#and i'm pretty sure they do have dubbed versions

[kumakuma-circus]

one really weird thing i've noticed in official p4 content is that like. so a lot of stuff has the investigation team in party order. so yu's first, then yosuke, then chie, then yukiko, then kanji, then rise. logically teddie should be next,,, but in most cases naoto's actually next???

all i've got for why is that it's probably a beta remnant? internally naoto's the seventh party member and teddie's the ninth while everyone else is in order. which also implies there's some scrapped party member. though that does still beg the question of why golden continues that trend-

[absolutebl]

This Week in BL - Many Tiny Idiots, Some Irreverent Hotness & an Engagement

Organized, in each category, with ones I'm enjoying most at the top.

Oct 2024 Week 4

Ongoing Series - Thai

Fourever You (Thai Thurs YT) ep 4 of 16 - OK so Hill has really been trying to pick him up from the beginning? I don’t understand why there’s any doubt around girls at all. He Gay everyone. Why is Tatch (2 Moons Ambassador) the only seme in Thai BL history allowed to actually just say "I don’t date women.”

Why is that so hard?

This show is definitely frustrating me, but I must admit that it’s the one I look forward to the most each week.

Love Sick 2024 (Thai Sun iQIYI) ep 6 of 15 - I am now only watching the uncut version, and I gotta say it makes all the difference. Please don’t watch the cut version of this show if you can possibly help it. It’s like cliff's notes of cliff's notes. I love the tiny side couple of tough kid + the dork of the music club. Ah the beach sequence. Condenced WAY DOWN, I see. We lost one of the most iconic lines in all BL but i think everything is improved by how much tighter the plot is in the remake (6 episodes became 1!). So I’m enjoying it. Weirdly, I'm not sure I would be enjoying it, if I hadn’t seen the original.

Is anyone watching this on iQIYI who hasn't seen the original? Just out of curiosity. Tell me how it's going for you, would ya? 

I'm doing a face-off style watch along of this new version versus the original 2014-2015 version.

Kidnap (Fri YT) ep 8 of 12 - I don’t entirely get it. They were apart for approximately 11 minutes. I would’ve thought GMMTV would’ve drawn it out for longer and more angst. Smiley face kiss was cute, but the star of this ep was that gorgeous pale blue waffle sweater on Q. What a great color for Leng! 

Jack & Joker (Thai Mon IQIYI) ep 7 of 12 - I do like that we’re seeing an honest exploration of poverty and hopelessness. I’m not sure how I feel about it inside my BL, tho I’m willing to persavere for this pair.

Battle of the Writers (Sun YT) ep 12 end - Someone said recently "just imagine what TutorYim could do with an actual script." And you know what? I agree. Because they sure as shit haven’t gotten one yet. And it’s getting quite frustrating. I’m having JaFirst flashbacks. Frankly, 2024 has been a year of unmitigated BL nonsense narratives. And I’m tired of it. I know it’s bog standard for the genre, but it feels like there’s been more than normal faff this year.

Summary 

An incredibly convoluted, disjointed, and badly-paced drama that is about(?) some writers writing a thing and some boys who knew each other when they were kids, lots of pretty sexy times, and not much else. The visuals are gorgeous, the side couples are overly appealing (with little to no screen time), the dubbing and sound is absurdly bad, and the fantasy novel (play within a play) makes no sense whatsoever while also managing to be the show that we all actually wanted to see instead of what we were given. 6/10 

In conclusion, I have no interest in attempting to understand or revisit this show, and I certainly wouldn’t recommend it, but if you have nothing better to do…… the sex is good (frankly I have exes that satisfy all the same criteria). So there it is: this show is like a bad but still hot ex.  

Every You Every Me (Thai Mon Gaga) ep 3 of 10 - Nice to see Fiat in something again. Namping is very angel baby.  This episode made me think that this pair would do a great Thai remake of Love Tractor, and now that’s pretty much all I want in life. I enjoyed wardrobe in this episode. It looks like we get the same characters next week. Cool. 

Bad Guy My Boss (Thai Sun Gaga) ep 6 of 10 - I guess everyone is messy slutty bisexual in this show? Do I care? Not even slightly. BLabies, I don’t think I’m gonna make it. I might have to drop this one.

Ongoing Series - Not Thai

See Your Love (Taiwan Weds Gaga) ep 1-2 of 13 - I adore it, what a wonderful meet cute. I love a Taiwanese BL that starts with a gratuitous kidnapping, some chasing, and a bit of a fight sequence. We in OLD fashioned territory. 

Teenager Judge (Vietnam Sat YT) ep 5 of ? - I continue to enjoy it very much.

My Damn Business (Korea Sat YT) eps 4 of 7 - Oh! Is the sleazy boss gonna turn out to be actually a sleazy player? That would be an interesting twist.

Let Free the Curse of Taekwondo (Korea Thurs Gaga) eps 3 of 8 - I’m really not a big fan of my pain coming from Korea. I’m getting a whiff of To My Star 2 from this one. And that does not make me happy. I know: high quality high angst yada yada blah blah blah. But also unnecessary pain? No thank you. 

First Note Of Love (Taiwan Mon Gaga) ep 12 end - Of course, I love the part where Reese and Orca spoke each other’s languages.

Conclusion

Had this been produced a mere 3 or 4 years ago, I would’ve been quite enamored. But by comparison to what we’ve been getting, this is a lackluster offering. A has-been musician and a much younger composer meet, fall in love, and attempt to rectify his stalled musical career. Cute side couple of a Thai popstar + his Korean manager. Everyone is very fine and it was a fine show. I wasn’t disappointed, but I wasn’t impressed either. 8/10 

Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues Netflix?) 6 of 10 eps - It was a fun little confession and climax, there was crying, and a bridge kiss (been a while) all of this appeals to me even if they are tiny idiots (in the immortal words of @heretherebedork )

Eccentric Romance (Korea Weds Viki) eps 5-6 of 12 - More tiny idiot boyfriends who don’t realize they’re boyfriends. That’s it, that’s all that’s happening. Ostensibly there’s some kind of murder. But it seems to be acting more like set dressing than plot.

It's airing but...

The Hidden Moon (Sat WeTV) 10 eps - Supernatural romance (my ghost boyfriend trope) by Violet Rain (I Feel You Linger). A man is hired to write an article about an old mansion. He sees the ghosts of people who died at the mansion, falls in love with one of them. Was substantially recast. I loved IFYLITA except the ending so I think I'll let this one run it's course you can tell me if it's work tracking down... if they managed to land it. I have my doubts.

In case you missed it

Mew & Tul legit engaged.

Love in the Big City (Korea Viki) 8ep - Vicki dropped them all at once which means I did what I do under such circumstances and skipped to watch the final episode. (I am well aware that this makes me a monster. ) Anygay, that told me that I’m not gonna be bothering to watch the series. Now y'all can tell me how amazing it is and what I’ve missed and blah blah blah. But I’m comfortable with my choice. It’s ICRY 2.0 + HIV. And I’m not willing to play its literatti game. At some point I might watch it on fast-forward for the sex scenes, but I’m not at that point yet. 

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Still Coming:

10/27 Perfect 10 Liners (Thai Sun YouTube?) 24 eps! - New directing yet another university BL with engineers + their mentees. Based on a Jittirain novel. with a massive cast and massive run time. We will be watching this until APRIL of 2025!

ForceBook playing the same old characters = enemies to lovers tsunder/sunshine jock/nerd thing.

PerthChimonSanta are doing the cohabitation cool guy/dork trope.

JuniorMark are doing popular sunshine meets lonely sad boy (the only interesting pair IMHO).

I think Blue Canvas of Youthful Days has started on iQIYI but I only get it on Viki and that doesn't drop for a few days, plus...... CBL......? Not sure I'll report on this one unless it's really good.

THIS WEEK’S BEST MOMENTS

From Uncle Unknown which is truly terrible but this was so SO funny. I'm still chuckling when I think about it.

The first representation of shipping in a BL that I actually enjoyed. Also Dat's clear approval of being shipped didn't hurt. (Judge)

(lask week)

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many at-ings.

[petermorwood]

Food on St Patrick's Day (in the USA)...

...is usually Corned Beef & Cabbage, which is the Irish-American version of the original Irish boiled bacon & cabbage, but while the celebratory Irishness is still going strong, try something a bit more authentic.

A nice warm coddle. Not cuddle, coddle, though just as comforting in its own way. (Some sources suggest it's a hangover cure, not that such a thing would ever be necessary at this time of year, oh dear me no.)

Coddle is a stew using potatoes, onions, bacon, sausages, stout-if-desired / stock-if-not, pepper, sage, thyme and Time.

You'll often see it called "Dublin Coddle", but my Mum made Lisburn Coddle lots of times, I've made West Wicklow Coddle more than once, and on one occasion in a Belgian holiday apartment I made Brugsekoddel, which is an OK spelling for something that doesn't exist in any cookbook.

*****

I do remember one amendment I made to Mum's recipe, which met with slight resistance at the time and great appreciation thereafter.

Her coddle was originally cooked on the stove-top, not in the oven, and nothing was pre-cooked. Potatoes were quartered, onions were sliced, bacon was cut into chunks and then everything went into the big iron casserole, then onto the slow back ring, and there it simmered Until Done.

However, the bacon was thick-cut back rashers, and the sausages were pork chipolatas.

Raw, they looked like this:

...and the bacon looked like this:

Cooked in the way Mum initially did, they looked pretty much the same afterwards. The sausages didn't change colour. Nor did the bacon.

While everything tasted fine, the meat parts always looked - to me, anyway - somewhat ... less than appealing. "Surgical appliance pink" is the kindest way to put it, and that's all I'm saying. This is apparently "white coddle" and Dubs can get quite defensive about This Is The Way It SHOULD Look.

I'm not a Dub, so I persuaded Mum to fry both the bacon and sausages first, just enough to get a bit of brown on, and wow! Improvement! I remember my Dad nodding in approval but - because he was Wise - not saying anything aloud until Mum gave it the green light as well.

Doing the coddle in the oven, first with lid on then with lid off, came later and met with equal approval. So did using only half of the onion raw and frying the other half lightly golden in the bacon fat.

Nobody quoted from a movie that wouldn't be made for another decade, but there was a definite feeling of...

*****

There are coddle recipes all over the Net: I've made sure that these are from Ireland to avoid the corned-beef-not-boiled-bacon "adjustment" versions which are definitely out there. I've already seen one with Bratwurst. Just wait, it'll be chorizo next.

Oh, hell's teeth, I was right. And from RTE...

Returning to relative normality, here's Donal Skehan's white coddle and his browned coddle with barley (I'm going to try that one).

Here's Dairina Allen's Frenchified with US measurements version. (I feel considerably less heretical now.)

And finally (OK, not Irish, but it references a couple of the previous ones and is a VERY comprehensive write-up, so gets a pass) Felicity Cloake's Perfect Dublin Coddle (perfect according to who, exactly...?) in The Guardian.

*****

Returning to the beginning, and how boiled bacon became corned beef (a question which prompted @dduane to start an entire website...!)

The traditional Irish meat animal for those who could afford it was the pig, but when Irish immigrants (even before the Great Famine) arrived in the USA, they often lived in the same urban districts as Jewish immigrants from Eastern Europe.

For fairly obvious reasons pork, bacon and other piggy products were unavailable in those districts, but salt beef was right there and far cheaper than any meat Irish immigrants had ever seen before.

Insist on tradition or eat what was easy to find? There'd have been contest - and do I sometimes wonder a bit if sauerkraut ever came close to replacing cabbage for the same reason.

The pre-Famine Irish palate liked sour tastes: a German (?) visitor to Ireland in the mid-1600s wrote about about what were called "the best-favoured peasantry in Europe", and mentioned that they had "seventy-several sour milks and creams*, and the sourer they be, the better they like them."

* Yogurt? Kefir? Skyr? Gosh...

Corned beef and Kraut as the immigrants' celebratory "Irish" meal for St Patrick's Day? Maybe, maybe not.

Time for "Immigrant Song" (with kittens).

*****

Corned beef got its name from the size of the salt grains with which the beef was prepared. They were usually bigger than kosher salt, like pinhead oats or even as large as grains of wheat, and their name derived originally from "corned (gun)powder", the large coarse grains used in cannon.

BTW, "corn" has been a generic English term for "grain" for centuries, and "but Europe didn't have corn" is an American mistake assuming the word refers to sweetcorn / maize, which it doesn't.

Lindsey Davis, author of the "Falco" series, had a couple of rants about it and other US-requested "corrections". As she points out, mistakes need corrected but "corn" is not a mistake, just a difference in vocabulary.

*****

In Ancient and Medieval Ireland pig would have included wild boar, the hunting of which was a suitable pastime for warriors and heroes, because Mr Boar took a very dim view of the whole proceeding and wasn't shy about showing it (see "wild boar" in my tags and learn more).

Cattle were for milk, butter, cream and little cattle; also wealth, status, and heroic displays in their theft, defence or recovery. It's no accident that THE great Irish epic is "The Cattle-Raid of Cooley" / Táin Bó Cúailnge (tawn / toyn boh cool-nyah).

Killing a cow for meat was ostentation on a level of lighting cigars with 100-, or even 500-, currency-unit notes. Once it had been cooked and eaten there'd be no more milk, butter, cream or little cattle from that source, so eating beef was showing off And Then Some.

Also, loaning a prize bull to run with someone else's heifers was a sign of great friendship or alliance, while refusing it might be an excuse for enmity or even war. IMO that's what Maeve of Connaught intended all along, picking undiplomatic envoys who would get drunk and shoot their mouths off so the loan was refused and she, insulted, would have an excuse to...

But I digress, as usual. Or again. Or still... :->

*****

For the most part, "pig" mean "domestic porker", and in later periods right up to the Famine, these animals were seldom eaten.

Instead, known as "the gentleman who pays the rent", the family pig ate kitchen scraps and rooted about for other foods, none of which the tenant had to grow or buy for them. These fattened pigs would go to market twice a year, and the money from their sale would literally pay that half-year's rent.

For wealthier (less poor?) farmers, pigs had another advantage. Calves arrived singly, lambs might be a pair, but piglets popped out by the dozen. A sow with (some of) her farrow was even commemorated on the old ha'penny coin...

What with bulls, chickens, hares, horses, hounds, pigs, salmon and stags, the pre-decimal Irish coinage is a good inspiration for some sort of fantasy currency.

But that's another post, for another day.

[raven-at-the-writing-desk]

I've been trying to focus on thinking about things I enjoy about the idea of the TWST anime. And regarding overblots, I think an anime version would really help illustrate (even more) how terrifying the process is. I really like how the manga shows Riddle's OB, and I love anime as a medium, so I'm pretty hyped to see how it will be conveyed in it.

I really hope they accentuate the horror of it- I'm aware that they might not go all in w the horror like I would personally like, but the thought still excites me. What kind of music will they play? Will the animation change like it does in some animes when the characters are distressed (wobbly lines, glitchy effects)...? What sort of directions will the voice actors get? I mean, they already voiced the game, but anime gives them more room to do voice stuff. I'm really hyped for this aspect tbh...

And I'm also excited for the possibility of dubs, since I'm quite a fan of the whole dubbing world. (I know some ppl have their fears about this last possibility, but in my case even if it turns out to not be so good, I think we could still have a good time w something like that. Plus I've seen some popular eng dub actors hyped about the anime and wanting to be casted for certain characters)

I also wanted to apologize for my previous ask ᕙ⁠(⁠⇀⁠‸⁠↼⁠‶⁠)⁠ᕗ I already did so in the comments, but I felt bad about doomposting on your inbox. My mind's first reaction is usually to see the negative first and become anxious, and it's something I'm working on, but it sometimes goes out of hand. But now that a bit has passed, and specially thanks to your advice, I can sit down and try to focus on the things that excite me rather than the ones that scare me. Sure, building too much expectation could backfire at the end— but as you said, we have little to no information at this point. So I think focusing on the things I'd like to see is a better usage of my time. If they turn out to disappoint me... That's something I'll worry about next year, I'll suppose. I'm still a bit anxious and scared, but there's also lots of things I'm hyped for. I'll try to take your advice and focus on those. 🫂 Sorry if my previous negativity made you uncomfortable.

[Referencing this news! Asker’s prior post here.]

I’ve seen a lot of fans speculating that the OB transformation sequences will resemble magical girl ones! While that’s a fun idea, I do feel like it makes more sense for the anime to portray OB as something scary and all-consuming, similar to how it is depicted at the end of animated dorm commercials and in the manga. For the characters experiencing them, it’s not meant to be glamorous… All that agony, the dripping ink leaking out of their orifices and dripping like blood. Overblot looks incredibly horrific, and I think that should come through in the animation—whether they change the usual style for these segments or keep it the same.

I think the anime would reuse (or maybe do remastered versions of?) the Twst soundtrack for a lot of the show. The compositions are already there, so might as well. Maybe experiencing the anime will help to make the music more memorable, since it seems the game soundtrack alone isn’t doing it for some fans.

No clue about the JP voice cast; I did see some people worrying that they could replace the game’s voice cast for the anime, but as I’ve mentioned already, that’s an unfounded claim. If the usual VAs are there, surely they won’t just reuse the already recorded lines from the game?? 😂 I’d think they’d at least have to rerecord those based on how the script and its scenes are laid out, plus additional dialogue to fill in the gaps (such as new scenes).

No confirmation of an English (or other language) dubs yet either! (Again, this is another topic related to the anime that sparks worry, but I must stress that it’s pointless to get into a tizzy about something that isn’t concrete yet.) But yes, I’ve already seen English VAs expressing interest in certain characters; Daman Mills wants to audition for Malleus, Alejandro Saab has made it known he has Twst on his radar and wants to voice Leona, etc. (The latter has done Twst dorm leader impressions for fun before; I think Mr. Saab could make for a decent Leona or even Malleus!)

Don't worry about the previous ask ^^ I think it's better that we discuss these things with one another rather than post or tweet into the void and allow those negative feelings to fester. If you want to view it in a different way, think of it like the OB boys actually getting therapy/finding someone to confide in instead of being allowed to stew in their own emotions and risking OB a second time. Sometimes all it takes is that gentle nudge or a reminder to step back and take a deep breath. When we let our emotions get the best of us, we end up thinking and acting in irrational ways, and then that can lead to people--whether yourself or others--getting hurt.

[swordy-da-goat]

(last ask for a while bc I feel like I'm nagging you sorryy)

I thought road wiz was like an scp, and now we have hazard monster.

Anyway I wonder how either of them would react to being treated like scps? Hazard would be a keter for sure.

Also if you made a road wiz plush I'd 100% buy it I love him sm

got carried away my bad

The Road Wiz

Item# : SCP-████

Object Class: Euclid

Special Containment Procedures: Contained within a Standard Secure Humanoid Containment Cell in ██████, Sector-██ at Site-██. SCP-████ will often teleport out of their containment cell for an unprecedented amount of time before teleporting back. They are allowed to freely walk around the foundation as their skills and “magic” are very useful in securing anomalies, reducing injuries and casualties, and dealing with containment breaches.

Description: A humanoid entity (hard to distinguish if SCP-████ is a human or some other entity due to their hat and scarf obscuring facial view. Request to remove hat was met with opposition) wearing a hat resembling an orange traffic cone with one big and small white, reflective stripes, an orange safety vest with a long cloak attached from the backend, a yellow and black safety coverall, and long black leather and rubber gloves and boots.

SCP-████ is also in possession of a long black staff with a ring on the tip of unknown material. This staff is able to produced anomalous properties which can be better described as “magic.” Their “magic” seems to be a parody of signs, spells being correlated by the top of their staff in a hologram visual. One example being the staff projecting a deer sign when generating a glowing holographic version with mass of any of the Cervidae family.

Addendum 1: Discovery

SCP-████ was first captured near American state highway ██. The foundation was alerted when nearby police claimed that quote, “a portal just f█cking opened in the middle of the lobby where then a weirdly dressed guy wearing a cone on their head kicked a guy through saying to arrest him for drunk driving.” All personnel in the police station were given Class A amnestics. Foundation personnel were then deployed to the last place SCP-████ was spotted. Foundation were able to find SCP-████ feeding some stray dogs under American state highway ██. SCP-████ willingly agreed to come with the foundation for questioning.

Addendum 2: Interview

The following interview was conducted by Dr. Richards

Dr. Richards: Good afternoon SCP-████, I hope you’re feeling comfortable right now.

SCP-████: No, no, I’m fine thank you. Though I would prefer if you addressed me by “Road Wizard” or just “Wiz.” SCP-████ sounds a bit degrading.

Dr. Richards: …Noted. Anyways the foundation would like to ask you questions regarding your… job.

SCP-████: My job! Well you see Dr., as my name suggests, I am a wizard. My job is simply to keep everyone safe and responsible. The world is a very dangerous place, you SCP foundation folks would know that better than anyone about that fact!

Dr. Richards: You know of the SCP foundation?

SCP-████: Of course I do! Very big fan of your work! Trying to keep everyone safe from all these dangerous anomalies. Kudos to you guys, kudos!

Dr. Richards: Uh, thank you? Anyways, can you detail how you usually preform your job, or keep people “safe?”

SCP-████: Uh… I guess lecturing people on the rules and importance of road rules, filling up potholes, sticking reflective poles near edges, stuff like that. Pretty mundane huh?

Dr. Richards: What about your staff? What do you use that for?

SCP-████: Oh my staff! Well, I use it to channel my magic for the more dangerous part of my job. Magic can be real dandy in a rock slide.

Dr. Richards: I see.

Room is silent as Dr. Richard pauses to write notes.

Dr. Richards: *coughs* Um, SCP- sorry, Road Wizard. If you don’t mind me asking, I know you dub yourself as the “Road Wizard,” but is that the only safety concern you have? Or are there others like you that specialize in other hazards?

SCP-████: Funny you should ask that Dr., my real name’s actually the Safety Wizard. I just go with road because America has a crap ton of cars you know? And no, there's no one else like me so far that I know of.

Dr. Richards: So do you specialize in anything else then?

SCP-████: Sure I do! Let me just-

SCP-████ then manifests their staff from their hand which starts to emit a blue glow. A train sign then projects at the tip.

SCP-████’s outfit then suddenly shifts into a mock version of a steam engine engineer of their outfit, complete with a cap, denim overalls, vest-cloak and a yellow and black striped bandana.

SCP-████: Trains! Guess you could say I’ve become the “Rail Wizard!”

Silence.

SCP-████: Haha, sorry. There are other specialities too, but it’d probably take a while to show you all of them.

Dr. Richards: So are you able to switch forms like that?

SCP-████: That’s right miss! It’s very important to be dressed proper for any job!

SCP-████’s staff projects a car sign and outfit returns to previous description.

SCP-████: So any other questions for me Dr.? I’d love to stay and chat, but I need to be going soon.

Dr. Richards: SCP- I mean Road Wizard, you are aware that we can’t just let you go out.

SCP-████: I understand your concerns Dr., seeing what kind of place you guys run. But believe me, I’m not a dangerous guy! And it’s not like you folks can keep me in here anyways.

Dr. Richards: What do you mean by that?

SCP-████: Oh nothing. Anyways, it was nice chatting with you Dr. Richards, but I really must be on my way. See you later!

Dr. Richards: Hey, wait!

*SCP-████’s staff projects a Two Way Traffic sign and a glowing, yellow portal appeared to the right of SCP-████. SCP-████ then enters through the portal which disappears.

[END LOG]

——————————————————————————————————

The Hazard Monster

Item# : SCP-█████

Object Class: Keter

Special Containment Procedures: SCP-█████ should be contained within a 5 m x 5 m x 5 m chamber of reinforced concrete. Door and windows should be tightly sealed to prevent SCP-█████ from escaping through any cracks.

Description: SCP-█████ is an amorphous, black blob which can change its mass, texture, shape, and composition through anomalous means. SCP-█████’s face appears to be an NFPA 704 Diamond symbol. Each section of diamond can open up to reveal a set of teeth or eyes (amount varies). SCP-█████ normally uses its anomalous abilities to inflict injuries on people. The relationship between SCP-████, or as they dubbed themself, the Road Wizard, is very negative.

Addendum 1: Discovery

Foundation was first alerted of SCP-█████ when reports of multiple incidents were reported by the people in the town of █████████. Residents were reported being injured by a black shapeshifting blob. Foundation, with the help of the Road Wizard, were able to track down SCP-██████ and capture it. All town residents were given Class A amnestics.

[sednas]

['CAUSE HE'S A F×CK BOY ─ s. gojo]

꒰ ͜͡➸ sorry what did you say? oh you want a virginkiller!gojo fic? with enemies to lovers vibes? yeah I might have this one in store for you. smut will be in the second part tho! (which will be posted in one week or five months, who knows! :))

pairing: virginkiller!gojo x virgin!fem!reader

tw: college!au, suggestive themes, virginity kink, (dub-con) make out session, gojo is annoying but hey what's new, sexual tension, light fem masturbation at the end

gojo satoru was the golden boy. the most intelligent student of his class, the most talented sports player of the school, the most popular guy of the campus, maybe even of the whole city. he was excellent at everything. people were too amazed by his talent to notice his arrogance and his condescending smile, too blinded by his bright blue eyes and his snowy white hair.

gojo was the best at everything, and it included fucking. hell, fucking was actually on top of the list. he had a cheerleader waiting for him every night in his room, sometimes he could just wink at a girl and she was already spreading her legs for him in the bathroom a few minutes later. he could have literally everyone, but what he liked best was virgins. he loved them, such good girls who managed to keep their innocence until college. they were always so easy, so pliant.

and the thing he mostly liked to do with them was fucking them so hard that nobody could ever compare after that. he wanted them to think about him every time they would fuck someone else, he wanted them to rub their thighs together while thinking about him years later, this is what he liked to do with them. of course, the thought of ruining them for their first time was also appealing, they were usually so shy and reserved, he liked to take them apart piece by piece, make them drool, and then cry, and then forcing them to look at themselves in the mirror, letting them see how the filthiest version of themselves looked like. and in the end, when they were too fucked to think, he made them say thanks.

and this was exactly what he wanted to do with you.

you were way more difficult than the others, doing your best to ignore his piercing blue eyes, answering by a simple nod of your head every time he was trying to start a conversation, leaving the room every time he was in.

yeah you were difficult, but satoru always got what he wanted.

“all by yourself uh?”

he startled you a bit, and he could see that you were already looking for a way out by the way your eyes were looking at everything but him.

he moved his body to be at the same height as you, looking at you through his glasses, and then he said your name in a sweet voice, smiling when he saw how easily he got you looking back at him, your face obviously flushed.

“finally paying attention to me mh? it's a shame that you don't look at me often, I really like your eyes, they're pretty.”

and he really meant it, you were telling him everything with those eyes, the way you were constantly daydreaming about him, how you were humping your pillow at night, imagining it was his thigh instead. yeah, very pretty eyes.

“I want to get to know ya.” he said with a smile, and he got closer.

he kept himself from laughing when he saw you taking a few steps back and then he stopped, not wanting to make you panic too much.

“here, gimme your phone.”

you obeyed after barely a few seconds, and it only confirmed what he was already thinking; you were wrapped around his finger even though you were trying to hide it.

“mmh cute wallpaper… alright I'm just gonna add my number to your contacts annnnnd… done!” he finally said, his relaxed smile still on his face, handing you over your phone.

he didn't let go of it immediately, making sure your hands brushed against one another, noticing the way your breath got stuck in your throat.

“call me okay?”

one month passed by and you never called, or even texted. gojo felt frustration for the first time in his life, and because of that he was rougher than usual when he was fucking a cheerleader, his thoughts always coming back to you, and the way you were still ignoring him even though you were fucking yourself with your fingers every night while thinking about him. he was starting to get tired of his own game, but still, he wasn't planning on giving up. and so when he saw you standing in the kitchen during that halloween party, a devilish grin appeared on his pale face...

it's already too late when you spot him across the room, his blue eyes are on you. you can barely think of an escape that he's already in front of you, wearing a black tuxedo, a white collar wrapped around his neck and long white victorian sleeves hugging his arms, and making the rings on his fingers look elegant.

“you didn't call me.“ gojo whispers against your ear, his long arms trapping you between his body and the kitchen counter.

you open your mouth but no sound comes out, your eyes try to escape his teasing gaze as you're sure he can see every little detail on your face by standing so close.

“I thought… I thought you weren't serious when you gave me your number.”

he chuckles, noticing how you're even more embarrassed to look him in the eyes when he hasn't his glasses on.

“I like your costume, it suits your body.”

you feel your skin grows hot, his voice so soft and intimate, his eyes trailing on your body from up and down. it feels like you're alone in the whole house with only him. and your heart is racing with fear and anticipation, as you bring your thighs together. gojo notices it, placing his knee between them before you can fully close them, making you gasp.

“so tell me something baby…” he starts speaking in a honeyed voice, his lips coming closer to your ear.

you blink at the nickname, his body weighting a little more on your own, your back uncomfortably pressed against the kitchen counter as your body slowly bent to accommodate to the awkward position.

“are you scared of me or something?”

a nervous laugh comes out of your mouth, turning your head to escape from his warm gaze.

“I'm not scared of you.”

he can tell you're sincere, but it only makes him want to know more.

“then why are you avoiding me all the time uh?”

he tilts his head to the side, eyes burning with curiosity and his teeth flashing at you when you finally look back at him.

“i'm avoiding you because… you're so annoying, and you fuck everyone you know and you're so arrogant, always thinking you're better than anyone else. I don't like you, at all.”

a few seconds of silence pass by while both of you just look at eachother, until a smirk slowly appears on gojo's face.

“I didn't know you were so mean.” he laughed. “but if you hate me so much why aren't you pushing me away right now?” his sultry voice keeps sliding on you like honey, his mouth so close to your skin, breath fanning over your neck.

he's right, and he knows it, smiling even wider when he sees you looking at the ground in defeat.

“that's what I thought.” he smiles, one of his hand sliding along the side of your jaw, the sudden touch making your heart skips a beat.

his pale hand looks good on your skin, you can feel his fingers squeezing lightly your throat and the atmosphere becomes more tense than before, he still has this grin, like he knows everything about you, especially how much you want him to touch you more.

you're a few seconds away from giving up, your body almost falling on the counter to let gojo fully rest on you. somehow his smirk grows wider when he sees you closing your eyes. you let out a little whine when you feel him pressing all of his body weight against you.

“that was a sweet sound baby, mind if you make some more for me?”

despite shaking your head no, you pressed your body against him, hungry for more, finding a new pleasure in being the center of his attention. his slender fingers find their way to squeeze your chest, drawing another whine out of your mouth.

“more…” he orders, the sound of his voice muffled against your skin.

you try to close your lips, in a poor attempt not to give in so easily, but your legs turn to jelly as soon as he puts his soft lips on your neck. one of your hands flew through his white hair as you gasped at this new sensation.

his hot tongue tracing kisses along your neck, he grabbed your hips, bringing you even closer, letting you feel his boner. you feel dirty, intoxicated, but the heat coming out of his body is addictive. you let out another sound and your fingers are now grabbing his shirt in a needy way, trying to get him even closer to you. you want more. you need more.

you suddenly open your eyes when you feel his warmth vanish from your trembling body. you watch him walk away in disbelief while he's wearing a wicked smile on his face.

“I think my friends are waiting for me… it was fun, you should call me later okay?” he winked at you before exiting the room without letting you have any time to react.

you're left here, breathless, blood pumping into your veins, eyes clouded with desire, a pool of arousal between your legs. your hands clench into fists, of course he did it on purpose.

your eyes are fixated on your phone as breathless sighs keep coming out of your mouth.

"fuck!" you let out an exasperated groan, throwing your head back into the soft pillows.

your fingers are still trying to reach that spongy spot inside you, you arch your back, lifting your hips in the air, hoping it will allow your fingers to touch deeper parts. but you're left unsatisfied again, your legs twitching in frustration. your head hit your pillow and your eyes go back to your phone.

"he would fuck me right." you mumble to yourself.

part two

jjk masterlist

a lovely reminder that reblogs and comments are highly appreciated ♡

[hils79]

Hils Watches The Spirealm - Ep 1

Well, it's time to watch a new drama and this has been on my list since basically the day it dropped and was then removed an hour later. Looking forward to seeing just how gay it is.

Considering how much people have been talking about it I don't actually know that much about it really. I know Lost Tomb Reboot Xiaoge, my boy Huang Junjie, is one of the leads and that it's an adaptation of a danmei novel (I think?). But in terms of the actual plot no idea.

And how do you even pronounce the title? The Spire Realm?

I have many questions and I haven't even started watching yet.

Okay, I'm going in.

For the sake of clarity I am watching this on Viki so I will be using their episode numbering system not the original one.

Wait, is this a gaming drama? Like The King's Avatar?

Ah, so it's VR rather than a classic video game

Well, that sort of explains how you pronounce it but not really. Is it more like The Spy Realm?

A game where you experience severe hallucinations and possibly die? Who would play such a game? I'll take one guess...

Okay, the only drama I've seen him in is The Lost Tomb Reboot so it's going to take a while for me to get used to him speaking and having regular facial expressions

BWAHAHA! Zero lies detected

I'm pretty sure this is not Huang Junjie's actua voice, and the dubbing doesn't quite match the movements of his mouth. But I'm not complaining, I'm just glad we're able to watch it at all

Uhh...has he got super hearing? Or is he getting all messed up because he played the hallucination death game?

KITTY!

I know they've explained it as 'hallucinations' but this feels very urban fantasy, which is a genre I particularly enjoy

Ohhh! Okay. When the dude said people sometimes die playing the game I kind of thought he meant it gave them seizures or something. But no, he just walked into the path of an oncoming car because he was looking at something that only he can see. I guess that's the sort of deaths the dude was talking about

Oh so he actually does have super hearing! Well, I hope someone in the DMBJ fam is writing the Liu Sang version of this

Oh hello

Uh oh

Well, the answer to how gay is it is them looking like they're about to kiss 2 minutes after they met. Good work everyone.

Okay, I haven't learned anyone's name yet but I do hope this is setting the tone for the rest of the drama. Dude in white pretending to be badly injured from a small scratch on his arm and Huang Junjie immediately being 'OMG LET ME CARRY YOU 🥺' even though it's obvious the other dude is faking

Well this just turned into The Ring very quickly

Ehehe. There's only one bed.

GAH! JESUS FUCK THE GHOST IS IN THEIR BEDROOM! Is now the time to mention I'm not good with horror?

I don't know how I'm supposed to survive another *checks* 37 episodes when they're acting like this already

[theredcuyo]

Hmm, so today i worked with a bit of horror and this came to me

What if we make the Batman into a cryptid but the cooler kind, the leyend to scare young kids type

Before you write or send a comment, i'm mexican, born and raised, still live there. Thank You.

This came from me thinking about La llorona, a leyend (scary one) here in México and some other parts of latam it seems(?) and it's in short, about a woman whose kids die and she dies from sadness over it, with her eyes drying up from so much crying, becoming a spirit that haunts the world while calling for her children in desperate screams

The reason behind the kids' death changes depending on who you ask, either she killed them or it was an accident, but they die by drowing in all versions, and, as a result of the above, any kid she comes across gets taken away because she mistakes them for her own, they end up dying by her hands too tho (because she thinks they're hers and drowns them, or because she realizes they aren't)

She's also a single mother (the story goes back to the 1500 btw)

And I think Bruce fits this. So. Fucking. Well.

Like, Jason and Dick die, and he becomes this, and then Tim was trying to help him pass from the world but he couldn't and instead became his child too, and the rest followed along, by accident, by choice or not

Can he be a hero here? I don't think so, but, maybe he does care for the children somehow, the ones that he realizes aren't his, that they have parents to go to are the ones he protects

He cares for the people, who are not at fault for his loss, so he protects the city he also haunts

He cares for the nice old man who's never been afraid of him, who gives him a sad smile and who he feels like he knows but all the memories of his life are buried down and forgotten behind his children dying

He might not even want the children he takes to die, it's like the pit rage in canon, it takes over him and they world gets too blurry to think right

And he cares for those kids, he really does, it's not their fault, but there's one he can never remember the name of (Dick) no matter how many times he repeats it

Dick forgave his dad (whatever the reason for their deaths might be) and wanders around him in a nice way, doing his best so all of them can finally pass away

Jason hasn't. He haunts Bruce, most of the episodes where he snatches more kids away are Jason's fault, as he appears and dissapears in front of him, making him believe any kid is his boy, Jason doesn't notice and actually tries to protect other kids.

Steph's 'your not my dad!' call hits harder in this au-

Cass was wandering around town alone, she didn't stand a chance because she couldn't even scream for help. She's like a second shadow to Bruce, always near, always watching, and some who have scaped them swear her eyes never stop looking at you. She might be the only kid who's not mad at him for taking her away

Duke is similar enough, he didn't like the dark, but when there's no other choice is the worst thing that happens.

Damian's tale as a child of his that Bruce originally thought to have died gets worse when he gets taken, reunited but only by death, one that is his dad's fault.

One where Bruce got another one of his kids killed.

||||

Hoenstly, i'd like to work on this au? If that's like fine?

I'll try to make some designs and maybe like some draws, if i get to, a series of one-shots

Oh, and if you non-latam people want to know more about la llorona, well, there's a kids animated movie :D is called "La leyenda de la llorona" pretty sure you can find it with subtitles (always better than dub tbh) it's part of a saga on mexican leyends too, can watch the others if it calls your attention, they're fun

[ambrosiagourmet]

Not to absolve Toshiro of anything, but I wish Izutsumi could know about that little moment

Maizuru: Asebi is missing! Toshiro: She'll find us if she wants to Maizuru: But she hates us! I made sure of that! Toshiro: She'll Find Us. If She Wants To.

It's not a big courageous gesture, but. Izutsumi, it's another someone who saw you and cared about you.

Okay, I've seen this version of the dialogue around a bit and I've been so confused where it comes from? Apparently it's in the anime dub, specifically. Both translations of the manga use pretty similar language, as does the original sub of the anime:

It is in an official source now, so I don't think it's exactly wrong to treat it as canon, but... even then, I dunno. I'm not sure I view the interaction as Shuro being supportive of Izutsumi there, and Maizuru as being the bad guy.

I understand that a lot of people really dislike Maizuru, some to the point of discomfort, and that's fine - I have similar character types that can make me too uncomfortable to like/engage with, so I do understand the negative feelings around her.

But I like her! I think she's an intriguing, messy character. I think she's someone further along in the path of compliance with a toxic system, who has settled into her role as both perpetrator and victim within it, and I think that's interesting.

Maizuru acted as she thought she was supposed to, and it hurt Izutsumi, but I don't necessarily think she singles her out or treats her particularly different from the others in her care... I mean, the hag spell is something she used on Shuro too, when he was younger. She fucking SUCKS at childcare, and she treats people like the are sure to eventually fall into their roles. But she also didn't choose to "purchase" Izutsumi, or to be put in charge of her.

She's only 15 years older than Shuro. At what age was she put in charge of caring for him? Did anyone help show her how to do that? Toshitsugu certainly didn't, and his wife resents Maizuru. Also, for that matter, how old was Maizuru when her affair with Toshitsugu started... and how old was he?

She didn't choose the role of childcare at all, as far as I can tell. She was a ninja, before that, and she tried to use that training to raise kids, and it went uhhhh badly! Shocking! But I don't honestly know that like Hien or Benichidori would do that much better, if they had to make that transition.

I think it's interesting Maizuru's hag is specifically pointed out as using its weapon incorrectly. I feel like that's not just meaningful as a lesson for Izutsumi... I think it says something about its creator, as well.

Anyway, uhhhh, what was I talking about?

Oh yeah, Izutsumi leaving.

I don't personally think Maizuru asking after her was a matter of control rather than concern (it's probably both, really), and don't think Shuro's response is a matter of concern rather than disinterest (maybe that is both too, though).

Even if it was, though, I actually like that Izutsumi isn't there to see it. Shuro should respect her when she's not around just as much (if not more) than when she is. I think it's valuable for people to do well by someone they've hurt (or who has been hurt in the name of the system they benefit from) without that person's gratitude even being an option.

Maybe this is just my personal experience, but I sure know that there are people no longer in my life from whom a choice to respect my boundaries, that I never learn of, would make a positive impact on me. A more positive impact, specifically, than if they made the exact same choice in a way where I'm aware of it.

Sometimes the wounds need time, and sometimes they will never fully heal at all. Sometimes distance is a kindness. Sometimes "she'll make her way back if she wants to," means she'll never make her way back, you know?

Maybe I'm reading too much into it, but that's my wish for Izutsumi, honestly. May she never be asked to grapple with feelings of the people who enslaved her, good or bad. May she never have to think of them again, if she so chooses.

[im-totally-not-an-alien-2]

So...anyone remember that version of the Rejected Soulmate AU where Danny turns Tim into a Halfa against his will and Tim developed picture powers and trapped Phantom in a painting?

Well I do and I'm about to make it everyone else's problem.

When Danny is finally released from the painting he is not okay. He had been trapped in an attic where pretty much no one went to and then everyone outright avoided for years.

He was essentially stuck in solitary confinement for Ancients know how long. People don't just walk away from that and get to be perfectly sane afterwords. Whats more was that Dannys core was damaged right before being picturefied. Usually the damage sustained would have been nothing more than the equivalent of a skinned knee but being surrounded on all sides by the essence or not only another ghost but another Halfa...well...when two ghosts mix thier essences together they can create a new core.

A baby.

Unfortunately for Phantom both of them were Halfas and Danny had no access to human requirements such as food and water.

Phantoms body couldn't handle the strain of a pregnancy and he had a miscarriage. Worse still, he was constantly surrounded by Tim's essence so he just...kept getting pregnant and kept having miscarriage after miscarriage. When Danny was released he sobbed. It wasn't unusual so hear sobbing or crying from what was dubbed "Dannys room" all around him were the empty cores of the children he had lost, splayed across the floor without a glow and without a life. He looked up at the wall he had been hanging on and saw a distinct discoloration where his portrait used to be. For the love of the Ancients, how long had be been trapped there??

Danny eventually managed to calm down and went over to one of the boxes that hadn't been touched since Alfred stopped coming he tried not to think about that and quietly dumped the contents out onto the floor and used the box to gather up the so many far too many cores.

He would hold a funeral for them all at a later date, but for now he needed to escape the manor.

Sneaking down the stairs he kept his senses sharp. There seemed to be no one in the manor and it appeared to have been that way for quite some time. Alfred would rise from the grave himself if he knew how much dust had accumulated in his absence.

Danny walked past a puddle on the living room floor absently noting the large stain on the ceiling that periodically let a drop splash down into the dampness below. What had happened here? Clearly Tim hadn't died the rest of the way anytime soon after locking Danny up and throwing away the key, so what was up with the manor? How long had Danny been gone? Did they abandon him along with the house? That thought sent his stomach churning.

He knew Tim didn't want him. He had been okay with that so long as he played with him. Most soulmate bonds were platonic and Danny wasn't above pestering someone for attention. Red Robin had almost always seemed annoyed by his presence though and never really gave him a chance even when he seemed to be having fun with whatever "mini game" he had constructed (he made sure to base them off of Reds own hobbies and likes) he had seemed to be holding himself back. Tim never opened up to Danny.

Now Danny was the one trying to avoid Tim as he slipped out one of the manors secret passageways. Thank you old school money and your paranoid aristocrats. He wondered it Bruce even knew of all the secret passageways the Phantom had scoped out in Wayne Manor as he slipped out of a bush behind some old house on another property. Judging on how he had to phase his way out of the hidden door and under the bushes roots he'd go out on a limb and guess no one had used this one in quite a while.

He decided to still stick to the shadows. Even if he had escaped the manor it didn't change the fact that if Tim didn't already know he escaped he would soon enough and would be out looking for him with the rest of the furry patrol.

What about Hood? Did he still hate him? Danny wasn't even sure what went wrong. One day they were friends and then the next he wouldn't even look at him. Did Tim say something? Would he stoop so low? Either way he didn't think Hood would help him. He could feel Hoods Ecto-signature over in the direction of Crime Alley so he couldn't have been trapped for two long, right?

Wrong. So so wrong. According to the date on the electronic billboard he had been trapped for 133 years. Ancients. In other news Tim Drake had been attacked and fallen into a coma not too long ago, which would explain why Danny was free and not being chased. That and his collar that hid his ecto signature. Every day he's thankful for it.

Now would be the best time to leave Gotham. Now while everyone is distracted and Tim can't shove Danny back into his own private Hell.

By the time Tim realizes Danny is missing he will already be long gone.

[vanglaggle]

err ehenmmrm ummm ink perhaps (for the character thingy)

first impression : unfortunately my first impression with ink was pretty bad. i watched underverse before i ingested any canon material besides comic dubs. i had a pretty negative view of him and his soullessness, which i do think underverse unfortunately does. it's a very bad portrayal of ink. (in my opinion. don't come for me)

impression now : i love ink! again, he's not my favorite, but i do love canon ink. i think him being a neutral/morally grey character is awesome. i love when characters have nuance and aren't perfect.

favorite moment : his "creation" ... like .. when he ripped apart his soul n stuff

idea for a story : skipping this one again !

unpopular opinion : i usually am not a fan of people's other versions of ink where they make him allosexual(or sexual in general.) and i'm not a fan of making him alloromantic as well for shipping. (i'm not sure if this is unpopular or not...)

favorite headcanon : uhmmmm.. not sure! most headcanons i like are from comyet and those are canon to me... objectum and aegosexual ink :-3 and mmmmaaaybe aplatonic.....

ask game

[kaiowut99]

Yu-Gi-Oh! ARC-V Episode 1 "Dub-Uncut" (ENG Dub w/ JP OST) WIP #1 | Ladies & Gentlemen!

Soooo, after plugging away at this little project for more than a year, I'm pretty sure, I think I'm just about done with it--a "dub-uncut" take on ARC-V episode 1's dub! Like when I worked on those 5D's "dub-uncut" episodes, I find that there's some potential in the 4K/KCM dubs, but overall it's hampered by the dub's music [which especially hurts for ARC-V given the awesome score by Kotaro Nakagawa], some writing choices, and other little oddities/cuts. (I also did plan on trying to sub ARC-V up until Crunchyroll took the wheel on that, and I did want to do something with the work I'd put into prepping the OP/EN for that, lol; I think I actually started this a little in early 2022 at some point, but due to my SSD dying on me in October of that year, I pretty much lost everything and had to dig through what little backups I did to not start from scratch (I had to restart this though). This has also been an ongoing idea, since I did do a dub-with-JP-OST take on episode 10's first 10-or-so minutes years back.

Of course, since working on that version of episode 10, we now have things like UltimateVocalRemover out there to help with things like this, as well as Duel Links or Cross Duel (RIP) for better/more accurate takes on different lines. So, after using UVR to isolate episode 1's audio in both versions, I got to work piecing the dub back together with the JP OST/SFX, using lines from later episodes and Duel Links as helpful to make the dialogue more in line with the original; I'd been chipping away at it mostly for the past year, but worked a bit more on finalizing it and leveling the audio over the past few months to get it off the backburner, lol, along with revamping my subs for BelieveXBelieve and One Step (which I'll be showing off separately).

For this clip, I made Gongenzaka properly say his Monsters' names while tributing them by pulling audio from 138's dub (and one other); Yuya's "Ladies & Gentlemen!" and "Quick-Play Hippo Carnival" lines are from DL, and I found an AI-voice-generating site that had the voice of the Narrator from Pokemon's dub, which I thought would fit for the Action Duel narration before the OP. [Also, yes, I will be correcting every instance of "Zuzu" to "Yuzu" using lines with "you" in them because why.]

Lemme know what you think! I'll likely post another couple progress videos while I apply some finishing touches, and I should probably be posting about the full thing in the next week or two.

[tobiasdrake]

Digimon Adventure 01x51 - Hell's Jester, Piemon / The Crest of Friendship

Previously on Digimon Adventure: Jou decided he needs to forge his own path by following in Yamato's footsteps. Meanwhile LadyDevimon made everybody extremely uncomfortable as part of Piemon's master plan to squick the Chosen Children into leaving his front door.

Now, with LadyDevimon's death, Piemon has come out to attend to what remains of the assault team in person.

We open on Jou searching for Yamato, while Yamato's harmonica music paradoxically plays in the background.

Narrator: Around this time, Jou, with harmonica in hand, was searching for Yamato. Gomamon: JOU, LOOK!!!

Gomamon draws Jou's attention to an abandoned swan boat.

Gomamon: IT'S YAMATO'S BOAT!!! He must be around here! Jou: But we don't know how long it's been here. We aren't even certain that Yamato was the one who used it. Gomamon: That's fine! We're sure to find him. By now, Yamato probably also thinks that it's about time he rejoined us anyway.

Jou examines Yamato's harmonica.

Jou: You're right. It was my idea to go look for Yamato. I can't be having second thoughts now! Gomamon: Yeah, exactly! You've become a lot more manly lately. Jou: What's that supposed to mean? (playful, pokes Gomamon) Are you saying I wasn't manly enough before?

Jou and Gomamon both break into laughter. Gomamon seems very pleased by Jou's decision to forge his own path, but he was also satisfied when they were still with Mimi's nakama. So it seems like Gomamon's just happy regardless of what Jou chooses.

As with Gabumon, it's most important to Gomamon that Jou be the one to make the choice for himself.

The dub opens by implying that Joe and Gomamon have been searching for a while now.

Joe: We've looked everywhere, Gomamon, but we still can't find Matt. Gomamon: Maybe your harmonica playing has been keeping him in hiding. Joe: (sarcastic) Mm. Everybody's a critic. Gomamon: Hey, Joe! LOOK OVER THERE!!! Joe: What is it? (Swan Boat) Gomamon: It's Matt's boat! He must be close by! Joe: But we have no idea of when he left it, or if he was using it at all! Come on, we'd better keep looking. Gomamon: Don't be such a downer; This is our first clue in a long time and I want to see a little Get Up and Go-mamon!" (Joe inspects the harmonica) Joe: I guess I'm still pessimistic 'cause when we found Matt's harmonica, it led us nowhere. But you're right. He could be nearby. Gomamon: Now, that's the spirit, Joe! You've become a real man lately! Joe: Oh, I get it now. (playful, pokes Gomamon) So you're saying that I wasn't a real man before, huh? Gomamon: (laughing uncontrollably) Joe: Are you man enough not to laugh when I tickle you?

This is really good. The bits about their search fudge the events a bit. They followed the harmonica music to Elecmon, who told them about the swan boat. Then they crossed the lake to pursue the swan boat, and now they've found the swan boat. This has been a pretty straightforward tracking mission so far.

The dub seems to imply that, after crossing the lake, they found nothing and had to wander aimlessly for a long time. But now they've stumbled back onto the trail by chance. This is a much messier version of events.

However, the playful banter between the two is a top-notch and entirely faithful adaptation of the original dialogue. Dub Gomamon also implies that Joe's been (badly) trying to play Matt's harmonica in the time since we last saw him, which is a funny mental image.

Meanwhile, outside Piemon's observatory, WarGreymon is on the offensive.

Calling Dramon Killer as an attack, WarGreymon volleys rapid-fire stabs at Piemon but struggles to land any of them. Piemon darts and weaves too easily through his attacks.

WarGreymon finally manages a solid hit when he surprises Piemon with a kick, knocking him back into the roots of a large tree. But Piemon picks himself up, seemingly no worse for wear.

Taichi: GOT HIM!!! Piemon: Muhahahahaha! Do Chosen Children truly rely on such childish tricks? Taichi: (surprised) What!? Piemon: My expectations have been dashed. I thought you'd be tougher than this. Koushiro: WarGreymon's attacks aren't having any effect at all! Hikari: (worried) Onii-chan, are we okay? Taichi: (determined) We're fine.

This fight is going badly. They landed a hit, but didn't seem to do any damage and had their successful hit written off as 子供騙し kodomodamashi, a composite of 子供 kodomo meaning "child" and 騙しdamasi which means "deception".

Kodomodamashi is a transparent, juvenile trick that only a child would think is clever.

Of course, what it says about Piemon that he fell for a kodomodamashi goes unremarked upon due to how intimidating he is right now.

In the dub, WarGreymon calls Dramon Killer as "Mega Claw". Probably to avoid the K word, even though they already solved that problem in the past by calling them "Dramon Destroyers".

Tai: I think we won! Piedmon: Hahahahahahahaha! Thank you for the sparring match, WarGreymon. Now I'm ready for the main event. Tai: Oh, no! Piedmon: Once upon a time, there were these DigiDestined. And then Piedmon destroyed them all. The end. Izzy: No offense to your storytelling skills, but I'd like it better if your ending were different. WarGreymon: IT WILL BE!!! Kari: We can't win unless we're all together! Tai: (worried) Where are they!?

This scene is very different. Piedmon isn't so dismissive of the children's abilities here; He simply blusters menacingly, including a callback to the Dark Masters' debut when he told the kids a twisted faerie tale of their own impending deaths.

Kari and Tai here use their lines to remind the audience that we're trying to buy time for reinforcements to arrive. It also makes a stronger transition into the next scene, as we find Sora and Takeru searching for the others.

Angemon seems to have reverted to Patamon between episodes, as the three of them are all riding Birdramon's talons. Sora uses her Digivice's radar function to try and scan for the others.

Sora: The Digivice still isn't reacting to anything. Patamon: The powers of darkness must be too strong. Sora: (thinking) How are we supposed to find them in this vast Digimon World? Takeru: ...Sora-san? Sora: What? Takeru: Will we find Onii-chan? And all of the others? Sora: ... Takeru: Sora-san? Sora: We'll find them, no matter what. (starting to freak out) If we can't then we're all.... Takeru: Sora-san! Sora: Ah! Takeru: ...are you okay? Sora: (polite laugh) Sorry about that. I'm fine! We'll find them.

Despite the fact that Sora is clearly only pretending to be okay while the stress eats her alive from within, Takeru accepts that answer with a smile. He's eight.

Sora: (thinking) I have to bring everyone back, or else we won't be able to defeat Piemon. This world... We won't be able to stop it from being destroyed.

Despite her attempt to keep Takeru from fretting over it, the stakes coupled with the seeming impossibility of her task are weighing heavily on Sora's mind.

In the dub:

Sora: The Digivice isn't responding at all. Patamon: I hope we find them soon; I'm getting airsick. Sora: (thinking) We'll never find them all. The Digital World is too big. They could be anywhere. T.K.: Hey, Sora? Sora: What? T.K.: We'll be able to find Matt and the others, right? Sora: (thinking) Should I tell him the truth? T.K.: Well, Sora? Sora: The only thing I can say, T.K., is.... (crying noises) T.K.: ...are you alright? You're not crying, are you? Sora: Just something in my eye! Don't worry! We'll find them, T.K! (T.K. smiles) Sora: (thinking) We'll find the others because we have to! Unless we fight as a team, we'll never defeat Piedmon! We can't let him destroy the Digital World!

Pretty straight adaptation.

They cut Sora's implication that Piemon is going to kill them all, replacing it with Sora breaking down into non-verbal sobbing.

Cutting back to the fight, WarGreymon attempts to land his Brave Tornado. It's gone two for two on Ultimate opponent kills so it's a good choice.

It does not go well. Continuing to fight circles around him, Piemon hurdles the attack with a jolly flip. Emerging from the ensuing dust cloud with scuff marks all over his armor, WarGreymon looks like he did more damage to himself with that attack than to Piemon.

Tailmon: He's strong! Hikari: Onii-chan-- Taichi: Everyone, stay back! Hikari: But why, Onii-chan!? Taichi: Wait until Yamato and the others get here! You just fought LadyDevimon; You need time to recover your stamina!

Taichi is still thinking ahead. Focusing on the next fight and not this one, even though the next fight is technically a part of this one. Banking not on winning this fight, but on WarGreymon holding the line until they can hit Piemon all at once.

The dub calls Brave Tornado as Terra Force.

Gatomon: He's tough. Kari: We should all fight. Tai: Everyone stay where you are! Kari: But Tai! Why not!? Tai: The Digimon are still too tired from our fight with LadyDevimon. We have to wait until we're at full strength, when Matt and the others rejoin us.

Another faithful adaptation. Kari does manage to spell out what she wants to do, where Taichi cuts off Hikari and leaves it implied. But what she wants is clearly the same in both versions.

From there, we finally go check in with Yamato and see what he's up to. He is in a hole.

Narrator: After Yamato separated from Taichi's group and became a solitary child, he tried to put his thoughts in order. Before he knew what was happening, he found himself lost, wandering through a dark cave. Gabumon: Yamato.... I have a bad feeling about this cave. Let's hurry up and find a way out. Yamato: Yeah. You're right.

Yamato agrees verbally with Gabumon, but he doesn't hurry up. Instead, he loses himself in memories, flashing back on Takeru announcing that he rescued himself from Pinocchimon's mansion.

(Flashback) Takeru: I was able to protect myself all on my own this time! (End Flashback) Yamato: (stops walking) I.... Gabumon: Huh? What is it, Yamato? Yamato: I kept saying that Takeru needed me. The truth is, I was the one that needed him. Convincing myself that Takeru needed me is how I found my place. But.... (Flashback) Hikari: That's incredible! Taichi: That's awesome, Takeru! Congrats! Mimi: We were so worried about you! Jou: You sure have grown up, without any of us realizing. (End Flashback) Yamato: Takeru has everyone supporting him. And Taichi acted more like a real big brother than I ever did.

Yamato doesn't answer. Silently, he starts walking deeper into the dark cave.

The dub takes its first commercial break following the previous scene, then we come back to Matt. They don't have the narrator to poetically set up Matt's metaphorical-made-literal surroundings, so Gabumon has to do the job. He plays the spooky cave for nervous laughs.

Gabumon: Matt? Matt: Yeah, Gabumon? Gabumon: Maybe we've been traveling in this direction a little too long. This cave is starting to give me the creeps. Let's hurry up and get out of here! I'm still not sure what you mean by 'trying to find yourself' but I'd appreciate it if you didn't look in here! Matt: Sure. Whatever.

The dub's flashback is only slightly altered; T.K. says "I told you I'd be back" instead of "I told you I could do it." But it's by far the most consistent a dub flashback has been yet.

(Flashback) T.K.: See, everybody? I told you I'd be back! I can take care of myself just fine! (End Flashback) Matt: I've been living a lie. Gabumon: You're not a real blond!? Matt: (heavy sigh) I kept saying T.K. needed me but, really, I was the one that needed him. Gabumon: What do you mean? Matt: I used to think that my one purpose in life was to protect my little brother. But then.... (Flashback) Kari: You're the man! Tai: Nice going, T.K.! Great job, buddy! Mimi: We were so worried about you! Joe: Boy, for a little kid, that was a pretty big escape! (End Flashback) Matt: He didn't need me to protect him anymore. And Tai was much better at acting like a big brother than I ever was....

Tonally inappropriate blond quip aside, this is still a pretty straight adaptation.

Gabumon's not about to let that last remark from Yamato go unquestioned.

Gabumon: What are you talking about? You are Takeru's older brother, Yamato! Yamato: I don't deserve to be Takeru's big brother. I just used Takeru so that I could feel secure in my place as his brother. I needed to believe that Takeru had no one else but me.

As Yamato speaks, a tendril of concentrated darkness moves through the cave behind him. Yamato, unnoticing, sits down in the cave and pulls his knees to his chest.

Yamato: That's why I got so mad at Taichi. I felt like he was trying to take Takeru away from me. Taichi is decisive and has strong leadership. Most of all, he treats Takeru like a man. Gabumon: Now what's brought this on, Yamato? There are so many great qualities that are unique to you too! Yamato: I always thought of Taichi as tactless and dim-witted, but I just couldn't see. Gabumon: Yamato....

This is the discussion they were trying to have back with Jureimon. This time, Jureimon isn't here to direct Yamato's anxieties. But Yamato's been thinking about this long enough for his anxieties to become self-sustaining.

He's still wandering the forest of lost souls.

In the dub:

Gabumon: But you don't have to act. You are T.K.'s brother! Tai isn't! Matt: That's just the point. I don't act like a brother at all. And even though it made me feel good to think that I was the only one there for him, in reality, all the kids were. Gabumon: Let's talk about this outside. There's something strange about this place.... Matt: That's why Tai made me so mad! I thought he was trying to take T.K. away from me! (Matt sighs and sits by the wall) Matt: Tai might be real bossy and hard-headed sometimes but he never treated T.K. like a child, which is how I've always treated him. But I'm the one who's childish. Gabumon: Matt, stop putting yourself down! Sure, you have some teenage angst, but you've been a great brother to T.K.! Matt: I used to think Tai never thought about anyone but himself, but that actually describes me a lot better. Ugh.... Gabumon: Oh, Matt....

"You have some teenage angst", Gabumon? I'll take "Lines that remind you that these children were written by thirty-year-olds".

(Matt isn't even a teenager!)

Gabumon gets an extra line so he can say, "Can we have this conversation in a less spooky and thematically resonant place?" Which is a valid interjection.

Suddenly, Gabumon notices the swirling darkness around them.

Gabumon: (gasp) Yamato! Something's wrong with this place!

The darkness of the cave surrounds and engulfs Yamato. He doesn't even seem to notice as it pours into him; His eyes glazing over with darkness.

Yamato: There's no hope for me. I can't go back and rejoin the others' nakama. Gabumon: STOP THAT!!! (scolding) Without you, Yamato... If the eight of you don't come together then this world is doomed! Yamato: They don't need me. It wouldn't matter if I was there or not. Gabumon: YAMATO, GET A HOLD OF YOURSELF!!! Yamato: Forget it. Just leave me alone. Gabumon: HOW CAN YOU SAY THAT!?!? Yamato: ... Gabumon: (tearing up) Yamato....

Gabumon's saying correct things but it doesn't matter when the other person is not in a mindset to be told. Yamato's depression is spiraling, and he's dissociating. He's not really here in this conversation, and eventually he stops responding entirely.

This is intercut with imagery of Yamato sinking into a vast, bottomless ocean of darkness.

In the dub:

Gabumon: (gasp) OH, MATT!!! I THINK YOU'D BETTER TAKE A LOOK AT THIS!!! Matt: Whatever. I'm no good. I can never go back to being their friend. Gabumon: You have to! Don't you understand that if the eight of you don't get back together, the Digital World will be destroyed forever! Matt: They don't need me. And besides, seven is a luckier number than eight. Gabumon: HEY, MATT, SNAP OUT OF IT!!! Matt: Just go away. I want to be alone. Gabumon: Come to your senses! Matt: ... Gabumon: (tearing up) Matt, listen....

Super inappropriate time for a quip, dub team. Again, this is pretty straightforward in its translation, apart from the futile attempts to inject levity.

At this point, Yamato shuts down entirely. He's as still as the grave, and trying to break through with reason has failed. Only one option left: Resort to violence.

Gabumon bites down on Yamato's leg hard enough to break him out of his dissociation. Yamato gets up suddenly, backhanding Gabumon off of him.

Yamato: OW!!! WHAT THE HELL ARE YOU DOING!?!?

As Yamato stands up, there's a single-frame animation error where he and his darkness aura briefly separate. As a mistake, Yamato physically goes back to his previous frame instead of into the next frame of his standing up animation, then teleports to a standing position in the frame after. Meanwhile his aura continues on into the next frame and then the one after like it was supposed to.

The aura goes 2-3-4-5 while Yamato goes 2-3-2-5.

This implies that Yamato and the aura are being animated separately, which I find fascinating. How did this mistake happen, I wonder?

Anyways.

Gabumon: There is only one Yamato in this world! Am I wrong!? So then why do you keep comparing yourself to Taichi!? Obviously you and Taichi are different! You're Takeru's big brother, aren't you? It makes no sense to say Taichi's a better brother than you are! Yamato: ...Gabumon...? Gabumon: Besides.... What would I do if you were gone!? I spent so long in this world waiting for you, and you alone! Yamato: Gabumon.... Gabumon: Do you truly want to be alone, Yamato? Because if so, then I'll leave this place by myself. But only if that's what you really want.

Gabumon's teethmarks in Yamato's leg do wonders for getting him to pay attention and engage with what Gabumon is saying. This time, he seems to actually be listening and processing Gabumon's words.

In the dub:

Matt: OW!!! WHAT ARE YOU DOING!?!? ARE YOU CRAZY!?!? Gabumon: Don't you understand, Matt!? You've got to quit comparing yourself to Tai! You're not him! It's like ice cream; He's vanilla and you're rocky road. But only one of you is T.K.'s real brother and it's not him! No matter how much he impresses T.K., Tai will never be able to break the bond that you two brothers share! Matt: Gabumon.... Gabumon: And besides, don't you think it would break my heart if you weren't here? After all, I didn't wait my entire life for you to arrive just so you can wallow in self-pity! Matt: Huh? Gabumon.... Gabumon: But Matt, if you really want to be left alone, then I'll respect your wishes and disappear. But only if that's what you really want me to do.

Accusing people of wallowing in self-pity is rarely a convincing argument against continuing to wallow in self-pity, Gabumon. In fact, that's a great way to kill an intervention by getting them defensive.

This was a little thing that's slowly been compounding but I don't like Gabumon's tone of voice in the dub. In the original, he's pouring his heart out and sounds on the verge of breaking down in tears. Which makes sense since he's actively crying.

The dub voice sounds aggressive and accusatory. There's not as much empathy for Matt here as there is for Yamato.

Also, they're still desperately trying to insert quips to keep this light, and they are failing miserably. This is still a dark and serious conversation even with Gabumon and Matt making tonally-inappropriate jokes here and there.

Faced with Gabumon's emotional earnestness, Yamato clenches his fist and answers.

Yamato: No. When I said I wanted to be alone... that was a lie. I was putting on a front. Since I was young, I've been pushing people away like that. But the truth is....

Yamato flashes back on his parents' divorce. The camera closes in on his face, as he watches Natsuko take Takeru away.

Yamato: Really, I'm lonely. I told myself no one would ever see me cry. If I had to be alone, then I was going to be a great man who can do anything by myself. But... what I wanted to do was cry. Gabumon: Yamato.... Yamato: (crying) I hate being alone.

Gabumon pulls Yamato into a hug.

Gabumon: I'm here for you! You can depend on me the way I depend on you. If you do that, then we can persevere (ganbaru) through anything!

Finally, Yamato unpacks the effects that his divorce trauma has had on him. Like Gabumon said back at the Jureimon encounter, Yamato is still, deep down, an empathetic young boy who wants to be loved and accepted by others. We've seen it multiple times throughout the series. He's always been driven by his empathy, even if he couldn't acknowledge it.

But he closes up and becomes defensive when his nerves are exposed. His fear of abandonment motivates him to push people away and try to act like a lone wolf. Even though he's really, truly not one, and never has been.

If anything, by his behavior, he's always been Team Mom, constantly looking out for the welfare of the group as a whole. Because that is his truth, buried beneath the lie he's been trying to convince himself to believe.

In the dub:

Matt: No, I don't really want to be left alone. Sorry, I never meant to hurt you. I've never let anyone get close to me before. Not since my family split up. (Brief divorce flashback) Matt: Ever since then, I've been alone. I figured if my family didn't want me, then I would just keep to myself and never tell anyone what I was feeling. And I swore I would never let anyone see me cry. But really, all I wanted to do was cry. Gabumon: Then cry. Matt: (crying) I hate being alone. (Gabumon pulls Matt into a hug) Gabumon: I'm here for you, Matt! I used to be lonely too! I wandered around the Digital World without any friends at all! And then, after I met you, I'd never be lonely again!

Yamato says that his lone wolf behavior is a deliberate ruse. That his behavior is fake. He pretends (poorly) to be a self-made island of a man who doesn't need anything or anyone, as a defense mechanism. But really, his behavior only isolates him further and makes him irate and miserable.

He is a very unhappy social butterfly, because he denies himself connection and pours all of his need for human contact onto Takeru. Who, as previously noted, slips through his armor because he can lie further and tell himself that he doesn't need anything but Takeru needs him.

Matt touches on that, but only goes as far as to say that he keeps people at arm's length. He explains that he closed himself off because "my family didn't want me", which is an obviously untrue childish exaggeration. Especially since we've met his family and we know how they feel about him.

Yamato describes himself as 一人 hitori, alone, as a result of the divorce, but doesn't cast blame for it. His story is focused on what happened in his head due to the divorce. He never implies that his parents hurt him intentionally.

Which makes it seem like this whole thing came from Matt just... misunderstanding the cause of his parents' divorce and thinking they broke up because of him. Yamato needs therapy. Matt needs a hug from his mom.

Then Dub Gabumon starts bald-faced lying about his background. Gabumon has never been alone. From the day he hatched, he's had a social network around him. He's thinking of Gatomon. He stole her backstory in order to pretend he could relate. The bastard.

Credit for letting Matt cry in the dub, though. Past episodes have taken a strong anti-boys crying stance, so that was a pleasant surprise to see.

Inspired and touched by Gabumon's words, Yamato responds.

Yamato: (smiling) You're right. Gabumon, because you were with me, I was able to make it this far. Even in the depths of this dark cave, you're still here, chasing after me. I don't have to be alone. Gabumon: Yamato! Yamato: I have the nakama too. And Takeru, Dad, and Mom.

Yamato flashes back again. This time, rather than the divorce, he sees the reunion with his parents and Takeru shortly after VenomVamdemon's defeat.

Yamato: (thinking) I'm sure I'll look much happier next time. Dad! Mom!

In the dub:

Matt: I know what you mean. Me too. After all, you're the main reason I came to the Digital World in the first place. And here I am, lost in this dark, strange cave, and you're still right by my side. That's the sign of a true friend. Gabumon: Aw, shucks. Matt: I guess I have friends. And that includes T.K. and my Mom and Dad! (Brief flashback) Matt: (thinking) Now I realize I was never really alone. People like me. They really, really like me!

Matt says "you're the main reason I came here" like that was a choice he made.

As a finisher, "People really like me" feels like a much weaker closing argument than "I'll look much happier next time my family sees me" in my opinion, but that may just be personal taste. This isn't incorrect; I just don't like it as much.

As Yamato self-actualizes, the darkness is purged from him and rises into the cave, swirling overhead. At last, Yamato sees it for himself.

Gabumon: Yamato, look! Yamato: What is that? Gabumon: It was coiling around you this whole time! Didn't you notice? Yamato: Not at all. Gabumon: I think it was trying to get inside your heart, Yamato. Yamato: It's black. ...I understand. These are the black feelings that I was experiencing just now. But you're wrong. Gabumon: About what? Yamato: That thing wasn't trying to get inside of me. It pulled out the darkness I already had inside. I think I've been carrying that darkness deep in my heart all this time. Gabumon: I see. Yamato: My isolation is what drew this darkness into me. But everything is different now!

Adding onto the thematically resonant nature of this hyperbolic place, the dark swirly-swirl is itself the manifestation of Yamato's feelings.

(I believe he has found the part of the Digital World that came from Silent Hill's data.)

In the dub:

Gabumon: Matt, look! Matt: What is it!? Gabumon: It's been around you this whole time! You mean you haven't noticed it until now? Matt: Not at all. Gabumon: It was weird. The more you talked about being alone, the bigger that thing got. Matt: It's pitch-black. ...that's exactly the feeling I had in my heart just a minute ago. I know what it is! Gabumon: Please tell me. Matt: It's the darkness that I've been carrying around with me this whole time. The darkness that's been buried in my heart. Oh, Gabumon, now it's ready to swallow me up whole! Gabumon: Like Jonah and the whale? Yamato: I have a feeling that if I didn't recognize it just now, it would have taken over my whole life. But I'm not gonna let that happen!

(spit take)

Okay so we can't use the word "holy" but referencing specific Bible passages is fine.

Then again, there was that one time Sora's mom yelled "Christ", but I'm still convinced that was an ad-lib no one caught.

Man, threading the needle of acceptable Christian references under 90's cartoon censorship is hard.

In any case, this is pretty solid. My one note is that they again removed the discussion of Yamato's feelings of isolation. Matt says this is the darkness he carries but does not go into detail about where that darkness came from, what it means for him personally. Instead, he treats it like an external threat trying to destroy him.

Which is. Y'know. The opposite of what this scene is meant to convey about Yamato's internalized darkness. That's his little trauma ball up there. Let's whack it with a stick! A stick made of love.

(Not you, Sora, this is not your time yet. Yamato has to learn to love himself first.)

Yamato: After all, I'm not alone anymore! Gabumon: That's right! Yamato: Thank you, Gabumon. Gabumon: Yamato! I've always, always wanted to thank you, ever since we met!

Yamato hugs Gabumon, and as they embrace, the swirling mass of Yamato's darkness disintegrates into pixels.

(God, I hope that thing isn't going to reincarnate into a Digitama. ...oh, wait, the Village of Beginnings is... Aww, I made myself sad. Piemon's darkness domain sucks! I hate it here!)

Yamato: You've been by my side, and I never realized. I've always had you! Gabumon: (happiness noises) Yamato: (stands up and grips Gabumon's claws) You might have to put up with a lot from me from now on, but I'm counting on you. Gabumon: I can handle that. Yamato: And I'm not going to complain anymore. Gabumon: It's fine! You can complain to me all you want. Haha! Yamato: Alright, then. I'll whisper my complaints to you very softly.

Gabumon and Yamato share a laugh. As they do, the cave around them distorts and fizzles out of existence. It was never real to begin with.

In the dub:

Matt: It can't hurt me because I'm not alone anymore. Gabumon: That's the spirit! Matt: I want to thank you, Gabumon. Gabumon: Don't mention it. That's what friends are for. Besides, I should be thanking you! You're the best friend a Digimon ever had. (Matt hugs Gabumon) Matt: Let's make a promise that we'll always be there for each other, no matter what happens. Gabumon and Matt, friends for life. Gabumon: (happiness noises) Matt: (stands up and grips Gabumon's claws) What do you say? Do we have a deal? A handshake makes it official. Gabumon: Will a pawshake do? Matt: And I promise not to complain anymore either. Gabumon: Don't start that again. If you're upset about something, you should get it off your chest. Matt: Alright, if you insist. I'll still complain once in a while, but only to you!

I appreciate Dub Gabumon calling Matt out for the "no complaining" thing. No, Yamato, suppressing your feelings and refusing to communicate what's going on with you is not the correct takeaway from this. Try again! Use your words! XD

The dub's take on the cave scene has been touch and go but I like this part. And yes, you are permitted a quip here. Now is the proper time for tension-killing gags.

As the cave fizzles out of existence, Yamato and Gabumon unpack what that was just now.

Gabumon: The both of us were just inside this huge cave of darkness.... Yamato: We've been lost for a very long time.... Jou: HEEEEEEEEEEY!!! YAMATOOOOOOOOOOOOO!!!

Due to a lack of pronoun, it's unclear if Yamato is saying "We've been lost" as in they were in the cave for a long time or "I've been lost" as a reference to the psychological cage he'd imprisoned his mind in for years. This ambiguity may be deliberate, as both are appropriate context for this scene.

The abrupt sound of Jou screaming for them brings Yamato back to the present.

Yamato: (surprised) Jou!

Jou sprints up to Yamato, then stops and gasps for breath. Once he's caught his breath, he starts laughing and whips around to face Gomamon.

Jou: Ahahahahaha! I told you we'd find him! Gomamon: I never said we wouldn't. Yamato: (amused) What's all this, now? Jou: While we were walking here, I told myself everything would be fine as long as I believe in my path! Yamato: I see. Jou: Oh! Here.

Jou offers Yamato's harmonica to him.

Jou: This is your harmonica, isn't it?

Yamato takes it, closing his hand around it and closing his eyes for a moment. Basking in sentimentality. Then he opens his eyes again.

Yamato: Thank you.

Mission complete! I hope this helps Jou feel better about himself.

As Gabumon and Matt unpack the cave experience, the dub doesn't quite capture the poetry of the original.

Gabumon: Uh, correct me if I'm wrong on this one, Matt, but weren't we just in a big, dark cave a minute ago? Matt: That's right, and we were completely lost! Joe: HEY!!! MATT!!! OVER HERE!!! Matt: It's Joe! (Joe runs up, then stops to catch his breath) Joe: Hahahahaha! Who's the man now? I told you I'd find him! Gomamon: I never doubted you for a single minute, Joe! Matt: What's going on? Joe: I said to myself, "Joe," I said, "Just follow your own path and sooner or later you'll run into Matt!" I'm just glad it happened before I retired! Matt: I see! Joe: Oh! That's right. I forgot. Here. It's your harmonica, isn't it? (Joe gives Matt his harmonica) Matt: Thanks, Joe.

Joe's a little dub Joe about it but the whole exchange between him and Matt is nonetheless pretty accurate.

From here, we cut back to the fight with Piemon.

Piemon fires off his Trump Sword, throwing four swords at WarGreymon two-by-two. WarGreymon deflects the first pair with his Dramon Killer gauntlets, but the second pair slice past his exposed legs.

Then, moving of their own volition, the four swords fly up into the air to rejoin each other and come back around for another go. This time, all four swords slice past WarGreymon unblocked, carving him up.

Koushiro: WarGreymon is.... Hikari: (covers her eyes) No! I can't watch! Taichi: Shit!

Further attacks from the persistent projectiles bring WarGreymon to his knees. With WarGreymon struggling to even stand back up, the swords return to Piemon. Two by two, he catches and re-sheaths them on his back.

(Piemon vs. King Bradley, go!)

Tentomon: (distraught) Koushiro-han, put me in! Taichi: DON'T!!! Koushiro: (uncertain) Taichi-san!? Taichi: (thinking) Yamato, hurry!

Taichi's still holding the others in reserve for when the real battle begins, but he's running out of time and the others are beginning to question his decision.

The dub keeps the name Trump Sword for Piedmon's attack.

Izzy: WarGreymon's exhausted! Kari: (covers her eyes) I can't watch anymore! Tai: Stay tough! (WarGreymon continues to get slaughtered out there) Tentomon: Please, Izzy, let me help WarGreymon! Tai: No! Izzy: WarGreymon needs help! Tai: (thinking) Come on, Matt, where are you!?

Subtle change in that Izzy directly argues back at Tai. It's minor and makes sense for the dub's more assertive take on the character. Otherwise, mostly identical.

Cut to Sora and Takeru searching for the others.

Takeru: Ah! What's that?

Takeru points out Yamato's discarded swan boat.

Sora: Let's go take a look.

The Birdramon Express comes in low for a landing, and we go to commercial.

Can I just say that this swan boat is the unsung MVP of Digimon Adventure? Between this and the PicoDevimon sub-arc, it's put in so much overtime work to keep these children together despite their repeated insistence on splitting up.

In the dub:

T.K.: Look down there! Sora: That's Matt's boat! T.K.: But... where's Matt?

XD Sora, you weren't even there for the "Matt must have used the swan boat" conversation.

Hell, when they split up to reunite the team, it was Tai and Joe that took the boat across the lake! Matt stayed on land! You know this! You were stalking them!

Matt used the boat one time and suddenly everybody knows it as Matt's Boat forever. I hope this haunts him for life. I hope when they're forty years old, they're having a team reunion in the park and someone sees a swan boat on the lake and goes, "Matt, someone's stealing your boat!"

I mean. It is Matt's boat this time around.

But other people have used it too! That could be Mimi's boat! You don't know! XD

(Mimi, of course, having escaped being reunited by the boat this time around. Last time it was Koushiro who slipped the boat's notice. The boat does its best but there are many children and it can only do so much to gather them.)

Coming back from commercial, Sora and Takeru set foot on land.

Takeru: Onii-chan is nowhere to be found. Sora: (thinking, distraught) WHY!?!? At this rate, Taichi and the others.... (focused, determined) I'll find them. I promised! I have to find everyone and bring them back!

As if in response to her thoughts, a black void appears beneath Sora's feet. Darkness swirls, climbing up her legs. Takeru notices quickly

(There are benefits to being short.)

Takeru: Sora-san! Some black thing is crawling up your legs! Sora: Eh!?

Before she can react, a black void opens up beneath Sora, which then materializes into a deep, dark hole. Sora plunges into it.

Sora: (scream) Piyomon: SORA!!!

They don't emerge. Takeru stands at the edge, calling down into it.

Takeru: Sora-san!? SORA-SAAAAAAN!!!

(Did the boat know this would happen? Perhaps it is more nefarious than we realized. It did bring Yamato to Digitamamon's diner, after all....)

The dub lets Sora begin the conversation.

Sora: I hope he's not hurt somewhere. T.K.: We'll never find him. What are we going to do? Sora: (thinking) T.K.'s right. Maybe we should go back and help the others fight? (focused, determined) No. Tai asked me to find the others and that's what I'm going to do. I won't let him down! (Darkness appears and starts snaking up Sora's legs) T.K.: SORA, WATCH OUT!!! THERE'S SOME BLACK THING COMING OUT OF THE GROUND!!! Sora: Whuh? (Void becomes a hole and Sora falls in) Sora: (screams) Biyomon: (also screams, diving in) T.K.: Sora! SORAAAAAAAAA!!!

You get the impression that Sora's worried in the dub, but she's not quite at the "knife's edge of sanity" point that her Japanese counterpart is hanging out at.

Original Sora is hanging on by a thread, something that's apparent in both this and her previous scene. The stakes are so high but her task is seemingly impossible, and she's cracking under the pressure of those two conflicting realities.

In fact, this is the second time in as many scenes that she's had to suppress intrusive thoughts about Piemon killing them all. It's no wonder the darkness entity or whatever it is has taken an interest in her now.

Whether or not Sora can hear Takeru crying out for her, somebody does hear. Yamato and Jou come running.

Yamato: TAKERUUUUUUUUU!!! Takeru: (gasp) Onii-chan! Yamato: Takeru!

Yamato's first order of business is to hug his brother.

Takeru: Where were you!? I was so worried! Yamato: I'm sorry. I won't leave you like that again. I promise. Takeru: Huh? Onii-chan, you look a little different. Yamato: Don't worry about that, Takeru. What are you doing here, anyway?

Suddenly, Takeru remembers the current crisis. He points at the hole.

Takeru: Sora-san fell down there! Jou: (runs to the edge) EHHHH!?!? Sora-kun did!?

The boys peer down into the ominous unknown.

Takeru can be forgiven for being so excited to see Yamato again that he completely forgot Sora plummeted to her possible death two seconds ago. It's his brother, y'all.

In the dub:

Matt: T.K.!!! T.K.: Hey, that sounds like Matt! Matt: It sure does! (The brothers hug) T.K.: Oh, Matt, where have you been!? I was so worried about you! Matt: Sorry, T.K. I needed time to get my head straight, but I won't leave you again. I promise you. T.K.: Gee, Matt, you look different. Did you cut your hair or something? Matt: Nah, I just haven't been using as much gel. Where is everybody? T.K.: Some black thing pulled Sora down into that hole! Matt: Huh!? Joe: (runs to the edge) What!? Is she alright!?

I'm not sure the dub really understood the meaning behind Yamato "looking different", so they made a quip out of it. This is connected to Yamato saying that he'll look happier the next time his family sees him. Takeru's commenting on the visible change in Yamato's disposition.

Without that context, the quip's a bit of a non-sequitur, but it can be explained easily enough by T.K. having not seen Matt in a while.

I love the "That sounds like Matt!" "It sure does!" exchange. That's cute. ^_^

Gathering at the edge of the pit, the boys peer down into it. It looks eerily familiar to two of them.

Gabumon: Yamato, this.... Yamato: Yeah. This is the same cave we were trapped in earlier. Takeru: What is it? Jou: Whatever it is, we have to save her!

The boys climb down slowly into the black hole of darkness.

Jou: I have a bad feeling about this. Takeru: It's scary.... Yamato: It's okay! Don't be scared, Takeru. Your fear will agitate the darkness. Takeru: Oh! Got it!

Descending into the cave, a rock under Jou's foot gives way and he falls onto his butt.

Jou: UWAAGH!!! Oww..... Yamato: Are you okay? Jou: Yeah, the bottom wasn't too far down. I wasn't sure where I was falling to.

Once that's settled, Yamato directs the group's attention to the spooky cave.

Yamato: This is it. Jou: Where's Sora-kun? Takeru: It's so dark, I can't see. Patamon: I hear voices that way!

Everyone turns to look at the tunnel behind them.

Jou: (firmly) We'll start there.

Okay, I don't know about you guys but if someone said to me, "Your fear will agitate the darkness," that would be some scary shit that would absolutely not help me control my fear better. I was terrified of the scary hole and I am now pissing myself in the scary hole, thank you.

In the dub:

Gabumon: Hey, Matt, does this remind you of anything? Matt: Yeah! It looks just like that cave we were trapped in before. The same black thing must have gotten Sora! T.K.: You've seen it!? Joe: Come on, guys! We've gotta help her! (The boys start climbing down) Joe: I don't have a good feeling about this. T.K.: It's scary! Matt: Whatever you do, don't be afraid, okay, guys? I've realized that it's your fear that feeds the darkness. T.K.: That's easy for you to say! (Joe slips and falls) Joe: Wha--OW! Ugh.... Matt: Are you alright, Joe!? Joe: Yeah. Fortunately, I landed on the one part of my body that has a built-in airbag. (They face the cave) Matt: Very funny. Joe: Where's Sora? T.K.: We need a clue. Patamon: Listen! I think I hear something coming from over there! (Everyone turns to look) Joe: I'd call that a clue.

This is really good. I appreciate that T.K. calls Matt out for how scary that line was rather than just nodding and going, "Ah, gotcha."

They also manage to slip a well-placed quip in after Joe's fall. It's already a brief moment of levity so the quip fits in perfectly, and it doesn't replace any vital dialogue.

Following the voices, it doesn't take the group long to find Sora and Piyomon.

Piyomon: Sora! Sora, what's wrong with you? SORA, LISTEN TO ME!!! Gomamon: That's Piyomon's voice! Jou: Sora-kun must be with her!

The boys sprint down the tunnel until they find Sora and Piyomon. Sora's in the same position Yamato was in earlier: Sitting by the cave wall with her legs pulled up to her chest, covered in a black aura.

Piyomon: Sora! SORAAAAA!!! Takeru: SORA-SAAAAAAAN!!! Piyomon: Guys!

The boys surround Sora. Yamato tries to appeal to her.

Yamato: Sora, what's wrong? Get up.

After this incredibly convincing and thorough argument fails to budge Sora, Yamato tries violence.

(To be fair, it worked when Gabumon did it.)

He grabs Sora's arm and physically tries to pull her out of her sitting position.

Yamato: She won't budge. Jou: I'll help.

Jou grabs Sora's other arm and together they pull as hard as they can, thoroughly humiliating themselves as the black aura refuses to let go.

Jou: What the hell!? Did gravity change all of a sudden!?

Well, that was embarrassing. Great job, team.

In the dub:

Biyomon: Sora! Sora, talk to me! Please tell me what's wrong! Gomamon: That's Biyomon's voice! Joe: Which means Sora can't be far behind! (The boys start running) Biyomon: Sora! Sora! T.K.: Hang on, Biyomon! We're coming! Biyomon: Over here! (The boys surround Sora) Matt: Sora, what's the matter with you? Get up! (Matt pulls) Matt: She's stuck. Joe: Let me help. Matt: On three. One, two, three! (No dice) Joe: Once, it took four of us to get my grandmother off a toilet like that.

Gross. Can we go back to complaining about gravity?

Fine place for a quip, though. I just. Don't like the quip. <.<

After picking Sora up and carting her away like luggage has failed, we're back to talking.

Takeru: Sora-san is saying something. Jou: Huh? Sora: Have to keep looking for Mimi-chan... and Jou-senpai and Yamato-kun.... (crying) I have to save Taichi.... If I can't stop it, our world will end.... Piyomon: She hasn't answered me at all. She just keeps muttering the same thing over and over!

Jou kneels down and tries shaking Sora.

Jou: Yamato and I are right here! Look at me!

This seems to work. Sora looks up and sees Jou's face, though her eyes are glazed over with darkness just like Yamato's were before.

Sora: (deadpan as if in a trance) Senpai... Thank goodness.... And Yamato-kun too... Yamato: Don't worry, everything is fine. Sora: No, it's not. I can't go on like this. I'm supposed to be strong. I have to save Taichi... or the world.... Jou: Sora-kun, you're putting too much responsibility on yourself! Yamato: Sora! Your negative thoughts are turning into negative energy. The darkness in your heart is generating this cave! Jou: Wait, what!? Is that why you told Takeru not to be scared!? Yamato: This dark cave is a reflection of your dark feelings! Sora! You have to throw those feelings away! THROW THEM OUT!!!

Once again, Piemon's realm of darkness is an asshole. This is the worst stripe on Spiral Mountain. It's just concentrated death and despair.

In the dub:

T.K.: Hey, listen! Sora's saying something! Sora: I have to find Mimi... and Joe and Matt... I have to help Tai or the world will be destroyed! There's no place like home... There's no place like home.... Biyomon: She won't talk to me anymore. All she does is keep mumbling the same thing over and over again. Joe: Sora! Matt and I are right here! Look at me! Focus! Sora: Joe! You're really here... I can't believe it... and Matt's with you too! Matt: Just relax. Everything's going to be okay now. Sora: I'm afraid not. I haven't been trying hard enough. I have to get to Tai right away and help him fight because, if I don't, the world will be completely destroyed. Joe: Sora, come on! You can't be responsible for saving the world! Matt: You have to realize how strong your negative feelings are! They produce a powerful destructive energy! Sora, it's the darkness in your heart that has created the cave in the first place; Don't you get it!? Joe: Really, Matt? Is that true? Is that why you told T.K. not to be scared? Matt: Sora, listen to me. There's only one way to make this cave disappear. You've got to reach deep into your heart and erase all the negative feelings!

They start out by turning a portion of this sequence into an out-of-nowhere Wizard of Oz spoof, so that's a bad start.

The heightened aggression of the dub rears its head again. "Don't you get it!?" is a very unhelpful thing to say to someone who's having a panic attack.

From here, we zoom in on Sora's darkness-infused eye and enter her mind space. Sora floats in a black void, curled up just like she is in reality.

Sora: These feelings... What does that mean? Yamato: We're not doing this out of obligation, but because we want to do this. If you don't want to, then you don't have to. But I think it's because we wanted to do this that we made it this far. Sora: If I don't want to do it, then I don't have to.... Yamato: That's right! If you don't want to do it, then don't! Sora: That's... You're wrong! We have to do it!

Well, that was a bust. Yamato's putting in his best effort but Sora simply isn't receptive to the logic, "I mean you don't really have to save the world if you don't want to. It's fine to let your friends die and the world be destroyed. You think about what you really want."

If the stakes weren't so goddamn high, this might be a solid argument from Yamato. But as it is, it falls on deaf ears for predictable reasons.

In the dub:

Sora: I don't know if I can.... What should I do? Matt: You'll have to find the answer to that question on your own. Sora, this isn't the kind of thing you do just because you have to. If you're going to do it, then it has to be because you want to. Sora: You mean that I don't have to do it if I don't want to? Matt: Right. It will only work if you want to do it. Sora: I'm confused. How will I know what the right thing to do is?

Uh, point of order, she does not have to find the answer on her own. The whole point of this conversation is to help her find the answer. Matt didn't solve it himself when it was his turn either; Gabumon bit him in the leg to make him pay the fuck attention and then scolded him for three minutes!

Sora finds Matt's argument in the dub confusing and so do I. As opposed to original Sora finding Yamato's argument unconvincing, as did I.

Alright, senpai, you want to take a crack at this? Maybe Yamato doesn't feel the crushing weight of billions of lives on his shoulders, but Sora needs advice from someone who does.

Jou: Sora-kun! We're lost in a labyrinth and no one can help us, that may be true. But it's because we're the only ones capable of doing something about it that we're even here! Sora: We can do something about it.... Jou: Doesn't that thought fill you with courage? Sora: (excited) We can do something about it! Here and now!

That breaks through Sora's despair spiral. Inside her mind space, Jou and Yamato descend, each taking one of Sora's hands to pull her out. Back in physical space, the dark glaze vanishes from her eyes.

Sora: We can do it! That's right! Isn't that right? Yamato: And we're here for you. Takeru: Sora-san! Sora: (nods) Mhm! Piyomon: SORA!!!! (hug) Sora: Piyomon! Piyomon: Thank goodness, you're back to normal!

Awww. Yamato was trying to make it this a big philosophical thing about obligations and individual motivation. But really, all Sora needed was a pep talk from senpai. Legit, sometimes all it takes to change someone's entire day is to just tell them they're valid.

In the dub:

Joe: When this whole thing started, do you think we had any idea what the right thing to do was? Of course not! But that didn't stop us, did it? Maybe we're here for a reason. Maybe we're the only ones who can do it! Sora: We're the only ones who can make a difference.... Joe: It's working, Matt! I think we're finally getting through to her! Sora: (excited) We're the only ones... That's why we're here! (Sora wakes up) Sora: I get it now! You were right, Matt. How did you know? Matt: I kinda went through the same thing myself. T.K.: Welcome back! Sora: (nods, giggles) Biyomon: Sora! (hug) Sora: Biyomon! Biyomon: I'm so happy that you're the old Sora and not the new Sora!

With Sora's injection of positivity, the spooky despair cave once again fizzles out of existence.

Jou: It disappeared! Yamato: Because the darkness in Sora's heart disappeared. Sora: That was inside my heart...? Takeru: Hey! Taichi-san is waiting for us! Jou: Right! Yamato: To Taichi.... Let's go! Sora: YEAH!!!

It's not the full team of reinforcements that Sora was tasked with collecting. Mimi and her growing nakama are still out there. But she's got Yamato and Jou, and that will have to be enough.

In the dub:

Joe: The cave's gone! Matt: When the darkness from Sora's heart disappeared, so did the cave. Sora: I feel so relieved. T.K.: Boy, wait 'til Tai hears about this! Joe: Let's find him. Matt: Tai's waiting for us right now! Let's go! Sora: Right!

Minor difference: In the original, it's Takeru who reminds everyone on purpose that we need to hurry back to Taichi. In the dub, he casually mentions Tai and that's what gives Joe and Matt the idea that we need to go back.

This is part of the general trend of the dub trying to preserve T.K.'s innocence and childishness, which was particularly noticeable in the Puppetmon arc. But at this point, Takeru is as much a child soldier as the rest of them.

Cutting back to the fight.

Piemon fires the confusingly named Toy Wonderness at Taichi. Not even at WarGreymon; He attacks Taichi directly with a shockwave of compressed air.

WarGreymon jumps in the way and tries to block the shockwave, but enough force still gets through to throw Taichi a good ten or twenty feet.

Hikari: ONII-CHAN!!! Koushiro: Taichi-san!

Koushiro tries to run to Taichi, but Taichi calls out to him.

Taichi: KOUSHIRO, STAY BACK!!! You take care of Hikari.

Piemon hits him with another shot from Toy Wonderness. Again, WarGreymon blocks as much of it as he can, including a chunky bit; A large rock was lifted up by this shockwave, but it slams into WarGreymon's gauntlets and doesn't make it to Taichi. The wave, however, picks Taichi up off the ground and tosses him again.

WarGreymon crumples to one knee, doing his best to protect Taichi but running out of steam.

Koushiro: Taichi-san! I know protecting Hikari-san is the most important thing, but if this keeps up then you'll.... Tentomon: He's so stubborn! Taichi: (pained) It's fine. I can be stubborn or whatever. Just let me do this myself! I'll figure something out! Koushiro: No! That doesn't make any sense! Taichi: This is okay.... Koushiro: Taichi-san, do you really plan on doing this whole thing by yourself!? Taichi: Yes! What's wrong with that? Koushiro: You can't... Why!? Why won't you LET ME FIGHT WITH YOU!?!?

We rarely see Koushiro lose his cool. His politeness and civility is one of his most notable characteristics. So it's a big deal when he breaks down and starts screaming at Taichi.

The dub reuses the name Trump Sword for Toy Wonderness.

Kari: GET UP, TAI!!! Izzy: Hey, Tai! Tai: IZZY, STOP!!! You stay there! Protect Kari! (Second blast) Izzy: Tai, look. I know it's important for me to stay here and protect Kari, but in the meantime, who's going to protect you!? Tentomon: He tends to be a bit stubborn, doesn't he? Tai: (clearly barely holding on) Don't worry about me! I'm fine! I've got him right where I want him... He's exhausted.... Izzy: But I can help you! Tai: I'm fine! Izzy: That's funny. General Custer said the exact same thing at Little Big Horn. Tai: Thanks for the history lesson. Izzy: Alright then, just one thing. How come every time I ask, you NEVER LET ME JOIN IN THE FIGHT!?!?

I assume Izzy means this fight because Tai's let him join in plenty of other fights. In any case, his generally rude and dismissive demeanor means this moment of him snapping doesn't hit as hard as it does for Koushiro.

As with the darkness cave, they are trying very hard to soften things up with some quips.

Tai doing the half-conscious "I got him right where I want him!" bit and Izzy comparing him to a dead general keeps things silly and fun. This serves not to draw attention away from the fact that Piedmon is actively beating him to death as we speak, as the gags are still in service to the scene, but to make it feel less dire.

Unfortunately, Piemon's done with this. He lets off one more attack: Ending Snipe.

Clasping his hands together to make a finger gun, Piemon shoots off a bolt of energy. His shot shatters WarGreymon's armor and finally puts him down.

(So much for indestructible Chrome Digizoid. Everything has its limits.)

Hikari: WarGreymon! Taichi: War...! G-Greymo...on....

The last of Taichi's strength finally gives out. He collapses into the dirt.

Koushiro: TAICHI-SAN!!! Piemon: So, who wants to go next?

The dub renames Ending Snipe to Clown Trick, but at least they don't call this one Trump Sword too.

Kari: WarGreymon's been hit! Tai: No! WarGreymon... ugh.... (Tai collapses) Izzy: GET UP!!! Piedmon: Right, now who shall be next?

Suddenly, a voice rings out.

Yamato: TAICHIIIIIIIIII!!! Taichi: (weakly) ...Yamato...?

Taichi opens his eyes to see Garurumon and Birdramon on their way in, ferrying the missing Chosen Children except Mimi.

Yamato: TAICHI!!! Sora: TAICHI!!! Piemon: Some late arrivals. No matter; The result will be the same either way.

Piemon hangs out and does nothing while Yama runs to Taichi's side. He picks up Taichi and holds him.

Taichi: (weakly) You made it... I waited all this time for you.... Yamato: Taichi.... Taichi: I truly believed you'd come... I was certain of it.... Yamato: (tearing up) Thank you for believing in me. But I'm sorry I was so late. Taichi, you're my true friend! I won't let your friendship be in vain!

An interesting note is that Yamato doesn't use nakama here but instead goes for tomodachi. Nakama means we're working together towards the same goal. We're a team. Colleagues. Coworkers. Squadmates. And we will get to know each other and build social bonds as we move towards the same goal. That's normal.

Since Digitamamon's restaurant and up until the Jureimon incident, Yamato had become comfortable with being nakama with these people. But tomodachi, true and genuine friendship outside of the nakama's purpose? That was a bit further than he was willing to go.

But he doesn't just use tomodachi; He modifies it with honto as an adjective, which means "real, true, genuine, sincere" to show that he means it.

In the dub, we go to our last commercial after Tai passes out. Then we return to Tai passing out again to remind us where we left off.

Tai: WarGreymon... I'm coming.... Ugh... (passes out) Matt: TAI!!! WHERE ARE YOU!?!? Tai: ...huh... Matt!? Matt: Hold on, buddy! We're coming! Sora: Tai, it's us! We're almost there! Piedmon: Once upon a time, there were DigiDestined. Now they're just sitting ducks, waiting for me to take target practice. (Matt picks up Tai and cradles him) Matt: Tai! Tai: Matt... you made it... I can't believe you're here.... Matt: Yeah, I made it, Tai. Hang in there, buddy. Tai: I never doubted you for a second, Matt... I know it didn't always seem that way.... Matt: Thank you, Tai. For believing in me. I'm just sorry I was so late. Tai, you have to know how much our friendship has always meant to me! And I swear, nothing will ever come between us again.

Piedmon's new line, once again playing on the Storybook Time thing from his first episode, is off. It's an odd thing to have a character say when he's just going to stand nearby and let the dramatic reunion unfold.

Unless he's being literal, and meant he was going to pop back into the observatory to brush up on his skills at the shooting range before coming back to this. Which, you know what, maybe he did.

Not sure why Tai leads with "I can't believe you're here" when the point of the scene is that he had an unshakable faith that Matt would show up, even to the point of letting himself nearly be killed over it.

Still, Matt's big speech is the focal point of this sequence, and it comes through pretty well in the dub.

They can't just have him say "You're my friend" because they've been using friend as a translation for nakama, so the distinction between it and tomodachi wouldn't carry over. So instead, he uses their friendship as a whole and pours out his feelings over how important it's always been, confessing what we now know he's been suppressing since the beginning of their journey.

This is an effective and powerful sidestepping of the linguistic hurdle present in this scene.

Yamato's declaration suddenly causes his Crest to activate.

Garurumon approaches WarGreymon's body and gives his head a nuzzle. Rainbow magic pours out of his Friendship nuzzle and suddenly WarGreymon is back on his feet and good as new.

Taichi: This is.... Piemon: What the...? Garurumon: Yamato's Crest of Friendship gave me the power to bring WarGreymon back to life. WarGreymon: Thank you, Garurumon! Now I can fight again!

Sure, that might as well happen.

Given that WarGreymon hadn't disintegrated, I imagine he means this more in a "WarGreymon was on the verge of death" sort of way than a "I literally have resurrection magic now" sort of way. Like how a defibrillator brings someone back to life, but not in the same sense that necromancy does.

I would make a joke about how the Crest of Friendship also gave Garurumon the power to heal WarGreymon's armor, but they're DIgimon. The armor is technically a part of WarGreymon's body, because he's a wire-model frame with a texture skin over it. So, actually, yeah, it does make sense that it works that way.

Similarly, as goofy as this moment is, it does kinda make sense within the established rules. The Partner Digimon are powered by the energy from their associated Chosen Child. So, basically, Yamato's outpouring of Friendship made his Crest glow super-bright, and then Garurumon used his body to channel that energy from the Crest into WarGreymon and refill all his meters - in the process, resuscitating him from his half-dead state. That does make sense to me.

But on its face, as something that just happens and then we move right the hell along, this is wild. Especially with Garurumon just staring into the camera and explaining it as flat exposition with no elaboration. XD

In the dub, it's explained like this:

Tai: WarGreymon! Piedmon: Now what? Garurumon: Matt! Your Crest of Friendship gave me strength and brought WarGreymon back to normal! WarGreymon: Thank you, Garurumon. Now I can fight again!

Pretty much exactly the same except they crossed out life and wrote normal. A minor hiccup is that Garurumon says the Crest gave him strength and resuscitated WarGreymon instead of giving him strength to resuscitate WarGreymon.

A subtle but important distinction, because resuscitating WarGreymon uses up the extra strength Garurumon was given.

While Garurumon degenerates back into Gabumon, Jou and Yamato try to cart Taichi away to safety.

Koushiro: Guys! Hurry, hurry! Jou: Taichi, are you okay!? Taichi: (weakly) I'm fine....

Cut to Piemon, who has inexplicably been doing nothing while this is going on.

Piemon: I had planned on defeating you all in an instant, but if you so enjoy suffering, then I'll relish every minute of tormenting you slowly. Yamato: This jerk never shuts up!

Yamato has been here for thirty seconds and he's already had enough of Piemon.

In the dub:

Izzy: Come on, guys! Get out of there! Joe: Tai, are you okay? Tai: I think so.... Piedmon: My first thought was to destroy you all together in one nice little package. But now I believe I'd rather do it individually, so as to prolong your suffering a little longer. Matt: You sure talk a lot for a clown!

You tell him, Matt!

Piemon throws his Trump Sword once more. Gabumon responds by Warp Evolving into MetalGarurumon.

Hikari: MetalGarurumon!

WarGreymon and MetalGarurumon fire together, their combined energies destroying Piemon's four swords, which disintegrate into pixel dust as normal for Digimon parts.

Jou: YES!!! They broke through Piemon's swords!

For his part, Piemon hops over what's left of the attack as it reaches him.

Piemon: It seems the battle I've been waiting for has finally arrived!

We close here, with WarGreymon and MetalGarurumon finally reunited, and Piemon's promise that things won't be that easy next episode.

In the dub, Hey Digimon begins playing as the pair attacks. What ever happened to that cool 90's rap they had that one time?

Kari: Ha! Now he'll see what we're made of! (WarGreymon and MetalGarurumon vaporize the Trump Sword) Joe: They were able to break Piedmon's attack! Alright! (Piedmon hops over the attack) Piedmon: Well, could it actually be the case that I've finally found an adversary worth fighting? Narrator: Will WarGreymon and MetalGarurumon have enough strength to defeat Piedmon, the last of the Dark Masters? Find out on the next Digimon: Digital Monsters.

We will indeed find out. And the answer may surprise you!

Assessment: Ahh, the infamous "Matt wanders around a cave for twenty minutes" episode.

Piemon's realm is in an odd place. There is a clear desire to spend some time fleshing out his stripe of Spiral Mountain and getting to know what it's about. But also, what it's about is death and despair, which makes it a tricky place to write a complete adventure fantasy episode about.

This episode uses it to confront Yamato and Sora's fears via the never-explained Cave of Go Fuck Yourself. There's just this one spot in the realm of darkness where, if you go there, you get pulled into a psychic quagmire of your own insecurities.

Weird. But the Digital World is full of weird shit so it doesn't really need explanation. Digimon tends to treat darkness as, to an extent, eldritch and unknowable. More of that in 02.

In any case, this is pretty much the quintessential episode for unpacking Yamato, detailing the effects that his childhood trauma have had on his development. But it also has its detractors on account of like half the episode just being preteens having anxiety in a cave.

There's not a lot of action or running around with goofy new characters in this one, if that's what you're here for. It's very drama heavy and character-focused.

[bleachbleachbleach]

[Bleach 072]

This scene is important to me for the express reason that Hitsugaya was apparently the one to tell Jidanbou about these rules. Because they are friends! We know this not from any in-story interactions but from one line in Hitsugaya's Souls profile:

[Souls 133]

I'll be honest with you, I've never actually read Souls and have never thought about where it ties to canon temporally, but the answer to that is apparently sometime before Hitsugaya confronts Ichimaru.

This amuses me because at this point we know all of five things about this guy, and one of the five is that he's friends with Jidanbou. We don't even know the name of his Zanpakutou (that's the "?" in his stats profile box), but we know he's FRIENDS WITH JIDANBOU.

I don't have the English version of this page, apologies, but basically it's just like, Hitsugaya is a shinigami who comes from Rukongai, he's the youngest Captain in history, and he's currently investigating the Rukia business and trying to bring Ichimaru's shit to light. By the way, he's friends with Jidanbou and taught him the "Rules of the City." (Then the bottom sidebar is about how Hitsugaya treats Hinamori like blood, and wants to protect her.)

Which honestly makes this Jidanbou connection even funnier because Hinamori, the reason Hitsugaya is even in this story and the only reason we know this much about him (through Hinamori's Academy flashback), gets a neat sidebar, but the line about Jidanbou is just thrown in at the end of the main narrative like, beeeeee-tee-dubs!!

I've always wanted to write fanfic about this, but I haven't yet come up with a premise that was actually interesting to me. I assume they get paired up in this way for the size kink, though internal to the narrative that only gets us so far. After that it's like, okay, they're both associated with West Rukongai, so there's that. They're probably both socially ostracized: According to himself, people in Junrinan find Hitsugaya off-putting because of his white hair and his, well, off-putting demeanor; people probably make fun of Jidanbou because he's enormous and speaks with a lisp (though this doesn't carry into the Viz)/doesn't come across as normatively cognitively developed. But I'm kinda like, okay, sure, whatever. The most interesting part about that for me is still that Hitsugaya has a casual friend at all, because what few relationships we do see are extremely not casual. But also BTW Jidanbou!

I still think my favorite version of this relationship is the one where, while Hinamori's been off at school, Hitsugaya casually mentions to her that he's friends with Jidanbou the Gate Guardian, with absolutely zero explanation, as a child might about a brand new ride-or-die friend, as though this were completely normal and natural for him, and that's all that's ever said about it. Hitsugaya is definitely someone who has a mental white paper for anything he's ever done, which is why I find the contrast/discrepancy so appealing.

If my life depended on writing Hitsugaya Jidanbou friendship, though, I'd probably start with the City Rules. Because:

Jidanbou has been guarding this gate for 300 years. We don't know how long Hitsugaya has been living in Junrinan, but we do know he would not have had first-hand experience with any City Rules more than ~35 years ago. Not that you need to go to the city to know the rules, but I think canon Hitsugaya establishes pretty well that he doesn't talk about things he's not interested in or things that he doesn't have personal verified knowledge of. So for the first 265 years, no one bothered telling Jidanbou very much about this place he was guarding (not even his brother). He's a utility, and one that lives outside the gates (FUGAIKUUUU)--also one that's not perceived as smart enough for that information to be meaningful. But that whole vibe is not really Hitsugaya's style, because he loves an infodump--but also because he has a bone to pick with the notion of instrumentality.

If we're making a point of saying that Hitsugaya taught Jidanbou the "Rules of the City" (in quotation marks), we're introducing an interlocutor's specific POV. I'm not saying Hitsugaya's just making shit up for the hell of it, but how important these rules are, why these would be the top 3, what their original contexts were vs. being pulled out like this, and what's a literal municipal code vs. a social more vs. just something Hitsugaya has personal commentary about, are up in the air. What I'm saying is, I feel like these have "a gigai is for eating beans" energy.

At minimum, I enjoy this because this is all information that is completely incidental not only to the main storyline but ALSO to the Detective Hitsugaya B-side. But I love that Bleach is consistently so, so interesting about all these characters and their POVs and the rules that do or don't exist in the world, particularly at these early junctures, where most of what we've heard about Soul Society is from Rukia, and a lot of it we've already seen contradicted; and we'll continue to as the arc unfolds. Who even NEEDS Kyouka Suigetsu??

[miraculouslbcnreactions]

Sorry if u have already answered this or this isn’t really ur blog focus but how do u structure and come up with ideas for such good and lengthy analysis?

Do u read and see the shows contents multiple times? Or interact with other fans/ fandom?

And once u have an idea how do u go about it?

— from a small niche fandom blog

I'm honored that you think my stuff is good! As for how I come up with it, well, I'll answer as best I can, but I don't know how useful it will be? If you wanna ask something more specific, feel free!

Most of my posts are responses to asks, so my general process is to read the ask, think about it as I go about my life, and then write a response once I feel like I have my thoughts in order. Then I add the post to my queue so I can reread it at least once before it actually posts to catch any errors and make sure it reads coherently. I usually find the time to do that, though not always.

The posts that aren't asks are just me talking about random things that I can't stop thinking about, so I need to scream into the void to get my brain to move on. Those ideas come from random thoughts, a trend I notice in fanfic, comments/reblogs in my asks, and a whole host of other places. I've got one post in my queue right now that I'm pretty sure was spawned by my latest rewatch of The Good Place, but I can't be sure about that. I don't try to look for post topics, they just come to me.

I don't watch the show over and over. Not really my thing. I've seen all of Miraculous seasons 1 to 3 once and I've seen most of seasons 4 and 5 twice (once subbed, once dubbed). Origins and Oblivio are the only exceptions. They're my favorite episodes, so I think I watched them a few times back before season four aired and my feeling toward the show started to really sour. When I'm pulling quotes, I just rely on my memory and the fan wiki, which has transcripts for all of the English episodes, allowing me to fact check myself. I occasionally pull up a specific episode to check the visuals in a given scene, but that's really rare and I only do it because I have access to the streaming version. If my SO ever cancels Disney+, then I'll be script only.

I read other fan analysis if it crosses my dash, but I don't go looking for it or follow any super active blogs. While I think there are others with valuable input out there, I already spend enough time thinking about Miraculous for my own blog, so I try to focus my energy in other spaces when I'm not managing said blog. I don't like to endlessly scroll on Tumblr and only follow blogs that don't post much to keep from feeling overwhelmed or sucked in.

I started talking about Miraculous on here because I found it genuinely fascinating how badly it was written. I think you could teach an entire class on basic writing principles using Miraculous as a case study because there are so many things it does wrong and failure really is a fantastic teacher. But the analysis I do for Miraculous isn't a skill that's unique to Miraculous. What you see on this blog is my default state. This is just how my brain works. How I engage with the majority of media. When I finish watching or reading something that I didn't like, I want to understand why I didn't like it and how it could be shaped into something I would like.

It's a honed skill. I've been obsessed with story telling since I was a little kid and my parents sort of accidentally started training me on analysis at a young age. Add in years of voracious reading and several excellent English teachers and I'm able to run this blog without too much mental effort. Talking and thinking about writing are legitimately fun for me. This stuff is my "I'm too drained to write" hobby.

None of this makes me some arbiter of quality or means that I understand every point of view about what makes a story good. All it means is that I know enough about writing to be able to clearly articulate why I like or dislike the way a story was told.

I guess that's the one piece of advice I can give. When you find something that bugs you, really think about why. Was it just a matter of taste or is there something more? Does it seem like the flaw is an intentional writing choice or not? Why? What changes could you make to fix the flaw? Can you make those changes without completely rewriting the story? Those are the kinds of fixes I look for first. There are certainly cases where massive change is needed, but looking for small changes will really hone that analytical ability to improve your writing as it forces you to focus on the fine details of the way stories work.

[frobitcher-smythe]

Here is the google drive link to the uncut version of the hoa pilot finally! Please lmk if there are any problems with it. I will post subtitled versions at some point as well.

To clarify why this is a thing that exists the wiki says this:

Episodes 2 through 5 were slightly edited to make the first 5 episodes fit into the hour-long time period of the premiere. The original full versions of these episodes later aired during the week of February 7, 2011, when new episodes didn't air for a week.

I'm pretty sure though that this is also the version they originally showed in the uk and it's what they showed in reruns for a long time. Episode one is exactly the same as the single episode version but after that there's a few extra bits. Most of the parts that were cut are just single lines or ends of scenes but there's a couple of whole scenes that aren't in the single episode version at all.

The audio I used didn't have the title sequence before episode one so I left the Russian dub one there (also because I think it's funny). Sorry if that's a jumpscare lol. Thank you to @theosirianischosen for sending me the Russian dub so I could do this!!