Hils. British. Ace/Bi. She/her. FandomElder. I seem to have fallen down an Asian drama and kpop hole. Header and pfp made by @kick-girl
Don't wanna be here? Send us removal request.
Text
Hongjoong and Seonghwa posted about their date on Fromm and killed the app
32 notes
·
View notes
Text
too damn bright in here. how is a little man supposed to catch his Zzz’s?
5K notes
·
View notes
Text
in absolute tears about the pride module at my work
102K notes
·
View notes
Text
I went to the forest that makes you have multiple pronouns and accidentally touched some poison ivy there
54K notes
·
View notes
Text
writing is just sitting in front of a computer and making up problems for imaginary people while ignoring your own. fun and casual hobby.
4K notes
·
View notes
Note
Hello! I literally just came back to Tumblr after a several year hiatus because of the tiktok drama, and stumbled across your posts. It's been really fun to see your thoughts, especially getting a bit of cultural context here and there has been wonderful! You've written a lot about what you like about each member, but I'm curious about how you feel about their relationships with each other, especially as a baby atiny. I find their interconnected friendships really interesting, even outside of a shipper context (and I am curious about how you feel about that as well!) I have always had a huge weakness for found families lol
Hi! Welcome back :D Thank you for reading and commenting!
TLDR for what follows: I take a much harder, colder stance on the 'found family' narrative they keep pushing with Boy Idols than perhaps befits an Atiny about Ateez, but I do have my reasons.
I take the view that first and foremost, Idol groups are business working groups. I'm a little bit (okay, a lot) skeptical of what's presented as 'family' and 'friendships' among these people, generally speaking, because Kpop Idols are just following Korean norms of social interaction for coworkers.
Hopefully this isn't boring but I need to just use myself as an example: I am the 'leader' of my working group of 5 people in my department that has about 70 people in my Korean company. I report to 3 levels of bosses but mostly they let me 'run' the group. My one group-mate is the same age as me, the other three are younger. The woman who's the youngest (our maknae, though not by a lot) - she's a baseball freak. The rest of us dgaf about baseball, but whenever we have our monthly 'bonding' lunch (obligatory, by the way - I'm given a monthly budget that I have to spend eating with this group, all together), all of us take turns indulgently asking her about baseball news, and ooh and ahh and pamper her in her baseball speeches. Do you see what I mean? This is just how we behave. It probably looks like family, to a Westerner, but truth be told, we are none of us actually friends.
The fact that Hwa and Wooyoung have both called their CEO Father freaks me out, by the way. Absolute heebie jeebies, though this too is a feminist, gendered thing. Sexual harassers pre-MeToo always said they'd 'forgotten themselves' because they felt like they were 'family' with the woman they raped or molested. It sounded just as insane in Korean as it does in English, but that was an accepted excuse until it totally wasn't.
In addition, one of the requirements of Boy Idols is that they provide emotional succor to their almost entirely female audience (I am organizing my thoughts and what I've learned through research about why this is for another post). Korea is an exceptionally family-focused society, but that is often exploitative and terrible for women. (Which is why so many women keep saying they don't want to marry and form families - the potential personal burden is ruinous.) So Boy Idols showing what a 'family' can look like when nobody is a woman - when even the 'mommy' or the 'bossy big sister' or the 'baby sister' is all men - and are shown to always, in the end, get along, is the non-sexual equivalent of BL fiction, which I think functions to let straight women 'escape' from misogynist heterosexuality and enjoy the concept of male sexuality in an ultimately quite straight way. Boy Idol groups being 'found famliy' gets you to enjoy the nice things about a voluntary family completely denuded of even the possibility of misogyny, because women just don't exist in the story at all.
Further, because so many megastar Idols have committed suicide in recent years, and because the people who were in training for years and ultimately didn't make it also tell nightmare stories about their lives, it's become necessary for Idol groups to advertise that they are not toxic workplaces. So I see the 'miraculous getting together of pairs of friends to make a successful kpop group!' mythos as part of that counter-narrative, as well. My bet is that the 연습생 world, like any sort of prep situation in Korea, is fucking hostile. It has to be. In the normie world of just college prep, people don't share notes or pretend to be civil or anything other than competitors. Your failure increases my chances of success, type of deal.
Part of the Ateez self-narrative about how they came together to me also just seem pretty typical of people who are in the performing arts in general, as well. The School of American Ballet takes in little kids to train them, and if they manage to make it through many cuts over a number of years, they then debut with the New York City Ballet or American Ballet Theater, where they will compete against and/or partner with each other until the end of their usually short (like 10 years or less) careers, trying to get to the 'top.' The kpop Idol industry follows this system of 'growing' its own artists, often in boarding schools or specialized institutions, just like ballet dancers. It looks different because the cultural context is different, but the essence is the same.
I've seen all the K-Atiny flutterings about, THIS IS FATE and stuff, but given that K-Pop Idol has really specific physical requirements, it makes sense to me that as they got older, the kids who were really determined to do this as a job and also were not kicked/ flunked out would eventually all meet and some to become friends.
The fact that Mingi followed Yunho, and Wooyoung followed Yeosang to this small venture that had never launched an Idol group before can be seen in two ways, I think. One is that they are best friends, in a pure, childhood way. It's so sweet and moving that it doesn't feel quite real, and doesn't fit with how you expect people who in essence wanted to be child stars and then rock stars to be like. It makes them very lovable.
But, just to be the ultimate cynical bitch about it, the paths Ateez took may have more to do with the fact that Mingi-Yunho and Yeosang-Wooyoung are the tall and short versions of being 2% Off the Idol Standard, to my Korean eyes. These two sets of friendships may have come from sharing the same problem - of being almost, but not quite, 'right' or 'ripe' for debut.
Mingi and Yunho, despite the fashion for tall Boy Idols, seem to have not made the cut to become 연습생 (prep students? how do kpop international fans call this?) at any of the big houses nor get recruited off the street. And that makes sense - Mingi is in the 짐승돌 (Beast-Idol) mode, which has fallen out of fashion for some time, and Yunho suffers from being too standard and initially appears indistinct as a result.
Yeosang and Wooyoung seem to have fallen into a different kind of 연습생 hell - good enough to get a spot, do well enough not to get kicked out, but not have enough of what it takes for a 'big house' to include you in an actual group that will debut. Yeosang often being a mild person who doesn't react in a lightening fast way would have disadvantaged him for sure. Wooyoung is so handsome but like, if you compare him to say, Felix of Stray Kids, he also looks just so manly, which would have made him difficult to place. To drop out of Hybe 연습생 to try out this thing with KQ, which had never done it before speaks of a certain desperation.
Other than HongJoong, who did a really weird and unusual thing of making a company build a program around him, the 99z were all up against a fast approaching deadline of aging out of being able to debut, since they have a hard stop at age 28 each, and one of the key ways to cultivate a hardcore Korean female fandom is to have them participate in 'raising' you. Can't do that if you debut at 25, you know?
Almost 7 years later? First, they've achieved wild success, together, when none of them were necessarily the most likely to succeed, and they definitely are NOT with the company most likely to successfully launch an Idol group. That's gotta be great for bonding. Second, only the eight of them can actually really understand wtf that life is like - the hardships or pains that come with what otherwise just looks glorious. Third, all the psych studies agree that singing together and dancing together with other humans makes you love them more, and feel more bonded and more belonging, and doing singing and dancing together is these people's full time job. Fourth (sorry the cynicism is back), if they can't make it work within this group, they will have a hard time pursuing show business careers in the future. You have to have 'good character' as an Idol to not be decimated by the anti-fans, and an essential element of 'good character' in the Korean style is knowing how to be a good member of a collective. And fifth, what KQ and Ateez are doing vis-a-vis each other (Company v Contractors) as well as inside Ateez is a sort of positive-reinforcement of Mutually Assured Destruction with all this family talk. They're family and brothers and the CEO is their DAD and their producer Eden is their big brother so ... when the 7 year contract deadline rolls around, KQ shouldn't stomp on Ateez, Ateez shouldn't stomp on KQ, and the members should not go for broke as individuals. I think that's part of it.
15 notes
·
View notes
Text
Hils Watches Arthdal Chronicles - Ep 3
Haha! Did they just steal that dude's horse while he was still riding it?
Aww yay one of the kids survived. She's probably going to be traumatised for life but she's alive.
It was upsetting when he was pretty and it's upsetting now he's daddy
Ah, nothing like a witch forseeing that the son will kill the father and the father becoming obsessed with that prophecy
Ehehe! He knows how to fight because he watched the bad guys do it one time. That's some Matrix shit.
There's so much scheming and backstabbing in this I can barely keep track of who is betraying who
Oh, yeah, I forgot they've never seen farmed land before
If this was a c-drama they would be aliens 😂 Also, she pretty!
I'm enjoying all the awesome and interesting women in this
5 notes
·
View notes
Text
Megan Nolan, from her novel titled "Acts of Desperation," originally published in March 2021
891 notes
·
View notes
Text
16K notes
·
View notes
Text
Guy freezes his hair and it stands tall.
25K notes
·
View notes
Text
when I look at western media depictions of Chinese things I always look for gay lions
so lion statues have a male and female lion pair, male lions have a ball to play with and lionesses have a little baby to take care of (lion patriarchy)
Lot of westerners don't know this so they accidentally draw Gay Lions
look at them. love wins
25K notes
·
View notes
Text
3K notes
·
View notes
Text
This request was sent to us and we made a poll in response to it. Send any Blorbo-related question you want to our inbox and we’ll make a poll on which people can vote with their own Blorbos in minds
#I don’t know how successful it would be#but Pangzi would definitely try#it’s a necessary tomb skill
1K notes
·
View notes
Text
Ruan Nanzhu first conversation with Lingling be like..
295 notes
·
View notes