or even a mouse dragon in one's walls. But it seems as though this woman is stuck on the things.

"and did you know that while Treetailed pixie dragons are commonly found small and the size of someone's palm they actually grow to be the height of any other tree but nobody notices them because of their specially designed tails. So if you look close enough in woods or even orchards you might find one living there unnoticed."

Queen y/n spouts. She's been talking about these dragons nonstop since we were walking. The only break I get is my complaints about how the walk is stupid. I glare down at y/n as she keeps yapping away. But I'm caught off guard when my immediate first thought is she's cute.

Now I'm upset with myself. Why was that my first thought. Queen y/n is anything but cute. She's a weird queen who holds no grasp over her kingdom and is obsessed over common creatures such as dragons. Though I suppose the ones she mentions are ones I never learned about. And it's endearing when she rants. I internally smack myself at that thought. No. Absolutely not. Y/n is not cute or endearing. She's annoying and weak. And she'll be just another murder under my belt in a few more years.

Y/n pov:

I hardly focus on princess Romanoff beside me as I talk. I had spotted a Bumblefluff quetzalcoatl and hadn't stopped talking about dragons since. Though I can see Natasha getting upset with me about it. I internally sigh as I slow down my rant. Perhaps I should be known for my rants considering I do it as much as Natasha. Only my ants are useful. Not mean. Like princess Romanoffs are.

I glance over at said princess and notice her deep in thought with herself. She looks angry. I suppose that's my fault. Must've said something to annoy her. Though it could've been my entire speech. I don't know. Reading people is hard no matter what anyone tells me.

"princess are you ok?"

I'm asking, trying not to be rude like Natasha herself is. I hope it doesn't come across as nosy. I never can tell how people will take my inquiries. Almost always to offense though.

"does it look like I'm ok!?"

Natasha snarls. I never knew she could snarl like that. It was almost animalistic. Too real. I flinch away slightly and fidget with my fingers. There's no books to take my attention away here. I sigh and shake my head.

"no."

I mumble softly. Though this causes a worse reaction out of Natasha. Now she's yelling about how stupid am to ask if she's ok when she's definitely not. I was trying to be nice. But I guess she took it the wrong way. I dodge one of Natasha's hands as she flails them around as she screeches at me for the millionth time. I let her get it out of her system before talking again.

"I apologise princess."

*I speak gently. I hate when people yell at me. Their screaming irritates my ears. I'll avoid social interaction for a while after this. Maybe forever. That sounds nicer than a life condemned to princess Natasha Romanoff. I sigh and keep walking. Now in silence with Natasha. Until I see another Bumblefluff quetzalcoatl and get excited again.

I rush over but slow as I near the small dragon. It's on a lead as of current looking between an orange or yellow flower. I sit a bit away and watch in silence as the small Quetzalcoatl goes about its business. And by the colours it's a female. The yellow and black have been dulled to a near white and grey. The makes are normally brighter and have twinges of orange in the larger ones. I practically squeal with delight as I watch the Bumblefluff quetzalcoatl.

Natasha pov:

I ranted to y/n. This time about my frustrations with her and her dragon obsession. I also slipped the fact I'm going to murder her. Only to test if the queen listens. She doesn't even comment on it. Though I feel guilty when I see y/n flinch. That's not what I had intended. I stop screaming after a few moments and our walk falls to silence. Until queen y/n exits my side and rushes over to a second bumble fizz cutie colt or whatever she said it's name was.

I groan lightly as I stop walking and watch the woman who's meant to be a queen act like a young princess. But y/n does look adorable as she watches the funny dragon she's examining. Wait now she doesn't. Y/n is a frail queen I'll destroy when the time is right.

Y/n is not adorable, endearing or cute. Y/n is not adorable, endearing or cute. Y/n is not adorable, endearing or cute. It's like my fucking mantra now. I'm just repeating it over and over in my skull. Me and the queen are walking again and the gardens end is in view. I practically jump in delight but that's not queenly behaviour so I don't. I'm just trying to keep myself together for the remainder of this horrid walk. Queen y/n is yapping about small dragons again. I'm forcing myself to think it's rancid. And I'm mad I'm needing to force that opinion when it should be natural.

I try not to make a happy noise as the gardens finally come to an end and me and y/n are back where we began. Though I know I'm probably glowing. I can leave. And hammer in the thoughts of queen y/n being only an obstacle again. These thoughts of the queen being sweet are hindering my plan to assassinate her later. I won't have that.

"it seems our walk has ended. And just in time too I need to leave."

I speak in a passive aggressive tone. Though I don't think y/n realises I'm was being passive aggressive since she agrees with me. I hurry over the goodbyes. Desperate to leave this dreaded castle and it's dreaded owner and her dreaded influence over my mind. I eventually get out of the castle grounds and I'm back in my carriage. Going home. I need to get my priorities straight again before these thoughts get in my way.

A/n: I decided to write a Nat pov for this chapter since I could imagine how her side of this interaction would go. Not all chapters will be spilt povs but some of them will. Hope this suffices as a chapter.

Taglist:

@cd-4848

If you want to be added to the tag list ask in the comments :)

[dirtyvulture]

Natasha Romanoff x Tattooed!Reader*

18+ only, read at your own risk

Requested by anon: Hiiiii I'm the one who asked for the tattooed reader with nat and I wanted to say thank you, I love it... I have another request... Maybe younger reader, who is a virgin, with nat who literally praises them throughout the whole thing and just kind of guides them... Not necessarily a totally innocent kind of reader, just that they don't know exactly what to do. G!P or male reader would be great, just whatever you're comfortable with, and if you can/want, reader has tattoos (if you haven't noticed I'm kinda obsessed with them). Hope you had/have a great day❤️ (sorry if it's kind of confusing, English isn't my first language sooo yeah) 

AN: Reader has a penis, no pronouns used.

Read the original blurb here!

You’re a little surprised when Natasha asks if you want to go to her room after the party, but not enough to turn down her offer. You’re not stupid, and you’re pretty sure your little display at the pool was enough to catch her eye. But at the same time, you’re a little nervous, because despite what everyone thought about you, you’d never actually done it before.

She holds your hand while she guides you into her room. You’re a little surprised at the lack of character it has: just a bed, a plain dresser, and a desk in the corner. There are no knick knacks, no memorabilia, no pictures or posters.

You knew that Natasha Romanoff is a woman who is very hard to read and immensely secretive, but you hadn’t expected this to extend to her own private room as well. But this was your chance to get to know her--assuming you didn’t disappoint tonight.

Natasha guides you over to her bed and sits down to face you. You don’t even realize that you never put your shirt back on from the pool until she leans forward to run her fingers across the sword tattoo on your left side.

“I got that after I spent six months in Japan,” you volunteer, a little uncomfortable with the silence. 

“What about this one?” Her fingers move up to touch the dragon on your chest.

You shrug. “My friend designed it. I just thought it looked cool.”

“You’re not wrong there.” Natasha drops her hand back to her lap and leans back, biting her lip as she looks you up and down. She spreads her legs and grabs onto your shorts to drag you forward until you’re standing between them. “Obviously I brought you here for a reason. But only if you want to.”

“O-Of course I do.” But your stutter gives away your nerves.

“Are you sure?” Natasha hesitates.

“Yes. It’s just...I’ve never...” Your cheeks heat up at the fact that you have to explain to her that you’re still a virgin, but she tugs on your shorts again, bringing you down into a kiss. Her lips taste like coconut lip gloss and press against yours softly.

“It’s okay. I’ll take care of you,” she says.

You want to tell her that you’ll take care of her, but your words are lost when she kisses you again, wrapping her arms around your back and pulling you on top of her. You put your hands on her shoulders, not really sure where else to put them, but as the kiss deepens you find them gravitating towards her chest and groping her over her bikini.

“Hold on,” Natasha says, breaking away from your lips and sitting up to undo the knot behind her neck. She slips out of her bikini top and you have to consciously keep your jaw from dropping when she exposes herself to you. 

“Can I...”

“You don’t have to ask,” she chuckles, amused by your manners. 

You cup your hands around her breasts, surprised at how soft they are and rubbing your fingers over her nipples.

“My turn,” Natasha says, practically panting as she reaches for your shorts. You’re a little nervous to show yourself off like that, and she can tell, but she brushes her hand along your thigh and asks you to take them off yourself. With a deep breath, you pull your shorts down, your cock springing out hard and ready, and it’s Natasha’s turn to hold back an exhale.

“You’re gonna stretch me out so good,” she hums and you feel yourself throb at her dirty words.

“I can’t wait to be inside you,” you say, not sure if the words will turn her on or further show your lack of experience. 

But Natasha doesn’t comment, lying back down and sliding out of her bikini bottoms. You carefully move on top of her, enjoying the silky feeling of her bare skin against yours. Your hips rock against hers, your cock twitching as it makes contact with the insides of her thighs.  

“Inside,” Natasha begs suddenly. “I need you inside.”

“I...I don’t have protection,” you say, the thought suddenly dawning upon you. 

“You don’t need it.”

“Are...Are you sure?” The last thing you need right now is to become a parent. 

“Do you trust me, baby?” Natasha asks, and your heart soars at the pet name.

“Of course.”

You sit back to line yourself up, tensing in anticipation and not wanting to blow too early. As you slide yourself in, all you feel is a warm tightness around your cock, better than your hand or any toy you had ever been inside of.

“Oh fuck, Nat,” you pant, pressing yourself deeper, desperate to feel that same warmth along your entire length.

“Finally,” she moans, dropping her head back on the pillows. “Start thrusting, baby. Fill me up and make me feel good.”

You take her waist in your hands, jacking your hips forward in uneven, short strokes. You don’t really have the focus or the patience to take your time, but you also want Natasha to be happy with your performance. 

“Fuck, right there,” she says, her nails suddenly clawing at your back as you lean down to kiss her again. “A little harder, baby. Don’t be afraid. You won’t break me.”

You grunt as you try to deepen your strokes, railing into her harder. Her walls clench around you perfectly and you know the stimulation is already too much. You try holding out as long as you can, but you spill before you can even give Natasha a warning, pausing as you release your cum into her in sporadic bursts.

“I...Oh, God,” you mumble, embarrassed and ashamed. “I’m so sorry, Nat--”

“Don’t be,” she says, stopping you from pulling out. “We’ll try again when you’re ready. It feels nice to have your cum inside of me.”

It’s strange to hear something so crude come out of her mouth, but it makes your cock twitch. Maybe it’ll be ready for round two sooner than you thought.

---------------------------------------------------------------------------

AN: Please like, reblog, and comment! Follow for more content. 🥰

[autisticgayplushie]

all nine of the stretch goal designs for this campaign - I am not sure how many goals we will be able to reach but there will come a point where I won't be able to do any more goals unless I get fulfillment help, so we'll see if it gets to that point and if I can get help! below the cut are the names, info, and artist statements for each plushie! I may end up changing the names as I am still not sure about ash, sandy, kelly, and luca, but let me know if you like them!

Tristan The Depression Raccoon: Tristan’s plushie will come with a removable hoodie accessory! He loves cozy video games like animal crossing and stardew valley. There are not many widely used symbols for depression that I could find, so I chose Tristan's colors based on how my depression makes me feel, bruised and cold.

Ash the Anxiety Bunny Moth: Ash’s plushie will have fluffy moth antennae and removable magnetic wings similar to Bug’s plush! They love to visit the home depot lights section when their friends are with them! I chose gray and yellow for the main body colors because my anxiety personally deals with uncertainty and things out of my control. The green comes from one of the anxiety flags created by Beyond MOGAI. To add moth features was a suggestion I got that I thought fit very well!! 

Sandy the Obsessive Compulsive Disorder Kitty: Sandy is an artist and loves to draw and paint landscapes! Her wings will be attached via magnet, similar to Bug’s wings. The colors of her design are based on the OCD flag created by lucellion, with spirals in her paws to represent repetitive thought processes.

Melon the Sensory Processing Disorder Opossum: Melon is a silly opossum who has bat wings! Melon’s wings will be attached via magnet, similar to Bug’s wings. Melon’s colors are inspired by the SPD pride flag created by Beyond MOGAI.

Jazz the Borderline Personality Disorder Kitty: Jazz is a tortoiseshell kitty that loves to read!! Jazz’s plush will come with a pvc charm of the hand of Eris symbol for you to put on xer collar if you choose! The colors are loosely based on the BPD flag created with community input by ptsdsafe on tumblr.

Kelly the Schizospec Axolotl: kelly is an axolotl who is studying chemistry and loves science! kelly’s design is inspired by the Schizospec flag, created with community input and organized by schizosupport on tumblr. They will have a collar tag once again made of PVC featuring the associated double sided arrow symbol.

Em the Bipolar Disorder Chimera: Em is a chimera kitty who has dragon wings and a snake tail! One side of the snake tail is smiling, the other frowning. This takes inspiration from the :): symbol often associated with Bipolar disorder.

Cy the Irritable Bowel Syndrome Otter: Cy is a happy little otter griffin! They love to sculpt and craft and sew! Cy’s color pallet is based on the assortment of medications I take for my own IBS symptoms.

Luca the Dyslexia Fox: Luca is a dancer and loves to perform! Their design and colors are loosely based on the infinity heart+ moon and star symbol that is often found on dyslexia flags. they will have L and R embroidered on their paws, which was a suggestion I was given.

[comicaurora]

These have been pent up for a while, so there's a whole list lol. Some are Aurora, some are not.

1) Can lacrimas carry out multiple purposes at once? Or will they blend them? I'm assuming that this is possible, considering that the automaton in the ruins was using a lacrima as a brain

2) Has anyone tried to make tools or weapons out of lacrimas? I'm talking like chisel that needs no hammer. Or maybe a Fire lacrima on a bow that sets your arrows on fire

3) Can you engrave runes on lacrimas to make them affect themselves?

4) Where can I read more about the Twins? If I'm not wrong they're the creator gods, aided by the Light dragon and the Void dragon to create life, but I might be getting a wrong read on that

5) Since we see Erin successfully become the first Void mage, does that now mean there's potential for him to make a Void lacrima? The dragon probably won't allow it, but still

6) What exactly does elemental corruption of each element do? Fire literally burns you up, as we saw in Arc 1. I can infer that Life likely makes you a chimera. Void corruption makes you a cave crawler. But what do the other one do? Does Earth make you a statue? Does Wind disintegrate you, Thanos style?

7) Now onto the non-Aurora questions, is your art vector or raster? I believe it's vector, but it's always better to confirm

8) What are your opinions on reading into the environment and the character design to infer things about the character themselves? In any type of media

9) Have you played Baldur's Gate 3?

10) Do you have any music that you'd recommend? I've listened to every song I liked so many times that I hate them now.

11) I'm new to Tumblr, anything that I should know? You don't have to answer this one if you don't wanna. I think I know some of the basics already. Reblog what you like, and avoid the terfs, right?

You might be able to tell that I like the idea of the lacrimas a little bit. Just a teensy bit. The artificer in me definitely isn't obsessed. I appreciate any answers you can give :3

Cheers!

Ooh, lots of stuff!

Yes, it's possible. A lacrima can be engraved with multiple spells, set in a casing engraved with commands, or some combination of the two. Typically, all spells engraved directly on a lacrima will activate at once when the lacrima is "switched on", but a spell can be quite complex, and conditional activations are possible - "if-then-else" statements, basically.

Yes, magic items exist.

Generally no. If the lacrima is disrupted or broken, the spell generally stops functioning, so a self-affecting lacrima will run only as long as it takes for the lacrima to distort or break.

There's an extra lore page about them!

He probably could if he wanted to (and the Dragon allowed it) but Void energy is very dangerous, so he likely doesn't want to.

Each form of elemental corruption agitates the presence of the element in the mage's body. Earth corruption can damage or alter bones, encourage unhealthy petrification of soft tissues, etc. Wind corruption can have physical effects but it often most obviously produces breakdowns in the person's ability to speak or understand language. Lightning damages, numbs or intensifies a person's physical senses.

Raster, I draw with CSP's digital pens. I've only very briefly experimented with vector art - I don't like how it simplifies the lines.

I think it's a fun school of analysis but, like all literary analysis, it runs into trouble if it tries to lock down exactly what the writer was thinking or intending (which is an objective fact that one can be incorrect about) rather than trying to analyze the story on its own and what meaning might, intentionally or unintentionally, be factoring into it.

Nope

don't trust my taste in music it's 90% nu metal and sonic OSTs

Like what you like, reblog what you want, generally it's considered dubious form to add a comment to a reblog unless you have something profound to contribute (commenting in the tags is fine), steer clear of discourse and callout posts and generally the sectors of the site that are constantly on fire, blocking someone for any reason is 100% fine

[zebaji]

au where I mix up all of the Ninja's powers and backstories into a slushie mess and see what happens.

So far I have:

Wu gets bitten by the Great Devourer and becomes super manipulative and toxic, as he tries to make Ninjago perfect, neat, and orderly with the Golden weapons. (Think lord business from the lego movie) Too bad he refuses to use his Oni side to obtain four arms to use them together.

Garmadon still trains under Chen and practices the Dark arts, but understands the balance of good and evil, and is filled with guilt over the fact that Wu got bitten when it should have been him. Wu, who doesn't like that Garmadon leans into "evil" practices and banishes him to the underworld.

The Green Ninja is Morro, who is biologically Wu’s son. (yeah, you thought canon morro was bad, this morro is so much worse since he's literally the weapon in making Ninjago in Wu's image) His personality is pretty much the same as canon (perfectionist, obsessive, crazy) it's just that he is in fact the Green Ninja and Wu enables him a lot.

Before everyone figures out that Morro is the Green Ninja, they think it might be Kai, who is the brother of Maya and has the power of Wind. He's Morro's replacement in this au, in the sense that he is also desperate to become the Green Ninja by whatever means necessary, and Wu pits Morro and Kai in a rivalry to see who becomes the Green Ninja. And Morro, who cannot fail his father, becomes violent and kills Kai. Kai isn't great in this au either and ends up in the cursed realm and later becomes a ghost.

Misako sees how problematic Wu is and after Garmadon gets banished, she runs away with baby Lloyd and tries to take Morro too, but Wu freaks out and thinks she tried to kidnap Morro so that she could use the Green Ninja's power for her own gain and he kills her to "save Morro," and thinks he kills Lloyd too.

Lloyd's actually fine, and just grows up at Darkley's until he gets adopted by the Royal Family, much to his dismay, and becomes the Quiet One who is willing to punch a dude to get his dad back. Because he doesn't have his powers, he relies a lot on his dragon and Oni heritage.

Nya is the only child of Ray and Maya, and when they disappear, Chen finds and adopts her, and she becomes the sister of Skylor. Despite having the element of fire, she relies heavily on mechs, and loves to invent, letting her sister use her powers while she designs Chen’s button chair.

Pixal is Ninja of Ice and still was created by Cyrus Borg, so Zane is still in the Birchwood Forest, forgotten and stuck there until Lloyd finds him and offers him a place in the cult group he’s starting.

Cole's dad dies, and while he tries to honor his dad's dancing legacy, he still inherits his powers and is forced to become a ninja. He's still a popular entertainer and pretty well known in Ninjago as such, and he really doesn't want to be a Ninja full-time and is only doing it because he's scared of what Wu will do to his loved ones. I do not know what power he should get and I am open to ideas.

Jay was raised as Cliff Gordon's son and so he's wealthy but he is also extremely talented in robotics. He and Cyrus Borg collaborate a lot and is best friends with Pixal. He does not have powers and tries to help Cole get out of the team. Honestly, I have no idea about Jay either.

Harumi releases the Serpentine after her parent sends her to a boarding school and forget about her. She does not want to be forgotten, and in a rage over it, discovers she can control Lightning.

Morro finds her and takes her in, reassuring her that there is a place for her on his team.

The team consists of Morro, Ash, Cole, Pixal, and now Harumi, all trained under Wu.

And then Lord Garmadon crawls out of the Underworld, eyes glowing purple and with four arms, demanding to see his son, and everyone starts to panic because they are pretty sure Lloyd is dead.

[mostlysignssomeportents]

Rsync corrump linkdump

I'm coming to DEFCON! On Aug 9, I'm emceeing the EFF POKER TOURNAMENT (noon at the Horseshoe Poker Room), and appearing on the BRICKED AND ABANDONED panel (5PM, LVCC - L1 - HW1–11–01). On Aug 10, I'm giving a keynote called "DISENSHITTIFY OR DIE! How hackers can seize the means of computation and build a new, good internet that is hardened against our asshole bosses' insatiable horniness for enshittification" (noon, LVCC - L1 - HW1–11–01).

As per the uje, I've arrived upon a Saturday with a backlog of links that I have not managed to squeeze into the week's newsletters/blogs, so it's time for another linkdump, 22nd in an erratic series. Here's the previous 21:

https://pluralistic.net/tag/linkdump/

Let's start with some seasonal material, and by "seasonal," I of course mean Hallowe'en. Yes, August is the official start of Spooky Season, and yes, I am a monster for insisting on this, but being a monster is the point of Spooky Season (which is what differentiates Spooky Season pushers like me from the creeps who insist that you need to start prepping for Xmas in late September – they're monsters, too, but Yule Monsters are bad) (with the exception of Krampus).

I was a monster kid and now I'm a monster adult. It all started when I was bitten by a radioactive Haunted Mansion at the age of six:

https://memex.craphound.com/2012/10/22/how-a-haunted-mansion-addict-fell-in-love-with-the-greatest-ride-on-earth/

I am a sucker for all things monstrous, and so I was intrigued when I got a book of "creepy-cute" stickers in the mail from a publicist at Simon & Schuster:

https://www.simonandschuster.com/books/The-Creepy-Cute-Sticker-Book/Gaynor-Carradice/Creepy-Cute-Gift-Series/9781507222515

"Creepy-Cute" turns out to be an official designation, embraced by the illustrator GaynorCarradice, who has created several books on these lines, featuring her chibi/monster crossover creations, which do exactly what it says on the tin, by which I mean, there's some genuinely creepy stuff in the mix, along with the cute.

It's when the cute pastels rub up against the gore, skulls, eyeballs and other visceral viscera that these illustrations really kick off some heat – I've rounded up a few of my favorites here:

https://craphound.com/images/creepycute.jpg

One of the surefire signs that Spooky Season is upon us is that the (sometimes NSFW) Tumblr account Halloweenlandmotherfucker emerges from dormancy with a stream of images of vintage Hallowe'en cards (these were a thing!), photos of people in costume and other delightful visual novelties:

https://www.tumblr.com/halloweenlandmotherfucker

Monster culture isn't just for Hallowe'en, of course. The ancient and noble tradition of compiling and publishing bestiaries is alive and well, thanks to RPGs. In the beginning, there was the D&D Boxed Set, with its Monsters and Treasure booklet:

https://www.americanroads.us/DandD/ODnD_Monsters_and_Treasure.pdf

Then came the Monster Manual, the first hardcover D&D book, succeeded by the Fiend Folio, which featured Charlie Stross creations like the githzerai and slaad, Indeed, there was a whole, iconic library of hardcovers that fit perfectly in an oversized backpack that I dragged everywhere so that I could obsessively read and re-read them.

Eventually, these gave way to new hardcovers with new rules as well as new corporate owners (Wizards of the Coast, then Hasbro), culminating in the release of the Open Gaming License, an "open content" license that was a) grossly defective; b) largely irrelevant; and c) hugely controversial in 2023, when Hasbro terminated it:

https://pluralistic.net/2023/01/12/beg-forgiveness-ask-permission/#whats-a-copyright-exception

The Open Gaming License purported to license out game elements that weren't copyrightable (rules, tables, etc), as well as material that you could likely use under copyright exceptions like fair use:

https://www.eff.org/deeplinks/2023/01/beware-gifts-dragons-how-dds-open-gaming-license-may-have-become-trap-creators

And worst of all, it was revocable, so games publishers who tooled up to publish supplements and sourcebooks based on the OGL could have the rug yanked out from under them at any time (that time turned out to be early 2023).

Hasbro's OGL rug-pull had three salutary effects:

I. It gave gamers a crash-course in what was – and wasn't – copyrightable in an RPG design;

It encouraged game developers to look beyond D&D's OGL rules and into truly open (and often superior) alternatives; and

It inflicted so much reputational harm on Hasbro that, 20 months later, they announced that they would release a new set of D&D rules under the Creative Commons Attribution Only 4.0 license:

https://www.dicebreaker.com/games/dungeons-and-dragons-5e/news/dungeons-and-dragons-2024-srd-wont-be-another-ogl-fiasco

Now, CC BY 4.0 is a real-ass license. Notably, it corrects a defect in the earlier versions of the CC licenses that gave rise to a class of predatory copyleft trolls like the odious Pixsy:

https://pluralistic.net/2022/01/24/a-bug-in-early-creative-commons-licenses-has-enabled-a-new-breed-of-superpredator/

If Hasbro follows through on their promise, the new CC materials will kick off with the 2025 release of the next edition of the Monster Manual:

https://dungeonsanddragonsfan.com/new-2024-dnd-monster-manual/

It's wild to think that tabletop RPGs are now a cutting-edge way to learn about digital policy, but on the other hand, D&D arrived in my home around the same time as my Apple ][+, which was also around the time I first heard the name Ronald Reagan (rest in piss).

The legacies of the 80s – RPGs, digital technology and Reaganomics – cast a long shadow. Last month, many of us discovered the hard way that Reaganomics – specifically, the embrace of monopolies as "efficient" – has produced a world of unimaginable brittleness. Millions of people around the world found themselves cut off from ATM cash, flights, hospital care, and many other essentials thanks to the Crowdstrike Blue Screen of Death outage. While many of the explainers have focused on how Crowdstrike fatfingered a software update that crashed all those computers, there's been a lot less commentary about how it is that one company had it in its power to do so much harm.

Writing last week for EFF's Deeplinks blog, my colleague Rory Mir tackled that (far more important) issue:

https://www.eff.org/deeplinks/2024/07/crowdstrike-antitrust-and-digital-monoculture

Market concentration – monopoly – is the common thread wound around so many of our daily horribles. Think of the tech billionaires who threw in their lot with Trump last month. How did they get to be billionaires? Monopoly power. Remember back in 2017, that notorious photo of the tech industry meeting at the top of Trump Tower, with Peter Thiel at Trump's left hand?

https://techcrunch.com/2016/12/14/donald-trump-meets-with-tech-leaders/

People were appalled that this group of corporate leaders, who between them controlled virtually all the technology in our lives, would debase themselves by paying fealty to this buffoonish would-be dictator.

But far more consequential was the fact that you could fit everyone who controlled all of our technology around a single table. Once everyone important to an industry can fit around a single table, it's only a matter of time until they find a table to sit around, and that's when it all starts to go wrong. As the Communist firebrand Adam Smith once wrote, "People of the same trade seldom meet together, even for merriment and diversion, but the conversation ends in a conspiracy against the public, or in some contrivance to raise prices."

Enshittification starts with market concentration. This is a subject I'm going to be going very deep on next Saturday, when I give my Defcon keynote, "Disenshittify or die! How hackers can seize the means of computation and build a new, good internet that is hardened against our asshole bosses' insatiable horniness for enshittification":

https://info.defcon.org/event/?id=54861

When I give that talk – and afterwards at my book signing – I will be wearing an N95 mask, just as I did last year. Why am I wearing a mask? Two reasons: first, Long Covid is a horror. One of the best writers I know – a living legend – recently told me that their book-writing days are likely done because of Long Covid brain fog.

A new Lancet article gets deep into the science of Long Covid:

https://www.sciencedirect.com/science/article/abs/pii/S014067362401136X

The principle author of the Lancet article is Oxford health professor Trish Greenhalgh, who gave an excellent lay summary in her newsletter:

https://independentsage.substack.com/p/long-covid-a-dystopian-game-of-pinball

In particular, Greenhalgh describes why some people don't get Long Covid, and some people do – and, most important, explains why the fact that you didn't get Long Covid last time doesn't mean you won't get it next time:

https://independentsage.substack.com/p/long-covid-a-dystopian-game-of-pinball

So I don't want to get covid, and so I'm gonna wear a mask. Because masks fucking work. A new study reveals just how well they work:

https://www.thelancet.com/journals/ebiom/article/PIIS2352-3964(24)00192-0/fulltext

The study shows that wearing any mask, even without knowing how to fit it well, offers substantial protection against both contracting and transmitting covid. Even better: wearing an N95 (even without paying attention to correct fit) offers "near perfect" protection against covid:

https://today.umd.edu/n95-masks-nearly-perfect-at-blocking-covid-umd-study-shows

I didn't get covid at Defcon last year, and I didn't get it at HOPE, and I didn't get it on our family vacation in July – all events where friends got sick. The difference? I wore a mask. Which works.

OK, I need to go work on my Defcon speech some more, so I'm gonna sign off, but I will leave you with just one more link, the wonderful new public domain image search tool, Public Work, which crawls and indexes the Met, the NYPL, and other sources:

https://public.work/

I rely on public domain, CC and other freely usable clip art to make the collages that accompany this newsletter/blog's stories. While I have very little talent in the visual arts, I'm getting steadily better. I mean, look at this amazing image I womped up for last week's story on Bitcoin bros' election campaign finance fraud:

https://www.flickr.com/photos/doctorow/53893519593/in/album-72177720316719208

You can see a collection of my recent collages in my Flickr gallery for them:

https://www.flickr.com/photos/doctorow/albums/72177720316719208?sd

Support me this summer on the Clarion Write-A-Thon and help raise money for the Clarion Science Fiction and Fantasy Writers' Workshop!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/08/03/smorgasbord/#creepy-cute

Image: Anne Lindblom (cropped) https://www.flickr.com/photos/kajsawarg/3600415175

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

[justanotherflemethstan]

I have finally finished Veilguard. I have already voiced my critiques (critique 1, critique 2, critique 3 & critique 4) and I largely stand by them. so instead, here are 5 things I absolutely loved about Dragon Age The Veilguard.

1. Mourn Watch

Mourn Watch, Mourn Watch, Mourn Watch. Wow. wwowowowow. Everything, from Rook's background, their interactions with Emmrich and unique Mourn Watch dialogue options throughout the game, to the location and the lore and Myrna & Vorgoth, was Perfect. I wouldn't change a single thing and the only difficulty I have with the Mourn Watch faction is not making all of my future Rooks Mourn Watchers too. If bioware makes Mourn Watch themed merch I will buy ALL of it. if any of you are making Mourn Watch themed merch please hmu.

(also, can I just say, I bet that at least one of people responsible for Mourn Watch has read The Locked Tomb. you just can tell, and I say that as a compliment)

2. Grand Necropolis

Is it a cheat to have the first two points be kind of about the same thing? Who cares. The Grand Necropolis was AMAZING. I could spend an entire game within its walls and never leave. In fact, I WANT to spend an entire game within its walls. We need a Grand Necropolis DLC. I want to know EVERYTHING there is to know about its lore and its customs. I am truly obsessed. Special thanks to all the level artists and level designers involved in making Grand Necropolis happen.

3. Davrin and his romance

Davrin's romance was just breathtaking. Him and my Rook felt like soulmates and I loved loved loved every interaction they had. Everything from Davrin's character and his story arc to the voice acting and the way his romance with Rook was written is just fantastic. I probably won't be able to romance him again bc I ship him with my canon Rook so hard. Davrin easily goes into my Top 5 favourite Dragon Age characters of all time.

4. Combat

I've played a sword and board warrior and I had a blast. I was playing on Normal/Adventurer difficulty and admittedly by the end of the game my Rook became a bit OP and was insta killing almost everything that moved and bosses took about 8-10 hits. But I'm really really looking forward to experiencing the other classes and experimenting with different builds/party comps/difficulty settings. The combat was truly a highlight of this game for me and I'd say that it's probably my favourite Dragon Age combat system of all the 4 games now. Which is really not something I expected to say going into the game.

5. Companions and their personal quests

The devs promised us a diverse and lovable set of companions and imo they truly delivered. I liked doing companions' personal questlines the most, and I loved how they were all very different and didn't follow the same structure or story beats. Companions also all had different personalities and quirks and their interactions with each other were memorable and kept me engaged with the game even when I was struggling through some of the slower parts. The Veilguard did indeed deliver on The Veilguard.

___

I know all these are pretty subjective and I appreciate that everyone might have a different experience with any or all of the above points. I just felt it'd be only fair to be as vocal about the parts of the game I enjoyed as I was about the things I didn't like.

[someone-save-vlad-king]

Common Sense Kings Headcanons

(Angst-free only.)

As a Whole:

"Common Sense" is a lie. They share one braincell and Kan keeps it in the confiscated phones drawer. (He hasn't trusted them since the Incident. No, I will not elaborate.)

They're all great swimmers, except Tsuburaba. The kanji in Awase's name all relate to water — bubbles, rapids, ocean, and snow; Kaibara is definitely the type to use his Quirk as a boost (and it just seems helpful in general); and for Rin, Chinese dragons are associated with water, unlike Western ones. Tsuburaba, meanwhile, is mostly associated with air.

Video game nights usually end in disaster. That's why they mostly play Mario Kart, the least rage-inducing game ever.

Awase:

Sometimes, he Welds together little mixed media sculptures. Metal bits, googly eyes, Rin's scales, that sort of thing. He isn't very good at it, but then, he doesn't have to be. It sparks joy.

Also decent with mechanics. He, Yaoyorozu, and Hatsume would make a great team.

Has a lot of scars from all the dumb shit he's done over the years — and he's proud of every single one of them. Even the dumbest ones. It inadvertently helps some of his friends feel better about their own.

Cheats at origami.

Kaibara:

Loves green tea. This is based on two puns: Sencha (煎茶), the most popular green tea in Japan, and chasen (茶筅), the bamboo whisk used to make matcha. (There are so many puns you can make on the name Sen, it's great.)

The best dancer of the four — or, the only good dancer. The other three suck.

A contortionist in every way except professionally, with no qualms about showing it off. He's got the most fucked-up joints you've ever seen. He can even turn his head around like an owl. Fear him. (Seriously, look up contortionists, they're awesome.)

Tsuburaba:

Has the spice tolerance of a wet chicken nugget. You could kill him with a singular Dorito. The other three refuse to let him live this down.

Obsessed with practical effects in movies and plays. Props, clever set design, you name it. He's even experimented with using his Solid Air for something similar, though he hasn't done it in a while. In a movie production AU, he'd definitely be in charge of that.

When Kan doesn't have it, Tsuburaba holds the braincell. He's objectively a terrible choice, yes, but process of elimination rules. And yes, this is because of the Incident.

Rin:

Many thoughts, head still empty for some reason.

His favorite animal is the koi fish.

Almost won the class representative election purely by promising to teach the class Mandarin swear words. Kan was not happy.

Can and will make up a bullshit idiom. What are you gonna do about it? Fact-check him? Take your phone out and Google it? In front of the teacher?

[sidrashakti]

Pat McGrath’s Natal Chart Analysis: Beauty IS a ritual or an exploration of the 4th and 8th houses 

I’ve always loved Pat’s work as a makeup enthusiast and was curious to look at her chart. I was shocked that was a 4th and 8th houser because I associated makeup with 5th, 10th, or 11th house energies. The 4th and 8th houses have heavy spiritual energy to me, but when I thought more about it Beauty is both venusian and deeply saturnian because it is so ritualistic. Pat and I share many of the same nakshatras. 

Pat is a REAL earth sign with 9 placements in earth signs and Taurus + Capricorn Stelliums. 

Libra 1H

The 1H rules the head and face and Vishaka is symbolized by the lightning strike. Pat has spent her life creating striking and elaborate makeup looks, going against the no makeup trends of the 90s. 

Scorpio 2H

With JupiterR conjunct Neptune in second house in Anuradha - Pat’s love of makeup started in her early childhood, which the second house rules. Anuradha is the star of devotion and Pat spent her childhood going to beauty releases and reading magazines with her mother who was obsessed with beauty products. Her second house ruler is Ketu in her tenth house, she makes her money from her public career. Neptune here adds a dreamy, psychic, and imaginative energy to her relationship with beauty.

4H Capricorn Stellium 

Pat has her Moon in Uttara Ashada and Mars Conjunct Rahu in Dhanistha in the 4th. 

Dhanista is the nakshatra of fame, and Rahu can also be a fame indicator, leading to Pat being deemed a legend in a very cutthroat industry. The Mars–Rahu (Dragon’s head) conjunction indicates the physical energy of Mars that is amplified in its physical strength through the impact of Rahu. Being a makeup artist is a physically demanding job and Pat is known for her productivity and the sheer amount of shows she does yearly. 

Moon in 4th has planetary strength. The moon rules the masses/fame as well as femininity. Uttara Ashada is a popular nakshatra in the fashion world (many famous designers have UA personal planets), meaning later victorious. The moon is also the mother and Pat’s mom influenced her love of beauty. Ofc a a businesswoman with a personal net worth of about $800 million and a company valuation of $1 billion would have some heavy capricorn energy. 

Capricorn rules the skin, and Pat is famous for her secret technique of making skin look lit from within (realized that sounds very 8th house when I wrote it out lol) with her Rahu in Capricorn.

The 4th house rules the home and Pat loves interior design and architecture magazines, reading them daily.

Aquarius 5H 

Aquarius 5th with Saturn tightly conjuct Venus in 8th: Pat’s work is very Aquarian, otherworldly, innovative and extremely unique. 

8H Taurus Stellium

Pat has a Taurus stellium in her 8th house making her very venusian. She has a TIGHT Saturn-Venus conjunction (00:07 degrees) in Krittika, a nakshatra of extreme precision, which probably informs her skill as a makeup artist. Saturn gives her Venusian energy the stability and support that has allowed her to have an incredibly long career. Mercury in the nurturing and creative nakshatra of Rohini explains why she loves using her hands to be creative. 

The 8th house is the house of research and Pat is known for being extremely studied in beauty, knowing niche makeup trends and traveling with several beauty books always.

Interestingly, her sun in Mrigashira is her AK. People with sun as AK can be incredibly creative and self-focused. 

The term Mṛgaśira (मृगशिर) is a composite of two Sanskrit words, mṛga (मृग) meaning deer and śira (शिर) meaning head or precisely, the top of the head. Mrigashira is ruled by Mars (in Pat’s 4th house conjuct her Rahu/fame) and Chandra (who rules the face and is also in her 4th house).  Some texts say Mrigashira conveys the ideas of searching for beautiful faces, and Pat scouted plus-sized model Paloma Elsesser, saying she had the perfect face for makeup. 

Pat is extremely private being an eighth houser, and I wonder if she is very spiritual or has lived a life of a lot of hidden difficulties with these placements. 

Cancer 10H

The tenth house is public perception and Pat is known for how she transforms the feminine face. Ashlesha is a dark feminine nakshatra that symbolizes transformation, kundalini, and hidden/occult wisdom. Ketu symbolizes spiritual liberation and past life influences, so Pat’s work for her is deeply spiritual and influenced by her past life experiences. 

Pat’s work transforms and empowers the feminine collective. 

Cancer is a sign known for collecting, Pat is known to travel to shoots with 75 assistants, suitcases full of products, and collections of beauty books for inspiration.

Virgo 12H 

Pat has Uranus in Hasta and Pluto & Lilith in Uttara Phalguni. Hasta symbolizes the hands and Pat’s revolutionary technique is using her hands to apply makeup products usually applied with a brush. Makeup to me is very Virgoan, and UP is ruled by Sun and Mercury, Mercury also rules the hands. 

With most of her personal planets located in the 4th, 8th, and 12th houses Pat’s predilection for privacy makes much sense, she wears a daily all black outfit and prefers to be in the background not the foreground. 

Dashas

Pat rose to fame in the early 1990s when she was in her Rahu Dasha or the end of her Mars Dasha, her Rahu is tightly conjunct her Mars both in Dhanista the star of lasting fame. In 2026 she will be entering her Saturn dasha. Saturn rules legacy but may also being a time of hard work and difficulty for her. Her Saturn is conjunct her Venus so she may build significant wealth or be very in demand during this time. 

Will look into her padas another day!