#and idk maybe those people have other more interesting thoughts about the characters or the story but at this point i'm not interested in

[woooshworldtwo]

AT A LOSS

TAGS: WIFE!READER [Originally just mentioned once in dialogue but otherwise just spouse is used when describing said relationship between characters], Husband!Caracalla x Reader x Unrequited!Geta, Mentions of sex, Brief mentions of slavery [gladiators in the Colosseum], Brief mentions of animal cruelty [animals participating in the Colosseum], Historical inaccuracies, I'm not sure what else.

FIRST NOTE: I think I wanted to try accentuating the care he wants to give reader and therefore ends up treating those around him as what he sees them as- disposable and like shit. Geta is a TERRIBLE man so I guess I just wanted him to be pining for someone he knows is out of reach. I was gonna make it a series to like Caracalla x partner reader x unrequited Geta. if this is the first chapter, ngl idk where to trail off from there. i kind of write while im smoking just to fuck around so maybe i could write at least five-ish chapters if i think of a good enough plot. WHAT DO YOU PEOPLE THINK?? who knows i could even do the same with Caracalla, it could make sense cause he literally kills his brother in the movie

SECOND NOTE: pov ur me, high off like five tokes and u watch Gladiator 2 the day it comes out on Paramount+. BOOM, obsessed, love it, don't even care about the historical inaccuracies. For some reason, as someone as not all there like Caracalla is, having that deep relationship with his brother, once he notices that lil interest Geta has, or even just the doubts of others finally becoming to a point where my guy has to LOCK IN to keep his partner w him. not cause they don't love them, I think it would be cause he loves THEM too much. I'm talking bristling at the notion whenever he thinks of them together. JUST UNSPOKEN TENSION. do u guys enjoy that?

THIRD NOTE: unfortunately, i have more to talk about but no one to say it to so ur my audience. yelling into the mic i ask, do you guys think I should write porn of Caracalla and reader FUCKING?? idk if it would even include Geta- IT COULD, WHATEVER YOU GUYS WANT. I sort of just wanted to explore writing intimacy as an actual action instead described as thoughts. leave ur thoughts on what u guys think on that too bc im literally so curious.

PLEASE DON'T COPY MY WORK, I BET YOU

Summer in your lungs, and alcohol swimming in your stomach; Caracalla wonders if he's seen beauty such as yours. Never alone in the hours of the night, the lovers he takes soon notice how harder he is to satisfy, to sedate into a warm puddle wrapped in expensive sheets- instead becoming unflinching to the pleasures that usually melt his tortured mind.

Intense with his emotions, he swears this affection was there from first glance. Taken sight of you at in your hazy glory; the clothes accentuating the shade of your skin, the warmth of your eyes, it only takes months before you two wed.

From there, days are blissful. Misery always follows, but he finds with your company at his side, falling into the episodes of madness are rarer and rarer.

Perhaps it's the sweetness of your soul mending what his lacks, or having the closeness of your body distances the pestering thoughts appearing out of thin air. No matter what is it, with his claws dug into your being- he refuses to let go.

Dimmed by what other's consider insanity, it's difficult not to see Caracalla's growing lucidness. Coming face to face with it, Geta realizes any foes and enemies of Rome has never been as close as his brother has to the inner workings of his mind.

Divided by grace, the affection for you has been its limit. As the eldest, Caracalla bears the pitying glances from other's in the palace; to have the responsibilities laid on Geta is blasphemy, but who else can handle its weight when his mind is in two?

Who else to lessen its everlasting ache if not you? For that reason, such as many others, is why he cannot risk this becoming what he has grown familiar with- sharing with his brother.

Holding the same curiosity he did in the faint moments of childhood, his Adam's Apple bobs faintly- and when you look to follow its movements before returning your gaze to him: a faint shiver is felt and repressed in that same breath. "Caracalla?"

Asking in a murmur, he knows what you're referring to. Living with you these past handful of months, he can recall the number of times you've cut each conversation he's thought out into nothing more than small talk. In one worded questions, he cannot help but admire the relaxed sight of you.

So much so, he allows you to each time. Tossing the unspoken plans of connection for small talk, he nods. A hint of a smile is seen, and alone from that, you beam back at him.

Genuine like the sun, to continue seeing it, it makes it easy for him to keep spew out half thought words in hopes something he says would land. "He will arrive shortly, do not worry.", it ends with your name, echoing from his mouth, and although the God's have given him the same glory they themselves hold at their fingertips; nothing has sounded as holy.

Bounded by faith, the prayers he spills are ingrained in the folds of his brain, but once consumed in these times of power, he wonders if he should dare step closer to the soul he swears should beat for him.

"... Geta?", Unknowing for how much time has past, the beaming smile you once held is melted into a small frown. Quietly urging him to the present like he's seen you do with his brother, there's a warmth blooming in the hallow part of his chest.

Cherishing the brief concern, it only seems to remind him what Caracalla has naturally and what he takes the scraps of.

Still leaned back into the expensive marble, the wall itself is a pale enough color to forget about, instead focusing on the features he, too, fantasizes of in passing moments alone.

"Where did you go?", Too familiar with speaking to the other emperor, the question is thoughtless when spoken, yet its weight is felt nonetheless. "Nowhere. Just here.. Are you enjoying yourself?", Taking a pause, he eventually speaks again. It's done when walking to the the throne nearing Caracalla's; the one you sit in.

"Quite the spectacle.", Your eyes peer down at the sight below; bloodshed in the Colosseum's sand doesn't make your stomach twist like it once did, however when watching captured men swing weapons- and seeing another one fall, you look to him again.

Sitting at his own throne, you find his eyes already on you; a quirk upturning on his lips to show the pleased buzz your words give him. Gladiators from conquered lands, their purpose in Rome is to win their survival and amuse any passing visitors. Yet in the past year or so, since your arrival, he's found a deeper sense of pride at their display.

Growing passed the Senator's praise, passed continuing his parents past teachings, he has found serenity in the amazement you hold so clearly.

Seeing your wonder at the captured animals; their stature towering over the sand's flat ground, using its strength to trample over any competitors- he finds himself chasing the occasional bursts of attention he manages to keep with in your magenta sunlight.

Never promising loyalty to anyone; he chases it when you're unable to give it, the mess of concubines and courtesans who he cannot remember the names nor the faces of, only remembering their similarities to you- their purpose has been asked for more as of late, and neglected all the same soon after.

No matter if it was seeing a person with hair similar to yours, a familiar sounding voice, even just dressed in clothing resembling your own; they were sought out after in hopes of finding you in them.

He finds it only lasts briefly.

Of course sex is endless, at the call of his voice and at the stop of a groan; services are there to satisfy whatever craving he has. But after each round of breathlessness, he finds that hunger for what is missing growing into something insatiable.

Hours spent, feeling their bodies, picturing what your own must look like underneath the white moonlight casting into his bedchambers. Each thrust is heavy with yearning he cannot mend, moaning for warmth he cannot have; he damns Caracalla in those times for finding you first before he did.

Perhaps then would you be his spouse. To bed you the same way his brother does would be true nirvana, to hear those same whimpers he knows you're able to make, to feel you shiver and tighten around him the same way those people do; it's what he longs for.

He's certain then he'd be more than just rough, chasing whatever high is made in a blurry of orgasms- it becomes difficult to differentiate who is with him and who is imagined; not when his eyes are shut and your image is all he sees in its darkness. Tenderness is taught, and if his brother was able to learn to extend that same to you; there is no doubt he'd do the same.

"Are you enjoying it?", Turning your focus back onto Geta, his answer is a hum. The sound is husky from passing thoughts, and strain for what should be hidden; he takes a moment to gather his words.

"I always favor your company, the spectacle is merely entertainment.", Repeating what you said only minutes ago, the unexpressed emotions behind it is registered in your mind- and although brushed off originally, that denial you have becomes harder to not believe Geta's feelings becoming more noticeable in the time spent at his brother's side.

"The ambience of cheering Roman's, animals in pain, and dying men; no wonder we have such lively conversations in these times.", Another quality of yours he finds endearing is your dryness. The harshness soaked into your veins from being raised by your family has not changed you the way it has him he notices; viewing the cruelties of Rome in whatever light you could shed, he once again almost smiles, a quirk of his lips turning upwards showing.

"Complaining to the emperor for the privileges he's given you? What an ungrateful wife you are.", Breaking out into a smile, what is said is anything but malicious. Leaving Caracalla unmentioned; unsaid, his mind is soothed from its ache, mending itself when remembering it's just you and him- hidden away.

Alone in a place where he can pretend you two are more than in-laws, there's a warm stirring at the sound of your laughter. Filled with humor you express so freely, it reminds him of conversations with your father throughout the years; his stories of your youth.

Defiant in ways he wishes he'd seen, and mischievous in ways he knows you still are; the only changes is now you're not tangible. Yet, lost in affections like he never got to be as a boy, he doesn't mind who he's face to face with now. Not in the slightest.

"Forgive my insolence, emperor; I plead for it.", Clearly you speak to Caracalla too much because the shiver trailing up his spine goes directly into that heated feeling in his abdomen. Aware you're unknowing to the effect you have, it only worsens at the hint of playfulness heard.

"Oh, you're forgiven. The God's have extended their mercy onto you today, but be wry, they could change their mind.", Unwilling to give into the arousal brewing, the tension he's created in his body, he replies with a smile- one that lingers too long.

Mischief isn't needed to be noticed in the palace, not with the two emperor's having their souls intertwining themselves with your own- no longer being unheard by those around you, that streak remains. It brings an amusement greater than bloodshed to Geta, and even more so to Caracalla. Smoothness of your words he swears is coated with the sweetest of wines; it disarms what would be seen as scrutiny as nothing more than a jest.

With humor being forgotten in such trying times; outside of what the Colosseum offers, and outside of the different celebrations of another conquered land- Geta finds your spirit is lightening to what is constantly dampening in his.

Shouts of Roman's are heard, like you predicted, and another man falls. However, with neither of you truly paying attention to the sight; their deaths were not offered the same graciousness you're given so carelessly, so frivolously: and when one of the last remaining takes their bow to surrender- only then do you look away.

To see your eyes of amusement grow into something unreadable, his own smile dims into a frown.

Standing from the throne, his hands rest on the Bisellium's railing, he grips onto it tightly when seeing below. Blood stains the sand as always; the deceased laid out over it in the afternoon heat, and the two lone man kneel. Meters away from one another, your eyes flicker between them, and soon Geta speaks up again.

Mercy is yelled in the air, and when he asks you, his voice is quieter than intended, "Shall we show mercy?"

Sparking what was lost, you nod, and another smile is seen, "Mercy."

Prayers do not solve what is inevitable, he finds, not when the God's blood soars through his body. The threat of rebellion, and the stings of betrayal, that mask that hides it all becomes wavering whenever he's with you; wishing to you like he did as a child to the God's for power, to worship you in ways he only should deities- it almost feels blasphemous.

Even more so now, when you don't understand the importance behind what he says; the grace he offers, the laughs he lets slip out- it is only the beginning of what he could promise you.

FOURTH NOTE: Now that you've made it this far, I wanna like drift away from what I was writing on my old account. it was just small paragraphs, but writing on a laptop just HITS DIFFERNT- literal hours spent doing this shit. I don't rlly wanna take requests bc i feel like my time is just too hectic for that, BUT I WOULD LOVE to hear your guys thoughts!! Okay, small series on these characters- Quinn Mossbacher, Simon Kalivoda, Ethan Russell, DIMITRI KRAVIOFF, DANIEL MARKOWITZ, JASON HOCHBERG, and finally our beloved; Caracalla. bad part is I haven't most of the movies they're in, so i don't want it to be inaccurate.

FIFTH NOTE: currently i'm writing a Johnny Storm fic series inspired by the new Fantastic Four trailer (writing the third chapter of what could be a five or even eight part series if I get to understand that franchise better), an Eddie Muson fic mainly just to fuck around and post that old one I never got a chance to. also an Adrian Chase fic i found on my laptop, another one for Koby from the one piece live action (I was inspired when the show first came out), and joe goldberg

FINAL NOTE: I've wanted to get into watching Yellowjackets. LOVE THE SHOW. Another thing I wanted to ask bc when I write for women characters, i like to write them as WLW. SO would you guys like it if i also wrote for Iris (Companion), SISTER BARNES (Heretic), Jinx (Arcane), Lucy Maclean (Fallout), Rhiannon Lewis (Sweetpea)?? one day if i sell out and get a membership to Prime or those silly addons; I WILL.

[icewindandboringhorror]

Hrmm... Revising my game and I feel like there's still sooo much writing left to do, for something that probably won't even amount to much, so.. I do want to narrow my focus more (especially given my health problems seeming to get worse/less energy the past few years), but I'm not sure how would be best to...

I currently have 5 characters as the Main ones with full planned questlines and such, with each character having 6 quests you can do for them. But I haven't really started the writing for the 5th main character. So then I was thinking, if I were going to write 6 full quests worth of content anyway... is it better to allocate that time on just doing a Complete 6 Quests for ONE single character, OR would it be better to do something like.. choose THREE side characters and do 2 quests for each of them? So that people have a wider variety to interact with and sort of sample around (of course with the idea that, once the first version of the game is released, IF people actually care about it enough to make it worth the effort, I would then add additional content to complete those 3 characters stories as well)

-

SO... If you were playing an interactive fiction sort of game centered around talking to & doing quests for a cast of characters (like there's no larger plot, more it's just about interacting with people, every character kind of has a self contained story, the focus is just learning about them and the world and exploring the area) --- Which would you rather have?

(and of course it would be stated up front which characters have only partial questlines, so people don't expect them to have full quests like the others and then get disappointed, or etc. etc.)

Basically, is it better to just focus in specifically on having one fully complete questline? Or for there to be a few stories that are not complete yet, but have more initial options available?

[thats-my-passion-right-there]

I finally saw the mean girls musical (the movie one) I have so many fucking thoughts oh my god

[joshuamj]

i am Blind to basically anything I'm not familiar with, so i still don't know anythin about In Stars and Time. Could you give some info on it??? i am looking for games to play rn....

hmmm okay.. I will say, going in blind is best! I went in knowing literally only 3 things. 1) that it was about a timeloop, 2) that it was entirely monochrome, and 3) that this one character I had seen once was in it (Mirabelle, didn't know her name, just that she existed). And going in with such little knowledge was great, I'd highly recommend

But if you want more, then here's a bit more.. (mostly a synopsis of stuff you'll figure out early on, no major spoilers)

Obviously its a story about a timeloop! In the game, your party is a group trying to save the world from someone simply known as "the King" who is freezing the entire country in time. Interestingly, the game takes place at the end of your journey. The entire party has been assembled and have known each other, you've journeyed across the country, collected items that'll allow you to enter where the King awaits. All thats left to do is go through where he's holed up and defeat him. Also interestingly, you don't play as the protagonist of this story I've just mentioned. A girl named Mirabelle is the chosen one, blessed by her god, she is unable to be frozen in time, and has taken it upon herself to save her country. Yet, you aren't playing as her. You're playing as someone named Siffrin, just one of her party members, and one that says that they're only here because "they have nothing better to do." This should be Mirabelle's story, but you quickly realize why it isn't. Not long into the game, Siffrin's life unexpectedly comes to an end, and the fact that there's a timeloop afoot becomes apparent. Nobody but you and one strange mystery person (named "Loop" of all things) are aware of the loops. In the game you'll do all that you can to make it to the King and defeat him and keep your friends safe, no matter how many deaths, no matter how much time. But thing's aren't that simple you'll find!

Also this game is about a timeloop, so as you may guess, there's a lot of death involved so warnings for lots of death (including suicide), and also warnings for Really Bad Mental Health Stuff, as you may also guess, being trapped in a timeloop isn't good for your mental health. Check the warnings for the game if you think you may need to!

[leatherbookmark]

.

honestly all this shit just looks like those people want to, idk, ascertain in front of everyone that they're both Normal and Smarter, and it feels really weird to see on a website full of self-proclaimed freaks obsessed with yearning, fucked up dynamics, hand in unlovable hand etc. what do they need the fucked up dynamics for? to point out that they're fucked up and weird, and that normal people don't do that? stop embarrassing yourself and let stories move you like a normal fucking person

[hxney-lemcn]

When You Nerd Out (Biology Edition) — Overblots x gn! reader

summery: the overblots find out you're more of a nerd than they realized...

tw: mentions of bugs (not really but I digress), mentions of arachnids (literally just the name of one lol), mentions of reptiles (idk maybe people are scared of them), mentions of snakes.

a/n: a reptile show is happening soon and I've been looking into so many reptiles/invertebrates/amphibians I had to get this out of my system somehow. What better way then to ramble to fictional characters? (Help me)

wc: 1.2k (~180 per character)

Master List

❥ Riddle Roseheart

When Riddle first met you, you were downtrodden, having just been thrown into a new world filled with magic and flair that yours didn’t. Your grades weren’t the best (but far from the worst), and you always seemed tired no matter what. So when your eyes lit up when he showed you the flamingo and hedgehog cages/pens he was surprised at the amount of facts that spilled from your lips. From how flamingos get their color to how hedgehogs are carnivores. Or how you could even ramble on about flowers and plants, like how tea garden roses are the most short lived species. From then on, Riddle would come to you for even the smallest of things. Did you want to feed the animals with him? This rose bush is wilting, are there any tips to bring it back? Do you know the meaning behind the colors of roses? No particular reason for that last question…just don’t question the bouquet of white and red roses mixed with baby’s breath that show up on your doorstep the next day.

❥ Leona Kingscholar

It was hard not to notice when you seemed to be on the brink of exploding. How you’d stare at awe in Leona’s presence, as you should. But your eyes would always wander to his ears, teeth, tail, nails. It got to a point that he felt like you were mentally dissecting him. It was his downfall to growl out a short “what”, as you started to pile on questions to the beastman prince. “Are your nails sharper than a humans?”, “How much better can you hear?”, “Does your tail help you balance?” All Leona could do was stare at you with boredom. Who knew his herbivore was a nerd? He supposes he could humor you for a little bit. Press his sharp nails lightly into your skin, a teasing smile as he asks if you’d like a test. Perhaps a nibble to show you how well his canines work? It all goes awry when you start taking interest in other beastmen, who cares about the cheetah or leopard bestmen when you have a lion prince right here?

❥ Azul Ashengrotto

Azul never thought twice about where he’s come from. He’s seen many kinds of merpeople, many kinds of fish or crustaceans or sharks. But he knew land dwellers didn’t have that, which is why he has the giant aquarium in his lounge. He got used to the awed expressions as well, more focused on swindling the poor souls. So when your jaw dropped and how you clearly restrained yourself from running up to the giant aquarium, Azul felt giddy. He could offer you something most couldn’t. He’d watch as you’d point out a fish or ray that you saw and explain how much you loved the color or how magnificent it looked. When you brought up how smart you thought octopi are, it was over. His heart couldn’t take it. You know he was an octopus merperson right? You were basically complimenting him without realizing it. He couldn’t get over how you stared in wonder at the blue ringed octopus that was waving back at you. And oh sevens you were giggling at it? He wasn’t getting jealous over another octopus, no way…

❥ Jamil Viper

Jamil noticed the excited look in your eyes when you learned his last name was Viper, but nothing had happened at the time. It wasn’t until Kalim had you rambling about animals did Jamil realize just how much you seemed to love snakes. How you named your favorite in a heartbeat to how you scrutinized the ones you looked into as pets. It wasn’t until Kalim started to offer to buy you all those snakes and more did he have to step in. Yet Jamil felt flustered when your gaze landed on him, your eyes that had been filled with fondness while rambling about snakes had only seemed to get brighter when looking at him. Reluctantly, Jamil let you drag him to a reptile show, something Kalim had pushed him to do. For his own sanity, Jamil ignored the giant pouch of money Kalim tried to stealthily hand you, instead, focusing on your awed expression at the variety of animals. He couldn’t help but watch the snakes in awe with you, and when you asked him if he wanted to help you set up an enclosure for one…who was he to say no?

❥ Vil Schoenheit

Vil is a busy man. With photo and movie shoots to interviews to taking care of himself, there isn’t much time to stop and smell the roses. But with you, he tries to make time, and it's like a breath of fresh air every time. It was nice to sit outside and bask in the sun (with sunscreen of course) and talk with you. Something had clearly caught your eye when you dropped from the bench to scoop something off the ground. Vil thought he knew you well enough…apparently not. He hadn’t expected to see you shove a rolly polly, pill bug, potato bug, whatever you want to call them into his face…okay maybe he’s exaggerating. You held the little thing far enough away that it wasn’t all too startling. He swore he never saw you so excited about something, or how you rambled that they weren’t bugs, but crustaceans that live on land. The way you gently held the critter to how fondly you looked at the curled up thing made Vil’s heart flutter. You always seemed to find beauty in things most would shudder at. How odd.

❥ Idia Shroud

Idia had no idea how you managed, but you had convinced him to get a plant. You had called it a zz plant, and thought it would be perfect to liven his room up as it didn’t need direct sunlight. He watched the plant as it sat next to a grow light, it needed something since he didn’t have any windows. The dark purple leaves were pretty, you were right. As much as he tried to keep up with watering, he would forget, but Ortho seemed to have it covered. When little leaves started sprouting, Idia felt proud, a weird feeling he wasn’t used to. When you came over and saw how well it was doing you beamed. That stupid fluttery feeling filled him as you praised him, not to mention it mixing with feeling proud. Not a good combo, as now he was thinking of asking you if there’s any other plant you may recommend, just to get you rambling once more about different plants that could thrive in his little cave of a room.

❥ Malleus Draconia

Although Malleus loves to hear your voice, you always seem content to hear him ramble. The way your eyes watched intently, trying to find what he was pointing out on a gargoyle, or how you’d ask questions about the differences of a gargoyle and grotesque. At first, he was concerned when you gasped, had you gotten hurt somehow? Yet he found you excitedly pointing out a house gecko that stood near the gargoyle he was talking about. He watched you in awe as your eyes glittered, and how you were basically jumping up and down. Then you started going on about geckos, reptiles, and all sorts of odd things people keep as pets. The way you basically swooned at the thought of owning a crested gecko or a crocodile skink, Malleus was ready to hand you all the money you needed. He is the best and worst, as he’ll never tell you no and fund your hobby till your heart’s content. Just make sure to pay attention to him too, yeah? Unlike skinks or tarantula’s, he likes your affection. Plus, he’s the best reptile of them all, no? He’d gladly show you his dragon form.

[corseque]

I honestly just wanted one single plot step that I could not predict given the 10 year wait. More behind the cut, I talk about Emet too, and I'm comparing his writing favorably to Solas' writing and why it worked better for me personally, but I am just talking about the writing skill that went into the games and not the dudes themselves, I love them both dearly of course. idk this is a mess and I am not going to edit it for clarity

For me, the game was a series of me saying

"ok I knew that. cool."

"oh yeah, I knew that. I guess it's good that the larger fandom knows about that now."

"nice, but yeah I already knew that too"

"that was something we've been talking about a lot for years"

"this thing they are acting like is a huge enormous reveal that the characters could not possibly have deduced through simply thinking about it in depth over the 10 years... the fans easily figured out by thinking about it in depth 10 years ago. So you would think his girlfriend would be able to figure it out more easily than we did. Like, why couldn't the game have been like 'oh lavellan already figured that out a while ago' it would have cost them nothing"

"this is something I've been thinking about for years, and now that it's being revealed, the companions' reactions to it are very irritating and jarring and unnecessary and I really dislike the experience I'm having right now, in this, the hour of my greatest triumph"

"this thing that is happening on my screen right now is something that I wrote an essay about 2 years ago describing how it would be a letdown if it happened without the correct setup"

"this way that they're characterizing Solas makes him less likable and less interesting than I have been finding him for all these years, and I have had people tell me 'no, he's simpler than you think' for years but I guess I was wrong, he really is simpler than I thought, so that fucking sucks. I wish I could take that information out of my brain."

"this thing is a retcon of information I have been thinking about for 10 years, and so I don't know how to follow along with this new direction, and I'm not sure if I even want to because it's not particularly interesting anyway"

"aw that was sweet"

"why is it like, so very impossible to have an honest back-and-forth with my favorite character about the dilemma that was most interesting to me about the previous game"

and then, as soon as, like, the other fans had caught up to the Solas lore that was really obvious from the other games, the game was.... over without anything surprising happening, or introducing a new element or plot point or perspective, or a real true twist (or two, or three) for those of us who have thought about it too hard for too long. It was very simple and easy, much, much, much, much easier than I was imagining. It all felt sort of like that Nicholson quote:

The thing was, the whole story was so interesting to think about because in 10 years, I couldn't figure out a good solution to it!!!!! It's why I was never able to write post-game fanfic about it. So I was stoked to find out some reveal we never knew about, some new information, in maybe a SERIES of steps of new information, that made the situation more complicated but also something that could be navigated by everyone involved. I know it was asking for a lot, but they had TEN YEARS, and they seemingly had set up the things they did in DAI on purpose, so surely they had some idea of a complex and satisfying narrative that would reconcile everyone.

The reason why I was expecting this is because FFXIV did a very similar story arc, which was started AND concluded WITHIN those 10 years (so it took the FFXIV team far less time to deliver as well). And the conclusion to the story in FFXIV did what I was expecting Dragon Age to do. So I thought, "holy shit, if this is the FFXIV version of this plot, how much more complicated is DA4 going to be!?!?" The DA devs also PLAYED FFXIV so they were completely aware, several years ago, of a satisfying story ending that was pretty darn similar.

People are probably going to think "oh, well Chelsea was disappointed because she spent too much time building it up in her head" but that's exactly it - I actually speculated and thought about FFXIV's story IN DEPTH NONSTOP for a year+ before its ending came out, and the ending absolutely blew me away. FFXIV Endwalker managed to introduce information and new story elements that I was not able to figure out in the YEAR I spent speculating on the ending of FFXIV's story. It took a complicated situation and revealed several several more facets to it that I was not able to predict, but were very interesting and thematically compelling, and took us all to surprising and climactic places that we could not have predicted.

Endwalker ("end" is in the title on purpose) too, was written to be THE ULTIMATE SATISFYING ENDING for a very long-running story in the exactly way that Veilguard SHOULD HAVE for Dragon Age, so while this complexity is being explored, FFXIV also gave catharsis to many different plot threads that have been built up through the previous expansions, until finally it ends with a bang. The story is desperately good to me, I loved it, it gave me closure for Dragon Age long before Veilguard was even revealed, and going back and looking at its story has made this whole thing far less painful for me.

So, I actually did not have a picture in my mind for how things SHOULD go. I just had the thought "I hope it's complicated and there are points of view or facts that we haven't before been exposed to, and the situation is resolved respectfully for Solas, not making him look like a fucking idiot (lol, the only thing I asked for). I don't even care what happens to Solas and Lavellan, I just need the story to be complicated and interesting to think about. Please, god, don't let it be "solas is wrong and he just needs to be convinced" because that's like the simplest story you could tell with this setup"

(btw they managed to tell Emet-Selch's story without making him seem like he's being an idiot on purpose or can never get anything right, and in fact the more the story goes on, the more you think of him as smart and capable and cool, so it is possible to write.... I wasn't asking for the entire moon)

And I played it and... yeah. Most of the story beats were more simple than I wanted them to be, a lot of them didn't make sense in my heart given the writing from Inquisition. (This is another essay, but if Solas' thematic story arc was always about him needing to let go of regrets, why was his personal quest the way it was? After that quest, doesn't he end up regretting not doing more....? Why did he never really talk about regret during Inquisition? If he was so trapped by regret, why was he able to do so many actions? It doesn't mesh well to me. The whole regret thing was very quarter-baked to me, I don't even like thinking about it.) His story never seemed like one that was as simple as being about one man's regrets, but then, I guess, it was always just about one man's regrets.

Emet-Selch's personal storyline (and the way it interacts with and affects the larger story) is very similar but much more cohesive and satisfying to me. It would be difficult to explain why without the aforementioned 5-hour essay. Emet-Selch's story IS about grief and anguish on a world-shaping scale in a similar way that Solas' was apparently always about letting go of regret, but Emet's story was also very pointedly and beautifully about that one theme for the entirety of his story from every tiny detail, from beginning to end - meanwhile, it seemed to me that they tried to introduce 'regret' as the main thrust of Solas' story only in the short story with the Regret demon onward.

From Inquisition just by itself, the closest I personally could get to a story theme for Solas was his inability to trust others hurting him and the world, but his trusting others in DA4 wasn't really addressed to my satisfaction. He is never required to trust anyone before the ending, he never opens up or makes himself vulnerable at all. People find out information about him, he never really dynamically opens himself. So the personal story I thought he had was never addressed at all, while a new one about regret was introduced that never made a ton of sense to me. And I don't think this is just because of my expectations - my reaction to FFXIV proves that I am able to meet good writing where it goes in surprising directions, as long as it's interesting and thoughtful and clear.

And I think this might be part of what people felt was off about the ending - Solas is sort of uninvolved in the revelations that are about him, and doesn't do much to be part of his own ending. Part of what I loved about Solas in Inquisition is that he is not controlled by you in any way, and so he feels like his own person with a very strong sense of character.

Anyway, Emet-Selch, in a very comparable and arguably more extreme plot position, is very involved in the revelations about himself, he always feels like a very strong character who cannot be affected by the player, and the whole situation is handled with deft emotion and care and delicacy. The story is comparatively very uninterested in litigating Emet-Selch or putting him on trial - the story allows you to simply feel the way that you feel in an organic way, and Emet's story spends that energy instead actually exploring his thematic material about grief and legacy, and the larger story theme of existentialism instead, in a way that is very refreshing and interesting. I've seen a lot of western stories tie themselves in knots over "redemption" and frankly it's almost never been interesting at all. Who cares about any of that. lol

(Now, I guess this is a matter of preference, because some people really like being able to shape a character's story, but idk I rewatched the ending of FFXIV and even though there wasn't a choice with Emet, because it isn't a branching story, his story felt more satisfying to me, maybe because there isn't a patronizing choice to be made for him. He is who he is, and he fulfills a very beautiful narrative role and purpose that no other character could in the story.)

I don't know how this could have been improved to me and still allowed players to choose Solas' ending for him, but I can actually think of a few different methods, none of which involve Rook condescendingly and patronizingly lecturing Solas as if Solas had never thought about a single aspect of this horrible situation he's in before that very moment that Rook lectures him lmfao.

All this to say... idk I'm writing this and I am not going back to edit it so it's stream-of-consciousness. But yeah

I just wanted the story to be complicated on a few more levels than I could have predicted. I genuinely don't care what happened, but I thought of a few twists like the Veil coming down and yeah, I was expecting A Single Twist or reveal to happen. In a Dragon Age game.

I wanted Solas to seem cool and capable and noble and smart, and actually feel like he was as old and experienced as he is.

I wanted a clear theme I could sink my teeth into

Like notice I didn't even say anything about Solavellan. Like I never in 100 years thought they were getting a happy ending where they were both alive in bodies, and I like that we got that, but I would honestly trade it for a more complicated story. To me, if a story is sad you can always write fanfic, but if a story isn't COMPLICATED, that's a much more urgent issue.

These 3 things DA4 didn't give me in a way that satisfied me but FFXIV did. anyway idk the way my hyperfixations work, I completely switch to a new subject so talking about Dragon Age is actually hard for me right now.

[willthewiz]

Jonathan Capturing the Right Moment

In this scene, Jonathan says he'd rather observe people than talk to them. And then says:

“People don’t really say what they're really thinking. When you capture the right moment, it says more.”

We'll get back to that later.

Here is Jonathan in season 4:

In the van scene, the camera only cuts to Jonathan when Will is telling a lie. Remember, Jonathan said people don't say what they're really thinking (the truth). But he captured the right moment, when it says more. Jonathan knows what Will is actually saying are his feelings not El's.

Will tells Mike that El told him what to draw. Then the camera cuts right to Jonathan. When he knows Will painted it and El didn't know what it was or who it was for.

Will: "I mean, without heart we'd all fall apart. Even El, especially El."

Then it cuts to Mike then Jonathan. Again, Jonathan knows this is about Will, not El. He's capturing these moments.

Will continues to lie and we once again, cut to Jonathan.

Here is more of Jonathan:

Mike: "But I am scared that one day you'll realize you don't need me anymore. And I thought that if I said how I felt it would somehow make that day hurt more."

We cut to Will and then Jonathan.

“People don’t really say what they're really thinking. When you capture the right moment, it says more.”

"But I am scared that one day you'll realize you don't need me anymore. And I thought that if I said how I felt it would somehow make that day hurt more."

Mike's fear & reason for not telling El he loves her:

What he thinks would happen:

Mike says I love you to El

One day, El realizes she doesn't need him anymore

That day hurts because she doesn't need him even though he loves her

El WANTED Mike to tell her that he loved her, but he didn't say it because he was afraid of losing her??

If Mike told El that he loved her, why would he still have doubts that she wouldn't need him??

Because Mike doesn't love her romantically and he's scared that if she knew, she wouldn't need him anymore. But that's just not true.

Jonathan is observing him in this scene. In previous scenes, Will is lying to Mike. Will isn't saying what he's really thinking (the truth to Mike). But Jonathan captures those specific moments, those lies. He sees through them and they become something more. The truth. Will is confessing his feelings for Mike through El.

In this scene, Mike is lying to El. Mike isn't saying what he's really thinking (the truth to El). But Jonathan captures this particular moment. This moment is when he sees through Mike's lies. He sees the truth. Mike is confessing his real feelings. He's saying that he isn't in love her and he's scared to lose her because of that. He's saying that the whole reason why he didn't tell her he loved her is because he's scared El wouldn't need him anymore.

Again, if Mike told El that he loved her, why would he think El wouldn't need him anymore? Why is he so scared that one day she'll come to this realization? Hm... I wonder...

Mike doesn't love El romantically, but he needs her. They will always need each other. And, I think, in season 5, Mike will realize that El will always need him and that they don't need to be in love with one another to stay with one another. Mike wouldn't lose her just because they're not together as a couple anymore.

--------------

Idk if any of this made sense or not. Not really sure about the whole Jonathan thing, but it is clear that he observes Will (and people in general) and knows he loves Mike. I just thought that what Jonathan said is interesting. Is this the shows way of saying that characters don't always mean what they say? Maybe...

I don't know anything about film, so don't take this seriously. I have no idea what I'm doing, I'm just bored and very sleep deprived.

Let me know what you think:)

[olderthannetfic]

Quote from a post: "the things created within fandom aren’t real - an individual fic can’t cause actual, material harm to a reader, even if it contains tropes that would be harmful or distressing if they happened in that reader’s real life; an author’s use of certain tropes or interest in certain characters is not indicative of their actual morals and values in real life; thought crimes are not real crimes - but fanfiction is produced by human beings who are themselves products of the societies and communities in which we all live, and these societies and communities all have flaws and failings.

which is to say, those of us who prefer to read male friendships as romantic do need to be aware that, no matter how enlightened on gender and its foibles we think ourselves to be, we are nonetheless influenced as modern humans by a modern tendency to discourage platonic physical and emotional closeness between men - especially straight men - on the grounds that two men having this sort of relationship is inherently queer and, in being queer, implicitly sexual [an understanding of queerness which is another powerful societal influence on our thought, even if we know we don’t agree with it.]"

Okay this is from a big post from a big fandom account here please don't speculate who it is this is not about them specifically and has nothing to do with them i genuinely respect this poster and they are nothing but a supportive space and don't have any anti-nonsense. But I wanna talk about this point that they are making "the society is queering straight friendships" which is something also the anti-fujoshi crowd is saying and honestly I can't agree with that point.

I don't think its us the people who make fandom are queering the relationships between two straight men but the patriarchal system we live under and straight men themselves are doing it to themselves. They can't show love and affection to each other lest other dudes will call them gay not because there are secret fujoshis around that sexualize them. They can be vulnerable period lest everyone calls them whiney like women. I feel like (and most of the things I say here are vibes, not facts) men having close friendships with other men are green flags, and most women are excited to see men who have exact the strong relationship that are portrayed in media.

I'm confused by this talking point to be honest. I also understand that by saying everything I said above I sort of said the same thing as the original poster. In a sense that society is the problem here and we live in a society as we know, but... idk I feel like what they say is "we live in a society where everyone by default is sexualizing male friendships" which sounds like the standard anti-fujoshi talking point to me.

And regarding the point of romantic relationships being prioritized over platonic— I feel like is a complete bullshit to be honest.

Romantic relationships are prioritized over platonic ones across the board. Straight couples leave their straight friends behind when they get further into relationship too! I don't understand this impulse to constantly talk about romantic vs platonic thing when its about queer ships, and maybe there is somewhere straight ship discourse about romantic vs plantonic but its not as big as with mlm or wlw ships.

And honestly even with this take I feel like romantic relationships are also not prioritized but rather are more encouraged. And there is difference between encouraging and actually prioritizing I think.

(I want to add here that I'm not aroace so maybe its a blindspot and from that identitys point of view the dynamics might be different)

In reality I think both are equally hard to obtain and maintain. I always felt like the fandom being so shipping focused was not about people being hellbent on romance but just the fact that good love stories are few and far between both in fiction and IRL and we can't help but try to make something at least remotely good, or interesting or satisfying.

Again, my main problems is: 1) I don't agree that romantic relationships are prioritized to that high degree over the friendships like everyone claims. 2) I don't think that every single person is actually a secret fujoshi waiting to make any straight male friendship gay. 3) Fandoms are romantic ship centric because people just want more narratively satisfying romantic stories that are underrepresented in media (or they don't get to experience it IRL) rather than they are vehemently against platonic ships.

I don't know this hopefully came out coherent.

--

The person who wrote that sounds like a pretentious twatwaffle, and I am so sick of seeing otherwise reasonable people spout that crap. That's been true since the 90s and probably before.

The reality is that Western culture enshrines male friendship as the highest form of affection possible. This goes back to the Classical world. And, yes, they were probably fucking too back then, but the thing that all of the media is about is friendship.

The entire backbone of Western culture is built on the idea that men are spiritually, biologically, inherently more capable than women of this highest form of relationship. Romance is the big thing for women because we're not eligible for The Pure And Holy Friendship Between Two Men.

The epidemic of male loneliness is real, but we haven't gotten any less "Bros before hos". Fandom and m/m shipping behavior are irrelevant to this.

--

Furthermore, fandom has plenty of people who don't focus on shipping.

AO3 was built by slashers, so ship type is a top-level category, and the site obviously signals that it's about shipping and particularly non heterosexual shipping since you can filter out het.

Past sites often had more metadata that wasn't around ships (e.g. FFN's genres that work like bookstore genres) and almost never let you get rid of het. You might have been able to filter in The Gay, but straight stuff was literally unmarked.

~We do need to be aware of~

Bite me.

This naggy phrase is everywhere, and nothing good comes of it.

The only thing we need to be aware of is that Blorbo is great and s/he should be mashed together with Other Blorbo. If that's in gen adventures, you do you.

[darkcircles4lyfe]

I've given it some thought--

Now, if you've read any of my posts and you've read 430, you know there are a lot of ways it falls short of what I wanted. On the other hand, I can respect an open ending, one where we are allowed and encouraged to dream. All things considered, I'm not satisfied or disappointed, but a secret third thing... bear with me.

For a lot of storylines, I can fill in the blanks how I want.

I'm heartbroken over Himiko's fate, but there's no denying that the lack of camera footage leaves open the possibility of her simply disappearing. Perhaps she is waiting in hiding for the world to change, just like Lady Nagant.

Dr. Yoshida is described as someone who can cure the incurable. That may be referring to Katsuki, but the doctor himself said it's a complete mystery how he survived, all Katsuki's own doing. Maybe he cured someone else in those 8 years... someone like Touya?

Honestly I got nothing on Tenko but who knows. Who knows! Something something OFA connection. Izuku having vestige visions. Idk.

As for the manner in which society is changing, I'm drawn to Shouji's speech: "I'm dedicating the honor to those who joined the uprising eight years ago. All I've done is stand atop the resolve that they demonstrated to the world, nothing more." That at least tells me his earlier judgment of the other heteromorphs "setting them back" was a narrow point of view Shouji was supposed to grow out of, rather than a way of Horikoshi trying to criticize revolutionaries. In general, just because a character says something doesn't mean we're supposed to take it as gospel. That's lit crit 101, people.

Then there's Izuku. Once again I am feeling this pretty close to home. I keep coming back to the fact that the class is 24/25 now and I'm 25, man. On top of that, anyone else who was 14/15 ten years ago when the manga started gets to feel like we've all grown up together. I wanted catharsis for Izuku's trauma so badly. I wanted words. But I can't deny that the way Izuku is shown attempting to make the best of things and be content with a humbler life resonates with me, as painful as it is, as much as I know deep down he's kidding himself. It doesn't surprise me that he kept his walls up all this time and continued to shun his "selfishness."

I almost feel like there's an all-encompassing narrative theme being expressed here, in the fact that Izuku was trying to push past his pain and focus on the next generation, but surprise, his story's not over yet. I think the implied message there is that more can be done in the here and now, and maybe other stories that seem to be over, aren't.

With these things in mind, I can take the ending in stride, even if this is all the more we get from Horikoshi. However. There's one thing that is jolting me out of my peace every time I start to get comfortable here. It's actually related to the storyline that got the most closure.

I've seen a lot of fellow bkdk enjoyers calling their conclusion the best part of the ending, and I agree with that. They got a truly full circle moment, and a way of communicating to the reader that they're together, they have their forever, in a way that is personal to them. It's not "canon" in the way a kiss or a confession is, but I've said it before--this makes sense for them. And Horikoshi also did something legitimately interesting and groundbreaking by not making Ochako confess, not showing her future being tied to the main character as a love interest.

No, the thing that's bugging me is a seemingly small detail: why does Izuku and Katsuki holding hands at the end, of all things, have to be implied? Lots of things about 430 make sense in the context of the interview Horikoshi recently gave where he expressed being content with what he has drawn, and what he has left to the imagination. But not this. You can't convince me he didn't want to draw this. It's a motherfucking story about hands. This is the one thing I was 110% certain would happen. It's been teased for forever. Katsuki clearly wanted it so bad. So many other characters got to hold Izuku's hand in-frame. What the hell. Why.

Idk. I will be thinking about it for the foreseeable future.

[joejhang]

my aftg hot takes

most of these are pretty lukewarm but i'm gonna get flamed for them anyway but whatever. spoilers ??? ahead ??? idk read at ur own risk

i don't think andreil ever say i love you to each other; i feel like the discourse about this is virtually endless ever since nora said it but honestly her explanation was so valid??? they're such a show not tell couple it just makes so much sense for them to show the "i love you" in their actions than ever saying the words out loud. esp bc neither of them have ever really heard those words and have them mean anything real or true or actually loving. personally i think their little percentages and the "i hate you"'s and kisses and keys mean more to them than an "i love you" ever could. i'm not a purist on this tho i do think i could visualise it happening maybe somewhere along the road i just think nora's explanation for this is very very in line with canon andreil.

i don't hate thea muldani; i've made a post abt this but basically my thoughts around her are literally just: she's a human being, and she's never gonna be perfect. i also find it very...interesting how the fandom likes to flame thea (an explicitly stated woman of colour) for being "problematic" and a "terrible person/character" when she doesn't act all that different from andrew, neil and kevin (white men) ??? idk it seems a little strange to me bc she seems pretty on par with them on whatever moral compass this batshit crazy fandom has decided to impose on these fictional and very much morally ambiguous characters. anyway go check out my post i go a lot deeper into thea's character and why she does a lot of things wrong but i don't rlly think she's deserving of the insane amounts of hate she gets in the fandom.

i don't think andreil ever get married; this MIGHT be me projecting bc the idea of marriage is just a very complicated and rough concept in my mind but also just i feel like there's something so beautiful about andreil never really putting a label on their relationship??? like they never define it by calling the other their "boyfriend" or "husband" they just are. they have nothing "concrete" binding them like a marriage certificate but they choose to stay with each other through everything. idk it's real to me but again i'm not a purist people can do whatever they want.

i've said it before but i'll keep saying it till enough people hear me: the aftg fandom mischaracterises literally the main fucking characters; i'm mostly talking about andrew and ESPECIALLY neil here bc neil is not a sweet, sunshiney, oblivious, blushy softboy and andrew is not a cold, unemotional, stoic, "conceal don't feel" stone. since i've already bitched on and on about neil's mischaracterisation let's just talk about andrew for a sec. i think andrew is actually a deeply emotional person and is fully aware of the feelings he experiences. does he vocalise or express them often? no but more often than not they show themselves anyway. him crashing out after neil was kidnapped, letting himself get walked like a dog by neil for three books straight, choking allison for slapping aaron, idk i could go on. but yeah you get it.

i don't actually think neil is that oblivious; before people come at me like "but nora said!" or whatever yeah, i know she said he's as dense as a brick when it comes to people flirting with him. considering how much of the ec the aftg fandom likes to disregard allow me to disregard this little bit of it, yeah? this isn't me tryna impose my own projections onto nora's characters, this is lit just me tryna explain how i understand neil josten (he's my bsf btw). he literally clocks his feelings for andrew in trk (after his deep convo™ with nicky) but he just files it away for later bc he doesn't consider attraction or romantic interest anything to be thinking about considering he's got the mafia and his serial killer dad on his tail. i also don't really blame him for not catching onto andrew's feelings earlier (tho doesn't he get pretty fucking close during that one convo they have in exites in trk???? someone correct me if i'm wrong but) bc dude andrew was out here sending fucking mixed ass signals like bro was saying "you are a pipe dream" and "i hate you" in the same fucking conversations like??? neil has always taken andrew at face value and he's not about to question him now. he's also never confused or uncertain about nicky or marissa and what their comments about him meant, he just genuinely does not gaf about them so he doesn't acknowledge them or pay them any attention in his narration. i truly truly think his dismissal of all the advances made upon him in aftg were borne out of indifference, not obliviousness.

have already said this in detail but i don't think andrew's actually a misogynist; the wording doesn't feel right. i'd probably describe andrew's distrust of women (esp. those in motherly/mother roles) as a similar ingrained wariness that neil has for older men. this is something borne out of trauma and shitty experiences that takes time and trust to unlearn. nora says a lot of things the fandom disregards and for me, this is one of those things i'm a little iffy about. misogyny actually isn't reflected in andrew's actions at all, i'd say. does he respect women? no. but he doesn't respect anyone unless they've actually earned it. and among the people he does respect and care for there are women (renee, bee). he doesn't treat women any differently and obv doesn't think they're any weaker than men are (considering renee wipes the floor w him their first sparring sesh). andrew's an equal opportunity hater and i don't think he actually has any sexist or even misogynistic tendencies. i think what is there is just a slightly biased worldview of disliking/mistrusting mother figures, given his bad experiences w tilda and cass (they've left him w more long-term emotional damage that's probably rlly difficult and complicated for him to work through esp considering cass did love??? him and he did want her enough to be willing to suffer dr*ke to be close to her; there's more to it but for the sake of word count i won't go into it) but honestly it doesn't actually show that much??? if people wanna say he hates women, sure, but for one, he doesn't hate a lot of things he's just very indifferent to them and two, he holds a pretty similar apathetic distaste for most people and things, so it's not like a very big distinction. i also think the whole "no girls" thing w aaron was very much a personal thing, and his mistrust of katelyn probably came from aaron's past (apparently negative) experiences w other girlfriends and friendships in general. and if i remember correctly the deal wasn't even "no girls" it was just "family only" which is why aaron didn't make friends w the rest of the foxes either. i digress but i don't think saying "andrew isn't a misogynist" is robbing him of any nuance as a character.

i like nicky and honestly feel similarly towards him as i do about thea; he isn't perfect and never will be and i think while the way he acts towards neil and others (see: matt, kevin) is pretty untoward and inappropriate, i also do see where he's coming from, esp after aaron's explanation of it. that it's a defence mechanism coming from someone who's experienced a lot of prejudice and harm because of his sexuality. obv i think everyone can agree his assault on neil was fucked up but i think nora was right in saying that nicky was high and drunk and not rlly in his right mind at the time, and he does apologise and i'm pretty sure she also said he and neil work it out privately anyway. he's a messy character and definitely not perfect queer rep but again, he's pretty realistic, and i think he's honestly a rlly well-written and complex character.

[i-heart-hxh]

does ikalgo have deeper significance to killua's character? i get that hes like a new friend for killua but why does it feel like he was portrayed so importantly to killua's character during caa? its like theres a deeper meaning, why did killua go out his way just to save ikalgo from those two chimera ants when they entered the building? and why did he look so hesitant? he had thoughts that said "what am i doing..? why the hell am i going the opposite direction?" or something like that. idk it just feels like togashi was implying something abt killua there but i cant figure out what that is. do u have an idea?

Hello! This is a great question!

Ikalgo's friendship with Killua is vital both to Killua's development and also to Chimera Ant arc as a whole! I can explain that significance.

Throughout much of the series, Killua tags along with Gon and primarily focuses on him. He befriends other people, certainly, but he generally does this through Gon--it's not like he's going out of his way to make these friends on his own.

In Chimera Ant Arc, the connection between Gon and Killua gets somewhat disrupted by the events that happen, and Gon's focus shifts primarily to saving Kite and his revenge on Pitou, leaving Killua to worry and feel somewhat left behind and helpless (partly as a result of the the Palm situation as well).

When Killua splits off from Gon to try and save civilians, he meets and a battles an enemy at the time, Ikalgo.

During their fight, Killua gives Ikalgo a choice: Either sell out his friends by revealing their nen powers, or die. Ikalgo chooses to die rather than betraying his friends, and Killua is able to relate to this loyalty. He spare's Ikalgo's life and tells Ikalgo that if they'd met another way, maybe they could have been friends.

Killua's kindness in empathizing with Ikalgo and sparing him is the only thing that saves his life later when he's bleeding out from the needlefish darts. Had Killua not extended that mercy and said those kind words to Ikalgo, Ikalgo would not have saved him, and he would have died.

It's interesting/neat how the scene right after Ikalgo saving Killua from the needlefish involves Gon having his own encounter with another friendly Chimera Ant, and the tone of their conversation is quite a bit different:

Contrast is so important in Chimera Ant Arc!

Anyway, when Killua shows Ikalgo mercy, makes it clear that they're friends now, and invites him to come along and be part of the human side of the war, he essentially becomes to Ikalgo what Gon has been to him: Someone who represents light, and who represents a path forward to a better life. In this arc, Killua worries that he doesn't deserve a place at Gon's side, but at the same time here he extends the same kind of light and hope that Gon gave him to someone else.

As for the scene where Killua breaks off away from Gon in the Palace Invasion in order to protect Ikalgo, this continues to show Killua's world expanding outside of Gon. Notice how in this page, it clearly shows Killua leaving Gon behind--they have their backs to each other, which is a frequent image in this arc. His mission was to protect Gon and make sure Gon could complete his revenge against Pitou, so deviating from that mission is both shocking to him, and potentially dangerous, but it shows that he's starting to protect and care for others as well as Gon.

Now, I want to be clear that I see this as a positive step for Killua. At this point in the series, Killua had made Gon his entire reason for living, essentially, and him going outside of that and making other friends and protecting and caring about them is a vital step for his character. It's showing that he's becoming a more expansive, mature person who can care for multiple people (or ants) at once rather than centering his entire existence and sense of self around one person. He made this action as quickly and efficiently as possible so he could get back to Gon's side, but he did go out of his way and leave Gon behind momentarily, and even he is surprised by this.

And while obviously I adore his nearly single-minded love and devotion for Gon, with what happens between them in this arc he needs to have others in his life besides Gon, and it's part of his transition into also being the light for Alluka and Nanika. It's a result of Killua's own innate kindness and empathy and the choice he made to leave his previous life behind, but also, he was able to reach this point partly because Gon showed him the love and encouragement he needed to become the person he is.

Now, as for Ikalgo's role in the arc as a whole: He's part of a chain of kindness and mercy that ends up changing the entire outcome of the Chimera Ant arc. This post puts it incredibly well. The chain of kindness started at the beginning of the series, with Gon befriending and rescuing Killua in spite of his background, which then eventually leads to Killua sparing Ikalgo (who then saves Killua right back), and then Ikalgo sparing Welfin, and then Welfin giving Meruem Komugi's name so that they got to be together in the end. Ikalgo shows the consequences of Killua's kindness, which are also the consequences of Gon's kindness, in part.

A major theme of the series and of Chimera Ant arc is that love and kindness are transformative, and Ikalgo has such an important role in demonstrating that theme.

[rationalnerd62]

I'm feeling weirdly about C3 ending next week (I guess there's some sadness mixed with other stuff, but me, putting feelings into words? Not in my autism), so instead of thinking too much about those feelings, I want to list random things about Bell's Hells I'd like to get resolved or developed, either in that 8.5h finale or in future BH one-shots (cause they've got to have some one day, right? Right?).

It's in no particular order whatsoever, I'm just putting random thoughts out there (and hoping to see other people's random thoughts too).

Titans' shenanigans! Both Ashton and Fearne absorbed a shard, and got some nice abilities out of it, but is there more to explore here? What does this mean for the elemental life of Exandria? Is this a path to some resurgence of the Titans? Are there other shards elsewhere? Will Ashton ever meet some remains of the cult their parents were in? Is that something they're still interested in knowing more about?

Ludinus! I am hoping this won't get resolved in the finale, because this would give big Trent M9 finale vibes and feel rushed, but that damn elf is still somewhere out there! What are his goals now that Predathos is out / the BH finale deals with the Gods in a way or another? Will he ever come back to haunt our characters?

Laudna! The Matron hinted that there was a possible path to her getting back what got stolen from her (aka her mortality). While I never would want for her to become a "normal human mortal" (she should still be able to get a form of dread and play with shadow and have fun with some of her "monstrous" powers!), I honestly will hate it if my favourite CR couple is *another one* of those couples with wildly different aging speed and one of the member of the couple has to outline the other for decades or centuries. Let Imogen and Laudna grow old together in their little cottage! They deserve it! I could see that being resolved as a "gift" from the Gods (if there's a good outcome with them), but I also wouldn't say no to a post-canon story (one shot, novel, comics, who knows) centered on this. I could see both Imogen and Laudna having made their peace with this, and then maybe in a few years they're starting to talk about kids, and there's this realization that Laudna will also outlive those, and that's when she decides that she needs to do *something*. I don't know whether that's possible, but Matthew! More impossible things have been done in your world!

The Shade Mother! Is she still under Jrusar? It's kinda funny that BH's first main arc ended up with them running away and never finishing there ahaha.

Similarly, will they ever go down to find FCG's coin that Orym had thrown under Jrusar? I know at least some of the cast mentioned being curious about that.

Hey, talking about FCC, will BH Talk with Frida? What about D? Our group really didn't have much time to mourn him, so maybe finding the answers FCG was looking for regarding who he is would be a way for them to process their grief.

(I just had a thought about Ashton going back to Jrusar and Milo without FCG and this broke my heart)

Dorian and his family! He has mentioned them before, and we've met his father, but seeing where he grew up and having him introduce Orym would be nice. And vice versa with Orym introducing Dorian to his family (as his partner instead of his friend). But I'm hopeful this'll get brought up in the finale.

Imodna wedding! Because Laura Bailey deserves to have three weddings one-shot.

More Unseelie stuff! Idk, I feel like there was still more to do wrt Fearne & the Feys.

I'm hoping for a moment with Imogen and her parents in the finale. It's really the end of a big journey for Liliana, but there's another journey to start, about rebuilding (or trying to rebuild) those relationships that got affected by her search for answers. There's a "back from the war" vibe here, and I want to see it.

VM got some pre-campaign comics, M9 got some individual character origins comics, BH also deserves some comics! But what type? I'm not sure how I'd feel if it was exactly as what M9 got, so I'm hoping they'll get some original ideas within the CR crew!

Last (for now) but not least, when is Chetney finally going to die?

[meistwentyinchheels]

having many thoughts about percy (he drives me insane) idk what the kf devs put into this man, but i swear i'm addicted. like the more i learn about him the more obsessed i become,,,i think i'm mentally ill

anyways since i think a lot about him (and my kf mc, may. might actually drop a lore post on her at some point) i will now be sharing some of those thoughts. also have a strong feeling this post is gonna end up pretty long just as a heads up lmfao

also a lot of this is just speculation on my part and me trying my best to analyze the little amount of information we have as of the moment. just as a disclaimer, anyways!

out of the three love interests i genuinely think percy might be the angstiest route for the following reasons (under the cut):

like first off, the devs have mentioned in the past that one of the routes will have a forced breakup to serve the greater narrative (this was mentioned a really long time ago tho so it might've been subject to change, but since we have nothing that proves otherwise i am running with it.) and i do not believe in any way that it could be elio,,,unless the devs decide to throw us a curveball lmao jamie is still an option and he was my first thought when i found out about the breakup route, butttt i doubt it'd be him. so from process of elimination that only leaves percy. he's also the only one out of the lis that has been in relationships before and judging from past asks i'm assumingggg that those past experiences most likely still affect him.

second, every single mention of his family has been vague at best and there's been ZERO mention of his mother. in the asks only his dad has ever been mentioned and also in the studying event if u go off with percy and elio, go to check out the polo club and choose to stay back with percy he'll mention that he moved to the states with his dad. normally people would mention both parents, but percy didn't so it's likely his parents divorced at some point? also i had a whole ass supposedly sound argument here, but it got disproven bc apparently his step-dad also came with them to the states??? like yes it does still prove that his parents r divorced, but it can also imply he has 2 dads. that's so funny i love it. okay moving onto my actual point!!! since percy is a child of divorce it's likely also affected his view of love and romantic relationships. possibly in a skewed way, but who knows so that does add to the angst factor QUITE a bit

finally, percy's avoidant and deferring nature. during the festival event if you split up and then go to check out the festival games you end up running into percy, which is when the game tells you that he tends to defer to what others want and seems to be perkier exploring the games by himself. there's also a few occasions in-game where if the mc tries to ask percy about himself he tends to either A. brush the topic off or B. push the attention onto someone else (usually elio?). so i'd assume that he dislikes talking about himself? which would mean it would take him a good while to open up. which isn't inherently a bad thing, but it can also cause communication issues so. sigh.

is this flimsy evidence? yes! but do i care? no! also i would do a deeper dive into this if i was actually good at analyzing character behaviors,,,and if not for the fact that at the time i'm writing this it's 1am on a school night. there's also so many other things i could have talked about!!! like his name!!! maybe some other day. so like. do with all this information what you will. bc i certainly will!!! i have so many ideas!! many angsty notes!!! be prepared.

[mellohd]

EMH Marble Hornets AU!!

ok i know im not creative when it comes to aus but i thought itd be interesting to tell the story of MH through EMH’s story? IF YOU GUYS HAVE THOUGHTS OR QUESTIONS PLS LEAVE SOME IN MY INBOX!!! :-]( or even questions for the MH!EMH characters heh)1

Basically its just marble hornets told through EMH, for example instead of “tapes i found” story telling theyd open a youtube channel for tips and tricks on making your own movie while they make their own called Marble Hornets! EMH/MLA spoilersish up ahead

Heres the character correspondences:

Alex-> Jeff

Jay-> Vinnie

Tim-> Evan

Brian-> Michael!MLA

Jess-> Alex!EMH

Amy ->Jeffs GF(so sorry i forgot her name 😭)

“Masky”->Habit(which makes sense depending on the theories you go with for either series)

“Hoody”->Patrick (same as the last one)

Characters in cant figure out an association with:

Steph, Jess(Evans bestfriend) Shaun So they might just not have a place in this story idk

Since Mlanderson and EMH are in the same universe i thought id make Brian the Michael/Patrick of this story, except more involved. Instead of their being a shaun i think id like Brian to just go to MH crew, if ykwim. I did this cause the only other character i thought could fit Brian was Alex!EMH and I didnt like that.

My take on Masky is that hes just a more aware Tim, not a separate being (tho i do like to think of it that way for fun sometimes ha ha). Masky in my mind was in a battle against the operators control and was ultimately trying to help Jay. I think Masky would br Habit in this series cause of the theory that Habit is one of the first few iterations of Evan, thats why theyre similar and so compatible etc if you know the theory you know. That does mean that Tim isnt gonna act all ha ity, just more erratic i think, i havent gone tooooooo far into a characterization(or even a name) for Emh!MH Habit yet

“Hoody” I see as just brian and he was just disguising himself. in this au “Hoody” would be patrick. Let me explain,

Frim what i gathetef through my second watch of EMH and, my first of MLA , patrick is just Michael but remembers every single iteration, hes a similar being to Habit, thats why he has powers ig? Look i havent gotten too far into theories fir MLA the fandom is so dead i never see any 😭😭. I dont want to get to far into theories on other series anyways cause rhis is about my AU so ANYYYYWAYS i think brian would fit that its just brians story doesnt fit entirely with Michael, actually Tim would probably fit more now that i think about it. Oh god now im thinking of switching them again uhm wtv

I think the rest of the correspondences make sense if you think about it a bit. Jay as Vinnie makes sense to me because of boths compulsive need for answers even though its destructive to those around them. Jay wouldnt be as much as a villain in this like vinnie is (or maybe i havent decided muahaha). I also thought they fit cause they both do that weird thing where they constatly have to document everything.

I thought tim eould fit Evan just cause of the whole habit arc.

Alex as Jeff was more of a fill a role thing that eventually made sense to me. I did think of making him Evan and Tim Jeff, and im still thinking of doing this, but i thought the whole finding the gf arc would fit alex more. Alex would still be one of the villains i think. Like i said this would be marble hornets told through EMH lol. I might even switch it up and assign a habit type role to Alex instead and there be two patrick characters who knows!

As you can tell im still thinking this through so maybe mext post i make about this will be more solid. if youre interested to talk about this kore with me(obv my inbox) or i have a slenderverse discord i made with my friend heh tik tok smug emoji. come join if youre looking for more slenderverse friends(and if youre interested in darkharvest and mla especially cause i need more people to talk about that to 😭😭)

[corviiids]

If i ask nicely, would you consider writing the core of Light and L character like you did for Shuake? (IT'S BRILLIANT BTW!! You're so galazy brain. I love reading any meta or just silly posts you posted here <3) because you mention Light a couple time in Akechi's part and now i need to know your thought on him and L.

(Also, about the death note wip you're cooking right now, is it a oneshot or multiple chapters fic? Im super excited for it!)

i ABSOLUTELY would thank you so much for asking and for your lovely kind words. and im sorry this took me seven years to get to i just kept psyching myself out.

here's the ren & goro post this ask refers to for anyone wondering. the 'core' refers to my answer to a writing meme:

26. What would you describe as OOC? [...] it's the same approach i take to language tbh particularly in pronunciation. once you understand how a language forms its sounds at a base level, you dont struggle with the accent on particular words, and you can encounter words you've never seen before and understand how they're likely to be said/spelled/etc. so once i learn to 'speak' a character they come more naturally. idk if that comparison makes sense to anyone else but it does to meeeee all this to say i think a character is ooc if they do or say something i cant reconcile with that core!

the death note wip is a multichap!! thank you for your interest!!! ill talk about it more once i've stopped tying myself in knots plotting it!! broadly it's a what-if type au which has led me to replot an entire series from scratch dont look at me

anyway lawlight below. i will say ive been really desperately wanting to do like a video essay or something about death note which would be a lot about L and light specifically and how i interpret their characters so ill try and not go toooooo insane in this post but maybe ill go more insane later. in a video. with my human voice.

(edit: i failed i went insane)

light - one-way road to the sky

ok let's talk about one of my favourite scenes of the entire series, which i think is widely not super well understood but honestly to me holds the key to light's entire character. it's right there in volume 1

sorry, the only digital copy ive got on hand is the scanlation. for comparison the official print copy reads:

bubble 1: hey, maki, wanna party tomorrow with some guys from s. college? ten o'clock. bubble 2: yeah, totally! bubble 3: hey, can i go too? bubble 4: my mom isn't here yet? what's that nag doing, geez! light (thinking): damn... light (thinking): start looking around you... light (thinking): and all you see are people the world would be better off without.

this happens within the first 40 pages of the first volume. and it's like. haha hey light what the fuck? this is a totally normal scene in everyday life. people are talking about living their lives. nobody's done anything remotely reprehensible in this scene. and light's just walking through the streets experiencing apparently unprompted and quite extreme misanthropy. what's wrong with him

ok let's have a quick look at the first time we meet light in the anime.

[...]

[...]

cool cool cool im gonna pivot again let's look at the first song (besides the overture) in the musical.

ok rook! we get it! light yagami is out here like damn we live in a society time to kill people about it. this is news to nobody! we all know this!! that's what the series is about! why are we rehashing all of this

great. cool. awesome. let's look at all those scenes one more time. but this time don't look at light. instead let's look at the people around him

in the opening shots of the anime (after the shinigami world, which actually is much the same theme): news of brutal murder is narrated over establishing shots of tokyo. light is shown dead-eyed, going about his ordinary life, surrounded by random other civilians doing the same thing.

in the musical, light isn't angry that murders happen. he's angry about the inaction and complicity of the ordinary people around him.

these scenes aren't highlighting that light thinks crime is bad. we all know crime is bad. the point of these scenes is to contrast light's frustration and fury against the reactions of the people around him. here's what light yagami is seeing: we're surrounded with rot. but nobody's reacting. and then life just goes on. so suddenly all those completely normal scenes of people being concerned with the superficial details of their life aren't just normality, they're complicity. day in, day out. so the world is rotting, and to light, it seems that everyone is completely ok with that. that's just the way things are. and that disgusts and depresses him. on top of than that, it isolates him: he feels like he's the only one who sees or cares about this, that everyone dismisses him as naive, that no one else can be trusted, that everyone else is able to ignore something he sees as inexcusable. this is a sentiment he repeats again and again. it reads as arrogance, and it is, but it's also isolation - after all it's lonely at the top and just as lonely to feel like you're at the top even if you arent

can i talk about the iliad again? is that ok with everyone. im gonna talk about the iliad again

in book 1 of the iliad, the commander of the greek army insults achilles by publicly and unlawfully taking a prize (the girl briseis) who rightfully belonged to achilles. achilles reacts by withdrawing his troops from the army, dooming the greeks' campaign. achilles had a lot of friends in the army, so why would he essentially sentence them all to death for something that only agamemnon did? well, (because agamemnon did something publicly that everyone knew was wrong, and yet nobody was willing (or at least able) to stand up for achilles and stop it from happening. achilles, disgusted by the inaction of the bystanders, turned his back on all of them. fun fact i nearly wrote a mini thesis (an academic one not just a long post on tumblr) about the intersection btwn this book of the iliad and legal theory but law+classics is such a niche interdisciplinary field my professor couldnt find anyone who could supervise me so i couldnt do it. anyway that's not the point

is this right or fair? who cares, not the point. what im interested in is what that kind of behaviour says about the individual. light, like achilles, is a highly idealistic person. we all know that in the abstract, but take a second to really really dig into it, because it's actually quite an interesting fact about a character who is popularly understood as being cold and unfeeling or flatly psychotic and on a power trip. idealism isn't naivety, it's not optimism, it's not even really a happy thing. idealism is simply a firm belief in the way things should be at the cost of refusing or being unable to accept what is.

this is the core of light yagami to me. light doesn't become kira because he's cold or destructive or crazy. he doesn't actually even do it because he's spiteful or misanthropic. it's very much the opposite. he's misanthropic because he believes in the world so much. isn't that a great contradiction! ok here i'll show you some proof.

in an early scene (also in volume 1), light describes himself as an optimist and ryuk finds that interesting.

so light is an optimist. he believes in a bright future for humanity. he wants to protect humanity. he likes humanity. no, he doesn't believe that people are inherently good, but he does believe in some goodness as a part of humanity and wants to protect the best of people, in an egotistical way:

how do we reconcile that with a young man who walks through the streets listening to completely ordinary conversations by ordinary people and reacts by wishing death on everyone talking?

let's split out what's going on here. remember what's happening in light's head. light yagami is 17 years old. he grew up with a police chief for a father (in a fictional world where the police are the literary stand-in for law as justice so just pretend for a second that police are good im sorry), watching his father work tirelessly to fight crime - but crime continues, making this an endless, thankless task. and while crime continues, so does the world around him. every day light sees atrocities on the news, and he sees atrocities brought home, and then he lives his ordinary life and watches the people around him apparently not give a shit, only concerned with the petty details of their own little lives. bystanders watching wrong happen, selfishly unaffected. day in, day out. that idealism is getting colder the longer this unendurable injustice goes on. so achilles condemns his friends to death.

what human trait is being exhibited? realistically it's helplessness. would being miserable about crime help to end crime? of course not. people have to go on with their lives, that's a fact, it's even a strength. even light begins the series completely unable to do a thing about the rot he sees around him, which is part of why he's so depressed. but that's not what light is seeing. light is seeing ordinary people appear to choose not to give a fuck about injustice. the thing that's sparking his disgust is apathy, real or apparent. light yagami is an idealist. he wants a better future - a utopia that only he can imagine - something that can only happen if either everyone becomes as good as he is, or he takes control.

if you leave an idealist in an unwinnable situation for too long, their pure belief will start to curdle. it will not turn to realism. they will not accept what is. they will only become more and more bitter that what should be, isn't. they will become a cynicist. this is really the heart of my argument and ive made it a million times and ill make it again. idealism and cynicism are not opposites, they're not even two sides of a coin. they are two points on the same line which moves very quickly in only one direction. this is where i start when im writing him: how do i make someone who believes so hard that it's killing him? someone who believes so hard it makes him believe in nothing?

then we find the third point on that line, which someone can reach by gaining sudden power - for example, a magic notebook that kills people: radicalisation.

how do we reconcile his desire to protect humanity with the fact that what he's trying to protect against is also humanity? how can i say light loves humanity when he has such disdain for them? easy peasy: light sees himself as the messiah. my bumper sticker that says ask me about light's martyr complex PLEASE ask me about light's martyr complex i wrote a song about it ask me about light seeing himself as the sacrificial lamb on the (and then the bumper sticker cuts off)

light loves humanity the way a twisted shepherd might love his sheep. something to be protected, but something beneath you that can't be trusted to know what's best for them. humanity is something he loves because it's endearingly pathetic, something to pity and save. repeatedly he refers to becoming kira as a personal sacrifice, something that costs him his soul but that he has to do. it's a delusion of grandeur driven by dual purposes of ego and some desperate wish to change a status quo he's been despairing about for years.

tl;dr: light believes with all his soul in something he thinks is impossible, and it's killing him slowly, and then a chance to change the world just falls out of the sky

L - isolate yourself until you can make believe it's just a game

steeples fingers. i have Things to Say about L Lawliet.

ok listen. listen. Listen. listen. are you listening? listen. in general i think people kind of misunderstand characters who are hyper-intellectual and/or behave unconventionally in social settings. you're all going to fucking kill me for this but i think there's a tendency to like... accidentally turn any character who falls vaguely in this broad category into sheldon cooper. god im sorry i feel like i just shot everyone's collective dog

specifically what i mean by that is that 'awkward' gets flanderised in a way that eventually becomes a caricature of itself, because there is so much nuance to actual social awkwardness that it's very easy to kind of pick a template and stick to it without really thinking about what makes that character 'awkward' and what the root and type of awkwardness is, unique to them. so instead we just get, like... generic big word user. generic driven by logic and logic alone guy. generic guy who doesn't Do Well with other people, for Smart Reasons.

here's a list of true things about L which i think are safe to say are uncontroversial

intuitive

logical, master of deductive reasoning

competitive

behaves in an odd way that draws attention

is aware of that fact

focuses extremely hard on his cases and only cares about being a detective not anything else

isolates himself and doesn't like talking to people partly for his own safety partly because it's boring to him

here are things i have seen in characterisation of L which i would like to dispute

makes decisions and draws conclusions based solely on logic and evidence

doesn't understand social cues

here's a list of alternate interpretations which i would like to propose and that i am willing to back up with evidence and/or by physically fighting over them

is driven primarily not by logic or evidence, but by incredible intuition which is supported by logic and evidence when it suits him

has a keen understanding of people, interpersonal relationships, and social norms

leverages that understanding frequently to his benefit

feels that he is not capable of / not a part of emotions that he sees as being typically human (see his speech about being a monster)

and yet in an abstract and self-contradictory and low-priority way still kind of desires connection, leaving him emotionally isolated

chooses to behave oddly on purpose, not because he doesn't realise he's behaving oddly, but because it is not a priority for him

those might seem like fine distinctions at some points, but stray slightly off the mark and his characterisation begins to vary wildly. for example, interpret L as being bemused or unaware of social cues, and one possible characterisation that may stem from that understanding (which i have seen) is that L doesn't understand sarcasm or jokes - which is demonstrably untrue. L demonstrates weak social skills because social skills aren't a priority for him, not because he doesn't understand social norms. after all he does a reasonably convincing 'i am a normal dudeguy' voice on at least two occasions (suzuki the information line guy and asahi the calling matsuda for drinks guy). even with the taskforce, when his behaviour is more of his usual bizarre self, he still makes the effort to treat them respectfully and meet them where they are, explaining himself when they ask, chatting with them, holding ordinary conversations. you can read this any number of ways but my point is that he can do all of this with relatively little struggle

it's also very much not the case that L doesn't have feelings or care about other people. he's ruthless and he's cool with causing people to die if he has to, but he reacts with visible distress to the deaths of the FBI agents, to ukita's death, to the prospect of other members of the taskforce dying. he does care, he's just not morally driven as a priority.

ok but if he can cosplay as Normal Dudeguy with no trouble then why doesn't he. why does he conduct all his business in dark rooms apart from the entire world forever. is it gauche to use a section of my own fic to explain my point? im going to do it anyway

It is easy to identify in Light what he has long known in himself. That little pearl of disruption, grown around an irritating grain of something just unique and tremendous enough to be uncomfortable to the more ordinary around them. L has hidden it by hiding himself. Light has hidden it by hiding within himself. L's black letter is to Light’s vapid smile is to Kira's invisible bullet.

(honestly a lot of what i have discussed here is also covered in this fic so in case this fucking three thousand word essay is not enough for you you can go read that.)

something L and light significantly have in common is that their intellect and unique way of thinking really set them apart from everyone in the world, which is incredibly isolating. but while L has the 'benefit' (arguably could be a detriment but i think he sees it as a benefit) of a unique upbringing which allows him to use his skills to their full extent without worrying about really anything else, light is very much trapped by social convention. while light's life is privileged and materially perfect, he's stuck inside what society expects of him, while L is able to exist completely outside that paradigm. the result is that light has retreated within himself and spends all day playing a part, barely tolerating the monotony and apathy of the world around him by mechanically performing as expected while smothering the part of him that never has an opportunity to truly come out until kira. L, on the other hand, has no reason to put up with a society that is, for lack of a better term, really just beneath him. so he retreats. remember that the first volume/chapter of the manga is called 'boredom'.

you can see that even in his comparatively limited interactions with the task force, he is having to exercise a level of patience to explain to them what he's thinking at every stage, to have to defend his methods, his instincts, his decisions, etc, needing to step through every stage of his reasoning so that the others can follow and won't object. this is NOT just about masking his odd behaviour, it's also very much about having to step through his morals and his process, which is second nature to him but is new to everyone else and needs explaining. it is visibly exhausting to him, and this is with people he actually seems to like well enough. eg during yotsuba arc when light and soichiro keep raising moral concerns, and he has those little "here we go again" moments (which i love SO much and are so telling of him to me) even though he doesn't let his frustration show. which is why he usually does not bother with it and prefers to work alone. he sits the way he does even though he knows it's odd, because he feels he need to sit that way. when light calls it out, he doesn't question that people will think he's strange, so he's clearly aware. he just explains himself.

but if he were out with people on the regular, he'd need to defend himself constantly. the things L does are not conventional. yes the sitting is just an oddity of his so it's a good example, but it's not just the things that are odd that cause a problem: he frequently makes decisions which seem to make massive leaps of logic nobody else (except light) can follow, and often his actions are morally questionable or even reprehensible. all that is because L is extremely pragmatic and results-focused. it kind of doesn't matter to him how he gets from A to B as long as he gets to B. but the way his mind works is that he makes big jumps that make perfect sense to him but would draw curiosity or objection from anyone who doesn't think the way he does. it would be absolutely exhausting to have to constantly defend every strange or questionable thing he did, so he just retreats.

when he works with other people, i think it's worth noting that the team dynamic never actually struggles for L's awkwardness. this is something i really like about death note honestly - L is quirky and strange, but the series doesn't do that thing where it's like He's A Genius Of Course He's Rude To Everyone. he's actually not. for the most part, L is courteous, patient, and polite. he's sometimes blunt or abrupt, but he very rarely does the thing where he's obliviously cruel or brushes people off. he's considerate of people's needs, he's visibly compassionate of other people's emotional difficulties, and he very rarely loses his patience. when matsuda tries to tell the locked-up light about kira resuming activity, L snaps "Matsuda!" to stop him, and then immediately corrects himself to go "I mean, Matsuda-san." it would have been really easy for the series to do that tropey shit where he's so smart that he doesn't bother with politeness, but he factually does. he makes the effort to treat people politely even when he's not actually being kind. when he's asked to explain himself, the reader can see he's tired and annoyed, but he doesn't take it out on people. on the odd occasion he does make fun of someone for being slow, he does so in mostly light-hearted ways. so he is very capable of dealing with other people directly. his lack of social skills aren't for lack of understanding. he just can't be bothered. it's a waste of energy to try and behave 'normally' or to do things that other people find acceptable, whether that's due to social norm or common morality. it is so, so much easier for L to do things alone. without the need to explain or defend his behaviour to anyone, his isolation turns real world problems into something almost purely theoretical. so it really is like a game for him, at least at first.

whatever

i think it's really important for a character like L to not be fooled by the surface-level categorisation of 'smart awkward character'. we really need to find what's driving his awkwardness. it's not ignorance, it's not even really disdain, it's exasperation. he's tired of being surrounded by people who just can't keep up with him, and he does not have enough energy or interest to spend his time handholding everyone through his process, so he just does whatever the hell he wants and avoids people as much as possible so he doesn't have to deal with it.

look i know this is a really long way to say stuff that people mostly already know, but i think L is one of the most finely nuanced characters in the series because he looks like such a simple expression of a known archetype and the ways in which he subverts expectations are so granular that it's easy to completely miss them even while appreciating how interesting he is. the way this translates into how i write him is that he's polite and has a lot of patience until he simply doesn't, at which point he'll inwardly or subtly express that he wishes he didn't have to bother with this shit, that he picks up on fine social and emotional details that other people will totally miss, but that he'll always put his own whims and plans before anything else.

tl;dr: L behaves like someone who is constantly moving at his own pace and for whom dealing with people is rarely worth the effort, but this does not make him inept or unkind.