#and it drives me a little crazy

[eyepatchdate]

also. i just love how. if u pay attention to literally. 3 tiny tiny tiny things. you can figure out that gepptto's wife was an engineer who died and that ALSO she became the first puppet who awakened an ego

[applepixls]

I CAUGHT HIM

I FOUND IT.

grian didnt include it in his own episode and lizzie didn't include it either and i didn't see it in mumbos episode? but in skizz's episode you see him add the <3 by his name and then spin around really quickly like he's scared someone saw

[grinchwrapsupreme]

shawn's deep trust of lassiter keeps catching me so off-guard like when he's held captive and lassie and henry both turn up he tries to yell "carlton" not "dad" and when he sees a guy with a gun come into the restaurant he goes straight for lassie and keeps trying to get his attention instead of literally any of the other dozens of cops in the room with them and when he's telling someone to call the police he tells them to ask for lassiter, not jules, not vick, lassiter. like he spends all his time provoking lassie but the second there's danger there's literally no one else he trusts more

[eye-merely-jest]

my GOD i am just obsessed with how CUTESY SCOTT IS IN THE EVO COMICS AAARRRGHHGHHH.

HIS LITTLE :3 I CAN'T DO THIS

[4pp13-ju1c3]

this ONEs a real doozy!! (i am ill and will not recover. this series has left me irreparably damaged)

[eposiemc]

"You betrayed me last season so I don't love you!"

guys i can't believe the gempearl divorce is real guys LOVE IS DEAD wl!gem is salty and bitter about how everything ended in secret life. how is it possible that none of us even thought about that possibility

[vix-png]

hey guys

(og image under the cut)

they're so cute ..... aagghhhghh im EXPLODING

[melandrops]

mfs when they relisten to the magnus archives and notice how much foreshadowing goes into just the first three episodes

[impossiblefeat]

Espio during the cutscene before the Egg Breaker boss fight in Shadow the Hedgehog (2005)

[tragicvampireromanceisland]

FORRR my buddy @re-colligere 's spy au!! i looove this odd little duo and i've been wanting to do a vintage poster spoof ever since i learned this au takes place in the 60s.... 🤭 something sinister is afoot! will agents verte and roz be able to stop the league in their tracks...?!

[descendant-of-truth]

If I may throw my hat into the ring here, I think the source of a lot of problems in the writing of Miraculous can be boiled down to its confusion over its target demographic.

There are two very clear audiences the show is trying to cater to:

Grade school girls around 5-10

Teens/young adults around 15-20

And this results in some. unique conflicts in the show's internal logic.

Because it's a superhero show for little kids, it's full of fun, bright colors, wacky villain-of-the-week designs, and the characters are all very straightforward with exaggerated personality traits. The cheerful, clumsy, scatterbrained girl protagonist, her utterly charming and goofy (but slightly clueless) love interest, her cool best friend, her mean bully, etc.

This extends to the romance; the show is so comedic that Marinette's nervous crush and Cat Noir's flirting are played up for laughs. Their more "problematic" behaviors read as cartoon shenanigans first and foremost, which I do think was the intention - they're both shown as being more than a little ridiculous for acting this way, so they're not exactly trying to encourage people to emulate them. They're allowed to be genuinely wholesome, too, because it's nice to give the kids something to go "aww!" at, but it's not meant to be more complicated or deep than that.

And of course, it's gotta follow a sweet and simple episodic formula! A conflict in Marinette's civilian life, an inciting incident to get a side character upset enough for Hawk Moth to turn into a villain, Ladybug and Cat Noir show up, there's fun banter, Ladybug uses her Lucky Charm to figure out a wacky solution to the problem, and boom! The day is saved, Marinette and/or someone else learns a moral, and we get a cute little end screen showing all the key players of the episode.

The one aspect of the show's setup that's a little more serious is the fact that Adrien has a super controlling and distant father, but even this is something that doesn't necessarily break the kid-friendly tone for the first season or two. Superhero shows in particular like to put in some stuff that's a little more emotionally challenging for the viewers, even when they're mostly comedic, so it's not totally out of place here.

For example, while they tend to have more grounded tones overall, Spider-Man cartoons are aimed at kids and regularly keep the conflict between Harry Osborn and his father, Norman, intact; often including the plot point of Norman being the Green Goblin, a notorious villain. It's a similar deal with Adrien, and his dad secretly being Hawk Moth.

You can easily anticipate drama coming from this, but the show primes you to expect it to work out fine in the end because every other conflict so far has been wrapped up in a nice little bow once the episode's over. Though I will say, the choice to have Hawk Moth be Gabriel instead of his own, separate character is perhaps the first sign of the tone shift to come.

And, uh. it sure is a shift.

See, Miraculous does not start out with what you'd call a... plot. It vaguely alludes to there being more going on behind the scenes, but the only thing it really tries to get you invested in is the Love Square dynamic. Marinette and Adrien dancing around each other while fighting crime IS the plot, and it's clearly going to end with a cool final confrontation with Hawk Moth.

You expect it to end like... well, like the movie. Identities are revealed, Gabriel realizes the error of his ways when he finds out he's been fighting his son this whole time, and they may or may not make up but he almost definitely gets arrested. Marinette and Adrien kiss, roll credits.

This is not what happens, because the plot the writers actually had in mind is complex in a way that I would argue is meant for the same audience as YA novels. And with that plot comes a lot of darker, weightier traits to these otherwise silly characters.

Marinette isn't just scatterbrained and nervous, she has debilitating anxiety and an increasing need to be in control of everything due to the stress she's under. She has panic attacks on-screen. She's not just great at strategizing, she also knows how to manipulate people, and does so with increasing frequency - and to Cat Noir at times, no less. Her positive traits haven't gone anywhere, she's still loving and creative and sweet and doing her best to help everyone she can, she just. has all of that other stuff going on, now.

Adrien isn't just a charming, goofy, clueless love interest with a gazillion skills and a controlling father, he's like. actively being abused, and in some cases straight-up mind controlled. His tendency to heroically sacrifice himself so that Ladybug can do her Cool Protagonist Thing is gradually but unmistakably reframed as being a sign of suicidal inclinations. He has identity issues out the wazoo and he doesn't even know he's an artificially created human yet, because everyone in his life is keeping secrets from him and/or lying to his face about crucial information.

Information like, uh. how his dad died???

Yeah, so we're at a point in the story now where there was no satisfying conclusion to the Gabriel plot, no team-up, no moment where he realizes he's been fighting his son, none of that. He still has something akin to a change of heart, but he also still kind of gets what he wants - the Miraculous of the Ladybug and Black Cat, which he uses to rewrite the universe with a wish. It's just that instead of reviving his wife, he trades his life for Natalie's. Of course, he was already dying anyway, which was his own fault but he did force Cat Noir's Cataclysm onto himself, so, that's another thing poor Adrien is going to have to deal with at some point.

And because there's all these astronomically messed up things in Adrien's life, and Marinette's the one who got to learn about all of it before him, she decides that maybe it would be better if he just. didn't know about it. Which is understandable, if I was 14 and had all this information about my boyfriend's life that he didn't, I wouldn't know how to begin telling him about it, either.

But. can you see how we've maybe lost the plot, here?

Here's the thing: starting with a simple framework and gradually getting more complex and subverting the audience's expectations for how the main villain is going to be dealt with is not a bad thing. The fact that it gets darker over time is not an issue. I actually think that all these developments are, themselves, pretty cool! I'm a sucker for angst and complex character dynamics and the show is absolutely giving me those things.

The problem is that it didn't just start with a simple framework, it started with the framework for a different demographic entirely, and perhaps just as importantly, it never actually... stopped.

For as much complexity and intensity they're injecting this story with, they're still working under the logic of it being "for young kids." We still get goofy villain-of-the-week designs with equally goofy motivations, and the supporting cast is stuck remaining two-dimensional no matter their circumstances. Chloe is the most blatant example of this - she was made to be a simple bully first, so no matter what else they do with her, she has to remain straightforwardly evil.

This, I think, is the reason that Gabriel is a more nuanced and "sympathetic" antagonist than her, and why so much care goes into Adrien's character as a victim of abuse while Chloe is just a Problem Child despite suffering similar neglect; she wasn't made to be interesting, and so the show is resistant to changing that. Gabriel and Adrien, however, were already made with nuance in mind, and so they're allowed to develop as characters. And at the same time, it's a kid's show! We need to teach the kids what kind of behavior is acceptable, and Chloe's home life isn't an excuse to treat people badly, so--!

...Oh crap we're supposed to be teaching kids about acceptable behavior. Uh. Um. Quick, bring back the ice cream akuma who cares way too much about his ships so that Cat Noir can learn about consent! Uhh, but don't change his character too much afterwards, he's only marketable because of his silly flirting, and we can't lose that.

Yeah, remember when I said that the romance having problematic elements to it used to work well enough because it was clearly just exaggerated cartooniness? It wasn't free from criticism or anything, but you could see how it was intended to be endearing and silly, right? You were supposed to point and laugh at Marinette's convoluted plans to spend time with Adrien, at Cat Noir's dramatic flirting attempts that Ladybug herself fondly rolled her eyes at.

The tonal shift into deep character exploration kinda paints the previous stuff in a worse light, and to an extent, I think the writers know that. It's hard to laugh at Cat Noir being flirty all the time when he's also supposed to be taken completely seriously, and the more Ladybug rejects him, the more it turns into harassment, and it. kinda just stops being funny, even with the comedic framing.

It's also hard to laugh at Marinette's crush being so all-consuming when they try to tell us (in what I can only assume was an attempt to get people to stop complaining) that she's like this because it's fueled by an event in her past, one that made her so scared of loving the wrong person that she now needs to know Everything about them before asking them out. Her cartoon antics aren't funny under that light, it's just concerning, but they're dedicated to keeping it up anyway.

The show runs on straightforward cartoon logic where you're not supposed to think about it too hard just as much as it runs on grounded, closer-to-real-life logic where people are messy and complicated and actions have consequences. It's so divided that you can hand-pick parts of the story that are influenced by one or the other pretty easily, and depending on the episode you can find instances of both in the same 20-minute time span. Maybe even multiple times!

Neither thing they're trying to go for is bad, and neither is a better approach than the other, but forcing them into the same show makes both sides suffer.

It's not just hard to laugh at the parts I mentioned earlier, it's hard to take Gabriel seriously as a villain whenever you rewatch an episode and remember that he has a once-per-episode pun-based speech that he says so self-seriously that you can't help but laugh at. It's hard to take him seriously when you remember that he repeatedly akumatized a Literal Baby and practically threw a tantrum every time it didn't work, or when he randomly steals (and enthusiastically performs) his nephew's musical dance number, or something similar that you would only do for a cartoon villain aimed at five-year-olds.

And I can only imagine this whole show is a marketing nightmare, too. Hey, little girls, here's your cool role model! She's cute and smart and talented and powerful and can fix anything by shouting the title of the show! Hope you're having fun watching her tell her boyfriend that his newly-deceased father (who used deepfakes of him to sell merchandise that's built to enslave the population and then locked him in a solitary confinement chamber in another country) was actually a hero who sacrificed himself to stop the main villain instead of, y'know, being the main villain! Aren't you excited to watch her wrestle with the guilt of this lie for the next season or so? Doesn't it just make you want to buy her merchandise??

Like. what is even happening right now. what am I watching. how did we get here and why did we start where we did if this was what the story was going to be about

[lai-mar]

laios could literally be on the verge of death and his brain would still go “marcille… why are you making that face… i remember how you were when we first met… you’ve gotten a lot more expressive… marcille’s face… marcille’s smile…”and then starts having flashbacks about how he met her

[mariesbee]

been slowly rewatching smallville (no time to binge watch sighhh) and i can't help but see so many similarities between pre fallout clex and clois

lex and lois both are a lot! passionate, the type of people who pull all the attention to themselves when they enter a room, but not in a soft, almost glowing way like lana. like they're taking up space just by being nearby

they're not afraid to speak their minds though lex is intense in a whole different way than lois is, of course, but they're both intense—not to mention the countless times they got on clark's nerves one way or another

honestly, clark has a thing for strong, challenging people

[efverse]

[teddybeartoji]

i'm kind of obsessed with the idea of gojo never driving. like ever. he knows how to drive, he just doesn't like it. he LOVES being the passenger princess and he LOVES taking the public transport.

suguru and shoko both drive (they both also have very sexy cars. like some older cars yk... hear me out shoko with some kind of a convertible?? smoking as her hair flows in the air?? very hot i would say...). sugu and shoko keep complaining about the music he plays but they let him be the dj every single time anyway. satoru doesn't mind sitting in the back either btw. by passenger princess i guess i just meant that he loves to be in the car with his friends lmao. whenever he sits in the back – he's having a party on his own. he has snacks (which he always shares. sugu and shoko just need to open their mouths and satoru is feeding them immediately. they don't even have to ask for it. he sometimes whines about them eating a lot but he still feeds them without a second thought) and he's just loving life back there. he's staring out of the window, slipping from one side of the car to the other and pointing out just about everything he sees. kind of like a child but yk, it's sweet. sometimes he falls asleep in the weirdest fucking positions possible and then wakes up with a terrible neck pain and pouts when his friends laugh at him.

when he's sitting in the front... he's doing all of the same fucking things who am i kidding. he's eating, he's singing, he's pressing his face right against the window and earning a flick to his head for it. also he's fucking AWFUL with maps. idk that just feels right. never ask him any kind of directions bc you'll just get even more lost than you were before; so the only thing satoru is forbidden to in the car is being the gps. actually i kind of have a feeling that shoko isn't that great at it either lmao.... imagine suguru is just sighing loudly before yanking the map from their hands (fuck technology ig) and figuring out where they are on his own while the two of them just laugh their hearts out wahh i love them so fucking much

he looooves the public transport okay. he loves the little rush he gets when he's almost late to the bus; heaving and panting as he barely makes it with a stupid smile on his face. he also loves to blame the subway for being late, it's literally his favourite excuse and whenever somebody tells him to either get a car or idk take the earlier one – he just says that it's boring. because it is!!!! to him it is. he likes to try and enjoy the small things in life and the public transport is sometimes one of those things. he observes everything, he sees everything and he loves telling people about his adventures. the old lady with the rat, the guy with the hair, the man who was naked? yeah, it's all so exciting to him. honestly, i can't really think of anything about the public transport that make him upset in any way. maybe this is a reach but he's just curious little guy okay... he likes to experience new things and whatever might happen on a bus or a tram or a subway is just one of those new things okay.... let him do his thing..... OKAYY anyway i love this man so so so much<333 thank you for listening to my ramble i love you all mwah mwah

[daily-basil]

💠 He's a fine gentleman