#and i still fucking grieve for it.

[glados-kisser]

I miss my friends who aren't anymore. People who I connected with so briefly and strongly.

[dontron-9000]

Cass’s Apocalyptic Series has a death grip on my heart... and has been ripping it to pieces with this latest update.

But I trust Cass, and their reassurance that there will be a happy ending; and that it’s not the end for Uncle Tello.

Unfortunately, that triggered something in my brain that I absolutely had to get out before it killed me.....

Please accept this meme to help cope

@somerandomdudelmao​ I am so, so fucking sorry.....

[physical-manifestation-of-spite]

I keep thinking about Arthur's regression at the end of Season 2 and then into Season 3. I keep thinking about how victims of trauma tend to get worse once they escape their traumatic situation. How their body and mind start to crack and shake under the weight of the horrors, now safe enough to escape the survivorship mindset but now forced to endure the fallout.

I keep thinking of how hard Faroe's death hit Arthur. How his guilt and grief were so intense that he wanted to kill himself, so low that he drank himself into a stupor for who knows how many years to just dull the pain. I keep imagining how hard it was to pull himself out of that, to work with Parker and find a new meaning in life, to walk away from his guilt of killing his daughter, and instead to help people.

(I keep thinking of how Arthur finds a vial of alcohol in the Dreamlands. How he sniffs it and recoils in disgust.)

I keep thinking of how long it took for Arthur to build himself back up from his lowest point, to tuck the guilt of Faroe in the deepest corner of his mind just so that he has enough room to breathe, to live, to be a better person. (And yet, Faroe is every facet of his life. It's his first memory in Season One, when he plays Faroe's Song, when he doesn't even remember his own name. It's the last name on his lips when he dies on that boat. It's his only memory when John is torn away from him.) I keep thinking about how Arthur is consciously repressing her every second of every day just so that he can keep going.

And then John pushes, and asks, and asks again. And finally, after almost dying twice with this entity, after surviving time and time again, he thinks he can trust him. He thinks he can share his deepest secret, to pull open the wound he keeps stitching over to protect himself. How he risks feeling the grief he's suppressed for years to trust someone. I keep thinking how John seizes it and, because he is ancient and young and inexperienced, childlike in his tantrums and his fears of responsibility and consequence, he uses it as a weapon the moment he's backed into a corner. I keep thinking of how not only the trust is torn away from Arthur, but how his wound is stretched and torn, and not only does his guilt and grief come back, but it's like a tidal wave that he cannot suppress this time. He's opened that wound and John has pried it wider, and now Arthur can't shut it. He survives in those pits, but she is all he thinks of. He escapes those pits, and ("Goodbye, Faroe.") she is all he thinks of. He slits his throat and she's all he thinks of.

He enters at icy cabin (a small gurgle, a bundle of blankets in his arm, a warm hum rumbling in his chest as he lulls his whole World to sleep) and he thinks of her to keep going.

And then Yellow enters, a blank slate, a John before he was John, and the pain is too fresh. This is the thing that tortured him. This is the thing that starved him. This is the thing who asked who his daughter was, and when he told him, the thing called him a killer. John and Yellow and the King are all the same in that moment, and Arthur's too fucked up and traumatized to separate them tangibly, as much as he insists that he can. His hatred grows and grows, all from himself, until it bleeds into Yellow, and he remakes this entity in his image, in his self-pitying hatred.

So when Yellow finally calls him a monster (and Arthur knows, he's called himself that the moment he saw the water spill from the bathtub onto the tile below), Arthur holds it close to his chest, and becomes it.

[daeneryseastar]

hot take maybe but the only reason most show runners/producers/writers/etc. age up the (female) characters from book to show adaptation is to overtly sexualize them and not face mass amounts of scrutiny for it.

put 13 year old daenerys next to 30 year old drogo and the audience understands that daenerys is a victim to him and not an equal. put 22 year old emilia clarke as daenerys next to 32 year old jason mamoa as drogo and they’re seen as a budding romance with a tragic ending (by the general audience) due to their on screen chemistry.

flash forward to today, and now we’re dealing with 21 year old milly alcock playing rhaenyra from 14-19 and how her relationship with (28 year old fabien) a mid twenties criston is seen as -morally acceptable- and not a result of a degenerate pedophile taking advantage of and grooming his charge. “ser criston protects the princess from her enemies, but who protects the princess from ser criston?” rhaenyra was 14 when rumors started speculating that she slept with an almost 30 year old criston. a criston who had know her since she was 8 and had been her sworn shield since she was 9. obviously seeing a teenager in the early stages of puberty next to a fully grown man would emphasize rhaenyra being THE victim, as opposed to the show having an 18-19 year old explore her sexuality and seek out ‘consensual’ sex with her peer bodyguard. the discourse has even reached the point where certain stans try to paint the much younger woman as the perpetrator and aggressor of this event, who forced the unassuming man into having sex with her.

i’ll even take this a step farther, and bring up how if they had shown a 19 year old alicent abusing a 10 year old rhaenyra it would be identified and mutually agreed upon as a reprehensible act on alicent’s part. instead they’re of similar age, so people can attempt to paint the picture as two women of equal standing hating each other, and not a much older woman bullying a motherless child. once again however, some stans even go so far as to try and paint alicent as a victim of rhaenyra, and not the other way around. further cementing this is how both versions of alicent are younger than both versions of rhaenyra, AND how criston is still played by an actor who is younger than older!rhaenyra despite his character being the same age as daemon in canon.

they know exactly what they’re doing too, considering they aged alicent down to give her that innate compassion one typically feels when seeing children being abused on tv (something that can no longer be applied to rhaenyra). despite that never being her story; *she* was the abuser, and rhaenyra was her victim. criston’s victim. it’s a nasty cop out, and i wish more people would call out how sickening it is to flip the switch and attempt to make abusive individuals more sympathetic than the *actual* victims of said abusers.

[no-song-so-sweet]

I want to talk about Harry Potter.

Well. Sort of. I want to talk about Harry Potter in a roundabout way, in that, I want to talk about the reaction my friend group had when shit started really going down with That Bitch Rowling.

Because Rowling is a horrible person. She’s a TERF, a denier of Nazi Crimes, homophobic, anti-Semitic, the list goes on and on (and most recently, has been attacking a trans soccer manager, if my dash is to be believed? Somehow, she just seems more cartoonishly evil with each passing day). But this isn’t about That Bitch Rowling, not really. Or if it is, she’s merely a footnote in the story.

Harry Potter was, and I think this is true for many of us, a large part of my childhood. While the writing may be mediocre at best, it was wildly influential. I didn’t know a single kid that wasn’t hoping for a letter to Hogwarts. It was a Big Deal for a lot of people, and that included my friend group. My friend group, which is made up of members of the LGBTQ+ community. My friend group, which includes a young lady who we didn’t always know was a lady. I’m sure you can see where this might be going.

The day I got a tear filled phone call about That Bitch Rowling was, frankly, heartbreaking. She was mad because a woman she had respected up until now didn’t respect her. She wanted to get rid of her copies of the books, but didn’t want to donate them. I never want to hear her cry like that again. So I made a decision.

I told her to hold onto her books for just a little while longer. I phoned the group. I figured out when everyone could get together for a weekend, and when I had hammered out dates, I packed up my car, and drove the six hundred miles back to my childhood home.

In the passenger’s seat, was my set of Harry Potter books.

Excluding my trans friend, there were seven of us. I had made a plan, and my father had the space to enact it - I grew up on acres of land; complete with 200 year old oak tree, creek in the woods in the backyard, and a massive fire pit.

Nostalgia and youth, I find, paint everything with a rose tinted hue; if Rowling had just kept her mouth shut, I’m sure many of us would have looked back on the Harry Potter series with some amount of shame. But I don’t think it would have suffered the sort of fall from grace that led us to this point.

The fire pit is important for several reasons. For example, it had been the popular gathering place for my friend group of literal decades at this point. Small towns mean that you know everyone from a very early age. We lived right beside the woods, so we used the fire pit to burn the leaves, and the branches storms took down, of which there were many. And when the first six of my friends rolled down the half mile driveway that day, I had already collect enough wood to get a decent fire going.

Six of my friends. We told the seventh a later time. We wanted to be prepared, and anyway, we all had the same cargo (six sets of seven books joined mine on a rickety folding table). I put them to work collecting more firewood (is it really a good bonfire if you’re not risking setting the barn on fire?).

By the time our last member rolled up, I had a fire going.

She had her set of those damn books too.

(There is a visceral grief that comes from being let down by your childhood heroes, and I fully believe that That Bitch Rowling embodies the phrase “never meet your heroes,” because folks, as a general rule, I am not a fan of burning books. But I was prepared to make an exception.)

We burned our copies of the Harry Potter books that day, all eight of us. They were well read, beaten to hell and back, with cracked spines, and dents in corners, and pieces of the pages missing where we had bent down the corners one too many times. And I won’t lie to anyone. We cried. Tears of sorrow and rage, for the piece of our childhood that we were choosing to give up, because to keep it would be to disrespect the woman we had known and loved for longer than we’d ever had those books.

Letting go sucked. But it was the right thing to do.

When they were gone, we put out the fire, went inside, and built the pillow fort of our dreams. We marathoned Star Wars, and ordered too many pizzas, and had way too much soda. We fell asleep playing Risk, because that’s what our friend choose, and in the morning, I made waffles with chocolate chips and too much maple syrup.

I wanted to talk about this, not just because this is a fond memory for me (even though it is), but because one of my coworkers confessed to me that they hated Rowling, and everything she stood for, and they refused to have anything else to do with the Harry Potter franchise, but they just couldn’t bring themselves to get rid of the books.

I said I was happy to host another book burning.

But I wanted to write this down because I know that sometimes it’s hard to take that final step, to leave behind that last thing. So for anyone who needs to hear it, it’s okay to grieve the things we loose when we grow up. Letting go can be hard, but I promise you’ll end up better off. It’s been awhile since things really went downhill, but I maintain that, in this case, death of the author is nonexistent, and it is better to have loved and then lost, than to hold on too tight.

Don’t hurt yourself on the shattered remains of your childhood magic.

[frobby]

I think one of the funniest framings of the first ep of blue exorcist is hypothetically Yukio and bon met cuz they originally shared a dorm only for Yukio to immediately leave and not return until a week later and now he's his teacher

[fuupan]

i had this in mind a few days ago while running on 2 hrs of sleep

decided to finally draw it lol

i have some more ideas in mind of them that i will hopefully get to get around drawing

[kerryweaverlesbian]

Jack au where he's a psychic who can commune with ghosts. Almost every major character from Supernatural is a ghost. Including Sam Dean and Cas. This would serve these major tennants of his relationships:

Isolated. The people Jack spends the majority of his time with are NOT part of the normal world. Sam, Dean, Cas and Mary live in a bunker and don't know how to be people. The AU hunters are literally from another world. His mom is dead. Kaia is split between realms. The only Real people he knows well are his young adult nerd friends and arguably Harper. You don't want 1/4 of your tie to reality to be a witch who wants to be Cheryl Blossom from Riverdale as her life's aspiration. That's no way to live!

Intangible. Because of Jack's immense power, he is, in a sense, untouchable. He is stopped when people hug him or push him or shoot him because he chooses to stop. There is a veil between him and them. There is also a scarcity of common ground. There is nothing else out there like him. Dean might stomp and bark and howl but, ultimately, what can he do to Jack physically? Nothing. The only power the ghosts have is emotional and social. Imagine being outcasted by the ghosts who can only see you and each other. Ouch!

Fleeting. Everyone he cares for is doomed to die. This happens even before he's born with Cas and Kelly and Mary, but also throughout his life. He both has long strings of tragedy in short periods AND he's immortal and worries about it. Loss and loniness are inevitable for him on a massive scale. Cas might claim that he'll be there with him but he dies like twice a year at least. Picture ghost!Cas midway through a reassuring speech that he's always going to be there with him fading out into the veil mid-sentence.

Guilt-ridden. Life is wasted on the living, isn't it? Youth is wasted on the young. He's got dozens of ghosts needing him to live in the way they want him to so they can feel alive again, and he's not capable of being that (literal) lifeline. He needs to learn how to say no and stick to it. He needs to learn how to live with the fact that he has to disappoint people to live well sometimes. He has to engage with the living, because the dead are going to kill him if he hangs on to them too long.

So if someone could write this devestating yet beautiful 25k+ fic for me that'd be really swell.

[angelmush]

the other day i walked around the golden lake w my love and the sun was setting hot and orange and we watched a brown duck preening through the weeds, ducking her head under the dark water. the cool lake swallowed up my tired feet to the ankles and we counted the dog walkers with their curly panting doodles and their handsome german shepherds and their whip smart little terriers and we admired the careful construction of a sand castle whose moat held determinedly against the lapping of the waves. we could feel in our chests the persistent thunderous thumping of celebratory music at the finish line of the lakeside 5k, welcoming each gasping runner across its bounds. and i felt like crying. i felt like curling into myself and crying. we walked through the swamp of the bird sanctuary afterwards and listened to the woods sing and croak and groan and then we went and got ube and yuzu gelato and devoured it suntired and sweating on the couch in our living room. and i was so overcome w a deep and true unshakeable happiness and a sort of confused grief that i wanted to sob and sob and sob.

[beauzos]

i know Nahyuta's whole thing is he's extremely calm and well-put together but i want this dude to be constantly under the threat of disintegrating. he definitely is calm and put together SURE and that is a core element of him no matter what (and i like that about him!) but i also like the idea of, once he no longer has to be that perfect person to survive, that the reality of everything, all his anxieties n guilt n discomfort with himself comes crashing in when it's finally safe for him to feel this way. a miserable kind of catharsis, but a catharsis nonetheless. a necessary one for him to unravel the real version of himself he had to keep deep inside. do you understand my vision

[jankwritten]

Jasico Bingo Challenge: Boyfriend Sweater

When Nico walks into the dining pavilion wearing a golden yellow sweater, Percy does a double-take. Actually, it’s a triple-take: first, he thought it was a new Apollo kid, then he realized it was Nico, then he realized it was Nico. Wearing a color. 

Is the world ending again? Was there something really wrong with the milk in his cereal? What in the everloving Hades was going on?! 

Nico sits down at table 13, unbothered as ever, and pulls the sleeves of the hoodie up. It’s way too big on him, like Big Bird shed and some poor fucker decided Nico di Angelo needed the empty muppet skin in his wardrobe. 

(Is it Nico? Maybe some changeling creature kidnapped their resident son of Hades and has decided to take his place? Maybe Percy needs to go over there and test him out, y’know, knick him with some iron or something to see if he burns. If it’s an imposter, though, they’re doing a piss-poor job. Is it an intentionally bad job? Gods, it’s barely eight AM on a Tuesday, does he seriously have to go save Nico from somewhere and kill a monster wearing his face? That does not sound like his ideal Tuesday, if he’s really real. He’ll totally do it, but he won’t like it, and maybe he should start planning how to take out a creature like-) 

“I can see the mountain you’re building,” Annabeth says, popping Percy’s strangely detailed daydream of hunting down and killing a weird, half-Nico, half-demon gremlin creature. He blinks the image out of his eyes and looks up at her, her hip resting against the edge of his table. 

She looks amused. He squints. “Nico’s been bodysnatched.” 

“Mm, no,” she says easily, with a shake of her head. “Nico’s wearing a jacket.” 

“A yellow jacket.” Percy looks at the son of Hades again. He just- can’t wrap his head around it. He hasn’t seen Nico willingly wear a color since the guy was ten years old. “A yellow jacket that’s, like, twice his size.” 

“It’s a molehill, seaweed brain. A jacket’s just a jacket.” 

“But it’s yellow.” 

“What was your nightmare about?” 

Percy physically recoils at the non sequitur, tilting back in his seat incredulously. His- what? His nightmare? What does his nightmare have to do with a jacket, anyway, that’s got nothing to do with this. 

He folds his arms on the table and makes a face. “That’s unrelated.” 

Annabeth’s mouth raise at the corners, her eyes watching him like an all-knowing hawk. An owl, three-sixty vision and nothing but questions, who, who? 

She pets through his hair and pushes her weight back up. As she draws her hand back, she taps his cheek, then his chin, and says, “just leave him alone, then.” 

Percy watches her walk back to her table. When she sits, he buries his face in his arms and groans. 

“Jason has also been bodysnatched,” Percy hisses to Annabeth during pottery class. 

“What makes you say that.” She throws her lump of clay at the pedestal in front of her and gives Percy the same look she gave him this morning. 

Percy decides to ignore that look, because that is the look of reason and he is far beyond that now. “He was wearing this black jacket with, like, skulls in hourglasses and weird skeleton butterflies and shit during Latin.” 

“He is related to Thalia, you know,” Annabeth hums. She wets her hands as the plate before her starts to spin. “Maybe he’s going through the family goth phase.” 

Had she not just leaned in to start forming something magical and incredible out of clay, Percy would slouch over Annabeth’s shoulders and plead with her to at least consider that something weird is going on. Maybe it’s not bodysnatchers or changelings, okay, but something is strange! Jason Grace does not just decide to wear emo shit! Jason Grace once had a panic attack because the Aphrodite Cabin stole a pair of his jeans and cut them into shorts! This is a man who has a stricter sense of style than Nico, who, fucking hell, don’t even get Percy started on that. The yellow jacket has remained on all day and it’s haunting him. 

Annabeth dips her thumbs into the top of her clay and does not respond. 

Percy slumps down into the stool beside hers and huffs, more for himself than anything. 

Change is okay. Change is fine. But change like this, with no reason, is the opposite of fine. Change like this is a low-blow stink bomb in an otherwise perfect Capture the Flag game, impossible to get out of his clothes and his skin and his hair. Change like this is how people die. 

He claws his hands up into his hair and listens to the steady whir of the pottery wheel, the sound of wet clay being molded and shaped in different ways. There’s a lull of conversation from other campers in the class, kids from all different cabins, because to them this is any other day. 

Maybe this should be any other day to him, too. No, not maybe. It should be. This should be a regular Tuesday, full of regular classes with his regular friends who are ordinary in whatever ways they can be, but instead, Percy’s brain has to go and mix up everything, make everything feel- out of control. 

HIs next exhale shakes too hard for his liking. His shoulders are too tense. 

Beside him, Annabeth keeps calmly shaping her pot. She dips her hands into the water every so often, probably executing some flawless plan of action she drafted the night before. She’s not always delicate with her hands, with art like this - Percy knows that’s something she’s self conscious about. She never thinks she can be good at finer things. 

That’s normal. That’s normal for her. Ordinary, to think that Annabeth Chase would tackle arts and crafts in the same way she would a war strategy, devising the perfect approach for a flawless result. Executing it flawlessly. 

She pinches too hard pulling up the walls of the pot. It crumples, then swings off the wheel entirely with the force of it’s motion, splattering wetly across Percy’s arms and the other campers at the bench. 

Percy watches Annabeth glare at her failed creation. She sticks her hands in the dirty water to scrub the clay off, wipes her hands off on her shirt, and pulls on Percy’s sleeve. 

“I hate pottery,” she mutters as they rise together. 

Percy grins. “I think it knows that,” he teases, and follows as she stomps toward the exit. 

When the answer slaps Percy in the face, it feels more like a gut punch in the way it makes him breathless and off-balance. 

“You’re…huh?” 

Annabeth clicks her tongue. “You two couldn’t think of a better way to do this?” she gestures between Nico and Jason, standing awkwardly side by side as if they don’t know what to do with themselves. 

They’re still wearing the wrong jackets. Each other’s jackets. 

Percy makes a face, then realizes that might not be the best response to his two friends telling him their dating, so he tries to make a different face. 

The world’s not ending. They’re just…together. Sharing jackets, like couples do. 

“We didn’t want to make it a big deal,” Jason says. He keeps glancing at Nico and chewing on the inside of his lip. Nico, with the golden sleeves of apparently-Jason’s-jacket pulled over his hands once more, looks stubborn. Like he’s ready to fight about something. 

Percy wipes his sweaty hands off on his shirt and gestures, though he’s not sure at what. “But Nico’s wearing a color?” 

He feels more than sees Annabeth’s disapproving glare at the side of his head. Jason draws himself up, then seems to falter. His head cocks to the side and he shakes his head. 

“What?” 

“That’s a big deal,” Percy reiterates. “Nico doesn’t wear colors.” 

“Nico is standing right here, wearing a color,” Nico grumbles. He shoves his hands into the pocket of the sweatshirt and gives Percy a glare that is far more familiar than literally anything else happening right now. “I’m allowed to wear whatever I want to wear, for the record.” 

“But you don’t!” 

“Well I do now. If you have a fucking problem with it-” 

“I never said I had a problem with it,” Percy snaps back, immediately on the defensive. “I was fucking worried about you, you little shit, I thought something was wrong. I thought- I don’t know what I thought! I thought you two were swapped with some other versions of yourself, I thought you’d been- I don’t know- abducted by aliens, or fairies, or something!” He throws his hands up in the air, then drops them back onto his head, staring sort of at the middle point between the two of them. “You can’t do that shit and not expect- I mean, because, come on, guys, you’re you, you two fucking freak out if someone so much as touches your clothes. What were we supposed to think?” 

The hearth crackles. It’s too pleasant a sound for the sick Percy feels. 

Annabeth takes his hand, at least, and squeezes. His face burns with the shame of yelling like this, over this, it just feels so fucking stupid all of a sudden. He feels so stupid. Annabeth tried to tell him it was nothing, and he let it all get away with him, he let that nasty part of his brain win and win and win, and now he’s taking his losses out on them. 

“I’m happy for you two,” he makes himself say, when no one else speaks. “I think I just also need therapy.” 

Finally, Annabeth snorts. It’s a noise Percy knows, one he can ground himself with, same as her palm hot in his, her weight tilting into his side as her head bonks into his chin. 

The stress he’d held bundled up in his spine and his shoulders and his stomach all day releases in an instant. He slouches back in against her and laughs against the top of her head. 

“Jesus Christ,” Nico mutters, when Percy can’t stop himself, dissolving into a fit of hysterics over his own bullshit. “This is why I said we should just tell them. He’s laughing at us.” 

“I think he’s laughing at himself,” Jason says. He sounds uncertain. 

Percy hugs Annabeth tight, and laughs himself hoarse. 

EXTRA 

Nico stares at himself in Jason’s mirror, with the sweater hanging halfway down his thighs, sleeves hanging off his hands, the peak of his collarbone through the freaking collar. He narrows his gaze into a glare. 

“I look like a toddler,” he says derisively. 

Jason, still getting dressed himself, laughs. When he appears in the mirror behind Nico, looking far more proportional in Nico’s sweatshirt (which is frankly fucking unfair), his grin softens into a smile that’s- something. Sweet. 

Nico twitches his nose.  

“I look like I’m six years old,” he says, grabbing the hem of the sweatshirt and yanking down. “Why are we doing this.” 

“‘Cause it’s silly,” Jason says. He presses a kiss against the side of Nico’s head and hugs him loosely from behind. “You don’t look like a baby, either. You just look your age.” 

Nico looks down at himself. Maybe there’s a point there, a point to be made about how he dresses for practicality, dresses to blend in, but never to express himself. Maybe there’s a point to be made about how his discomfort isn’t really for how he feels about this, but how he thinks others will feel about it. 

He tugs at the hem again, and looks back up. Jason’s eyes in the mirror are bright, as if taking in the sight of Nico in his hoodie like this is something to savor. 

Nico likes when Jason looks at him like that. He likes how it feels to be looked at like he’s attractive. He likes how it feels to be wanted. 

“I guess,” Nico concedes, leaning further back into Jason’s chest. Immediately, Jason’s stance is more solid, sturdy, holding them both up as easy as breathing. He holds Nico like it’s a promise that he’ll never let go. 

He looks at the pair of them in the mirror, a cohesive unit rather than two separate halves. Jason in black is definitely something Nico wants to see more of, especially with the way Nico’s clothes fit snug over him, just a little tight at the biceps and chest. He looks good, not that he doesn’t look good otherwise. Different. 

With Nico his contrast in yellow…maybe it isn’t so bad. Maybe he likes being the counterbalance, even. 

Jason squeezes him again. Those damn eyes in the mirror are making Nico too warm, like his stomach is full of hot jell-o. 

“Okay, fine, let’s do this,” he huffs. The difference in his tone must be audible, though, because Jason perks up and grins, his eyebrows up, face aglow. Nico can’t look at him for too long. It’s still strange knowing he can make someone feel like that. He doesn’t know what to do when Jason turns the full puppy-love thing on. “And stop looking at me like that, you’re going to give me cavities.” 

“Okay,” Jason says in a voice identical to his expression. 

Nico grabs his hand and squeezes it twice. 

Jason squeezes back, so tight it aches. Nico’s heart swells with bright affection. 

Alright. Maybe yellow isn’t so bad, actually. 

[anachronistic-falsehood]

good god do not go on fucking twt rn, people are looking through past tommy and wilbur clips and speculating that tommy was abused as well (whether he was or not is not important right now, don't speculate about his personal life when he's not even online to correct anyone, for the love of god can we focus on shelby), or pushing phil, tommy, jack, charlie, quackity, etc. to say something asap as if they're not probably processing the fact that one of their very good friends has been an abusive piece of shit this entire time.

ALSO (this is not defending him this is just something i've seen that is pissing me off) i've seen people saying he was a creep for making a lot of friends who are much younger than him, like teenagers. but a) phil has made friends with these same people and no one is getting pissed at him, b) being friends with people who are younger than you (YES including in their teens while you are an adult) is not a morally terrible thing, you can be friends with people who are younger than you and not be a creep, c) CALLING HIM A "CLOSET PEDOPHILE" FOR BEFRIENDING YOUNGER MEN IS JUST TAKING EYES OFF OF SHELBY AND TRYING TO PUT IT ON THE YOUNGER MALE CCS YOU ENJOY. for the love of god stop focusing on the male streamers who haven't even had a chance to say something yet and focus on SUPPORTING SHELBY. THE VICTIM.

[imavikingo]

[frogaroundandfindout]

“Nightwing and Starfire brought wave two. Which is just about everyone who’s ever been a titan. It’s a natural thing when Nightwing shows up. None of us are conscious of it really but we all look to him for orders. He basically founded the team, lead them for years. Robins lucky he’s got an older brother type he can relate to.”

Dick leads the charge against Dr. Light (Teen Titans Vol.3 #23)

[bloodyarson]

okay but a thing i think about every time we have one of those few day periods where the weather is not fit for even a dog being outside is how the hell are homeless people surviving this. like i said in a previous post it's currently -40 degrees with the windchill and i honestly cannot imagine how someone who does not have a place to go inside and spend the night is supposed to not freeze to death. it makes me upset every time the temperature drops like this, i cannot imagine how many homeless people will be frozen to death in the next 24 hours if they somehow haven't already. the fact that there are hundreds of empty houses sitting there empty with totally functional heating while people are DYING from the cold on a street corner makes me SO FUCKING ANGRY while at the same time my heart is breaking in pieces for them. rest in peace to every poor person who will not make it through the weekend. i am so sorry.

[mamawasatesttube]

i have to speak my truth. i think timkon clone baby aus fucking suck