#and in all i don't think it saved me a whole lot of time- still took like 40-50 minutes- but this method felt a lot easier

[yeoldenews]

I don't know how much you think about it, but you wrote a post back in Mar 2020:

"A sincere request from someone who has spent her entire adult life wishing people had kept better records…In the coming weeks and months… RECORD WHAT IS HAPPENING."

That post got me to start properly journaling properly, after trying and failing when I was younger. A majority of it is 'just' day-to-day progress updates on my fiction writing, but there's a bit of stuff about my life, and some briefer stuff about the world beyond. Not a lot, but some. Four (and change) years, and my journal is just short of 186K words.

I remembered your post, seeing today's SCOTUS decisions. I remembered your post, and I remembered a line you'd written: "Are you scared to death? Write it down."

I just...I don't know. I just wanted you to know your post made an impact, and I don't know what the fuck is coming over the next week and month and year and decade, but...I'm writing shit down. I'm writing shit down, and it's all because of your post.

You have no idea how much this means to me, and how badly I needed to hear it this week - so thank you. Truly. I am genuinely moved, and so proud of you for your 186k words.

History is made up of the stories people decided to save - and the first step to making sure a story gets saved is writing it down.

I really, really hate writing. Like more than just about anything. I'm a chronic perfectionist, and it can take me a whole afternoon to finish a single paragraph I'm satisfied with. (I spent three days writing this response, and you don't even want to know how long I spend on some of the things I post.) So keeping a journal is not a task I'd ever felt the need to afflict myself with before the pandemic. When I made the post you referenced, my journaling habit was all of ten days old but, against all the odds, here I am over four years later having never (to my recollection) missed a single day.

My daily records of what my cats are doing, and your day-to-day writing progress may not be extensively poured over by future scholars, but for only a few minutes of effort a day we now have recorded hundreds of stories.

And who knows what the people of the future might find fascinating. I'm sure the teenage girl in Philadelphia who smudged the letter she was writing in 1897 because a bee scared her would be absolutely baffled that thousands of people were still laughing about the incident 125 years later.

So much of history, and life in general, doesn't become clear until long after the fact. Historical records are full of people overreacting about events that ended up having very little significance in hindsight, and under-reacting about events they no had no idea were about to change the world. But being able to go back and see what people wrote in the moment, preserving their honest thoughts and hopes and fears, is about as close as you can get to time travel.

Maybe what we fear will come true and we're recording history, maybe we'll look back on what we wrote today and go "phew! that was a close one!", or maybe nothing will come of it at all - I pray it will be the last one, but, whatever the outcome, it's worth writing down.

(Also voting. Please, please vote.)

[blessedarethebinarybreakers]

Hey, this is going to be long and wordy but I’m kinda desperate. Lately I’ve been having doubts about whether Jesus actually said what’s recorded in the gospels and whether those accounts are true, and the uncertainty there scares me, especially since I know the gospel writers almost certainly had their own agendas and that’s why accounts of the same event can sound different, why the birth narrative was skipped over or not, etc. On top of that I’ve seen posts from Jewish users outlining why Judaism typically doesn’t accept Jesus as Messiah/why you can’t be Jewish if you believe that, and their arguments seem pretty sound. So it all boils down to this big scary question of “What if this whole Jesus-as-Messiah thing was just the result of projection onto some random guy who seemed to be the real deal because the writers were so desperate to be rescued from the Roman occupation?” It sucks cuz I’ve been enjoying my renewed interest in church (for the most part) and while I’ve tried my best to learn not to take the Bible literally all the time (yay for growing up in an inerrantist doctrinal tradition 🙄), I still want to take it seriously and I still want to believe in Jesus as savior/Lord/etc. I don’t want to just be like, “Yeah I don’t buy the whole Messiah thing but I can still follow his example!” I want there to be meat behind why I follow, if that makes sense. So inasmuch as this could be my OCD being bored and trying to take hold of whatever it thinks would bug me the most (wouldn’t be the first time!), I would really appreciate any advice you have. I know there may not be any certainty or reassurance to be found here, but I still want to hear from someone who’s been there before so I can chart a path forward, and I think this is an important question to wrestle with. Plus I remember from one of your posts you said you have seminary notes on this exact topic so I’m curious lol.

"Gospel Truth": how do we know what Jesus really said and did?

Hey again! Sorry for the long delay on this one but I wanted to do some research before responding! You're right that these are important questions, and you're absolutely not the only one to feel doubt and anxiety over them. You're also right that I can't offer you certainty, but I do hope you'll find encouragement here, and places to go as you continue your journey.

This got super long (as always lol), so let's start with aTL;DR:

In this post, you'll find that there's a lot that we can surmise is very probable about Jesus' life story, but that ultimately we can't know much for certain — and that's okay. In Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions), Rachel Held Evans gets to the heart of the matter:

"I don’t know which Bible stories ought to be treated as historically accurate, scientifically provable accounts of facts and which stories are meant to be metaphorical. I don’t know if it really matters so long as those stories transform my life."

This is a time where scholarship & faith go hand-in-hand: using the minds God gifted us, we study and learn what we can; and we cultivate faith in the things we can't — a faith that doesn't deny doubt, but makes room for it, and calls us into community so that we can wrestle out meaning together.

A couple other notes before we kick off:

Please know that you don't Have To Study All The Things if you decide it's healthier for you not to go chasing those rabbit holes. You don't need to be an expert in Biblical studies to be a "good Christian" or to take scripture seriously or to get to know God deeply.

I trust you know yourself and how your OCD works better than I could. So I'm going to share the information I have, and leave it to you to determine for yourself how much information you need in order to feel reassured, without giving your mind new problems to ruminate over.

So here's a link to a Google doc that has A Lot of information — like, too much lol. But save it for after you read this post; I'm putting the most relevant & important info here! If you finish this post and feel satisfied, you never even have to look in the doc.

However deep you go, if you find yourself getting overwhelmed, know that whatever you are feeling is valid and probably pretty common, and take a break! Do a calming meditation or an activity you enjoy to help regulate your mind and body. If possible, have someone you can unpack this stuff with — or have a notebook ready to journal in. <3

Okay, all that outta the way, let's dig in!

Who wrote the Gospels?

Tradition goes that the authors of the four canonical Gospels are three of Jesus' closest disciples — Matthew, Mark, and John — plus a disciple of Paul — Luke. But academics have determine that this tradition is very improbable; it's much more likely that none of the four authors knew Jesus personally, and that the earliest of them (Mark) wasn't recorded till the 60s — decades after Jesus lived and died!

When people learn this, it often leads to something of a crisis of faith. If these writers didn't even know Jesus firsthand, where the heck did they get their information?? And come to think of it, why do their accounts differ? Is some of it made up? Is all of it made up??

The anxiety and fear that wells up is normal, and it's healthy to acknowledge that you're feeling it. But once that first shock abates, it's possible to discover a sort of freedom in the knowledge that the Gospel writers (and all the authors of the biblical texts) were human, with human biases and specific goals fitting their unique context; and that they didn't have all the answers!

This realization can free us to approach scripture without certain expectations (that it's all inerrant and prescriptive, etc.), and allows us to bring our doubts to the table with us. If something in the text seems questionable — particularly if it seems to promote bigotry and injustice rather than God's love — we can consider whether something in its author's cultural context might be responsible for that part of scripture.

So taking some time to learn the unique contexts of each writer can be quite enriching to how we engage the Gospels. For a chart that sums up the Gospel writers' unique contexts, audiences, and priorities, see this post.

For even more, you'll want a book that digs into that stuff — I recommend Raymond Brown's An Introduction to the New Testament (the abridged version!!). As you learn about the Gospel writers, I hope several things become evident:

First, that they weren't just making things up whole cloth, or relying on a game of "he said she said" telephone for their information! Each one drew from different primary or secondary sources, eyewitness testimonies or written texts (many of which no longer exist, but scholars have pieced together evidence of, like the famous "Q source" that both Matthew and Luke drew from).

Yes, each author does have an agenda in writing about Jesus, and in how they tell his story. But that's not a nefarious thing; it's true of any text, whether biography, poetry, novel, song — you don't take the time to write something without a purpose in mind! With variation between their specific goals, overall each Gospel writer's agenda was to persuade their audience that Jesus is worth following, and/or to offer encouragement to those who already believed.

Another thing that modern readers sometimes interpret as intentionally deceptive is that, yeah, the Gospels contain things that aren't strictly factual, and that the writers knew weren't strictly factual. This is because ancient ideas about history & biography are very different from our own. When we read a biography, we expect it to be all facts, with citations proving those facts. But the ancients were much less concerned with making sure every detail was accurate; instead, they were focused on making their specific point about whatever thing or person they were writing/reading about. So yes, they might embellish one detail or leave out another in order to fortify their desired message. They cared more about the Truth as they interpreted it than a purely factual account.

On a similar note, each Gospel writer understands Jesus and the meaning behind his story a little differently — hence why they all tell things in slightly different orders, and characterize Jesus differently, etc. This is also understandable — we all interpret stories differently; we all come to different conclusions even when we have the same or similar information. See the section in the google doc titled "each Gospel's essence" to learn more about the different ways each writer characterizes Jesus, and why they may have interpreted him the way they did.

On that topic, let's get to your question about...

Jesus — Messiah, or no?

If you read the Gospel of Matthew and take it as pure fact, you'll determine that Jesus is the Messiah his people were waiting for — that he did indeed fulfill various scriptures. But if you read Mark, you won't find that argument at all! To the author of Mark, Jesus clearly did not match the stipulations of the awaited-for Messiah — and for Mark, that's kinda the point: that Jesus is something new and surprising, unlike anything human beings expected, upturning our ideas of power and salvation.

...So how did they come to these vastly different views??

Well, Matthew was a Jew writing to persuade his fellow Jews that the Jesus movement was worth joining; to do so, he felt he had to "prove" that it fit into Jewish tradition. So he prioritizes showing how Jesus is a righteous Jew who abides by Torah, and that he is indeed the Messiah they've been waiting for.

(It's also worth noting that when Matthew writes, over and over, about Jesus "fulfilling" various bits of Hebrew scripture, that verb "fulfilling" doesn't mean what it might sound like to us — that a given text was always and only about Jesus, with the prophet having Jesus in mind when they wrote it. Rather, to Matthew "fulfilling" the text meant "filling it up" with more meaning — adding to its meaning, not replacing the old meaning. More on that, with citations, in the Google doc.)

Meanwhile, Mark's author was a Jew writing mostly to gentile members of the early Jesus movement. He knew they wouldn't care whether or not Jesus fit the Jewish expectations for a Messiah! (In fact, giving Jesus a bit more of a "Greek" flair would appeal to them more.) So Mark doesn't perform the mental and rhetorical gymnastics that Matthew does to try to make Jesus fit the Messiah requirements.

So which Gospel got it right?

For many matters of scripture, I say "it's open to interpretation!" or "Maybe both are right in different ways, conveying different truths!" But for this particular case, it is very important as Christians to accept that Jesus absolutely does not fit the Jewish requirements for their Messiah. To argue otherwise is antisemitic — it's supersessionist, meaning it claims that Christianity supersedes or replaces Judaism.

We might understand, as the author of Mark did, Jesus to be a messiah — which just means "anointed one" in Hebrew (the Greek counterpart is "Christ") — without making antisemitic claims that Jews "failed to recognize their own Messiah." (In fact, there are multiple messiahs in scripture, e.g. in Isaiah 45, the foreign king Cyrus is referred to as God's messiah; though later scriptures like Daniel do start talking about a specific Messiah who will usher in redemption & a new age for the Jewish people.)

We can understand why some of the biblical authors, like Matthew, interpreted Jesus as this specific Messiah as a result of their own specific context, without agreeing with their view. See this post about “Anti-Jewish Content in the New Testament: Why it’s there and what we should do about it” for more on this important topic.  (You can also find even further resources on supersessionism in this post.)

...Okay, so we've looked at the authors of the Gospels a good bit. We've learned that their idea of a "biography" is very different from ours — that they didn't consider it bad to rearrange, leave out, or embellish accounts — but what does that leave us with when it comes to knowing who Jesus "really" was?

What can we know for sure about Jesus?

Let's look at the facts. The first one is: we don't have any. Not any 100% certain ones, anyway. The guy lived before audio recorders and cameras; we're relying on written and oral accounts, which can be fabricated.

However, there are points about the Jesus story that are regarded as almost certainly historical by the vast majority of historians today, so let's look at those first:

Jesus almost 100% certainly existed. There is enough historical evidence (both inside and outside the Bible) to confirm this — even non-Christian historians almost unanimously agree that there was a historical Jesus. (Phew, am I right?)

Almost all historians also agree that several parts of Jesus' story almost definitely happened: that he was baptized in the Jordan; that he traveled around teaching and offering miracles (whether or not they agree he actually had the power to perform real miracles, of course); and that he was arrested and crucified by the occupying Roman Empire.

Some of these almost-irrefutable claims lend plausibility to others: if he traveled around teaching, what was he teaching? Why not the sermons, the parables recorded in the Gospels? And if he was crucified — the death of a criminal, an insurrectionist — what did he do to get himself crucified? He must have done something to cause Rome to see him as a threat to their Empire — why not some of the sayings and actions that are recorded in the Gospels, like his claim to be "Son of God" (a title used for Caesar); his protest march into Jerusalem satirizing Caesar; and his disruption at the Temple?

The attempt to determine which parts of scripture are "authentic," i.e. things that really happened / things Jesus really said," is often called "The Quest for the Historical Jesus."

Over the decades, scholars interested in this pursuit have developed various "criteria of authenticity," which they use to try to determine how probable any given bit of the Gospels is. In the google doc, I summarize the history of this "quest" and describe some of the most popular criteria. But what's important to understand is that these criteria have major limitations — they're often applied somewhat arbitrarily, for one thing, and ultimately they can't "prove" for sure whether something in the text is definitely historical or definitely not. So honestly, this is not a field of study that I recommend everyone go immerse themselves in! When I do, I have fun for a while, then kinda end up more overwhelmed by how much we can't know.

Still, sometimes these criteria of authenticity do yield some interesting points. For instance, the "Criteria of Embarrassment" (yes, that's what it's called lol) asserts that anything in the text that would have been embarrassing to its author is more likely to be historical fact — because why would the author have made something up that puts them in an unflattering light, or might be used to argue against their message?

For example, a lot of Gospel stories depict Jesus' disciples being kinda clueless, or saying petty things, or failing miserably (e.g. the denial of Peter). Why would the Gospel authors have wanted to make these earliest believers, who are meant to be role models for their audience, look so bad? This criterion says that wouldn't — that they must include those stories because they really happened, rather than being things the author made up to make their point.

Or take the Criterion of Multiple Attestation, which determines how many sources include a certain saying or event. The more sources contain a specific story, the more plausibly "authentic" that story is, since it means that different unconnected communities knew that story. Logical enough.

So yes, there are ways to consider the historicity of the Gospels — but not definitively. So the question becomes: is the historical knowledge we do have enough for me to feel some level of, I don't know, peace? stability in my faith?

And, at the end of the day, how important to me is it that every single thing the Gospels say is completely factual?

Back to what matters: the Good News

Facts are great — God gifted us our minds, and various scripture stories show God encourages us to wrestle with the text! — but we are called to faith as well.

Furthermore, taking the Bible seriously means accepting it for what it is — a collection of ancient texts compiled by humans, even if guided by Divinity — rather than insisting it be what it is not. For the Gospels, that means accepting that they are not biography, but story, and prioritize Truth over fact.

My pastor friend Roger puts it like this:

“For me, it isn’t about deciding which things Jesus really said or didn’t say. That’s a road that goes nowhere. As a pastoral response, I take scripture at face value and work to empathize with the people in and behind the text. Through that empathy, I can find some meaning that connects with what we’re facing here and now.”

When we acknowledge that the Bible includes human interpretations of the Divine, and that we bring our own human interpretations to our reading of it, where does that leave us?

It leaves us in need of conversation, of an expansion of our perspectives by talking through scripture in community. We do that conversing with friends, or attending Bible studies at church, or reading a variety of theological texts — getting as many unique understandings of Jesus as we can, joining our ideas together to get an ever broader glimpse of the Divine.

There's a reason Jesus taught in parables: he didn't want there to be one definitive answer to matters of life and faith! He wanted to ignite conversation, to draw us into community — because it's in community that we are the image of God, the Body of Christ.

So keep on wrestling, wondering, talking it through (taking time to rest when needed — there's no rush!). We discover scripture's meaning for us in our own place and time through the wrestling, together.

[robo-dino-puppy]

horizontober 2023 | 18: tarot

[mulders-too-large-shirt]

s2 episode 20 thoughts

oh man! i really loved this episode. no aliens, no overarching plot, just some silly shenanigans and yeah, some murder, but in a far more lighthearted fashion than in other cases. filler episodes i love you soooo much <3

from the beginning, i thought the prompt sounded really good... shoutout to people who work in sideshows and other touring entertainment industries, y’all are real for that 

we open with some kids laughing under a full moon… nothing could be scarier… except SOMEONE WATCHING THEM!

and whoever it is, they are approaching the pool with feet out. where are their parents to safeguard them from stranger danger, i ask into my screen!

OH he is the dad!! what was once scary has now turned heartwarming. he splashes about in the pool with them and says they need to get ready for bed. aww. 

BUT NOW SOMEONE IS WATCHING HIM IN THE POOL!! NOOO the heartwarming session HAS BEEN CANCELLED... is he being EATEN???

(as he is killed, the camera shows a van with the words “alligator man” on it... at first i'm thinking that the alligator man was the creature who just Ate this guy, but turns out the father WAS alligator man, so named for his skin condition. rest in peace mister alligator, the world is a worse place for ur loss)

and now the agents are looking into his murder :(

(also, in the opening credits, we see that one of the guest stars is named “the enigma”... I’ll have to look into their work)

mulder says there have been a lot of murders in this fashion over the last 28 years, and they have been going all over the country!!! it seems to involve some sort of round bite mark. must be time to go investigate.

they roll up the the alligator man's funeral. honestly it is sad! and we see that the widow slash mother of the kids is a bearded lady and she is absolutely serving but this is a very sorrow-filled moment for them all

and interrupting the moment in which his community remembers the warmth he brought to their town, his casket starts moving… and someone emerges from the ground… and stabs himself in the chest with a spike???? HUH???

so the deceased was an escape artist but was forced into the sideshow circuit because of his skin condition… scully says she didn’t know sideshows were still a thing… which is honestly fair because it is a very vintage sort of entertainment. and they have a Not So Great history.

BUT if the people who live in this town in the summer are all traveling performers.. and if they have been touring for years... and the murders go on for years… hmm, it seems things are starting to add up

mulder notices a drawing of a creature on the menu of the restaurant they are sitting in, and he asks who drew it. why, the sheriff says, it's the artist named hepcat, of course! cut to him tending to his freaky mermaid. he describes his scary maze business as “a tabernacle of terror” 

mulder asks what the drawing on the menu was, and i was thinking, hmm, looks like the fiji mermaid, and hepcat says it is the fiji mermaid, and mulder doesn't seem to recognize it?? i assume this is one of those situations where he acts like he doesn't know what is going on to get more information because i feel like that is Exactly the sort of thing he has read about at length. like i had him pegged as a guy who could write a dissertation on the subject at the drop of a hat. so i think he's lying but narrative wise it isn't fully revealed. 

scully: “what’s the fiji mermaid?” hepcat: “it’s the fiji mermaid!” <- thanks this clears up a lot <3

mulder is acting surprised to hear that the top half of the fiji mermaid was a monkey, which i again assume to be an act? but he says that the tracks at the murder look monkey-ish. so perhaps there is a correlation...? between the very active murder case and that time PT barnum sewed a monkey and a fish together? hey, the dots aren't connecting for me, but i don't work for the fbi so what do i know

they go to get a place to stay and the guy operating the rental place, a kind and verbose fellow with dwarfism named mr. nutt, gives them their keys. and mulder asks if had worked in the circus, (and since everyone they have met so far has in fact done so, i feel that this was a fair question, but maybe i also deserved what follows), and mr. nutt really lays into him about making judgements, and maybe some people with dwarfism want to manage hotels...

and as all of this goes down scully just observes. wow. she let him flounder. lmao.

the man carrying their bags is named lanny, and he has a conjoined twin sort of situation, it's not entirely clear- but he says mr. nutt got him to work there because he believed it was undignified to work in the circus. hmm.

back to hepcat at his studio… listening to some groovy music... and something crawls in his window… looking like the fiji mermaid. and it BITES him.

next morning. mulder going for a jog. in a sweatshirt and sweatpants in florida heat. what in the hell was he thinking??? let’s analyze that while a man chomping a fish emerges from the river. we receive no real clarification on what is going on in either of their minds.

scully in bed. alerted to a murder by lanny. still in a robe. we get a shot of her chest and also lanny's brother that felt mutually uncomfortable. SMH no rest for her!

okay, examining the scene of the murder. mulder notices some blood on a little window and WHY DID HE TOUCH THE BLOOD NASTY!!!! NASTY!!!

they deduce that to fit in the window, the suspect would have to be a contortionist…. and they walk out to see a contortionist. it’s the spike guy that so disrespectfully ruined the funeral!!

he puts a nail up his nose in front them. and mulder pulls the nail out. probably to get some blood. not an easy watch still.

we learn here that the guy with the puzzle tattoos who was eating the fish in the river earlier is called “The Conundrum”, and the spike guy slash contortionist is dr. blockhead

dr. blockhead gives the conundrum a bunch of crickets and he gulps them up; then he offers crickets to the agents and scully TAKES one, says thanks, eats it, and leaves LMAOOO????? never let them guess your next move....

mulder is staring at her trying to figure out if he is in love with a woman that just ate a cricket and if this is something she does regularly and JUST KIDDING!!! she didn't eat it silly!!! she "reveals" the lil cricket behind mulder’s ear awww... her uncle was a magician <3

(he also does a lil slight of hand trick and pulls out the bloody nail, saying "everyone's uncle was an amateur magician", which i am sure they can bond over at a later date)

scully goes to a museum that says "freaks free, everyone else leave a donation" and she puts in some money… publicly declared non-freak 

this guy at the museum is touching her. don’t care for that. but I like that he knows lots of random information. and he won’t show his whole face, we as the audience only see him through mirrors. very cool framing device.

he says he will take her back and show her something of barnum’s for another $5 and sworn secrecy. good luck bucko; last time she was told to keep a secret (affair baby) the SECOND she was reunited with mulder the tea had been spilled LMAOOO. he hands her a paper featuring jim jim the dog faced boy, who, dare i say it, seems to be a king.

he leads her into the back rooms… scary. but her trench coat is serving though

okay, deep in the back is a trunk. and it’s empty and opens an exit door. NOOO she was scammed! it’s all part of the hustle. 

(well, that is what i THOUGHT, at least, until she realizes it leads to the sheriff's house, and things are adding up...)

mulder sees something crawling about. it’s the guy who owns the rental space, mr. nutt, under scully's trailer! he asks why he is under there and mr. nutt says he is NOT being creepy. mulder flirts with the man and he runs away LMAO... weaponized bisexuality 

agents are in the trailer having a nerd off and it’s not clear who is winning and there is romantic tension. sheriff hamilton used to be jim jim the dog faced boy???? what a reveal!!!

we are watching them watch the sheriff dig a hole during a full moon. average agent bonding activities. he buried something in the ground and goes inside. 

they are in his yard digging up what he was just digging and mulder has taken his earlier roasting to heart and says “we’re being highly discriminatory here” and clarifies that’s no reason to suspect him of being a werewolf and it’s like well. i don’t know that we both thought he was a werewolf. they pause to consider the moral weight of their actions then keep going.

uh oh! sheriff catches them!!! not a good look being caught digging something up. “We’re exhuming… your potato” is the best line that usually quick-tongued mulder could come up with, which had me losing my MIND and i proceeded to write a very long keysmash to express my amusement

“may I ask why?” (she starts monologing about serial killers taking positions in law enforcement and needing to monitor him as as suspect, and it’s convincing) (he cuts in: “we found out you used to be a dog-faced boy” STOP THIS IS SOOOO FUNNY) and she looks soooooo guilty!!

he doesn’t deny it and says he started balding on his head which put him out of a job. fair enough, gotta pay the bills.

next genius dialogue exchange: “that doesn’t explain the potato” “I got some warts on my hand” “...that doesn’t quite explain the potato” 

(i kept having to pause in rapid succession to write these lines down because i was laughing SO hard)

has anyone thought that maybe a man wants to bury a potato in his yard in peace…. like that’s how we get more potatoes…

“to get rid of warts you rub a sliced potato on your hand and bury it under a full moon” <- new life hack just dropped!!

nooooooo the conundrum is chasing the dog… dog escaped. everyone is pleased. he brings a check to mr. nutt and it’s rent!! king of paying his bills on time. but dog is still barking... NOOOOO MERMAID ATTACK ON MR. NUTT!!!

someone with bloody hands bursts into scully’s room and she must have her gun right by her pillow, and she gets it so fast, but it’s just lanny, saying he found mr. nutt dead... they truly hate to see a hard working entrepreneur in the field of hospitality winning 

the pin at the scene looked like something from dr. blockhead, so they go to his house to investigate and he is full of hooks. i made a noise like whAUUUWAUUHWAUH and mulder is looking intensely at what's going on there. blockhead goes on some cultural appropriation bs. um sir this is weird timing bur you are under arrest.

he gets out of the handcuffs- contortionist and escape artist! but the sheriff catches him by the hooks. what a KING! shoutout to this sheriff, formerly jim jim the dog faced boy, can we add him to the team? skinner are you hiring?  

just as our agents apprehend their suspect, we see that the mermaid creature is in the room with lanny!!! but... he isn't hurt?

OMG the twin inside him IS THE MERMAID??

lanny confesses to this when he asks how it would be possible to turn his "brother" in without turning himself in...and he thinks the mermaid fellow hates him and is looking for another brother which is so SAD but he says he’ll come back

is anyone concerned about the twin crawling out of lanny? well, mulder knows he isn't the man in charge here: “scully, you��re the medical expert… I believe you” yessir it's good to remember that!

the mermaid brother appears to have run off into the "tabernacle of terror" and mulder trying to hold a little evil mermaid at gunpoint is SO comical

their asses are lost in the maze!!! scully pulls a gun on a rubber skeleton that fell from the ceiling!

she's trapped in a mirror room to serve infinite looks in all directions, and it looks like mermaid baby is caught... she fires.. but it hits the mirror!! baby mermaid brother escaped!!!

at this moment, mulder slides through a trapdoor... and it was SO funny pls tell me there's a gif set of that somewhere because i need it...

baby on the loose... bad news!!! conundrum is being eaten by the baby twin…. but what if he eats him FIRST, i ask myself, and received an answer in the form of baby being gone and conundrum rubbing his stomach!!!! yassss!!! diva down!!!

the next morning, while everyone is searching for mermaid brother, we learn lanny died that evening of a condition related to alcoholism. we learn this while dr. blockhead and the conundrum are getting ready to leave.

and dr. blockhead's going on about the future, and how nature needs freaks, and in the 21st century everyone will look perfect… "just like him" (points to Mulder majestically posing by a trailer) LMAOOOOOO “imagine going through your whole life looking like that!!!” <- yeah it must be really hard....... /s

at last, conundrum and blockhead are taking off into the great unknown... scully points out he doesn't look too good…. CONUNDRUM TALKS???? “probably something I ate", he says. LMAOOO his voice is sooo normal 😭😭😭

this episode had me laughing. we really had it all: exhuming a potato, scully's valiant attempts at lying, mulder hitting on a guy, lessons in ableism and judgement, a man who eats crickets and fish, flirting over case details, a dog, scully doing magic, mulder running in the florida heat dressed like it was a new england winter. truly i have nothing that could be added.

and did i have a secret evil mermaid twin on my list of probably monsters of the week? no, i cannot say that i did! was it the most compelling or scary of creatures? not really! but i was filled with whimsy. cannibalism saved the day. an excellent episode, and a perfect contrast to earlier in the season when scully was literally About To Die and i was crying a lot over the whole thing. ah, the duality of TV shows!

[dazais-guardian-angel]

kinda wild to me that one of the most compelling aspects of both Chuuya and Kunikida's characters to me, that I never really see talked about, is how they're heavily set on a doomed crash course towards complete and utter destruction, and how I am so, so worried for them both.....

[aq2003]

i think twelve and clara are starting to make sense to me but i don't think it's what moffat intended or how the ppl that like them see their dynamic

[sskk-manifesto]

:)

[eddis-not-eeddis]

.

[transgender-catboy]

I love my friends

[inkskinned]

no, actually, where is the whimsy?

my ex had a best friend named larry who asked me once: what do you think comes after irony?

we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.

earnest positivity, i said, while my ex said, art self-destructs.

i stared at my ex. he stared at me.

his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!

it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.

and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.

my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.

which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.

but here's the thing: i wasn't wrong either.

the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.

so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.

and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.

where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.

it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.

this knowledge: where he said nothing comes after, my only instinct was what comes after is love.

[5ummit]

New Mature Content Warning Overlay (And How to Get Rid of It)

More fun community label "features"! Unlike the new mandatory label for #NSFW, this one is a bigger deal to me because it affects my entire blog and it can't be avoided by just using a different tag.

Apparently on custom blog layouts, if you happen to post or reblog even a SINGLE post that's been flagged with the mature content community label, a full-page warning overlay will appear blurring out your entire blog that must be manually clicked through every single time the page is refreshed. At first I thought this was just a bug due to my older layout but I've come to realize it's not. It's a feature (as confirmed by this recent changes post) that affects all custom themes. The formatting will vary based on your own theme but here's what it looks like on my blog:

I don't know about you but I find this is stupid and annoying. If it could be dismissed once and never seen again that might be one thing, but that's not the case. The vast majority of my blog is not "mature" enough to warrant such an aggressive and invasive warning. I also think pop-ups are obnoxious in general and I'll be damned if tumblr's going to force me to have one on MY blog.

After some desperate googling for a known workaround and being unable to find even a single mention of it, I decided to take on the challenge myself. I'm not a theme coder, so apologies if there's a better way to do this, but luckily it only took me like 10 minutes to figure out a simple fix, which I'm now sharing with anyone else who may want it:

.community-label-cover__wrapper {display: none}

Just copypaste that somewhere in your CSS and goodbye pop-up!

If you're not sure how to access your theme code, check out this help article. You can also add the code via the Advanced Options menu, which is actually even better (if you can get it to work, it depends on how your theme was coded), because it will then automatically be reapplied to a lot of themes without having to remember to manually add it every time if you change your theme in the future.

Obviously this will only remove it from your own blog for anyone who may visit it. If you never want to see this warning again on other people's blogs you can also add this custom filter to your ad block:

tumblr.com##.community-label-cover__wrapper

Unfortunately I do not have an easy tutorial on hand for this one as the method will depend on your specific ad block app or extension.

Some additional notes:

After adding the theme code and saving the changes, give it a minute to update as it sometimes takes a little while for the page to refresh.

The warning overlay only seems to appear if a "mature" post is on the FIRST page of your blog, which is still annoying and makes the whole thing even more pointless and stupid because what if someone visits any other page of your blog, and oh no, happens to see "mature" content they weren't warned about?!

The warning also appears on direct links to "mature" posts.

This hack has NOTHING to do with entire blogs that have been flagged as NSFW. It only works for non-flagged blogs with custom themes that happen to have individual "mature" posts.

[noxtivagus]

yh the sorrow of werlyt's one of my favs fr :^)

[hairmetal666]

Steve has this bar he loves in Chicago. It's a little bit dive-y, a little bit dirty, but it's quiet. A good place for when he needs to clear his head.

Only, tonight, the place is packed. Music pounding from the jukebox, no space at the bar, patrons at the dartboard and pool table. In three years he's never seen it like this.

He has a second to wonder what's going on before he sees exactly who is going on, and for him to catch Steve looking.

"Stevie!" Eddie Munson cries. He leaps from the bar top, the people below scrambling away from the stomp of his big black boots.

He hasn't seen Eddie in years. Can't actually remember the last time. Max and Lucas's wedding? Robin and Nancy's baby shower?

Steve considers booking it out of there, escaping in the crush of the crowd. By the time he has the thought, though, Eddie's already pulling him into a hug.

He's excited to see his friend. He is! Really. He loves Eddie. But that's kind of the problem.

Steve fell in love and Eddie left town.

Well, maybe it wasn't so dramatic as all that. It wasn't until six months after they packed the last box in the back of Eddie's van that Steve could name his feelings for what they were. And by then, Corroded Coffin were building buzz and Eddie had a huge whole life outside of the people he saved the world with.

Over the years, as Eddie's fame grew, he came around less and now they hardly see each other. They still talk from time to time, Steve still buys all the band's records, and Eddie's still close with all the kids, Nancy and Robin too.

Eddie releases him, those big eyes bright, a pure and genuine smile stretching his face. Steve's stomach twists, heart skipping a beat.

"Gotta be honest with you, man. Never expected to see Steve Harrington in a place like this."

Steve snorts. "There's lots of place I go you wouldn't expect."

Eddie's smile wobbles, Steve thinks. It's gone in a blink, though, and Eddie laughs. "I'm sure you do, sweetheart. Have time for a drink with me?"

Eddie navigates to the bar, returns with two beers in hand. He presses his palm to the small of Steve's back, directing him to the single empty table in the corner as far from the jukebox as possible.

"How's life treating you, Stevie?" Eddie asks after a sip. "Nance told me the store is doing really well."

"It's good, yeah. Finally turning a profit. Wasn't sure about Dustin having us add a game section, but he was right. It's really taken off."

"Oh, he told me," Eddie smirks.

Steve rolls his eyes. "I'm sure that he did. He hasn't let me hear the end of it."

"That tone," Eddie says, voice soft.

"What brings you to Chicago?" He asks to hide the way all the fucking love he feels for this man is bleeding out of him.

"Not really supposed to be," he laughs. "Flight got diverted to O'Hare, can't get another one until tomorrow. Have to make it to LA in time to play a show."

They both know Eddie loves it; the rush, the adrenaline, that comes with performing, to making it to shows at the very last minute. It's how they got here in the first place.

"Working on new music?"

Eddie leans back, dimples popping with the pleased lift of his lips. "Oh, Harrington, you don't even know what we have in store." He leans over the table and launches into tales of rehearsals and writing. Steve drinks his beer and can't take his eyes off his friend, Eddie the sun Steve orbits around, helpless to his gravitational pull.

"So, Stevie," Eddie says, once there's no more to tell about music. "You seeing anyone?"

Steve hides his cringe with a chuckle. Picks up his beer to buy time and finds it empty. "Not anyone of note."

"C'mon, how is that possible? You're easily the hottest guy in this place."

He grimaces. "That's a low bar."

"Oooh, still bitchy after all these years." Eddie snickers, takes a swig from his bottle.

"Shut-up."

"Seems like it's been a while since you dated."

"You interrogating my love life now, Munson?"

"No, not at all. Just curious."

"Okay, who are you dating? Still that guy from People?"

"Gossip," Eddie frowns.

"Anyone else you got your eye on?"

"No one new," Eddie says. He stares at Steve hard for a second, like he wants to dig into his brain, like it holds the answer to all life's question.

"There is someone, then." Steve tries to ignore the jealousy licking down his spine. Eddie isn't his and never will be.

Eddie picks at the label on his now empty beer. "Not--not really." He licks his lips, leaning over the table again. "Is there a reason you don't seem to date anymore, man? It's just--you wouldn't hurt for options, right?"

Steve freezes, trying to figure out a way to answer that won't end up breaking his own heart. "Ah, it's--you know, things got busy with opening the store and everything. Stopped being a priority."

"Are you lonely?"

"Are you?" He snaps before he can stop himself. "Sorry, I'm--sorry."

"Yeah, man. I'm lonely as hell." Eddie answers as though Steve didn't give him an out.

"I--you ever have someone where the timing is always wrong?"

"Think it's a hazard of my profession. Who's yours?"

"What?" Steve clunks his bottle too hard against the table.

"The one that got away?"

"It's--it--I--it doesn't matter."

Eddie's smile is all jagged edges. "Nancy?"

"God, no. Nance and I are good with being friends. No lingering feelings there. Who's yours?"

"Ahh," Eddie sits back a little, eyes glittering with an emotion Steve can't place. "The best boy I ever met. Can't get over him, can't forget him. I think they guys are going to start banning my 'pathetic gay yearning songs'. Gareth's words."

Something in Steve's chest crumbles to dust. There's someone. Has always been someone. Of course. Eddie is beautiful and hot and charismatic and fucking famous. And Steve is--just a guy who runs a struggling bookstore with a couple of his best friends.

"That's--I'm sorry it didn't work out." He's trying to stop his voice from breaking, from giving Eddie any hint of what he's feeling, just knows he has to get out. "Listen, man, thanks for the beer. Great to catch up. You should hit up Robin and Nancy the next time you're in town. I gotta get going."

"Wait, Steve--"

"See you around."

He doesn't wait. He pushes through the people, and races out the door, into the crisp Chicago fall air. He squeezes his eyes closed, practices his breathing exercises, tries to relax the clench of his teeth, ease the screaming in his lungs.

Three steps away from the building is as far as he gets before he hears, "Steve, please wait." A hand catches his hip, holding him in place.

"Eddie, I don't--"

"It's you," Eddie says. His face is pale, stricken. "You're the one who got away, Steve."

"What?"

"I've never been able to work up the nerve to confess. I've been trying for years, but. Too afraid of losing you to tell the truth."

"Years?" Steve's brain is trying to wrap around what's happening. That Eddie has feelings for him? That he's the source of the pathetic gay yearning?

"God, since 1986, at least."

Steve doesn't know what to say; what to do. He's been waiting for this moment so long, and his brain goes on pause.

"It's okay if you don't feel the same," Eddie rambles. "Hell, I'd be surprised if you did, but--"

"You're mine too," the words tumble out.

"What?"

"You're the one who got away. For me. You're mine."

"Steve," Eddie breathes. "Is this--are you serious?"

"Pathetic gay yearning and all."

Eddie's laugh is a bright spot in the darkness, relief and happiness mixed with the hope of what's next.

Steve can't help but giggle. "We're so dumb," he says.

Eddie looks at him with a raised eyebrow before bursting into giggles of his own. "So dumb, Steve, oh my god."

"It's been a decade!"

"Fuck," Eddie cackles.

They collapse against each other, chests heaving with their mirth. As they catch their breath, Steve nuzzles against Eddie's neck, relishing the closeness. It's easy for him to change the angle so their lips meet in a kiss frantic with ten years of longing.

"Your place or mine?" Eddie asks once they part.

Steve laughs. "You think I'm that easy, Munson?"

"Oh, Steve," Eddie smirks. "I know it."

"Asshole." Steve presses a kiss to his jaw. "How many songs did you write about me?"

Eddie smiles so hard his dimples pop. "All of them, baby. Every single one."

Steve rests their foreheads together, body fizzing like freshly uncorked champagne, "Take me home, Ed."

[papercorgiworld]

I don't need space, I need you

Mattheo and Theodore fluff

Based on this request, please don't hate me for taking 29 days to post this rather average piece, but I had a lot of requests and not a lot of time. I hope you like it!

Finally I had time to write today! Big yey for me, people. I needed it and I'm so happy I wrote something today. 💛 Sending you lots of love and of course: happy readings!

A/N: I got some stuff going on in life so if I don't respond, I'm sorry. Just know that I love you. 💛

Mattheo

“Where’s my princess?” Mattheo sings as he enters the common room in search of you. “Not here, I would check the library.” Blaise states not looking up from his book. Mattheo nods and is about to turn around to head straight for the library, but Draco’s snickering stops him from doing so. “I bet you’re pleased to have a moment of peace.” Mattheo focuses on Draco, not completely getting where the blond's going with this. “I honestly pity you, man, must be so suffocating.” Suddenly all eyes are on Mattheo and not just his friends, the entire slytherin common room is curious to hear what the big bad boy has to say. Mattheo moves a nervous hand through his curls and chuckles. “Yeah, she’s a bit much with her hugs and cuddles, and urgh those constant questions to check on me. I’m lucky she studies so much, so I have a break from time to time.” Mattheo sits down opposite of Draco who grins and nods, fully believing that Mattheo feels saved by your absence. However, Mattheo felt miserable sitting there, knowing that he could be spending time with you.

Just like Mattheo was searching the castle for you, you had been searching for him and ended up checking the common room. With watery eyes you turn around, unnoticed by anyone, and leave the common room. He thinks I’m too much?

***

“Who is it?!” Mattheo yells as he pushes you against the wall of an empty hallway. He rarely raised his voice with you, but now his face was close to yours, his eyes dark and piercing yours. He looks more pained than angry, but you just look confused. To him it was obvious, you had fallen out of love with him and probably found someone else. There was plenty of proof:

A quick kiss on the lips and a wish of good luck before Tuesday's test was all Mattheo got, instead of the tight hug and intense kiss you would normally give him before a test. 

When you got your results back on Wednesday you jumped into Luna’s arms and just gave him a happy smile, while he was standing right there next to Luna. His heart ached to hold you and press you against his chest. Worse was when you asked Enzo about his test first and ended up discussing all the answers, barely giving your boyfriend any attention.

Thursday you went to sit next to Pansy in the common room, instead of settling in your boyfriend’s lap. Mattheo was forced to watch you the whole evening without touching you once. When you left for bed, you told him not to walk you to your room and reminded him to spend some much needed time with his friends. The sweet kiss you gave him, didn’t make up for any of it. 

Were you trying to get rid of him? To Mattheo the case was obvious.

Friday was the worst. Happy to finally have you next to him as you were both reading, settled close by the fire. With his eyes still on the page of his own book his arm moved behind you to pull you closer and you let your head rest on his shoulder as you continued to read, but still Mattheo frowned. Normally you would sling your legs over his and cuddle up against his chest, wrapping your blanket around the both of you and creating this warm bubble of love. He could barely focus on his book, as his eyes constantly wandered to you reading next to him but not cuddled up against him like you used to.

So by Saturday Mattheo had pretty much had it with you. You rubbed your temple as squeezed your eyes. “I have a headache, I’m gonna head to my room and rest for a bit.” You got up from your seat to leave the library and Mattheo did the same. If you weren’t feeling well then he needed to be by your side. “Oh, don’t Matt. I’ll be fine. I’ll ask Pansy to give me something against the pain and settle next to me until I fall asleep.” Mattheo stood perplexed as you just kissed him and left. Now he wasn’t even good enough to take care of you anymore.

This was the moment he snapped. With stern strides he follows you.

“Who is it?!” You frowned at the question and met Mattheo’s dark eyes. “Obviously, you’re done with me. So who’s better than me, huh?” His voice was filled with anger, but his question sounded so heartbreaking, that you felt no need to get angry with him for pushing you against the wall and snapping at you. You cup his cheeks and softly shake your head. “Matt, I love you. I have no idea what you’re talking about.” Your voice is calm and endearing, reminding him of how much he needed your love. You were always so gentle with him and feeling you slip away the past week hurt so much that he felt like falling apart on the spot. He's too hurt and afraid to lose you to act tough and with a whisper he confesses his worries. “You don’t check up on me anymore. You don’t wish me luck before a test like you used to. We don’t cuddle anymore.” You stare at him in silence for a moment, you had never seen Mattheo this soft and vulnerable before. 

Your hands still resting on his cheeks move to his neck as you wrap your arms around him and pull him against you. Mattheo snuggles his face in your neck, embarrassed with himself and desperate for your warmth. You rest your head against his and your fingers move through his curls, making him sigh at your touch. “You told Draco I was a bit too much. So I backed off, because I didn’t want to lose you. I know I can get clingy sometimes, I’m sorry.” Mattheo moves away to look at you and his eyes look guilty. “No, no. Don’t apologise. Don’t be sorry. I love you clingy and cuddly. I need you to be around me.” Your eyebrows knit together. “But I heard you say-” Mattheo interrupts you and shakes his head. “I was being stupid. Don’t listen to the things I say. Just stay with me and love me… overwhelm me with everything you have.” You tilt your head in confusion. “No, I mean listen to me, just forget about what I said back then. I- I was trying to act tough so I pretended to- you know.” You chuckle. “You pretended not to like cuddles, because you wanted to be a tough guy?” Embarrassed with himself Mattheo nods. “I’m a softy for you and I need my daily dose of love. I don’t need space.” 

You sigh at Mattheo’s pouty face. “My boyfriend’s an idiot.” Mattheo nods and leans in for a kiss. “Please, let me take you to your room and let me take care of you, because I want nothing more than to be around you.” You pull him in for another intense kiss as an answer and as you walk to your dorm, he squeezes your hand the whole time walking.

Theodore

“Where’s my lady?” Theodore frowns as he sits down opposite of Blaise, who raises his shoulders without looking up from his book. Theo shakes his head in annoyance, he needed you like he needed cigarettes. He spent the whole day longing for your love and warm embraces. Merlin, all he wanted right now was for you to entangle your fingers with his hair and ask him about his day. “For once the two of you aren’t attached to the hip.” Mattheo quips and Draco snickers. “Must be refreshing to have a moment to yourself.” Theodore stays silent for a moment and a little further, near the common room entrance you halt in your step. “She’s so mothering, it’s almost toxic. I don’t know how you do it, mate.” Draco wiggles his eyebrows at Theo as Mattheo talks. “You know, if you ever need us to come save you, we could always come up with a code word.” Draco offers and Theodore chuckles, not knowing what to say. “It’s not toxic, but I’m happy to have a moment with you guys, because she can be a bit much. She’s always so… clingy.” You chew your lip and slowly take a step back, leaving the common room as the word ‘clingy’ rings in your head. 

***

You didn’t want to lose your boyfriend due to being too clingy. So you decided to keep your distance. 

Instead of spending your evening studying cuddled up with your boyfriend you ask Hermione to help you out with potions who of course never passes the opportunity to study. Keeping up his tough act in front of his friends, Theodore can’t protest as you leave the common room to go study with your friend instead of with him. Theo feels himself get cold as he sits by the fireplace with his friends. If you’re not there to keep him warm the room just feels empty and even the conversations are boring. He can’t help but curse himself for letting you go study with Hermione. Having to make peace with an evening without you, Theodore longs for the next day and having you next to him during breakfast while you talk about your plans for the day. 

The next morning, at breakfast Theo only gets a small kiss from you before you turn to Pansy gossiping about some third years. Theodore can’t resist but snake an arm around you and you love his touch, but you try not to be too clingy and decide to not fully lean against him. Your boyfriend is happy to have you next to him, but disappointed that you stay engaged with Pansy’s gossip instead of giving him some much needed attention. Why were you not combing his hair with your fingers until it looked the way you preferred it? Why were you not checking if he had done all his homework? What was so bloody interesting about Pansy’s conversation?!! He was getting so annoyed that he was caught by surprise when you kissed him tenderly and headed for class. His mind and body were screaming to have you back by his side and walk you to class, but he just turned to his breakfast and spent the morning sulking.

Finally, after two days, he had you close to him, settled on his bed with a book in your hand. You were all alone in his room and you both enjoyed the peace and quiet. You lay between his legs with his arms around you, while his head rested on yours, reading some of the paragraphs of your book but mostly taking in your warmth and scent. He gives you a soft kiss on your cheek and you smile and lean against his chest. “I love you.” You whisper and his eyes shine even brighter than he smiles. “Love you too.” However, your romantic moment is ruined when Blaise and Mattheo enter. “Astronomy tower?” Mattheo raises his eyebrows at Theo who is about to decline the invitation, but you speak up first. “I was just about to meet up with Luna.” You jump up and Theodore's eyes go furious at the suggestion of you leaving. “No you’re not.” Theo snaps at you, shaking everyone in the room. “Why are you so eager to get away from me?” Theo questions and Blaise and Mattheo’s eyes move from their friend to you. You take a step back at your boyfriend's accusation. “I’m not. I’m just giving you space so you can hang out with your friends.” Theo shoots Blaise and Mattheo a dark glare. “Out! Both of you!” 

As soon as the duo closes the door behind them and you and Theodore are left alone in the room Theodore gets up and towers over you. “I don’t want space, I want you. So tell me what’s going on, because I can’t stand it anymore.” His voice is stern, but you feel yourself relax as you no longer have to act differently and you can finally be honest with him. “You think I’m clingy and sometimes I’m too much… and I get that and I don’t want to lose you… so I did my best to give you some space in the hopes of saving our relationship.” Theodore’s heart aches at the soft tone of your voice. How could he make you feel like you were too much when you were all he wanted. “I’m such a shit boyfriend.” Theo sighs as he sits back down on his bed, making you frown and join him. “No, I was too much.” Theo’s head snaps to you. “You are not. I didn’t want those idiots to think I was whipped or soft or- so I said you were clingy, but you're not, if anything I am… I want you around 24/7.” Your eyes widen at his confession. “Soooo, you’re saying that ‘the’ Theodore Nott is so in love with me that he prefers cuddling over hanging with his friends.” Your boyfriend chuckles. “Yeah, so please just go back to reading in my arms and make me the happiest man alive.” You lean towards him and he meets your lips. The sweet kiss quickly turns passionate as you both fall back on the bed.

For the ones who asked to be tagged, here you go lovies: @ho3forfakeguys and @bitchoftoji

[famwhy]

Bereavement

noun

/bɪˈriːv.mənt/ The state one is in when losing someone important to them

Spiderman: Across the Spiderverse

42! Miles X F!Reader, 1610! Miles X F!Reader

Synopsis: Miles is missing, and all you can think about is getting him back. Upon finally finding him, however, you're taken aback by the copy that stands beside him—the same copy that was staring at you with wide, shaking eyes full of... disbelief?

Note: this one's for my cousin. The idea actually came to me while I was rewatching the first spiderverse lmao. Who knew Kingpin was such a source of ideas?

part two.

You saw it—on the control panel—42. Miles had been transported to Earth 42.

You belonged to 1610; which meant that Miles also belonged to 1610.

He was in the wrong universe.

Your best friend was stranded in the wrong universe.

Now, if you were a rational person, you would've called for back-up—maybe even gotten Hobie's help like Gwen had. But you weren't a rational person—and could anyone blame you?—your best friend was probably in danger, of course you would act without thinking.

The watch wasn't hard to swipe, everyone was too caught up in what had just happened with Miles to care for guarding their little 'goober' dimension devices. Tracking him down wasn't terribly difficult either, not after you knew which world he went to.

All you really needed to think about was where exactly you had to open the portal—but luckily for you, Margo was willing to help.

"You owe me for this, by the way." Her head tilted your way, lids narrowed in a sassy look you dismissed with a wave of your hand.

"Yeah, okay, what're his coordinates?"

With a roll of her eyes—that you very much thought was quite rude—she gave you just what you needed; his exact coordinates.

The assortment of colours and geometric shapes appeared before you with a few taps of your finger against the cold device, flitting across the room in a bright blur of pure chaos that hurt your eyes to look at—

—but you would endure it; if only for Miles' sake.

"This is stupid, by the way—" you turned, facing the girl who insisted on making a snide comment every five seconds, "—you're not even a spiderperson."

"Says the girl who's speaking to me through a VR headset and isn't actually here right now," you growled.

"Careful, I can shut this whole thing down right now and tell Miguel what you're planning," she returned your apprehension with crossed arms, brows furrowing even further.

"I'm sorry, I'm sorry," you sighed, "it's just— I'm worried about him. Please don't tell Miguel. Miles has saved me so many times, it's time I save him for once."

You assumed you must've looked rather pitiful for her features to have softened up, arms falling limp by her side as she, too, gave a sigh; though hers sounded like it stemmed from a different type of exasperation to yours.

"Just... go. Before I change my mind—preferably."

You gave her the brightest smile you could muster, hoping to god she could see all the appreciation in it—and there was a lot—before turning back around to take a step into the portal.

"Miles! I'm here to—"

As soon as you walked through, you were met with a dark room—though, that wasn't what caught your attention. Instead, your wide eyes landed on that familiar hanging bag, beat down and bits of its material flaked off.

Chained up to it, was your very own, Miles Morales. And stood directly opposite to him was... also Miles Morales?

Alright, you were aware of this whole 'spiderverse' thing but you didn't think it would be this trippy.

"...save you?"

They were both staring directly at you, however, the expressions situated on their faces were vastly different.

Miles—your Miles—had his eyes blown wide, shaky pupils not leaving your form for a second, even as he started frantically shaking his head from left to right, he still remained in eye-contact with you.

The other Miles also had his eyes blown wide. This time, however, it wasn't in warning—no—his pupils were dilated and his form stood rigid; still as a statue.

"Cariño..." he whispered; so much breath in his voice, it barely sounded like words were coming out.

"Y/N! You have to get out of here!" Your Miles yelled, pulling at his chains as though it would get him any closer to you.

You scoffed. "And leave you? I don't think so."

"Don't worry about me! You have to—"

"Cariño."

You blinked, casting your gaze back over to the other Miles—who now stood much closer to you than before. He was just an arm's length away, in fact, how did you not notice him approach you?

"Mi vida, oh Y/N..." his voice was soft as he spoke—quiet and coated in an emotion you were unfamiliar with—hand moving up to your cheek to gently trace a cold, steel claw over it.

"Hey!" The sound of metal chains clicking grew more frantic from behind him. "Stay away from her! Don't you dare hurt her!"

Either the Miles in front of you was ignoring your friend on purpose, or he genuinely didn't hear him, because he continued to do as he was doing—continued to give you shivers from the icy material against your cheek.

Then, all too suddenly, he flew into your torso, engulfing you in a hug so tight—so inextricably emotional—you stumbled back a little from the sheer intensity of it all.

"You're alive..." he breathed out—and it was then that you finally understood what the tone of his voice was. "You're really, truly alive. Oh mi cariño, I've missed you so much."

"Wha—?"

"Lo siento... lo siento." He buried his face into the crook of your neck and the surface of your skin slowly grew wet, your collar soaking up. "I didn't get there in time, I couldn't save you."

You and your Miles shared a glance.

You saw your reflection in his eyes; the look of shock on his face; the scenes that flashed through his pupils. You saw a fear in him, one unlike anything you had ever seen before.

You saw your near-death experience replay right before him.

"Te quiero—" the other Miles—the one holding you—grounded you once more with his words as he pulled away just enough to look you in the eyes and continue, "—you know that, right? I'm so sorry for not saying it before. If you hadn't— if you never— I'm so sorry."

The phrase shocked you, sending an electric pulse down your spine and rendering you utterly immobile.

"I always have. For the longest time. It's always been you. It's always—only—ever been you."

If what he was saying was true... then—?

"Y/N!"

Suddenly, the metal against your hips was replaced by the familiar silky material you were used to; the one worn by your Miles.

"Miles," you breathed out, looking all around you to see the shattered glass that flew in the wind—scattering in all different directions as the warmth of the inside abandoned you.

"I'm gonna need you to hold on, okay?"

You nodded.

Then, you glanced behind him, catching sight of the familiar geometric mask of the Prowler—sharp claws out—coming in hot and fast and furious.

"Miles—!"

"I know, mami, I know. I need you to trust me for a minute, alright? You know I'll never let you get hurt."

You nodded once more, nails digging into his dark suit as you buried your face directly into his chest. You felt yourself flow through the air, swiftly moving as the wind worked against you, pushing back on your hair as though you were its worst enemy.

It was nice. It was fun. It was... bound to go wrong.

One moment, you were safe, all coddled up in Miles' arms as he swung through the sky—the next?—

—you were falling.

"Y/N!"

(Note: I feel like I need to address this because some people seem to be misunderstanding what I'm doing with Margo.

First of all, Margo is not AT ALL being mean in Bereavement. The whole of that fic is written in the Reader's perspective (and I'll prolly end up writing something in both Miles' perspective too) - this makes her an unreliable narrator so you can't trust the way the story is being told to you is 100% accurate to the true events.

At the start, the Reader is frustrated because she knows her best friend is stranded on another universe - this makes her unfairly take out her frustration on Margo when she thinks lines like 'who always seemed to have to say something every five seconds' (paraphrased).

Margo thus responds accordingly (as she should) and although she threatens to tell Miguel, she never actually would because she is legit one of the only real ones in the movie. So no, to those commenters that were accusing me of making her 'aggressive' cuz she was black - that is not what I'm doing at all. I am writing the Reader's perspective after just having lost her best friend.

Margo is the only one helping. She is literally being kind to the Reader. If anything, the Reader is the one being rude to her but again, that's because her best friend is missing which isn't an excuse but definitely an explanation.)

[unclewaynemunson]

After Eddie and Max were brought into the hospital, the waiting room was packed with people. But as time passed by, it got quieter. One by one, worried parents came by to pick up their kids.

“Are you sure you don't wanna come with me?” Robin asked Steve when her mother arrived.

Steve nodded. “Go home, Rob, it's okay. Just wanna make sure Max's mom and Eddie's uncle get here.”

She shot him a worried look, but she knew him well enough to recognize when she wouldn't be able to persuade him – and Steve in turn knew that there was no way Mrs. Buckley would leave the hospital without Robin, after all that had happened that night.

So Steve stayed and waited with Lucas in Max's room for Mrs. Mayfield. When she arrived, he decided to give them some privacy and wandered over to Eddie's room a couple of doors down the hall.

He hesitated for a moment, wondering if Eddie would already have returned from the operation room – and if so, if it would be good or bad news waiting for him on the other side of the door.

He swallowed. Waiting motionlessly in the corridor wouldn't change what he'd find. So he raised his hand and slowly pushed the door open.

Eddie was inside, leaning against a pillow in his bed. He was as white as the sheets around him and he had large stitches in one of his cheeks, but other than that, he looked – alive.

“Eddie,” Steve breathed out while an overwhelming wave of relief washed over him.

It was only then that he noticed the other people in the room and stopped in his tracks.

Eddie's uncle was sitting at his bedside, wearing sweatpants and only an undershirt underneath his denim jacket. He looked exhausted, but just as relieved as Steve felt.

But that wasn't what had sparked Steve's surprise. No, the thing that Steve couldn't make sense of, was the man who was sat in the chair next to Wayne Munson. It was Steve's old middle school science teacher, Scott Clarke. He was dressed in a plaid flannel that seemed more Mr. Munson's style than his own, buttoned askew on top of a pair of striped pajama pants.

“Mr. Clarke? What are you doing here?” The question tumbled out of his mouth before he could stop himself.

“Who are you?” Mr. Munson asked Steve before Mr. Clarke could say anything. It sounded defensive on the verge of being aggressive, but Steve couldn't really blame him for that, considering what the majority of Hawkins currently thought about Eddie.

“Steve Harrington,” he said, holding out his hand.

The lines on Mr. Munson's forehead deepened.

“He's my friend,” Eddie said. His voice sounded hoarse and weak, but Steve still felt a rush of warmth course through his whole body because of the words he said. “He saved my life.”

“Oh.” Mr. Munson's eyes widened slightly and he finally took Steve's hand. “Wayne Munson. Eddie's uncle. Pleased meetin' ya.”

“It's good to see you again, Steve,” Mr. Clarke remarked. “You've grown a lot since the last time I saw you.”

“I didn't expect to see you here, Mr. Clarke,” Steve noted, still trying to make sense of what exactly his old science teacher was doing in this room.

“Uncle Scott is also my uncle,” Eddie explained.

Steve looked back and forth between Mr. Munson and Mr. Clarke, trying to find any kind of resemblance between the two of them.

“You're brothers?” he couldn't help but ask, unable to keep the astonishment out of his voice. He would never have guessed that those two men were related to each other.

“Steve, no...” Eddie's voice was almost a whisper and had an undertone of something that sounded an awful lot like exasperation. Steve knew that tone all too well; he had never been good at restraining himself from asking stupid questions, after all.

He noticed how the two men exchanged some kind of meaningful glance with each other.

“Um, I think we should go get some coffee, Wayne,” Mr. Clarke said. “Leave the boys to catch up.”

Mr. Munson nodded, but before he got up, he looked at Eddie. "You'll be alright?" he asked, a worried frown on his face.

Eddie nodded. "It's fine, Uncle Wayne." He said it softly, like he was trying to reassure his uncle, and only after Eddie gave him another emphatic nod, Mr. Munson started following Mr. Clarke out of the room.

Just when Steve realized Mr. Clarke must be Eddie's uncle from his mom's side while Mr. Munson had to be his dad's brother, Wayne let his hand linger on the small of Mr. Clarke's back. It was a tiny moment, that only lasted a second right before they went through the door, easy to miss if one weren't paying close attention. But it was still enough for Steve to understand the exasperation in Eddie's voice and the unease on his uncles' faces. That one touch told Steve all he needed to know: there was this casual, easy kind of intimacy behind it that only long-term partners shared. He had seen his parents act like that, and Mr. and Mrs. Sinclair...

“No fucking way,” he breathed out at the moment the door quietly shut behind Mr. Munson. He turned back to Eddie with wide eyes and his jaw dropped.

“Your uncle is – and he's with Scott Clarke?”

Eddie's jaw clenched. “You got a problem with that?”

In his pure astonishment, Steve barely even registered Eddie's question.

“That's impossible!” he all but exclaimed. “Here – in Hawkins? How?!”

Eddie looked slightly past Steve's face, to the bare white wall behind him. “Jesus Christ, Steve,” he said. “You've seen dozens of hell monsters and walked through an alternate dimension to fight an evil sorcerer, and this is what you decide is impossible?”

“Well, it is,” Steve stubbornly said.

He remembered how he once felt about his teammate Thomas, back in his freshman year, remembered the ache in his chest exactly because of how impossible it was. He remembered Robin talking about Tammy Thompson in that bathroom stall filled with the scent of their puke. But Tammy Thompson is a girl, he had said, in his instinctive and perhaps naive confusion - not because he deemed it impossible for Robin to feel that way about a girl, but because up until that point, he had deemed it irrelevant. He knew better than anyone that those kind of feelings would flare up from time to time around certain people, but as far as he was concerned, it didn't matter. There was no way to act on it, no point in lingering on something that was impossible to have anyway.

“They've been together for over a decade,” Eddie said. His voice suddenly lacked its usual warmth; a warmth that Steve had gotten used to over the past few days; a warmth that left a weird feeling of loss behind in Steve's chest now that it wasn't there. “They make each other happy. They don't hurt anyone with it. So don't fucking tell me it's impossible, man. They love each other, and if you're gonna be a dick about that, I'm gonna have to kindly ask you to fuck the hell off.”

“Woah, woah, woah, wait,” Steve hurriedly sputtered. “I'm not – I didn't-” The words got stuck in his throat, somehow. He didn't quite know how to explain the storm that was raging inside of him, the many emotions he felt upon discovering that there were two men happily sharing their lives together, who lived in the same town as he did. Two men who were just like him, who had figured out a way to not hide away, who had somehow found their way to each other, and who had fallen in love without it being something they needed to repress.

“I didn't know – that it could be like that,” he finally managed to stutter. “I never even imagined a future like that for myself. I didn't know – I thought we were just supposed to pretend like those parts of ourselves don't exist and marry a woman. I never met anyone who did it differently.”

Finally, Eddie averted his gaze to look at him again. His eyes were a little bit wider and he was staring at him so intensely that Steve felt something stir deep in his stomach.

“Stevie,” he said, his voice quiet and so much warmer than before in a way that sent a shiver down Steve's spine. “Jesus, I'm sorry, I had no idea. I thought you were saying..." He cut himself off and inhaled deeply, slightly shaking his head. "Listen, man, there's always a choice. I'm not saying it's easy; my uncles have to hide a lot of what they mean to each other when they're in public. They're risking Scott's job, and maybe even a whole lot more if the wrong people find out about them... But there is always a choice. They're much happier together than they would've been if they had chosen to hide and marry a woman, or if they'd spent their whole lives alone.”

Steve had to take a moment to let Eddie's words sink in. Eddie merely kept looking at him, not making a single sound, patiently waiting for him to get his thoughts straight again.

“Are there more people like them, here in Hawkins?” Steve finally asked.

“Not many,” Eddie answered. “Most people who are different move to the bigger cities, where you're a bit more free to be yourself. But they're friends with this lesbian couple who lives a few streets over. And they know some people in Indy, but Wayne refuses to move there. He's too much of a small town boy, he says.” Eddie rolled his eyes at that last part, as if he could in no way comprehend the thought of preferring Hawkins over a big city like Indianapolis.

But Steve did comprehend it. Hawkins was his home. Even after everything that happened to him here, it was where he belonged. It was where everyone he cared about was. He wasn't naive, he knew that that was bound to change at some point, but he had never dared to dream about going someplace else himself. He had never even dared to dream about being someone else. Yet here he was, sitting at the bedside of a boy whose eyes he hadn't stopped thinking about for days.

Maybe it was about time to change his perception of what was possible and what wasn't.

“I know one person who's like – like me,” he admitted. He wanted to tell Eddie about Robin. He knew that there was nothing to worry about – but he also knew it wasn't up to him to share her secret. “I don't know if this is a weird idea," he continued, "but maybe we could all, like, get together sometime. Your uncle, mister Clarke, their lesbian friends...” The idea of it made him feel weirdly excited. He couldn't really imagine what it would be like, to spend a whole evening surrounded by people he had this one thing in common with.

“Not a weird idea,” Eddie told him, that soft look still shining in his big brown eyes. “Sounds awesome, actually.”

“If we do something like that...” Steve hesitated for a moment. “Would you be there too?”

Despite the stitches in his cheek, Eddie managed to smile, dimples and all. He raised a pale hand and pulled a strand of his hair across his face, like he was trying to hide something written on the skin around his lips. “I thought that was obvious,” he said with a chuckle.

Steve chuckled as well. “Just needed to be sure,” he admitted.

He stretched out his hand and put it on top of Eddie's, where it was resting on top of the sheets. It only took a few seconds: he gently squeezed Eddie's hand, then pulled back again, still nervous and not quite knowing what exactly they were headed towards. But no matter how short, the touch still sent sparks through his whole body.

“I'm glad you're alive,” he said, softly.

Eddie's smile became just a little bit wider, and a faint blush colored his pale cheeks. “Me too, big boy. Believe me, me too.”

(I wrote this bc this post by @boldlyvoid refused to leave my brain for literal months)