#and i think i can do the cover design myself for the most part? might reach out to my designer for my trilogy

[ninawolv3rina]

Im so excited for the potential cover art for this book i wish I had the money and the references to commission it right now but i haven’t designed the characters and I’m Uber fucking broke

In a couple months I’ll be able to afford it ;;v;; and hopefully by then I’ll be confident in the boy’s design, and if I’m REALLY lucky, I’ll have finished a draft of the book, too

I need a better working title for this thing…

[chernabogs]

Styx, Fae, and Malleus—Oh my!

Okay I'm writing this more as a marker for myself because I keep breaking my brain with connecting C6 to C7, but I've included my notes down below to kind of trail through how things might go with the next C7 update. Since the Shroud brothers are back in business, we'll be seeing a lot more of Styx's hand too, so I also wanted to collect as much information (canon) as I can on them too. Because I just think they're neat, and combining all the information makes them that much neater!

Warning for a long-ish post.

All About Styx (Up to C7, April 2024)

Styx, originally serving as just the Watchman before the Age of Gods (which Malleus discusses in C6 part 18),

is an independently operating institution (non-government affiliated) that specifically focuses on research pertaining to blot. According to the welcome video narrated by Idia’s mother and father, Styx covers the following:

Safe use of technomantic technology

Magical power analysis

Preservation of ruins and mage stones

Blot emission reduction

Post OB treatment

Magical disaster prediction systems

Maintaining phantom databases

Styx operates off of the Isle of Woe, an area mostly inaccessible to outsiders due to its status as being below the ocean and only accessible via the Oceanus Gate. Styx is seemingly composed of multiple units and teams, including the Hex Team, with most of the employees living in the residential block of Oceanus and using chariots (technomantic vehicles) to get to the tower. Another unit that Styx controls are the Charon members. These appear to be the equivalent of armed forces under Styx’s command. They specifically act as retrievers of over blotted mages, or more specifically the phantoms involved in the overblot. Magic Marshals and the Arcane Response Unit often handle overblot cases, but in extreme incidents, Charon members step in.

It’s mentioned that they also arrive regardless of if they have authorization from the government of the location the overblot is occurring. 

Regarding the technomantic equipment mentioned, this is what Styx seems to mainly use for all operations, likely due to the nature of its research. Technomantic technology has an ability to almost entirely nullify magic. Although not 100% effective, it was enough to even make Rooks UM limited, forcing him to only track the kidnapped students when there were second breaks in the tech. This tech was also used on the overblot students, with Riddle stating that it’s equivalent to his UM (C6 part 26). 

The tower that Styx operates out of is a large structure located in the centre of the ancient city that was originally attached to the Kingdom of Heroes. Within this tower, Styx keeps phantoms preserved frozen in the lower layers. This area is referred to as Tartarus and hosts approximately 10,000 subjects split into 12 levels. A-class are considered exceedingly dangerous phantoms, according to Ortho. Sector 12 is where the original Phantoms are housed, known as the ‘Titans’. These are three phantoms that have been sealed in Tartarus by the original Jupiter family members since the Age of Gods. 

The system designed to preserve these phantoms is known as the Cerberus System. This encapsulates the entire Isle, not just Styx. According to Idia, mages are taken and housed for testing in this region before being wiped by Lethe, another system operated by Styx that re-wires memories and implants false ones. Interestingly, Lethe works differently on fae than humans due to fae’s long lifespans. Idia states that it’s hard to adjust what information to remove and rewrite without making it obvious that there was an erasure. He does mention Malleus by name when discussing this, but not Lilia. 

All About The Fae in Briar Valley (Up to April 2024, JP Spoilers)

Fae appear to live broadly across Twisted Wonderland, but a large majority do reside in Briar Valley (other additions such as Fairyland/Land of Fairy have been mentioned and seem to host diurnal fae. More of this can be found in the fairy gala events. Diurnal fae are considered to herald the coming of spring with this gala, which ties in with later discussions about fae and nature). Various species were also noted to exist, including:

Dragon fae (note: Dragons are mentioned to have arrived for Meleanor during her youth, however after her passing a decade later it appears that Dragons have either gone underground or extinct across the broader Twisted Wonderland area)

Raven fae

Bat fae

Crocodile fae

Subcategories of crafter fae and the likes exist too, but don’t quite count as species 

There appears to be a hierarchy of value among fae. In one conversation by a Senate member (in Chapter 7, release 6), Lilia is referred to in derogatory terms due to his status as a bat fae. It is unknown if this bias is strictly the Senate member, Briar Valley, or if it spreads across broader fae populations. Fae also appear to have monarchies, although the only two known so far are the Queen of Fairyland and the Draconia Family. Fae also appear to age at different rates (Malleus states infant fae often take 30 years to walk, and it took him 20 years alone to gain his 2-legged form). 

Due to Briar Valley being the major focus of C7, we’ll look at fae in this region specifically. 

For context, constant conflict has arisen between fae and humans, specifically within Briar Valley. A major conflict and large plot point in C7 so far is the conflict between Briar Nation (former name of Briar Valley) and the Silver owls. The Silver Owls, run by Henrik, carried out mining operations throughout Briar Nation without permission from the royal family. Despite the name Silver Owls, it should be noted that they are also called Iron Ones due to their iron weapons and armor. According to Briar Nation soldiers, Silver Owls recklessly endangered fae by driving wildlife into villages in addition to colonizing the region. The Silver Owls (Henrik in particular) are aiming to attain Princess Glow. Henrik stated that he wanted it for his father (unlikely, lbr). Princess Glow appeared to be a gem associated with the Draconia Family that was capable of performing miracles like healing incurable ailments. It’s unknown if this is factual or not, but Meleanor does appear to put value on the gem when discussing it with Lilia. 

Conflict with the Silver Owls extended across several regions in Briar Nation, including:

Verdant Moors (outside the present day borders—confirmed by Sebek in C7)

Canyon of Howling Winds (also called Valley of Howling winds in some translations)

Mystical Mountain/Forbidden Mountain

Thunderclap Mountains

Cape Sunrise 

Tenebrae Forest/Dark Night Forest

Crimson plain

Dragon’s Tail Mountains 

Wild Rose Palace 

Black Scale Palace 

Dragon Capital City (surrounding Black Scale Palace)

Cradle Tower

Note: present day Briar Valley is situated farther up north and is said to have a cold climate for the most part, including particularly harsh winters (confirmed by Silver in release 4 of C7). Double note: Names may be susceptible to change with EN release. 

The conflict ended with Meleanor and Levan (Malleus’ parents) allegedly dead. Fae ceased intermingling with humans likely after this conflict according to Lilia in C6 part 18, leaving to heavy deficits in the validity of history surrounding the fae. This also means that a lot of human history books miss history that fae may have personally experienced or have to share (as spoken by Trein and Lilia). 

In terms of powers, fae in Twisted Wonderland seem to rely on nature a great deal for their magical abilities. Idia’s father discusses the extent of what some fae can do due to their connection with ancient magic, including mentioning how fae have had control over climate change and diastrophism since the Age of Myths (presumably predating the Age of Gods). Malleus’ ability to alter the world in a designated area falls under this category. He is stated to have magic tied to the earth itself. Idia’s mother also mentions that fae can also draw magical energy from nature itself, building on Idia’s fathers statement about how fae’s magic directly connects to the earth. Generally, fae with elemental connections can do this, which proposes the idea that Malleus has such an ability. 

It also appears that fae can lend this magic to humans. The Knight of Dawn frequently calls upon the blessings of diurnal fae to aid him in his fights throughout C7 (note: he says 'fairy guardians', so this could be just this specific instance). 

So… what’s up with chapter 7, as of April 2024? (JP Spoilers)

Well… Malleus over blotted. Inconvenient, absolutely. Fortunately, his grandmother snitched and gave all of his information over to Styx, allowing them to formulate somewhat of a plan to use.

We know specifically that the Arcane Response Unit is unable to get access to Malleus through the thorns because, should the thorn wall be penetrated or collapse, it will kill whoever is caught inside of it. At the moment, ARU is likely on the borders of Malleus’ thorn wall while Ortho (acting as a stand-in Charon member, in this case) deals with the issue. Anyone who gets too close to the thorns (fae or human) are also being sucked into the barrier. 

Silver, Sebek, Yuu and Grim are currently travelling through various dreams. This allowed some insight on fae (see Fae in Briar Valley for more) as well as the abilities that they possess. Ortho has pulled the group into Idia’s dream, stating that Malleus is using all resources to keep Lilia asleep. Ortho was able to penetrate into the barrier using a counter-spell barrier and ethereal slicers, in addition to a magical cannon honed by Styx. 

We also know it’s confirmed that Malleus needs to either voluntarily end his spell or die in order to actually cause the barriers to drop. 

What might happen, then? (JP Spoilers)

Who knows! Yana likes to keep us on our toes. That being said, one of the biggest takeaways that came from this is the technology (technomantic) that Styx has access to, as well as what fae seem to rely on to continually use their magic. Styx’s access to technology that can almost entirely nullify magic in combination with their isolation from ‘nature’ (based on the brutalism architecture their facility had) could be two avenues of mitigating Malleus enough to at least let the students get an upper hand. 

However, Styx also did confirm that their technomantic equipment was not having as good of an effect on Malleus’ barrier as they anticipated. If technomantic equipment were to be used on Malleus, it would need to be something advanced, like Ortho’s Cerberus gear, but on a larger scale. Ortho has already shown that Malleus’ magic is ineffective when faced with the type of tech that Ortho is equipped with, positing the idea that this can be an avenue to take. In the battle with Ortho, Malleus does appear to freeze up and misses a hit. 

The comment about Malleus needing to break the spell himself was emphasized a lot in this section. Styx confirmed they’ll reach out to Queen Maleficia to see if she can persuade Malleus to drop the spell, but they’re also convincing the dreamers to persuade Malleus as well. 

So… it seems like a triple whammy of tech, Maleficia, and guilt tripping as a way to take Malleus down. Exciting!!

[minamorsart]

🌌✨The Empyreal Within character designs of Lotor, Allura, and Ven'tar! I might do Honerva and Zarkon next, we'll see! This is part of an upcoming project that I am super excited about and will reveal in time!!! 💜

Explanations of the outfits below! I thought about them a LOT hehe.

18 year old Lotor: these designs I am the most pleased with! Lotor's official design in the show is very different from the rest of the Galra, which I believe is significant to him venturing further away from the precedents established by his father and cementing his own individuality. However, as an adolescent it makes sense that he would still wear Galra attire, hence the bulky armor (to make him look bigger since he is smaller than the average Galra) and red and gold colors which appear to only be worn by the royal family. I like to think that the insignia on his chest is a symbol for royalty, but is also exclusive to Lotor's identity, as no one else wears that particular insignia in the show. And despite wearing clothes specifically chosen to represent the Galra Empire, I can also picture him wanting to incorporate his own personal tastes, so there are accents of purplish-blue (as blue is part of Lotor's color scheme) and the addition of his waist cape, both of which represent his growing desire for change and independence.

Mid-20's Lotor: this is during the many years of his banishment. I imagine him hopping from planet to planet, concealing his identity as much as possible while adopting a more humble lifestyle and pursuing his passion for exploring. It is during this isolated pilgrimage that he does a lot of introspection, self-actualization, and gains self-confidence both as a man and as the Galra prince. But before that happens, the lack of identity really shows in his clothes -- lots of neutral colors (with a hint of desaturated blue), absence of any insignias or designs that would connect him to any culture, whether Galra or Altean. These clothes in particular were inspired by Jedi ponchos and Sasuke from Naruto: The Last, and perhaps are worn while Lotor is on a desert planet for a short time! And just like with his armor as seen in the show, he has started to wear gloves to cover himself up almost completely, indicating his avoidance of vulnerability and getting close to others.

Ven'tar: for her fortunately I didn't have to change much about her character design! She is Lotor's age when they meet and the only other change I made to her was to take away her big cape so that she appears younger. Since her planet and species name is not revealed in the show, I want to come up with one myself. Caelifera is the scientific name for grasshopper, so I'm thinking I could do something with that!

11 year old Lotor: this design is also taken directly from the show, so I didn't have to do much there :P The cloak he wears in the little doodle is inspired by the one adult Lotor wears in S6E4. In this case, however, it is several sizes too big for young Lotor and drags on the ground.

Allura: sadly we don't know much about Allura's life on Altea, however in S1E9 we get to see tiny snippets of different stages throughout her life and her good relationship with her father, so I used those as references! I gave her braids, short puffy sleeves, and a slightly shorter skirt to give her that innocent little princess look, and then used the colors from her dress in the show to create a cuter and more childlike aesthetic!

If you read all of that you're the best 😆🙏 I'm definitely by no means an expert in character design and have lots more to learn, but I had a lot of fun coming up with the original designs! Especially Lotor's, but no surprise there hehe. I studied many different Galra armor and clothing featured in the show worn by Lotor, Zarkon, Honerva, and Galra commanders. More than anything I just really wanted to see Lotor wearing something different for a change 😂 and then everything else took off from there!

[13thdoctorposts]

Highlights from Jodie Whittaker’s Gold Coast Panel

Host

So have you got any stories from Attack the Block?

A.

Can I think of stories from attack the block?

I would say that when we were shooting it just as a little like genius of Joe Cornish.

He is an encyclopedia of films and television. And every single element of it is some kind of homage to something you’ve seen. One thing that was really clever is there is no accidental lighting, so the entire thing is set at night so that every single light is deliberate. This stuff or that, like the kids train, is like, every single element is a choice. And you can't say that for most things, because the sun will just appear sometimes, and the sun can take full credit for the lighting. But in that film, he chose every single element. And that's why I think it's such a great film, because it's detailed beyond belief.

Host

Thank you. Wow. Can I see that.

Q.

What's your favorite memory of playing The Doctor?

A.

My favorite memory? There's so many, I'll tell you what, I'll give you a moment that's relevant to something like this. One of the highlights of playing The Doctor actually happened to me at a con, and it was San Diego, and so it was before the show would come out.

We were filming, and I got invited to come to this kind of the cosplay show. And when I got there, I was like, a special guest. And because I was just feeling really confident, I was like, can we not announce me? Can I pretend I'm a model?

I came out in my costume, slowly walking down, and I thought I was gonna get to the end to do some big reveal. But I must have a very obvious walk, because people started to realize, and the really narcissistic part myself, absolutely loved it because I got such a big round of applause just for walking. So that was a really amazing moment.

Q.

My question is about one night. Your character Tess has tattoos. They're only shown in two scenes, one in the first episode and one in the last I was wondering if they were both shot together, even though characters in different places, at different times, and the system of putting those tattoos on, because there's quite a lot.

A.

Yes, it was. It was one of the most influential stage directions I've ever read of a character when that doesn't necessarily feature as a main part of the story. So my character Tess, in a Australian show called One Night, I’m very proud of it is covered in tattoos and every tattoo was a choice, and designed by the incredible designer and all the creatives. And so there's no accident. But the first time we did it, it took about 4 Hours and we stood like this for what is a very small scene as well.

And then the next scene, which is however many months later, I think we got it down to 3 Hours but it was still, it was a long time.

But it was such an amazing character choice, the writer, beautiful writing that gave me so much, but I didn't have to necessarily articulate what that was. It was just she gave me this armor to be able to play tests.

And that is when I started to read it, it's only a few scenes into the first ep, I was like, I'm playing that part. I'm absolutely playing that part. because I just thought that was such an incredible choice.

Q.

I was just wondering, in regards to Doctor Who, was there anyone that you wanted to like come and appear on the show alongside you, like an old companion?

A.

Ah, I suppose I was spoiled for companions. So I think with that, I was, I would have loved, oh, it's difficult before, before we got to the point where I met my master, who is played incredibly by Sasha, and I adored every single scene I was in with Sasha.

There was a part that was like, oh, wonder if I get to work with Michelle. I thought that would have been incredible. So if anyone's out there and they write episodes of Doctor Who, I think that might be a good one.

Q.

Hi, and why did you decide to become an actor? Oh, that's such a good question.

A

When I was probably a bit younger than you i watched a film called goonies and if you haven't seen it highly recommend it stood the test of time and it is such an amazing film and i think what it does is it celebrates the inner child's because as a kid. I watched it and thought, oh my gosh, they're going on this amazing adventure. But then as I got older, I realized that could be a job, and then I got to play the Doctor. So it really is a job that you get to play pretend in the most epic scale, and anything is possible. So I think that's what I wanted to continually feel, was that I could be my inner child till I'm 99.

Q.

my question was, I love seeing, you know, Thasmin play out on screen in Doctor Who. And I know that you and Mandip had a bit of involvement in making that happen. So I was wondering, could you, explain how we got that.

A.

No, no we didn’t, so I think just the fact that Chris obviously knows us and knows how much we love each other. Yeah no we had no influence on any of the story lines. Obviously, we had that, the characterization, and we fully, you know, believed in and loved the direction that our characters went in, and it played out perfectly for me in my head. That is absolutely my kind of dream ending of where I saw my doctor. And the to the point of regen was with that side by side with Mandip .And for those two characters as well, I thought it was beautifully played out, but it was all Chris Chibnall. So I can take no credit, which also the video in the cupboard during lockdown.

I think people were really generous and thought I'd written it, but I didn't write that. Chris wrote it and sent it to me and said, I think it'd be really brilliant if the doctor could maybe, you know, say something. And so that was him as well. So I love that. I keep getting all this credit there. But, but I absolutely adored where our story line went.

Q.

You have obviously played such a diverse range of characters, and I'm just really curious about your process when you sort of get the script and how you create them.

A.

Do you know what? I can't write at all, and I don't want to be a writer. And because it's not within my skill set. And I think because of that, my appreciation the next level, I think 90% of my job is generally always done, I’m so lucky to work on extraordinary scripts, and a lot of your hard work is there, like I was saying about, Emily (one night writer), with one night. This wonderful stage direction is she's covered in tattoos. But those kind of details are just the best. Sometimes an entire character can be given to you in a tiny stage direction, or in a use of punctuation. Something can be a dot, dot, dot, and it has a completely different meaning than an exclamation mark.

I think that, for me, is the absolute side point. Take what you can from the script, and then I've been looking at what the directors and cast do it’s a really collaborative effort My main thing is, I don't like to decide or even kind of go there on how I'm gonna do something before you say action. Because if I do, I'm just a bit cluttered, and I overthink it, and I wouldn't listen to you. So however you were doing it, my brains go, well, I'm gonna do it like this, and it doesn't work for me. So for me, I kind of, I need to be kind of completely unprepared to be prepared, that not even answer. I don't think I should teach a drama school. Basically, not everyone can teach. And I can't.

Q.

If you could be in any episode of Doctor Who that already come out to 13, which would you choose? And why? The ones that you haven’t already been in

A.

I am furious if no one's seen it I'm REALLY sorry I'm furious I MISSED an episode with spice girls i Am Sorry… But how did that happen when i wasn't IN it? spice of your life i devastated, I was like, I'm sorry. What? But it's only because It was so amazing. Sorry if that's a spoiler.

Q.

I just wanted to see if you could tell us a bit about your audition process for Doctor Who.

A.

So it was an interesting one because it's secretive from the second the words are spoken. And my initial meeting was what I thought was just a cup of tea with my name Chris, because we did Broadchurch, and we were doing the junket and he was in town. He doesn't live in London. So we met up and we were chatting, and he’d been announced as the show runner. And I said, please, can i be a baddie? And then that was when it was, can you keep a secret? Depends. And it was, would you like to audition to play The Doctor? Um…I'm sorry? (Laughs)

But then it was a lot. It was quite a few rounds. It was about three And some of it was my husband taped me when, you know, at like, 09:00 p.m., when my kids asleep, and not gonna come in the room and ruin it. And I got, like, iphone wires and had to defuse something.

And we did it. Most tapes I've ever done, I've been sat on a couch and you make sure it's like a really tight two shot there. So my I was running around with an iphone as I was jumping on a couch and then trying to do the gobbly guke. And I say that with up most respect. And it was so stressful. And then when I got it, they were the most fun. I was so scared of those scenes more than anything. And, that's always the most fun when the doctor's just fizzing and working out. So, so it was over months, and it was very secretive, but then I finally got it.

Q.

I was wondering about your doctor. Is there a facet or an aspect of the of your doctor that you wish you could have explored more?

A.

I don't know. That's a good question. Um.

Is the one you like me to have explored?… No, just because I feel as if there's a lot of versions of The Doctor that I really enjoyed. And I love it, particularly around The Timeless Child, where there was this kind of deep rooted rage that would come out in a kind of slightly spitty, you know, frustrated way I enjoyed playing the distance sometimes when i wasn't quite connecting with the people that i was with i enjoyed THOSE elements because i follow such a contradiction to the not a contradiction. Just such a journey away from the kind of energized, childlike version of The Doctor that I loved to play But can you answer that? What would you have like me to have done it?

I think the depth of the distant of the doctor, was amazing But I think that I would have liked to see a bit more, um, a bit more unhingedness.

Okay, so we'll get an episode of me and Michelle, because we're really unhinged.

Q.

You've done so many roles that have legit, ripped my heart out. when is this trauma gonna turn into a villain arc?

A.

Oh, I know. I keep saying that, so keep, I keep contradicting myself, because I get asked specially after Doctor Who, what is it that you want to do? And I was like, oh, you know, I'd really love to play, like, I'd love to some comedy, maybe, or explore a character that has a lot of darkness and potentially not very likable. And then, you know, wanna kind of steer clear, maybe of, like, drama. And then I did one night, time. And this other thing. It's very emotional, and I don't know why, but I kind of keep breaking my own rules.But I would love to explore a villain. I mean, that was my initial thing.I want to be a baddie.But I'm glad Chris didn't listen.

Q.

I'm a big fan of Attack the Block, and especially the horror sections of Doctor Who, and I was wondering, what was your approach, and how would you think about doing the, your characters different in that sort of horror setting compared to other genres?

A.

Oh, do you mean, like, how would I do it or if The Doctor was in more of a horror genre or if me as an actor got to be in that?

Both. But you as an actor?

I'm into horror. That's kind of, let me say, to reference. It's like, one might be a bit young for it, but there was a classic horror for me that came out when I was like, 16, and it was right at the beginning, of the Internet so being able to have this mystery, because now we're so used to information been given to us by the Internet.

But when I was 16, it was that there was this found footage of these guys in a wood And then I went see the film. I was like, this really happened, oh boy, which it's really, really happened. And now you can't really create that that kind of, like trickery in a way, during a press junket, because we know it's a film. But I that kind of horror that plays that doesn't give you too much, I don't wanna see everything chopped up. I'm just not into it I'm too much for whim. But the psychological horror of the when you hear it, but don't see it. Those are the kind of things that I think brilliant to play.

But then when we did have things like that, with the Dregs, and we were filmed in I was chasing me and once you were stuck in a cage, and every time it hit the railing, it was really loud. And I go, ahhhh… I know the doctor's probably braver okay you know I, don't know how i did it ha ha.

Q.

Some Doctors have had input into their outfit. Others have been told by they can't have that. How much input did you have into the outfit?

A.

Well, so I had a hugely collaborative experience with the costume designer, and it started from the second we met. We met in a bar that he recommended. And the surrounding wallpaper was this petrol blue which became the trousers. I had a photo that I sent to Chris when I was trying to trick him into giving me the part I sent him all these photo references. And it was a woman. It's a black and white picture. I Don't know where it's from. I don't know if it's fake, black and white, and it's modern or I don't know but it's someone walking with purpose short trouser, tshirt boots so to me all of that, the coat was very much collaborative with ray because I would say things And he came back with the design of the coat that was so perfect.

I Didn't want buttons because I felt like it was pointless. Of course, wanted pockets. I wanted a hood, but I wanted the colors to be representative. Because of my first episode, I wanted to transition from was space through to Earth, sky. So the entire lining on the inside is a dark blue, black for space. The exterior is a kind of like sky blue light color. But also the into the the Suffragette colors are inside the sleeves. And it has my pride stripes everywhere, and yellow braces because it's my favourite color. So the whole thing, the jewelry was collaborative with Alex Monroe. It was amazing. I think I take more credit for it than it was me, because i felt like I'd go oh i came up with that and then actually, when i look back on it it was drawings that ray had done. Very much you gave him A pebble and he created a statue out of it. It was amazing.

Q.

I just first wanna say thank you for making a very queer, coded doctor. I just wanna quickly ask, we've seen David tenant come back for the anniversary just past, and we've seen doctors come back in the past. Would you ever consider coming back again and putting back on the coat and the zonic of everything?

A.

Hundred percent. I would love to, and I really, if that's not, I would be really offended, because I would love it, and it'd be so amazing. And you just, you never wanna say goodbye to It is the the gift role forever. And I'm still, I'm gonna grieve it forever. But I suppose the feeling is that you don't have to necessarily let go, because, like you say, other doctors have come back. There was loads in my last ep, so there's no reason for me not to bob up somewhere. But I want to.

Q.

Did you take anything from like the set, all your costume?

A.

I've stolen it all. I've got my jump suit, the prison jump suit. And just as a little fun fact about costume, all of the dates are personal to me. So there's dates all the way down the side, and there's a lot of Gallifreyan you know, kind of design. But all of them are a meaningful date to me. So that was, that's the kind of joy thing you can put into your doctor. So I've got that, so I've got my costume and me and Mandip very clearly heard ‘that is a rap in the TARDIS’ So we heard that on the last day of filming and she had a hold on the console that was like this massive ball thing. I snapped off the tiny mini TARDIS that spun And then, we hear and we're gonna do some pickup shots in the TARDIS without any actors. So I think there was a bit of swift editing there, because I absolutely wasn’t my fault. I heard cut.

Q.

When it comes to Doctor Who, do you have a favorite doctor from any era?

A.

I got asked this the other day. I'm not saying, it's not saying you don't like the other ones. I got asked recently about classic, and so I said, Sylvester But you said any you didn't say classic. I'm gonna say, Jo Martin. The episode to shoot with her, and the moment when her doctor is revealed and the costume and the energy she bought was amazing. And so, Jo Martin, hahaha.

Q.

I was just wondering, were you interested in doing the Big Finish audios? And if so, what kind of story would you like?

A.

I don't know. I get ask all the time. And I don't know. I mean, hopefully, is this something I ask them? Do they ask me? Big Finish? Well, obviously, if it, then if I was gonna do it, I'd really wanna do it with Mandip, but I would love to, I mean, this is, what is this job? You know, I've not been the doctor now for two other doctors, and it's amazing that you still get to experience it and be a part of it. So if being a part of things like big finish, or any of you the… I suppose, departments?, but all those other things that celebrate Doctor Who I'd wanna be in them all.

Q.

It's such a loved program. Is it what you thought it would be playing the Doctor like?So you're the figurehead of that program. You know, is it what you thought it would be? in as big as you thought?

A.

I think it's, it's bigger and more magical than you can kind of ever describe, because it's as a new whovian as well. And I'd said to Chris in the process of audition, look, I've not seen loads of it. I've seen, you know, bits when I was a kid, but we didn't have it on those in house. But then also, I've got mates that have been in episodes. I've done those auditions and not got in, you know, things like that. And so it has a very unknown quantity about it. To me, I was very much walking into something and going, okay, what is this? And I think from the second you get on set, and the crew, the crew I worked with, had been working on the show for twelve years. It was such a magical family and to shoot it in Wales.

Wales is one of the most beautiful countries you can ever visit.

So to be there and to be in this ready made family of something that all the hard work's been done because all the other doctors build up this family , you just shouldn't lose it. And so then to have our journey and our story lines, and to then have this opportunity where we went out to press or we met fans, and to have the interaction and to speak to people, to see how much it's meant to them through their life, is so extraordinary, because for me And I can definitely say it and for Mandip as well, that it's our happiest time as actors. We've never been happier, and we knew when we were in it. Ah, this is this. It's just so nice, and there's just so much, just wonderful about it. And I think that needs forever. This is so easy to talk about, so easy to be in this room and do it because I wouldn't have to, I've never fake how much I love it. I loved it, but as a new whovian. And I'm like, oh, I get it. Hahaha. I one of a family then. Haha. That's it. I'm in.

Q.

Do you ever get nervous when you're playing The Doctor?

A.

I was nervous all the time. I know The most nervous, I think I've ever been on a set was in my first week of shoot in The Doctor. It was my hero speech at the end of episode one. So my very first day involved jumping between cranes. Mind you I’ve only ever run around and cried on most jobs. So jumping between cranes was a whole new thing. And on day two, I think it was my huge kind of realization of, I know who I am, I am the doctor, and saying that for the first time, and thinking, if you mess this up, there's still time to recast I've been here two days. So that was the most nerve racking.

And I think sometimes another time when I was nervous as well, we had Stephen Fry come in And I was a bit like, you might not remember me, but I was in St. Trinian's And we kind of had a scene in St. Trinian's, isn't it was, you know. And so him being on set, I was just so nervous, because I was just like, he's a legend to me. So this is very… I think if you're not scared and you haven't got the adrenaline of nerves, you're taking it for granted.

Q.

Who is your least favorite doctor?

A

There's nobody, the craziest answer. I haven't got one.

Q.

Did you ever think you would have had such the impact on the doctor who community?

A.

The thing that's such a joy for me playing the Doctor, the thing that I really quickly realized was that it. I adore this community, and I feel that everyone in the fandom should feel represented and what I feel really proud of with ours, which has nothing to do with me, like you saying about, when, you know, with me and Mandip had credit to that story, and we didn't in that way, but it was, that was the beautiful transition of this gorgeous journey that we'd been on. And I think that because it then resonated so powerfully to so many people, that is the all of a Christmas Day gift, because what you want is you want your work to, to speak to people, and you also wanna feel as if everyone feels seen. And I think that that's what I'm really, proud of.

Whenever I have these wonderful interactions with people, they say that the doctor means this or someone else's doctor means that for me, that very often is having that wonderful moment where someone feels like that storyline really spoke to them. And I think I can't take any credit for it because I didn't write it, but I loved being a part of it.

[velvet-vox]

The horrifying humanity of Lord Shen

One of the less talked about things that help Lord Shen to be the fascinating and complex antagonist that he is are his facial expressions:

Anytime throughout the movie that Shen shows his face, we are met with an extremely detailed and eye-catching emotion, accentuated by the movie actively refusing to let us see the rest of Shen's design clearly; when you think about it, Shen is very overly designed, with the iron talons, the robe adornments, and his massive tail, yet the one thing that we are constantly paying attention to is his face.

His face is also fairly detailed, mind you, but is not the only part of his body to be like this, yet most of the time, the camera focuses only on that aspect of his appearance, and when Shen is covered in shadow, which happens a lot, the only thing that we can pay attention to is his red eyes, engulfing the rest of his body.

Shen's facial expressions do a really great job at communicating to the audience so much extra depth about his character: they give us a glimpse of his psychology and make us understand the fundamental flaws that define Shen as a person.

His expressiveness is especially noticeable when compared to the other three main villains;

Tai Lung barely emotes, except to show his anger; as a matter of fact, what I've just said is a lie, he actually has a lot of different facial expressions, especially after his escape from jail, but the thing is that we are never meant to focus on them: Tai Lung's martial prowess is the main focus of his character, so every scene he's in capitalises on it, his emotional state comes second, which helps those moments when he's actually super emotive (the fight with Tigress, Shifu's apology, his mental breakdown at the end of the movie) to hit that much harder.

The Chameleon makes a lot of different facial expressions but they don't communicate any more depth about her character; it's hard to say at this point, since I've only seen Kung Fu Panda 4 once, but if I were to take a guess, the intro sequence of the movie were The Chameleon pretends to be Tai Lung is the most depth her character ever gets in the story: she is a massive fangirl.

I'll probably have to rewatch her sequences a couple more times to make sure I'm not getting anything wrong, but as of right now, I am going to take a wild assumption and say that The Chameleon prefers her trasformations over her real self because she doesn't like herself for who she is. This is mostly unrelated to our current discussion, but since an analysis of The Chameleon is extremely far away, I might as well mention this observation now.

Kai's facial expressions give us a lot of insight into his mind, but not as much into his psychology like Shen's face does: in a way, Kai is the most emotive of the Kung Fu Panda villains, since, as we're going to see very soon, Shen keeps a lot of his emotional turmoil for himself, he doesn't want other people to understand what is going on in his mind and how actually scared of everything he is; Tai Lung also practices self-restraint but for different reasons, and The Chameleon is still yet to be fully understood by myself, but Kai is always sincere about his emotional state, he's angry when he's angry, flattered when he's flattered, and he's scared when he's scared. This doesn't mean that Kai doesn't have anymore depth that can be extrapolated from a contradiction between what he says/does and what his face says/does, it just means that Kai is someone who's very clear about his emotions, probably because he lacks the childhood trauma that defies Shen and Tai, and also because he's already dead.

Kai's inner thought process is that of a raging bull: clear as day. He doesn't have any emotional vulnerability to hide because he doesn't feel like anything can hurt him anymore, so he doesn't bother with keeping a facade since he's not afraid of anything.

Speaking of emotional state, it's time we take a look at this schizophrenic turkey's mental health and how the expressions that he makes leak out the true reason behind his seemingly unending hatred of Po.

You may now be thinking "But isn't Lord Shen's hatred of Po kinda obvious? He hates him, because he perceives him as a threat to his plans, and because he's evil and all that jazz" and while you are partially correct for that, I want to expand upon that obvious notion, and reveal why every time Shen interacts with Po he seemingly treats him like his life long arch nemesis:

You see, Lord Shen isn't just simply afraid of Po....

He's fricking paranoid of him.

Do you remember the whole training montage where Po and the Furious Five are travelling through the country to reach Gongmin City while Shen is getting ready to start the invasion?

It's a pretty cool sequence and all, especially from the perspective of the six..... but why is Lord Shen acting like that?

In KFP3, where we get a similar scene with Kai, it makes perfect sense from both the hero and the villain point of view: Kai, at this point, has been established as a massive threat to Po, so Po is keenly aware of the danger that he poses and is training like hell in order to defeat him; while Kai, who has now almost managed to destroy everything that Oogway has created, is impatient of taking out the last remaining pieces of Oogway's legacy, showcased by the angry way in which he punches the obstacles in his path to the village.

But here, while Po is simply preparing himself to fight the next big threat, Shen is going the extra mile of refining his combat prowess for an invasion that is going to be executed through the usage of gunpowder.

... A bit excessive, don't you think? This doesn't really mean much right now, but let's keep this in mind for later.

After defeating the Council of the Masters and dethroning the throne, Shen immediately asks the Soothsayer to tell him his future, but not before ensuring that his weapon is in the right position for him to continue his monologue.

Keep in mind: these two probably haven't met in 30 years, and while the true extent of their relationship is up to the fans head canons, it's pretty easy to assume that these two were probably closer at a certain point in their lives; therefore, if Shen was so eager to know his destiny to the point of not even wanting to gloat at the old goat, he must have been motivated by either one of these reasons:

A; He wanted to get this over quickly so that he could focus on something else, learning about his future and then finally getting rid of the Soothsayer;

B; Shen's brain is entirely concerned with his plans of world dominance, plans that would greatly benefit from the Soothsayer's ability of predicting the future to be completely foolproof.

C; He has been thinking of nothing else for the past 30 years.

While A is quickly disproved by a later scene where Shen let's go of the goat, B is most likely also not the answer, as despite it being the most logical course of action for the young Lord, the same scene that disproves A also denies B: why would Shen let go of his greatest source of intel? Just because he needed a way to make peace with the past? It's still possible that the thought of using the Soothsayer's magical abilities may have crossed Shen's mind, but I doubt it ever was his main concern.

No, Shen immediately started going after the answers that he sought for one and one reason only: it's been tormenting him for decades.

The way Lord Shen rehashes his monologue with his sword before meeting Po is not that of a cold, calculating mastermind making sure everything goes according to plans; it's the way a schizophrenic freak would try his hardest to keep everything under control.

Shen is in constant need of wanting everything to be how he has envisioned it, like that cannon from earlier, because otherwise he starts to crack down under the pressure.

His nervousness becomes even more apparent in the first segment of his developmental footage; even if all of these are cut scenes that were never intended to be in the movie, they reinforce the idea that the writers always intended to portray Shen as anxious in this scene.

And once Lord Shen is finally about to meet Po, he indeed starts to crack down under the pressure; Shen has feared that this day might arrive his entire life, fought so hard for this moment to not come true, and now that it's finally here, he's absolutely terrified.

Notice how Lord Shen immediately reaches for his feather-knife once he hears the big bad fat panda coming closer: even if the whole scene is played for comedic effect, you can't deny the fact that Shen is truly panicking here, the very next shot of his face right before the meeting makes you assume that Shen thinks that he's going to die.

And I believe this exact fear of death, more than anything else, is what drove Shen to commit genocide towards the Pandas, it's the true reason behind any of his actions, made worse by all of the other issues Shen has:

Lord Shen suffers from Thanatophobia.

Thanatophobia is an intense fear of death or the dying process. Another name for this condition is “death anxiety.” Those suffering from this mental health disorder might be anxious about their own death or the death of someone they care about. Psychotherapy can help most people overcome this disorder, but as you can very well imagine, there weren't many therapists in ancient China, so I doubt Shen had any concrete way of overcoming this struggle, especially in his current household, who most likely put high societal pressure on his dilapidated mind.

Here's a link to a site that better talks about this stuff. Of course, if you want to truly verify the validity of my source, I encourage you to seek out a professional, and please don't use what I tell you as proof for any real life debate.

I personally believe that diagnosing Lord Shen with Thanatophobia is the best way to put the actions of his character into perspective; the visceral way in which Shen talks to Po doesn't make a lot of sense if Shen only sees Po as a threat; no, Po is a constant nightmare looming inside his mind, and has been driving him insane for years, so now Shen wants to even the favour with the panda by slowly breaking his mind apart before he finally manages to kill him.

For Po, his conflict with Shen wasn't personal until he learned of his past, but for Shen, it was personal right from the moment he overheard the prophecy.

The complete and utter alienation of Tai Lung

[danganronpasurvivoraskblog]

Trouble's Brewing Remake: What's it about, and why is it happening?

//So, I think I kept everyone waiting for quite a while after I announced this, and I think it's finally time that I explain what's going to happen with this arc, and what it's all about.

//After some deep reflection and feedback, I realized there were areas that could be improved, and I’m really excited about the direction this rewrite is taking. I know some of you might have questions, so I wanted to address a few that might be on your mind. From what inspired the change, to how this will affect the story moving forward, and what new things you can expect, I’ll cover it all right here.

//No need for a long, drawn out explanation, so let's get started.

1 - Why is Trouble's Brewing being re-written?

//The simple answer is because it's easily the most outdated arc of the story.

//For those who haven't seen the beginning of this blog, this was before I came up with the structure that I currently have, and suffice to say, the plot of the first arc was rushed, and didn't really explain ANYTHING. It was just a quickly fumbled together introduction with no real characterization.

//Basically, all it was designed to do was drop Shuichi and his friends into the world, and it didn't have much of a story besides that.

//The reason why I'm rewriting Trouble's Brewing, and making it from scratch, is to take that plot, and actually make a full-length story arc for it, instead of a few quick posts that were hastily scrapped together, and uncomfortably bad compared to my current writing.

//Now, normally, I really hate the idea of going back and recreating work that I've already made, but in this case, I have more than one good reason for doing so. Considering he's still a key player in the story, it's also the first chance I have to actually use Kuripa's new sprites as part of the story, as well as to give a little more early characterization to some characters who severely needed it in preparation for future arcs.

2 - Will the new arc change the overall direction of the story?

//Yes, but not massively.

//The general plot of the arc will be the same. It will generally be set up to explain the world, the current state of the Future Foundation, as well as introduce the V3 kids into the fray, and the OC's like Kuripa.

//All this is is me taking that original story, and expanding it into something full fledged, like all the current arcs do.

3 - Are key characters being changed or removed?

//I'm sure a lot of people are wondering this, and the answer is yes.

//Because this takes place at the very beginning of the story, the following characters, who only appear in later arcs, will not be featured: Junko Chiaki Alter Ego Junko Kizakura Munakata Yukizome Kaede Ryoma Kirumi Angie Tenko Miu Kaito Kokichi Tsumugi Keebo Gonta Rantaro Kiyo Monaca Yuta Taichi Sora Mikako Teruya Setsuka Iroha Syobai Mikado Kanata Kanade Akane Taira Ando Hibiki Yamato Akeru Mikihiko Yosaku Kana Misako Kanjiro Seina Shozo Ryo Akira Narumi Misuzu Eloise Taulner Kibin Karma Matta Tsutsuji Ella Hanami Mii-Yu Mona Eden Maya Four Hunter Kouji Leona Oliver Yomi Yui Kanon Natsumi Kuroba Solana

//And a few other characters on top of that. Just...anybody who was not present prior to the first arc, so most of the V3 characters, sans Shuichi, Maki, and Himiko

//However there are also characters that will be coming back for the arc, namely Hajime, Yukari, and regular Himiko.

4 - How will the asks function? Will there be any for this arc?

//To make it easier on myself, no. But I will not be closing the box during the duration.

//Asks will be asked in the context of where the story is currently. Because it's a rewrite, I want Trouble's Brewing to be entirely story.

//After all, there's not much point in asking questions when most people already know the current plot developments. There isn't much potential for questions when the reset button gets hit.

5 - How different will the rewritten arc be from the original?

//As I said before, the basic plot is the same, but it's been expanded to include more character moments, story beats, and just...plot in general. Below, I've included some of the important considerations for those looking forward to it:

The main characters of the arc are the Branch 14 trio, i.e. Makoto, Mukuro, and Kuripa.

As teased in the title though, all the main protagonists (with the exception of Kaede, who is not present at this point in the story) will play significant roles in the plot, Shuichi especially.

Yukari Koime will be the main antagonist of the arc. The reason is because I feel that her introduction in Neo World was a bit too bare bones for how important she is throughout Phases 1 and 2, and I wanted more of a chance to have her be the main antagonist.

The big key difference of this arc, compared to the original, is that Maki and Himiko don't just show up as easily as Shuichi does. Like in the original Trouble's Brewing, Shuichi will appear through a wormhole and arrive on Jabberwock Island, but unlike their rushed arrival in the original arc, the main plot of this new arc will involve the Future Foundation tracking down and rescuing Maki and Himiko, to help reunite them with Shuichi. Effectively, it;'s something of a Saving Private Ryan kind of story.

6 - Will we see new scenes or characters?

//Yes, and yes.

//Although, for whatever new characters we DO add to this, don't expect them to stick around for the rest of the story. We need to kind of retain the canonicity, and it doesn't make sense for new characters to appear, and then not be present for the rest of the story.

//The new scenes are designed to better establish the current state of the world 8 years after DR3, and to establish the new characters, like Kuripa and Mukuro, although they don't have their current development, of course.

7 - Can we still access the original version?

//Yes, of course, it should hopefully still be up. But the whole premise of this is to improve the first part of the story, so hopefully, you won't need, nor want to after this.

8 - Will the themes or tone of the story change?

//I can't say for certain, but if they do, it'll likely be to better elaborate and improve upon the general themes of Survivor as a whole, so that new readers can get better acquainted with the premise.

//I think for now, that's it. If there are any other questions about this, please ask me, and I will answer as best I can.

[a-m-w-worlds]

SSO Theory: The Secret Behind the Masks

"It looked like a mask. One of those old wooden ones with holes for the eyes." (Excerpt from Shari's Mask.)

The Miscreants might be the most famous mask-wearers in Jorvik, but have you noticed they aren't the only ones? The Miscreants, Xin, the Vala, Shari, even Pi in The Legend Awakens, so what's the deal with all these wooden masks?

I have a theory!

The only common denominator I can find between all these characters is neutrality. Not good, not evil, something in-between the two. Let's start with Shari, who is first mentioned in the Soul Riders short story collection Ghost Stories from Jorvik., in Alex's story, Shari's Mask. We don't learn much about Shari other than that she is referred to as a goddess and wears the Miscreant mask, as seen on the book's back cover and other illustrations.

According to the About section of the Miscreants page on Spotify the Miscreants styled the masks they wear after one found in a thrift store that likely either belonged to Shari or one of her followers.

The Miscreants are shown to be neutral troublemakers, in no way evil, but not saints either, also equally liked by Soul Riders AND Dark Riders. (Their song Face in the Crowd is used as Sabine's theme and Lisa has a Miscreants poster and replica mask in her bedroom.) Similarly, the Vala, Pi, and Xin (through Ydris) have all been shown to be our enemies AND allies at different points in time, and all seem to have agendas separate from the battle between good and evil.

Xin is an odd case; we know very little about him, although I assume he is Pandorian in origin like Ydris and Zee. The way Ydris refers to Xin's mask is interesting and definitely makes me think it has some greater significance.

In the questline where we're trying to save Concorde from the circus, we also have this little exchange between Linda and Evergray. (Pardon crusty Linda!/lh)

I feel this strengthens the case for Xin being Pandorian.

Now for the witches!

And yes, I do mean witches generally, not just the Vala!

In the second Soul Riders book, The Legend Awakens, Pi is described as wearing wooden masks also! This is an excerpt from Pi's introduction.

"She emerged from the darkness. The darkness sent her to them. All they could see was a figure shrouded in shadows, dressed in a dark cloak with something in front of its face. A wooden mask? The mask was glowing pink, with almost luminescent letters. Anne gasped as she felt the Pandoria sickness wash over her, sticky and pink. She recognized those letters."

Thanks to Sive in the Storms Over Devil's Gap questline we know the masks have some power beyond just cool aesthetics.

I find it interesting that these masks are always specified to be "wooden" either by verbally being referred to as such or in their design.

This makes me wonder if the masks are perhaps made from the wood of Primeval Tress. We know Lisa was able to communicate with the Sleeping Widow while in Pandoria and it was explained the Primeval Tree's roots reach to Pandoria. Dialogue from the One of Our Witches questline also states that witches and Primeval Trees do sometimes form alliances, making this theory even more credible in my opinion.

This same questline also gives us this bit of dialogue.

I find myself wondering if Pi's masks specifically came from a corrupted Primeval Tree. Anne's reaction to it and the fact that Pi's is the only mask to glow pink suggests a stronger Pandorian connection than the Vala masks. Pi in The Legend Awakens is also described very differently from her in-game counterpart. (Since this depiction is more current, I'm considering it the canon version. I want her to be updated in-game so bad!) She's described as having feet like rough tree roots and hands that are half claw, half atrophied wood. Maybe using masks made from corrupted trees corrupts the wearer as well?

For the last part of my theory, we're going to circle back to Shari for a minute.

In Shari's Mask it's revealed that Shari is searching for her missing horse who was taken from her, which I believe to be the Laverna, who is also a mask-wearing trickster. Here's Laverna's in-game description.

"The veil between worlds grows thin around Halloween, allowing spirits to travel to other planes. Laverna was one of these, though no one knows when she first crossed over.

When she arrived on Jorvik she was a mere wisp and a mask. But Laverna is a powerful soul, and before long she created a solid body in the shape of a creature she saw around Jorvik that was suitable for her interests. Disguised as a horse, she got up to all kinds of mischief, preferring the "trick" in "trick or treat."

Laverna fashioned her body after an American Paint Horse; she likes the splashy colors even when concealing her magical coat and mask. She employs nighttime and shadow as cover for thievery. Mischief is her entertainment, so be prepared to keep an eye on her!"

The line "though no one knows when she first crossed over" seems to imply that Laverna is quite an ancient spirit. When Alex meets some of Shari's hypnotized followers in Jorvik City they describe Shari as "the goddess, the deceiver, the rebel, the legend", which is in line with Laverna's mischievousness and the Miscreant's rebelliousness. Shari is described as wearing black robes and not having a face, only the mask. And if Shari can be referred to as a goddess, I would imagine that she's also a very old being. The only other character that's ever been called a goddess is Aideen, so here's my thinking.

Aideen and Garnok are both treated as deities with their own missions and followers, what's interesting though is that while witches and Pandorians (the primary mask-wearers) acknowledge both as powerful beings, they don't seem to worship either. Aideen seems to be a goddess of Jorvik, and we know Garnok is not from Pandoria, merely trapped there. My theory is that witches and Pandorians are followers of Shari, who I believe to be a Pandorian goddess, more specifically a trickster goddess, who is unaligned to good or evil and acts only in the best interest of herself and her followers, the masks symbolizing their neutrality. Mask=ambiguity=neutrality.

The only thing that gives me pause about Laverna being Shari's horse is that Gabby (one of the hypnotized followers) calls Shari's horse Solomi (no clue if I spelled that right, I only have the audiobook version of the story). But it's possible that this is either a discrepancy or Solomi is the horse's real name and Laverna is the name given to her by Jorvegians who didn't know her real name.

So, am I onto something?

Thank you for reading my insane wooden mask deep dive!/gen

[shakingparadigm]

Sooo, like I noticed something.

Ivan's Anakt Garden uniform seems to have a different design than all the other children there. Like his top has a collar on it, which I kind of find ironic since he doesn't even wear a collar (because he's a "good boy" they said). But anyways

The thing is, it goes same for Luka, while slightly similar to the standard Anakt Garden uniform (?), his has a slightly different design on the collar part, yet he's also wearing a collar.

So what's the deal with that, like, if it's based of behavior (y'know being a good pet and all) how come Sua doesn't also have a unique uniform? Or is it a way to Spoil Ivan because of good behavior by his owner, then how come Mizi doesn't also have one(we know she and her owner are on okay kind of terms)

I don't know, just kinda sus in a way.

I just really find it ironic how Ivan's uniform has a collar, whilst he doesn't even wear a collar like all the other children. Like sure, he doesn't wear the collar because of his 'goodboy behavior', yet somehow,

that collar part of his uniform, like somehow symbolizes that while he might not wear that collar like everyone else, he was still not entirely free.

I don't maybe I'm just feeling silly and delusional ahahaha (though I'm not entirely sure if there's a canon explanation for it, is there? Let me know muah muah)

The timing of this ask is impeccable actually I was in the middle of drawing my whole Anakt uniform thing and when I saw this pop up in my inbox I thought to myself: Huh!

Regarding the uniforms: overall, I don't think they're modified for any specific purposes, Ivan and Luka's uniforms are just special because, well, they're special, you know? When your Guardian has money and they really invest in you, it's not too hard for them to switch up your outfit a bit. Just to help you form an image. Maybe even coo at you a little bit and tell you how handsome you look. You know, embarassing shit.

That last paragraph though, wow. There's a lot of ways you can interpret Ivan's "collar". Ivan's shirt collar still technically being a collar, even though he's been gifted privilege (the illusion of free will, exceptionality) at the end of the day he will always remain a pet. I do think that's part of it. After all, how unsightly it would be to see a pet with a bare neck? Wild animal, unable to be restrained, uncivilized, a threat.

Ivan is well-behaved, but his place as a pet must be constantly be made clear, even if the humans may not recognize it that way. In this paradisiacal prison a collar is a collar, whether it fabric or metal. In a way, it seems almost belittling, almost mocking.

No wonder Till's outfits so often consist of wide, open necklines. It must be suffocating to be so restricted.

Moving forward, Sua's uniform is unaltered because although she has a wealthy guardian, they unfortunately don't care much about her. Definitely not enough to give her a special uniform. She's not the type to outwardly want for much, anyway. She's conditioned to wear whatever she's given. She has more pressing matters to worry about.

Mizi's outfit is unaltered too, but for a different reason. Mizi is most likely just satisfied with what she has already. The uniform isn't far from the dress she wore on her way to the Garden, and she's already been established to be a rather free-flowing person. Although her Guardian is more than capable of providing for her wishes and preferences, Mizi doesn't seem to mind simplicity at all. She's just happy to be here!

Anyway, back to Ivan. He forgoes his collar because of his good boy behavior, yes. While the high shirt collar could symbolize the aforementioned false trust, it's also quite in line with Ivan's personal style! He's usually seen with his neck covered, after all. It seems like his trademark. Ivan played himself as more of the mature reserved type (save for whenever he's around Till, apparently), so it makes sense for his owner to commission a uniform that further reinforces this proper and responsible persona. Or maybe it was Anakt Garden that directly issued that uniform to him, who knows. Either way, the uniform makes him stand out and immediately sends the message that he's a special pet.

(Fun fact! Many of Ivan's important outfits center around this theme of uniform, his performance outfit in ROUND 3 literally inspired by the key word uniform.)

I believe Luka's uniform is different because his guardian thought it would be cute. HAHA sorry. no but like genuinely. His collar is quite cutesy and fancy, lines up with Luka's overall trademark aesthetic of white frills and ribbons. Even his sleeves are puffed, like a posh little prince! I can't see a practical explanation for these, they seem purely decorative. And it checks out, because of course someone as influential and desperately prideful as Guardian Heperu would want to make his pet the specialest little boy in the Garden.

On a more serious note, though, I think it further hammers down just how much of a doll Luka is. Sua is described as a doll in her own right, but the difference is that her guardian only cares about her when the cameras are on. Guardian Heperu has his eyes on Luka almost 24/7, attending to his needs for success, ensuring that Luka must remain exceptional. I guess the outfit really helps get across that "little prince" kind of vibe.

There's a chance that the thicker, puffier sleeves of Luka's uniform help him stay warm? I'm not exactly sure about the other ways his heart condition can affect his body, but since he has several health issues I'd assume he has trouble regulating body temperature. And the shoes, isn't that one interesting addition? Luka is the only character sporting footwear in the Garden. It's not like the Garden is "dirty" by any means, as it's just simulation (unless they tried to make this simulation as realistic as possible). Maybe Luka wears shoes once again for health reasons. Perhaps Heperu is just extra protective of Luka.

(Side note: Luka's "shoes" MIGHT be socks. To me they seem more like shoes? But they could very well be socks.)

As far as I know, there's no official explanation for the Anakt uniform variations (honestly, I'd bet if they explained their reasoning Q and V would say they thought it just fit the characters, haha. To me it seems like the uniforms are meant to reflect the characters personalities rather than their circumstances, although just like with Ivan's it could definitely be read both ways).

This is just me speculating too! Thanks for the ask, I really enjoyed talking about this!

[jupiterswasphouse]

WASP REVIEW - CHARMY BEE (SONIC THE HEDGEHOG)

[Image IDs: A piece of official Charmy Bee artwork and an official 3D render of the same character /End IDs.]

Apologies in advance to fans of Charmy Bee. I will preface this review with this: I really love the designs in the Sonic franchise, and I'm perfectly fine with Charmy as a character (apart from some weird things that are supposedly in the comics), Chaotix wouldn't be the same without him! but uh... Yeah, of the characters in the main Sonic games, this is probably one of the Least Good designs. The designers of Sonic Team already don't have a perfect history of making their anthro animal designs as accurate as they could be to the real thing, which usually turns out fine, but how do they fare when making an insect in their trademark style?

Well, let's get straight to it, with this bee's physical appearance. When it comes to the aspects that are fairly acceptable to me, we got only four limbs, and the lower pair appear to technically be misplaced on the body, but that's perfectly ok, given this is an anthropomorphic design. I'm not gonna get mad over a bug with human hands either, given the fact I've done that myself, quite a bit, although I do think it would be fun if they gave him an extra set of arms just to add to the bee aspects of the design. Furthermore, I'm fine with an arthropod mouth being simplified or altered into a more cartoony and/or mammalian mouth, although they could have given him big ol' mandibles and had him be just as cute!

[Image Source: PBS, Nebraska Public Media | Image ID: An illustration of a honey bee (female, worker) showing its body parts as labelled. Mandibles, antennae, eyes, thorax, abdomen, stinger, foreleg, middle leg, forewing, hind wing, and hind leg (with labelled pollen basket) /End IDs.]

Moving on to the rest, though, it's unclear whether or not his mesosoma/thorax and metasoma/abdomen are properly segmented with the shirt on, but it appears as though they might be fused into one segment? His body doesn't seem to have much in the way of segmentation in general, which is strange. The antennae are striped all the way down, which, they should be one solid color. He has only two wings, as opposed to the four on a real bee. He also shouldn't have a stinger, only females such as the queen and the worker bee have these, as the stinger is a modified ovipositor, built to inject venom, as well as for its primary purpose, that being, to lay eggs. Oh, and his helmet would be covering up his ocelli as well!

But then, we get to the most egregious aspects, and... I mean, do I have to say it? Take away the tacked on stinger, antennae, and wings, and this is just another hedgehog. Little guy is about 80% mammal. His arms and mouth area are colored like human skin, and seem to be just as smooth, no chitin nor setae to be found. He has a nose, which, he really shouldn't! He already has antennae with which to smell things!! And the only thing about his eyes that can be called "compound" is the classic Sonic character feature of having gigantic mammalian eyes that are fused straight down the middle like a visor.

[Image Sources: Jupiter's Wasp House, ie Myself, and photomacrography.net forums, Charles Krebs | Image IDs: Two photos, one of a black, yellow, orange, and white feeding from a pink and white flower, followed by a closeup of a honey bee's head /End IDs.]

It's unfortunate, because I think they could've done something really unique, especially considering how uniquely shaped his fellow Chaotix member, Vector The Crocodile is!

Another thing I have to question is, how exactly does he age? Barring the comic canon here, and the weird and insulting brain damage storyline within, he's canonically very young in the games, roughly 16 in Chaotix according to the English manual, though in Heroes he's instead seemingly portrayed as being about 6. Which brings up the question of if he was ever a larva. My assumption, if he was more like a real bee, would be yes! If we're scaling things up, then probably from birth through toddler age. But he's not quite like a real bee, is he? Maybe he was just, essentially, a smaller version of his current self, as is the case with many other types of animal.

[Image Source: Wikimedia Commons, Waugsberg | Image ID: A photo showing eight bee larvae arranged in order of age as they mature and harden into their pupae /End IDs.]

Small side note, apparently, in the comics, he was a prince, which I suppose it's fair enough if we're translating the many social structures of other animals to something more recognizable to us humans, but if every child of the queen became a prince or princess, then every bee in the colony would be a royal, as all honey bees are the young of a queen. Also, the colony wouldn't have a king! A honey bee hive is a matriarchy through and through! If you want an insect king and queen pairing, you'll have to turn to the termites of Blattodea, as Hymenoptera tends to be a bit of a girl's club. Yet again, this is Ken Penders lore we're talking about here, so it matters not.

So, what can be said about his abilities and behaviors? We already covered that he, strangely, has a stinger, which he uses to attack as most stinging bees do, though he's not very aggressive, which is about accurate. I don't think he's ever shown making honey (like a worker bee) nor feeding on honey, or nectar, nor directly from flowers, but do correct me if I'm wrong! He has, at least, been shown to be able to mysteriously warp between flowers, which is quite odd, yet also quite cool, I would say.

He is also, or at least was originally, quite a fast flier! As the Japanese manual of Chaotix supposedly states "He was the first insect to cross the speed of sound", or alternatively that he was the first to break the sound barrier, depending on which translation you read, although this is clearly not quite the case later on. He's still fast, but not enough to break the sound barrier. Honey bees are, in fact, quite fast for their size, reaching a top flight speed of about 20mph (~32kmh), and this is a series where the fastest thing alive is a damn hedgehog, so I can let this one slide. Though, it does seem like a bit of a missed opportunity to make seemingly the fastest insect in this universe a honey bee rather than, say, a dragonfly, the fastest of which, reach about 35mph (56kmh).

All in all, though, Charmy Bee, while a charming fellow, isn't quite up to snuff when compared directly to the real thing. Understandably enough for the Sonic universe, but still kind of disappointing, taking all things into consideration, and the near complete departure from arthropodal anatomy is enough to dock a significant amount of points. So, sadly, I'll have to give him...

-

Overall: 3.5/10

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Leave your wasp review suggestion in the replies, tags, or askbox!

[dresshistorynerd]

Hello hello! I have gotten myself into an American Civil War era ball in November and I was wondering if you had any input on formal dress from the era! I've never done reenactment before but I would love some input on what I should wear!

That sounds very cool! I hope you'll have great time there when it eventually comes! :D

I'll go through all the garments and accessories that would have been used at the time, but obviously limitations of reality might get in the way of some parts. I'll give my opinion on what I think is more and less necessary to embody the era, but I've never done reenactment either so I can't really say for sure what is the expected level of historical accuracy, maybe someone with some experience of reenactment can chime in. But you'll be the best judge on what you can realistically get/make. Think of this as background info.

So the years we are looking at are 1861-65. I'll start from underlayers towards outer layers.

Shift and drawers

By 1860s drawers were used by most women with their shifts. The shift had wide neckline, small sleeves and often a bit of lace trimming. The sleeves could be wide like in the examples, but less often they might be small poofs. It was roughly knee length and still quite often made from white linen, but white cotton too.

Linen shift from mid 1800s US, and a linen shift from 1861-65.

The drawers were very simple in design. They most often split crotch seam, meaning the crotch seam wasn't sewn closed and the waistband was the only thing holding the pieces together. This made it easier to use the bathroom. They reached around mid-calf, sometimes just over the knees, but ankle length was too long. 1860s drawers were very full and usually had simple lace and/or frills at the hem. They were also made from either linen or cotton at the time.

The first example is from 1863 Peterson's Magazine, where pattern for joined drawers are marketed as new, but it's still very much patterned in a way where the drawers don't need to be taken down when using bathroom. It would be still pretty rare. Then drawers from 1860s US.

I would say basically any shift with short sleeves and wide enough neckline works here or really in place of that even almost any similarly shaped under dress, but it's very crucial to have something under the corset. If a shift isn't easily available, the replacing dress should be thin so it's not super hot, loose so it doesn't need closures that might cause chafes under the corset and preferably linen or at least cotton, so it's not sweaty and feels comfortable. Linen is really the superior undergarment material as it's anti-bacterial, very breathable and easy to wash, cotton was only contending with it for very Victorian reasons. The drawers are not necessary, not everyone used them at the time. If you don't feel comfortable not wearing any underpants (which was the other option at the time), I do recommend them since using a bathroom with the crinoline and underpants you have to take down is pretty hard.

Corset

1860s corset was fairly short compared to earlier and later corsets, and usually wouldn't reach very far on the hips. It wasn't necessary as the waistline was just above the natural waistline and the skirt was very wide so the shape of the hips would be completely covered. The corset used in formal settings like balls was usually heavily boned but for the same reasons as why the corset itself was relatively short, the bones didn't necessarily reach beyond the waistline. For these reasons even the heavily boned corsets left very large range of movement for the torso. As it was typical for the whole Victorian era, the corset was closed at the front with a busk and had lacing in the back.

The boning was usually just whalebone, metal often only used in the busk. The fabric was reinforced with most often with cotton twill or canvas. Especially in case of these fancier corsets used with evening gowns, the corset often had a silk fashion fabric, which could be white like other undergarments or colorful.

Silk corset from 1864 Britain/France, and cotton wedding corset from 1865-67 US.

Corset really is very necessary to pull of the ball gown of this era. Not just because it's very crucial in getting the silhouette, but also because it makes it easier to wear the large skirt as the corset distributes it's weight across the torso and supports the torso too. I do think any Victorian corset works here well enough as they are roughly similarly shaped. Because the crinoline is very light, the skirt is lighter than it looks, so even other less structured supportive garments that give even somewhat similar shape could work if Victorian corsets are not an option, like Regency stays or Edwardian corsets or even some modern corset. From what I've heard about reenactment events, I would prioritize having corset (or similar) that fits you and you know you can wear for a long period of time over historical accuracy and the right silhouette. (Corset often needs to be broken in like leather shoes, because the whalebones will shape into the body.)

Crinoline

Crinoline is a crucial part of the underlayers to achieve the silhouette of this era. The silhouette went through some changes even in the first half of 1860s. It started as quite similar to late 1850s silhouette of very large and round, though already in 1861, the volume was more focused in the back. In the following years the skirt would become less round, but wider and the volume would increasingly lean to the back. The skirt would reach it's widest point with massively long back, almost like a very wide bustle, in 1865.

Crinoline from 1860-62 Spain, and another from 1865. You can see the progression quite well between these two.

Here's also all of these foundational layers shown all at once, though I think the crinoline is from between 1866-68, since it's so narrow around the hips (the silhouette collapsed very quickly from the critical mass of 1865 to a much more narrow A-lined silhouette).

As said, this is really necessary to pull of the skirt of early half of 1860s. You really can't get the shape right without it. Especially for the earlier silhouette of the decade 1850s crinoline works perfectly fine and even the later 1860s crinoline like above. Even modern or 1950s hoop skirts can be serviceable here, but if the skirt is cut like in the mid 1860s, it definitely does need the elliptical crinoline that are very specific for those couple of years, as you'll see in the examples of the next section.

Petticoat

Petticoat's purpose in this era was mainly to smooth out the crinoline. It was therefore voluminous and usually made out of fairly stiff fabric, usually a bit heavier linen or cotton. There was often horizontal pleats around the hem, which would reinforce the shape. Couple of layers could be used too to properly cover the crinoline. It was pretty plain, usually white, but not necessarily, maybe with a bit of lace at the hem. Especially in early 1860s the petticoat was usually gathered with cartrigde pleats, which give a very round and voluminous shape. Around the mid 1860s, the pleating would be mostly focused in back to enhance the long shape.

Cotton petticoat from 1855-65 US, and linen petticoat from 1860-65 US. The first is very likely late 1855 or very early 1860s as it's so very round. The second is definitely closer to 1865, it shows very well how much more volume was at the back, as the hem there is much longer.

This is not strictly necessary, but it's very obvious when a crinoline doesn't have a petticoat on top of it, especially if the skirt is made out of some thinner fabric. It can be very simple, it just needs to be big enough. Basically any similar sized skirt or petticoat works fine in it's place.

Corset cover

Corset cover or camisole, as the name suggests, had similar purpose as petticoat, to smooth out the hard line of the corset. It was a small shirt, with similar neckline and sleeves as shift at the time. It was like other undergarments almost always white, often made out of cotton, but linen too.

Cotton corset cover from 1860 US, and another from 1864-68 US.

It's not super necessary imo, but it does give a smoother finish. It could be pretty easily replaced by a corset cover from different era, that's close enough in design (so it won't be showing under the bodice), if something like that is more easily available.. Any shirt really that's similarly loose-ish, so that it doesn't create too much bulk, but also doesn't get pinned tense by the bodice, would work I think.

Ball gown

Now we finally get to the meat of it. Ball gowns of the early half of 1860s had very tiny sleeves, that hung just over the shoulder. They were usually tiny poofs or could be tiny frills too. As mentioned earlier, the bodice was short and ended abruptly at the waistline, which was slightly above the natural waist, to emphasize the mass of the skirt. A typical waistline exaggerated pointed end.

The skirt was not as elaborately layered like a cake as in late 1850s, but typically it had a bit of layering at the hem, where the layers were displayed by different types of gathering. An organza layer on top was very popular. A bit of trimming at the hems of the layers of the skirt was common, but the amount of trimmings was pretty restrained (especially when compared to the next couple of decades).

The colors of evening wear were usually light. I've noticed white, light pink, light blue, mint and lavender crop up most often. It was though very trendy to have a dark or a bright jewel accent color combined with the soft dominant color. The new synthetic dyes were able to create cheep bright colors unlike before and people were very into them. The most popular colors, that were also used a lot as accent colors in evening wear were bright purple, magenta, electric blue and emerald green. The evening gowns tended to be solid color and mostly one color too, except for the accents. Typical decorative motifs were fabric flowers, bows, lace trimming and fringes. For evening wear the fabric was most often silk as taffeta or satin and possibly organza in addition.

Here's some select fashion plates with ball gowns I really like. The firs is from 1863 and the other two are from 1865.

The first two include my personal favorite trend from this period, which is corselette/Swiss waist/Medici waist. It was a small decorative usually underbust waistwear, sometimes with shoulder straps, sometimes without. It was part of the Gothic Revival fashion and was alluding to Renaissance bodices and stays. They really have nothing to do with Medieval or Renaissance fashion, but Victorians associated the use of waistwear and stays as outer wear with vague idea of The Gothic for quite complicated reasons (I talk about that in this post at length). They were lightly boned, but just to keep up the shape, they were not in any way supportive, just decorative. The blue dress in the first example above has a Medici waist (the trend was loosely inspired by Catherine de Medici's portraits), which has the distinctive upward pointed neckline combined with shoulder straps, and the white dress in the second example has either Swiss waist or corselette. The terms were used quite interchangeably, even the Medici waist's definition is pretty loose (I usually just default to corselette). Below there's couple of more example of these. First is silk corselette from 1863-67 US and second is silk corselette from 1864-68 US. The third is a dress with another silk coselette supposedly from 1855 US. I think the bodice is too short for 1855 and the skirt very distinctly mid 1860s, with the volume in the back, so I won't believe MET on this. Interestingly the dress is made out of piña fabric, which is traditional fabric made out of pineapple plant fiber and was a luxury fabric among Western upper crust in 18th and 19th centuries for colonialist reasons.

Okay, I'm done with the corselette propaganda. I have a pinterest board of primary images with a section for 1860-65 for additional inspiration, but I haven't organized it yet, so there might be some misplaced images.

Accessories

These are not that necessary, but a bit of extra detail to sell the look.

Hair was kept in elaborate low buns, which could be decorated with fabric flowers and ribbons for the evening. Necklaces were pretty short and usually fairly simple. This was the time, when the iconic black silk ribbon collar became a thing. In 1860s it usually had some small (or bigger as in this royal example) pendant on it.

Gloves were strictly necessary. For evening they were always white kid (a type of thin leather) gloves, which just covered the wrists. Silk gloves were thought of as tacky. The gloves were very simple in style but bracelets were often used with them.

Above knee stockings were always used. Usually they would be white, but they did come in all kinds of colors and small patters on the ankle were common. They would be knitted silk for the evening. Here's some silk stockings in very fun colors and patterns from 1860s England. They were secured with with a wide silk ribbon tied below or above knee. I use stockings and ribbon to secure it for everyday purposes, and it works really well. The thing is to have wide enough ribbon you can circle around the leg couple of times, so it won't put too much pressure on one spot. For me below knee works the best. Really any thin knee high stockings works for this, and white is the safest bet.

There's some options with the shoes. Both boots and slippers were acceptable for evening wear and slippers could have a heel or not. The evening shoes were less practical and fancier that your day shoes. They usually had silk as the fashion fabric, which wasn't that much of an issue, since they were used indoors.

Silk evening boots from 1860s France, silk slippers with a heel from 1855-65, and silk slippers from 1862 Austria.

Honestly, shoes won't be really seen under the skirt, so I don't think it's very necessary to get new shoes (there are shoe sellers like American Duchess who do historical reproduction so it's possible). Basically any ballerina slippers with a somewhat flat or at least round end are pretty close. Also any shoes roughly between 1830-1880 are basically accurate (minus some details) as the shoe fashion changed pretty slowly.

I hope this was helpful for at least providing some background info!

[earthstellar]

More Thoughts on Prowl in Earthspark

I think it would be fun if Prowl has a little bit of a tough time integrating with the Terran Team, which I talked about previously in another post

Like, if it starts out rough, understandable-- And then the "lesson" for the intended audience (kids) can be something along the lines of learning how to get along with others that may be different from yourself, how to integrate into a different culture by trying to make friends and being open to learning, how to meet people halfway when you might be personally hesitant, etc.

But I have some more thoughts...

Real World Concerns: ACAB Still Applies

Keeping in mind that Prowl's a cop and there are some real world implications of that which are even more highlighted as the Maltos are a non-white family who live in the USA, I can understand the concerns I've seen some people have about bringing a "tough cop" type of character into a show that has heavy emphasis on diversity and reflecting that diversity fairly realistically.

I've been wrongfully detained back when I was a teenager and was taken across a state border then had to sleep in a cell overnight thanks to the NYPD myself as a trans person, which happened only four weeks after my black partner at the time was harassed by a police officer when a cop straight up just walked into my dad's house with no warrant because apparently a black person and a trans person gardening together is "suspicious behaviour".

My dad's house is in Pennsylvania, which is where Earthspark takes place. Me and my loved ones have been harassed by cops that are quite literally the actual cops you'd see in Earthspark, in Witwicky. Same police department/region in Pennsylvania, given their proximity to actual Pennsylvanian locations in the show.

So I know these fears well and I understand-- Nobody has a good experience with the American police. Every interaction is terrifying, and those of us in any minority group are far more likely to have experiences like this having never committed any crime or wrongdoing at all. Seeing any cop, even a fictional one, can trigger some bad memories or prior trauma for a lot of us, and it might be hard for them to work around.

I'm thinking that's part of why they've changed his alt-mode, from what we can tell from the toy photos.

Earthspark Handles Real World Issues Fairly Well: Writing with Sensitivity

At the same time, the themes of the show are fundamentally family, friends, learning, growing, and teamwork, with some emphasis on developing emotional intelligence and social/cultural awareness.

It's important to remember that Prowl is a Cybertronian cop who took a cop car alt-mode back in the G1 days because it was simply what fit his own role best and made for the most effective cover while on Earth-- He may not be working with local human police forces, but if he is, we'll see how the show handles that.

I think it's notable that they've changed up Prowl's alt-mode design here, despite having shown him in his police vehicle alt-mode in the G1 flashback sequence. You don't see "POLICE" written across his doorwings, these days. They're not selling him as a "cop car toy" anymore, which I think most of us can agree is a good thing.

I think Prowl absolutely has a place in Earthspark, and it'll be interesting to see how they utilise his character-- For all we know, it'll be a totally unique take on the character unlike any specific prior iteration of him, which would also be interesting!

But I do think that they know they have to be careful with introducing a cop character. They've handled subjects like xenophobia in Earthspark very tactfully in a way that suits the intended audience of children, and hopefully they continue to use the same tact when interpreting Prowl's character for this same audience, given that he's a cop and there are implications to cop characters in general that are going to lead a lot of people to be a little less forgiving and a little more suspicious of him.

More Conjecture/Thinking Out Loud, Since All We Have is a Photo of a Toy At This Point

That having been said, almost no story can happen without a hero's journey in some shape or form, and it would be interesting to see Prowl have some initial difficulty dealing with the Terrans and humans in general (or something similar that might cause some level of conflict) to be resolved as time goes on.

It would be interesting if the show touches on Prowl being a cop and how American kids realistically react to that.

I was always taught to never speak to a cop and how to do so very carefully if I ever absolutely had to etc. when I was a kid, and I'm sure the Maltos have had that same conversation with their children. It's a safety issue; Unfortunately, most American kids get "the cop talk" pretty early.

Maybe Prowl shows up and Robby immediately grabs Mo to get her behind him and he tells his Terran siblings to "let him do the talking", since he's the oldest one and a little more aware of the risk that police officers can present. Since Mo is usually outgoing, and she might be more quiet here because she would understand the potential risk whenever cops are involved, the Terrans would take the hint and be wary of Prowl.

Or perhaps Prowl is introduced as an "enforcer" by Optimus, and when the kids ask what that means, Optimus translates it as "police officer", which might be what causes Robby and Mo to react a little negatively/suspiciously to Prowl. So it wouldn't be as immediate of a reaction, but once they find out he's a cop, they react appropriately-- With caution.

Which might serve to alienate him a bit, as he wouldn't understand why they were just outgoing and friendly and now they're suddenly not-- From Prowl's point of view, he might not fully understand their reaction.

If he'd been working on trying to investigate the bot fighting rings etc., then he'd be aware of the general public's xenophobia towards Cybertronians and how that can manifest as real violence, and might think the kids were being biased against him. Which might be worsened by the fact that to him, as far as he knows, they evidently don't like enforcers specifically-- Which may even lead him to overthink it, as he is technically designed to do in most continuities, and he might assume their anxiety around him comes from some kind of criminal history on their part.

This could be handled partially comedically, as the audience knows the kids are good and haven't done anything wrong (and this would also introduce Prowl's capabilities as an investigative officer while framing him as a "silly adult bewildered by kids just being kids" for the younger viewers)-- -But it needs to be treated respectfully and with reasonable seriousness as well.

This type of assumed guilt is often what leads to wrongful arrest, miscarriage of justice, and serious abuse from actual police. There is a real world body count for this exact kind of assumption, and these assumptions are often based in racism, homophobia, transphobia, etc.

And this is a kid's show, so I don't think they'll go too deep-- But I do think they'll address the "cop in the room" in some kind of way.

There could be some serious misunderstandings that go both ways, as the kids might then interpret any upset from Prowl as being inherently hostile.

It would take work to get them to trust him, and Prowl would need to come to understand why being an enforcer in this context is something that registers as a threat to the Maltos and by proxy the Terrans as well-- Who haven't had good experiences with authority figures either, given the whole GHOST situation.

And given that he might not start out too enthused about the situation altogether (we don't know how he might be coping with being forced to live on Earth), it might be interesting if they take this approach (or a similar one) to introducing Prowl.

Keeping in mind this is a show for kids, and you don't want kids to implicitly trust cops. In America especially, that's just not a safe lesson to teach.

So it would be hard for them to pull something like this off, in a way that both 1) solidifies that cops can't be safely trusted and also 2) Prowl is good not because he's a cop, but because his genuine interests are to protect and serve in his own way, and it's not just some kind of fake creed that he doesn't follow like every other cop.

But like I said, you can't teach kids that cops are good. So it'll be interesting to see how they handle his role as "enforcer".

He might be misguided sometimes, or he might need some fine-tuning, but Prowl shouldn't be directly malicious or intentionally mean to the kids. Maybe he's accidentally rude, or doesn't understand how he comes across to others (especially humans/the Terrans). Maybe he's having a hard time being on Earth, and it shows in his behaviour or demeanour.

But he can learn, and adapt as best he can over time. The show is about learning and growing with each other.

I Don't Think He'll Dislike the Kids Too Much: Teaching Time with Prowl

It'll be interesting to see how Prowl gets along with the kids, but I do think he eventually will, at least to some degree.

I don't think Prowl is a child-hater. I think he might need time to acclimate and socialise a little more effectively and understand a little more. And the kids might need the same, when it comes to Prowl.

I can't see him as being mean to them, not once he realises the Terrans are essentially sparklings and the human kids develop and grow on a totally different scale. We don't know what interactions Prowl might have with humans in general, or how experienced he is with younglings of any kind.

There might be a learning process, or Prowl might even take up helping to tutor the kids a bit-- He could help teach them investigative techniques, or logical problem solving, or how to evaluate complex situations (like calculating battle outcomes and assessing threats in the field-- a safety lesson as much as anything else). Things along those lines.

We've already seen the kids learn from various adults, so why not Prowl too?

I can see him wanting to protect them and do what he can to help them, but he might not be a super-involved parent-type, and that's totally fine.

He would likely make for a strict but effective teacher, using his skills of observation to notice when the kids need some extra assistance or would benefit from a different approach.

He might also struggle to teach at first; Maybe he attempts to treat it like an enforcer academy, which the kids might not respond well to. Bumblebee could provide some input to help Prowl adjust his approach, as he has the most experience with training them so far.

He Might Not Be a Cop at All

Maybe he's not an enforcer at all anymore, in this continuity.

Maybe he's struggling to find an identity for himself after realising the enforcement system on Cybertron was corrupt (as Megatron in Earthspark has given us some hints that the background setup to the war might be similar to IDW 1 in some regards), and after finding Earth's police are no better, he's at a loss for how to make himself useful.

He could possibly be working as a kind of private investigator, carrying out missions assigned to him by Optimus. He doesn't wear the GHOST badge, so it doesn't seem like he's been working with them somewhere this whole time.

Part of any irritation from him might be, essentially, an identity crisis. What does he do now, and how does he do it, with almost no resources and very few Cybertronians left to collaborate with? Does he even want to collaborate with anyone at all, at this point?

He might be more of a solo actor in Earthspark, off doing his own thing. With or without missions assigned from Optimus.

But he does still wear the Autobrand, which is interesting if this is the case.

More Disability Representation: Prowl is Essentially Neurodivergent With a Syncope Disorder

He might not be too good at socialising, but this shouldn't be taken as a sign of being a "mean cop"-- Prowl is canonically neurodivergent in some continuities (owing to his unique tactical/statistical processing, he is also prone to crashes), and any social problems he's depicted with are at least in part a result of his thought processes and perception of things being fundamentally different.

It would be interesting if they brought this aspect of his character back for this iteration of Prowl; Maybe he sees the Terrans for the first time and his processor struggles to understand what's going on and what they are at first, and it might trigger a crash.

Of course, the kids would react like how most kids do; Sort of panicked and worried that it's their fault somehow. Prowl could provide some situations that would be a good opportunity to teach kids a little more about disability and provide further representation for any neurodivergent kids watching the show, which would be great! And a "crash" could be comparable to anything from some types of seizures to syncope disorders to narcolepsy etc.-- Any health condition where fainting or collapse might occur.

We rarely see syncope etc. disorders portrayed in media, let alone kid shows, so it would be great to see in Earthspark as an opportunity for both inclusion for disabled audiences and education on disability for non-disabled audiences.

It would be interesting if a "crash" were portrayed somewhat realistically, no immediate recovery, maybe some dizziness, lingering fuel tank upset, maybe he even sustains some damage from falling over. It might take him a bit to fully reboot. He might regularly need to be a little more careful, to avoid processor loops or logic system issues that could lead to a crash.

Maybe he has a crash at a critical moment, and is out of commission for a battle or situation where he could have been helpful. If the kids are lukewarm towards him at this point, maybe seeing him laid out on a berth still recovering after they return from the fight would encourage them to step up and reassure him that he's not any less capable-- They would understand.

They've likely seen their mother struggle now and then on days where the phantom limb nerve pain is too much for her to go on that hike they had planned, or days where the prosthetic just isn't the vibe so she goes without and gets around the house a little differently on those days, or maybe even days where they see Dot looking at her prosthetic with a little sigh, and that's just how it is. Not every day is a feeling good day, some days the prosthetic just isn't wanted, some days the prosthetic is harder to put on than others. Disability is variable, and how people deal with disability fluctuates.

The kids would be good about understanding that Prowl has "those kind of days" too.

The show's not about Prowl-- There is an ensemble cast and plot/storylines to progress. But it would be a nice little scene if they want to do a one-off bit about this, that could also serve to show that Prowl, as hard-ass as he might come across, does actually have some vulnerabilities.

It could be the thing that encourages the kids to at least try to work with him, if they have any initial hesitancy-- Especially following their experiences with Robbie's illness previously.

If the kids might think Prowl's demeanour is a little off-putting because he's not as outwardly emotive, might be more literal than others, etc., maybe one of the other adult bots could help explain to them that Prowl's processor just works differently, and that he struggles with being social. The kids would likely be understanding of this, and it would be a nice parallel to teaching abled kids how to interact with autistic peers, while also making Prowl relatable to autistic kids watching the show.

(This would also provide a potential opportunity for a medic character to be introduced... I'm just saying. We all want Ratchet to show up, lmao.)

Earthspark is good about disability representation so far, and it would be nice to see that it's not just humans who can be disabled.

----

Anyway, yes, there's a lot of potential for Prowl in Earthspark, but it will have to be handled with tact, which I think the writers have proven themselves to be pretty capable of so far.

So, we'll see! We have no information right now aside from the toy photos, but the hype is real, and it will be interesting to see how they bring Prowl into the show and what, exactly, he'll be doing.

[getoutofbednelly]

so the most recent fics I’ve read on my kindle are the first two parts of the time has come today series by teen_dean (@urne-buriall on tumblr I think). and these are so good. I’ll elaborate more in my fic review but I am excited to share the cover I developed for my kindle collection because I really enjoyed going through different iterations of this cover. I’m just posting the cover I landed on for now, but I think I will share some of the other iterations which include design choices that I cut and edited at length(in another post or reblog later).

Fic review, cover design notes and a small disclaimer under the page break:)

fic review: I’m not always one to love casefics, watching cases passively on screen is one thing, but I can’t always immerse myself in a case to keep interest. I’m more one for character dynamics and the dynamics here are so interesting and introspective and funny I can’t get enough.

When it comes to the characterizations the author really nails it too. They are so close to canon that when I inevitably dissociate from atmospheric chemistry seminars and start thinking about supernatural, I can’t remember if something happened in their fic or on screen. I love these characters and teen_dean obviously does too because they treat their characterization so carefully. The cover I designed references scenery and plot points related to the case part of the fic, but I wish I could have incorporated the deep and thoughtful character analysis that is part of this fic.

And the imagery, particularly the west coast imagery, is. so. good. Very rarely am ever I struck with the desire to draw imagery described in writing, but it struck me at multiple times throughout this. most noteably the cas in the orchard paragraph highlighted in one of my pics towards the end of young hearts (will it be my first castiel fan art??? I certainly hope so.) chef’s kiss.

I really thought I would take a break after finishing young hearts, but I wasn’t ready to not know what happened to teen dean and past-cas in the next fic so I’m reading the rules of have changed today now and I have no regrets.

some notes on the cover design: I’m not sure this translates to the end result, but the glowing text of the title/author/everything-else was meant to represent the flickering lights of neon signage you might see in a dive bar. The description of Schaffer’s bar at the beginning and end of the first part is rich and another example of really capturing the feeling of canon (which I should mention is something the author does really well through scenery too). I don’t think I necessarily got the colors right (I initially imagined a larger color palette), but I’m feeling pretty good about the glowing aspect of it. In a print book format, I’d like all of the red to be metallic embossed.

Its very faint, but I included the silhouette of a mountainscape with silhouettes of dark watchers watching in the background. I think you have to zoom in to see them though. So I included a zoomed in image of two of the dark watchers. See if you can spot the other two!!

The last thing I wanted to mention is that I know arimaspians are typically one-eyed (on their heads). I took a creative liberty and put an eye on the hand.

lastly, a disclaimer: I know that teen_dean already has a cover and print typeset for their fic on their page. I just wanted to add my creative twist on it for my kindle collection and wanted to share it with you all :’). I should say explicitly that this was not designed in communication with the fic author. I do not take any credit for the fic (credit to the story goes to the author and characters to the cw). if teen_dean comes across this I especially hope they enjoy it<3, but if for any reason you (teen_dean/urne-buriall) don’t want to be associated with this cover, please contact me and I will take this down.

[danses-with-dogmeat]

Y is for -- Yes Man

Yay! Golly, who doesn't love Yes Man? He's just such a sarcastic little sweetheart and I'm not immune to his adorable, securitron charms. So, here's this!

I hope you all enjoy!

And with this, that's it!!

Thank you all so much for being a part of my lil 2k celebration! It was so amazing seeing everyone's reactions to these prompts, and literally SUCH a treat to write for some of these more "unfamiliar" characters! Love you all, and thank you so much for celebrating with me!

Next event updates will be coming... very soon 👀 So stay tuned for that! ❤️😊

And here is the 2k event masterlist, for your browsing pleasure!

--

Pair: Yes Man & Reader

Dialogue: “Promise me you’ll still be here when I wake up.”

Word: Yours

Rating: SFW

Category: Hurt/Comfort

Word Count: 1.7k

You paced back and forth around the hotel room, the only sound the scuffling of your slippered feet and the scrawl of your pen over the legal pad in your hands. 

“Is it enough, though? Did we even cover the–” Your eyes narrowed as you looked over your scribbled notes, trying (and failing) to blink the sleep from them as you attempted to decipher the chicken scratch upon the page. “The Boomers? What’re we doing about them when we take power, I mean, I haven’t even met with them yet, what if I get–” 

“Yep, we sure did talk about them, Six! Remember? In the first meeting we had today! The one at 4 in the morning that you insisted on! You remember now?” 

“The one… oh yeah, I do now.” You chuckled, flipping through the papers on your pad to the notes you’d taken-- what was it now, ten hours ago? 

My handwriting was much easier to read this morning, that’s for sure…

“‘Send a securitron with a note…' oh yeah, that was a decent idea.” 

“Sure was!” Yes Man agreed with that same dopey, optimistic smile permanently etched upon his face. 

After so long a day, the smile became much harder to believe. 

“Definitely get your best ideas after having slept a full night, don’tcha boss?” 

“Maybe…” You bit your bottom lip at that, catching his meaning through the words easily. 

Time for bed, boss. 

He’d never give you a command outright, you knew he couldn’t. It’s not what… what Benny designed Yes Man for, after all. Still though, suggestions he gave rather often. And this suggestion, most often of all. 

How many days has it been since I let myself sleep? And here? Probably never…

Well, not since that first night, anyway.

“Six? Still thinking of some wonderful ideas, or do you want me to go and get your pajamas for you?” 

“Still thinking right now, Yes Man.” 

Though, you allowed yourself the small reprieve of sitting on the edge of the bed. The mattress gave generously as you sat upon it, the plushness of it overwhelming you after so many nights spent down in Freeside at the Wrangler. 

“Might head out pretty soon, here.” You told the bot, with the knowledge that he could easily guess where you meant to go. “You can stay here tonight though, if you want to. I’ll be back early enough, I’m sure.” 

“Sure boss, sounds like a swell idea!” Yes Man paused, but you could tell he wanted to say more, you didn’t quite know how you knew that, but something about his tone, or maybe even his expression–

I really am starting to lose it, huh? 

Yes Man’s expression doesn’t change.

Guess this is what happens when you get 3 hours of sleep a–

“Yes. I think it makes total and utter sense for you to walk to the Atomic Wrangler through the strip and Freeside– which is known to be quite dangerous– at two in the morning without me by your side to help you! And then to come back here in the morning, likely as early as four a.m. to chat with me some more! I’m so glad we’re going to have someone as dedicated, dependable and quick-witted as you leading all of New Vegas real soon! You seem completely equipped for the stresses that’ll bring!” 

You pursed your lips as he spoke, your tired gaze resting on the dull, pulsing glow of his screen lighting up with each word, casting a green-tinged gleam over the carpeted floor of the Tops' hotel suite. 

“I don’t know what to do, Yes Man.” You admitted with a small voice, and heard the turn of his wheel as he scooted closer to you to better hear your words. “I… I can’t stay here, can’t sleep in this room, after Benny…” 

With a sigh, you laid back on the bed, your body aching and pleading for a rest, even as your mind cast the sensation of a thousand ants crawling over your skin at the feel of the familiar sheets. The smell of the room, the décor, even the sounds; the dull conversations and jazz music that were all blaring far down stairs, the squeaky whine of the elevator moving along its vertical track, footsteps pattering through the halls… Anytime there was quiet, any time you weren’t moving, thinking, that Yes Man wasn’t talking, you were sucked back into your memories of this place. Your first time here, with him. 

That wretched man who tried to kill you. The asshole, who talked his way into your heart through the span of one night, who made you feel… singular. Like you could conquer the world, and run the whole thing, with him at your side. 

Just give him the chip… Just stay the night… 

Do what he said, and he would give you the world, and his heart, all at once. 

You kicked yourself every night at the thought that you ever believed him. 

But what could you say now? At the time, you were scared, you were alone and angry, and then… Then you were in love. Quickly, yes, but still, you were.

And for what?

You raked your nails down your face painfully, and a deep groan escaped you as you were caged by your own memories in this wretched room. 

“Well, Benny… Well, that guy’s gone!" Yes Man piped up, "It’s just you and me now, Six! You don’t have to worry at all–”

“I know he’s gone, Yes Man! That’s the fucking problem!” You sat up suddenly as you shouted at him, and the bot backed away from where he’d started to approach you. “He and I were supposed to do this together! Not just me and– and– fucking you.”

You were on your feet now, and Yes Man was caged in against the opposite wall as you stalked towards him, with nostrils flared and teeth in a snarl, you continued.

“You were the enemy. You told him how to follow me, knew the best place for him to fucking shoot me and leave me buried in the dirt, you were meant to plot with him from the start, and now? Now... why? Why the hell do you care what happens to me? Why are you planning all this without him? Benny was the one who made you, programmed you, what… What the hell are you doing with me, when… When you’re his.”  

There was no malice in the end, it had all escaped you in the first bouts of shouting. Now, all that was left was a somber sort of curiosity. Honest, but dejected all at once. 

Even now, I’m still holding onto a part of Benny…

“Because, Six, well… I’m not his anymore. I’m yours! I like planning this hostile takeover with you, and I like the meetings and the way you ask my opinion!” 

You looked up from where your gaze had rested on the dull, red carpet, your eyes now meeting Yes Man’s optimistic screen, and lighting up with the glow of it.   

“Benny may have asked for me to be made, and programmed the way I am, but then… Well, he left both of us, didn’t he?”   

Was that… a bit of anger and, even, a touch of sadness in his upbeat voice?

Maybe I am just losing it…     

“He was my boss, but now you are! And even more than that, you’re my friend!” 

You blinked at him, feeling your throat swell up with emotion at the word he used. 

Friend. 

“Y-you really mean that, Yes Man?”

“Sure do, pal! We’re closer than two buildings snugly adjacent to one another! And I mean it!” 

A laugh couldn’t help but pry itself from you, and you nearly fell over from the force of it. Until you felt one gentle, metal hand brace on your shoulder. 

“Don’t know why you found that so funny, friend, but I sure am glad you did! I like to see your smile! And I’m not just saying that to be nice! I know it can be hard to tell when I mean something because of the way Benny programmed my voice, but I really do mean everything that I said! And what I said right now!” 

“Okay, okay!” You were still falling over, holding your stomach as you laughed until your eyes watered. “Thank you, Yes Man, I believe you, I do.” 

Somehow, you were back on the bed, sitting with Yes Man’s hand still on your shoulder as you fought to catch your breath. 

“A-alright…” You spoke, once you’d calmed down. “I… might be able to sleep here tonight. Maybe.” 

You bit your lip again, knowing damn well you were one bite shy of making it bleed with all the nerves coursing through you. 

“Just… Can you promise me something?” 

“Sure can, once you tell me what it is!” 

“Can you just… promise me you’ll still be here when I wake up? I know it seems silly, but–”

“Yes, Six. I promise I’ll still be here when you wake up!” 

A smile touched your lips at his words, and even with that feeling of foolishness at the forefront of your mind, you felt… reassured; like the sustained, comforting pressure of his hand on your shoulder. 

“Thanks… Friend.” 

“Sure thing, Six! And, I want you to know, I’m not just promising that because I have to agree with everything you say! I would promise it either way!” 

You laid back, finally feeling the fatigue in your body and mind take hold of you and force your eyelids to close and your muscles to relax into the mattress below. Still though, even in your exhaustion, you found it in you to broaden your grin at Yes Man’s words.

“Glad to hear it.” You told him, “And… goodnight, Yes Man.” 

“Goodnight, Six!” His voice was quieter, as he wheeled himself back into his corner of the room and dimmed the lights down, “I’ll see you in the morning!” 

It was almost a whisper, but still, the comforting words rang through you as you finally felt sleep take you into it’s comforting arms and lull you into a pleasant dreamland.

[moon-language-0]

10 Questions for Writers

wasn't gonna do this bc i thought nobody probably really cares about this stuff but since i got double tagged by @meidui and @sunnysideprincess here goes nothing:

1. how many works do you have on AO3?

32 and climbing!

2. what’s your total AO3 word count?

ugh i had to go into my stats to find this number (hate looking at stats) but to my surprise that number is a whopping 816,828! (if added to my ff.net word count that figure grows to 1,062,375 🤯)

3. what fandoms do you write for?

stony exclusively, though i opened up to the idea of writing for steve and/or tony paired with any mcu villain for marvel trumps hate, and now i'm writing a steve/loki (with steve/tony as endgame) fic that's more fun than i would've anticipated! (x) still wouldn't call myself a "multishipper," though -- more of a serial shipping monogamist ;)

4. do you respond to comments? why or why not?

i do! sometimes i'm a bit slow to respond for various reasons (e.g. when people angels comment on my WIPs i like to reply when/right before a new chapter drops), and on a few occasions i've belatedly encountered comments that i forgot to reply to (😱) that i'll immediately rectify, but i very much want to encourage people to keep leaving them. a single comment—even short/sweet ones!—can be like rocket fuel to my creative drive -- and as someone who finds myself running on empty and trying to get by solely on fumes from time to time, getting that boost in my inbox is truly priceless.

5. have you ever had a fic stolen?

not in whole but in part :(

6. have you ever co-written a fic before?

i don't even know how that would work!

7. what’s your all-time favorite ship?

currently steve/tony. once upon a time it was spock/kirk, and the flame burned so brightly that it troubles me to wonder how it ever managed to go out. i collected vintage zines. i made insanely thoughtful fanmixes (one of which i recorded onto cassette tapes one-at-a-time by hand through a painstaking process and distributed to a few like-minded folks, with hand-drawn cover art and liner notes!). i read AMAZING fic that changed my brain and yet i never wrote a single thing! i made a secret spacehusbands clubhouse underneath a pool table during one long and otherwise unhappy summer. i even made spirk-themed patches and pins that sold quite well on etsy, and turned one of my large back pieces into the central design of a fully decked-out jacket (which was made specifically to wear while loitering around disneyland while baked). here's some photographic evidence of all of the above:

8. what are your writing strengths?

smut-crafting is the obvious answer, but i flatter myself to think that i also manage to tap into a particular kind of haunted beauty that hovers about, casting its ethereal moon-shadow over all the most poignant relationships; something i've been obsessed with in life, that i'm compelled to pursue further in writing.

9. what are your writing weaknesses?

keeping it short. my punctuation can get pretty erratic sometimes. also, this might be a cop-out of an answer since it can be interpreted as a 'strength' but it really can throw me for a loop: i tend to let the characters tell the story 'they' want to tell rather than keeping a tight hold on the reins and sticking to my own agenda -- this can lead me off my intended course, for better or worse! as a storyteller i'm a bit of a pushover—always open to sudden inspiration wherever it might issue from—and steve and tony are such *strong* personalities that this openness can be a problem when i 'channel' them.

10. first fandom you wrote for?

harry potter. i was a bit of a snapewife for awhile there (don't judge). ff.net has been having some server issues so i recently logged back on to download my 245k unfinished epic from 2012, and found over a thousand people had left comments! some people were calling it a "masterpiece" and/or "the best fic [they] ever read [for that pairing]" which made me doubtful, so i skimmed over some of the story expecting it to be cringey but uhhh... it actually holds up? i mean, 2011/12 was quite a time for me: i was simultaneously finishing my thesis on "fandom, fanaticism, and religious fervor" and can recall having full-on religious experiences of my own while writing that [truly 'inspired'] fic, so i guess i was onto something after all!

some of these folks have already been tagged but i'm whispering a soft 'hello' into the ears of @carsonian, @soliloquent-stark, @pia-bartolini, @avengersnewb, @tinystark616 & all writers who aren't as averse to mirror-gazing as i can be

[vaultlinkvt]

This is the first proper thing I've drawn in ages (and first are I think I've posted in over 5 years?) I just needed to draw the opening to Act 5 and my reaction to it.

Nothing has gripped me in such a way and forced me to finish an art piece like this in so fucking long. I see far too much of myself in him. I just want them to be ok after this is all over. STARS, this is just Asriel all over again isn't it. But WORSE!/pos

…I guess that could make this vent adjacent? ¯\_(ツ)_/¯

I also made a shitpost edit that I posted separately here.

There are so many things covered by each other and I just need to share and talk about them. Bonus details and rambles under the cut.

Siffrin's expression was like the first thing I drew and if it didn't turn out as good as it did I probably wouldn't have spent almost 10 days slowly adding to this and I just need to show it because his hands/arms end up covering most of their face.

Nothing much else to say about him, I'm just super happy with how everything about him turned out (I did have to go back and redraw some of his hair towards the end because the line thickness wasn't consistent with everything I drew after.

Next is ME yippeeeee. I have no idea why I spent so long adding details even tho I knew alot of it would get covered by Sif 'cause of how I was posing this.

I even designed a little button based on the Change Ornament + Star (the Change Belief and Lost Belief in The Universe really spoke to me in so many ways)

The gloves are an Archery Glove on the right hand and a Drawing/Writing Glove on the left.

The cloak is based on the style of cloak my mom made for my family for SCA events when I was young. It's just a simple hooded cloak but it has a slit in each side so you can stick your hands threw without needing to open up the cloak. I imagine it being stylized like, the opening doesn't exist until you stick your hands threw and then it can just freely glide around the face of the cloak to wherever it's needed, stopping at the elbow only letting threw the forearm, below the slit beginning to hang off the elbow with gravity while the part above begins to move with the upper arm.

I didn't even try to draw the outfit under the cloak because dealing with the folds of a thick wool cloak was enough for me (you can see how I gave up at the knees because I KNEW Sif was gonna cover them up). What I imagine the outfit being is this big baggy tunic and pants that are tied down at the forearms/calves to keep from getting in the way, it's also supposed to have a big baggy turtleneck thing that can be pulled up as a(nother) hood (iirc, this sorta thing was used so someone could wear a chainmail hood without it grabbing your hair(there ware also like stand alone cloth hoods that did the same thing too but eh, my memory is bad I might just be misremembering this)) but I couldn't figure out the folds and ended up just doing a simple button up thing (which then got covered by Sif's big head anyway.)

I spent soooo long trying to draw my eyes, trying to figure out the shape, and ended up just doing a bunch of small tests to the side before finding one that actually looked right. Drag it over the face and see that it fit EXACTLY, didn't even need to redraw it or anything.... unless you're talking about the other eye in which case I just duplicated it, flipped, and did some perspective warping until it looked ok because I could NOT draw that again especially at a different perspective (can I just say I have no idea how I drew that creepy eye but I love it, it was the first eye I drew and I just threw 4 lines down what the fuck how. Also the Mira-ish one looks cute too but didn't fit the expression.) I also needed to figure out what the hell was wrong with the expression I had before so you get 2 faces from me figuring that out (turns out I had the eyebrows facing the wrong way.)

I ALMOST FUCKING FORGOT MY FRECKLES TOO AAAAAAAAA (they're actually missing from the version I posted in the official ISaT server.) It was super weird trying to add them at the obscenely low resolution I was drawing at and they're probably gonna get compressed to hell and back but I think they're cute.

final thing.

Why is my hair so similar to Sif's but longer? Like, you can see I was sketching over my drawing of him to make sure I'd keep the proportions right when I started working on myself but in the process I realized that I was basically drawing over his hair but longer for mine (drawing I was using as ref here made by @leemak)

Add that to the uncomfortably long list of things I have in common with Siffrin I guess.

[squircatlies]

Today is the day I unleash my Mr. Bonzo fanart upon this webbed site.

This post is relatively safe up until the cut.

Is the *tips fedora* meme over a decade old? Yes. Do I care? No, absolutely not.

~

Now this is where I recommend "getting off" this post to anyone bothered by graphic depictions of body horror, blood, violence, or Mr. Bonzo (monster, not mascot like above).

I know the first image is silly, but I cannot stress enough how serious I am when I say:

Proceed at your own risk.

Now that you have chosen to continue, I have arranged the images in order of least to most vile and disturbing (though that might be slightly subjective on my part).

Remember that you can click off this post at any time.

Final warning: split tongue Bonzo.

I tried channeling Julia Drawfee with the lineart a little bit. Didn't feel like shading that one, so it's a bit flat.

Where did I lose my colours? Plot twist: the first image in this post is actually the last I've made, so technically I gained the colours. I wanted it to have more of a cheery vibe, unlike the ones under the cut, which I wanted to be kinda dreary and I feel like adding too much colour can mess that up.

Alright, I'll address the tongue. Remember how his head splits in tmagp 12? Yeah, it's a nod to that and also I asked myself "how do I make his design worse than it already is?" and that's the only answer I could come up with. I debated adding stitches connesting the two halves of the tongue but couldn't figure out how, so you're welcome. It will be present in all the upcoming drawings as well.

~

The next one is bloody, but it's not that much worse than the previous one overall.

I was playing with filters after I was done with this piece, because I felt like it lacked something, but didn't know what. Really liked this one, I think it's some sort of a gradient map. It pixelised the image and adjusted the colours a bit, it also really made the blood pop out, though it covered up some of the details.

Why did he lose his hat? It's stupid and hard to draw.

You may have noticed the artstyle change a little, the previous images having neat lineart and little to no shading. That's because I am using different tools, sketchy and soft brushes, that allow me to experiment with lighting and textures more (plus the aforementioned filter altering the image even further).

~

Alright, I feel like this last image deserves a separate warning. It references episode 12 (spoiler ahead), specifically the moment before the bartender loses a hand, though it's not entirely accurate. It's rendered in more detail than any of the previous images, so keep that in mind before scrolling down.

Basically it's pov: Bonzo licks your hand.

I feel like I could've made his tongue bigger in this one, it seems kinda small compared to his mouth. I really like how the skin on his face ended up looking. It took a lot of work.

The spit makes it look weirdly sexual, doesn't it? Listen, that was not my intention, but I'm not erasing it. I set out to make the worst thing I could and, though not without cost, I have achieved it.

I tried splattering Bonzo in blood, but it wasn't really working for me and it covered up a lot of the detail I liked, so I just put it in the background.

The human hand is drawn from reference, which I found by googling "hand reaching out away from the viewer". And let me tell you: google is shit at looking for drawing references, but I figured it was just going to be a sketch to explore an idea, so I didn't bother trying to get a better one. And then I fixated on it for a couple hours, you know, like a normal person.

I literally (and I mean no exaggeration) dusted off my drawing tablet after a few months of no use to spend the entire weekend, after tmagp 12 came out, glued to the screen making those images, except for the b'onzo one, which I made this evening.

Just to clarify: I drew all of those by myself. No filthy AI image generation is allowed in this house. I am capable of committing far greater sins than an artificial intelligence ever will.

The only thing left here is to extend my sincere congratulations/condolences to whoever got this far. It's up to you to either think you're brave or realise that you're foolish for doing so, but be comforted by the fact that at least you didn't make this post, which I cannot say for myself.