#and if we're just going based on what people say about them in universe... they dont know shit! most people dont even knwo they exist

[clarisse0o]

Camp Wiegman-Part 80

Lucy Bronze x Ona Batlle

Alternative Universe: Military School

Words: 5K

Masterlist

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Saturday, April 16; 5:30 PM - Porto Airport.

Here we are, in Porto. I can hardly believe it. I mean, I'm from Portugal, but I've never been here. It's always been a city I've wanted to visit, and here I am. Lucy smiles at me to reassure me.

"Are you ready?"

"As if I had a choice."

She laughs softly and steals a kiss. She's lucky I love her madly. In a few minutes, we're going to get off the plane and meet her parents. Despite her teasing, I can tell Lucy's been nervous since yesterday. She gave me a little rundown of what to expect, and honestly, I have no idea how to act.

"I love you. Don't forget that."

"I know."

We exchange a smile, and we walk hand in hand down the disembarkation corridor. My hands are sweaty. There are people all around us. When we reach the hall, I let Lucy take the lead in looking for them, as I've never seen them. All I know is that her father is really tall and her mother have white hair.

"I see them! Are you coming?"

"I'm right behind you."

She guides me while I keep looking around for them. I finally smile when I see Alexia running toward us. I barely have time to let go of my girlfriend’s hand to catch her in my arms.

"You’re finally here!"

I let out a sigh. I had forgotten they arrived before us. That’s great news.

"Hey. I’m so relieved to see you."

"Me too! I have so much to tell you."

"Really? Did you have a good week?"

I almost forgot she spent the week with Jenni and her sister. I imagine she has lots to share.

"It couldn’t have been better. And you? You look like you got some sun."

"A little, yes," I giggle.

I glance over her shoulder to see Lucy standing next to her parents and Jenni. I smile especially when I see her in the arms of a woman I assume to be her mother based on her appearance.

"You’ve already talked to them, I guess?" I ask Ale.

"Yeah. Your mother-in-law is a bit... I don’t know. Intimidating? She’s something else."

"Thanks, Ale. That’s really reassuring," I mock.

"Sorry," she laughs. "Just giving you a heads-up."

I nod. Anyway, Lucy already warned me that her mother would be the one to intimidate me the most with her cold demeanor. In a way, it reminds me of Lucy when we first met. She was the same, so I guess it’s not insurmountable.

"Her dad, on the other hand, is adorable. He hasn’t stopped chatting with us."

I glance at him. Once again, Lucy warned me not to judge by appearances. He reminds me of my dad, but even more impressive.

"That’s something, at least."

"Come on, I’ll go with you through this tough moment. We’ll chat later."

I nod. I can’t run away forever. Alexia links her arm with mine to guide me. I let her. I’d rather do that than have time to overthink. Lucy smiles immediately when she sees us. Ale lets go of me when my girlfriend reaches out her hand. I take it and don’t hesitate to snuggle against her.

"Mom, Dad, this is Ona, my girlfriend. Ona, this is Diane , my mother , and Kim, my father."

"Hello," I say timidly. "I’m happy to finally meet you."

"And we are too. Lucy has told us a lot about you. Don’t be shy around us. We’re glad Lucy’s brought someone home."

"Well, that puts a lot of pressure on me."

The words slipped out, but they seem to amuse her father, who catches me off guard with a hug that tenses me up. Lucy smiles with amusement beside me. Maybe this trip won’t be as bad as I feared. Well, except for her mother, who has been staring at me the whole time. Lucy’s father saves me from having to approach her by suggesting we hurry home. Lucy kisses my temple, wrapping her arm around my shoulders as we walk.

"You’re doing great, honey," she whispers. "You’re perfect. Just keep being yourself, and everything will be fine."

Her words give me the strength I need for what’s ahead. The non-interaction with her mother bothers me a bit, but I suppose I’ll have to get used to it for now. Lucy said not to expect much from her at first.

"You all must be starving," her father says as we head toward the exit after collecting our bags.

"Oh, yes, you’re not kidding," Jenni replies. "I’ll be glad when we’re home."

"You’ll have to wait a bit. We invited your parents for dinner tonight. We thought it’d bring back good memories."

"What a great idea. Are we having a barbecue?"

"Of course. You’ll help me grill the meat."

"Gladly!"

It seems like everyone’s looking forward to tonight. I really hope everything goes well.

Saturday, April 16; 7:30 PM - Bronze House.

Lucy loved my house, but she didn’t do too badly with hers either. It’s a small house with a lovely, well-kept garden. Like me, they live away from the city, in a very friendly neighborhood. It’s peaceful. You can’t hear anything, even though we’re outside sipping a drink for now. The Dads and Jenni are handling the grilling. Jenni looks a lot like her dad. The mothers are, to my relief, inside preparing salads. I have some breathing room and, more importantly, an escape from my mother-in-law’s watchful eyes. She won’t stop. I feel like she’s scrutinizing my every move. It’s very unsettling. Thankfully, Alexia keeps me relaxed with casual conversation.

"I need to use the bathroom before we sit down," I tell Lucy. "Can you show me where it is?"

"I’ll come with you."

"Oh no, you don’t have to. Just tell me."

"Sweetheart, I’m coming with you," she insists. "We’ll be back in ten minutes," she tells Ale.

"No problem, I’ll check in on the others in the meantime."

She winks at me as we walk into the house. Lucy takes me upstairs, which feels strange at the moment. But then she opens the door to the bathroom, right next to her bedroom. At least now I know I won’t have trouble finding it if I need to during the night.

"Thanks."

"Is everything okay, love?" she asks, stopping me with her question.

"Yes, of course. Why wouldn’t it be?"

"Well, you’re not as cheerful as when we left Lisbon."

"Well… your mother is quite the character, but I’ll be fine."

She chuckles softly, sliding her hands around my waist.

"I know, I’m sorry if she’s making you uncomfortable."

"Oh no, don’t apologize. It’s not your fault, and honestly, she’s not making me that uncomfortable. I haven’t even spoken to her yet."

"You’re right," she sighs. "I know she likes to observe before acting, but she’s never been this intense. I’ll say something to her eventually."

"No! Please don’t, Lucy. I don’t want her to think I’m playing the victim or anything."

She sighs heavily. I cup her cheek, and she looks up at me.

"And then what? I’m not going to let her create tension between you two during this trip."

"Well, I don’t know… Maybe she’s waiting for me to approach her? Maybe I should make the first move. What do you think?"

"I’m not sure you’re ready to—"

"Ready for what?" I interrupt. "I think I’ve been through enough to handle a conversation with your mom, Lucia."

"That’s not what I meant," she sighs.

She averts her gaze, clearly thinking it over. I can tell she’s nervous. Either she’s hiding something serious, or she doesn’t think I can handle her mother.

"Okay… If you feel like facing her, go ahead. She’ll appreciate the gesture."

"Thank you."

I smile and kiss her gently.

"Can I use the bathroom now? »

"Yes," she laughed. "I'll wait for you."

She let go of me, and I hurried to take care of what I needed to do. I washed my hands and came back out. Lucy was leaning against the door, looking deep in thought. I stood in front of her and wrapped my arms around her.

"Hey, how are you?"

She shrugged.

"I don’t know. It’s always strange coming back here."

"I can see that. We're far from peace and quiet, huh?"

"Yeah," she chuckled.

I gently stroked her hair, full of love.

"Do you want to talk?"

"No, it's fine."

"Okay... You know I love you, right?"

A small smile formed on her lips.

"Yeah, it seems like it..." she replied playfully.

"You think that’s funny, huh?" I asked, pulling away a little.

"Just a bit."

A small gasp escaped me when she flipped the roles. I found myself pressed against the wall, speechless as she kissed me softly. I kissed her back with growing desire.

"You’ll never love me as much as I love you," she teased.

"Wrong. I already love you more than you love me."

"No, I don't think so," she teased back.

"Girls! We're ready to eat!" Ale called from the stairs.

"Well, duty calls, it seems."

"Yeah, convenient for you."

"I don’t know what you’re talking about. Let’s go fill our stomachs instead of arguing over a debate that, in my opinion, has no possible outcome."

I chuckled softly.

"You're just afraid to lose, that's all."

"Are you done yet? I might start thinking you’re doubting my feelings."

She stepped back, crossing her arms. She was truly adorable when she pretended to sulk. Usually, it was me in that position. I tilted my head, smiling.

"Are you kidding? After our nights at the beach, there's no way I could ever doubt your feelings."

I moved closer to her again, pressing our bodies together. Her hand gliding over my hip caught me off guard, and once again, she had me pinned against the wall. My breath was short, but I let her kiss me once more, tenderly. I felt myself surrender more and more, and I loved it. I had developed an unshakable trust in her. Last week had truly been paradise. For the first time in a long while, I felt like I had fully found myself again. We were in perfect harmony, and nothing made me happier than knowing we’d be living together permanently in just a few weeks. I snapped back to reality when Lucy started to venture a little too far along my neck.

"Lucia," I whispered.

That didn’t seem to stop her, but a pinch on her butt certainly did the trick.

"Hey!" she protested.

"You made me wait for nights last week because we were under my grandfather's roof. Don’t think you’re going to get away with it any easier here."

"And what, exactly? Want me to find us a beach?" she teased.

"You’re ridiculous," I giggled. "We almost got caught more than once last night, remember?"

"Oh, come on, it was kind of fun, wasn’t it?" she teased, letting her hand wander under my shirt.

"Sure, but you weren’t the one half undressed when it happened."

"True," she laughed.

I gave in to her lips one last time. That’s when we were interrupted by the sound of a throat clearing. I panicked a little but relaxed when I saw Ale standing there.

"So, this is what you've been up to this whole time? We’ve all been waiting for you."

"Sorry about that," Lucy laughed. "We’re coming."

"I hope so!"

She turned around without checking if we were following. I was ready to go, but Lucy held me back one more time. I thought we were done.

"What is it?" I asked.

"Forget about all that for now. Don’t worry about my mom tonight. Focus on me, okay? I want us to have a good evening for our first night here. Can you do that for me?"

I took a deep breath but nodded.

"Okay," I murmured. "I’ll try."

"Thank you. I love you, don’t forget that."

I smiled as she kissed me one last time. Now it was time to keep my promise. I just hoped her mom wouldn’t traumatize me.

Sunday, April 17th, 08:30 AM - Bronze House

I groaned as I felt movement beside me. I reached out to place my arm over Lucy’s body, but I realized she wasn’t lying down anymore.

"What are you doing?" I mumbled.

"Shhh, go back to sleep."

"Where are you going?" I grumbled, blinking as she tried to get out of bed.

"I can't sleep anymore. Jenni texted me. We’re going for a run."

I sighed contentedly as she stroked my head. It felt so good. I closed my eyes again.

"You're leaving me alone?"

"We’re just doing a quick loop around the neighborhood. You won’t have to leave here without me, okay?"

"Hmm..."

I heard her words, but I was too tired to process them. Lucy chuckled at my response.

"I love you. See you soon."

I felt her lips against mine. I let out another small groan as she finally got out of bed. I wasn’t able to stop her, but instead, I slid over to her side of the bed, hugging her pillow to me. On the one hand, I hated that she left me alone for her morning runs, but on the other, I loved being able to enjoy her side of the bed in her absence. Without fully realizing it, I drifted back to sleep.

Sunday, April 17th, 09:00 AM - Bronze House

I stretched out in the big bed, realizing I was alone. I vaguely remembered why, thanks to Lucy’s departure. I sighed and reached for my phone. It was still early for me, but I could hear movement in the house. There was noise coming from downstairs. I didn’t know when Lucy had left, but I didn’t particularly feel like waiting for her up here. Knowing Alexia, she was probably still sleeping. She loved to sleep in as much as I did. Or, maybe she had gone with the others. That was a possibility too. I waited for a while, but eventually decided to get out of bed. It was ridiculous to stay there, and with a bit of luck, Lucy’s dad would be downstairs. I took the time to get dressed and make the bed before heading to the bathroom next to the room. I brushed my teeth and fixed my hair before heading downstairs. After all, I was at my in-laws’ house, and the least I could do was look presentable. My feet led me to the kitchen after I noticed the living room was empty. I instantly regretted leaving the bed when I saw that the only person there was Lucy’s mother, who had, of course, already spotted me.

"Good morning," I said, a bit awkwardly.

"Good morning, Ona."

"How are you? Is there anything I can help you with?"

The woman smiled. That was a first. I hadn’t received a smile from her yet. I’d had a pleasant evening yesterday, but I’d had to ignore her to avoid feeling uncomfortable.

"Lucy told us that you don’t particularly like cooking. Maybe you could set the table, if you remember where the silverware is."

I blushed furiously. Lucy had really told them that? We were going to need to have a little talk.

"Y-yes, of course," I stammered.

We’d put the dishwasher away last night, so I remembered perfectly where everything was. I moved toward the kitchen to start looking for the plates.

"So, she was right?" Lucy’s mother asked.

I swallowed hard. Had she painted me as some sort of failure to her parents? I felt embarrassed by the answer I was about to give.

"Yes, it's true. I never really took the time to learn how to cook, but I do help Lucy from time to time since we moved in together. Well, on weekends, at least," I added, unsure of how much she actually knew.

I prefer to stay honest. It’s not by lying that I will gain her sympathy. She doesn’t respond, so I step forward to the table to set down four plates.

“Are you planning to take care of my daughter?”

The question catches me off guard. She stopped what she was doing to look me straight in the eye. I realize she’ll probably judge my answer if it’s not what she expects.

“I understand you might feel uncomfortable with my behavior,” she continues. “But you have to understand, I only have one child. It’s my duty to know if she’s in good hands.”

I take a deep breath. In a way, I’m glad she started the conversation. I would have never had the courage to do it myself. Besides, the question was simple. I just needed to answer from the heart.

“I love your daughter, so of course, I’m going to take care of her. She’s my priority.”

“You love her, huh? So, you’re not with her out of interest?”

“What—what? No!” I reply, offended. “Lucy has given me so much, and I have genuine feelings for her. I would never use her.”

“Really? So there’s no ulterior motive? Not even a financial one?”

I laugh bitterly. This woman is something else. What does she think? I can see that my attitude doesn’t please her, but I can’t help it. I close my eyes for a moment, clench my fists, and collect myself.

“No, none at all,” I reply more harshly than I intended. “If you know so much, I imagine Lucy has also told you about my father’s death... So you should know I inherited everything from him. Even his house in Lisbon, so you can understand that I’m not in need financially.”

I don’t like that she’s doubting our love so much. Plus, forcing me to talk about my father—that’s the last straw. Unexpectedly, her eyes soften, which is rather disconcerting. Up until now, she’s only looked at me with judgment and coldness.

“I did hear about that tragedy. My condolences. I’m also sorry for attacking you like this, but I’m still Lucy’s mother, and I have to protect her. She’s been through enough, but you seem to be good for her.”

Her words make my heart skip a beat. What does she mean by “been through enough”? Is she referring to her relationship with Keira? I don’t know why, but since what Lucy told me last week and how she’s been acting since we got here, I have doubts that it’s just that. Something else must have happened here too.

“I observed you a lot last night. I can see that you make my daughter happy, and after this conversation, you seem like a remarkable young woman. Know that Lucy needs support, even though she’ll never admit it.”

I struggle to hide my surprise. Until now, I never noticed that Lucy needed support. On the contrary, she’s always the one who’s supported me.

“Don’t look so surprised. You’re already supporting her without even realizing it, so keep it up. The only thing I’ll ask of you is to never betray her or break her heart.”

I blink several times. Am I to understand that she’s finally giving me her approval? It touches me in a way, considering the person standing in front of me. I blush despite myself and nod.

“Absolutely not, ma’am. I wouldn’t even think of it. I love her far too much to do something like that. I fully intend to keep Lucy by my side forever.”

She nods calmly, with a small smile.

“Good. I’m trusting you with my daughter, then. Take care of her. And you can call me Diane from now on.”

A weight lifts off my shoulders at those words. The conversation is going well.

“Welcome to the family, Ona.”

Definitely going well. Her words warm my heart. She’s clearly offering me recognition. I smile gently.

“Thank you... Diane.”

“Do you like pancakes?”

“Oh yes, especially Lucy’s,” I admit enthusiastically.

“Well, you’ll have to settle for mine today. But they shouldn’t be much different from my daughter’s since I’m the one who taught her.”

I smile softly and nod. I continue setting the table, and when I’m done, I hear the front door slam. My girlfriend’s laughter and Jenni’s echo in the hallway before they appear in the room.

“Hello!” she says cheerfully.

Her expression shifts to surprise when she sees me here. She wasn’t expecting it. After all, she asked me to wait upstairs. But that was out of the question for me. I wanted to take the opportunity to talk with her mother, and now that’s done.

“Hey,” I greet them.

“Oh, you came downstairs after all.”

“You told her to wait upstairs?” her mother scolds. “I wasn’t going to eat her.”

“Oh, with you, who knows,” Lucy laughs before coming over to hug me. I let myself relax until I catch a whiff of her scent. I grimace and try to push her away, but she holds on tighter.

“You stink,” I point out.

“What? You don’t like my natural scent?” she teases.

“Yes, but definitely not your sweat.”

She laughs before kissing me. Her lips carry me away every time. It’s as if I melt in her arms.

“Everything okay? She didn’t torture you too much?”

“No,” I giggle. “Everything went fine.”

She nods, glancing briefly at her mother, who doesn’t seem concerned about us.

“Are you and your girlfriend staying for breakfast, Jenni?” she asks instead.

“No, I’m heading home. I’m expected there, and I need a shower too.”

“Great idea,” Lucy comments. “We’ll take one as well. See you this afternoon?”

“Yeah, we’ll text to figure something out.”

“Okay, sounds good.”

“See you later.”

She turns around and leaves as if it’s nothing. Something tells me she feels right at home here. She seems very comfortable and well-accepted by my girlfriend’s family. Lucy catches my attention by kissing my cheek.

“Are you done here? Will you join me?”

“Oh, um…”

I blush. I think I understood what she meant earlier when she said “we” to Jenni. I glance at her mother for some sort of approval. She doesn’t seem to care. She’s not even looking at us. I turn back to Lucy, who has a mischievous expression.

“We can’t do that,” I say softly so only she can hear.

“Come on. No one’s upstairs, and we can talk about what happened while I was gone.”

She teases me, playing with the hem of my t-shirt. I shake my head, but Lucy isn’t giving up.

“Mom, will you call us when it’s ready?”

“Yes, go ahead. We’ll call you when it’s time.”

“Perfect, thanks.”

Lucy grabs my hand and leads me upstairs before I have a chance to understand what’s happening. I hardly recognize her. She’s never been this persistent. We arrive upstairs, and she guides me into the family bathroom.

“You’re exaggerating. We can’t do this here.”

"We're not going to do anything. I just want to take a shower with you. Is that too much to ask?"

She tilts her head while teasing the back of my bra under my t-shirt. I roll my eyes but smile nonetheless. She seems to really want this moment, so I give in.

"Just a quick shower, but don’t say I didn’t warn you."

"Thank you, my love. I’ll go get some clothes. You get the towels ready."

She gives me a quick kiss before disappearing into her bedroom. A pretty spacious room, by the way. It’s about the size of our room in Manchester, with fairly neutral colors. Actually, it resembles her apartment’s style a lot—minimalistic, but very pretty and harmonious. I listen to her and go in search of the towels. This room has a bathtub, a shower, and some storage cabinets. I hope she doesn’t get any ideas when she sees the bath... She's been quite playful these past few days. I jump when arms suddenly wrap around me from behind. I didn’t even have time to look before she’s already here.

"Haven’t you taken your clothes off yet?" she whispers.

"I was waiting for you. And honestly, I haven’t even found the towels."

I turn around to face her and also to check if the door is locked, which it is.

"Did you lock it?"

"Of course. Now, undress."

She kicks things off by stripping off her clothes, letting them fall to the floor. Unlike her, I plan on putting mine back on, so I fold them neatly. Meanwhile, she turns on the water and checks the temperature. I feel happy to be getting more comfortable around her. She makes me feel wanted. It's been a long time since I’ve felt that way.

"So, where are the towels?" I ask.

"Right here, look."

She points to a cabinet right next to the shower. I grab two for later. When I turn around, Lucy already has her hand on my waist.

"You're really eager today," I giggle. "What’s going on with you?"

"I don’t know. I just want to spend time with you."

"Quick, remember," I say as she pulls me under the water.

"Promise," she laughs. "Just a shower," she murmurs against my lips.

I smile as she kisses me, closing the door behind her. We try to share the water jets as best as we can. The space is smaller than anything we’ve been in before. Lucy keeps her promise and just focuses on washing me. She takes her time, lost in thought. I know she enjoys doing it, so I don’t say anything. I like it too. The way she looks at me makes me feel like a wonder of the world. It’s so crazy, considering how much I dislike my body.

"Everything okay?" I ask.

"Of course," she says, smiling softly. "I’m with you, so everything’s fine."

She says that, but I can tell something’s bothering her. She kisses me, so I stay quiet. I rinse off once she’s done. Now it’s my turn to pamper her. I start with her hair. I smile when I see her close her eyes. Looks like someone really needed this. I understand better why she insisted on having me with her. I take advantage of the moment to kiss her shoulder.

"Don’t start if you want me to stay calm," she mumbles.

"Oh, but you will stay calm. It’s my turn to take care of you."

"Really, hmm?"

She sighs in contentment as I give her a scalp massage. I start to wonder if she’s simply letting go...

"Yes. I know how to do it, and you seem to need it."

"You’re right."

I smile. It’s rare for her to admit things like this, especially so easily. That must mean it’s true.

"Do you want to talk about it?" I whisper.

"No."

"Ladies, dinner will be ready soon," comes the distinct voice of Lucy’s father, interrupting us.

"We’d better hurry up," my girlfriend advises.

"Okay..."

I let it go for now. She really doesn’t seem to want to talk. I get the sense I’m not the only one who’d prefer to escape the past... I finish washing her quickly so we can get out. The last thing I want is to upset Lucy’s parents, even if everything seems to have settled down.

[falmerbrook]

“A teslore post about falmer! This should be interesting and-“

[ihazyourkitty]

Hogle Zoo is an AZA accredited facility, opening up a new area 3 acre area called "Wild Utah" to feature various native Utah species. 3 of those animals are going to be orphaned cougar cubs that were rescued and unable to survive in the wild on their own.

Note that 2 of these cubs have shortened ears and tails because of frostbite. They were rescued in Nebraska where the weather conditions were severe, and again, these cubs were unequipped to handle it on their own.

This would be a very positive story about giving orphaned cubs a second chance at a good place where they will receive all the care that they need... or so you would think.

Instead, multiple people on the comments were asserting that they were just going to prisons, one even going so far as to say that it would've been better to just let them die.

Wonderful. Nothing says "I love animals" than explicitly saying that they're better off dead than at an accredited zoo. Again, you will note that 2 of the 3 were suffering things like frostbite when they were rescued. There is nothing humane about letting animals that are within your power to help die like that.

I cannot, and will never, understand the "logic" behind this kind of mindset. Yes, baby orphaned animals die in nature all the time. No, we cannot save them all. But for those we can help... why not help them? And why is a life well cared for at an accredited zoo somehow worse for them than suffering a slow and painful death from starvation and exposure?

These animals do not have the same concepts of freedom vs. prison like we do. All they knew was that their mother is gone, and they were cold and starving.

Yes, bad or less than ideal zoos exist. Hogle Zoo is not one of them. Zoos and aquariums are not universally prisons, and if you think that, then let me just ask... what kind of prisons have you been to!? Seriously, all of the animals I've had the privilege to work with eat better than I do, and are treated vastly better than human prisoners are. How privileged must you be to think that all zoos and prisons are equivalent to one another!

Here's the reality: the zoological industry is a complex, nuanced thing that is ever improving and expanding. We're not stuck in the 1970s like you are. Stop judging animal welfare based on vibes, and stop drinking the PETA, HSUS et al. kool aid, because they're lying to you.

[windvexer]

What counts as a spell? Is intent all you need or do you have to do something before to get it all juicy and stuff.

Hi Anon! What a fun question, because there is no answer except this CAN OF WORMS you just opened.

There is no consensus anywhere as to what constitutes a "spell."

There is even LESS consensus as to what makes a spell go.

Intent is a good starting place. It is probably where you should start for all acts of practical magic.

But I find that in it's common form, the idea of intent + willpower = magic has been diluted past the point of utility for most people.

Like if we're talking about "intent is everything" I'm reminded most closely of Chaos Magic. But Chaos Magic is not a school of "just set your intent and you've worked magic!". It's a very rigorously developed system.

In Hine's Condensed Chaos, he lists the third Core Principal of Chaos magic as technical excellence, and I quote:

One of the early misconceptions about Chaos Magic was that it gave practitioners carte blanche to do whatever they liked, and so become sloppy (or worse, soggy) in their attitudes to self-assessment, analysis, etc. Not so. The Chaos approach has always advocated rigorous self-assessment and analysis, emphasized practice at what techniques you're experimenting with until you get the results you desire. Learning to 'do' magic requires that you develop a set of skills and abilities and if you're going to get involved in all this weird stuff, why not do it to the best of your ability?

Later in the book, Hine likens "magical powers" to the concept of achievements, and goes on to say:

Something which is an achievement is the result of practice, discipline, and patience.

Shortly after:

Chaos Magic is not about discarding all rules and restraints, but the process of discovering the most effective guidelines and disciplines which enable you to effect change in the world.

(In above quotes, all emphasis my own)

But these ideas get taken - and I'll give a big nod to the LOA which is just the worst kind of brainrot for encouraging the "intent is all that matters" mindset - and the ideas get diluted so much that people are literally out here saying, "so all those people who spend years studying magic in order to get results are buffoons? All I have to do is imagine what I want and it will be delivered to me? All humans since the start of history just have to decide they want something and it will happen in a miraculous manner?"

(Not you, Anon. I'm just in a mood)

In my mind, yes - something beyond intent must occur in order to make spells go.

But what?

Anon, have you ever heard that dumb belief floating around that all herbs in a spell can be replaced by rosemary, and all stones in a spell can be replaced by clear quartz, and these two things are "universal substitutes"?

I am 95% sure that this nonsense was based on two very popular dictionaries Cunningham wrote in the 80s, the Encyclopedia of Crystal, Gem & Metal Magic, and Encyclopedia of Magical Herbs.

In the very long entry for Clear Quartz:

Quartz crystal is used as a power amplifier during magic. It is worn or placed on the altar for this purpose.

And from Rosemary:

Rosemary is generally used as a substitute for frankincense.

And I believe that someone somewhere got the idea that since clear quartz amplifies all other powers, it therefore somehow magically Ditto-copies all other powers, and like a shapeshifter somehow becomes something it is not nor ever was.

And, you know. What's the difference between subbing out frankincense and blackthorn between friends?

These beliefs have become so popular that sometimes when unscrupulous blogs rip off entire Cunningham encyclopedia entries and paste them into tumblr posts (without credit), THEY INCLUDE THE EXTRA MADE-UP BIT ABOUT ROSEMARY BEING A UNIVERSAL SUBSTITUTE.

Anon, your question is "is it just intent or do we need other stuff to make it go," but sadly,

IMO common beliefs about the stuff that makes spells go have also been diluted past the point of utility for most people.

Because if I sat here and said, "hey Anon, it's not just intent, you also have to use correspondences ^-^/" then the very first thing you are likely to run into is absolute nonsense about correspondences. IMO, effective utilization of correspondences is a skillset based in research, theory, and technique.

Or if I said, "you also have to raise energy! 👍", this may be mistaken to mean, "set intent but also visualize white light inside of a candle," because the concept of raising energy and visualizing has been (IMO) diluted past the point of utility for most people. I believe that effective utilization of energy work is a song composed of many notes and chords, several of which you must practice before you can utilize it.

And to complicate all of this, which non-diluted things in which combinations you need to make the spell go depends on what paradigm you operate off of, because while there are approximately one billion ways to do magic that works, my currently very dim worldview is that most people who are talking about magic are doing magic that doesn't work,

and in my opinion the actual basis and reasoning, like the rationality behind the magical systems is really important. Because you need that shit to understand what it is within that system that makes the spell go.

And you need to understand what makes the spell go to make the system fit into your life without breaking it, and in order to troubleshoot problems without making things crumble further.

Because when people don't understand the basis and reasoning you end up with "rosemary is a universal substitute" and "imagining white light makes the spell go."

There are a few circumstances where you can totally strip technique from theory and be successful, but there are also a hell of a lot of people out here feeling shit about their practice because their spells never seem to work.

So.

I really just recommend choosing what school of magic you would like to learn about and participate in, and reading an introductory book on it.

This is because it is the job of introductory books to explain the principles and theories behind a system of magic, and most importantly, what makes the magic go, and a step-by-step primer on what you, the practitioner, are supposed to do to make that kind of magic go.

Despite above rambles I'm really not a Chaote, so I can't recommend a strong primer. As far as I'm aware, Liber Null & Psychonaut by Peter J. Carroll is a core text.

For Traditional Witchcraft, try The Crooked Path by Kelden.

For something more Wiccan, I can't recall having anything bad to say about Psychic Witch by Mat Auryn.

If either of these things are too Witchcrafty for you, try Six Ways by Aidan Wachter, which is still witchcraft, but it hits different.

For a general primer on helping your spells go, try Elements of Spellcrafting by Jason Miller.

[palmettoshenanigans]

Usually I want to avoid discourse at all costs but like,,, if I don't say this once I'll explode

Riko is the prime example of the "I was treated this way so I'm going to treat others this way" abused to abuser pipeline.

Andrew is the prime example of the "I was treated this way so I refuse to treat others this way" abused to not abuser pipeline.

(And even those two above statements are dis-including nuance that I don't have time to dissect)

Every other character seems to lie somewhere on the spectrum of this idea. Neil lies closer to where Andrew lies. Grayson lies closer to where Riko lies. Etc etc. And their positions on that spectrum are not fixed points but rather dynamic positions based on their choices made every day of their lives. Choice and agency and yadda yadda

All this back and forth about whether or not acknowledging the truth that Riko was abused erases the truth that Riko was an abuser is just missing the fundamental truth that I honestly think is Andrew's whole main Principle Of Life:

Everyone, no matter how kind they seem, is capable of the greatest atrocities. It just depends on what might push them to that point and how much they resist the temptation when brought to it. And everyone, no matter how fucked up they seem, could fall or have fallen prey to the greatest atrocities of others. Because "the shit people did to me" and "the shit I do to others" is not a fucking linear graph with a one to one ratio in any fucking configuration. People get what they get and it's not about "deserving". And people do what they do and whether they're held accountable follows the same logic as above. The universe is apathetic about human morals and humans are biased and fallible and easily manipulated when we try to uphold and enforce our morals in its stead - and humans don't even universally agree on morals in the first place so it's a fucking mess from the start.

And honestly, sometimes those people who don't grasp this idea are like Jeremy "But they're your parents, they're supposed to love you" Knox. That's a sentiment of morality, not an observation of how reality actually plays out. I see the best you are capable of and I see the worst you are capable of but I expect nothing because I don't have perfect foresight, I don't have perfect information, nor can I read minds.

Riko was a victim of abuse. Riko was a perpetrator of abuse. These two truths exist in harmony and cannot be separated. Whatever you feel or think about him after that is your fucking business and exists as separate from those two truths because it is born from you and not from Riko or any truths regarding him.

"Hurt people hurt people" is TRUE and "You'll never know the violence it took to be this gentle" is TRUE but not all truths manifest in all people but that doesn't make them less true!!! It just makes humans the canvas of infinite possibilities each born from the same finite palette of colors!

But at that point we're talking about nuance and discourse doesn't like nuance and also these characters aren't real people in the first place so imma shut up now I guess

[lokativa]

People calling Hobie×Miles (punkflower) shippers proshippers as if we didn't ship them for longer than the movie even came out will always be crazy to me.

I've seen lots of people sending threats, or reporting people because they made punkflower, goldenflower (pavxhobie), ghostbyte (gwenxmargo), flowerbyte (margoxmiles), etc, arts or videos. Going to assume that it isn't because most of these ships are POCs ships, there's just literally no point to do that.

First of all, there's no confirmation of hobie's age. If ur basing urself of that one interview, then it was of the CONCEPT of hobie, and even so remember it was only one person who said it. Its heavily implied thats he's a teenager throughout the movie. (Also in the art book, its said that he's slightly older than Miles).

For the thing about him going to the pub and all, minors can and will go in pubs, (not saying that its always legal) are yall living under a rock or just dense on purpose? Teenagers do wtv the fuck they want, even when theyre not allowed to. Youre all going to tell me teenagers respect the rules of not drinking and go to clubs becuz theyre underage? Come off it. Also hobie literally merked his president and u think he'd draw the line at drinking alcohol as a minor? HA.

Aside from that, to be fair to everyone, the directors keeps on changing what they're saying about hobies age, one day they'll say and imply he's a minor and the next second say he's an adult. It's like they all have different idea of this character's age. So, nothing is really comfimed, and his age is really up to interpretation.

Now that we're past THAT point, the other kind of people talking about his age are people saying "oh but he looks old" "that man is most definitely 30yo" "there's no way he's underage" things of the sort, u get it. And I'm just over here like??? Why is it impossible for you to think that this guy could be a teen? Is it the air? The wrinkles? What makes it seem like for you that there's no way he could be around the other teens' age? And 30??? Cmon. People often assume black people are older than they look, which is a universal experience for all of us. Did none of u ever see a blk teen who doesnt have a baby face? Because thats literally what hobie looks like to me. To others we can seem too "mature" for our age, or just look too "old" to be the age we say we are, so is it really impossible for him to be a teenager? Think about it.

(Speaking of him being black, this discourse turned into some kind of racist thing that honestly was not unexpected at all. Yall come over here shitting on people talking and educating u about a character they relate to cuz hes like them, and the representation is making them go bonkers. I don't know why yall can just sit ur arses and listen for a bit, its not that difficult tbh. And dont get me started on the mischaracterisation of his character. Marking him as "an angry black man"? Really? Be. Fucking. Original.)

Same goes with Margo?? Yeah in the comics she's in college, but cmon now u guys know damn well she's a teenager in atsv😭. Gwen is also much older in the comics but i never see anyone talk about it, so what does that mean???The only reasons I can see that you all don't want Miles & margo to be together is because you're all stuck on the milesxgwen ship. News everyone, other ships exist, not everyone is going to like the same ships as you, so either move on or stop being on the Internet.

Also, the thing about pav being 13 is bonkers, where'd u even get that from? I need to know asap. "Oh, but he has a gf!" Yeah? Well he has two hands. (Idk why u all act as if that has ever stopped anyone)

Everything just seem like a race thing to me tbh.

The movies might be inspired from the comics, but not everything is going to be 100% the same. For exemple: gwen is 2 yrs older than Miles in the comics, but in movies she's only 15 months older, Jess Drew is white in the comics and black in the movie, Miguel O'hara is white passing in the comics, compared to his version in atsv where he has brown skin, lyla's disign is also different.

You get it? Things are going to differ as much as things are going to be the same, because (get ready!!) this is the multiverse! Just as earth-616 is just one universe in all the marvel comics, atsv is another universe.

All in all, im not saying u can't view them as adults, or wtv u want, thats ur interpretation, but don't go around being pissy at people around u cuz they have different point of views.

[ossidae-passeridae]

4. What’s the worst part of fanon? 😈

Question from here

That'd be the implicit racism thanks for asking!

A non snappy response, aka to explain what I mean by that:

A lot of fanon tropes implicitly reinforce a very white, America-centric POV, and in a universe like the GFFA which lies somewhere between heavily Asian-inspired and gloriously multicultural, that really rubs me the wrong way. (To clarify upfront: it is not racist or whatever to enjoy these tropes or to write them, but it worries me when people don't even seem to realise it)

An obvious, innocuous-seeming example is the tendency to use 'Ben' instead of Obi-Wan's actual name in AUs — especially when others' names (Anakin, Mace, Cody, etc) aren't changed as well. The biggest difference between those names and Obi-Wan's is that Obi-Wan's is obviously Asian inspired, and theirs aren't. It's not something I expect most people even think about! But it always leaves a sinking feeling in my chest.

(Obviously if, like in canon, Obi-Wan is using Ben as a pseudonym while in hiding that's a very different kettle of fish.)

A larger example is how incredibly common it is to cast the Jedi as space-Christians — some common examples being focus on tenets (the Jedi Code, which is a meditation mantra, not a rulebook), the pervasive Catholic Guilt which is very explicitly Christian in nature, the emphasis on worship as ritual rather than a state to work towards, the generalised "all organised religion must be Bad" sentiments that feel very specifically ex-Christian in nature.

Thinking about one's own religion and expressing thoughts through fiction/art isn't an issue in and of itself.

The thing is, the Jedi are explicitly based on Asian Buddhists. Not just in set dressing, but from the ground up, from their beliefs and the way they act, to their clothing to the structure of their temple — to strip that away is to remove what makes the Jedi the Jedi. It's to remove the Asian-ness and replace it with something predominantly white. It implies that Asian influence shouldn't or can't exist in the GFFA, or that there's something inferior or wrong about Buddhism that needs to be "fixed".

Again this isn't something where I think that fan authors are sitting there going "muhahaha I'm going to be RACIST today", I know that's not what's happening. But when so much Jedi-centric content being produced minimises the Asian influence and pushes a western one, it starts to say "there's something wrong with this group, we're trying to erase it because there shouldn't be representation at all" — an issue of scale, at its core.

(Then ofc there's all the "the Jedi steal babies" and "the Jedi ban emotions" and "the Jedi need to be destroyed" which, entirely separate from the above, if you replace 'Jedi' with 'Buddhists' I'm kind of starting to wonder why you hate Asian people/Asian religions, you know?)

I won't even get into the fanon surrounding the clones, because that'd require me to talk about KT far more than I'd like to on any day, but especially today 🤣

(All opinions expressed above are solely those of pass e. ridae and do not express the views or opinions of any affiliates or associates, passerine or otherwise)

[bowtiepastabitch]

Deeply Transgender and Vividly Pornographic: a deep dive into what makes a fic queer

This is a response to the wonderful @ineffabildaddy making this post, which it was originally going to just be a reblog to but once I started approaching a thousand words it was a bit unwieldy so we're just going all the way. If second base is reading their fics and third base is actually talking to your mutuals, I have no clue what this is.

Here's the prompt text that started it all:

Alright, well I am nothing if not a scientist (narrator voice: they were, in fact, a humanities major), so I spent several hours of my weekend putting this together because I'm a burnt out academic and this is the enrichment in my enclosure. Readers, this is going to contain experpts of some very spicy stuff, so stop here if you're not interested. Me bringing porn? To your tumblr dash? It's more likely than you think.

All fics and such referenced will be linked at the bottom of the page.

~~~

Heteronormativity and cisnormativity, while unfortunately the dominant norm for mainstream pornography, make little appearance within the fandom writing spaces I myself spend time in. That's not to say I haven't read my fair shair of painfully straight smut in my lifetime, but simply that I have taste and am lucky to be neck deep in a fandom with very little of it. Nonetheless, as a card-carrying queer and writer myself, I consider myself quite familiar with the distinctive traits and patterns of queer and cishet pornographic writing. Beyond merely a focus on non-male pleasure or the subtle presence of queer or trans characters, the characterization of queer fanfiction is distinct and has entirely different mannerisms in dealing with conceptions of the body and pleasure. I'll primarily be citing Ineffabildaddy's work, for the sake of a focused analysis, who I will henceforth be referring to as Sam for the sake of pseudo-academic flow.

There are certain linguistic patterns that tend to distinguish heterosexual and heteronormative depictions of sex from queer ones. For instance, "cunt" is utilized sparingly within heteronormative contexts for its vulgarity and added obscenity, whilst queer writers use it pretty universally and without the same subtext. Throughout his writing, Sam works with this queer-coded vocabulary pretty consistently. In "Strawberry Scripture" (F/M), he describes how "Crowley's cunt... was damn-near swollen" and how Aziraphale has to resist "Bury[ing] his face in it immediately." No cis-het man has ever thought about eating pussy that way, and if you find one I'll eat my fucking hat. Likewise, vocabulary for the phallic tends to veer in the direction of "cock" over anything else. Interestingly, this creates a set of contrasting pairings. Heteronormative slang, from my obvervation, is more likely to use 'dick' and 'pussy', and, especially in conjunction, it creates a very distinctive mouthfeel that separates the two and poses them as opposites. 'Pussy', in particular, has a much more feminized feel when juxtaposed against 'dick', favoring much softer consonants and the english diminutive 'y' ending. 'Cock' and 'cunt', in comparison, have a very similar sound and feeling to them, distancing itself from hetero-cis-normative gender dualism of the language. There is, of course, plenty of nuance to this and the use of a variety of language in subverting cisnormative ideas about the sexed body as well, with phrases like 'boypussy' and 'girldick' being rather essential to the way many trans people describe their own bodies. "Fandom's Pornagraphic Subset," (yes I'm stealing sources from my research paper on monsterfucking, suck my dick) an article published in 2021 by Silja Kukka, describes how the "fleshy, hyperbolic descriptions of sex" that characterize this kind of writing are essential to what she dubs the "[creation of] a new genderqueer place outside of the gender dichotomy"(57). If you read enough smut, you know exactly what this is talking about. For example, in "Despite Knowing Better,"(F/M) we get vivid imagery to describe the way "streaks of her spit oozed from her mouth even as Aziraphale fucked it"(Ch5) and of "her walls quivering and clenching around him."(Ch3) This level of graphic sexual depiction goes beyond what would be considered 'tasteful' or 'sexy' in a heteronormative concept of pornography.

In terms of tropes, let's do a deep dive into "Strawberry Scripture"(F/M) to find what makes it queer beyond it's apparently straight pairing. To preface, this fic involves both foodplay and monsterfucking, but we're only gonna analyze one. The inherent queerness of monsterfucking is actually something I've written an entire academic paper on, so I suppose I'll start there. There's something very queer and often very trans about subverting the standard playbook of sexual acts, and while kink itself can easily be heterosexual, most monsterfucking falls far outside that category no matter what genital configuration those involved have. Monsterfucking tends to reject the phallocentrism of heteronormativity and mainstream kink by subverting the concept of the human body itself, giving inhuman and monstrous qualities to characters usually for sex appeal or general kinky shenanigans. While there's an argument to be made for heteronormativity still being able to creep into certain spaces, that certainly isn't true for this fic. There's something intrinsically transgressive about creating an erogenous zone out of a feature that would largely be considered horror or 'gross' in any other form of media, which is exactly what Sam does here as he describes the "cool, satiny sensation that the plates of her scales against his tip engendered." The scales are not merely called apon for their invocation of the unusual but to give them an eroticism in and of themselves, with Crowley reaching orgasm through their stimulation. We also slide gently into Monsterfucker territory in "Close (well you couldn't get much closer)" (M/M), where an argument could be made that the most trans-coded element isn't even Crowley's T-dick but instead the presence of a magic angel dildo. (sentences I never thought I'd fucking say but here we are.) There's something deeply transgender about the deconstruction of genital purpose in sex that recontextualizes the gendered body's role in pleasure. It falls into the same semiotic revolution and reclaiming of the body as the changes in language used by trans folks to rename and reidentify the literal physicality of the body by ones own standards (ie T-dick).

Another major trademark in departing from heteronormatized porn is the shift in narrative focus away from penetrative sex. That is, even in paragraphs where the main sex event is penetration, it rarely takes up even half the prose. The majority of narration is focused on surrounding or tangential actions: "the flowing movement of ... hips was sedate and wanton and lusciously provocative,"(1) "watching the muscles which resided there tense and relax alternately with pleasure,"(2) "his tongue stole past his teeth and slid over them,"(3) and "he whispered, his voice aching and curling and stretching for her"(4); all excerpts pulled from moments in which penetration is taking place, yet the concentration is anywhere but. Likewise, the act of penetration itself only takes up a small portion of physical sex acts in the grander scheme of Sam's writing. Instead, we as readers are presented with a vast spread of cock-sucking, pussy-eating, fingering, teasing, frottage, kissing, and more. Contrast this with the cis-hetero norm, where penetrative sex is the endgoal, and any other action is shucked aside to play second fiddle as mere foreplay. It's the reason virginity as a concept is directly tied to the mystical hymen and one's experience with penetration; a straight girl can suck dick a thousand times and still consider herself a virgin. As such, in a piece of pornographic writing where I have significant trouble finding lines to pull specifically and exclusively describing penetration (seriously, try it out yourself), the heterosexual influence is negligible. And yes, I'm talking about all of them. I had to restructure an entire argument that focused on comparing lines from different works because it was so difficult to find them.

So, in conclusion, Sam, love, there is not an ounce of heteronormativity in even the "straightest" of your writing. Congratulations.

Links, in order of reference:

Strawberry Scripture (3)

Fandom's Pornographic Subset, article by Silja Kukka and a great read

Despite Knowing Better... (4)

Close (you couldn't be much closer)

Many Different Ways to Eat an Oyster (1)

I'm Beginning to See the Light (2)

Author's notes, and then I promise I'll leave y'all alone: Hi! This started as a short analysis but quickly became a three(?)(maybe more?) hour labor of love analyzing the things I love most about both Sam's writing and the writing in this community as a whole. Please please please ask me questions, I'm an autistic little bitch and I like knowing things. My ask box? Open. Comments? Open. Reblogs? Open. If you've read this far, I fucking love you and I am kissing you on the mouth right now. Don't worry, my gender is just queer so it's gay no matter what. <3<3<3

[lo-fi-charming]

so i've been keeping up with TMP as it's airing, which has been fun, it's actually really nice to experience this kind of story weekly since i came into TMA late and listened up to the s4 finale in like, a month or two. i've been enjoying the new characters and statements, and while i was worried i'd have trouble actively listening (my attention span/executive functioning can be really variable when it comes to podcasts), it's been surprisingly easy for me to actually listen to each new ep the day it drops publicly

all this to say im enjoying the show! but i've found myself feeling increasingly frustrated with a couple things i keep seeing when it comes to discussions of it

to me, it seems... there's been a pervasive reluctance to take TMP as what it is. and i do understand that. it'd be stupid to pretend TMP doesn't exist exclusively because of TMA and that show's success, that it's a successor that was pitched as being similar. it's a story being written by the same people (plus guests), in the same universe (roughly), going for about the same tone and maybe themes.

i just feel like it's a bit of a shame, though, that so many folks seem unwilling not to carry TMA with them when they're engaging with TMP

i don't know where or when it was said, but i swear there was a comment made by jonny and/or alex about how TMP will have some commonality with TMA in terms of world-building, but also, people who listened to TMA first may find themselves theorizing in the wrong direction because we're judging things based off what is no longer concrete, reliable information; things are going to work differently in the world of TMP, and since we have preconceived notions on what is relevant or how things work, that's going to influence how we engage with information presented in TMP if we let it. and that's not even considering the fact that they've been explicit in conveying the idea that TMP was written so you can experience it fully without having listened to any of TMA at all!

i'm very much someone who tries to engage with media on its own terms, largely taking things at face value until i'm given reason to suspect otherwise. that's something i'm trying my best to still do with TMP, even though obviously, i've also listened to TMA and am basing some of my thoughts and personal theories on what we know from that

but that's what i mean to say i guess, it's something you have to actively choose to do. and it feels like, just based on what i've been seeing in fandom spaces, that a lot of people are having a bit of an odd time with TMP because of a reluctance to do that?

i think the easiest way to explain what i mean is to point to a general acceptance, already on the level of fanon it seems, to interpret the computer voices as Our Jon and Martin (+ Jonah/Elias, maybe). now obviously we have the actual real world reason why their voices are present in TMP, because of course jonny and alex were going to come back as voices in the show in some way. and i 100% agree it's a perfectly logical conclusion to then interpret their inclusion as being related to Jon and Martin somehow. i'm personally very into the theory that it is in no way them - not in any way that matters - but specifically their voices that have been stolen (by the Web?) as a means to help spread fears in other realities. but that's really not how i've been seeing people play with the concept? it seems largely 1:1. and again, i totally understand where people are coming from with that - especially when you consider how it can be a super fun concept for horror and angst, or even just the fact that folks want an excuse to carry their favorite characters into this new show and still play around with them. i promise i don't mean to bring this up as a means of making anyone feel bad or like, chastised for interpreting things a certain way and playing in the space!

it's the biggest example of what i mean though, and was a huge point of frustration for me when we were first being presented with TMP. it's not just that i don't want the voices to be Jon and Martin proper (i am very into their Ambiguous End, i believe it's best to leave that as a space for fans to play in); in all honesty, i think it's kind of a shame and maybe even a bit boring (im sorry!) to be engaging with TMP this way

and it's not just stuff like that - i've been seeing a fair amount of people expressing frustration and feeling disappointed with how TMP is hitting, but i mean, i feel like that's inevitable when you're going into it expecting More TMA? i saw at least one person basically say "ive been waiting for it to make me feel the way TMA made me feel, and it hasn't yet", and i really just feel like that's setting yourself up to be dissatisfied! beyond the fact that we're only 5 episodes in and the story has barely gotten a chance to happen yet, a huge element of this new show is that it's being approached as a largely collaborative effort, it seems, with lots of guests coming in to help shape the story and more writing and plotting influence that isn't jonny

obviously it's fine to not be super into that! undoubtedly it's a question of taste. but you do have to acknowledge that that's the case and adjust your expectations accordingly, or else you're not going to have a great time

i really like TMA, i had a great time with it, but even if TMP is a sequel to its parent podcast, it's not the same thing - and personally, i don't want it to be! i do hope that's a sentiment that is able to be more widely felt by some fans as we gain more distance from TMA while TMP is airing. i just think more people would be able to enjoy it that way, and come up with more interesting theories and interpretations of things! but those are really just my own personal thoughts

[lawqual1ty]

Why...? (College AU! Trafalgar Law x Gn! Reader)

Pov: Hanging out with some of your mutual friends results in you having a new doubt that racks your brain for a bit... Unfortunately (or not) thanks to a twist in fate you end up having to be attended by your roommate where finally your questions are answered...

I got the idea thanks to me actually going through the same thing rn

This is a part 2 following the story line of this fic! Since so many people seemed to want more and who am I to say no?

Warning: Sort of angsty (I was feeling sad sorry), Hurt to comfort, Migraine, curse words

"Say what now...?" You stopped stirring your coffee with your straw as you looked flabbergasted at the two guys sitting in front of you.

Sachi and Penguin nodded as they looked at you with a same level of shock while Bepo just seemed a tad bit confused by the situation, although judging by his worried eyes it was pretty serious.

"Yeah... He never lets anyone hang around him when he's studying..." Sachi started, a hint of concern in his voice.

"Or worse let them touch him..." Penguin added with a small sweat drop rolling down his temple.

Your brain took an awkwardly long time to process everything... You kept going back and forth between their words and the memories you had shared with Law during these two years that you had been roommates. Something didn't seem right, although yeah he wasn't the warmest or openest guy in the universe he was never very shut off to you... Going from casual hang outs while you two studied to you sometimes helping him out with caring for his tattoos after the previous shirtless incident (you grew used to seeing him bare chested as he began asking you for help with placing some hydrating creams or sunscreen on his back tattoo). Silence surrounded the three of you as you slowly narrowed your eyes in almost a comedic manner.

"You're lying..."

"WE'RE NOT!"

They yelped making both you and Bepo flinch with wide eyes as the poor bear started apologizing profusely while you patted him on the back, he could be quite the fragile guy sometimes, although it was adorable. You looked back at Sachi and Penguin with a confused look.

"But then... Why is it different with me? I guess it's because I'm his roommate right...?" You were reasoning more with yourself than with the two males, you turned your head over to Bepo with a furrowed expression "He's your best friend right? He must let you do that same stuff because he trusts ya'..."

Bepo looked over at you for a minute before gently shaking his head "Not one bit..." His demeanor then turned apologetic as you flinched at his words "Sorry"

You couldn't help but sigh as you kept gently stroking his back "Don't be..."

"That's what we're telling you! It's super rare..." Penguin started out as he tapped his fingers on the table only making you grunt further as you squeezed your eyes shut "There's something weird going on here... Maybe something..."

Although you had your eyes closed you could sense how both Sachi and Penguin looked over at each other with a creepy blushing face, the faintest scent of blood coming out of their nostrils making you sigh deeply "Don't..."

They gently stopped although you had a feeling that the idea of it being because of "something else" never left their mind as they started giggling on their own. You rubbed the temple of your nose as you tried to process everything, the mere idea of what you considered to be normal in Law now being rare raised so much questions which, based on your previous experience, know they were going to go unanswered...

•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•

One thing to know about having Law as your roommate is that he usually kept a lot of fitness stuff around, being a medicine student he cares a lot about his health together with yours so it wasn't unusual to find some stuff organized to the side of the room where he usually worked out when he had time. You occasionally used some of the equipment since he convinced you to... Much to your complaints, but it's something you have slowly gotten used to.

One of these mechanisms was a bar that was placed at the top of the door frame that lef to the kitchen, it should be perfectly safe if it wasn't for the fact that well it wasn't screwed onto the door... It just was placed there, it had never given you much of a problem until today.

You just got back to your dorm with an exhausted sigh, you kept on pondering about the conversation you just you had with Sachi and Penguin... A confused glint in your eyes as you processed their words about you and Law... You had never seen his behavior as unusual so for them to say it's rare out of the blue sure caught you off guard. You dropped your keys on the key bowl (as you liked to call it) with a loud exhale, the sound of the keys clanking being a clear signal that you could finally relax... Or well...

"I need to study..." You muttered to yourself with a soft grunt, you never got to really catch a break... And honestly it was nerve-wracking...

You walked towards the kitchen to get something to snack on while you studied hoping the small treat would keep your sleepless ass awake in some way shape or form, you were in a pretty grumpy mood so you didn't pay much mind at your surroundings as you leaned a hand on the door frame.

Out of nowhere you heard a loud thud and felt your mind go numb for a moment... You froze, not out of shock but rather because you couldn't move, your body didn't seem to respond at all... You looked at the ground and saw what had produced the loud thud, it was the weird bar thing on top of the kitchen door. As soon as you gained consciousness you started to feel a sharp pain at the top of your head, your vision began to get blurry with tears as the pain was changed from a sharp sting to a numbing rumble that made you dizzy, you didn't want to move at all... Finally everything clicked in your brain: The bar had fallen on your head.

You didn't yelp, you didn't move... You just... stood there trying your fucking hardest to keep yourself a foot, luckily you weren't alone at the time... A loud pair of footsteps came running over to you, Law had heard the loud thud and made its way to you in an instant, you raised your eyesight to meet his... Your eyes blurring with tears as the pain turned into a sharp migraine.

"Ouch..." Those were the only words you could utter as you tried your best to chuckle so that the scene didn't look all that bad, unfortunately for you Law had never been one to fall for your strong acts... If anything he grunted as he gently approached you and with a steady hand touched your head gently, the sudden contact made you jolt away, or well as best as you could in your state, as his skin felt weird against yours... That was never a good sign. He silently looked at you with a stern expression as he analyzed the scene.

"Did the bar fall on you?" His words came out in a concerned yet gentle tone. You nodded, words didn't come out of your mouth and if they did they were a muttering mess, he frowned.

"Do you feel like puking?" You shook your head

"I just..." You paused for a bit, the mere fact of taking seeming like a struggle "Migraine..." You spoke as best as you could, he gently took your arm and guided you to the table for you to sit down "Just stay here... I'll go get something"

He headed off and before you realized he was gone he brought a pill with him together with some water and an ice pack, he offered you the pill and you silently took it... The act of kindness made your tears start to roll down your cheeks in rivers and rivers of salty water, why were you being so sensitive? Was it because of the strike? You had no clue, you just placed the pill in your mouth and washed it down with the water, you suddenly felt a ting of coldness at the top of your head finding yourself with Law who stood really close to you as he placed the ice pack on the spot the bar had fallen on you "This should calm down the pain..." He spoke gently as he looked at you with a furrowed expression, your eyes never left him as a comfortable silence surrounded the two of you... The pain was still there but it was no longer unbearable, the one thing that was a bit annoying to you was how much you were crying... Your mind was racing, going between being completely blank and drowned in pain to being fully covered in weird thoughts about you wanting for Law to stop caring for you that much... Why would he do such a thing? Oh right he's a medicine student... This is normal work for him right? Right...? Then why did it hurt...? You hated feeling vulnerable... You got back to blank thoughts as you played with the glass of water and took a few sips. A caring hand took you out of your trance as it wiped a few of your tears away, gently squeezing your cheeks as it did so... You turned to face the one responsible for such gentle care, finding yourself with those grey eyes that confused you so much... They somehow looked so much... Warmer than usual, almost as if you were a delicate piece of pottery that he really appreciated and wanted to fix as best as he could without breaking it further, you couldn't help but cry more.

"Why...?" You muttered catching his attention

"Huh...?"

Your lips started trembling, the words not coming out of your mouth as you kept crying.

"Why... Are you so nice to me...?" Your words came out in shaky breaths, your lips trembling as you started crying even more than before... A sense of fear surrounding you as you waited for his answer in between whimpers and hiccups, his eyes widened at your question, you were never one to go ask this kind of stuff and it was rare seeing you in this state. He sighed deeply as he kept his hand on your head with an ice pack.

"You remember when you asked me how I was single...?" He looked away as he spoke, you were surprised... You thought he would have forgotten about that moment but it seems it made quite the impact on him, much to your luck, You just nodded... He took a deep breath before continuing. "Well... It's mainly because I never found a reason for me to be nice to others... Some people could be nerve-wracking in my opinion so I just never thought much of actually dating someone..."

You listened to him attentively as you saw the faintest hint of a smile on his lips, almost as if remembering this amused him, he paused for a moment... His eyes gently closed shut as he thought about his next words and actions, he slowly fluttered them open and looked at you in the eyes but there was something... Different in his gaze... You noticed a small hint of warmth behind those cold grey eyes, it was odd, you assumed your brain was starting to hallucinate thanks to the hard hit from the bar but you had a gut feeling it wasn't the case...

He parted his lips to speak once more, his breathing soft as he looked at you "But then you came... And... Although you were pretty irritating at first I got to enjoy your presence..." He chuckled ever so slightly "I even got worried about you whenever you... Got hurt..."

Your eyes started watering even more... He wasn't usually the one to talk so for him to be so open about it all was... New... It was almost as if he had rehearsed this a thousand times before he talked to you but didn't feel ready until he saw you so vulnerable and felt obliged to do so... To finally open up, to finally show himself bare to you. He took another deep yet shaky breath, he seemed to get even more nervous the more he spoke... Like there was a truth behind his words that he wasn't quite ready to admit, a level of fear that covered his heart as he laid it bare with doubt.

"I just... Didn't want to lose you..." He spoke gently, a soft tear drop rolling down his cheek as he looked away into the distance... Your eyes widened in shock.

"You have... Lost someone already haven't you...?"

Silence...

He looked at the ground and you regretted your words immediately.

"I'm sorry..."

"I did..." He looked back at you "That's why I acted like a coward in front of you... Always caring but never..."

He stopped in his tracks, his words getting stuck in his throat, you felt a sharp sting in your heart as you looked at him... Something in your gut told you he felt the same way as he saw you get hurt and cry... Your shaky lips parted slightly.

"Is that... Why you're so kind to me...?" You looked up at him "Because you're scared...?"

He chuckled gently "Not just because of that..." He admitted with a soft yet sad smile "You have a knack of getting into people's hearts... And unfortunately I was no exception..."

He gently turned to face you with a warm smile, you must be hallucinating already... There was no way he was smiling to you that way... Was there...?

"I fell for you, Y/N..." His words struck your heart strings, if you could move you would have jolted up but you were still kinda numb thanks to your headache... All you could do was stare in disbelief. There were no formalities in his words, his usual '-ya' was not added at the end of your name... Making it all the more... Close... You felt your heart beat rapidly.

Slowly but steadily your lips started shaking even more as you felt like crying your whole heart out, trying your best to hold it in you bit your lower lip as you let out a few hiccups and whimpers... But alas you weren't that strong... You bawled your eyes out as Law stared at you warmly... He froze for a moment not really knowing how to proceed, with a hesitant hand he pulled you closer to him letting you rest your head on his shoulder as you cried everything you had inside...

"It's okay... I'll stay with you..." He spoke gently as he stroked your back lovingly, now his touch didn't feel so foreign in your skin...

He loved you... He really did...

And you loved him...

Hell...

You loved each other...

You kept crying on his shoulder for what felt like an eternity, snot and tears ruining his hoodie as you kept trying your best to compose yourself... You wanted to talk... You wanted to yell out to him that you loved him too, you really did... But your headache didn't allow you to do so... You only had the strength to cry, not that Law minded at all... He loved being your pillar of support.

You sniffled as your crying came to a stop (at least for a bit) slowly incorporating yourself, the gentle taps of Law's hands on your back giving you a level of reassurance that made you be able to ground yourself...

"I..." You started out gently "I have fallen for you too, Law... Heck I think I did for longer..." You started chuckling nervously as your hand tried to clumsily dry up your cheeks, to no avail "But I... I was a coward... Fuck... Still am!"

You admitted with a sort of bright smile, Law looked at you with wide eyes before chuckling gently... You almost started blabbering your thoughts, unlike him you didn't take much time to think what you were going to say... You just spoke your heart out, and right now it turned out even messier than usual thanks to your dizzy brain... He rolled his eyes with an amused smile, not that you could notice in between your rambles, and then leaned closer to you...

Silence once more surrounded the two of you as he made you freeze... Not with a glare... Not with words... But with the gentle graze of his lips on yours.

You felt like crying again...

You didn't move... You just drowned in the feeling of his warmth against you... His lips stroking yours in a gentle and loving kiss that none of you realized how much you needed it until it happened... All your emotions, your truth, your hearts... Laid there, bare, a show of love and acceptance for only the two of you to witness...

You gently closed your eyes as the kiss dragged out for longer. He slowly pulled away and smiled at you with a hint of red in his cheeks.

"Did I answer your question now?" He asked with a playful tone, you froze for a moment only to laugh, he sure liked being sarcastic even in moments like these huh? You hugged him by the neck, a soft smile grazing your lips...

"You sure did..."

[leonawriter]

Okay apparently I'm going to do a study on this introduction, because going back to it? Especially knowing more about Hakuba via more recent Magic Kaito chapters? Fascinating stuff.

So. Hakuba's introducing himself, and he starts out by bringing up "My father spoke of you often" and "It seems you're a very sharp detective." Both of those are positive!

Hakuba is... high society, compared to Hattori simply hanging out around high ranking people and treating them like normal. Hattori argues with Kazuha in a very down to earth way, while Hakuba knows how to drink tea and probably how to set the table with a full set of cutlery (or at least how to use them).

So, Hakuba using their fathers to introduce himself is, to him, a normal enough way to say "I've heard good things about you, we're similar, I hope we can get along well."

What's more - Shinichi realises that, pretty quickly. Even if they hadn't met previously, he'd have been able to figure out by the words being used, that Saguru's father knows Heiji's father, or that they're in the same business.

If anything, I'd say that this slight culture clash is the second step of things going wrong between Hattori and Hakuba here, right after Hakuba being present at all, since Hattori had wanted Shinichi to take his rightful place where Hakuba is currently sitting.

Strike one, strike two.

Unfortunately, it gets worse from there, and I'm gonna go into it.

But then Hakuba brings up that he's not even fully based in Japan. To which, mostly Hattori is just "wait, what?" - but although I'm sure he means it simply to be as clear as possible, that could also be read as "I would say that, but I'm actually better." As in, being smug.

Strike three.

Still with "Kudo is the high school detective of the east, that's obvious, isn't it?" and rubbing salt into the insult to Hattori's bro with "they'd have liked me to represent the east in his place" but...

Oh boy.

This... this is also where I just stared and held my head in my hands because now? Because of something Hattori's said, and what he's going to continue saying/leaning into... we need to go back in time.

All the way back in Hakuba Saguru's first appearance, the papers say "just returned from London," suggesting (as I've seen someone say before) that he'd spent at least some, if not much, of his youth in Japan.

Certainly, he doesn't seem to speak with an accent in the present day, so he can't have grown up in the UK and only sometimes lived in Japan.

In Japan, however, he is referred to as...

In Nakamori's (uncouth) words at their first meeting, "Y-you're that bastard from London!"

No mention of how he has a fully Japanese name, partially Japanese features, a Japanese father, and no accent.

His introductory splash also frames him with the Union Jack behind him, showing off his Holmes cosplay and light hair. Almost all the major characters in the series have blue eyes, but here it's rather... plainly emphasising his Western features. His non-Japanese-ness.

Now, I do have to wonder if Gosho wrote that back in 1990 and hadn't given much thought to it. I certainly don't think it was intentionally cruel.

However, by volume 40, released in 2003, he's learned a bit more about social prejudice, and shows this with the Professor's First Love story:

This shows something that happened 40 years ago in-universe, with a girl of Japanese-American descent who has light, gingko colour hair, being very aware of how different she is, and not wanting her friend to see. She calls her hair "weird" and starts to cry.

Coming back to the present - content released in 2006 - let me go back to Hakuba Saguru.

Hattori "That's obvious, isn't it? And yer not even from this country to begin with."

Oh, Hattori. Only the previous case had you seeing how words can be as sharp as knives, and can hurt people.

Saguru doesn't seem too bothered at first, however...

First off, he points out that it isn't even his fault he's "taken Kudo's place" in the first place!

They contacted his housekeeper, who he's been shown to be very close with (I'd hazard a guess to say that, having not seen his mother at all, or seen her mentioned, Baaya is closer to him than his parents are), and when she heard that her charge would only be taking someone else's place since they weren't there, she got offended on his behalf.

Saguru, who loves this woman like she's literally his nanny, could hardly say no at that point.

More to the point: how he says "But it appears I am unfit to represent the East..."

So now we have Hattori having come in wanting his best friend to be represented and not sidelined just because of circumstances out of his control, and being in a bad mood immediately because of someone else having been called in. He also possibly inflates the number of cases he worked on or solved, by including childhood adventures, leading Saguru to point out that his count is only low if you only count the ones in one country. Saguru attempts to make friends with him regardless, and that doesn't work because Hattori is still stuck on how Saguru is "taking Kudo's place" and then focuses in on how Saguru "isn't even from this country" which... starts leaning into the uncomfortable territory of "Hattori I love you to pieces but are you being racist/xenophobic right now?"

I say that in the context of how Japan has a really big problem with seeing anyone who isn't fully Japanese as Not Japanese Enough, as I went into earlier. I don't think he's aware how he's coming across, by the way; he's simply got a big case of foot-in-mouth.

So now instead of having come to this conclusion organically and naturally, Saguru is offering to take the place of "Guest Participant from Overseas" to placate Hattori.

I'd imagine he won't be wanting to tell Baaya about that, for sure.

Saguru goes on to suggest that Conan (i.e, Shinichi himself) should represent the East instead.

I reiterate: they could well have come to this conclusion over a friendly conversation, because of how they have five detectives. But instead now Saguru has ceded his position to (as far as he knows) a child. A very clever child, but a child nonetheless.

The next time we're back at the island with Hattori and the others, he's already decided he doesn't like "that smug guy."

As said before, there are plenty of things that Hattori could have picked up on that'd suggest Saguru "looked down on people" and "had a prideful way of thinking" and he certainly could appear smug in his achievements.

Hattori himself says that Saguru was "was like a copy of [Kudo]." But he has decided he doesn't like Hakuba, therefore he won't like Hakuba.

A moment of Saguru bonding with Natsuki over their natural brown hair, a shared trait - we can see him smiling after saying "But... there aren't any tv cameras yet, so you could do what you want for tonight?"

In a way I feel like I'm making too much of a big deal out of this one thing, but I'm not the one bringing attention to it - Gosho is. Gosho's the one who reminds us that kids get into trouble for their natural brown hair, and Saguru got that too.

Those who've read Magic Kaito will know that he DOES have a Japanese school uniform - but as we saw at the start of the post, when he arrived, he arrived from his school in London.

This further emphasises how he's set apart from the others.

(An aside: it's entirely possible that his "school abroad" is more likely him going to sixth form, since our Secondary schools last (or did for me) up to the age of 16, and depending on the time of year he may have transferred over to the new school year already. Or he's just finishing his last year of Secondary. We don't know.)

Honestly... I'm going to leave this at that for now, because for one thing the post got away from me a bit, and became longer than I expected, and for another thing, I've covered the majority of the first meeting and both of them getting off on the wrong foot.

In short:

Hattori arrived with an idea of slipping Shinichi into the event, and was offended and upset when someone was already in his place. He, being the loyal friend he is, wasn't willing to simply let it lie.

Instead of backing down and accepting the situation and make friends with the new detective - who Shinichi knew and was acting friendly with, and who was willing to befriend him - he let his bad mood get the better of him and made offensive remarks of his own, most of which to the others would seem entirely unwarranted.

Because of that, Hattori still has a bad opinion of Saguru, and Saguru's opinion of Hattori has gone from "my father's spoken of you [positively]" to "rude asshole."

Neither of them are innocent, but when you look at them individually and fairly, neither of them are the only one in the wrong, either.

Like... no wonder they don't get along from here on? Wow.

I did not expect there to be so much in it, but there we go.

[ofstarsandvibranium]

My You-niverse: Poe Dameron

Fandom: Oscar Isaac

Pairing: Poe Dameron x F!Reader, throughout the series: Marc Spector x F!Reader, Steven Grant x F!Reader

Summary: You and America get stuck portal jumping until you reach your universe again. In the meantime, you meet various versions of your husband.

A/N: one more chapter after this! eek!

Series Masterlist

You gasp as your eyes shoot open. You sit up and you're in the medbay.

"Hey, honey, it's okay. It's okay, relax." you turn to the voice and see...

"Poe?"

He smiles, "Yeah, that's me, baby. You okay?" he sits at the edge of the bed you're in, "You scared me."

"What happened?" you ask him, brows furrowed in confusion.

"I'm not sure. I brought you your afternoon caf like usual. We were just chatting and then you fainted. You hit your head on the console on the way down. Scared the fodder outta me."

You hiss in pain as your head begins to throb. Suddenly, you're getting flashes. Different versions of Poe-no. Not Poe. Someone...someone else. You see a necklace and a wedding ring.

The medbay opens and in walks Leia.

You straighten up, "General Organa."

She makes her way to you with a soft smile, "Glad to see you're awake. How are you?"

"My head still hurts. I'm-I'm getting these weird visions. I don't know what's going on," confusion and fear is laced in your tone.

The older woman sighs, "Well, oddly enough, when you fainted, some unexpected visitors appeared on base. They've been asking for you and one of them looks like your flyboy," she points to Poe.

You look at Poe and he nods, "Yeah, it-it's weird. He's me, but not me. Said he's from some other universe and they've been looking for you for some time now. They want to bring you back with them."

The throbbing sensation continues. You wince and close your eyes for a moment. Flashes again. You see a certificate...a wedding certificate. There's your name and another...

"Sweetheart?" Poe takes hold of your hand, the other on your shoulder to steady you.

"Marc."

Poe is taken back, "Huh?"

"His name is Marc, right? Marc Spector?"

"Yeah. I-Wait. Is this real? Are you actually from wherever or whatever universe he's from?"

"Yes. No. I think? I don't know," you pull your hand away from Poe's and cradle your head, "It hurts so bad. I don't know what to do." You look up at Leia with tears in your eyes, "Please, help me."

She nods, "I'll bring them here."

Poe didn't like that one bit, "What?! No! You're not bringing them here!"

"They seem to be the only people who knows what's going on, Poe," she tries to reason with him.

He shakes his head, "They're going to take her away! I just got her back!"

Leia puts a reassuring hand on Poe's shoulder, "We'll make sure that doesn't happen. But look at her, Poe. She's in pain. That Doctor Weird guy could help her. We need to take this chance."

Poe looks back at you and you're still cradling your head and you've begun mumbling things he couldn't quite hear. He sighs, "Fine."

___________________________

America watches Marc pace back and forth. She and Stephen has both decided to sit down and wait for someone to come back to get them. Stephen is...meditating? She doesn't really know, but all she knows is that Marc's pacing is starting to irritate her.

"Dude, just sit down, alright? I'm sure Y/N's fine."

"We were so close. She was right there and then she ouched the necklace," he stops the pacing to face Stephen, "Why did that happen anyway?"

Stephens eyes open and he responds, "I'm not sure."

Marc rolled his eyes, "For being this almighty sorcerer, you sure don't know a lot about all this, do ya?"

"The multiverse is very complicated. There's a lot that we don't understand, masters of the mystics arts included," he floats up onto his feet, "At least we're in the same universe as Y/N."

"I hope she's okay," America says with worry, "That blast was strong, like, stronger than the one's I've done."

"Strange, can't you magic your way out of here?"

"Yes, but that could put Y/N at risk. We don't know what these people are capable of so it's best we remain here until someone comes to see us again."

Suddenly, the doors slide open and Leia walks in, eyes staring directly at Stephen, "Y/N needs your help."

Marc is suddenly chest to chest to Leia, "Where is she? Huh?! What did you do to her?!" America pulls him back with a sorry expression on her face.

Leia chuckles, "You look like Poe, you sound like Poe, you even have his temper. Interesting."

Stephen walks forward, "What's wrong with Y/N?"

_____________________

Poe is laying on the bed, holding your curled up form. His cheek is resting on your head. You're still mumbling but he's catching a few things, "Marc", "Nathan", "Leto", "Bud". Names, he thinks. You name off more and then you repeat them, along with other things he can't really hear.

The doors to the medbay open again and Leia enters with Stephen, America, and Marc.

Marc frowns at the sight before him, "Get your hands off my wife."

Stephen shoots him a glare and Marc huffs, moving close to your bed, but still a distance away.

"Y/N?" Stephen says your name cautiously.

You slowly raise your head and you look at him, "Stephen?"

"Yes. That's me, do you know who they are?" He points to Marc and America.

"America and Marc. Marc's my husband. I'm-I'm from your world?"

"Our universe," Stephen corrects you.

"I don't understand," you shake your head.

Stephen sighs, "It's complicated, but we need to take you back with us."

"Like hell you are!" Poe retorts, wrapping his arm around you tighter.

Stephen rolls his eyes, "Listen, she can't stay here. This isn't her universe. The longer she's away, the worse she'll feel. She needs to get back and we're taking her."

"Listen, here, I've spent a long time without Y/N by my side. I just got her back. There's no way I'm letting you-" Stephen threw a blast of magic at Poe and he fell back onto the bed. He was completely knocked out.

"Poe!" you cried out.

"He'll be fine. Just made him sleep for a bit." Stephen says, making Marc snort.

"Serves him right," Marc mutters, arms crossed over his chest.

Stephen turns to Leia, "You must understand, for Y/N's sake, we need to take her back home with us."

"And when you do, what happens here?"

"Best case scenario, this all gets back to how everything was. You don't remember a thing or us. Worst case scenario, this Y/N never comes back."

Leia sighs and nods, "Y/N, I care about her a lot. She's like a daughter to me and all a mother ever wants is her child to be safe and happy."

"So you'll let us take her with no problem?" Marc asks hopefully.

"I will."

Marc immediately rushes to you, helping you out of the bed, "Let's go home, baby."

"Wait," you turn back to the unconscious Poe and place a kiss to his lips, "Good bye. I-I know your bond with this Y/N is strong. Continue to love her and keep her safe," you whisper, hoping he'll hear you in his slumber.

Stephen gives a nod of thanks to Leia and then looks at America, "Go ahead."

She widens her stance, holds up her fists, and closes her eyes. She takes a deep breath and when she opens them, they're a bright white. She punches forward and a bright white star shaped portal appears.

Marc, your hand in his, gives you a little tug, "Come on, baby." You let him pull you towards the portal, your other hand shielding your eyes from the bright light. When you walk through, you land in the Sanctum Sanctorum. You turn to see America and then Stephen walk through. The portal immediately closes behind them.

Your head is suddenly pounding and you stagger into Marc.

"Y/N? What's wrong?"

Your eyes flutter shut and you feel yourself falling, the last thing you hear is Marc calling your name.

[copperbadge]

Hi Sam. A potentially stupid question. Image descriptions for screen readers. Do they work the same way for audio and video? As in are they needed or helpful? I'm finding conflicting answers when I search for this.

Not at all a stupid question! I think sometimes it can vary by community, to be honest.

Screen-reader users, visually impaired folk, and others for whom IDs are particularly relevant, feel free to chime in; I'm going to ramble and you likely have more useful stuff to say. Remember to do it in reblogs or notes, as I don't post asks sent in response to other asks.

I'm not visually impaired, and I don't use a screen reader and thus am not really able to speak with firsthand authority. In the past, when I've asked, I've heard that in-post text is better than alt-text for images; even if that stops being the case, I prefer to use in-post text because there are people who aren't screen-reader users who also like the IDs. I do too, actually. And generally I've heard that video as well as image should be described. I don't do straight audio generally, but when I do, if it's a song I don't bother because the title is there and lyrics are googleable, if it's speech I like to see/give a transcript.

I like when videos have descriptions especially, because I am almost never in a position to play a video I see on my dash. If the video doesn't autoplay I don't want to hit play because then it will load with audio and I'm usually either a) somewhere I can't have audio or b) already listening to something and unwilling to turn it off. If the video autoplays it's muted, but if it's audio-heavy there's the same issue. So if someone posts a video without a description/transcript, unless it has captions, I can't engage.

There are a lot of guides out there for how to write IDs and I kind of think, based on conversations I've had, most of them are bullshit by people who don't use screen readers. In my experience, which is not universal but is relatively comprehensive, people who can't see an image often do not want a precise objective description as we're instructed to provide.

There's a great essay that touches on this, Against Access, where the writer, who is Deafblind, talks about how he doesn't want a diagram, he wants an emotional evocation.

Why are you telling me, telling me, telling me things? Your job isn’t to deliver this whole room to me on a silver platter. I don’t want the silver platter. I want to attack this room. I want to own it, just like how the sighted people here own it. Or, if the room isn’t worth owning, then I want to grab whatever I find worth stealing.

I've had people get shitty with me about putting "feelings" into my IDs, but the majority of people for whom those IDs are necessary have told me they like it because, for example, saying "She looks like she's about to commit violence" is a subjective opinion but conveys something that "A woman is standing with arms upraised and a frown on her face" does not. And if you're describing an image but there's not a ton of meaning to it, describing it in clinical detail is wasting time. A paragraph describing a fortysomething white guy and all the clothing he's wearing and the room he's in is not as helpful, on occasion, as simply saying "This is a photograph of me in my bedroom." It depends on context, which is your call to make, and the only way to get good at that is to do it.

But again: this is my experience with my readers, and even John Lee Clark, quoted above, doesn't speak for his whole community. So I would suggest that the best way to get an answer for this is just to ask your readers what they'd prefer. If you have friends who use screenreaders, ask them. If you don't, or if you don't get a response from your readers, I would do what you feel is best until someone tells you otherwise, and then be gracious and discuss it with them so you can better understand their needs. In my experience, when someone is genuinely trying to make a more welcoming space for disabilities -- as opposed to making virtue-signal attempts to Be The Perfect Ally -- they get a lot of slack when they don't get it exactly right. It is better to make a welcoming space for people to feel safe telling you that you fucked up than it is to pretend you're never going to fuck up.

So yeah, as someone who is more or less fully sighted, that's my two cents, but if you really want to know what your readers want, you know...I'd ask them. :) Good luck, either way.

[reasonsforhope]

Is it true some parts will be under water in 2025? I'm kinda of worried cause someone told me about it bc it was on the news

Eh, not really. Like, technically, but that's a very dramatic way to put it.

What that person told you about was probably this prediction, which says that some roads on some of the Florida Keys might be underwater by 2025.

Does that suck? Yes. But it's also pretty limited in scope.

(And by the way, that's probably not "underwater all the time." There will probably be a number of years of "the roads will be underwater at high tide specifically." I can't currently find a source on this, but that's how tides work, and the Florida Keys article does specifically mention them as a main problem.)

The areas in danger first are pretty universally small, very low islands. Actually, a dozen or so small islands have already gone underwater in the Pacific Ocean, but very importantly, none of those islands were inhabited.

They were mostly small reef islands (that is, the entire island is exposed coral reef detritus) and other uninhabited shoals. Mostly, they were so small scientists had to check old satellite images to even figure out that they disappeared. Literally, we're talking about chunks of land that are just 100 square meters/300 square feet. Again, not great, but still very limited in scope.

As this Live Science article thankfully explains, it's pretty unlikely that any countries at all will disappear before 2100.

Also, just because land is below sea level doesn't mean it will be underwater, and there are very real steps we can take to defend a lot of endangered cities/islands.

For example:

Much of the Netherlands is already below sea level, but the country isn't disappearing, because the Dutch have put a lot of work into building and maintaining coastal defenses.

Multiple surveys (including the one that found the missing islands in Micronesia) also found that not all low-lying islands are vulnerable to erosion and flooding. This is because many islands are protected by mangrove forests, lagoons, or both

Mangrove reforestation in particular is genuinely a super effective anti-flooding strategy that is being deployed pretty widely, and is expected to increase a lot in the coming years. Mangroves are effective at not only preventing short-term flooding, but also mitigating sea-level increases (in part by preventing erosion)

Some islands, esp Pacific Islands, have actually grown during the past couple decades, not shrunk. It really depends on what the island is made up of. Not all land is automatically doomed

You can read more about how sinking countries are fighting back here, and the lessons we can learn from them:

-via Time, June 13, 2019

And finally, and this is good news for reasons I'll explain in a second:

Some of the largest and wealthiest cities in the world are at the top of the danger list. (Note: the predictions at that link are based on some fairly severe warming predictions. They do NOT necessarily reflect what's going to happen or when.)

The cities that are going to be in danger the soonest (still away btw) include New York, London, San Francisco, Tokyo, and Dubai. Lots of very rich people in those cities! Who would really like to not have to move (any of their ten different homes lol)

So, flooding aside, we're going to (by necessity) get a lot better at figuring out the quickest, cheapest, most scalable, and most effective types of coastal defenses real fast.

Are rich countries going to be way more able to get strong coastal defense systems up quickly? Yes. Does that suck? Sure fucking does!! But these solutions don't all require a lot of money or tech to implement, even at a large scale, especially when it's local communities driving the effort.

And, importantly, when rich countries pour a ton of money into figuring this out, that will hugely expand our understanding of what techniques work best, why, and how best to deploy them in different situations. Unlike physical structures, that's valuable knowledge that can be shared very, very widely.

And any technology that comes out of this is going to work like solar panels and other green energy: as more people use it, it will get cheaper and cheaper. Probably really quickly.

So, all told, no one's going to be swallowed up in the next few years. We have time to work on this and a lot of people are already doing so.

Mostly, experts predict that the first wave of large-scale issues will be happening around 2050.

Three decades doesn't sound like enough time, in the face of something like this. But you know what? Responses to climate change are speeding up exponentially, and different types of responses are multiplying and magnifying each other.

We went from inventing flight to landing on the moon in just 66 years.

I wouldn't count us out of the climate change fight yet.

(...I wouldn't count on retiring to Florida either, though)

[psi-spectacular]

I don't like hazbin hotel (shocker)

A lot of the problems come down to three things: 1. Viv's issue with being unable to let a concept go, 2. Her inability to maintain a consistent tone, and 3. The fact that it only has eight episodes. Look at helluva boss for example. So many villains get cliffhangers that say "oooOoOoOo I'm gonna reappear in another episode, just you wait!!" And they either just don't or the execution is completely flubbed stryker-style. And what is the show supposed to be? Is it a slice of life comedy about imps killing people on the surface? That concept was basically abandoned like five episodes in. A serialized drama about a complex relationship? Nope! the exploration of Blitz and Stolas's toxic relationship is returned to status quo for gag comedy. OOP! We've got two new characters to center the episodes around while abandoning the core cast!

Now look at Hazbin. I really liked the pilots concept! The idea of sinners being redeemed was interesting, the animation was nice, the characters were compelling, and I was really interested to see how they would develop over time and become better people! Then episode one of the new season comes out. Suddenly its about how heaven sucks actually (Off topic but can we talk about how in the opening exposition, Charlie talks about how angels kill demons to keep them from rising against them, and then in the meeting with Adam talks about overpopulation? What's up with that?) and quickly turns into a war against heaven plot.

You know the main concept of the show? Redemption of sinners? Yeah. I can count how many episodes are about that on a couple fingers. And count how many characters are actually there for redemption on two. And there are so many side characters they like to focus on rather than, I don't know, Focus on Charlie?

Thats another problem! Charlie barely has a focus. You'd think, as the main character, she'd get some sort of development, or some kind of arc, or at least more of a personality than "sunshine princess with big dreams". I don't use this word very often or very lightly, but shes very much mary-sue ish. Her obvious issues (IE seemingly weirdly fundamentalist christian ideas on redemption, constant overstepping of boundaries, the fact that she barely seems to put anything into her relationship with Vaggie while Vaggie falls over herself to make sure Charlie's happy, Very visible savior complex) are never discussed or adressed, and the fact that her hotel is based on an idea that doesn't have any evidence of actually even being possible is only ever addressed by antagonists who are supposed to be in the wrong. She doesn't change, she doesn't do much, but still manages to get everyone to sacrifice themselves for a hotel they're supposed to be super attached to. But we're never shown WHY they care.

And don't get me started on the side characters. The V's are only important in 1-2 episodes and never again, Carmilla exists as a plot device, Lucifer's... Lucifer, Adam is a one-note sexist strawman, and they just... Keep introducing characters. Pentious, Cherry, Mimsy, Cannibal town! You care about these characters! You must you must you must!!!! What do you mean you don't know who these characters are? Of course you do! They were in the plot important pilot that you have to get on youtube to watch!

These characters could have been explored so much better if there was more time in the show. Yes, thats the fault of Amazon, but when you're working with constraints, you need to learn how to work within these constraints. Keeping the "Heaven bad, hell good" thing for the second season while leaving the first season to focus on character development would have made the final battle so much more impactful. It's like an anti steven universe. People complain about how much filler steven universe has, but without that "filler" we wouldn't care about the characters as much as we do. Hazbin hotel, on the other hand, is like watching all the "intense, plot important" episodes without any context of who these characters are and why we should care about them.

At some point, when you're working in the industry, you need to learn that you need to trim the fat. Get rid of certain characters and plot points. Kill some characters off if you need. Wait to introduce a concept. If you can only work with a short amount of episodes, focus on making a good story with well developed characters first and a grand finale later. If you can wait, Wait. If you can't, don't. I know there's a second season but I genuinely don't know how it can go from here. Adam's dead, a sinner is redeemed, the hotel was rebuilt bigger and better than ever... what now?

TL;DR Hazbin Hotel reminds me of me and my friends old edgy gods and goddesses discord roleplay from when I was 13 than an actual planned story.

Sorry for the essay. Its honestly painful seeing something I looked forward too for years flop so hard on the execution. I love the concept, the songs, the animation is.... okay, Angel dust is best boy, but everything else is just eh. Mid. It tries to be so grandiose but I just felt bored and very confused throughout the whole thing, and very uncomfortable during episode 4. Its not offensively bad (hell, its barely even as offensive as people say it is) But its just. Not good in my opinion.

[slayerkitty]

Let's Talk About Trust, Baby

I've seen a lot of posts where people are really confused about Mew and where his head might be at with regard to his relationship with Top. Why he hasn't given Top the boyfriend title back, why they haven't had sex yet, etc. That led me down a rabbit hole of thinking about the relationships between the characters and the one thing all relationships need to function - TRUST. If you don't trust your significant other or your friends/family, etc, what kind of relationship can you even have? I tried to break this down in groups/pairs and some of it might not be as thought out, so there may be more on this as the show goes on but here we go.

The Fab Four

So there's a lot of context we're missing about the relationships between our core four dysfunctional besties (Note: So far, Cheum doesn't seem that dysfunctional, you're doing amazing sweetie!) such as how they met, how long have they been friends (what the hell Ray and Mew got up to that one night... *ahem* I digress). Now, we don't have any real answers to these questions (yet) so I'm taking some educated guesses based on my own college experiences and what I've generally picked up from other university BLs typical story telling.

I feel like the four of them met during orientation (except maybe Ray and Mew, I'm waffling on thoughts that they've known each other since high school). Most university BLs set it up that the mains meet during orientation, bond during whatever torture the seniors are putting the freshman through and kind of build their friend groups based on that.

I also feel like they may have gravitated toward each other or remained a group because they're all queer. BLs can go either way on whether or not homophobia exists in their narrative and I think that Only Friends is going the more realistic route (and it's Jojo) so I think that I can definitely see them bonding over being queer. They find an LGBTQ bar and it becomes their thing to do together. Most friendship groups form because people just sort of fall in together due to circumstance and they seem no different.

But do they trust each other? Signs point to yes. (I was shocked too, lol)

Mew and Cheum: We haven't had much focus on her, but he seems to value her opinion and listen to her advice. (We also know that April likes him from the time they've spent together and he likes April, so I would say he and Cheum probably have pretty good trust built up.)

Mew and Boston: He believed without a single doubt when Boston said that Top had never had a lover longer than 3 months and that Top would probably, as Ray put it "nail and bail" once Mew and Top have sex. Cheum also believed Boston. Do I think Boston was lying here? No. But neither do they and that's important. Does Boston trust Mew? I think he does. His issues with Mew are not about trust.

Mew and Ray: These two vibe a little different than the rest of the group. They seem closer; they seem like they've talked about "the deep stuff" (vs maybe superficial topics with their other friends). Their first one on one scene has them talking about Ray's alcoholism seriously (even though Mew doesn't push about it as much as I would have liked) and you can tell there's an intimacy there that the other group members don't share. Whether that stems from whatever it is that happened that night in the video (I am salivating about this, it's delicious, I need more info) or because they've been friends for longer, I don't know.

Let's move on to the pairs:

Cheum and April: Do they trust each other? I assume so? Cheum goes out drinking with the boys at least once a week and April seems okay with that (we haven't heard otherwise), so I'll say yes? (Jojo, I NEED MORE OF THEM. I DON'T HAVE ENOUGH TO EVEN ANALYZE. GIVE US MORE.)

Sand and Ray: I'm gonna call this one as Sand does not trust Ray, but Ray trusts Sand. Sand knows that Ray is a walking red flag and he's trying to resist but Ray is making it really hard. *ahem* Ray bailing mid-make out is not helping Sand's trust issue. If you look at how Sand has cared for Ray since episode one, however, Ray most likely trusts Sand. I mean, Ray talked about his mom to Sand. I think that's a biiiig deal.

Mew and Top: Thanks to Boston, neither of them trusts the other. And this, right here, is why Mew has not moved the relationship forward. HE DOESN'T TRUST TOP. He's still worried that Top will "nail and bail". Remember Mew's checklist from episode two? He only checks off "gets along with my friends" (HAH!) and "respects me" but not "doesn't lie to me". We can infer this means it hasn't been marked off since he doesn't mention it to anyone in this episode. Given that a lot of us clocked Mew potentially spotting Boston's trunks on the floor in the shower, along with him questioning if Top was telling the truth about the fire, it's clear this is the one thing holding him back.

If Mew agrees to be Top's boyfriend, then the expectation of sex becomes a lot higher (it shouldn't but that's a different discussion to be had). It's also implied in the narrative (and from Jojo) that Mew is a very structured person and he doesn't like to lose control (re-watch the counter scene from episode one. You know you want to. I'll wait). The moment that Mew realizes that he is way too into what they're doing, he panics because he doesn't have control over the situation.

Up until episode three, Top did trust Mew. He trusted him enough to get vulnerable and then Boston blew it up by fabricating a narrative backed with evidence of...something between Ray and Mew (I'm seriously dying for this scene, I need it).

Another thing I am having thoughts about is that in this episode, Top referred to himself as Mew's boyfriend and so did Cheum and Mew didn't deny it like he did in episode two. When Top's *ahem* "buddy" approached them at the silent disco, it was very clear that Mew expected Top to introduce Mew as his boyfriend and was visibly (if momentarily) upset that he didn't.

Boston and Nick: Yes and no, but also no and no, respectively. So Boston trusts Nick with some things but not everything which leads to him lying, gaslighting and manipulating (he's a triple threat). In turn, Nick lies right back, because what else can he do? (a lot of things actually, oh Nick, you are starting to spiral hard.) This leads Nick to rigging the CCTV video to show on his phone and to wiretap Boston's car, which just shows you his trust in Boston is non-existent.

In conclusion: Trust is another theme the show seems to be exploring: earning it, keeping it, and what you do after trust is broken. I think it can tie back into the ongoing ephemerality discussion as well: trust isn't permanent. You have to earn it, maintain it, and once broken, it's gone (and seldom can be repaired).

Also, everyone needs therapy.

Tagging the Ephemerality Squad: @waitmyturtles, @chickenstrangers, @lurkingshan, @twig-tea, @ranchthoughts, @clara-maybe-ontheroad

Hope I didn't forget anyone!