#and i wrote for day 3

[bluegiragi]

patience and indulgence.

early access + nsfw on patreon

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(hey i drew this comic in collaboration with the very talented author prettyunhinged, who wrote an amazing fic to go along with it!!! please leave a comment and kudos if u read it, it's so perfect >.< but also do look at the tags first lmao )

[deerspherestudios]

Sorry, this is a silly question but-

Does Mychael know how to whistle? I think he would be the kind of person who whistles songs or tries to imitate birds!

Just because I think it'd be pathetically funny,,, I wanna say he desperately wishes he can whistle but ends up blowing raspberries instead when he tries.

Why? Because:

Yeahhh sure, admittedly he can be charming and cool if he can whistle like a bird just because he's a nature guy. But listen, the scenarios that pop up from him not knowing how to whistle are a lot more endearing to me.

Imagine you and him are out on a nature walk. You praise some birds singing in the treetops nearby and you ask him that question, fully expecting him to know how to. He'd embarrass himself going for it trying to impress you (because he thinks you'd find it neat or something) only to fail miserably.

This guy has it too good with knitting and cooking and woodworking he must suck at something. /lh

But then,,, maybe you can teach him instead! Maybe you can gift him a bird whistle the next time you meet him! Maybe you can show him how to do it with your hands!! You can tell him you're just as bad at it as he is or impress him instead.

[ryuzumisama]

The Pale Elf

[stil-lindigo]

shallow grave.

a comic about accepting when your relationship is dead.

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creative notes:

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all my other comics

store

[visionsofmagic]

day 3: fushiguro toji [size difference]

࿓ synopsis • you bet you can have toji raw & dry with only one go.

―❦ nsfw, pet names, a bit of daddy kink, rough!toji, humiliation, bet, brat!reader, roughness, raw, dry, big!toji & small!reader, f!reader, riding, swearing, inner speech [‘is all I believe] • 1.3k • I have never wrote for him but I hope it feels canon. also, I literally have a thing for menace characters. ehe. anyway, enjoy! [kinktober m.]

a deep chuckle comes under you, sending chills down your spine, making you want to hide your face from the owner of the sound ‘cause you can feel how he is teasing you, finding it entertaining how you try to sit on his thick cock even though the intense sensation coming from your tight pussy flows through your body, making you breathless because it’s too much. 

“toji –“ you say between your breaths, looking up to his face only to find him looking right back at you – well, he sees the most pathetic version of you but wasn’t this what you wanted? his expression says; wasn’t this what you begged for? silly girl, he said the moment you tried to say you can handle it – handle to take him dry, without any preparation. thinking she can handle it? cute. 

of course, you wouldn’t stay back, not after hearing all the stories about how it felt like euphoria and hell at the same time to have it dry, raw, in one go. you who believe you want it to be harder, rougher, deeper each time you have sex with toji directly went to him, saying how you want to try riding him but without foreplay. 

he laughed at you – in a such teasing way that your anger rose up, causing you to play the card he could never refuse; bet.

he agreed after a quiet time, but not because of the bet – the challenge, but for the chance to see you eat your own words and witness your struggle on his cock, and he was right, as always.

“what is it princess?” he mocks, teases – a bit of mischievousness inside his sparkling eyes looking up at your face full of tears – his cock isn’t inside you! “is it too much?” he enjoys this more than you do, apparently, because he is just lying on the bed, hands on the back of his head, staying behind him, and a smirk that screams how he has no desire to hide his enjoyment stays on his attractive face.

“fuck y –!”

“tch tch tch,” he shakes his hand to left and right, showing his amusement, “how nasty,” he looks at you with a new expression and you know that one very well – he is one step behind forgetting about the bet and fuck you the way he wants – not with the one you begged for. “but you disrespect me one more time and I will shove my cock right into that fucking tight pussy in one go.”

his treats only make you get wetter. you find yourself wanting him to do that – without leaving it to you, he should be the one who enters into you in one go ‘cause clearly, you can’t do it; it just doesn’t fit!

keeping your mouth shut, you place your left hand on his exposed biceps, the hotness flows from there to your palms as your other hand travels to your slit with the intention of fingering yourself a little bit so that he would fit – you can’t stay any longer. you need him inside you, right now.

however, toji gets what you’re doing. his bigger hand finds yours, caging it with his after pulling it to himself, making you fall into his chest, nose to nose – eyes to eyes. danger radiates from him as he speaks, “you wanted this slut, so, bear it,” his other hand positions on your waist, pushing you down; his cock’s tip enters into you, earning a low moan from you. “lower yourself down princess.”

he uses cute pet names but the eyes don’t lie – his eyes tell you that you should lower down or else the consequences will be really bad, so, you do what he tells you, lowering your body down inch by inch, realizing how it was a bad idea since you two have different proportions in terms of size – how dumb you were to think that toji’s, a man of twice the size of you, will go in that easily.

“fuck - ! agh, toji - daddy! ‘is too much!” you say, looking at the sight of your cunt being ripped off with his cock each passing time as it gets into you deeper and further.

he leaves your hand, touching your face instead and you can feel half of your face disappearing within it, “so the slut finally has a brain that works, huh?” he asks, “didn’t believe when I said it would be too much. a fucking dumbfucked woman who thinks she has the skill of surprising me,”

 he leaves your body entirely, leaving you surprised as he puts his arm on his eyes, closing them and saying, “get off of me. need sleep, not a dumb whore.”

you stay like that, not moving, not taking your eyes off, comprehending what’s happening.

his massive body doesn’t move an inch either, however, from the voices you hear, you can say he’s about to sleep – sleep?!, you ask inside your own head, heat rising up that comes from anger and disbelief. who thinks he is to leave you behind like this and go to sleep in the middle of the sex?!

the madness you have never had takes control of your mind and body in that moment after you realize he doesn’t give a fuck about you or the reason why you tried to do this – making him go crazy while you ride him raw and dry.

no logic side on the brain, not anymore, your hips move on their own, “fuck this shit,” you say and add before going further, “I will show you how this dumb whore will make you sweat.”

a scream comes from your parted lips, the burning sensation takes all the breath you have, the mind turns into dizzy, eyes half-closed yet see the man underneath you taking his arm from his eyes – well, half-closed eyes now, and ears hear the words he says, “fuuck –!”

even though your hips ache in pain, pussy is already on fire, and you throw your head back – such pleasure coming from both his situation and his cock that fills you without leaving any space, you moan his name.

it takes you a few moments to adjust it and move but you have no time; you have to provide that no one can fuck him like this.

hips move up and down, eyes now at his face, daring him to look away – to avoid your eyes; he accepts the challenge, hands are put on your ass, squeezing the flesh, breaths mix with each other and the only voices in the whole room are his swears, growls and even moans within your high pitched moans, the lewd sound of thick pussy hitting the pussy, balls following – everything seems so euphoric.

riding him with the help of him lifting you up and down in sync with your movements, you hear your own name on his lips. it’s hurt like hell to let him shove himself into you at the pace he wants to after you cum two times, the muscles begin to hurt, the mind goes blind from time to time, and keeping your words about how you can make him sweat, he finally takes the control; he hugs your smaller frame, rolling over so that you can be under him, he enters your now wider pussy one again but somehow, it’s still tight.

“pretty slut,” he says, hands staying on the sides of your head, his body covers yours, you feel vulnerable when you compare your small body with his yet it gives excitement when he turns your back to him, his chest touching you from behind, and his fingers open your folds apart, cock entering slowly, “did so good for me, now, let big daddy reward you, fuck that pussy ‘till it fits in one go. after all,” he says, pulling his cock only to push it in you with one go – so full, so filled. wasn’t he holding you from the abdomen, you would jolt into the bed. “it’s what my princess wants, right?”

❦ tagging: @lilvampirina ! thank u pretty!

[tsururoach]

you ship ryomina because ryoji is a disaster of a bisexual. I ship ryomina because of the beauty of a suicidal boy that can love life enough that death can agree.

[dennisboobs]

:) i certainly have no issue dressing in drag :)

^guy who has no issue dressing in drag btw

glenn said that dennis' drag name is victoria von hemen btw

(Source)

[canon-gabriel-quotes]

presented without comment or context

Source

[gomzdrawfr]

Fish talk.

Price likes rainbow trout that he cooked himself in garlic and butter in a ration tin over an open fire. Nothin better than trout you caught, gutted and cooked yourself on the river bank. Bonus points for a bottle of something cold and hoppy to go along with it while he eats it on the river bank, still wearing his wellies and waders.

For Nik, it's calamari and grilled sea bass with a glass of white wine, maybe a sauvignon blanc from France, in some swanky hotel on the Adriatic coast. Just sitting there in beige chinos, an open shirt and bare feet, skin still warm from where he was basking in the sun all day, not even checking the bill before he pays for it.

Fish recipes by the one and only, now visualised (somewhat) hehe

bonus of my reaction:

[faeyuh]

Too weird to love, too scared to die

Too alien to take you home

-

will wood lyric!!! this song is literally him!!!!!

[howlonomy]

Monster Clover, like this is so awesomecool.

They're such a little beast and it is amazing and please i need more, like written text even i just need the juicy lore and emotional moments that are circling in ur brain.

HAT: RETRIEVED!!

[xofemeraldstars]

"Evan."

Tommy stares at him, mouth slightly open and Buck flashes back to that morning in the cafe when he thought he fumbled his chance at something great. But Tommy took another chance with him, as insane as inviting him to his sister's wedding was. Buck shakes his head, trying to dispel the memory and smiles at Tommy.

"I'm serious," he replied, grinning broadly. "Come with me to our wedding," he couldn't help it, the memory fresh on his mind.

Tommy caught on pretty fast, his eyebrows shot up and he started laughing. "Does that mean it's my turn to meet your sister?"

Buck's smile only grew as Tommy played along. "You already know a lot of the people who will be there and I need someone to dance with," he reached out and took Tommy's hand, whose eyes softened just as it did back at the cafe.

"I guess this time there won't be any free food," he replied and pulled Buck's hand up to his lips to press a kiss to the back of it. "Hold that thought tho," Tommy added, index finger pointing at Buck before he got up and disappeared into the garage.

"Babe?" Buck called out and somehow he wasn't nervous or anxious that Tommy left the dining table just after he accidentally proposed.

"Yeah, so my reaction earlier was not disbelief that you're asking," Tommy called out from around the corner and, well, that intrigued Buck as he cranes his neck to get a glimpse of his boyfriend.

Tommy walked back in through the door, one hand held at his back and Buck looked at it then back up at Tommy's smiling face, his mouth slowly opening as he put the pieces together.

They both started chuckling as Tommy sat back down and Buck, because he couldn't help himself, held up a finger and got up, walking towards a kitchen drawer, pulling it almost completely out and taking out a small velvet box.

As Buck sat back at the table across from Tommy, he bites his lip while slowly pushing the box forward, just as Tommy did the same with his own velvet box. "On the count of three?" Buck asked.

"Yes," Tommy breathed out and Buck stopped.

"Yeah?"

"Yeah."

[necrotic-nephilim]

au - tim sneaking out of jason's room one night at the manor and accidentally locking eyes with dick who is sneaking out of bruce's room at the exact same time, breakfast is very awkward the next morning

(i did think of having it be jason instead of tim but honestly jason has 0 shame and even less issue outing himself if it means fucking with bruce and, to a lesser extent, dick)

i'm cackling I love these types of things so much. they're so silly. sometimes we deserve mindless crack for these ships. have a *very* low effort ficlet bc this just makes me snort, enjoy <3

Dick closed Bruce's door as quietly as he could. Usually, he didn't have to sneak around when he slept with Bruce. But the temporary room Bruce had given Jason in the manor was just down the hall, and Dick didn't feel like looking Jason in the eye if he walked out of Bruce's bedroom in the morning at the wrong time.

Just because he was pretty sure Jason knew, didn't mean he needed confirmation and confrontation.

Dick had almost caved to staying in bed with Bruce when Bruce tried to pull him back down, but he kept some level of wits about him, prying Bruce's arm off of him and giving him a final kiss on the cheek before heading for the door.

The one thing Dick did allow himself, though, was wearing one of Bruce's shirts instead of his own. It was a size too large on him but smelled safe and comforting. Dick breathed a quiet sigh of relief when the door latched silently. He let go of the handle, turning around to creep off to his own bedroom in another wing.

And found himself staring at another figure.

With all of the lights off and only faint moonlight streaming through the windows, Dick couldn't tell who it was, at first. His reaction was embarrassing no matter who it was, jumping nearly a foot backward and clutching a hand over his chest.

He was a goddamn vigilante. This was just embarrassing.

The other person wasn't nearly as shocked as Dick, but they stood perfectly still, staring with wide eyes that faintly reflected what little light illuminated their face. Dick squinted, leaning forward to see who it was.

"Tim?" Dick hissed, trying to keep his voice to a whisper. Bruce had fallen asleep and if Dick woke him up now, he was never going to get the stubborn bastard back to bed.

Tim, still looking like a deer in headlights, just blinked at Dick.

"What are you doing up this late?" Dick asked. They'd all agreed to take tonight's patrol off, letting Babs, Helena, Dinah, and Zinda handle it in exchange for tackling the massive human trafficking ring in the morning with fresh eyes and cleared heads. The job was the only thing that had gotten Jason to agree to work with them in the first place. Bruce barely managed to strong-arm Jason into sleeping in the manor, with a decent amount of guilting from Alfred.

Jason, who was in the room only a few feet away from Dick. The room that Tim's hand was resting on the doorknob of.

"That's Jason's room," Dick said slowly.

Tim just nodded. "I know." He wasn't whispering like Dick was, but his tone remained impossible to read.

He just saw Dick walk out of Bruce's room. Had he put it together? It was Tim, after all. if he hadn't yet, Dick assumed he only had a couple minutes before it dawned on Tim.

"What were you doing in Jason's room?" Dick frowned. If he focused on Tim, it could keep the focus off of him for as long as possible. Dick tried to ignore how fast his heart was beating.

Tim's expression was hard to make out in the dark. "We were talking about the case." Still, his tone remained entirely neutral.

Too neutral, for Tim.

"At two am?"

"Well, what were you doing?" Tim huffed slightly when he said it, folding his arms over his chest.

He was shirtless, Dick just realized.

Shirtless and coming out of Jason's room.

"I was-" Dick stumbled over his words, choking as he tried to come up with an alibi. "We were talking about the-"

"I already used that excuse, pick your own," Tim deadpanned. Dick was pretty sure he also rolled his eyes. "I've known about you and Bruce for years, you know. You don't have to pretend."

The noise that came out of Dick's throat was almost as mortifying as the realization that not only did Jason likely know, but so did Tim.

"It... okay it has not been years," Dick's face was hot and he was glad it was too dark for Tim to see his blush. "I mean- it's been a while but not years-"

"Whatever you say." Tim shrugged, sounding unconvinced. "There have been feelings between you two for years, close enough for me."

If Dick died, right here, in this hallway in front of Bruce's door, he hoped the cause of death would be put down as homicide instead of natural causes. Because every word from Tim's mouth made another piece of Dick die inside, just a little.

"It's none of your business either way." Dick tried to stand up straight to sound more in control of the situation, clearing his throat.

"Trust me, I don't want it to be my business."

Dick would've laughed, if this was happening to anyone but him.

"What about... you and Jason?" Dick asked carefully.

Tim shifted on his feet. "What about it? I told you, we were talking about the case."

"Right." It was Dick's turn to roll his eyes. "In his bedroom, at two am, without your shirt?"

Tim stared at Dick for a long, torturous moment. A moment that made Dick agree with Tim, about not wanting to know any sordid details.

"I'm going to bed," Tim said suddenly, turning away from Dick. "Goodnight."

Dick had a thousand more questions he wanted to ask. How Tim and Jason even got together, when it happened. Last Dick knew, they could barely stand to be in the same room.

But Tim was walking away at an alarmingly brisk pace and Dick just sighed. He was too tired and mortified about his own secrets to chase Tim down for an impromptu interrogation that would just end up embarrassing them both more.

Maybe it was best for Dick's sanity if he didn't know the specifics.

Dick didn't consider how awkward it would be until he was standing in the kitchen, staring at Jason bent over a cup of coffee.

Did Jason know Dick knew? It didn't seem like he did, but he had always had a good poker face.

When Tim ambled into the kitchen and grabbed overnight oats from the fridge, he didn't even look at Dick. He seemed to be pointedly avoiding it, sitting as far away from Dick as he could at the oversized dining room table.

All while Dick couldn't seem to stop staring.

"Your cereal is going to get soggy," Jason muttered, and it took Dick a moment to realize Jason was talking to him. "At least eat it before trying to explode my head with your mind, or whatever your staring problem is."

"I'm not-" Dick stuttered. he shut himself up with a mouthful of cereal when Cass gave him an odd look.

Would she be able to figure it out just from his body language?

Dick had never fully understood the lengths her ability to read people could go. he looked away from her and stared at a random spot on the table, trying to eat at a normal pace.

Bruce was the last to wander into the kitchen. He squeezed Dick's shoulder as he walked by, making Dick jump. It was an innocent enough touch that no one would question, but all Dick could think about was the brief look from Tim before he quickly averted his eyes again.

The silence around the table was going to eat Dick alive. He started eating cereal faster.

"Oh for fuck's sake," Jason broke the tension, throwing his head back and slamming an empty mug down onto the table. "Everyone knows you two are fucking, alright?" He gestured between Dick and Bruce. "Stop being so goddamn weird about it, you're acting like there's a bomb in the room."

Bruce choked on his coffee. "Jason." He tried to sound reprimanding, but his voice was a few octaves too high.

Dick threw his hands in the air. "I knew you knew about that, but I didn't know about you and Tim until last night so excuse me for feeling a little awkward."

"You didn't know about what?" Bruce nearly yelled, spinning around to face Jason.

"Damnit, Dick!" Tim groaned, putting his head in his hands.

Jason just scoffed, pointing a fork at Bruce. "Oh don't even give me that self-righteous bullshit-"

Their argument went back and forth while Tim just rubbed his temples, muttering to himself and glaring at Dick.

Worst of all, Dick was pretty sure Cass was giggling next to him under her covered mouth.

Dick just sighed and ducked his head, dutifully waiting for the ground to open up and swallow him whole.

So much for his breakfast.

[milkbreadtoast]

Christelle doodles😚💖🌟🌊

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[altcvnningham]

adler can’t stop holding bell’s face when he kisses them.

and not gently, either, not the caress of a flower petal, delicate and sweet- bell’s barely a rose if not for all their thorns, and he wrings a hand round their jaw like one might wrench out a weed. rid and tossed to the dirt with all the rest. with all the red. with all that makes them wrong. with everything that came before.

if he can’t muzzle his dog, who can?

he bends their head upward in the interrogation chair, thumb dug into their cheek, squeezing the blood from their mouth into a sanguine rivulet between the web of his fingers; he jerks bell’s face toward the evidence board when their empty eyes fix on him a moment too long, enough to unsettle him; he stamps their chin under a hard thumb when he turns them to the light, soft pupils blown wide as he watches the sweet drug take hold; he digs his fingers into their jaw when they bark too loud at their duly master, shaking sense into his dumb mutt’s whistling hole of a head.

when he deigns to let them go, he makes a point to tear his hand away, sharp and spiteful, so even with the sting they still manage to find suffering in the loss. to yearn for the hand they bit back.

so the rest comes violent, too. the rest comes hungry. the rest comes when he wants it, and he wants bell, with such a blind fervour it drives him mad. where better men might leave, kick their losses to the curb and go elsewhere to get their fill, adler digs his heels deeper in the mud, the dirt where he buries all that red he carved out of them. if it’s tenderness he wants, he can take it for himself, and leave them with the hurt. it isn’t stooping to their level if he’s the one with the leash.

he kisses bell like he’s eating them from the inside. one hand squeezed tight around their flushed face, mouth forced open into an o-shaped pucker. he nicks their lip as smirking proof of his callousness, snags it on his sharpest canine. a peck that mocks affection. licks his way inside their mouth like it’s a threat, a proclamation. you let me do this to you. you let me in, bell. let me in, let me in. such a good dog when they do, loll their tongue out pathetic and starving. he drives his thumb inside, hot, wet, forces their mouth open by the hinge of their stiffened jaw- the last laughable vestiges of their reluctance, crumbling into dust fine enough to sift like sand between his fingers. guess science still has its limits, but so do you.

when he’s worked bell’s mouth nice and wide, he flattens their tongue with a thick finger, face clamped between the rest, and while they’re just about learning to make peace with it all- the humiliation, the degradation, submission made sanctification through the eager expectation of praise- he spits inside, and makes them swallow.