#and if it does its the best thing to come out of the franchise besides the computer game for the second book

[n7punk]

What is my immortal?

Ohhhh boy. Ok. Sit down.

My Immortal (wikipedia page) is the most famous fanfiction of all time. Couple disclaimers: it's almost not well-written enough to qualify for trigger warnings, but it does touch on a lot of triggers that I won't list off here. It is also, theoretically, tangentially, supposedly, "harry potter" fanfiction. However, harry is now known as Vampire, hermione is now B'loody Mary Smith, ron is Diablo, etc. A lot of the characters are now vampires and everyone is "goth" except the characters the author doesn't like, who are preps and posers. Also in one of the author's notes I think the writer ("Tara") literally says she hasn't read the books and it's based off "the movie". So like, it's connections to harry potter are tenuous at best and I'm not recommending you read anything beyond the first paragraph anyway, just putting that out there.

It's first person, follows a self-insert OC, and is entirely a fabrication of the writer's indulgence. It's one of those things that has gone down in fandom history and most people have read the first chapter, but we hadn't read more (AN: I don't recommend you do) so we had a read in the group chat and I either lost braincells or gained code-cracking skills trying to parse through the misspellings (both accidental and purposeful). A lot of people think it's a troll fic (which like, yeah makes sense) but there's a case to be made for it being a young tween's idea of a cool and edgy story that she and her friend made up and don't understand why everyone is hating on. I also think the world is a more beautiful place if it's sincere. The writer has managed to remain anonymous and undoxxed, which I am VERY grateful for, for her sake, even if I do desperately want to know the "real" story behind it and how she feels about its meme-status. Many people have come forward claiming to be the author and having done it as satire, but every one of them was a lying poser and a prep.

Below the cut is the opening of the famous "first chapter" (which only has a few more sentences in it after this anyway) for your reading pleasure. You really don't need to read any more than that, this is the part that became a meme and it only goes downhill from here. Also, "AN" (or "A/N") is "Author's Note" and yeah people really did used to just stick them in the middle of a fic, at least bad ones.

Hi my name is Ebony Dark’ness Dementia Raven Way and I have long ebony black hair (that’s how I got my name) with purple streaks and red tips that reaches my mid-back and icy blue eyes like limpid tears and a lot of people tell me I look like Amy Lee (AN: if u don’t know who she is get da hell out of here!). I’m not related to Gerard Way but I wish I was because he’s a major fucking hottie. I’m a vampire but my teeth are straight and white. I have pale white skin. I’m also a witch, and I go to a magic school called Hogwarts in England where I’m in the seventh year (I’m seventeen). I’m a goth (in case you couldn’t tell) and I wear mostly black. I love Hot Topic and I buy all my clothes from there. For example today I was wearing a black corset with matching lace around it and a black leather miniskirt, pink fishnets and black combat boots. I was wearing black lipstick, white foundation, black eyeliner and red eye shadow. I was walking outside Hogwarts. It was snowing and raining so there was no sun, which I was very happy about. A lot of preps stared at me. I put up my middle finger at them.

[httplilyyy]

𝐄𝐕𝐄𝐍𝐓𝐅𝐔𝐋 𝐍𝐈𝐆𝐇𝐓𝐒 || 𝐓𝐀𝐑𝐀 𝐂𝐀𝐑𝐏𝐄𝐍𝐓𝐄𝐑

pairing: tara carpenter x reader

summary: after a violent night involving ghostface, feelings rise to the surface.

warnings: blood, descriptions of violence, knives, guns, character death, swearing, bad writing

word count: 3.5k

a/n: this is my first fic for tara and the scream franchise so i hope its up to standards and that you’ll like it :)

scream masterlist

If somebody was to tell you a year a go this is where you would be, you would’ve laughed in their faces. Yet here you were, sitting in the back of a car with your best friend, Tara, beside you, frantically looking for her inhaler.

You had known the Carpenters for your whole life, living next door to them came with pros and cons but you couldn’t have been more grateful for the friendship that had formed between you and Tara.

However, it was only as of lately, you had started to grow feelings for the younger Carpenter. Yet you decided it was best to bury those feelings, even if it hurt you in the process.

You were falling in love and you were falling fast. Whilst you were so caught up in your own thoughts you missed the way that Tara looked at you. Her inhaler was long forgotten, only the thought of you was on her mind.

Sam made Richie drive to Amber’s house to see if she had Tara’s spare inhaler and she noticed the two of you were very quiet in the back.

The both of you were pining over each other, however, the only thing stopping the two of you from telling your true feelings to each other was the fact that you were best friends. As well as a certain murderer trying to kill Tara and Sam.

You weren't actually sure when it all went wrong. How you went from getting Tara’s spare inhaler to you being chased through Stu Macher’s old house, trying to escape Ghostface.

Sprinting up the stairs, you found a room and made a beeline for it. After managing to close the door just in time you pushed a dresser in front of it, making sure that no one could get in.

You grunt as you let your back hit the wall, sliding down it until you come to a stop when you meet the floor. Your tense body goes limp as you sit there, heavy breaths falling from your lips.

Finally managing to catch your breath for only a second, when you heard grunting coming from a closet. Heart rate increasing at the possibilities, you cautiously got up from the ground and made your way towards the sound.

Hand resting on the handle, you contemplated whether you should open it or not. That little debate didn't go on for long and you swiftly opened the closet door.

To your surprise, Tara was sitting on the floor, bound and gagged, eyes wide with fear.

“Tara.” You muttered quietly, shock written on your features.

You searched your pockets for anything sharp when you felt the knife you had tucked into the belt of your jeans. Carefully, you cut through the duct tape on Tara’s wrists and she was quick to get rid of the tape around her mouth.

“W-what the hell is happening?” Tara rushed out. “And why do you have a knife?”

“Oh! I took it from the kitchen amongst others.” You smiled, but soon realised that may not have been the best thing to do.

“Why do you need more than one? If you’re going to kill me-”

“No! No, of course not.” You cut Tara off. “Not you at least.”

“What does that mean?” Tara questioned, a slight tremble was heard in her voice.

“What’d you say we kill these fuckers, huh?” You whispered, tilting your head a little.

“And how exactly is that going to work?” Tara wondered, gesturing to her broken leg.

“I have a plan, do you trust me?” You asked, holding your hand out.

‘Do you trust me?’ The question runs laps around in Tara's mind. Does she trust you? Of course she does, you're her best friend after all, but in this situation, she’s not so sure. How can she trust you after everything she has been through? How did she know if you weren't the killer?

Hesitantly, she took your hand, letting you pull her up from the ground.

“One wrong move and you're dead.” Tara mumbled, a stern look on her face.

“I wouldn't doubt it,” you smiled, “if you don't kill me then your sister probably will.”

“Okay, so how is this going to work?” Tara asked as she pointed between the two of you.

“You’re going to play the helpless victim, whilst I play Ghostface.” You smirked.

“This is how I die.” Tara said quietly, which you didn't miss, but she nodded her head, agreeing to your plan.

“I’m going to need you to be really quiet. Can you do that for me?” You questioned, placing your knife under her chin, tilting her head to look up at you.

Tara wordlessly nodded, a slight flicker of fear behind her features as she looked into your eyes.

“Good girl.”

Retracting your knife away from Tara, you frantically looked around the room for one specific thing. That of which you found in the same very closet Tara was in only moments ago.

You pulled out a Ghostface mask and costume, turning to Tara, you held up the item of clothing, the smile on your face only growing wider.

“Would you like to play a game, Tara?” You asked and what you said seemed to trigger something inside her.

“W-what did you just say?”

“Are you ready?”

“N-no y-you said-”

“I’m just messing with you.”

“I don’t- I-”

"I've got this handled, okay? Stop worrying so much”

“Yeah, okay.” Tara breathed.

“I’ve got to make it a little believable, don’t I?”

“Right,” Tara trailed off, “so what do you want me to do?”

“Follow me.” You smiled before pulling on the Ghostface mask.

“Thank God you’re okay…” You heard Richie say, a trembling Tara rested in your arms. “Because I really wanted to be the one to kill you.”

Richie stabbed Sam in her side and you had put a hand over Tara’s mouth to stop the scream that threatened to fall from her lips.

Sam stared at her boyfriend in disbelief, sinking to her knees as the second ghostface revealed themselves as Amber.

Richie leaned down next to Sam, taking the gun from her, gently, before handing it to Amber.

“I know. It’s a bummer, it's me." Richie said before he held up the Ghostface verbalizer, “But it’s really the best twist for the movie.”

“No…” Sam trailed off.

“Yeah. Sorry.”

“This isn’t... a fucking movie…”

“No. But it will be. And that’s the point, right Amber?

“Right, hon.” Amber agreed, looking around. “Third Act bloodbath, check. Killers revealed, check... Time for the big finale. Let’s get ‘em into the kitchen.”

Amber forced Sidney to her feet, pushing her with the gun as Richie carried a bleeding Sam into the kitchen. All whilst you and Tara stood watching the whole thing.

Tara was desperately trying to get out of your arms but you held a tight grip on her. At one point she nearly escaped but you pushed her into a nearby wall.

“Stop.” You said, placing a hand back over Tara's mouth. “We have to wait.”

“Fuck you.” Tara spat, pulling your hand from her face.

“I’m flattered, really, but not now, maybe later.” You teased.

“You’re a dick.” tara mumbled, punching your arm, not having any malicious intent behind it.

“I’m trying to help you.” You whisper-shouted.

“By making me watch my sister get stabbed? How is that helping me?”

“I’m your best friend! I'm always going to help you.”

Those words, although they were reassuring, felt like a knife to the heart for the both of you. Best friends. Nothing more. Never.

“Enough with this secret shit! Tell me what you are going to do!”

You were about to reply when you heard Amber shout, ‘she’s not here’ from upstairs.

“The fuck do you mean she’s not there?” Richie yelled back, turning to face Sam.

“I guess you are finally going to see what I am going to do.” You said, placing a knife in each of her pockets, one for her, the other for her sister.

You pulled Tara by the arm, dragging her into the kitchen with your own knife pressed against her neck.

“Of course she’s not up there.” You said, the Ghostface vocaliser changing the tone of your voice. “She’s right here.”

Richie turned around to face you and his eyes rose along with Sam’s, Sidney’s and Gale’s, all in complete shock that there was another Ghostface.

“A third?” Gale questioned, hand tight against her side. “You've gotta be shitting me.”

“Oh, I am going to enjoy this.” You laughed tauntingly as you pressed the knife harder onto Tara’s neck, but not enough to hurt her.

“Tara…” Sam gasped, her eyes darting between you and her sister.

“W-who are you?” Richie asked, pointing his knife towards you.

“What you can’t be.” You shrugged.

“And what’s that?”

“I guess you’ll have to find that one out, won’t you?” You said, tilting your head.

“Is this some shitty little game you’re trying to play?”

“Possibly.”

“Right, and who dies first?”

“You.”

“Amber?” Richie yelled, desperately trying to find the girl.

At that point, Amber returned and stopped in her tracks once she saw you. Confused as to how there was another Ghostface, she watched as you looked over your shoulder, slowly, as if you were teasing her.

“Hello, Amber.” You said. “What a lovely surprise. I must say I expected more.”

“I’m sorry?” Amber asked incredulously.

“Oh it's okay, you can still redeem yourself.” You chuckled.

“What the fuck is going on?”

“Now, now, let's not get angsty here.” You said, pushing Tara towards her sister carefully.

“Who the fuck are you?” Richie questioned again.

“If you don’t tell us who the fuck you are we will slit your throat” Amber sneered.

“Oh, no.” You said sarcastically. “I’m sooo scared.”

“Tell us who you are!”

“Fine.” You shouted, throwing your hands up in the air. “I’m a big fan.”

“Of who? Us?” Richie asked.

“No, of course not,” you chuckled, “of Sidney and Gale, duh.”

“So why are you dressed as Ghostface?” Sidney questioned.

You turned to face the older woman, but you were actually looking at Tara. The younger Carpenter gave you a discrete nod which you returned.

“So we can kill them.” You replied, turning back to face Amber whilst Tara placed the knife you gave her in her sister's hand as well as taking the other for her.

“We?” Richie wondered out loud and before he could even think, you had tackled Amber to the ground, Sam doing the same to Richie.

Sidney, Gale and Tara watched on as the four of you rolled around on the floor, trying to kill one another. Both Sidney and Gale, helped Tara get out of the kitchen and make their way out of the house.

You were straddling Amber, using some, but not all, of your strength to push the blade of your knife between her eyes. Behind you, you could hear Sam struggling to wrestle with Richie.

Grunting, you pushed the knife down onto Amber, however, it only went through her clavicle on her right. With one final punch to the face, Amber was knocked out unconscious which left just enough time for you to get to Sam.

You watched as Richie placed the barrel of his gun to Sam’s forehead but before he could pull the trigger you tackled him to the ground. The sound of the gun went off and a searing pain was felt on your bicep.

“That actually hurt. Wow.” You said, ripping off your mask, revealing your face.

“You?!” Richie exclaimed, standing back up.

“Yes, me. Don’t seem so surprised.” You replied, holding your hand over your fresh wound as you stood up too.

“Why?”

“For shits and giggles.” You deadpanned as you slowly stalked towards Amber once again, but before you could get closer, Richie stepped in front of you. "Move."

Richie did and he circled around you, waiting for your next move. Once you took a step forward Richie attacked you from behind.

You had expected for Richie to try and hit you so you easily dodged his fist. You grabbed his arm and threw him over your shoulder trying to get him to fall to the floor but he just did a forward roll and got up again. This time you were face to face.

“Sam get out of here.” You shouted over your shoulder, receiving a punch to the gut from Richie, causing you to stumble backwards.

Sam listened to you and she scrambled to her feet, she bolted out of the kitchen and made a run for the front door.

“Saaaaaaam! Where you going? Your big scene’s coming up!” Richie yelled, forgetting about you and following the older Carpenter out of the kitchen.

“Looks like it's just you and me.” You said, standing over Amber's body, watching as she came back into consciousness.

Before Amber could get up, you shot a hand out and wrapped it around her throat. The girl desperately clawed at your forearm, trying to get you to release your grip.

You pulled her up so she was standing on her feet and threw her over the kitchen counter. But before you knew it she had gotten up, taken a knife from the counter and charged towards you.

Before you could even comprehend what was going on, another gunshot was sounded throughout the house, then a thud. As Amber's body fell you saw Tara stand behind her, gun in hand as she leaned onto the door frame.

“Tara, what the hell?” You exclaimed, rushing over to her.

“Stop!” Tara shouted, holding the gun up to your head.

“Tara-” You said, voice a little quieter than it was before, holding your hands up in surrender.

“Stop.” Tara said again, this time however her lip trembled as her voice broke.

“I have, I'm not moving until you want me to.”

“Where’s my sister?”

“She went off to find you, I presume, but other than that I don't know.”

“Come with me.” Tara said, walking off into another room but as soon as you were going to follow her, Amber came up behind you and stabbed you in the back.

You let out a low, pained yell. Hearing as Amber laughed behind you, you felt her push the knife in deeper.

Crumpling to your knees, you felt as if your senses had been dialled to a thousand. You could suddenly feel everything, from how fast your heart was beating to the bead of sweat falling down your temple.

“Shit.” You heard someone whisper from behind you and then you felt the knife being pulled from your back.

Falling to your hands, you looked to the side and saw Sidney and Gale fight Amber. You watched as Sidney crashed a bottle over Amber's head, the girl losing her footing and hitting the floor.

Not wasting any more time, you stumbled to your feet and looked at the women in appreciation before stumbling as quickly as you could to find Tara.

“I’m introducing a new rule…” You heard Sam mutter.

You rounded a corner and saw Tara watching from afar, stuck in her spot as Sam crawled away from Richie.

“Oh yeah? What’s that?” Richie taunted, watching as Sam inched forward but not noticing her wrapping her fingers around a knife.

“Come here and I’ll tell you…”

Richie kneeled, grabbing the hair on the back of Sam’s head, wrenching her face to his.

“Well?”

“Never fuck with the daughter of a serial killer.” Sam whispered as she stabbed Richie in the face. The blade went through his cheek into his mouth before coming out the other side.

She didn’t stop there. She continued to stab his chest and stomach. Richie fell backwards, grouting blood, stunned. Sam straddled him and continued her onslaught.

“But... I can’t die... Who’s gonna be the villain in the sequel..?”

“That’s the sequel’s problem.” Sam grunted before she slit his throat.

Sam rose unsteadily, dropping the knife to her side when Sidney and Gale appeared from the kitchen.

“Be careful, they always come back-” Sidney said as Sam took the gun from her hand and emptied the entire clip onto Richie's body, the last one going straight through his skull.

A beat goes past as Sidney and Gale exchange a look.

“Okay then.” Gale uttered, in complete shock.

The silence is quickly interrupted by Amber screaming, a knife raised in her hand as she advanced on the three standing above Richie's body.

But before she could even get close, Tara had pulled the trigger of the gun she was holding, the bullet going through Amber's head as she fell to the floor for one last time.

You stood behind Tara, watching her in shock, not thinking she had it in her but soon noticed as her fake exterior broke down as she stumbled over to her older sister.

The two of them embraced in a long and much needed hug. You stepped closer, tripping over your own feet, mainly due to blood loss.

Tara sniffled, lifting her head from Sam’s chest before turning to you. Tara didn't say anything as she walked towards you. She just put her hand around the base of your neck and brought your head towards hers so she could place her lips on yours.

The sudden action had stunned you, breath catching in your throat. You did not expect her to kiss you, especially in front of her sister. But as your brain started to register what was going on, you finally kissed back, putting your hands on her waist pulling her closer.

The kiss started out slow, almost hesitant, but quickly began to build. You grinned into the kiss, tightening your hands on Tara’s waist. As the two of you were pressed against each other, Tara moved her hands and wrapped them around your shoulders.

You pulled away reluctantly, resting your forehead on Tara’s. Letting out a small chuckle, you placed one last kiss to her lips before pulling her into a hug.

“I’m so glad you’re safe.” You whispered, feeling as Tara tightened her grip around you.

“All because of you.” Tara replied, pressing a kiss to your cheek as she pulled back to look in your eyes. “Even if your plan was utterly stupid.”

“It worked though, didn’t it?” You grinned.

“Luckily.” Tara scoffed, teasingly as she rolled her eyes.

“What’d you say we finally get out of here?” You questioned.

“I would love that.” Tara smiled, leaning against your side as she turned to look at her sister.

“Let's go then.” Sam said, replicating her sister's smile, opening the door for everyone.

The sun crests over the horizon as police cars and ambulances line the street. EMT’s rushed each of you to an ambulance to get treated for your wounds.

You sat beside Tara, holding onto one of her hands as Sam held the other. An EMT stitched up the stab wound on your back having already treated the one on your bicep.

The whole time you didn’t look away from Tara, exchanging smiles every now and then. Once you were fully patched up the EMT went off somewhere leaving you with the Carpenters.

“So.. are you two a thing now then?” Sam asked, a teasing smile plastered on her face.

“Sam!” Tara groaned, leaning into you, hiding her face in the crook of your neck.

“What? You did kiss them in front of me.” Sam said, chuckling at her sister's reaction.

“That’s up to y/n.” Tara mumbled into your neck and Sam raised her eyes to you, eyebrow quirking in question.

“Well, Tara? Would you be my girlfriend?” You asked, smiling as you felt her cheeks get hotter due to your question.

“Yeah, I'd love to.” Tara replied, removing her face from your neck to answer your question before pulling you into another quick kiss.

“You better treat her right, y/n.” Sam said, her protective side coming out.

“I will.” You said, smiling down at Tara in your arms.

“Good.” Sam nodded.

“Do you want to come with us?” Tara asked, looking between you and her sister, silently asking if that was okay, getting a nod from Sam.

“Of course, I'd go anywhere with you.” You said, squeezing Tara’s hand.

“Can you take us to a different hospital this time?” Tara asked the EMT that walked up to you three.

The EMT nodded and walked to the front of the ambulance, Sam noticed Sidney and Gale sitting in the back of another ambulance and told the two of you she would be back in a second.

Whilst Sam went off to speak to Sidney and Gale, you helped Tara get onto a stretcher. Once she was lying comfortably you sat beside her, holding her hand once again.

Sam hobbled back to the ambulance where you and Tara were in a deep conversation, the two of you talking animatedly.

She smiled at the sight and climbed into the back, taking a seat beside you. The two of you quietened your conversation and started a new one with Sam.

An EMT shut the doors and started the ambulance, turning on its sirens before finally pulling away from the dreaded property of Stu Macher’s old house.

[mochamoth]

Hi here are some cringey ooc headcanons of Samarie because she's my favorite character.

(Ever. Like out of every franchise to exist.)

-She's autistic and has BPD.

-Her voice is very quiet and deep. She often speaks too softly to be heard unless the person is fully paying attention.

-She's picky with food because growing up she mostly ate the same food every day. That being said she is more opened to try sweet food, she likes sweet flavors.

-She's surprisingly decent at makeup, she just doesn't like wearing it (besides her lipstick). It's mostly because she's insecure about her face, plus she fears it'll draw attention.

-Very sweaty and clammy. It's her constant state of being it can't be helped unfortunately.

-She has a special interest in bugs, specifically moths.

-Despite hc she has a deep, creepy voice I think it'd be funny to make her sneezes overly loud for no reason.

-She likes reading, art, and collecting weird shit. She has a collection of (humane) taxidermy insects, bones, stuff Marina left lying around in the open, gifts from Marina (she cherishes those), and TONS of books about moths.

-This mf can't smile to save her life. They always either looked way too force or downright creepy.

-She didn't fully speak until she turned around 14 maybe 15. She knew how to speak she just didn't see a reason to do so outside of spells. She only started speaking because she planned on greeting Marina properly (never happened, she freaked out last minute and couldn't go through with the plan).

-She enjoys doing seemingly immature activities. Like making friendship bracelets or playing field games. She didn't have much of a childhood (if at all) so she's grown fond of the idea of doing all those fun, childhood related things.

-I see her and Abella being friends. This is mostly related to OC stuff I don't feel like yapping about, but basically I think Abella helps Samarie get more confident in herself.. Or at least give her the nerve to speak up (and actually say hi to people instead of oh idk following them around cough COUGH).

-She sleeps a lot. That's all.

-Rip Samarie you would've loved Monster High 😔🙏.

-I doubt this is a hc becuase pretty sure its canon, but she has an asymmetrical face. Which I love.

-She enjoys singing. It's not a hobby or passion of her's, more just something she does whenever she's painting or showering, even writing.

-Oh yeah speaking of she has a diary. She's been writing in it since she was very little and it one of the few things she managed to keep after (eventually) getting out the Ninth Circle.

-Best case scenario she gets the help she needs and slowly heals. Ik she is dying and that canonly she WILL be dead soon no matter what. This is MY out of character headcanon list, let me be cringe and stupid in peace 😔‼️

-She's a light weight. Just a feeling.

-She can be extremely paranoid alone in public places, she's either worried she'll get taken or worried people are judging and staring her down. Either way not a good time.

That's it for now, I'll make more if I come up with more and if I feel confident enough to post them 🙏

[danganronpasurvivoraskblog]

I’m looking forward to your thoughts on Transformers One when you get the chance to see it on your side of the pond. Speaking as a non Transformers fan, I’d say it’s one of the best films to come out of the franchise in the 21st century, and very much accessible to those who aren’t as familiar with the lore. Without going into spoilers, I definitely enjoyed the slow but inevitable tragedy of seeing Orion Pax and D-16, best friends and partners, turning into lifelong enemies, Optimus Prime and Megatron. You knew it was always going to happen, but you so wish it didn’t.

//Okay, your message is very well timed, because the film finally came out, and I got a chance to watch it.

//Now, let me make it clear that I am not a Transformers fan, at least not traditionally. I think it may primarily be because of the Bayverse movies, but I've never found those films to have much in the way of entertainment besides seeing giant robots smacking the shit out of each other.

//Which...well, at the end of the day, that's all it really needs to be for simple entertainment purposes, but the big issue is that there's far more to the Transformers than being giant robots. There are genuine stories and characters there, but the problem with the live action movies is that those stories aren't memorable or deep enough to get you to really care about the characters.

//Transformers One fixes that, and does so much more.

//The film is still relatively new, and I don't want to go too deep into it, but I am going to go into spoiler territory, so I'll put my thoughts and feelings on that film under the cut for those who have seen it/don't care about spoilers, but this is my basic review of it:

//Okay, so first things first...IGN should never be allowed to review shit again.

//A Mediocre score of 5, fucking turn it in.

//Okay, so tdlr; I thought this movie was fantastic, in case I hadn't already made that fact obvious. The basic premise alone is enough to grip me, because it's clearly a character driven movie as opposed to one that's about, as I said before, big bots slapping on each other.

//Transformers One was directed by Toy Story 4 creator, Josh Cooley, and it's the untold origin story of two Cybertronian Minors named Orion Pax and D-16, who as the movie progresses, completely change the fate of their homeland Cybertron, and go from being best friends to sworn enemies as they respectively become Optimus Prime and Megatron.

//And even without its plot, the film is excellent. The CGI animation is the greatest in any Transformers movie to date, and the voice acting by Chris Hemsworth, Brian Tyree Henry, and everyone else was outstanding.

//As I said already, I'm not a big Transformers fan, but this movie alone has the potential to change that, because this is easily the most peak piece of Transformers media I have seen in my whole life. This might sound corny, but this movie really gives you the heart of what makes Transformers cool.

//It's really easy to empathize with the struggles of what Optimus and Megatron go through in this movie, and that empathy makes you so emotionally gripped by the story in a way that a lot of modern movies, especially Transformers movies, can do to you.

//Speaking of which, the film's standout character is D-16, who eventually becomes Megatron. He is a really well-written character, and it's amazing to watch him spiral into lunacy. It's enthralling to see the hatred he displays after realizing the harsh realities of his society, and it's even more thrilling when he finally admits that he is Megatron the destroyer.

//It's like one of those stories where a child who has been tormented turns into the bully himself in order to exact revenge on those who have wronged him. It's a sympathetic, frightening, and bizarre tale.

//(Also, I know many people pointed this out after the movie, but I love the fact that as D-16 progressively gets worse and worse in the movie, his eyes progressively go from yellow to red, and I think that's really clever)

//In contrast to the Bayverse combat, which only feature sparks, machine blobs stabbing and pounding, and the sound of metal scrapping on itself, the action scenes were also incredibly colorful and well-organized. It's surprising, fast-paced, and enjoyable.

//To be honest, I don't see many negative aspects of this film. If you have the opportunity, please go see it; I believe it is still showing in UK theaters. This movie is a masterpiece of cinema, and aside from IGN's, all of the reviews have been positive, and well-earned.

-Mod

[wishiwould]

Too explain a bit about the fic if its alright. Of the Fire Emblem: Shadow Dragon and Blade of Light and Mystery of the Emblem cast, only Marth and Elice were good guys and regulars, as well as to a much lesser, extent Jagen.

Marth had a different personality, though to be fair this was based off long running Smash headcanons.

However Elice as nothing like Marth's older, motherly andkind sister, being a spunky and immature tomboy that is much younger than Marth. An early picture revealed Callistohime designed her after a picture of Sheeda (now localized as Caeda, the name is either Persian or Gaelic) from an anime picture. She found out Elice was older, Sheeda/Caeda was Marth's love interest & didn't like it, but lightly designed Elice to look different from Sheeda.

Whilst Callistohime didn't bash Caeda/Sheeda in the fic, same for Merric Marth's best friend & Elice's love interest, they weren't included & she made negative comments about them sometimes.

Similarly Jagen went from Marth's fatherly and elderly vassal to a man not much older than Marth without a fatherly relationship.

Basically every other character with an FE name that wasn't evil was a nothing character, usually a red shirt.

And every other one of Marth's allies or friends was a villain and the only one that was important was Navarre, whom, is depicted as a pure villain.

Unlike Zelda, Fire Emblem is almost always a story about multiple characters & there's alot of important & sympathetic central characters from all sorts of kingdoms in Marth's games.

Similarly none of the Kingdoms in FE matched & outside of Altea/Aritea, were just background decor or just a place that the villains were from. Like Akaneia (Archanea in the localization) is the most important kingdom in the games, the sub-franchise is known as Akaneia & there's also a game with Akaneia in the title.

Altea is a small place even though its Marth's kingdom, you could compare it to Link coming from Kokiri forest, but Hyrule is central. Marth says at one point, Altea is nothing without the other kingdoms.

Similarly whilst the antagonist forces rule Akaneia in the second game, you could compare it to Ganon taking control of Hyrule & its military in games like "A Link to the Past". In Time Cannot Erase, only Altea was important & Akaneia only showed up in the first part as the enemy.

But people get very attached to fictional characters, which is why so many FE fans, especially of Marth's games got upset. I guess think of it like "Impa", "Malon", "Linebeck" and "Ruto" being the names of villains in a fanfiction labeled as a Zelda crossover, I suppose?

I feel besides some hearsay of the anime, I think most of the info on the fanfiction was based around Marth's trophy in Melee and to be fair there, Marth's trophies in Melee & Brawl are very badly translated. I do wonder where she got the character names or decided to use them though? And several of the characters did show up in the short lived OVA.

BTW, one of the videos critiquing the fic is still up on youtube if you want to read it? This one is focused on constructive criticism and not any attacks to be clear. Its called "Callistohime Rant"

Hey Nonnie,

I've really enjoyed the exchange we've had so far, but I have to be honest: rehashing the details of CallistoHime's fanfiction is actually a bit triggering ^^; In the literal sense--it brings me back to those times, and brings back symptoms of anxiety I haven't really experienced since then.

I do appreciate the opportunity you gave me to apologize, and to hear your apology and explanation! That was nice. And, even though it's a liiiiiiiittle close to triggering territory, I'm actually fine hearing about other FE titles and things like that--or anything else under the moon!

...Well, maybe not ANYTHING else under the moon. For full disclosure, unfortunately Zelda in general and Zelda fandom in particular does still trigger me, and it's hard for me to read fan-fiction because of my experiences with Callisto.

All this to say, whether on anonymous mode or not, I'd love to keep speaking to you! But not about Callisto's fanfiction.

[shihalyfie]

So uh...Digimon Seekers being a web novel will be interesting.

It's an interesting format for sure. I'm guessing they're trying to find a way to keep "constant content" going in light of the loss of the anime timeslot and all that (the card game's doing well, but there's only so much it can do by itself).

Speaking of which! Let's talk about the elephant in the room, which is Digimon losing its timeslot and Ghost Game not getting a follow-up anime! In previous occasions, every time Digimon lost a timeslot and the anime went on hiatus again, that meant the franchise was in danger of dying (again), but...as of earlier this year, Digimon is now Toei's third best-selling IP internationally. So it is highly doubtful that the anime is going back on hiatus simply because things aren't doing well.

So, what's actually going on?

We're used to the idea of "Digimon should run back to back if it does well," and that's true of series that are explosively popular (which Digimon is not right now, even if it's not on the verge of dying either), but in actuality, the Fuji TV 9 AM slot is a high-demand one to the point most franchises don't get to run for three years on it consecutively. That kind of thing is rare enough that Japanese fans familiar with the timeslot have commented that Digimon has probably accomplished a lot getting to keep it for the last three years. There are only two IPs that have ever gotten to run for four consecutive years or longer on that slot: one is Dragon Ball (I think "not being as profitable as Dragon Ball" is hardly something to freak out about), and the other is Digimon itself.

That financial report I just linked says that Digimon is Toei's best internationally selling IP including overseas sales. While we've had a lot of reports recently about Digimon's financial success, they all specifically note that it means internationally and not just Japan -- and, granted, that's still important especially because Toei and Bandai have been trying to aim for more of an international market in recent years, but that's what's telling us that the video games and card games are what's carrying Digimon now, not necessarily the anime, which currently has very little influence outside Japan besides the Crunchyroll simulcast (and probably some East Asian language dubs), and I imagine that doesn't contribute very much. And the Adventure: English dub doesn't seem to be coming out anytime soon...

Like I've said, the card game is doing great, and sets have been coming out in Chinese and Korean as of late.

So while I'm no financial analyst, I'm guessing they've decided to put a hold on the kids' anime right now because it's not a very good outlet for their current best option, which is to focus more on building an international market and solid base. That doesn't mean kids' anime will never come back, and it also doesn't mean the franchise isn't already in a much better situation than it was when Frontier, Savers, Xros Wars, and Appmon ended, because the recent success of the video games and card games gives them a lot more of a foothold to do more business ventures, and maybe they can funnel that into actually getting partnerships to dub future kids' anime if they want to do that again. Moreover, it's true that in the past, the franchise would hit life support every time the anime stopped, but that's because the franchise was dependent on having a running anime for attention, which is not the case now because the card game has been doing fine independently of the anime. So I think it's pretty easy to understand that having an ongoing kids' show won't be the best option for them at the current moment, and meanwhile Digimon Seekers is coming out in multiple languages at once, so you can see what the strategy is here.

Of course, I think much of Digimon's best content is in the kids' shows, so I hope it comes back (and I'm certainly not a huge fan of the idea of the only anime we get being from that pipeline that's focusing on nostalgia stuff with Adventure branding), but that's how I see it for now.

[bigblueoctoling]

Splatoon 3 did Deep Cut dirty to an absurd degree: An Analysis

So, for starters, context on my general opinion on everything in splatoon 3: They kind of did everything dirty besides Side Order.

It isn't to say that Splatoon 3 only had bad ideas- Looking through the art book, they were cooking like crazy, and moreover, there's stuff in the final game that feels like, yes, this is really a step up for the franchise!

Splatsville itself is a GORGEOUS town. Moreover, it's easily, with NO competition, the best plaza. Frankly, the Inkopolis plazas always just left me feeling a little disappointed, wishing desperately to be able to explore the city, but you're cooped up into the absolute smallest space necessary. This doesn't feel like the heart of the town, this feels like a sad little strip mall. But SPLATSVILLE finally really lets you feel like you're in the heart of the city, surrounded by massive buildings, kinetic movement everywhere with the train overhead and the waterway in the back.

That being said, it's... not really utilized. At all. Like... There's one more store than normal, with Hotlantis, but that's really it. You can't sit in chairs or buy stuff from the stands and such. Splatsville is great, but it's kind of just going unused, underappreciated. Not strictly to say that adding little actions in particular would mean everyone would love it, but point being, it only just meets the mechanical standards of the series without feeling like a step forward, despite there clearly being a desire to make a larger, more meaningful area.

Tableturf Battle is a HUGE deal- splatoon gameplay that is going out of its way to diversify itself and spin off from the traditional shooter gameplay. I've been starving desperately for splatoon spin-offs, this was a huge deal to me in particular.

...But tableturf battle itself is genuinely an unbelievably boring game to me, this coming from someone who LOVES card games, and especially this abstract kind of card game. But there's no variety to the gameplay- there's very very little variety in deckbuilding strategy, the core mechanics are extremely straightforward and don't exactly leave much room for different game experiences, and there is virtually no room for skill expression because the entire thing is just a combination of card-drawing RNG and the RNG of where your opponent will place their turf.

Lockers were a huge deal- one of the things I want more desperately in this world than anything is a splatoon life sim, ever since the splatoon 1 loading screen I've wanted a little apartment you can buy stuff for and decorate and this is VERY close to being that.

...But, of course, it's not that. You have a microscopic amount of space, there's not exactly any reason to keep coming back and redecorating it- once you're satisfied with your locker you're kinda done, you can't save it and there's not enough room to really have multiple areas of your locker to any significant degree.

I have more examples, but my point is, these things are all great base concepts- they make me excited for the future of the series. Excited to see bigger locations, excited to see more spinoffs to splatoon gameplay, excited to be given my own space in this setting- but Splatoon 3 itself feels like it's not dedicated to actually making the things inside of it matter.

Case and point, Deep Cut.

Deep Cut are genuinely my favorite idols design-wise, and that's a stunning feat when I have ADORED every other set of idols. They are so unique looking, and they're deeply culturally inspired, and they bring that into everything they do, they are FANTASTIC.

But Splatoon 3 does NOTHING with them.

I was speaking with my friends on this- the way I put it was that the power balance of the idols are RIDICULOUSLY out of wack. In this context, "strength" refers to their overall impact as characters.

Callie and Marie are obviously enormously strong- the Calamari Inkantation is, bluntly, THE song of Splatoon. It means everything, both to the players, and to the setting, being a folk song of calamari county, and being the song that inspired so many octarians to fight for their freedom. They have all of Splatoon 1's campaign to be characterized, and that continues in Splatoon 2's campaign. The final splatfest of Splatoon 1 was the first titanic battle of the series- Bomb Rush Blush and Tide Goes Out were the encapsulation of their entire identities, it was perfect. I won't tell you that Splatoon 2's campaign is a masterpiece, I'll never stop complaining about fighting the same Octavio fight over and over- but Callie and Marie are perfect within it, the perfect resolution to the divide that the final splatfest split between the two.

I'm a total sucker for this, so pardon me gushing, but like... as Whatever as the fight was, the song was EVERYTHING. Callie's silly peppy song twisted by Octavio's usual desperately-imposing style of music to create this twisted mirror of Callie's song, taking her energy and turning it back on you in a childish tantrum.

And then Marie is there- After that, the entire energy of the song changes. The daunting backing of Octavio's contribution is warped back into a triumphant orchestra as Marie sings, her mature, calming voice settling what broke and making everything okay... And then, after all this time, the two songs join together, these songs that are so different existing side by side again, like they always should have.

(And then they get EVEN MORE SPOTLIGHT in Splatoon 3's campaign. It's not particularly amazing because Splatoon 3's campaign is terrible, but I'll get back to that later.)

What I want to highlight here is that one of the things that makes a group special in Splatoon is having moments like these; titanic, legendary moments that permanently take the song and imbue them with great importance in the history of the game. Splatoon songs don't have actual lyrics- their meaning kind of needs to be given to them by context, and songs like these, Calamari Inkantation, Bomb Rush Blush, and Tide Goes Out, have extremely moving context.

Off The Hook has a RIDICULOUS amount of importance. I mean, obviously, right? You aren't a splatoon fan if you do not care deeply about Off The Hook. They're core to the entire message of the franchise. They have Splatoon 2, and then Octo Expansion, and then Side Order- each of these layers onto themselves over and over. Ebb & Flow, their introductory song, has been given so much importance as time has gone on. Octo Expansion shows Marina's demo for it- the part of Ebb & Flow in particular that hits me is that, this is Marina's song. It perfectly encapsulates Marina and Pearl's relationship- The final song doesn't exactly include a *lot* of Pearl. To me, it feels like the point of Ebb & Flow isn't merely that it is Marina And Pearl's Song: Pearl in this song feels like a hype man. Pearl didn't make Off The Hook just to make herself famous- she would phrase it like that, but Ebb & Flow feels to me like it's Pearl saying: Look at how talented this girl is! She's going to rock this world and I'm taking her to the top no matter what it takes!

And that continues with the later versions of Ebb & Flow- Fly Octo Fly will genuinely always make me cry listening to it. Fly Octo Fly is Eight's song- In the same way that E&F was to heighten Marina, Fly Octo Fly is there to hype up Eight- She's gone through hell and back to earn her freedom, no apocalyptic force is strong enough to deny her of that.

And while I'm on the topic of Octo Expansion, there's also Nasty Majesty, that song that ripped through that legendary trailer for Octo Expansion- the song emanates unstoppable force. Nothing can stop Eight, she's going to tear this place to the ground.

Into The Light is such a gripping song. It's so warm, gentle, smooth, after the chaos of fighting for your life... it represents to me the warmth of Eight, finally on the surface, finally able to see the sun. Finally able to live in the world you fought so long to achieve.

And frankly I could be here all day talking about the songs in Side Order with immense gravity- Maybe I'll go through them at a later date, but, while Fly Octo Fly is still my #1, Side Order manages to have even more massive dynamic song-moments like this.

Point being, Marina and Pearl are fucking insanely stacked. They make Callie and Marie look like fucking nobodies in terms of how much impact they have had on this series. And, for the record, this isn't a complaint to say that they have too much attention- I fucking LOOOOOVE them. They deserved every moment, and quite frankly, I still want more. I will never not love them. They are everything.

Deep Cut exists

Like. It's heartbreaking. It's really not the fault of their music- Anarchy Rainbow is a gorgeous song. But like... It doesn't carry the weight of the other idol 'intro' songs; it doesn't feel as though it really stands for anything in particular, and that's not because of the song- it's because Deep Cut has never really stood for anything in particular.

The story only really tells us one meaningful thing about Deep Cut, and that's that they are looters, for the sake of helping the many, many less fortunate people in this injust world. And that angle is fucking awesome- like the other positive things I've said about Splatoon 3, this is a GREAT first step.

And that's just kind of the only thing we've heard on the matter.

Like... yes, there is a general sense of pride, togetherness, and that's great, but that isn't really "context", those are just general positive vibes. I don't listen to Anarchy Rainbow and think about how this song ties into Deep Cut, because Deep Cut has never done anything.

And this goes for all of their songs. Like, they're mechanically great songs, but they don't make me feel anything. The only thing I really associate Deep Cut with is how fucking toxic people in the Splatoon 3 fanbase are about splatfests. It takes a lot to make me have a negative association for a Splatoon song, but Deep Cut are just like... totally pointless.

I think it really, really speaks to how truly fucked Deep Cut are by Splatoon 3, that these are the only idols that have THEIR OWN FUCKING BOSS FIGHTS, but they don't even get their own songs for the fights. Like, the Deep Cut boss fight theme is a good video game song, but it's not a meaningful song in any way. This is amplified by the fact that Deep Cut's entire presence in the story feels like it's solely out of pity. Like, they couldn't be in Side Order, And they already set up Callie and Marie as your main companion characters, so they just needed to have Deep Cut in there SOMEHOW. Like... There is nothing there. Their entire motive is just that they want to steal the Ambiguous Things. This isn't a fight with any meaningful stakes at all, they don't even know what these Things are, they're just taking them because they are an object that they can take.

And they don't even get to sing their own fucking song in the final boss! THIS is the most aggressive robbery in the entire series; it's just fucking Calamari Inkantation again. I love the Calamari Inkantation, but it has literally zero relevance to this fight at all. This fight has literally nothing to do with it. And, for the record, the fight has nothing to do with Deep Cut either, but they don't even get to sing their fucking song! They just sing a song that's been recycled in every single game up to this point! Like, no, the context of Calamari Inkantation is not going to be about how Neo 3 went to space to fight Mr. Grizz, sorry- this moment isn't even important enough to leave an impact on a new song, how the fuck could you ever think it could leave an impact on literally the most important song in the franchise?

Shit's just fucked. They really really really deserve so much more. Like... it's bad enough you got stuck having to deal with being in Splatoon 3, you don't even get an ounce of attention in your own game, and half of the fanbase hates one of the members for dumbfuck reasons. It's truly miserable.

Despite how much I don't care for Splatoon 3, I really, really, really, DEEPLY pray that the final splatfest gives Deep Cut... SOMETHING. Whatever happens, I just pray that they get to have their own spotlight for the first time. But, since it's a splatfest, I can't help but fear it'll be bogged down by how fucking toxic this fandom is about the splatfests in this game. It's such a shame...

Deep Cut simply needs to have an enormous focal point in the next Splatoon game. Like. I will truly weep if Splatoon 4 comes and passes without Deep Cut getting the justice they deserve.

[wprowers]

i want to talk about sonic boom characters.

Long post warning.

First of all i would like to say that i really enjoy sonic boom !! I think it has a really healthy and silly humor that for me it's always welcome, so i like this show and its characters. But don't take my opinion as something biased bc i don't really think it is, i can't be biased towards a piece of media that holds little to no value to the true canon mainline games.

I have seen people dragging this show to hell, and at the time it came out it recieved a LOT of criticism for VALID reasons, valid when it comes to comparing them to the actual canon personalities of these characters (which varies from media to media but its mostly the same concept, but you can't say they haven't fucked up in the characterization of certain characters in mainline games but thats for another day).

But neither sonic or amy or tails or whoever in boom actually have any meaning at all, do they have a backstory? a purpose? any serious fight? is eggman even their enemy? Absolutely not!!

BECAUSE THIS SHOW IS NOT MEANT TO TAKEN SERIOUSLY !!

If we are talking about knuckles, he is not smart !! he doesn't have a life mission to protect the emerald !! There's nothing going on for him !! he doesn't even remember anything, in one episode he suddenly realized he didn't have a family and started to look for one, getting manipulated into an "evil" complot and that's he most arc he has ever gotten in boom (found family trope at the end of the ep, rlly cute)

And i did see some worries about the franchise being influenced by the boom! characterization. Mostly for knuckles and amy.

As for knuckles i think that some of you watched the scu shortfilm and immediately thought that they were bringing boom!knux into the mix, i disagree wholeheartedly with this (if s3 comes out and it is like that well then...) i think that scu!knux is just someone who gets represented by his pure heart (as every good representation of knuckles) and lack of knowledge of his surroundings and the people who came into his life. He gets easily manipulated and doesn't know what icecream is, bc he has been a loner for so long !! and he does not know earth, that does not mean he's stupid in any way, and i dont think that's what they would go for in s3.

And for Amy I've seen the discourse that boom! generated around her, some claiming that it was the best amy, for her not overly girly attitude maybe or for the fact that her affection towards sonic was hidden and she didn't show it at all, even though it was stated that she liked him.

So I've seen people saying that due to this amy being well received, it has influenced on how they made her in modern media, which i don't think is that much of a true tbh??? Like besides twitter takeovers, i haven't seen much of boom!amy influence in any other thing, perhaps yes they took a different take for her in frontiers or other modern games, but she has always been true to what really her character is, sonic or not Amy is Amy. Its not about how they made boom! canon suddenly but what is the path they want her character to take while she is still connected to her emotions and love for sonic and everyone.

And no i don't think boom!amy is the best version of amy, i don't think any boom! character is the best version of themselves and they will never be, because there is nothing that conveys their true selves in this interpretation, so it's impossible for these characters to be that.

LETS NOT EVEN TALK ABOUT BOOM!SHADOW because that boy is not shadow at all, then again this is a character that suffered a lot of misinterpretations from his own creators so,,,

So im not making really any point in here?

just simply stating the obvious !! sonic boom is a show that you watch to have fun ! it does not have any action or true emotional moments, never has the team gone through a serious situation. You watch it because it's silly and you don't expect much else from it! Everyone is loveable in their own way if you look at them with the right eyes, so maybe you could enjoy this show without thinking about how out of character most things are.

love you sonic boom i will always defend you

[blindrapture]

I was extremely tired and rambled to a friend about Mario and Sonic as mascots.

Jordan Dooling, [9/2/23 4:01 PM] also. I am marginally upset that Yoshi in Mario Wonder is playable but only as a Nabbit-style character, with no power-ups. but at the same time I am kinda happy as Nabbit is my preferred way of playing NSMBU, so I'll get to do that as Yoshi now. but. best world would have been if all characters were the same as each other and there was just an Easy Mode toggle.

Jordan Dooling, [9/2/23 4:03 PM] I am always gonna be curious about trying to play through a Mario game as intended. and admittedly the fact that I am forced to play as Mario or Luigi (or a Toad) has been a significant reason why I could never commit to it. getting a choice to play as Yoshi is a big, embarrassingly substantial, incentive.

Jordan Dooling, [9/2/23 4:03 PM] if I could play as Yoshi in all Mario games I'd play them a lot more, I think.

Jordan Dooling, [9/2/23 4:05 PM] I think I actually secretly don't care about Mario. or Luigi. as playable characters.

Jordan Dooling, [9/2/23 4:05 PM] they fall into the Sora trap for me.

Jordan Dooling, [9/2/23 4:06 PM] where, like, Kingdom Hearts would probably appeal to me way more— it has, as a franchise, everything in its favor for my tastes— but for the fact that you have to play as FUCKING SORA

Jordan Dooling, [9/2/23 4:06 PM] and this isn't a "oh, it'd have been cooler if I could have played as some goofy mascot character," this is a "oh that's a shame, I don't want to play this"

Jordan Dooling, [9/2/23 4:07 PM] like Playstation Exclusivity, which is also a "oh that's a shame."

Jordan Dooling, [9/2/23 4:07 PM] ("Playstation Exclusivity," to me, is exactly the same as "game didn't release")

Jordan Dooling, [9/2/23 4:08 PM] (it's a shadow-cancel. game still has marketing. still gets talked about. game was finished, by the developers, is entirely playable. you just can't play it.)

Jordan Dooling, [9/2/23 4:09 PM] (and this is coming from a guy who didn't have VR when Half-Life Alyx came out!!! VR exclusivity is not as much a dealbreaker to me as Playstation exclusivity!!!)

Jordan Dooling, [9/2/23 4:09 PM] (but the Playstation point is beside the point.)

Jordan Dooling, [9/2/23 4:10 PM] (the point is, Sora and Mario are both a really specific kind of Regular Guy character I am turned off by.)

Jordan Dooling, [9/2/23 4:13 PM] (they would be fine— they would be immensely hilarious and compelling— if their Regularness was played up. I mean, they are Regular Guys in a world of Cute Mascots. in Sora's case it's even more so, the whole point is Kingdom Hearts brings a charming amount of Seriousness to a world of Cute Mascots. Sora being there makes Goofy more serious, makes Donald more serious, and that makes the tone fucking surreal and Amazing.)

Jordan Dooling, [9/2/23 4:15 PM] (but they only went halfway. Sora still looks just slightly cartoonish. I mean he looks, frankly, fuck ugly and awkward, but I can tell he's not supposed to, he's supposed to look charming and representative, appealing to kids. if Sora looked like…. like the humans in Mario Odyssey's Metro Kingdom!!!!! then I'd be okay with it!!!)

Jordan Dooling, [9/2/23 4:15 PM] (and the same with Mario!!!!)

Jordan Dooling, [9/2/23 4:16 PM] (fans often wish the humans in the Metro Kingdom looked more cartoony. I'm the opposite!!! I sincerely wish Mario looked like them!)

Jordan Dooling, [9/2/23 4:18 PM] (it's a tonal thing!!! Mario's a human, a Regular Guy in a wacky world!!!! if he looks cartoony then that takes away from the fact that he's a Human!!!! he's not a Human, he's just a non-mushroom Mushroom Kingdom Fella! he fits in! which is alright if the story says that!!! but it doesn't!!! the story is, Mario is a Human!!!! but the art style and presentation says he's not!!!!)

Jordan Dooling, [9/2/23 4:19 PM] (this is the core of why "story doesn't matter in Mario" gets as much mileage as it does!!!! this is why Miyamoto can get away with it!!!! it is rooted in this fucking tonal dissonance!!!)

Jordan Dooling, [9/2/23 4:20 PM] (because it's only a dissonance for the story!!! it's otherwise professionally-executed aesthetic consistency!!!!)

Jordan Dooling, [9/2/23 4:22 PM] (but it doesn't win me over!!!! I cannot unsee it!!!! I can forgive and excuse it, there is so much about Mario games that I can love, it outweighs it!!!! but then when I have to play as Mario…… that's when it becomes a factor!!!)

Jordan Dooling, [9/2/23 4:24 PM] (and for the 3D games, I am usually looking at Mario's back, and how my brain works is really I'm "playing as" the camera. Mario's just a means to an end, I move him so I can move the camera. so I can look at everything else.)

Jordan Dooling, [9/2/23 4:24 PM] (but 2D games, Mario is front and center in a different way.)

Jordan Dooling, [9/2/23 4:24 PM] (also Mario 3D World.)

Jordan Dooling, [9/2/23 4:25 PM] (I can forget Mario in the sandbox 3D games. I haven't yet figured out how to forget Mario in the 2D-based games.)

Jordan Dooling, [9/2/23 4:27 PM] where was I going with this one.

Jordan Dooling, [9/2/23 4:29 PM] well I can stress here that I'm feeling out my own tastes. I cannot claim any of this is actually objective. not even the bit about "this is WHY story doesn't matter in Mario." I am not coming from a rigorously analytical point of view here. I can very easily be off the mark on all of this.

Jordan Dooling, [9/2/23 4:40 PM] thinking about it, I may be onto something with Mario. the Sora thing is much more just my personal taste.

Jordan Dooling, [9/2/23 4:44 PM] but Mario. Mario isn't average-looking enough for the Idea of him to appeal to me. the Mario movie on the other hand, that handled it well. Mario was an outcast to the humans. he was mocked, he was clearly doing his own thing. that's why he still looks goofy, for a human.

Jordan Dooling, [9/2/23 4:44 PM] if the games follow the movie's approach, I can warm up even more to it.

Jordan Dooling, [9/2/23 4:45 PM] that adds context. that tells me why Mario stays in the Mushroom Kingdom. it's not just "Peach is in danger and Mario has a sense of Duty," Peach being kidnapped becomes a pretext for "Mario gets to spend more time in this crazy world, and he likes being here, he feels it fits him in some way."

Jordan Dooling, [9/2/23 4:47 PM] just. y'know. up until now, with just the games to work with, I've had no reason not to see it as "Mario is The Everyman. he is the Average Dude who doesn't fit in here, exploring the wacky Mushroom Kingdom, in over his head."

Jordan Dooling, [9/2/23 4:47 PM] which just. that doesn't…. feel right!!! with how Mario looks!!!

Jordan Dooling, [9/2/23 4:48 PM] (and acts!!! Mario isn't in over his head!!! he is the hero we count on!!! he is the reliable savior!!! he runs and jumps in a world that requires running and jumping!!!)

Jordan Dooling, [9/2/23 4:51 PM] …..and that also gets into my view of Sora. Sora isn't in over his head. he looks like he belongs there. yeah, he doesn't fit the art style of the Disney worlds he visits, but guess what, it's a mega-crossover, the art style changes frequently, you get used to that mismatch!!! Sora's "difference" blends in!!! because he still fundamentally looks like a cartoon!!!

Jordan Dooling, [9/2/23 4:51 PM] contrast all this with Yoshi! or Sonic!

Jordan Dooling, [9/2/23 4:52 PM] Yoshi is the ideal Mario game protagonist, because Yoshi is from the world he's in! Yoshi has an excuse to look cute and goofy!

Jordan Dooling, [9/2/23 4:53 PM] Yoshi in real-world situations then looks funny! Yoshi in the realistic Mario Party games! that's funny! a wholehearted laugh! Mario in the realistic Mario Party games looks funny at first but then you start thinking about it and it's like, hey, he's supposed to be a human, this isn't supposed to look funny!

Jordan Dooling, [9/2/23 4:53 PM] and Sonic!!! Sonic is just… aesthetically on-the-ball!!!

Jordan Dooling, [9/2/23 4:55 PM] his own world is all cartoon characters and cartoon animals! he fits in! the Adventure games have realistic humans, Sonic looks out of place, but he's supposed to! and then Sonic 06 takes it to an extreme but that game's story is Actually A Fucking Masterpiece and the more you put thought into it the better that mismatch gets!!! Sonic becomes a walking metaphor! the story isn't about Sonic, it's about everyone else!!!

Jordan Dooling, [9/2/23 4:57 PM] what about Eggman!!! let's contrast Mario with Eggman, as that's more relevant! Eggman looks strange next to realistic humans, so why does he get a pass? Eggman gets a pass because he's a well-defined villain character! he's such an extreme example of a human! he's fucking nuts and if he looks ridiculous then he comes packing heat and forces you to respect him!

Jordan Dooling, [9/2/23 4:58 PM] if Mario carried a gun and acted edgy, that'd actually be better, aesthetically!!! he'd be a lot less popular a mascot, but as a character, I think he'd be seen more like Waluigi!

Jordan Dooling, [9/2/23 4:59 PM] who is also Legit!

Jordan Dooling, [9/2/23 4:59 PM] …………Waluigi has never carried a gun, no, and he doesn't ever act like a serious villain, no

Jordan Dooling, [9/2/23 4:59 PM] but Waluigi is closer to Eggman on this "ridiculousness spectrum"

Jordan Dooling, [9/2/23 5:00 PM] put Waluigi in the Metro Kingdom and the mismatch makes more sense! people will laugh at Waluigi looking so different from normal humans, but then they'll laugh harder and say "well, he's Waluigi."

Jordan Dooling, [9/2/23 5:01 PM] Mario gets less of a laugh!

Jordan Dooling, [9/2/23 5:02 PM] maybe what I'm trying to say here is "I find it difficult to care about Mario because I can't help but feel like Nintendo doesn't really care about Mario. Mario is just a mascot, an excuse, an enabler."

Jordan Dooling, [9/2/23 5:04 PM] and that ultimately brings me back to Sonic 06 again. my theory of why the story is so fucking good. Sonic looks jarring next to Princess Elise, everyone knows that, but most people just stop there because it was a rushed game, they don't feel they should put more thought into it. I do. I mean, I don't even think Sonic Team intended for the extra thought I see in it, but that doesn't matter, because the line of thought makes the whole game better without requiring fixing the game.

Jordan Dooling, [9/2/23 5:08 PM] that is. Sonic looks jarring to Princess Elise, in the same way that Mario looks jarring next to Metro Kingdom humans. because that's what it is. it isn't Mario And Peach. it's Mario And Some Metro Kingdom Woman Who Was Sheltered Her Whole Life And Mario Is The First Person To Ever Care About Her So She's Developed A Naive Infatuation With Him. imagine that scenario. Mario doesn't reciprocate, but he also doesn't not reciprocate. he doesn't do anything. he's not a deep enough character, and that's Okay, that's his Thing. he's literally just a Mascot. he would say platitudes like "You Can Do It, I Believe In You" and "If You Have Time To Worry, Then Run!" and she'd treat it all like he's Prince Charming saying completely personalized things to her.

Jordan Dooling, [9/2/23 5:10 PM] imagine that. in that scenario, the point of the story isn't Mario. the point of the story is the One-Sided Infatuation. a good story would go above and beyond, go out of its way, to explore that Infatuation, not through giving us tons of examples of it, but through showing us where it comes from, what it's a side-effect of, what the consequences are of that greater Reason. Sonic 06 does exactly that.

Jordan Dooling, [9/2/23 5:11 PM] Sonic 06 shows us a goddamn tragedy in Princess Elise. it brings gender into it, it brings class into it, it even brings religion into it.

Jordan Dooling, [9/2/23 5:14 PM] Sonic 06 is all about a Realistic Woman who has to bear the responsibility of never crying, whose entire life shapes itself to keep her away from things that might cause that. and she FUCKING DIES. she tries to count on Sonic to save her, and he LITERALLY CAN'T, he FAILS, she DIES and Eggman dies too!!! how the FUCK do people not find this INCREDIBLE??? imagine Mario!!!! imagine it!!! imagine Mario doing that!!!!

Jordan Dooling, [9/2/23 5:15 PM] then Sonic himself becomes a greater point about Mascots, about Fiction, about the Responsibility That Corporations Have.

Jordan Dooling, [9/2/23 5:17 PM] Sonic has a responsibility to protect Princess Elise, to let her be infatuated with him, to brush that off and just run in a field with her and let her have that moment. he looks ridiculous doing it, and he knows it won't work out because he's always gotta run off somewhere else in the end, but Sonic has a responsibility to live in the Now, to Protect people in the Now! that is the position a corporation is in when a corporation creates a Mascot!

Jordan Dooling, [9/2/23 5:20 PM] and in the end, in the very end, the end of the story, the only actual way out of the nightmare Hate-God time loop is…. to make the whole story never happen! to forget it! it's like Sonic Team knew the game would be a failure, knew gamers would hate the story, so they gave us an Out! "hey. this game isn't canon. we're cutting our losses and will try something else from now on. the game just didn't work out. but in exchange, you've gotta let us have this moment Here and Now, you've gotta let Sonic 06 exist in its own little space. you've gotta let us run in a field with Sonic."

Jordan Dooling, [9/2/23 5:21 PM] "because we still put a ton of work into this game, and we had ambitions with it, and it's perfectly fine for you guys to forget that, but we can't. so let us have this moment."

Jordan Dooling, [9/2/23 5:22 PM] that's!!!! that's what I get from the game!!! just from Sonic's story specifically, at that!!! Silver and Shadow each have their own themes and they're fucking brilliant too!!!

Jordan Dooling, [9/2/23 5:22 PM] that's what I see in it!!!!

Jordan Dooling, [9/2/23 5:23 PM] that's what Mario exists in the shadow of!!!

Jordan Dooling, [9/2/23 5:23 PM] raaaaaaaaaaghhhhhh!!!!!! I fucking rambled!!!!!!

[avhies20]

2022 has been such a great year for tv and movies for me. So to wrap it up, here are my top 5 favorite movies for this year! Long post ahead, because I want to gush about this films.

5. The Black Phone

I loved this movie because the focus was more on the victims themselves. The film humanized them. They showed that they had lives and they had so much ahead of them. Oftentimes, these kind of films glorify the killers, but this film thankfully did not do that. They did not even try to show a backstory for The Grabber that will make us sympathize for him. We were just given some hints. Doing that highlights the fact what he is, which is a child killer.

Also, the performances by the child actors were so good, especially Madeleine McGraw (Finney's determined and brave little sister) They really did such a phenomenal job. I hope they get to be in more movies.

4.The Batman

Initially, I thought this would be the best film I've watched this year but still this movie has a special place in my heart. Emo bruce wearing eye make up, played by Robert Pattinson. I can't believe that happened, but wow I am so thankful for it. In all seriousness though, this movie was marketed as an incredibly dark and violent film. It was, but I did not expect it to have such a hopeful message. That was something that I really needed at the time that I watched that film.

Another thing that made this one of my favorites is how they did Seline Kyle. They did not oversexualize her and we got to see more of her vulnerable side. Besides that, I also love the parallels between her and Bruce/Batman.

Lastly, shout out to the soundtrack. When it first came out, I replayed it over and over.

3. Nope

Jordan Peele did it again! This is such a thrilling sci-fi horror film. I'd like to appreciate the clever and gorgeous design of Jean Jacket (that's such a cool name too). There's a lot of sequences that were incredibly memorable for different reasons and it would be too long for me to talk about. But my favorite scene would probably the showdown between Jean Jacket and OJ. I think that scene showcases the main theme of this film.

Another reason why this film is a fave of mine is because it's a film where you can come up with a lot of interpretations and theories. Seeing all the Chekhov's guns paying off was so satisfying.

Before I end this part, I'd like to say that this is my first time seeing Keke Palmer's work. And wow she's such a fun to watch. She brought a really enthusiastic energy to the film that made me love it even more.

2. Glass Onion

This is my most anticipated release for December (December for me because I could not watch it during its theatre release in November) and it did not disappoint. I just want to say I want a full on movie franchise of Benoit Blanc's mystery adventures. Give me MORE. I love murder mysteries and whodunnits and this ticks everything I always wanted in a mystery story. The social commentary it does is also so on point and done in such a fun way. We get to see it come alive through a variety of crazy fun characters with an interesting ensemble of actors.

Half way through, this movie went into a direction that I did not expect. Props to Janelle Monàe for making such a convincing performance, which helped in really selling that twist. I also loved their dynamic and chaotic chemistry with Daniel Craig's Blanc. Them working as investigating partners was such a delight. Lastly, I appreciate that in the end, Blanc was more of just a "helper." It was Helen who was ultimately the "hero," it was her actions that ultimately brought Miles down.

1. Everything Everywhere All at Once

Finally we're here, this movie was the best for me. This movie made me laugh out loud (that d*ldo scene caught me off guard, not gonna lie), made me cry, made me sob, and made me rethink certain aspects of life. After watching this film, I just had to sit back and process everything for a while. The themes and messages from this film felt a little too close for me.

I feel like the editing needs a paragraph of appreciation here, because the editing of this film is WILD! I cannot believe how they even did this. Round of applause for the editors and I hope they got paid wonderfully for their amazing work.

Moving on to the performances, I just want to say that Stephanie Hsu is a talented actress. Go watch her audition tape too because she needs to be booked in more projects. Of course Michelle Yeoh, Ke Huy Quan, and all the other performers were amazing.

I hope more people get to watch this and see for themselves how much heart and thought was poured into this film.

That's all for for now. I hope 2023 would give us an equally interesting and fun set of films to enjoy. Have a great day to you all!

[cryomancers-orb]

Wow. Reading all this was just like.. who is this character? What were the writers trying to achieve with him? Why does he share a name with one of the franchise's most sympathetic characters?

I would understand if he were meant to be this duplicitous figure set up to be an antagonist, but I highly doubt that's what they're going for with Scorpion. It would truly be something new, which is exactly why they would never do that. Not to mention all the people it would piss off, including Mr. Boon himself.

From his bio, from the way other characters react to him in his intros and the arcade endings featuring him, it's obvious he's meant to be in the same respect as Kuai and Hanzo were in MK11. (Which makes no sense considering they both earned that respect over many years and MK1 Scorp is just starting his fledgling clan. I don't care how good of a fighter he is, that alone doesn't grant him prestige.) And this tracks, because again, he's Scorpion and this is NRS.

But then.. why didn't they write him that way? It's not like they've never written all the traits fanon MK1 Kuai has before. Humility, integrity, a tangible code of honor... these are all things that were present as recent as MK11's Kuai Liang. Of course, that iteration has its own issues, but they are on the large easy to ignore or explain and his arcade ending pretty much makes up for them. So why? The logical answer is they didn't want to have two Sub-Zeroes, which I can understand because despite being different characters they do share many traits, so they had to make him a composite character with Hanzo in the mix. No matter how much their personalities conflict.

Except. MK1 Kuai's many character flaws don't correlate with Hanzo's beyond Mythologies. And even then it's not a total match. Arrogance? Last seen leading to his first death in Mythologies. Which I doubt is even canon anymore in the NRS timeline. NRS Hanzo Hasashi is short-tempered, and that temper tends to make him short-sighted and easy to manipulate. Besides that, NRS has stereotypically made him a sympathetic, good man. Sure, there's that thirst for vengeance, but where Hanzo's mind gets genuinely clouded by it from his trauma, MK1 Kuai seems much more... sinister(?) in comparison. Because he's not Hanzo. His revenge will be a planned out thing, not some moment of passion.

So. Are these intros the way they are because we're meant to simply look at them and think "wow, Scorpion is so cool!"? Because that's the only way I can make sense of it all. Like, whoever wrote these wasn't looking at who exactly would be saying them, or what it would convey as a whole, or how it even comes across by itself. Which is just sad. We go from three line intros to two, and they somehow make at least one of their characters more unlikable than before. That's so sad.

The weird thing in all of this, though, is that it accidentally gives us a very interesting thought (that NRS will never expand upon): While creating this timeline, Liu Kang set out to redeem as many characters as he could, and did his best to give his prior allies better lives. This meant a kinder, more honorable Lin Kuei. Ironically, this resulted in The character shaped by his traumas and pain into a genuine force for good turning into a two-faced arrogant man with his own obscure agenda.

Sub-Zero Kuai Liang believed in redemption because he had to claw his way out of the dark. MK1 Scorpion turns his nose up at everyone because he was always on the side of "good", and he's quick to write off any doubters. Even his own brother.

SZ!Kuai practiced forgiveness and worked to end the cycle of violence he was in, because he understood the value of peace after not having it his whole life. MK1 Scorp was born and raised in a time of peace, and he's only too quick to start his own cycle of violence.

SZ!Kuai never gave up on Bi-Han, and redeeming him was always his end goal. His brother was all he had. MK1 Scorp grew up with his whole family around, and the rest is history.

These are just a few parallels I dug out. I'm sure exactly 0% of it is intentional or will ever get explored.

But yeah. I resent what's been done to my favorite character and I don't think the story expansion nor the next game will fix that. Sadly, I almost think the best thing they can do with him at this point is Noob-Saibot him and put Hanzo back in his place, but that's even sadder because it'll be the third hand-me-down title he'll have. And Noob-Saibot as a character is even less him.

Kuai Liang is not "nice"

This is technically the second part of my character analysis for Kuai Liang, so be sure to check out the first part focusing on Kuai Liang's personality, goals and his relationship with his brothers and Harumi.

This part will focus on how Kuai Liang treats other characters and upon closer inspection, the image of the "sweet wholesome guy everyone adores" that the fandom crafted for him starts to crumble very quickly.

Kitana and Mileena:

Mileena: My bond with Kitana can't be broken. Scorpion: I'd once thought the same of mine with Bi-Han.

Why exactly is Kuai Liang trying to make Mileena doubt Kitana's loyalty to her? We have all seen Kitana's tower ending. She has gone out of her way to secure her sister's reign, she defends Mileena fiercely and is genuinely worried about her. It upsets her to see other members of the court conspiring against her sister. Kitana is nothing but loyal to Mileena, in a way Kuai Liang was never loyal to Bi-Han.

"I'm disappointed in my brother's decisions and therefore everyone else's siblings suck too." That's not a healthy or mature mindset. He's projecting his own family issues onto Mileena and Kitana, who actually share a wholesome bond, and tries to create distrust and dispute where there is none. And why? Out of jealousy? It's hard to tell, but this was uncalled for.

It's particularly awful because Kitana is actually trying to help fix Kuai Liang's relationship with his own brother while it seems Kuai Liang is trying to ruin hers with Mileena.

Kitana: You've broken Kuai Liang's heart. Sub-Zero: It won't be the only part of him I damage.

Kitana: I understand congratulations are in order. Scorpion: How did news of my marriage reach Outworld?

Kitana: Weapons. Soldiers. Whatever you -- Scorpion: I have all that I need to defeat Bi-Han.

She's also offering him her and Outworld's support and is really just being nice to him, yet he never once shows gratitude and even tries to plant doubts about her in her sister's mind behind her back.

Nitara:

Scorpion: If you would only feed on lower species -- Nitara: Humans are a lower species.

"Lower species"? What species exactly is Kuai Liang talking about here? What's his definition of a lower species? Tarkatans? Netherrealmers? One could assume he means animals, but then why doesn't he say so? Instead, he's using a term that's often used in f*cist language. Who or what he's referring to isn't specified either, but it's definitely a questionable choice of words regardless.

Let's be honest, the mindset that there's "lower species" that are not deserving of life, as Kuai Liang basically implies by claiming Nitara should feed on them instead, says quite a lot about the kind of person he is. No matter what he's speaking of here, I still think this is pretty fucked up from any standpoint, especially because Kuai Liang doesn't explicitly say that he's talking about animals.

This is just my opinion, but even if he were to "only" be talking about animals here, I think it's downright wrong to say any animals are a "lower species", given the fact that we very much depend on certain animals for our own survival. Even if we give Kuai Liang the benefit of the doubt, he still sounds incredibly uneducated and ignorant. To not value the life of other creatures is not a good look on him, but then again we've seen how much he values his own brother's life so the bar is quite literally in hell.

Raiden:

Scorpion: Liu Kang's revelation has shaken my faith in him. Raiden: Understandable, given what he chose to hide.

Reptile: Am I right to put faith in Liu Kang? Scorpion: He's always proven worthy of mine.

Oh, has he now?

Kuai Liang is beginning to sound two-faced. He's certainly not conflicted because he still continues to follow Liu Kang and advices others to do the same. He also doesn't openly criticize or doubt Liu Kang like Tomáš and Bi-Han do. But he himself has lost some of his faith in Liu Kang, yet he judges Bi-Han for having done the same thing? Where does any of that make sense?

Bi-Han:

Scorpion: You would shed your brother's blood? Sub-Zero: Because you choose to stand in my way.

The first blood shed was Bi-Han's, not Kuai Liang's, but because Bi-Han doesn't bear a visible scar, no one acknowledges that.

Kuai Liang is once again showing manipulative behavior here. Blaming everything on his brother and pretending he did nothing wrong. Guilt tripping Bi-Han for something he himself has done.

Kuai Liang's actions are not even the biggest problem here. You can somehow justify what he did with him being hurt/angry when he found out about the true circumstances of his father's death. It's the fact that he refuses to take any responsibility for what he did and acts completely innocent although he's anything but, that shows he's not who the fandom makes him out to be.

Even Bi-Han stands by what he does. Kuai Liang can't even own up to his actions.

Liu Kang:

Liu Kang: You allow vengeance to consume you. Scorpion: I should not punish Bi-Han for his crimes?

So, Liu Kang seems concerned with Kuai Liang's thirst for vengeance. What's even more noteworthy is that we have Kuai Liang, a mortal, speak to Liu Kang, a literal god, about punishing someone else as if he's entitled to do so? Should it not be up to Liu Kang to decide whether Bi-Han deserves forgiveness or punishment? Do we need to add a god complex to the list of Kuai Liang's flaws?

There's nothing honorable about vengeance. It's honorable to be the bigger person and to forgive.

As Chinese philosopher Confucius said:

“Love thy neighbour as thyself: Do not do to others what thou wouldst not wish be done to thyself: Forgive injuries. Forgive thy enemy, be reconciled to him, give him assistance, invoke God in his behalf.”

Kuai Liang has none of that honor he claims to value.

Tanya:

Tanya: Liu Kang says we can trust you. Kuai Liang: As long as Outworld's goals don't conflict with Earthrealm's.

Let me translate it: "No, you can't. I'll stop being a reliable ally and might betray you as soon as our interests no longer align." Which is fair enough, he doesn't owe Outworld his loyalty. It's, however, funny that that's exactly what Bi-Han did with Liu Kang/Earthrealm too, but for some reason Kuai Liang is still delusional enough to think he's a more honorable man than his brother?

Kung Lao:

Kung Lao: I bet I could be Shirai Ryu. Scorpion: First, you must learn humility.

Also Scorpion:

Ashrah: I'd do well to follow your example. Scorpion: Then start by studying my kombat.

Quan Chi: Your brother told me of all your weaknesses. Scorpion: A short conversation, sorcerer?

Kuai Liang is a hypocrite who doesn't practice what he preaches. These are just two of many dialogues in which he comes off as overly confident and boastful. He will try to force his own values and ideals onto others but will not uphold them himself. These dialogues are not even the only example of his hypocrisy, but more of that to come later.

Smoke and the Shaolin monks:

Scorpion: Was it worth it, training with the Shaolin? Smoke: Let me show you what I learned.

Yet another example for Kuai Liang's arrogance. "Was it worth it?" What's that even supposed to mean? Admittedly, this might not sound as bad compared to everything else he's said but I invite you to go and listen to this specific intro and pay attention to the tone of his voice. To me, it very much sounds like, as a former Lin Kuei, he thinks there's nothing the monks can teach him and Tomáš anymore and therefore he sees training with them as a waste of time. Overall, Kuai Liang seems to hold little respect for his allies. He might not outright say it, but there's definitely a superiority complex there.

Johnny:

Scorpion: Your mansion was unduly extravagant. Johnny Cage: It came with the megastardom. Package deal.

What gives Kuai Liang the right to judge Johnny for what he does with his money that he's earned from his movies? Judging people and acting like he has the moral high ground over them in any situation is something Kuai Liang does a lot. That alone might not automatically make him a bad person, but it's tasteless and impolite nonetheless.

Johnny Cage: With your skills you'd be a hit, Kuai Liang. Scorpion: Do I look like an entertainer?

Again, if you listen to the actual intro, the distaste in his voice is obvious. He seems to not have much respect for Johnny's profession or for most of his allies' professions, really. Remember his reaction to Tomáš training with the Shaolin monks?

Rain:

Scorpion: Like a dog, you bit the hand that fed you. Rain: You've no right to judge me, Earthrealmer.

He doesn't -- because did Kuai Liang not do the same to Bi-Han? It doesn't matter that Bi-Han chose the wrong side, Kuai Liang's oath was to his grandmaster, not to Earthrealm. Bi-Han broke his oath to Earthrealm and by breaking his own oath to his brother, Kuai Liang is no better. And as I already explained in the first part of my analysis, Kuai Liang always meant to overthrow Bi-Han, even before Bi-Han abandoned his duties to defend Earthrealm. Bi-Han gave in to corruption and became a traitor, Kuai Liang was always a traitor in disguise. Kuai Liang is yet again being a hypocrite in this situation and displays double standards.

Kenshi:

Scorpion: Do not let Sento become a crutch. Kenshi: I could win this fight with or without it.

Does anyone else think this comment sounds a lot like ableism? Who is he to tell a disabled man how to handle his disability? Kenshi is a badass, he's proven that countless of times and he doesn't need Kuai Liang's advice, but Kuai Liang has a habit of acting like he knows better than others.

Bi-Han (again):

Shang Tsung: It was all too simple, pulling your brother's strings. Kuai Liang: It sickens me that he was so easily exploited.

Bi-Han fell victim to Shang Tsung's manipulation, yet here Kuai Liang is, blaming the victim. Meanwhile, Tomáš:

Smoke: I rue the day I ever met you. Quan Chi: No sense dwelling on the past, Tomáš.

Tomáš regrets ever meeting the sorcerers because he rightfully blames the people responsible for this whole mess, Shang Tsung and Quan Chi, not Bi-Han. Kuai Liang is miles away from the same level of emotional maturity Tomáš has.

Scorpion: "Bi-Han's trail has led me to Sun Do." Li Mei: "I'll abide no vigilante justice, Kuai Liang."

Scorpion: If you know where he is, tell me. General Shao: As if I would spill your brother's secrets.

Scorpion: I need help to find Bi-Han. Johnny Cage: Y'know I was only a TV detective, right?

Kuai Liang is making his own family feud everyone else's problem.

SPOILERS: At the same time, when Bi-Han will crash Kuai Liang's wedding in the dlc according to leaks, Kuai Liang will "apologize" to those who attended that they got dragged into his war with Bi-Han, once again painting his brother as the villain. Could he be any more duplicitous? I think the main reason why Smoke is not mentioned in any leaks is because the writers might deliberately not want him to be there because the way Kuai Liang acts (wanting to kill Frost, leaving Bi-Han to suffer and die) would go against everything Tomáš believes in and they can't have someone make Scorpion look bad, so they decided to just have Tomáš not be there at all. If that doesn't say it all, I don't know what will.

Kuai Liang:

Scorpion: I won't be consumed by vengeance. Scorpion: How can your father's death not burn you.

You know it's bad when your own alternate self starts judging you and criticizing your ways.

Geras:

Scorpion: I want to see the moment my father died. Geras: You are not ready to receive that knowledge.

I wonder why Geras denied Kuai Liang's request. Is he concerned that actually witnessing the event will make Kuai Liang lose his mind completely and he will make even more of an effort to kill Bi-Han? He surely seems to think Kuai Liang is too unstable to receive that information. But then again, Kuai Liang already wants to kill Bi-Han, he already tried to do it and he already knows what happened. When will he be ready in Geras' opinion? Once he already forgave Bi-Han (which seems like it won't happen at all)? Would that not just reignite his old hatred? Could it be that there's more to the death of Kuai Liang's father than we know? Is there something Geras is trying to hide from Kuai Liang on purpose?

Ashrah:

Ashrah: Bi-Han can be redeemed. Scorpion: I don't see how that's possible.

It sounds a lot like Kuai Liang doesn't want it to be possible. He wants to deny his brother a chance at redemption. He's also once again acting like he knows better than everyone else. It's getting to the point where he seems self-righteous and out of touch with reality.

So, tell me again, after all that, why are we calling Kuai Liang a nice guy?

To conclude this, Kuai Liang only appears "nice" in direct comparison to Bi-Han, not necessarily because he's a better person, he's just the more agreeable one of the two. Take Bi-Han out of the picture and it's plain to see Kuai Liang is really not that nice. I also don't see how Kuai Liang is the poor, traumatized victim that never did anything wrong in his life, as fans like to describe him as. Yes, he suffered as well, but victims can also become aggressors. There are plenty of situations in which that's the case for Kuai Liang. Again, this is not hate or an attempt to completely demonize him, just to show that the fandom has a wrong idea of who Kuai Liang is and what he's like.

[simptasia]

I heard they're making Final Destination 6 and I'm scared.

Final Destination is a really solid franchise that didn't overstay its welcome. The franchise ran from 2000 to 20011 (new movie every 3 years) and 5th movie technically happened before the first one. A time capsule for the 2000s. The Final Destination, movie number 4 is where it ends. Movie makers have 2 options:

Disregard movie 4 as the true ending and make the 6th movie in modern times. Which is lame. Also, I don't want to see what ''modern'' death they come up with. If somebody dies doing a TikTok challenge I will not watch it.

They will set the happening of the movie somewhere before movie 4 in the 2000s. Yet again there are two possible outcomes. Filmmakers will capture the feel of the 2000s just perfectly. No over-the-top flanderization but you can tell when the story is taking place. Or they're so out of touch they will completely butcher the portrayal of the time which wasn't so long ago and logically should be pretty easy to capture. People will come out of the woodwork and analyze how inaccurate the costumes are, and point out all the anachronisms (Everybody has iPhones in 2004, really?). We will be like those historical buffs! ''She can't wear that, in her school at the time was a rule about not showing your midriff.'' ''They're going to see a concert but the said band has broken up 2 years prior.'' I would watch those videos!

This premise is so easy you could make a million movies about it. Some accident that kills a lot of people happens, it was a premonition, some people survive but they start dying one by one anyway. Rinse and repeat. Don't even acknowledge previous movies. But that's not what the filmmakers did. They made a surprisingly coherent world where every movie naturally connects to the other. I really don't want them to fall into what the general public thinks and what movie 4 perpetuates. There is no story. It's just people dying in gory, physics-bending deaths with bad effects (3D and CGI). People who watch it do it to laugh at other people's misery, like Hunter (from movie 4).

What do you think?

Well, I appreciate the long message about something I'm into!

Yeah, right on all accounts, wow. It does frustrate me when FD is treated just as a gore/death fest, I do want the filmmakers to at least Try to make interesting characters. The problem with FD4 (besides hooorrible effects) is that all the characters were boring. Nick is the most boring visionary, so much so that for a while my brain misremembered what he looked like and I remembered him looking like Sam from FS5?? Like a copy and paste kinda thing.

I don't have an inherent problem with it being set in the modern day, tho yes there is a chance it'll be cringe. It is possible they'll go for early 2000s, cuz I've been watching netflix movies with my mum and early 2000s nostalgia is all the rage right now.

I dunno which I'd prefer.

But I do have an idea. Bloodworth mentioned in FD5 that he's "seen this before" and it's implied he's a survivour who killed to live longer. I know it's better to just leave it at that. But I'm saying it is an option for them to set an FD movie in the 70s when William is a young'un.

Technically an FD movie can be set in any time. I dunno if it would hurt the franchise if they went into lore or whatever, so... [shrugs]

Really, I'm not sure what I want for FD6. I just know I like FD1 and 3 the best because the mains were engaging to watch, with Alex and Wendy being the best visionaries. True this is due to the low bar of Expressing Emotions Good, but hey, it's a good bar to cross.

Anyways, I'd like an opening premonition set on a boat, like a cruise ship. This franchise loves the opening involving vehicles and boats are scary. There's a sense of helplessness there.

Thank you for your time.

[xxarmchairphilosopherxx]

Why we love Five Nights at Freddy’s a tribute to an unexpected fandom

So, Five Evenings at Frederick von Ferdinand’s…

 Ok stay with me here guys I swear it will be ok. No convoluted lore timeline analysis here… Though I can’t promise that one day I won’t throw my hat in the ring and complete my insanity completionist speed run. But until that point inevitably comes, I wanted to take a step back from all the games, comics, and hot topic merch to ask that all important question. Y?

           No seriously how is this franchise so popular? It’s not just with the older audience either but with its apparent core demographic of kids. Which to be fully honest with its release being almost 10 years ago now all us technically started this journey as little ones, so I guess that’s not as surprising. Hm somewhere between Fazbear and today we all grew up… But I digress.

           Let me answer this question by asking another, Why is Harry Potter so popular? Some of you may say “oh it’s the world building or the characters or this that and the other thing lengardium LEveOsA!” No that’s not good enough, 10 vbucks away from Snuffleclaw house!

These are not unique to Harry Potter, these are qualities that almost any franchise needs to become popular. But what was key to harry potters success?

It’s not a fantasy novel, it’s a mystery novel.

Seriously it may not seem like it but almost everyone likes mystery stories. Look at Sherlock the brilliant Brit is one of the most famous characters in all of western media even though most people haven’t even read the originals. Crime tv is the only thing keeping cable tv alive, and the funny kiwi man tells me this mystery box is all he needs to make a good star wars movie! Ok maybe not all of those are the best example but that’s where the magic (heh) comes in. JK “rolling on the floor” hid the mystery series under a fantasy story about wizards, dragons, and all that actual fun stuff. But what made us stay there and not head over to re watch Lord of the rings for the 20th time to tell our friends that Viggo broke his toe, was that human trait so deadly to cats; curiosity.

           We just love what we can’t understand. We need to know it and that’s what keeps drawing us back, not only to the escapades of the least dangerous school in England. But with the recent happenings at old Freddy Foozler’s Italian Cuisine. You know a mystery is good when not even the sharpest minds of Reddit can figure it out… Ok, another bad example, but still this shit is cray just look at these timelines.

 I can’t even tell how many kids are dead anymore! Just like Nancy Drew gets the kids’ reading, so does Harry potter, but more importantly Freddy FazeClanBear get those nerds out of them books and into gaming like God intended.

           Oh, and an aside to this is the pure fact that kids, despite all signs saying no, the little munchkins love to be scared. You know how it felt right? When you watched that episode of goosebumps with the pig head kid with all the lights off? You felt a little braver when it was all over. And it’s the same reason why we all loved to play those violent games or raunchy episodes of family guy when we were kids. When a youngin sees the ratings anything over their given age that’s a challenge. Adult stuff has been and always will be seen as cool and edgy; and gosh dang it if there’s one truth in this world besides the indisputable fact that blue is a flavor and can be only distilled in the 7 eleven slushie machine. It’s that kids want to be cool, and the Possessed Chuck e Cheese Copyright Infringement Brigade got the keys to that all so coveted cool kids club.

           Another aspect that’s gonna get a bit strange is the idea of Character…

Now logically you will ask “how can a bunch of possessed animatronics with a vocal range of distorted child scream to guttural groan from the depths of hell, have any actual character?” Well, My good friend take a trip with me to the forbidden forest of the human subconscious: The internet!!!

Well mainly one aspect I’ve noticed through my many hours spent trudging the coded catacombs in search of the dankest and rankest of memes. That is, when faced with fear we usually try to make it funny. The following are in cannon possessed by a dead kids.

This comedic-fication of Freddy and the Gang came form two sources. First of course was wanting a sense of relief. You can’t be afraid of something when it’s got a mouth full of blunts dancing to snoop doggy dog’s Cremate Cannabis Customarily. And also it was just a natural consequence of the game itself for example. You in the back what is the equation for comedy?

(Pause for your stuttering response)

         That’s right!

          Misery + Time= Funny

          Exactly! Good job gold star for you champ see me after class and maybe you’ll get a little treat~ Wait sorry wrong script hold on (shuffles papers).

          Ahem here we are... These games while also being scary were at times insanely difficult to the point where even the man behind the game itself was unsure if its higher difficulties could even be completed. But from the misery of fear and rage, came the memes of dank and WANK… No no stop no nsfw here! Gosh these scripts are all over the place hold on.

           Ahemx2. Now these comedic bits also happened to mix with some of the core gameplay behaviors of the animatronic animals which lead to some odd things starting to rise to the surface. A Character.

           Take Foxy for example. An aggressive gameplay loop, mixed with his implied solitary nature in Pirates Cove made him generally a grumpy kind of guy who hates the night guard. Maybe he’s even more aware of the situation than the others. Then the big Faz himself with a more strategic code and being the main cheese himself, maybe he’s like the begrudging ring leader of the group and just too tired for this shit. And Bota Bing Bota boom in the primordial soup of Tumblr and deviantart… and hint of furry. You have characters! and characters need stories, and drama, dynamics, backstories, and ships! Oh the ships, the ships like FEDEX!!! And since these primordial soup characters are 50% meme by volume, there is no cannon! But then also, everything is cannon!

        So just like that weird doujin writer taking a bunch of legendary characters and making some weird dating sim and taking up whatever lore he wanted because that’s what everyone did before him (ie Fate Stay Night). So too did Xxgoldenshadowfreddy1987xX using MS paint make his series of comics detailing the break room shenanigans of Freddy and Co. And also inspired the likes of Thisaccountismine23 to write the most poetic story about the end of life, the eternal essence of the soul, and how it can be seen in the eyes of a child. Which just so happened to be set in the Fnaf 2 location with Mike Schmidt and his oddly attractive robot furry friends.

           You see what I’m getting at here? This is why it’s so damn popular. It’s this weird combination of memes, murder, and mystery; it creates a beautiful canvas that’s both as blank and as filled as any creative person wants it to be. And its self-feeding loop too. Fanon affects how one sees the cannon, and with a canon in constant flux and a fanon that shouldn’t even exist, you got yourself a recipe for a once in a lifetime Super Fandom.

           And to wrap this up in a nice little bow you could show your therapist this Friday, I wanted to take a moment and say a few words. 434 to be exact. If there’s one thing I learned growing up and working with kids allot, especially as I got older myself, is that there’s nothing worse than seeing yourself become that adult whose not just out of touch but who mocks a kids hobbies and interests and makes them feel bad for what they’re into. I knew what that was like and I’m sure anyone watching young or old knows what that’s like too. It hurts and it can make that thing that you liked, that gave you a bit of joy or comfort, have a sour taste in your mouth. And that can hurt all the worse. So when I caught myself being like that to these little ones, I didn’t like it. So I swore to be better than that. Now I joke about ‘fuck them kids all the time’. But it’s only a joke pure and simple. I don’t call any of these things cringe anymore even if it doesn’t jive with me, even if I feel cringed by it, I try not to be that way anymore. I don’t like shitting on what could be a kids first forefronts into art, music, or writing. I sure as hell don’t want them looking back on their old work and feel ashamed. If they moved on or not it doesn’t matter, they should be proud of their work, any work, if they gave their all. Hell, you can take a good look at my YouTube channel (@lazyboywiseguy) (#shamelessplug). I know damned well some of that stuff could be called cringe today but I’ll tell you what. Some those vids did some numbers and that means that someone somewhere enjoyed them. To that someone and to me they are not cringe. I like those things and the things I made with them. I like FNAF and the weird ass community it made for itself. And I just want to say to you at home, don’t worry about cringe or based, just be, for that is based-est thing of all. And kids don’t let some old bat say the stuff your into is wack yo. And to any older readers don’t be ashamed of anything that gives you joy. In reality that’s a lesson for young and old. Life’s too short for that, be happy and be good, that’s all you need.

           Sorry to end this on a less than memey note but I think that’s enough out of me. This FNAF lore script won’t put me in the insane asylum itself. So back to my mad ramblings I go, until next time. Smell ya latter.

[quirrelli]

Marvel Rewatch Thread

Originally posted: 25.02.22-14.03.22

Haven't seen most of the Marvel movies since they came out but I have a sudden urge to rewatch them like a TV show, with Endgame as the season finale. And to tweet about it. (Feel free to mute this thread if you're only here for the art.)

Iron Man still fucking rules. It has so much of what I like to call buzz porn. I will never get tired of the suiting up sequences.

Evil Jeff Bridges with a cigar on a Segway. A king.

We've all gotten used to it by now but the way they show Tony's face in the 3D-void with the digital interface over it is actually pretty ingenious.

Speaking of Tony, RDJ may always play himself, but the man oozes charisma from the points of his funky goatee to the bell bottoms of his suit pants.

And Jarvis too! I've never not loved a Paul Bettany performance. I predict I may say this several more times, but the casting carried this franchise from the start.

That final battle is like, what if Transformers but good?

---

Ah, the famously maligned Iron Man 2. It's true, it's not as good as the first but nevertheless, the War Machine suit FUCKS. (And so does the song).

I like Whiplash, it's Hammer that's the problem. Everyone, but especially he talks so much that the quippy bickering that is 90% of the dialogue stops being amusing like it was in 1 and becomes draggy.

Also, the narrative structure is much less clean. Iron Man 1's plot is a tight piece of ass, where 2 needs to do some more squats.

---

The Incredible Hulk certainly is an odd little duckling in the lineup. Its connection to the rest of the MCU is so tenuous as to almost not be felt at all, especially with Norton's recasting. It's also the only one without a post-credits stinger.

I will say I like Norton!Banner, but there is something off about this Hulk's face. Maybe the technology just wasn't quite there yet in 2008.

Certainly appropriately green color palette throughout though. I'm also noticing a certain grimy, tactile nature to these early entries that's gradually lost as more and more of the sets and even costumes get replaced by pure CGI. Some jumpy editing here and there too.

---

Again, the casting in these movies is stellar across the board but man, Chris Evans is such a perfect Captain America in every way. Certainly the best bod in the biz, come at me, rival Chris stans.

That replacement effect they did with pre-serum Steve's body is surprisingly good, especially remembering much more recent travesties like the Super-stache.

The first Cap suit is still lowkey my favorite one. That functional military aesthetic is just my vibe.

---

Thor is better than I remember. Everyone, but especially Jane is super likeable actually. Also, I would trust Heimdall with my life savings, my first born, my soul and my browser history.

Besides Tony, Loki arguably carried this franchise more than any other character and he proves yet again that family makes the best villains.

---

The Avengers takes me back. It might be old news now, but this is the movie that invented the concept of the "cinematic universe". Like, that wasn't a word before. It was thrilling.

I remember when I got into Marvel after the first Iron Man came out, reading rumors about a potential Avengers movie and thinking that it was never going to happen. It would be too big, too expensive, too much to set up, just unfeasable on every level. And then it... happened.

That first arc of the MCU might have also been the best execution of a cinematic universe to date, bc it was at that point still Tony's story at its core and his arc finishes here. But we'll see as we go along.

---

Thor 2 is the first of these that really feels like it only exists to be part of the larger franchise. That is not a good thing. It's what sank the DCU before it even left the shallows.

There's a very noticeable lack of verve compared to the first one, the cinematography and editing is so unexciting, the plot so basic. I mean they whipped out the ol' "when the planets align" chestnut. The only fun idea is the wacky gravity but they don't do enough with it.

Jane, despite being more directly involved in the conflict feels much less like an active agent than the first one and what did they do to rapier-man's hair?

I don't mean to pretend like these movies are high art or anything but this is well below the standards set, like b-tier fantasy at best.

---

I have to admit IM3 is better the second time around. The big twist obviously loses its impact but there's some good moments and it's thematically more coherent than I originally gave it credit for.

Having said that, that theme and its resolution requires that this be the end of Iron Man as a character, which it obviously won't be. It's sort of the opposite problem from the last one: Where Thor2 can't exist outside the MCU, IM3 can't exist within it.

What made me absolutely livid when I first saw this movie is that Tony gets the reactor removed. It still doesn't sit right with me, though the reasons have shifted. Then, it was bc Tony and the suit are a unit, if it's not part of him he becomes exactly what cap says he is in A1

Now, contrary to what IM3 posits, the reactor to me symbolizes accepting the wounds of the past as a permanent part of yourself and growing from them, which breaks down as a metaphor if Tony could always get rid of the shrapnel and just didn't, for some reason.

Also, the mark 42 is still fugly.

---

CA: winter soldier has some really good hand-to-hand combat and I really like the bromance with Natasha. They make a good team. Same goes for Wilson.

Because the themes of mass surveillance and corruption are more relevant than ever I'm not a huge fan of the conspiratorial bent this movie takes. It's a bit too real a subject to go full wacky Hydra long-con, you know.

---

Guardians 1 does a remarkable job being good, considering all the new stuff it has to fit in. I'm not particularly attached to any of the characters but yeah, it works, it's just a solid flick all around.

I'm having flashbacks to baby groot mania

---

Guardians 2's opening slaps. Also, de-aged Kurt Russell looks surprisingly convincing.

It's the sequel that's just better in every way. G1 laid a solid foundation that this one builds on a lot. It really digs into the characters' hearts (and makes me mix my metaphors apparently). They even manage to make the goofy tone thematic in that it's Peter's coping mechanism

Ego is the rare antagonist who isn't a foil but a natural evolution of the protagonist. Definitely in the upper echelons of Marvel villains.

I really like the ship with the little movable laser balls. Creative.

---

Avengers 2 time! Vision: Awesome! Hulkbuster: Awesome! That shot of Cap ripping a log in two: Awesome! Natasha calling herself a monster bc she can't have children... a choice.

I'm glad they acknowledge from the start how OP Wanda is. I'm less glad her powers are basically reduced to telekinesis when they're so much funkier than that.

Why did they give Ultron so much... face? Especially combined with Spader's expressive performance it would have been much more unsettling to have a motionless mask.

This movie really takes IM3 from a mixed bag to utterly pointless.

It could be on my end but the audio mixing is off. Some of the sfx are weirdly quiet in places.

---

Ant-Man is definitely a breath of fresh air after all relentless power escalation of the previous batch of movies. Slows down a little, brings down the scale (hah), you know

Although I do remain a touch salty that they didn't go with original ant-man/yellowjacket, especially since they already transplanted the Ultron storyline to Tony. I would have liked to have seen mad scientist Pym and his merry circus of fucked up alter-egos.

---

Movie civil war is better than comic book civil war bc it ties into the characters way more and bc the inciting incident actually directly involves an avenger, and one who is famously volatile to boot. Still perhaps a touch contrived though.

Black Panther!!! The only hero who may out-cool Tony. RIP, king.

Why are the police in Bucharest speaking German? That really threw me, to the point I was unsure where that part was taking place. Pretty serious oversight honestly.

And why did steve kiss this random side character who doesn't matter? In a movie as long as this you can't really afford to keep dead end plot lines like that around.

My aesthetic is steve rogers' biceps.

---

Listen, Toby Maguire will always have a special place in my heart, but Holland is the best package as far as spider-men go. Even though obviously no-one here looks their age I do buy Holland as conceptual teenager. Like, the energy is correct, in a way it never was before.

I really enjoy dad!Tony's ineptitude too. There was a touch of that IM3 (keep coming back to that one, huh) but it works better here.

Did they cast Michael Keaton as the Vulture bc of Birdman? I'm gonna choose to believe they did.

If I may nitpick for a second here: The new Avengers HQ was introduced after Ultron, two years before Homecoming takes place, so why would they just now have a "moving day"?

---

I really like the tech in Black Panther. The beads, the sand, the cloaks. Really adds to Wakanda's identity separate from the rest of the universe.

Who gave Michael B. Jordan the right to be this attractive and compelling and generally a highlight of the franchise?

WAR RHINOS!!!

---

Do I have lingering trauma from being on tumblr in the years 2012-17? Yes. But I still have to admit Cumberbatch is a decent actor. My favorite thing about his casting is that there's probs no one else whose name is as evenly matched in joke potential to their character as him.

The trippy shit is great. Like Inception on LSD. Just fun to watch even if, like me, you're not super invested in the story.

Rachel McAdams is so pretty <3

---

Thor Ragnarok summary The aesthetic: impeccable The cast: hideously attractive The humor: so good The tonal shift compared to previous entries: lurching

I guess it only makes sense that the most unique, mould-breaking, complete stories have the most trouble fitting into such a behemoth of a franchise. Ragnarok might be the best MCU movie outside of the context of the MCU.

When Thor lands on the rainbow bridge all electrified, a lightning arch connects between his eye and his chest circle thingy and I love that particular frame so much.

---

The size fuckery in Ant-man 2 is even better.

I don't like the ghost's acting. Nothing wrong with the character, but her body language is stiff and awkward. Now scott's daughter, there's a real mvp.

Watching the first after credits stinger before having seen infinity war makes it super ominous actually.

---

Captain Marvel aka I'm gaaaaaay, the movie. And not just me. Carol and Maria will get married eventually and finish raising their daughter together, you cannot convince me otherwise.

Aww, I forgot about the Stanley montage. That's sweet.

I do love the mohawk.

Larson leans into the cocky badass persona a bit too far but what I like about Carol is how much joy she finds in her powers. Like so many heroes they get foisted on her but she doesn't get caught up in any "but what if I'm a monster" or "I didn't ask for this" angst.

She discovers she can fly and is like "fuck yeah I can fly! Watch me gooooo!" You know, the correct response. One of my favorite moments in the movie is when she starfishes straight through a spaceship just for shits and giggles.

---

The remarkable thing about Infinity War is that while not everyone gets an arc, everyoen at least gets a beat or two and it all makes sense and hits. That's the pinnacle of what can be achieved with a well-designed cinematic universe.

The only thing that feels a touch underdeveloped is Wanda and Vision's relationship. It's a shame bc Wandavision is such a good ship with so much history. At least they have a TV show now. Also, I notice Wanda lost her accent.

Do Strange and Tony have... chemistry? Not to get all shippy for the finale but like, I might have to check AO3 and see if there's anything good.

Why is it that all of my faves specifically have to die :(

---

Is Infinity War/Endgame the best two parter finale? A case might be made, I think.

This movie really makes me cognizant of how well structured the power escalation in this franchise is (leaving aside the fact that the sorcers are supremely OP).

Time travel and universe rearrangement is game-breaking and about as far as you can reasonably go in scale. The stakes just lose touch with what's humanly imaginable/ empathizable after that, which is why it's good that they saved it for the very end.

Endgame has a touch of the ol' "too many endings" disease but I'd say it's earned them at this point.

---

Wrap up time! First, the perhaps obvious: there's a difference between watching 22 movies and 22 TV eps. They flow different and the movie marathon does get exhausting in a way the equivalent of ~2 TV seasons wouldn't have done.

They are, for the most part, fun flicks in their own right but I'm left wondering if the individual heroes wouldn't have been better served in a semi-canon CU, where weirder titles like Dr. Strange and Ant-Man would have had more freedom to experiment.

Then again, the existence of the MCU doesn't preclude future iterations that do push the envelope a little more. In fact, Wandavision, the only one of the TV shows I've cared to watch, does go in that direction, to the point that it ends up straining against its MCU obligations.

Anyway, I'm not gonna do a ranking of the movies. Instead I'm gonna do sth much more fun and at least 5% less overdone and rank each movie's main villain! It's possible they might correlate more strongly with overall enjoyment than the heroes even. Let's see here:

1. Loki 2. Killmonger 3. Vulture 4. Hela 5. Ego 6. Winter Soldier 7. Obadiah Stane 8. Ultron 9. Thanos 10. Yon-Rogg 11. Kaecilius 12. Yellowjacket 13. Ghost 14. Red Skull 15. Aldrich Kilian 16. Whiplash 17. Zemo 18. Colonel Ross 19. Ronan the Accuser 20. Malekith

[themovieblogonline]

Transformers: Rise Of The Beasts Teaser Gives Us Beast Wars In Live Action!

This is it. We are now in the Beast Wars era of the live-action Transformers movies. And whether I knew it or not, I’ve been waiting for this, for years! With the trend of diminishing returns from the current slate of Transformers movies, this is absolutely the way to bring it things back on track! With the newly released Transformers: Rise Of The Beasts teaser trailer, we get the first glimpse of our favourite Beast Wars characters, in live action! Keep reading to find out what this could mean for the Transformers franchise. Why This New Transformers Movie Is Important For The Franchise The new Transformers movie has the daunting task of reinvigorating a franchise that most fans and critics wrote off. Besides fun summer blockbuster movies that are okay for a one-time watch (or hate-watch), the Transformers movies have lost their sheen. Not to mention all sense of logic and visual appeal. Similar to the animated franchise, Beast Wars was an iteration of the cartoon created at a time when audiences wanted more than car robots fighting each other. So it's very apt that the live-action movies similarly look to the Beast Wars for a shot in the arm of this current franchise. And boy, does it look great! Transformers: Rise Of The Bests Teaser Trailer Is Making Me Giddy! Keep in mind that this is a teaser trailer only, it does everything just right. The Transformers: Rise Of The Beasts teaser introduces us to all the new Transformers in the movie, teases a threat, gives us an awesome car chase, and clearly sets up more to come. Perfection. At least as far as teaser trailers go. It opens with our regular Optimus Prime (Peter Cullen) meeting a new Transformer threat in the jungle or, I want to say Peru? However, this new character, whom Beast Wars fans will recognize as Optimus Primal (Ron Perlman), warns Prime of a looking threat that they have to band together to fight. What follows in the Transformers: Rise Of The Beasts teaser is a flurry of absolutely stunning sequences that introduce us to many of the humans, and more importantly, new Transformers characters. My mind nearly exploded seeing the live-action versions of Cheetor, Rhinox, Airazor (Michelle Yeoh) and Primal. However, there are clearly fan-favourite characters either missing or not included in the teaser. I mean, I don’t want to nitpick, but where are Rattrap and Dinobot? Beast Wars In Live Action Looks Amazing! https://www.youtube.com/watch?v=iUHAObplk4k The Beast Wars iteration of Transformers was almost a reboot of the franchise. It began with a group of future Transformers, the Maximals (descendants of Autobots) and Predacons (descended from Decepticons) crash land on a pre-historic planet. To prevent from shorting out in their robot forms, the Transformers had to scan and become robot versions of the local animal population. Or otherwise known as, beasts. As the series progressed, the story took a turn and revealed that the prehistoric planet is actually Earth, and the original Autobots and Decepticons also crash-landed here, and are in stasis, until they awake in the 1980s. As per the original Transformers canon. What followed is one of the best shows of fulfilling prophecies, time travel and so much more. Which Franchise Is Transformers: Rise Of The Beasts In? While the live-action Transformers movies struggled, a reboot/prequel came out in 2018, called Bumblebee, focusing on that solo character to positive critical and audience reactions. The movie loosely tied into the original franchise. Although for many of us, the further it stayed from the Michael Bay blurry metal explosion-fest, the better. However, it looks like Transformers: Rise Of The Beasts might unite the two franchises in this. The Bumblebee in this teaser looks like the one from the 2018 movie. So Rise Of The Beasts looks to be a continuation of both franchises moving forward, especially seeing that it’s set in the 90s. So either branching off from the Bay movies into its own timeline or something else entirely. We’ll have to watch to find out. This is great because the tone, style and humour of this film look absolutely amazing. It reminds me of the original Transformers live-action movie before it started to continuously retcon itself into oblivion in each sequel. Transformers: Rise Of The Beasts releases in theatres on June 9, 2023. How excited are you for Rise Of The Beasts? Let me know in the comments below. Read the full article

[avatar-news]

Avatar Studios masterpost!

Here’s absolutely everything there is to know about the big Avatar news from today’s ViacomCBS Paramount+ Streaming Event and investor day!

Summary of facts

Avatar Studios is a new studio at Nickelodeon. Avatar: The Last Airbender and The Legend of Korra co-creators and showrunners Bryan Konietzko and Michael Dante DiMartino are the co-Chief Creative Officers of Avatar Studios.

Avatar Studios will create original movies, series, and shorts set in the world of Avatar.

The first project is an animated theatrical film set to start production later this year.

One or more Avatar Studios Paramount+ Original Series will be among the 50 original shows coming to Paramount+ in its first two years.

The above image has been included in many articles and official social media posts. It’s presumably the current official logo of Avatar Studios.

That is a distilled list of the cold, hard facts from the whirlwind of news that has come out today, from many different sources. With that out of the way, the rest of this post will delve deeper into everything we’ve learned, including full-length quotes from the people involved.

Today’s event

Today, ViacomCBS (the company that owns Nickelodeon, and thus Avatar) held their “Streaming Event” and investor day. ViacomCBS is launching their big streaming service, Paramount+, on March 4th. It’s a rebrand and relaunch of their current streaming service, CBS All Access. Paramount+ is meant to be their big push to compete in the streaming wars with Disney’s Disney+, Hulu, and ESPN+; WarnerMedia’s HBO Max; NBCUniversal’s Peacock; Apple’s Apple TV+; and, yes, Netflix’s Netflix by Netflix in collaboration with Netflix.

Avatar: The Last Airbender and The Legend of Korra are already on CBS All Access in full, and they, like all the rest of the content on the service, will automatically transfer over to Paramount+. (Currently we know absolutely nothing about when or if either show will leave Netflix. They’re currently on both Netflix and CBS All Access, so it’s possible they’ll remain on both Netflix and Paramount+ for some time.)

Here’s my livetweet thread from today’s event. Below, I’ll cover the notable stuff:

The first big mention of Avatar was when it was called out by the CEO as one of the ViacomCBS properties that were big hits on other streaming services last year.

It’s notable that it was mentioned among a list of exclusively adult, live-action series.

This is totally in line with the earlier stuff where the CEO mentioned it as having potential for Paramount+ original content.

The presentation also included something along the lines of: if you helped make one of our properties popular on another streaming service, there’s a good chance originals will be coming to Paramount+.

Basically, they saw how huge Avatar was on Netflix last year, and that visibility was up to the highest levels of the company.

And of course, finally they announced the creation of Avatar Studios. This was actually a few minutes after the news went up officially online, so at that point I lost track of the stream as I covered the news. But, I do know they didn’t show/announce anything else in the event besides the news that went up online.

Official quotes/statements

Here are the official quotes about Avatar Studios sent out today:

Joint official statement from Bryke:

“It’s hard to believe it’s been 19 years since we created Avatar: The Last Airbender. But even after all that time, there are still many stories and time periods in Aang’s world that we are eager to bring to life. We are fortunate to have an ever-growing community of passionate fans that enjoys exploring the Avatarverse as much as we do. And with this new Avatar Studios venture we have an unparalleled opportunity to develop our franchise and its storytelling on a vast scale, in myriad exciting ways and mediums. We are exceedingly grateful to Brian Robbins and Ramsey Naito for their enthusiasm and respect for the Avatar property and us as its stewards. From the start, they’ve supported our ambitious plans and created a positive, proactive environment for us. We’re excited to be back at Nickelodeon where Avatar began, doing what we do best in the biggest way possible. We can’t wait to build the great teams and productions to make all of this fantasy a reality.”

via Entertainment Weekly

Bryan on his Instagram and Tumblr:

“Bryke is back at Nickelodeon in a big way. ⚡️💙⬇️💙⚡️ Mike and I are heading up a new studio dedicated to expanding the Avatarverse.”

Mike on his Instagram:

“BIG announcement! @bryankonietzko and I are returning to #Nickelodeon as co-chief creative officers of Avatar Studios to develop new animated projects in the #avatarverse and oversee the franchise. Couldn't be more excited and inspired!”

Brian Robbins:

“Avatar: The Last Airbender and Korra have grown at least ten-fold in popularity since their original hit runs on Nickelodeon, and Ramsey Naito and I are incredibly excited to have Mike and Bryan’s genius talent on board to helm a studio devoted to expanding their characters and world into new content and formats for fans everywhere. Creator-driven stories and characters have long been the hallmarks of Nickelodeon, and Avatar Studios is a way to give Mike and Bryan the resources and runway to open up their imaginations even more and dive deeper into the action and mythology of Avatar as we simultaneously expand upon that world and the world of content available on Paramount+ and Nickelodeon.”

via Deadline

Brian Robbins was referred to as the president of Nickelodeon on Entertainment Weekly, and “President, ViacomCBS Kids & Family” on Deadline. Ramsey Naito is the president of Nickelodeon Animation.

Press release

The post-event ViacomCBS press release mentioned Avatar in two places:

First, right up at the top:

“Over 50 original series to premiere on Paramount+ over next two years, including Halo, Frasier, Criminal Minds, iCarly, The Real World, Grease: Rise of the Pink Ladies, shows from the Avatar, Yellowstone, Star Trek and SpongeBob SquarePants universes and more”

The wording makes it unclear if it will be multiple shows from each of the final four franchises mentioned, or if it’s plural because it’s listing multiple franchises. It’s talking about the first two years specifically, so it’s likely that in that timeframe only one Avatar show would be ready, but in general it’s basically guaranteed that there will be multiple in the coming years.

The second place it’s mentioned is in the “Expansive Slate of Upcoming Paramount+ Original Series” - “Kids & Family” section:

“Avatar – Nickelodeon’s new animation studio division dedicated entirely to creating content based on the wildly popular world of Avatar: The Last Airbender and The Legend of Korra. Led by the series’ original creators Mike DiMartino and Bryan Konietzko, in partnership with the Nickelodeon Animation Studio, Avatar Studios will produce for Paramount+ a wide-range of Avatar-inspired content, ranging from spinoffs and theatricals to short form.”

Info from news

Across the many news sources today (sites, social media, etc.) this info has sort of coalesced:

What is Avatar Studios?

It has been referred to as a studio, a venture, a division of Nickelodeon, an animation studio division, etc. etc. etc.

As far as we know, it’s not an animation production studio and so doesn’t employ animators who draw the frames of animation themselves.

What does Avatar Studios make?

The various sources have said they’re making series, movies, and short-form stuff. The first two are pretty self-explanatory. The third, shorts, remains to be seen what it is. I could honestly see official TikTok videos or something, but that’s just my speculation. 😂

Right now it has been said that Avatar Studios will be making Avatar stuff only. Various wordings like “based on” and “Avatar-inspired” and “in the Avatarverse” have been used.

The question of live-action has arisen. Some places, including Mike’s post, specifically say animation, while Bryke’s official statement also says “myriad [...] mediums”. It’s highly likely there will be both animation and live-action at some point. Currently it’s probably animation-focused, with the first project being an animated movie.

Where will Avatar Studios content come out?

Another case where there have been various wordings used throughout the different news sources.

It has been said that Avatar Studios’ content will be made for Paramount+, Nickelodeon’s “linear” (meaning old-fashioned live TV) and digital outlets, third parties, and theaters.

Paramount+ is self-explanatory, that would be Paramount+ Originals streaming exclusively on Paramount+.

Nickelodeon complicates things a bit. I find it a little hard to believe that within a few years, new Avatar shows specifically for Nick’s TV channel will start being made. It’s possible statements to this effect are indicating the content will also end up aired on TV. ViacomCBS’s Star Trek universe’s first Nick show will be taking that route: first on Paramount+ and then later airing on TV on Nick, so I’m guessing something similar could be the case here. As for Nick’s digital side, they have episodes to watch on their website and apps, so I’m guessing that’s what that refers to-- I wouldn’t read into it too much. Nick itself is one of the sections on Paramount+, which also just makes my head spin a bit more.

Mention of third parties is also a little weird at first. ViacomCBS does double-dip a lot, so maybe Avatar Studios will also end up making shows for, like, Netflix and others, but it just seems like a weird business decision when they just announced Paramount+. One thing this could be referring to is potentially other mediums like books and games, for which it would make sense to be for other companies.

Lastly, theatrical. In their movies strategy, ViacomCBS announced that Paramount movies like the Mission: Impossible franchise will still be in theaters, but go to Paramount+ exclusively after a reduced 30-to-45-day theatrical window. (Some movies will also have the regular window, also a little confusing.) Some movies will also just be Paramount+ Originals in the first place, like the newest SpongeBob movie. Avatar Studios’ first project has been exclusively called a theatrical animated film. This seems to suggest that it will be in theaters at first, then a Paramount+ Original shortly after (probably the shortest, 30-day window if I were to guess). This is interesting because if it’s theatrical, that could suggest a big budget, especially if this is their first project they intend to make an impressive splash with. It could also potentially suggest 3D/CGI animation rather than 2D, but I personally don’t find that super likely. However, it could mean fancier 2D animation than we’re used to, and that’s saying a lot because we’re used to some pretty good animation from the Avatar franchise! The wording of “theatricals” could also just be used as a synonym for “films”, to indicate prestige, theatrical release quality and budget rather than made-for-TV or direct-to-DVD vibes.

In summary, it seems like right now, they’re covering all the bases, but if Paramount+ is as successful as they want it to be, it’s likely they would eventually (maybe quite soon) move more and more stuff into it exclusively. Currently, there’s also still a lot of uncertainty due to the COVID-19 pandemic, and so the new state of the theatrical, linear, and streaming marketplaces hasn’t really crystallized yet either. The world does seem to be moving to streaming quite hard though, so while they’re covering all the bases right now, again, it’s likely most of this stuff will end up mainly as a Paramount+ thing.

And again, I mentioned TikTok as a possible experimental place for short-form content. Maybe. Especially if they make the next Avatar after Korra modern day?! Ok, let me not get ahead of myself...

Who will work at Avatar Studios?

We only know about Bryke so far. They’re the co-Chief Creative Officers.

Brandon Hoang, who was working with Bryke on live-action ATLA at Netflix, has confirmed he’s not involved. He also left Netflix at some point; not sure if it was at the exact same time or for the same reasons as Bryke, but he’s neither here nor there, as it were.

No, I don’t have anything to tell you about Jeremy Zuckerman. :)

Given that there will be multiple shows and movies, it’s likely that lots of different people will end up working on them. Bryke’s official statement said that they will “build [...] teams and productions” at Avatar Studios, and Mike also said that they will be “oversee[ing] the franchise”. Right now, we don’t know what exact role Bryke will have. They might write/direct/showrun some stuff themselves, or they might oversee other creatives they hire for those roles, or, likely, both-- different levels of involvement for different shows and movies.

As mentioned previously, Avatar Studios (probably) isn’t an animation production studio. This means they will still hire animation production studios, like Studio Mir, to do the animation itself. I say “like” Studio Mir, because I’m not sure if Studio Mir itself is free right now. They recently officially partnered with Netflix and have plenty of things on their plate there. So, it remains to be seen who will be doing the actual animation for Avatar Studios’ projects.

Lastly, this is an awesome opportunity to have the “culturally appropriate, non-whitewashed cast” assurance Bryke originally made for live-action ATLA both on and off the screen at Avatar Studios!

Netflix and live-action ATLA

There has been no news or updates on the live-action adaptation of ATLA being developed at Netflix, which Bryke was originally showrunning but left (to do all this!) over creative differences.

No, it’s not cancelled.

I suppose this makes it a little more likely that Netflix would choose to give up on it, but right now there have been no changes. The existence of Avatar Studios almost definitely has no effect on the licensing rights Netflix obtained to make a live-action ATLA adaptation-- that stuff is usually pretty iron-clad. Again, maybe in light of all this Netflix will choose to not go through with it, but they also might want to make it even more now to compete with Paramount+ on Avatar. We don’t really know the stances of the decisionmakers at Netflix, so we’ll have to wait and see.

Personal note

Over the last few months I’ve gotten a lot of, err, rude comments and messages whenever I said there could be new stuff coming. I’m really not here to say “I told you so”, because I don’t care-- I run Avatar News for fun.

But, I hope this goes to show that I wouldn't be posting things if I didn't have good factual reason to believe them, and that very much panned out very correctly here. Sometimes it’s directly or indirectly based on stuff I can't say publicly. I always have and always will post in a trustworthy, fact- and reason-based manner.

In light of that, and for just a bit of “I told you so”, here’s a timeline of all the Avatar News posts that led up to today. Definitely had a lot of fun re-reading these just now:

August 12th, 2020: Bryke left the Netflix live-action ATLA series two months ago. It’s not the end of the world.

September 15th, 2020: ViacomCBS is relaunching their streaming service next year as Paramount+, the future home of Avatar shows and movies?

September 17th, 2020: Anonymous asked: Do you think now that the original creators left the live action remake that they will make a new avatar animated series?

November 6th, 2020: CEO says Avatar franchise has potential for new original series on Paramount+, the new streaming service launching next year to compete with Netflix, Disney+, and HBO Max

January 4th, 2021: “This also brings up another interesting point, which is that Bryke actually originally pitched this storyline to Nick as an animated movie after the show. That obviously didn’t happen, but now that Paramount+ is coming and teasing potential new Avatar content…”

January 5th, 2021: Investor day announcement

January 21st, 2021: The Fire Nation Awaits 🌺 An in-depth look at the ever-elusive islands in the era of Korra and when we will finally pay them a visit. See section: Are they saving the Fire Nation for an animated movie?

February 12th, 2021: All seven seasons of Avatar: The Last Airbender and The Legend of Korra are coming to Paramount+ on March 4th!

February 20th, 2021: The musical themes of Avatar: An Avatar News interview with Jeremy Zuckerman. See section: “So, another streaming service: Paramount+.”

February 24th, 2021: Avatar Studios masterpost :)