#and i'm writing or thinking profoundly

[crazyspookies]

.

[lale-txt]

me to me: you can't just make an au out of every series you have ever loved to put your haikyuu boys into

also me: what if :) firefly wedding au :)) yandere man :))) with blood on his hands :)))) cradling your face tenderly :))))) oikawa :))))))

[altschmerzes]

one of the wildest like, tertiary characters in my online experience is this one really pissy asshole who pops up every so often on posts about comments on ao3 who is like, really really really upset about how there's a generally accepted fandom etiquette rule that you shouldn't just dump unsolicited criticism on people's fics. this person insists this is ruining fandom, obsessively replies to blogs like longlivefeedback whining at them about it, and insists it is uh. everyone else. who is sensitive and entitled. it's amazing to me every time i'm reminded they exist, but they just keep showing up lmaooo.

[zincbot]

hi urge to rewatch bojack horseman. what are you doing here

[reachexceedinggrasp]

There is a mild but fathomlessly deep well of antipathy in my heart for writers who take a character that is defined by being deprived of intimacy, lonely, introverted, physically insecure, isolated, alienated, touch-starved, socially withdrawn, anxious, etc. and then write them as a confident Lothario.

Someone's central driving conflict is about being othered or voluntarily not participating in humanity? nah, not important.

[angi-of-avalon]

[elainemorisi]

cannot tell if I'm Sturgeon's Lawing it, overextrapolating, or in fact remotely onto a thing, but... Media These Days is really taking shortcuts with like, [especially moral] characterization, right? like this isn't a remark in any direction about the contents of the morality, it's a remark about how many times I've watched/read a thing and sat there going like, I'm pretty sure you (writing) expect me to take this as believable, but you actually just have a paper doll mouthing words here, this isn't believable just because the paper doll is mouthing The Good Guy Words

and like it's something beyond Pet The Dog, is the thing. I've no objections to dog-petting as a tool. one identifiable difference being that The Good Guy Words are then later made load bearing for reversal, of all fucking things. it's one thing to have Designated Good Guy that's fine (and actually this stuff is more Designated Sympathetic, so again, "moral" being used very loosely). but if you want?? as I think you want??? me to first believe that DGG is in fact G but then! to be shocked when he isn't... you gotta do more than mouth words. we don't actually share an unspoken and obvious moral code, you the writer and I. but also even in cases where I don't outright disbelieve your definition of Good it... still doesn't work. there's still no there there

and like the fixes are there, but they're not so similar as to feel like the explanation is really in them (closest generalized fix is "remember the agency of other characters" but like that's a fix for so much bad writing it barely counts). it sorta just seems like this particular bar has sunk into the floor? but why?

tl;dr the experience is "I'm not conflicted[/shocked/moved], I'm confused" and I swear, it's increasing. often in total (but popular) shit, sure, but sometimes in not-utter-shit-in-every-other-respect stuff too. and just, why??

[comicaurora]

Hi, Red. I'm hoping you can put on your writing advice hat for a second. I've tried to write stories several times and think I'm pretty good at outlining plots. But the wall I always hit is that when I try to write the character's dialogue they all sound the same, ie they talk exactly the same way I do. At which point I give up. Any suggestions?

Ah, character voice! A tricky blend of strategy and ✨vibes✨ goes into picking one, but mostly they can be drawn cleanly from the underpinnings of the character themself.

Narrowing in on a character voice can be helped initially with some basic brute-force Q&A:

How polite/formal is this character? Would they pick their words carefully to avoid offense? Do they use honorifics or nicknames? Are they impulsive and often thoughtless, saying things in clumsy, unpolished ways that might offend? Do they aim to offend?

How confident is this character? Do they stutter, do they pepper in "um" and "ah"? Do they always know how the sentence will end before they start it? Do they turn statements into questions or vice versa? Are they guileless and open? Guarded and wary? What, if anything, makes them shut down?

What does this character prioritize? An explainer wants their audience to understand exactly what they're going for, so their dialogue will be clarifying and perhaps a bit long. A character who doesn't care what anyone believes might not be willing to waste time explaining themself. A character who cares more about everyone getting along might spend their dialogue defusing arguments or placating emotional rough patches; a character looking for a fight might aim to create those rough patches.

How silly is this little guy? Some characters will spot opportunities for levity and go for it. Some characters can't help themselves and will turn everything into a gag. Some will recognize a joke and pointedly ignore it until everyone gets back on track. Some have no sense of humor. All of this will determine what kinds of lines they will and won't say.

How emphatic are they? Some characters would never dream of using an exclamation point. Some couldn't end a sentence with anything else.

What's their frame of reference? One person's normal is another person's incomprehensible. A character totally at home in a certain environment or situation will carry themself through it very differently than someone who's out of their depth.

How insightful are they? Are they profoundly introspective or are they holding the door shut on their collapsing tupperware stack of emotional issues? If someone else is in distress, can they find a way to help, or do they maybe get frustrated at their inability to do so? Can they glean what's bothering someone or do they need to be told? What kind of things are obvious to them, and what flies over their head?

And etcetera. There's tons of questions you could add here, but they're just to get a gist. A character voice is genuinely less about tone and accent and whether or not they use contractions and more about, like. Would They Fuckin Say That. Everything else is icing as far as I'm concerned.

[patricia-taxxon]

i don't know much about systems, but i know a lot about autism, and i think "syscourse" basically just an intra community disability support needs squabble but without the word "disability" to help contextualize it. Lemme try and help.

A lot of toxic disability discourse is just people with high support needs who are seeking *support* vs. a neglected majority of people with lower support needs who are mainly seeking validity and understanding. Both groups form a misguided resentment of each other. People who are profoundly disabled are more likely to get defensive and feel attacked when someone tries to spin silver linings from their disability, feel like their struggles are being erased by less effected people who outnumber them and speak over them. Meanwhile, lower support needs people are likely suffering in some manner that is invisible to them and everyone else, and they want nothing more than for that invisible problem to have a name.

I am, in spite of how I might look as a disembodied collection of smart sounding text posts, a high support needs autist. I have an unfair resentment of most autism positivity posts because I feel it doesn't represent my needs. I often feel alone in my own community due to a combination of being spoken over + your average everyday internalized ableism. I am, in my lowest moments, the autism equivalent of the anti-endo sysmed who writes long posts about how terrible and disabling DID is. I'm also, I guess, a low support needs system, so in some way I've seen this horrid discourse from both sides. The lesson I've taken is this: as a disability advocate, it is pointless for me to harangue and chew out those for whom my disability is a personality quirk in a desperate attempt to be seen. They too are neglected by the same things I am, and I must not be yet another voice telling them they don't deserve support. At the same time, those who are least affected by a disability are in the majority, and hold privilege over those most affected. Having a disability that is sometimes unrecognized by other disabled people is not a comparable oppression to the world simply not being built to accommodate you on any level whatsoever.

In conclusion, both of you are talking past each other, please apply theory of ableism to your discourse before its too late.

Sincerely, Avery & Amber.

[helioooss]

that one summer

synopsis: y/n recalls the summer that changed everything - the one where her and sana end up together

w/c: 2.9k

warnings: none, just cute stuff. not proofread so u can call me stupid 💀

a/n: i seriously can’t write fluff. it’s like i have to be profoundly sad all the time or else i can’t think. !!! how good is sailor song???

✧･ﾟ: *✧･ﾟ:*

"You know, you're not bad looking," Dahyun starts and you're already rolling your eyes, knowing what's about to come out of her foul mouth. "You just give off, like, really big lesbian loser vibes."

"You haven't seen me in over two months and that's the first thing you say?" you ask her, brows furrowing. She isn't wrong, though, but there is no shame in admitting that either. "And what if I'm a loser?"

"Well, my friend, your grand plan is winning over miss Minatozaki Sana this year, aren't you?" she teasingly raises both of her eyebrows at you. “You really need to grow some balls, Y/N, like look at her at least once when she’s up close - not just from afar.”

You throw a piece of your lettuce at her and she instantly grimaces. “Shut up, you know I can’t do that.”

“Why don’t you hook up with Yunjin? I think she’s still into you,” and she introduces that idea as soon as Sana walks past your table, making you look down at your shoes just to avoid her striking gaze. “Whoops, said that too loud, didn’t I?”

You’re taken aback when Sana pulls away from her friend group and sits herself next to you. Then she unexpectedly wraps an arm around you…but you just had to move away.

"Oh?" Sana's lips curve into a frown, noticing how you're practically pushing her off of you as you let out a nervous chuckle. You want nothing but some sort of phenomenon to swallow you whole and never let you back out right now. "You're ignoring me now, baby?"

And that's it; it's the end of it all. You can feel Dahyun's sharp (and confused) glare from the corner of your eye, she's probably screaming in her head - maybe with a tinge of desire to choke you dead for not telling her why the girl you've been pining over for the past four years has her arms wrapped around you. And kissing you.

The girl in front of you chuckles, her palm tapping your cheek to pull out of whatever trance you're in. "Earth to my beautiful Y/N," she places an innocent kiss on your cracked and dry lips. "Are you okay?"

"Yes," you manage to choke out, breath hitching. No. Your cheeks are flushed, heart racing a million more beats than usual; everyone around you mirroring the same expression as your best friend. "What are you doing here?"

It must've sounded wrong to Sana cause now her face is feigned with hurt, mixed with a bit of anger. "Did you not want to see me?"

Dahyun decides that's her cue to leave. You nervously fidget with the hem of your shirt, refusing to look up at her. "No, no, it's not that!"

"You didn't even introduce me to her," Sana's attention is too focused on you that she only notices your best friend's departure when she's steps ahead of you two. "And why are you acting so cold?"

You purse your lips, trying to ignore the prying looks you're receiving from over half of the campus. "Because..." you're dragging your words out, unsure of how to tell her that to everyone else's eyes, she's a goddess.

And you're just you.

"Spit it out," she says in that firm tone that used to scare you as she crossed her arms. "Are you seeing other bitches in campus? Too embarrassed to be seen with me?"

"No, Sana!" you cry out, reaching for her arm. "That's the thing, this place has not seen me get a girl even if my life was on the line and now suddenly, you, you out of all people, are all over me."

"What?" her head is tilted and she looks so cute and you just wanna kiss that frown off her face.

Your frustration gets to the best of you. "I'm a loser who has not had a girlfriend since I stepped foot into this place - and literally, just literally, look at me."

She lets out a lopsided smile, ignoring half of what you just told her. "My gorgeous baby. You look amazing today - might need a haircut though. Your hair's looking a little too scruffy, yeah?"

"Yeah," you sheepishly say, getting distracted by how she can still look good in baggy blue denim jeans and a white baby tee. "I like my hair messy though."

She stands silent for a second, narrowing her eyes at you as she trails her fingers up and down your arm. "I bet you like that everyone swoons over it when it falls down your face."

"Yeah, bold of you to assume that people notice when my hair grows an inch longer - just like when they notice yours," you can't help but roll your eyes.

One thing you learned about Sana is that she's always jealous about the invisible girls that are crazy over you. To her, you have hoes, which comes off as a compliment but it's baffling to try and understand how she doesn't see that you have zero game. And you only pulled her by luck that summer night.

“You’re beautiful, you know that?” she stares at you lovingly, tucking a piece of your hair behind your ear. “Wanna walk me to my next class?“

✧･ﾟ: *✧･ﾟ:*

the summer that changed everything

The summer before your senior year was something else. It was hot, sticky and sweltering - the streets during daytime were almost empty as the city tucked themselves into the safety of their homes.

Today was no different. The sun was beginning to set and it offered no relief, remnants of the heat still hanging heavy in the air. You were walking along an empty street in your neighbourhood, skateboard in one hand and a Camus book on the other (you were trying to be mysterious, the park today had no one else but you and this guy from your active matter class).

From afar, you could see a sleek, shiny black car (a bit unusual for the place) in the middle of the road ahead of you and next to it was a girl in a white sundress as she paced around the area. She saw you approaching her and she couldn't wait any second longer - you were walking so slow and she just had to run towards you, heels clicking against the pavement.

You tightened your grip on your deck, prepared to deal with one of the many crackheads along this street. You've done it before and it wouldn't hurt to do it again.

When she was close enough to be perfectly seen by you, your knees began to melt and your head was screaming to run, but you stood frozen. It was Minatozaki Sana; head cheerleader and queen bee and she had bows in her hair and it was wavy and she looked sweaty and -

"Y/N!" she panted, seeming relieved at the sight of your familiar face. Your name rolled her tongue off like you could get used to it. "It's Y/N, right? We had the same classes last year."

Not really, you only had two lectures with her. Of course she wouldn't remember that though.

"Yeah, are you okay?" you asked in a worried tone despite the fluttering in your chest.

There was frustration etched on her face, something that you noticed she does whenever things don't go under her plans. "No, my car stalled and my phone's dead so I can't call for help. I'm supposed to be at a dinner party with my family!"

"I'd offer to help but believe it or not, I genuinely know nothing about cars. I'm like if a lesbian was useless,” you bit your tongue, regretting your existence already.

"You're gay?"

"Um, yeah," you cleared your throat, grabbing your cracked phone out of your pocket. "But here; maybe call a mechanic then an Uber?"

Her stare lingered, a tint of curiosity now plastered on her face. Her eyes travelled towards the skateboard and book on your head, then your tattoos before it finally landed on your phone. She took it without saying anything else.

You looked around, trying not to pry into her conversation with who you assumed was her mum. "Yeah, I'm bringing a friend, by the way. Just let everyone else know I'm not coming alone..."

Sana was too beautiful with her rosy cheeks and flawlessly sculpted lips. You could tell the goods took their time with her and instead of becoming the subject of art, she became the embodiment of it instead. Here you were, struck by her beauty once more and there was nothing you could do but watch as if she were something from a museum.

She could be mean at times, she had a status to protect after all, but it looked good on her. You were used to the taunting and sharp remarks from her friends despite her always telling them off - always trying to defend you for whatever reason.

"Let's go?" she tapped your shoulder, a grin on her face, and you just knew she was up to no good. "My driver's coming in ten minutes, we have to go to dinner with my family. Let's wait in my car."

"We what?" your eyes widened, smile faltering as you immediately transformed into a nervous wreck. "What? I can't, I have work in half an hour."

"You work at my cousin's record store, you'll be fine, he's going to be there."

"How do you know that?" you nearly shat yourself there, but you couldn't tell her that. Her eyes were striking and you didn't have the balls (literally) to say no so you allowed her to drag you around.

She reached out for your arm, her warm fingers wrapping around your skin to lead you into her car. “I have my sources.”

“I’m not even dressed for the occasion!”

“Just trust me, Y/N,” she replied, smiling.

And you did, because it was Sana, but her family would cook the shit out of the five dollars in your wallet as you stood in awe at the sight in front of you. You had always known that the Minatozaki's stood in a different tax bracket compared to everyone else - but you didn't expect Sana to live in an actual castle an hour away from the outskirts of the city.

Expensive black cars surrounded the sprawling gardens, they had people in front of the towering columns serving champagne glasses.

“Sana, I think I’m gonna shit myself.”

Over the next few days, Sana clung to you like you were the light of her life. Her family loved you instantly - and you were always welcomed back home. She would be at the record store while you were on shift, insisting to do a bit of manual labour because apparently, she had never lifted a box in her life.

You two spent hours sitting in the quiet corner of the shop - showing her all kinds of music that you assumed she wouldn’t be into. She would bring you lunch in her expensive heels (she eventually learned that sneakers were a must during working hours). Some days, she would sit at the skate park just watching you in your zone.

To you, she was Sana, but the feelings you harboured seemed to grow deeper and harder to keep. Like you could burst any moment.

During that night, your parents had just spent the entire night making their signature dishes for Sana. Coincidentally, their old restaurant was the one her dad had always taken her out to when she was younger.

You were unaware of the fact that it was the place she saw you for the first time in her life and just knew.

You drew the bottle of beer closer your lips, taking a big sip as you rocked back and forth on your seat. “Sorry about that - my parents are passionate about cooking.”

She chuckled. “How come they closed the restaurant?”

“Just financial issues, you know?” you answered truthfully, heart swelling with affection for her. “Dad got really sick one winter and with no one else to help mum, they decided to end that chapter.”

“Is he okay now?”

“Yeah, he is kicking life, just gets mad when he remembers that he has to look after himself.”

The air was much cooler now, leaves rustling as the wind carried a faint scent of the flowers in your mum’s garden. The sky was dotted with stars and the moonlight reflected against Sana’s hair - making her glow. You couldn’t take your eyes off her.

“So,” her voice was soft, the way she looked at you was filled with sincerity. “Last year of college, huh? What’s next for you, miss architect?”

You always knew what was ahead of you, but for some reason, sitting with Sana under the moonlight and her looking so beautiful, you felt scared to tell her. “Um, I think I’m heading overseas.”

“Oh, that’s wonderful,” she said, the disappointment visible in her eyes even though she tried to look excited for you. “Why?”

“My uncle said I could make better money working for his place, you know, with the currency difference and all that,” you cleared your throat, putting the bottle on the floor. “It’ll just be good for my family, and there’s really nothing in store for me here. I think if I disappeared today the city wouldn’t even notice.”

Your attempt at trying to lighten the mood just made her scowl deeper. “But I’m here and I would notice your absence.”

“If it weren’t for us getting to know each other this summer, I genuinely think you wouldn’t.”

It was true, you always lived a completely different life from Sana. Even though she was nice compared to how her friends treated you, there was still a huge wall between you. As soon as summer would be over, you know she’s retreating back to her side of the wall and away from you, and you’ll be watching her from the sidelines again.

She was quiet, eyes studying you carefully from the side. She didn’t like that you were kind to everyone but yourself. In her eyes, you were the most beautiful person to ever exist - she wanted you to see that you meant so much to her.

And without really thinking, she pulled your face and leaned in to kiss you. It was soft and tentative, and all too familiar, like coming home after a long day’s work knowing that the comfort of a kiss waits for you.

You held her closer, hands roaming down her back as her fingers danced in your hair. It was years worth of built up unspoken feelings and desire. When you finally pulled away, you were breathless as she leaned her forehead against yours. “Sana, I’m sorry -“

She kissed you again. “I’ve waited for this for so long,” her breath came in shallow. “You took your time.”

✧･ﾟ: *✧･ﾟ:*

It’s only midday and you feel like it’s been going on for too long. You start rambling to Sana (who’s feeding you her strawberries) about the way Professor Song spoke to you in class, making you sound like your theory is stupid. "And he goes - my question is not opinion-based Y/N, you should know better, blah blah blah," you mimic his voice, failing to notice Sana's stone-cold look.

"What does Yunjin mean to you?"

The question catches you off guard for a second, the answer running through your head at a quickened pace. "What makes you ask that?" You internally recoil because you should've just given her a straight answer.

"Why is your ex-girlfriend constantly clinging onto you in the same way I do?"

"We never even dated!" your tone is defensive, voice a pitch higher. "We kissed once at one of Miyeon's parties during our first year - you were even there...with Jungkook at the time."

"That's not the point," she clenches her jaw, eyebrows creased and you know she's angry when she doesn't even smile at the dog that just strutted past you two. "I saw her playing with your hair and hugging you, and you let her. You wouldn't even let me do that with you in public.”

"That's how she is with everyone!"

"You should not be a part of her everyone list," she said sharply, intertwining her fingers with yours. "I swear if she -"

You place a hand on her nape, gently pulling her closer so your lips could meet. "Don't worry, okay? As soon as you meet her, she'll cling to you in no time."

She licks her lips, tasting the lip balm she bought you. "You're wearing the Glossier one?"

"Yup," you say, leaning your head on her shoulder. "You caught me at a bad time when you kissed me this morning and it was embarrassing - I had dry ass lips!"

"My favourite," she giggles, making you push her to the side. "Why did you think we weren't dating?"

"You never asked me," you told her, curiosity piquing when she moves in front of you and kneels down. “I just sort of assumed you wouldn’t even acknowledge me on campus - what exactly are you doing right now?”

“Really?” she rolls her eyes at you. “I don’t sleep around. You really think you could get away with giving me forehead kisses in the morning without becoming my girlfriend?”

“Well, don’t people do that?”

“Do you wanna be my girlfriend?” she holds your hand with adoration written all over her eyes. “Let me call you mine, always.”

You bite your lip at her cheekiness, not knowing Sana could show a playful side around everyone. “Then you’re going to have to officially meet my friends when the day is over because they always said I could never get one.”

“Am I your girlfriend now?”

“Sana, you’ve always been my girlfriend in my head.”

[janmisali]

what do you think of tone indicators in general?

unfortunately my thoughts on tone indicators are somewhat nuanced. fortunately, this is tumblr not twitter, so I can just write out my full thoughts in one post and be as verbose about it as feels necessary.

speaking as an autistic person (and I know there are other autistic people who don't hold this same view, this is just my perspective), I think as an accessibility tool, the extended set tone indicators in current popular use is fundamentally misguided.

the oldest ones, /s for sarcasm and /j for jokes, make sense. their notation isn't the most intuitive thing ("does /s mean sarcastic or serious?") but it's not too difficult to explain what they mean. I've had to spend my whole life learning by brute force what different tones of voice mean and what they change about how I'm supposed to interpret something, so I already know what "read this in a sarcastic voice" and "read this as a joke" are supposed to mean. my existing skills can be translated into the new form without too much effort.

the same thing applies to emoji and emoticons. I know what facial expressions mean, because I had to learn what they mean. figuring out if :) is sincere or not from context is a skill I've already needed to develop. it doesn't come naturally for me, but it's something I already at least somewhat know how to do.

most of the tone indicators in current use uh. don't work like this.

tone indicators like /ref or /nbh don't correspond to specific tones of voice. I don't have a "I'm making a reference" voice or a "I'm not talking about a person who's here" voice that I can picture the sentence being read in. these do not indicate tones, they're purely disambiguators. they clarify what something means without necessarily changing how it would be read out loud.

and on paper, that's fine, right? like, it's theoretically a good thing to take an otherwise ambiguous statement and add something to it that clarifies what you meant by it. the problem is that these non-tone tone indicators are not even remotely self-explanatory. it's up to me, the person who is being clarified to, to know what all these acronyms are supposed to mean, and how they change the way I'm supposed to interpret what something means.

it's, quite literally, a newly-invented second set of social cues that I'm expected to learn separately from the set that I've already spent my whole life figuring out, and it works completely differently.

sure, these rules are (in principle) less arbitrary than the rules of facial expressions and tones of voice and how long you're supposed to wait before it's your turn to speak, but they're also fully artificial and recently invented, which means they're currently in a constant state of flux. tone indicators go in and out of fashion all the time, and the "comprehensive lists" are never helpful.

in theory, I appreciate the idea of people going out of their way to clarify what they mean by potentially ambiguous things they post online. if it worked, that would be a really nice thing to do.

however, sometimes I imagine what the internet would be like without them. what if instead of using /s, the expectation was that if you're sarcastic online there's no guarantee that strangers reading your post will know what you meant? what if instead of inventing more and more acronyms to cover every possible potentially confusing situation, we just... expected one another to speak less ambiguously in the first place?

so, I on paper like the idea of tone indicators. I think it's good that some people are trying to be considerate by being extra clear about what they mean by things. but if tone indicators didn't exist, and people who wanted to be considerate in this way instead just made a point of phrasing things more clearly to begin with, I think that would be vastly preferable to even the most well-implemented tone indicator system.

also /pos sucks because there's something deeply and profoundly wrong for an abbreviation that means "I don't mean this as an insult, don't worry" to be spelled the same way as an acronym that's an insult

[ozzgin]

i LOVE your Dostoevsky inspired yandere!!! i love his books, and i love the other classics, i love del lving deep into them and rambling on and on about them, but no one else does and they think it's weird and boring :((( id love love love to see more of him or any or classic-inspired yanderes!!!

-🍭 anon

I'm very glad to hear that!! I'd actually hoped to write something like this for a long time, especially after I watched Tchaikovsky's Pique Dame at the opera. It's a very common trope, this struggle for a better life, and I wanted to convey the bleak outcome myself.

Yan!Soldier resembles both Raskolnikov and Herman in that regard. He swings between misery and egomania. He despises his background and blames fate for overlooking his potential. He's deeply envious of the rich, frustrated by his lack of status, and looks down on the aristocracy that came into wealth by mere luck and labour of the less fortunate. He deserves it. He's intelligent, ambitious, a man above all other men. A natural-born leader, meant to be served and not to serve.

You can tell that Yan!Soldier struggles a lot when it comes to financial status. He's profoundly insecure, spiteful, and opportunistic. He has no trouble selling his comrades if it means he can step forward. You see the insatiable greed in his eyes, and you wonder if he even truly loves you, or you're just a mere aid to his goals.

In truth, he loves you dearly. It is, however, a very possessive kind of love. You are his first achievement, his apologetic gift from the Gods above. He could never imagine his life without you - his very glimmer of hope. Thus, he is tremendously jealous. Whenever you interact with someone else, it makes him feel like he's sharing his wealth. Oh, no, he's not that generous. These fools aren't worthy of your presence.

He knows too well that he's a miserable, unscrupulous crook. You'd probably be much happier with someone else, someone happier, more resourceful. Yet, he wants to be selfish for once. Won't he be allowed just this one craving?

[le-fruit-de-la-passion]

Press One for Love, Two for Regret

Chapter 2

Summary: Proper confessions should never happen over the phone. Viktor knows that. So how did he get here?

Pairing: Viktor x Reader

Word Count: 3.6K

Warning: Mature (mentions of explicit content, explicit in later chapters)

Notes: This was originally supposed to be a real quick one-shot. And yet, here I stand, offering you a three-chapter fic that is probably going to be a little under 10K total. Like a stray cat proudly bringing you a dead squirrel. I'm bozo the fool and I can't stop writing about Viktor.

(Chapter 1) (Chapter 3)

In theory, you’re pretty sure being a hitman should be fun.

There should be something thrilling about following someone around, tracking their every move in the shadows, finding the perfect opening to shoot them right between the eyes. The hunter and the prey. Riveting stuff.

Except you're not a hitman. And you're not tracking down someone to shoot them.

You're a dumb, stupid idiot. And you're just trying to talk to your dumb, stupid best friend who is doing everything in his power to not talk to you.

And he's quite good at it too; it's like he's vanished from the space-time continuum itself. No one has seen him, no one has talked to him, no one has even heard of where he might be hiding. It's almost annoying how good Viktor is at everything he does.

You hadn't managed to sleep the rest of the night of what you now refer to as ‘The Call’. You watched the minutes pass one by one on your alarm clock, eyes wide open, mind bustling with too many questions to go to bed.

At six am sharp, you deemed you had waited long enough to stomp your way to Jayce's and Viktor's apartment. You weren't even sure of what you were going to say; you just had to talk to him. You couldn't let that conversation end the way it did.

You knocked firmly five times before Jayce cracked the door open with an audible groan, hair tussled, eyes barely open. It seemed he, too, hadn't spent a very restful night.

It took a few seconds for him to even register who was standing at the door; when he did, he visibly straightened his back in an attempt to look awake and composed.

Unfortunately for him, it did not work very well.

“H-hey,” he stammered, leaning against the doorway in false non-chalence. His voice was still heavy with sleep, and he audibly cleared his throat. “It's a little early, isn't it? The ol’ operating system usually only boots up when the sun is out,” he added jokingly, pointing a finger toward his forehead.

A valiant attempt at breaking the obvious tension, but you refused to budge. You glared at him, decidedly looking into his eyes.

“I need to talk to Viktor.”

Jayce made a strangled sound, which he tried to hide with a theatrical coughing fit.

“You… just missed him?” he managed to choke out with uncertainty. He was visibly trying to convince himself just as much as you. “He left to go prepare the lab. You know him, always doing extra research.”

He flashed you a smile, a practiced grin with perfect teeth that might have seemed genuine in other circumstances. But his bottom lip was quivering, and you could see Viktor's daily use cane leaning against the coat rack right behind him. Jayce was not exactly a master manipulator.

“Jayce, the university doesn't even open until seven thirty.”

He deflated at that, his large shoulders comically lowering. You could see he was thinking desperately for anything to say, but coming up empty-handed. Chances were he hadn't had his coffee yet, which knowing him, considerably lowered his ability to formulate coherent thoughts.

You were starting to feel bad; the poor guy was stuck being the literal last defence to his roommate, and he was genuinely giving it his best. Jayce might not have a career in acting, but he was a good friend.

That was more than you could say about yourself.

“Ok. I get it,” you sighed. “He needs space. I can respect that. Just… tell him to call me later, alright? Even just a text would be fine.”

Jayce seemed profoundly relieved you had agreed to back down, something you almost always refused to do under any circumstance. Yes, technically, you could stay put in front of that door and progressively chip away at Jayce's still barely conscious mind until Viktor decided to show himself.

But you felt guilty. Guilty for not realizing how he felt, guilty for treating him like your personal diary over the phone, guilty for not saying how you felt sooner. The conversation should be on Viktor's terms rather than your own.

“Yeah, I'll tell him,” Jayce gave you a small smile, comforting and honest. The next words came out less encouraging than he likely intended: “I'll try.”

But now, it's been a week since ‘The Call’, and Viktor has still shown no sign of wanting to talk. Your phone is frustratingly devoid of unread texts or missed calls no matter how often you check it. Your world feels like it's been spiralling out of control a little more every day, the uncertainty of everything left unsaid weighing you down like a ton of bricks. It's torture, and you can't help but feel like you kind of deserve it.

You should have known better than to call Viktor when you were drunk, and yet, you still did. Because there's nothing more natural to you than talking to him. It's become second nature, as natural as breathing or blinking.

Viktor is always so smart, and so composed, and so understanding, and so helpful- and he's probably the only person who likes hearing you go on rants for hours on end. How could you ever want to talk to anybody else after a breakup?

But when you're drunk, you lose the already feeble control you have over your verbal on-and-off switch. Everything spews out of you without a filter, as if you're vomiting all the thoughts that go through your mind one after the other. It's cathartic, for sure, but then you end up saying things that should never be said to the best friend you've secretly been in love with for years now.

Things like how your ex never took time to finger you properly, or how he had this stupid obsession with men not going down on women because he was an ungrateful asshole.

And then, those two little words.

“I would.”

There was no hesitation in his tone, no uncertainty. It was like he had the sentence on the tip of his tongue for the last two hours you had been whining to him. Like he had been waiting to say it for too long to contain it anymore.

The irony was that you had spent the last four years trying everything in your power to not let those stupid little words out too.

—

You met Viktor at your first university's faculty Christmas party.

You hated work parties.

You had only gotten the position of academic advisor a few months prior, and in that time you hadn't managed to form a single bond with any other employee in your entire department. It was always the same; you talked too much. You were too intense. You were tiresome.

You were you. And that was something a lot of people didn't like.

Needless to say, you didn't want to go to that stupid party. Everyone would split up into groups of friends and previous acquaintances, and any attempt at joining the conversation would result in discreet sighs and rolling eyes. Yet you still went, partly out of obligation, but also in the hopes something that night might be different for you.

But it hadn't been, and you were alone.

So you did what any well-adjusted adult did when they were faced with the indisputable fact they were the party outcast; you drank.

After one glass of cheap white wine, you felt more relaxed, less stiff. Just a nice amount of mellowed out.

After two glasses, you started to forget the self-preserving instinct of not approaching others. ‘Maybe you could try talking to someone, after all. It could be worth a shot.’

After three glasses, you forgot why you were so apprehensive in the first place. You were great! You rocked. You had so many things to say there was absolutely no way someone wouldn't love to hear all about it.

…but maybe you could get a fourth glass, first.

You headed back towards the drinks table, a little less steady and a whole more lot confident. So confident, you didn't realize you bumped right into someone's chest until a hand grabbed your arm to keep you upright.

“Ah, are you alright?” came a heavily accented voice above you. ‘Eastern European,’ you thought absentmindedly. ‘Ukranian, maybe Czech. I wonder if he knows they created the sugar cube…’

You took an unsteady step back, peaking up at the man blocking your way to the wine bottles.

‘Wow, he's handsome’, was your first, immediate thought.

“Wow, you're handsome,” were your first, immediate words.

The man spluttered in surprise. In all fairness, he probably hadn't been expecting for a stranger at a faculty party to be so direct. If you were still at glass number two, you might have realized it wasn't a very appropriate thing to say in this specific context.

But you were at glass number three and unabashedly staring at the man's face, the sharpness of his cheekbones, the curve of his nose.

That was the moment you realized he wasn't a stranger.

You knew him. Not his name, or who he was, but you felt absolutely certain you had seen him before. You scanned your jumbled brain for the memory of his face. So beautifully sculpted, like he was made of stone. You knew him, you had it on the tip of your tongue-

“Miss?” the man asked, seemingly unsure whether to be perplexed or worried at your silent glaring. “Would you like me to help you sit-”

“Tuna sandwich!” you yelled with a huge grin. A few other partygoers turned towards you in confusion, but you were much too overjoyed at the epiphany you were experiencing to realize.

The man blinked slowly. Then once again, like he was trying to process whether or not he had understood correctly. His head cocked slightly to the side in bewilderment.

“… I'm sorry, what did you say ?”

You poked his chest with an insistent finger, beaming: “You're tuna sandwich! The tuna sandwich guy!”

The man looked to the side warily, mouth opening and closing, visibly searching for some kind of help. When he found none, his golden eyes fell back to you, catching the glow of the ceiling lights. The spark of an aurora through the night sky.

“I'm… afraid I truly have no idea what you're talking about,” he explained gently, the warmth of his hand leaving your arm. You deflated a little at that, the notion of embarrassment creeping back in you.

But he hadn't left. He was still here.

He was listening to you.

“My office is next to the cafeteria,” you started, straightening your dress and trying to appear more professional. “I see you, every day, at eleven forty-five, before morning classes end. I always thought that was smart, because you get to skip the lunch rush and there's still a lot of choices for meals.”

The man seemed bemused by the comment, but didn't show signs of wanting to take off. That made you regain some of your drunken confidence.

“But you always take a tuna sandwich,” you continued. ”That's it. Every day. You never buy anything else. It's always the tuna sandwich at eleven forty-five.”

He let out a confused chuckle, the ghost of a teasing smile on his lips.

“I didn't realize I had an audience.”

His presence had been so hypnotic you barely even realized what you had been saying.

‘Oh God, that sounded creepy, didn't it?’

“Don't flatter yourself,” you quickly added, embarrassed, looking away to stare at a particularly interesting stain on the floor. “I look at what everyone's doing. It's my job to.”

He hummed mirthfully, his golden gaze fully amused now:

“And what job would that be? Voyeur?”

You almost choked on your own spit.

“Guidance councillor, smart guy,” you countered, feeling your cheeks heat up. How was a stranger rattling you this much? You were usually the one whose words left others confused. “I look at people, and I figure out what they want in life. I help them find careers. I’ll have you know that's an extremely important task, mister-”

You squinted at the sticky nametag on his chest, trying to decipher the very slanted handwriting. You vaguely remembered the blue stickers were reserved for teachers.

“…Professor…?” you struggled weakly, hoping he would fill in the illegible part.

He thankfully seemed to find your attempt more endearing than insulting.

“Just call me Viktor,” he answered with a sincere smile. His lips were slightly crooked, the left dimple just barely more present on his left side than his right. There was a tiny little beauty spot next to his cupid bow; the thought that it would be nice to lick it just to confirm it wasn't a speck of the chocolate cake flashed in your mind.

‘Focus, focus!’

“Tell me, Viktor,” you cleared your throat. You had to get it together. This was the longest conversation you had been able to maintain with a fellow faculty member without them looking like they wanted to run away. “Why tuna? There's so many other sandwiches to choose from. You could take the egg salad, or the turkey sub, or the spicy chicken…”

You were definitely being too insistent on the tuna thing. If he didn't think you were weird before, he would now.

And yet Viktor still didn't leave. He considered your question seriously, taking a few thoughtful seconds to answer:

“It's the only one with multigrain bread. Very low fat for a good source of omega-3 and protein. And I don't dislike it, so it makes the most sense as a daily meal,” he mused, almost like it was the first time he had ever thought about it, too.

Huh.

“That's a sad way of looking at things,” you commented before thinking.

Before you could mentally swear at your debilitating lack of restraint, Viktor countered the statement with seemingly genuine curiosity:

“How so?”

You had a chance to say something cute and short, and leave the topic at that. It would be a major win for you; your first enjoyable talk with a coworker. Maybe you would even exchange email addresses by the end of the night.

Or…

You could be yourself. Let the floodgate of constant thoughts and observations pour out for a minute. Show this random handsome man who you were, really.

Had you not been drunk and sound of mind, you would have gone for the former. But as it happened, you were quite drunk, and you chose the latter. You took a deep breath before speaking:

“Means you only value food as something that's needed, like taste and flavour isn’t important. You deny yourself basic pleasures out of fear you'll get used to them and grow complacent. You're probably the type of guy who slaves away in his office for hours, not even realizing he's hungry, because it's lost all relevance to him.”

The silence that followed felt eerie. The expression on Viktor's face was blank, mouth barely agape, brows slightly furrowed. You had fucked it up, again.

“Sorry,” you muttered, feeling incredibly foolish. “That was overstepping.”

“No, actually,“ Viktor responded almost eagerly, the sparkle in his eyes bright, “Keep going. What else can you tell?”

There was palpable interest in his tone, in the way his body leaned slightly closer to yours. He wanted to know. He wanted to listen to you.

“The tuna sandwich is twenty-five cents cheaper than all the other ones,” you continued slowly, afraid of breaking the spell that was keeping him attentive to your words. “Usually a sign of a lower class upbringing, shows that you're used to thinking with a controlled budget, even if you don't need to anymore. You likely value hard work and commitment.”

You paused once more to gauge his reaction, but he didn't say anything, clearly waiting for you to continue. So, you did.

“It's always eleven forty-five sharp. You're precise, mechanical. Probably in the department of medicine, or some form of applied science. Am I right?”

“Biomechanical engineering,” he specified with a baffled smile. “Incredible. All that from a sandwich?”

You shrugged, feeling giddy under the weight of the compliment. It was so utterly rare that anyone would actually enjoy your rambling.

“I notice things about people, and I tell them. Couldn’t quite cut it as a detective or a psychologist, so it makes me an ok guidance counsellor,” you smiled, adding an audible wince. “But the person you really gotta avoid at parties.”

He laughed at that, a pretty, earnest sound, slightly low and nasal. The kind of laugh that would make the heart of a weaker person skip a beat.

You blamed the fact that yours did in fact skip a beat entirely on the alcohol.

“I-I'm sure what you do is a lot more impressive, though,” you quickly stammered out. Why were you stuttering?

He shrugged, bony shoulders visible through his button-up shirt. A few beauty marks decorated his neck where the collar didn't reach; you wondered how many more the fabric was hiding.

“Eh, I wouldn't bet on that. Gait analysis, prosthetic limb design. Much less creative than one might think,” he commented with a certain indifferent boredom; yet there was a certain light in his eyes that spoke otherwise. Maybe he was also the type of person people didn’t listen to much. “But it does feel rewarding to do something for others who might not have my luck.”

He pointed down with his chin, and for the first time since you began talking to him, you realized he was holding a cane.

You, whose only redeeming quality was having good observational skills, hadn't noticed the man you had been talking to for the last ten minutes was holding a cane. A refined-looking one at that, with a deep burgundy tainted wood for the shaft, and a sleek handle the colour of tarnished gold. ‘Maybe if you stopped looking at his face for a goddamn second you would have noticed’ you scolded yourself.

“Ah,” you blurted out pathetically. “That's… that's really cool.” You were looking at his fingers. You were looking at his long, slim fingers holding his cane, calloused yet delicate, and you were imagining them in places they should definitely not be in.

You had absolutely no idea what you had just said to him.

Yet Viktor only seemed more amused, his smirk growing ever so slightly.

“Yes, I also like to think of it as ‘cool’, from time to time.”

A drink. What you needed was another drink. Then perhaps you would reach a level of enlightenment where you would remember how to not look like a complete fool in front of attractive professors, who probably did quantum physics as a hobby.

As if he had read your mind, Viktor shifted in the direction of the drinks table, giving you a knowing smile. Were you so easy to read, or was he simply so good at reading you?

“I’d offer to bring you a glass of wine, but I believe that may have been your original intention before reading my palm,” he joked.

‘It's nothing like fortune telling, it's just logical analysis !’ part of you wanted to retort.

‘Give me your palm and I'll show you what my real fucking intentions are,’ purred the other one.

If you didn't get out of here now, you would say something that would definitely end your career before it had even taken off.

“I think I'll probably head home for the night. I've already had a little too much to drink,” you smiled hesitantly. Understatement of the century.

You could have sworn you saw a flash of disappointment in his eyes. Then again, you had probably imagined it. If anything, he was likely relieved he had finally managed to escape the babbling lunatic. Someone like him, so brilliant and accomplished, had no reason to willingly listen to the ramblings of a glorified high school school councillor.

But…

“But… maybe you could give me your number?” you asked hesitantly, taking one final, vulnerable leap of faith. “Just for work, of course!”, you added hastily.

Viktor did not seem angry or disgusted at the proposal; in fact, his smile widened, revealing a slightly uneven row of teeth. Cute. Everything about him was attractive.

“I would like that,” Viktor said softly, amber eyes warm. “I did enjoy hearing you talk.”

Your heart made a heavy, dull thud. With a small wave, he was gone, disappearing somewhere into the crowd like he had been nothing more than a hallucination conjured up by the cheap wine.

Your first work friend.

A potential real friend. Someone who genuinely didn't seem to hate the sound of your voice.

It was much too precious to lose over some passing, drunken attraction. You absolutely had to crush these emotions now to prevent them from becoming anything serious. After all, it wasn't like you had a shadow of chance with someone like him.

Perhaps for the first time in your life, you decided to stay silent about something, no matter what would happen in the future.

He couldn't know.

You would never let him know.

[wifelinkmtg]

This was intended to be an essay about chivalry—its history, its uses, its various incarnations—medieval violence, the Romantic reinterpretation, the ideal of chivalry in the American South and its attendant lynch mobs. I would have talked about the chivalric triad: Knight, Innocent, Enemy—the way the Innocent serves as a fulcrum for the Knight to enact violence against the Enemy—the iterations of this triad in any number of places in our society, from the so-called sheepdog mentality trained into our police to the legion of revenge-fantasy Taken clones. I would have talked about the way Kierkegaard in Fear and Trembling incorporates chivalry with the sacrifice of Isaac, the theology of self-justified suffering that comes from that. I would have talked at some length about various portrayals of lesbian chivalry in media—Revolutionary Girl Utena, the Locked Tomb books, Signalis—how they use it, what they say about it, and whether at the end there is anything worth salvaging from this intrinsically violent way of relating to the world, to others, to oneself, to God.

I think a version of that essay might still be worth writing someday, but right now, there's something I need to talk about much more urgently. Right now, there's something I suspect you might desperately need to hear. Today I'm going to talk about Godzilla.

GODZILLA SAVED MY LIFE: A Polemic

Godzilla Minus One (2024) takes place in Japan in the immediate aftermath of the Second World War. Its protagonist, Koichi, is a failed kamikaze pilot who in the opening scenes is repeatedly excoriated for his cowardice and dereliction of duty. When he returns home to a bombed and desolate Tokyo, his bereaved neighbor tells him, if people like you had done their duty, this would not have happened. The film spends the rest of its runtime doggedly refuting this idea. It says, out loud, that the relentless calculus of sacrifice that turns men into things to be spent has no place in this world, that it is needless and cruel. It is not subtle about this point. It is not trying to be.

I saw this movie in its black and white version in theaters in February, on the last day of its run. Its version of Godzilla inspires in me both terror and near-religious awe. It looms over the film, an echo both of the devastation of the war and of Koichi's guilt and shame, its presence inviting—demanding—the final consummation of the mission he abandoned.

I wept in that theater. I gripped my friend's hand and I sobbed. This is unlike me (unless I'm watching Gunbuster), and it took four days for me to work out why this Godzilla movie had affected me so profoundly.

arkansas kamikaze

and she looked, and behold! a beast rose from the sea, and against the beast he breathed glory in a Zero dive. his beatified smile shone from the wreck of the Little Rock Planned Parenthood clinic. and a great wind blew out of heaven, and she woke

and made breakfast, and watched her son wholly absorbed in Bonhoeffer, found her lipstick worn down to the nub for practice stigmata, and saw for a moment the dove descending, the tongue of fire over his head.

The thing about being raised in a right-wing fundamentalist family is that you are from birth being prepared to be a weapon, or a martyr, and there is really no difference between those two things. If my mother had had her way, I would have gone to a tiny far-right college and studied law for the sole and explicit purpose of getting Roe v. Wade overturned. She would, I believe, have settled for me bombing an abortion clinic. Certainly it would have been easier for her to reconcile with that than with what I became instead.

The other thing about being raised in a right-wing fundamentalist family is, some things stick. And it's very hard to notice, as your beliefs and values and identity undergo radical changes, that there is still a whisper in you that believes in the power of the glorious death, of the ultimate virtue of strapping explosives to your chest and walking into the halls of the Enemy. And when you feel helpless, when you watch systems and institutions that ought to prevent atrocities instead encourage them, that whisper grows louder and louder and louder.

Watching Koichi fly his last mission, watching him an instant before impact eject, and live—watching everyone live through the final confrontation because they had all rejected the calculus of sacrifice—allowed me to see also for the very first time this parasitic idea that had grown coiled inside me since infancy, allowed me to see where it had come from, its whole monstrous lineage, and then it allowed me to take hold of it and pull it out.

Twenty days later, Aaron Bushnell set himself on fire outside the Israeli embassy in Washington, DC, in protest of the still-ongoing genocide of the Palestinian people. He was, like me, raised in a right-wing fundamentalist environment. He was, like one of my siblings, a member of the US Armed Forces radicalized by his experiences and his own conscience. People called him a hero and martyr—on this very site, in responses to the excellent Crimethinc piece circulating at the time, I saw people saying they felt like they should follow suit (even though the article in question explicitly and repeatedly warned against it!) As if the loss of a person of conscience and conviction could be anything other than a tragedy, as if anyone in power choosing to support the genocide could regard the death of one of their own soldiers as anything other than what soldiers are for, as if the moral response to a genocide could ever be to add another corpse to the mountain—and still I saw people lionizing him, praising his courage and his sacrifice, all but telling people to follow in his footsteps.

No. Aaron Bushnell was a suicide. He lived his whole life within organizations that taught him that he could purchase more with his death than he could ever accomplish with his life, and while we may praise his conscience, we can only mourn his loss and the grievous error that led him to it.

This is the thing about learning to see this parasite: you begin to see it everywhere. Our history for millennia is awash with human sacrifice: Abraham and Isaac, Jephthah and his nameless daughter, Agamemnon and Iphigenia, the crucifixion of Jesus—and later, litanies, row upon row of dead saints, stories of glorious last stands. The courageous martyred dead: blood and corpses, only and always, to Moloch.

In light of the recent US election, perhaps many of my American readers are feeling shock or horror or despair. I understand, and without blame, with love and gentleness, I tell you that this is because you have not correctly understood the scope of the problem. You imagine a discontinuity between the liberal version of American capitalism and imperialism and the fascist version of the same. No such discontinuity exists. Things will no doubt be different for us here in the US than they would otherwise be, and probably worse, but there is no distinction to be made between the genocide of yesterday and the genocide of tomorrow. The enemy is the same. The work is the same.

Above all else, this is to warn you: when you do this work, when you look for a place you can put your shoulder to the wheel, there will be people who want to spend their lives—or yours—like coin to purchase some great change immediately. Perhaps they mean well, and helplessness and desperation drives them to act without regard for the consequences. Perhaps they do not mean well. Do not follow these people. Perhaps they merely expect you to go to prison, and have no plan for how to support you after that. This is barely different. It is far better for you to languish in useless liberal nonprofits which will accomplish nothing of value than to attempt radical direct action with people with correct politics and no forethought, and end up dead or imprisoned—but these are not the only two options. Aaron Bushnell cannot ever again do anything for anyone. You can.

This is as much as I know for certain. I love you. Don't die.

-------

End Notes

It would not be unreasonable to ask me, in light of what I've said here about martyrdom, what I think of it in other cultural contexts, especially since a similar word is often used to refer to e.g. Palestinian people murdered by Israeli soldiers. The answer is nothing at all. Such people get to use whatever words they want to salvage whatever meaning and comfort they can.

Godzilla Minus One, as effective a movie as it is, was not solely responsible for the scales falling from my eyes. It was an important part of the process, but I doubt it would have sufficed on its own were I not in community with people I trust and talk to about such things. "Godzilla and also my trusted friends saved my life" is, alas, a worse title.

There will be a part two to this. Part one seemed more urgent.

[leclerc-hs]

fille stupide pt. 3 - cl16

Pairing: charles leclerc x fem!reader / max verstappen x fem!reader Summary: in which you now kind of know French and a not so stranger is still here Warnings: smut, oral (f-receiving), angstyyyy (?), cheating (again, i'm sorry), 18+!, not proofread!!, bad French (correct me please!!), bad Dutch (correct me please!!) Word Count: 1985 Author's Note: ok so I think we'll end fille stupide here 🤭 I absolutely loved writing this (if you couldn't tell by how fast i was able to write it lmaooo). I honestly WOULD NOT mind writing more scenarios for them in the future. Like if I ever write mean dom charles, my mind will automatically come back to them. please don't forget to leave feedback! love y'all french edited by @shewantsvengeance!!! dutch edited by @deanlovescassie!!!

PART 1 PART 2

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦ ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

STARTLED BY A loud bang in the kitchen, you jolt awake. The bright sun streaming through your windows blinds you as you try to make sense of the abrupt awakening and your surroundings. You were no longer naked; a large plain white t-shirt enveloped your body. A t-shirt you don’t remember even putting on or falling asleep in. A t-shirt, that’s not even yours.

Caution gripped you as you inched towards the kitchen, moving slowly down the hall. The muffled sounds persisted, their meaning elusive, while the clattering of cabinets continued. As you finally reached the corner of the hallway, you were met with the sight of a partially naked Charles in the kitchen, an array of food on the stove top cooked. The aroma of bacon and eggs wafted through the kitchen, prompting your stomach to audibly grumble in response. You leaned against the countertop across from him, just watching the muscles of his back flex with each deliberate movement. He stayed?

You let out a breath of air in relief at the sight of him. Not just because he was there and stayed, but because it wasn’t somebody breaking in.

He didn’t even turn around before saying, “Où ranges-tu tes assiettes?” Where do you keep your plates? “Oh, I found them!” He didn’t have to turn around to sense your presence; all his senses seemed attuned to your proximity. Your body called to him, like it demanded his attention. As if your cells were able to alert his own, screaming for them to merge with yours.

You felt a swirl of need form in your stomach at the sight of your scratch marks on his back. As if he was marked for your territory only. You also felt a surge of panic form in your throat as the memories of last night came flooding back. 

Tell me who your body belongs to.

Je t’appartiens, Charles.

A sensation of unease churned in your stomach as thoughts of Max’s face crossed your mind. The guilt weighed heavily, and you felt on the verge of nausea for what you had done to him. How was it possible that something so bad felt so good? It was as if Charles held complete control over you, rendering you senseless and devoid of rational thoughts and actions. Tears prick at your eyes as you observe the bruises on the insides of your legs and felt the welts on your neck. Your body looks and feels both used and abused. Nothing about this situation is okay. Last night, you both had been remarkably careless. 

The panic began to subside only when Charles turned around and met your gaze. His eyes, an unusually light shade of green, captured your attention. His disheveled hair hinted at just having woken up not too long ago.

“I didn’t know you stayed,” you began, confusion laced in your voice. “I heard the door shut last night.”

“Fille stupide,” Stupid girl. A smile crept on his face, carrying a mocking undertone that seemed directed at you.  “I went to store to get you a pill last night. Je suis revenu.” I came back.

You despised how profoundly his words impacted you, how his return stirred a need for you to rationalize both your actions and his, even when there was no justification for what had transpired. Anxious, your fingers fidgeted with the end of the T-shirt that rested at the middle of your thighs. He advanced towards you, trapping you between him and the counter – a familiar position whenever you find yourself in his presence. His hands find their way to your face, their size enough to envelope majority of it. His fingers sprawl on your jawline, and his thumbs rest on your cheekbones as he looks at you. Really looks at you. Like he’s memorizing every inch of your face. Like you’re a textbook and he has a test to study for. 

“Tu es tellement belle,” You’re so beautiful. Despite his sweet words, a sinister gleam in his eyes followed the contours of your body, his hands firmly gripping your hips as he pressed himself to you, “I meant what I said last night.”

Mine, you’re fucking mine.

The ache in between your legs was growing with each passing second. He was too close, his smell and warmth surrounding you, creating a sense of intoxication. You felt the need to press your thighs together, but Charles stood between them, smirking down at you like he knew. 

Words fail you as you gaze up at him, but he doesn’t seem to mind. He stands there patiently, waiting as you study the furrow of his eyebrow. He stands there patiently, waiting as your eyes delve into his, memorizing every shade of color within them. He stands there patiently, waiting as your gaze fixates on his lips.

It was almost as if you didn’t have a choice. Like he was a pre-determined answer to your life. A definition to your word.

“Guess I didn’t give it to you hard enough last night, hm?” It wasn’t until your hands settle on his biceps that he realizes you’ve given him consent. Suddenly, his hands are everywhere. Roaming your body like an unexplored map; squeezing your waist, pinching your nipples, squeezing your butt. He just can’t get enough of you. “Need me to take the ache away?”

A moan escapes your lips as you yield, unable to resist him. Your body, seemingly under his command, surrenders to its desires. 

His tongue presses against yours, never losing contact. He quickly flips the both of you around, pushing you until your back met the countertop of the island. With determination, he lifts you onto it, shoving anything that finds solace there, to the floor. His hands push you down, so you now lay sprawled on the counter in the center of the kitchen. You replacing the breakfast Charles had made.

“Mon dieu,” My God. He growls at the sight of your legs spread and bare for him. “Je pourrais mourir heureux.” I could die happy. You have no idea what he was saying, but it didn’t matter. Especially when his tongue met your clit, licking you as if you were the last meal on Earth and he was starving.

His two fingers slid into your heated core, curling them to brush your g-spot with every stroke. “Tellement bon,” So fucking good. He’s moaning into your pussy, sending you into oblivion. 

“Putain de salope.” Fucking dirty slut. He manages to mumble in between your legs, the vibration of his words pushing you closer to the edge.

Around his fingers, you clench. You revel in the feeling of him in you, no matter what or how it’s done. Your fingers clench in his hair, it’s longer than the first time you met, tugging to anchor yourself. His hands on you are equivalent to an out of body experience. You could never tire of it. 

“You like that?” Yes! You wanted to yell. You more than liked it. You loved it.

It wasn’t until his other hand, the one not inside of you, groped one of your breasts, rolling your nipples between his fingers, that you went flying over the edge, relishing in the waves of pleasure as he continues to thrust his fingers in you – coaxing you through the orgasm. 

His mouth is hot on you, swallowing anything you’ll give him. Your legs shake, his mouth on you becoming too much as you squirm until he stops and looks at you, his lips glossy and coated.

“Tellement foutrement doux,” So fucking sweet. He murmured as he pulled you up, holding you in an upright position to look at him. You still don’t know what he’s saying, but you didn’t care. Your ears were ringing as you came down from your high, feeling limp against the hands of Charles.

You shut your eyes as you began to feel the panic surge. You gave in, again.  He peppered small kisses to your neck, almost too softly, a stark contrast from how he treats you in the midst of sex. He was soft with you now -- tender. You don’t think you’ll ever be able to stop. As if sensing your panic, Charles tips your chin to look at him.

“Cherie, you are made for me.” You feel the panic claw at your throat, constricting you, and the tears begin to spill from your eyes. “Don’t you see?”

You did see it. You could see it clear as day. After all, there wasn’t a day that he wasn’t on your mind since the first encounter. You don’t understand what’s happening to you. How could you betray Max like this? He didn’t deserve it, and you didn’t deserve him. It feels like there’s no choice when it comes to Charles. It’s as if your body responds instantly to his mere gaze. He’s the batteries, and you’re the remote control. Completely useless without its batteries.

You knew you had to tell Max. You couldn’t bear to hurt him any further. You observed Charles begin to furrow his eyebrows in frustration as he sensed you withdrawing from him. The sight pained him, and it hurt to witness.

“I need to tell Max,” You started, but were quickly cut off by a voice.

“Tell Max what?” 

You felt your heart stop and face flush red, as none other than Max stood just a few feet away in the entry way of your home, holding a bouquet of flowers in his hand and a spare key to your apartment in the other. Time seemed to slow down as you observed Max’s eyes darting between the proximity of you and Charles. There you were, perched on the counter, with Charles standing between your legs. Your cheeks flushed red as you sat with nothing but Charles t-shirt on your body. The kitchen island was wiped clean, everything scattered on the floor. The air hung heavy with an unspoken tension.

He didn’t even speak. He simply dropped the flowers and spare key on the entry way table and turned around, heading for the door. You shoved Charles out of the way, running towards the door. Running towards Max.

“Please, I can explain,” you were shouting. Completely panicked. But really, there was nothing to explain. It was clear as day, all cards laid out on the table in front of Max’s eyes.

“You don’t need to explain.” He scoffed, his jaw clenched in anger, as his eyes bounced from you, standing in front of him, to Charles, who remained planted in the kitchen. “Ik ben er klaar mee.” I’m done. He spoke in his native tongue, knowing you understood.

“Ik walg van je.” You disgust me. His words were sharp, stabbing you where it hurt most. He couldn’t even look you in the eye as he stepped out of the apartment as fast as he could.

You convince yourself that something has to be wrong with you. You were so mad that you did this. So mad that you hurt Max. But still, despite it all, everything with Charles feels so right.

Tears spilled hotly from your eyes, falling to the floor as you sobbed into your hands. Charles hurried over, lifting you to your feet and cradling you in his arms. Swiftly, he carried you to your bed, gently placing you on the covers. Pulling you into his chest, he held you tightly, providing comfort and solace.

“Je te protégerai.” I’ll keep you safe. Charles mutters into the nape of your neck, rubbing your back soothingly as you cry into him. “Tu es faite pour moi.” You’re meant for me.

You cried for what felt like hours. Charles only continued to whisper sweet nothings to you as he held you. You cried until you were limp with exhaustion, eyes closing, surrounded in the warmth of Charles. You didn’t deserve it.

“I will be here when you wake up, Cherie.” ----------- sorry max, you need to lose something 🤭

[kpopscruggles]

The people are asking for more txt twt links w/ Headcons and your thoughts! Love ur writing and maybe a sunghoon nsfw alphabet? I read some and it's a bit innacurate.. Would love your opinion on it (also new follower so idk much abt if u already posted that *I'll do some reseach :>*)

Thank you for requesting love! I decided to go with the sunghoon a-z because I've never done one and I've alr made a haechan request! 

Nsfw twt are on hold due to me finding some but soon I will bring those back! Anway's enjoy! 

A- aftercare, what he’s like after sex 

I feel he def attends to your needs, he’s at least doing the basics. Wiping you down, getting you cold water and a snack. I feel like he also does this though because he does it for himself if I'm being honest.  

Even if you didn’t care he was going to do it for himself so why not make sure his baby is taken care of too? It just makes sense to him. 

B- body part, their favorite on theirs and partner's body 

For him, his favorite body part on himself has to be his muscle. He’s not loke drooling over himself more than he is you but he does give himself good rep because he can pick you up, move you into diffrent positions with absolutely no problem. So i feel he values his muscles because of you in a sense. 

His favorite body part on you is your legs, he loves your legs. He loves how they are always in his lap, wrapped around his waist, on his shoulders. He loves kissing your ankles while ponding into you, also bonus points if you're wearing an ankle. 

C- cum, anything to do with cum 

I think he’s a clean guy UNLESS it involves a creampie. If he’s wanting you to swallow then he’s staying in your mouth, you must bribe him little to give you a facial or pearl necklace. Now like I said if it’s a creampie it’s sticky, messy, a shower after type fuck.  

Add in is I do believe he cums a lot, now realistic but he's got a nice stream going and is the type to squeeze his tip to make sure every bit comes out.  

D- dirty secret, self-explanatory  

Hoon’s got a few dirty secrets I believe but I think the main one he possesses and will never let you know unless you find out is bragging. And although this does not seem off but it's the fact, he could do the nastiest freaky things to you and has no shame in bragging about it when the boys try to tease him over it.  

This is something that he says between the boys and the boys, he doesn't get too personal with it, but he spills it by saying it’s something they should try with their girlfriends. 

E- experience, do they know what they are doing? 

I think if he had experience it's only have been one person. Hoon doesn’t strike me as the type who bounces around, for example you two could have dated months and he’s going to be sad ab it for a bit because he takes him time to know if he wants to date or not. 

So, one person but he’s mostly learned everything he’s fond of by himself, by watching porn, reading about it, etc.  

F- favorite position 

I don't think Hoon is basic, but he does use positions that slightly branch from the basic ones. Also keep in mind he finds ways to use his muscle. So, it falls under missionary, but he most has your legs on his shoulders and his moving your hips for you. It allows him to use his arm muscles, he's able to kiss around your ankles because he loves your legs. If not that then most the time it is quite simple missionary. 

G- goofy 

No, unless a simple mistake happens, he's profoundly serious cause he thinks sex is intimate. 

H- hair, how groomed is he? 

I think he keeps himself groomed and trimmed is his favorite. I think there is something about him that likes to keep the bit of hair because it is a human body and its gonna grow. Now he’s not freaking out if it grows a bit longer than planned nor is he judging you because your pussy is pretty to him no matter what. 

I- intimacy, how are they during the moment 

Super intimate, sex is a moment where in your relationship you're showing each other love and affection. Even after an argument sex is something that helps you both realize you love each other. He’ll do anything to have intimate moments with you because he genuinely does cherish them.  

J- jack off, how often? 

A lot. I am a firm believer Hoon has a perverted side and sometimes he’s too embarrassed to admit a simple thing got him hard.  

I also do believe he’s a firm believer of the fact no one can make you cum like yourself. He thinks you should even have moments where even though you have him you nor he should be ashamed of pleasuring yourself 

K- kinks? Top three 

Top three for him is Marking, Teasing, and A bit of overstimulation?  

Many people like to make these kinks rough, but they don't have to be. He likes marking because to him he loves when you nibble on his skin while he fucks you, He loves seeing you squirm a little or having you leave him with a raging boner even, overstimulation he likes because to him it kind of reveals how much or how eager you two wants each other with no shame or remorse for yourself to stop.  

L- Location, favorite places  

He enjoys just sex in the house (he may like the couch more than the bed) but if he’s out he doesn't mind meeting you somewhere private. It’s strange he has that vibe too because I also feel like he gives car sex after a few dates. 

M- motivation, what riles him up 

Anything you do sexually obviously riles him up but something nonsexual that gets him every.single.time, is when you wear certain colors. He thinks romantic colors like red, pink a dark purple, or a nice clean white takes him out every time, double points of the outfit is revealing 

N- no, turn offs 

He’s jealous that something I'll has to agree with most people on this app. Does that mean he won't share? Not technically. (not shipping when I say this) but he won't do threesomes unless it's with someone close, we can you jake as an example. But he’s only gonna do it once and all jake is getting is head. 

Another ultimate turn off is when things feel forced, not like one forcing the other but more of if he feels you are just having sex because you haven't in like a week, yeah, it’s not getting up so don't bother babe, he thinks sex takes time.  

O- oral, preference of giving or receiving 

He prefers giving, I believe. It doesn’t bother him when you wanna give him head, he just doesn’t feel that same ego boosts as when has got you whining while he’s fucking you with his tongue. So, unless he just has the urge to cut down your throat, he’s probably gonna stop your mid-way to ravish you instead. 

P- pace, fast? Rough? Slow? Sensual? 

He’ll get down with everything I do believe. I think if he’s feeling more sensual, he’s keeping his thrusts slow and deep so that orgasm just builds up by the minute. Rough, this is my opinion, but a lot of ppl do make him seem the be super rough, but I don’t think he’s like that and if he is it’s only when you're asking for it. Other than that, his rough is a lil messy and a couple marks but I also think he keeps a medium pace and just makes sure every inch of him fills you. 

Q- quickie? 

So, when I said in the turn off category, he thinks sex takes time. If you get a quickie outta him it’s a giving you head quickie because if his baby needs to cum he’ll gladly help. Other than that, I don't believe out of enha he's a quickie guy. 

R- risk, what are they willing to risk for sex with you? 

If you seem eager to do it, then he’s making his baby happy. If it’s not ruining anything in any way, he’ll do it for you. If it’s something he’s willing to risk, then it was never important is what he'll tell you. 

S- stamina? How many rounds 

I think he can carry about three rounds in his belt, if it's a needy situation 4 but if that's the case then 1 or 2 of the sessions someone is getting head so eventually your guy's breath is caught up. I do believe he spaces these sessions out if it's a 4 rounder but barely does this happen. Other than that, he’s going about three rounds  

T- toys, do they like them? 

Yes, so as said, he does think it’s healthy for you two to have sessions by yourself and you can use toys together but if you two use them when it’s just your personal time.  

U- unfair? Do they often tease? 

He thinks it builds up the need for others. He would love it if you teased him too. I see him as a competition teaser where you two see who gives in first. 

V- volume? Are they vocal? 

He’s a 50/50, what he’s always gonna do is dirty talk, no matter if it’s whispering or full-blown words. Now vocal as moaning wise, he lets out the soft moans, but only the overstimulation hit where he gets louder. 

W- wild card? Something that just randomly makes him relentless 

Knowing someone's listening or watching, or even knowing what you just did. If you are leaving your space after sex and one of the guys makes it obvious then he's getting hard again knowing there’s someone who knew he got to be balls deep inside you. It riles him up knowing he’s that lucky and that someone is jealous enough to tease and try to make fun.  

X- x-ray? What's he giving down there? 

I think he’s skinny but decently big. His tip always stays a pink, he’s got a couple semi prominent veins depending on how long he’s been edge or has held a boner. His balls are settled too, nothing rlly different there, like said he’s nice and trimmed so has a little hair patch. All around he gives pretty dick vibes.  

Y- yearning? High or low sex drive? 

High or normal. Most the time high which I feel is why he’s a guy who takes his time, this man is not thinking about being buried in your cunt 24 hours of the day just for a quick fuck.  

Z- zzzz, how fast he falls asleep after 

He’s tired but he’s not going to sleep without letting you know he loves you and that he enjoyed making you cum, sometimes even tells you thank you. Give a couple of kisses and make sure you're comfy.