#and i really don't think that's the case. or rather.
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ramshacklefey · 3 days ago
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One Day in the Life of Ivan Denisovich and The Things They Carried rewired parts of my brain. The Odyssey was a real treat. (Especially when some of my classmates who found the language rather opaque started gathering around me at morning homeroom to hear my retellings of last night's reading assignment.)
But I know some of you probably have or had a miserable time in English class, and that may have been partly because your school didn't properly prepare you for reading the books ahead of time, so you were just totally at sea all the way through.
If that's the case, here are some tips for getting more enjoyment out of a book you're struggling with!
Look up summaries of individual chapters (CliffsNotes usually has these). Then go back and read them. Having an idea of what's happening might help you follow along with language or writing styles that you're struggling with.
Let yourself skim over particular passages you're baffled by and latch onto the ones that make sense. Finding points that you can follow might help you make sense of the trickier ones by providing context.
If you don't understand a character's motivations, especially in older books and books that take place in a foreign country, it might be because you're missing context. That's okay, and your teacher isn't expecting you to have encyclopedic knowledge of the historical and cultural context for a book.
But also, even in the most unfamiliar circumstances, you can look for things that make sense to you. The characters are still people, and regardless of context, people are still people.
But also, sometimes you just can't relate to the character. That's ok. "Well I would never ____" Yes, but this person did. And here's why. In the world they live in, it made sense or it was the only thing they could do. And there are people in real life who do that. Now you've seen a little bit of why.
You don't have to like all the characters. Some characters (even the protagonists) you're supposed to hate. Sometimes that's because the author is saying, "This bastard is fucked up, but do you see how he got that way?" Sometimes it's, "This bitch made every wrong choice possible, but damn if it didn't make some wild drama."
Remember that sometimes the author may not explain exactly why something happens because it's supposed to be a bit of a mystery at first! Keep reading and see if it gets explained later!
Look up words in the dictionary!!
If you're having trouble keeping a lot of characters in your head, make a cast list. "John is Mary's brother and he's a bit of a dick."
It's okay if there are books you simply do not vibe with. Give them a fair shake, but really, even the kids who love English class are gonna have books they hate. I despised a few of the books I read for school. But remember that struggling with a book and not liking it aren't the same thing!
And for the love of everything holy. Ask. Your. Teacher. Questions. Write them down while you're reading and ask! If you're scared to ask in class, talk to them at another time! But I can guarantee that if you didn't understand something, some of your classmates didn't either. If your teacher is remotely competent, they'll be delighted to answer your questions.
And there are no questions too simple to ask in class!! "Why did this character do this thing?" "What's up with this sentence?" "I tried reading this, and here's what I think the events of this chapter were. Is that really what happened?" "What the heck is a ____?" "Why was this bit in here? It doesn't seem like it's important to the plot." "How do we know that ____ theme is in here?"
Yes, there are themes and symbols and motifs and whatever else in books. Your teacher isn't just making it up. People tell stories for a reason. The author is trying to communicate something to you. "Well why didn't they just say that?" Because saying it in a story shows you something about it. I can tell you, "Love isn't always enough to save you." or I can show you that by telling you a story about two people who fall in love and then get their shit wrecked. I can tell you, "This war happened and it was awful," or I can show you the people who were in it and what it did to them. I can tell you, "The government is a corrupt pile of festering feces," or I can show you what might happen if we keep going on the path we're on.
And you might not agree! You can say, "No, it wouldn't happen like that." You can say, "But this war was worth it because it resulted in this." You can say, "Actually, this particular social outcome seems pretty rad to me." That's okay because stories are a conversation, not the word of God from on high. But again, give the author a fair shake.
The most important thing is that you don't just give up if you're struggling. You're in school to learn! So accept that there are things you don't already know.
I straight up do not trust you if you did not enjoy a single book you had to read for English class. I know they assigned some real stuffy stinkers and the curriculum varies across districts but not one? Not The Outsiders? Not The Picture of Dorian Gray? Not Fahrenheit 451? Not even Frankenstein? Damn. That’s crazy.
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utilitycaster · 2 days ago
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I think the idea of Bells Hells making the moral decision - or even making the best decision in the face of no good options - falls apart when you realize that there's absolutely no coherent "why" behind it and not much more of a "what".
Why go in to release Predathos? Well, someone worse might do it. Ok, but why would it be worse if someone worse did it? If Predathos can't be controlled, or if the act that Ludinus wished Predathos to do, of eating the gods, is good, then why does it matter who releases it. And the party went in without knowledge of whether to control it, so that was just a wild-ass guess. It might even be a correct one; but you cannot ascribe morality towards "stumbling through a door and hitting on the right answer by accident."
That doesn't even go into the fact that I think Bells Hells have done, if I may, a wretched job of trying to understand what the people want. What does the person on the street in Jrusar want? Bassuras? Whitestone? I think we have an idea, honestly, of what Zephrah wants. What does the Feywild want? Sure, the Accord is the people in power speaking for their respective cities, countries, and tribes, and I'm even open to the possibility that they don't actually have those groups' interests in mind though to make a blanket statement that that's the case is, as most blanket statements are, suspect. Did Bells Hells talk to anyone though? What do the other people in the Silken Squall think? What about the Clovis Concord, or Uthodurn, or the Dynasty? Oh, Bells Hells aren't from there and haven't spoken to anyone? That's so interesting that they're making a choice on their behalf, or rather, it would be, if they were ever making a choice. And, as stated, I don't even think most of them know what people where they are from want. I really don't think most of them know what they want.
Why did they stop Liliana from broadcasting? What did this achieve? If Liliana is a better person than Ludinus wouldn't it have been better for her to be the vessel? All this did was almost kill her and give Ludinus a reason to take her power himself.
Usually when a decision is incredibly difficult, there is, at least, an understanding of a desired outcome - for example, the issue of how to address climate change is incredibly complex and there are no options that don't require extensive and difficult change and sacrifice. But we know why this is important and what we want the result to be. What world do Bells Hells want to make? Literally, what do they want? If the issue was always that Predathos was a dangerous entity regardless of who wielded it that needed to be destroyed then anything to do with the gods is irrelevant, and if the issue was "the gods have the world under their thumb" then again, why even put Liliana at further risk and why kill Ludinus? The fact that we can't tell which it is and the fact that they can't tell is pretty, well, telling. And if your point is "I don't know if it's better to kill Predathos permanently or to have it eat the gods" then that brings it back to the impossibility of saying whether Bells Hells are "good" for their lack of choice. Understandable in their hesitation, at best; less forgivable when they decided to debate amongst themselves endlessly and ask precious few of the people they claim to speak for.
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hotvintagepoll · 2 days ago
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Donald O'Connor (Singin' in the Rain, Francis, Call Me Madam)— LOOK AT HIM. Those giant blue peepers. Those tappy tappy little feet that don't quit. The ears that stick out like little wings, ready to lift him up to goofy heaven. The way his face contorts into the strangest yet most endearing expressions. His ability to sing and dance alongside the hunk that is Gene Kelly and yet pull all attention away with his big-eyed buffoonery. The way his energy is unmatched in songs like "Make 'em laugh" - bouncing off the walls and tumbling through the air straight into my cold cold heart. Who else but a true scrungly lil guy would sit upon the witness stand and defend a talking mule with all the love and affection in the world - staring out into the court room with his bright wide eyes and eternally mouse-like expression, openly admitting that the mule is his best friend?!??! I see him and I want to pull him from the screen into my hand and just squiiiiiiiiiiiiish with all my might. I want to pinch his cheeks and have him bat those eyes at me. He just makes me go "eeehehehehehe" every time I see him and his silly little self. He is pure chaotic, ridiculous, scrungly perfection!
Mantan Moreland (Mr. Washington Goes to Town, Cabin in the Sky)—i love mantan moreland SO. MUCH. and he is the pERFECT scrungly little guy!!!!! like a lot of black actors at the time he was always getting sidelined into small parts, but unusually he also managed to become a star in his own right and was almost one of the three stooges! he was a groundbreaking comedic actor known for his distinctive stare (very good for the horror movies he did), and he always is way more fun to watch on screen than anyone else. he had a famous double-act where he perfected this technique of non-conversations (where both people keep finishing each other's sentences before any actual information is conveyed). a lot of his movies are free on youtube and i really enjoy seeing him do his silly little guy thing in all of them!!! anyways yeah please include mantan he deserves some recognition as peak scrungle
This is round 3 of the contest. All other polls in this bracket can be found here. If you’re confused on what a scrungle is, or any of the rules of the contest, click here.
[additional submitted propaganda + scrungly videos under the cut]
Donald O'Connor:
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My silliest little guy. My funnyman. My horsie. I have watched many a bad movie for this man. The scrungliest fact I know about him is that he was supposed to star as Danny Kaye's role in the iconic White Christmas (1954), as he had known Bing Crosby since he was a child, but couldn't because he caught a mule disease while working on those Francis the Talking Mule films Universal endlessly made him do. I wouldn't exactly recommend those movies, but Don's character getting psychologically tormented by a sardonic mule does make for quite a good movie night, if you know what you're getting into. Are You With It? is another one I don't exactly recommend, but it does open with Donald as a math genius actuary who is about to kill himself over a displaced decimal point before getting taken in by a traveling carny instead. His more well-known and beloved roles have plenty of scrungliness too, in my opinion. This man slapsticked so hard he wound up bedridden for his physical exertion! Rather than submitting Make 'Em Laugh, which the electorate has likely already seen (I hope), I'm submitting an underrated dance number of his, where he explains maths through tap dance. That movie is Not good, but god do I love him in that role.
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I think it's arguably very scrungly to seemingly be a real life cartoon character made out of rubber, as proven by how slapsticky the list of scrunglies is so far. In which case, Donald O'Connor? He scrungles supremely. He even played Buster Keaton in a movie (that apparently can't be recommended, but still).
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Mantan Moreland:
here's his double act in action!! [editor's note: Benson Fong cameo too!]
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He just had a scrungly look about him and he played big with his roles so any of it became especially scrungly. Plus he was very funny in the way only scrungly people can be.
the FUNNEST GUY TO WATCH ON SCREEN. he was an immensely gifted physical comedian, able to convey loads with his eyes, and while some of his parts are so sad and cringeworthy, I feel like he always brought a humanity and humor that lifted them beyond cheap stereotype.
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radiantmists · 1 day ago
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For @charles-rowland-week Day 3: Bag of Tricks Backpack!
I have a lot of thoughts about the backpack (I love a bag of holding) so here's one scene from what will hopefully be a whole fic someday, set at some point before Charles has quite figured the bag out.
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"I do wish you wouldn't do that in the office," Edwin says from his seat at the desk. He's been reading the same book for more than a day now, some thick alchemy tome that's apparently fascinating enough to hold his interest despite being written using Linear B, which even Edwin finds challenging.
Charles, setting the sparkly rock he's just pulled out of his backpack next to the pair of sunglasses and ornately painted saltshaker that had preceded it, grins up at him.
"You don't want me to bring the bag on cases, now you don't want me to mess with it in the office," he says. "Where am I meant to practice, on the roof?"
"I didn't want you to bring it on cases because I worried you would put case-relevant materials in by accident and not be able to retrieve them in time," Edwin replies primly. "Now that that ship has rather dramatically sailed, I don't want you to use it here because I worry that you will retrieve certain case-relevant materials."
"I told you, I'm pretty sure it ate the demon bats," Charles says. "I mean, digested and all. We're never gonna see them again."
He's only mostly joking about that. Nothing he did should have given the bag the ability to digest magical creatures, but he's got the strong feeling that it has a sense of humor, and if it can develop one of those on it's own, a stomach isn't much of a stretch, is it?
"For all your insistence on that point, you're very willing to put your arm inside of it," Edwin says, not sounding particularly concerned. "Do you not worry that it will gain a taste for ghost, next?"
"Mate," Charles gasps theatrically, "our backpack would never."
"That abomination is entirely yours, as far as I'm concerned."
This is somewhat fair, considering that the bag probably wouldn't have the audacity to withhold Edwin's books if he'd been the one to enchant it instead of letting Charles do it. However, the comment runs counter to Charles' current strategy: sweet-talking the bag into compliance.
"Don't worry," Charles tells it in a conciliatory tone, "he loves you really."
He glances up at Edwin, expecting a comment about misguided anthropomorphizing or something, but no, he's back to the book.
With a sigh, Charles reaches into the backpack again, focusing on his boomerang. It had been pretty cool, enchanted to return right to your hands when you threw it, even after it hit something. He and Edwin had spent weeks poking at the spell to figure out how to reproduce it for Charles' bat.
But at some point after that, it had occurred to Charles to wonder what would happen if he threw it into the backpack, and, well. Here he was a year later, groping around in the void.
(Chucking random magical objects in was probably not making the backpack's behavior more predictable, but Charles never managed to think about things like that until after he'd followed through on the impulse.)
He'd realized (again, shortly after doing it) that the problem with enchanting a bag to be infinite inside was that it now contained infinite amounts of empty space. It's taken him years just to consistently find something when he reaches in. Now he just has to work out how to find what he's actually looking for.
After a few seconds of grasping blindly, his fingers brush against something. It's small, flat and thin like a piece of paper, but a little sturdier-- maybe one of the cards he'd put in as a test a few months back? He'd been pretty sure the whole deck would stay together, but maybe if something else he put in had bumped it…
As far as he can tell by touch, there's nothing else 'nearby' in the void, so he pulls the object out and finds that it's not a card but a bookmark, one of the celluloid ones that Edwin prefers. It's in the shape of a train car, with a little advert for the rail company on the back; Charles thinks he remembers Edwin saying he used to collect these, as a child.
"Think it's trying to tell you something, mate," Charles says, holding it up for Edwin to see.
"Charles, the bag doesn't have ears," Edwin says, but he does finally look away from the book. He cocks his head as he recognizes the bookmark, expression going thoughtful. "If anything, I would say this is an indication that it's responding to your desires."
"Feel like it would be a bit easier to use if it were doing that," Charles grumbles, and Edwin's mouth quirks a bit.
"I suppose I will take the hint, wherever it originates," he says, rising and coming around the desk to retrieve the bookmark. "I admit I could use a change of scenery."
"Brills," says Charles, climbing to his feet. "Wanna take the bag to the roof and see what happens if I turn it inside out?"
"Absolutely not."
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charmed-asylum · 7 hours ago
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The award for god damn my mouth drop like a cartoon cat goes to SY but u know . I know he doesn’t beat around the bush. However, was I thinking he be like this . And shit I can say from experience and studies that a lot he doing goes right with it. I mean sad thing and it’s really not just one person to pin point who could of fix this besides Thor town folks and trailer trash mom ( now idk where she grew up but hey it’s not me but cliches) that could of help. It’s sad because for her case she probably isn’t a slut while Sy is crazy he just type that knows it but tries to be all wooo man I mean I’m not crazy I’m caring but if u ever mess with me then haha u be getting a dead cat in your mail box or a stalker for life but wooooooo I’m just caring and being a human . Shit pat on the back and you good is looking out a simple box of stuff is looking out non stop poof Sy there is not helping out it’s stalking but bc this town is so small folks won’t see it. Oh he lucky that town size of a city block.
“On pay day, you go down to cash your check then give most of it right back, parsing it out for your various expenses. At the end of it, you have even less than the month before. You don't get it. Thing's only seem to get worse; not just money, but your body” honey this statement so spot on huh one a check back in the day like your time period AU money u get paid can last a month or last time now it’s like a blink poof gone and your body lord I’m only in my 20s and the issues I’m having at my age blown minds.
Sy just always there and idk why but it’s big ( lord I’m drooling and have not finish this thought) well as a whole get always with the sneak attack shit I’m barley 5 foot and I still have issues . Bc I’m too short they turn around and still don’t see me I gotta jump be like Boo. Anyway still damn “. For a big man, he sure can sneak up on you. “ also going back to my girl you got yourself a lifetime 20/20 level stalker. Hahaha way you keep doing Thor I can’t “ It isn't his fault he reminds you of that spoiled deadbeat. “ I wonder still wonder because he hasn’t been front with her which I feel it coming feel it coming . ( still gonna be shock) but on the why he gave her a reason which I’m gonna point out in a second but can “ I don't like to carry 'round debts. Let me buy you one." be one I mean it be least crazy one . And if not does he pray on pregnant women because of well a lot tumblr taught me a lot about kinks but because how easy the target she or how her emotions not there or pregnancy brain. “ You really don't get this man. You're no longer so sure that Thor sent him to check up on you, not since your last interaction. In fact, the wingman seemed more spiteful of him than you” also that he was so close to Thor which questioned his character like so he mad bc what Thor did or he use Thor for some reason. Because in small time I can’t see some friends falling out so easy bc hello who else u got .
This again makes me feel bad for her because while Sy seems nice and it your name was the fluff you don’t ask for I be all aww so cute and romantic but no nothing ever good and sweet it’s an huh my leg said in a sponge bob character voice. Like never so simple and sweet but damn how bad I felt reading this “ You glance over and find Sy watching you as he stands in the queue. His gaze makes you want to wilt.. Not even Thor looked at you like that. Don't be silly. Sy is just being a dutiful guy, helping out the town slut in her time of need. You won't be duped. Not when you can hear your name being twisted on tongues at that very moment” and fact he open ( after 1st day seeing her) mention he read books about pregnancy. It makes her wall slowly start to crack. “ He suggested before he's been reading things about pregnancy. You just can't picture him with a copy of What To Expect When You're Expecting.”
HAAH I’m sure many mention this but lord can you imagine “ He returns with a black coffee and a rather colourful donut. They don't match. Bitter and sweet all at once. “ But no the way that he watches her even down to her fingers. Or what way her EYES 👀 may go. He’s watching her as if I only watching tho his pray but as if he I don’t know still in war zone, looking through his sniper or goggles, watching his enemy. But still huh I hate it the perfect crazy stalker but idk even talking to her not at her or down to her .
AND HE SO HONESTLY BLUNT like okay he playing a game of 1s and 00s and we doing tic tac toe. Still like , “ "Yes, I'd like to take care of you. And the little one, if you'll let me….. His eyes flick up to the ceiling and his cheek ticks as he gives the question genuine thought. When he looks at you again, his face is set, "because I want to." that to me feels ( because not 1st time) he thinking on how to say it like before with the honest but down play it. In away which is why I feel there more.
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Called to Duty 4
Warnings: non/dubcon, pregnancy, abandonment, and other dark elements. My username actually says you never asked for any of this.
My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.
Characters: Captain Syverson
Summary: You struggle to move on from the biggest mistake of your life but find it hard to forget among the whispers of a small town.
Part of the Backwoods AU
As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging.
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The bank is as ever anxiety inducing. On pay day, you go down to cash your check then give most of it right back, parsing it out for your various expenses. At the end of it, you have even less than the month before. You don't get it. Thing's only seem to get worse; not just money, but your body. Every day you wake up, you feel even more crummy than the last. 
Your hopes of a treat at the cafe are dashed. You give a longing look as you walk by and peer through the window. You can smell cinnamon and coffee. You're strict non-caffeinated, doctor's orders, but a decaf would be amazing with one of those cinnamon buns. Ugh, damn, why are you torturing yourself? 
You turn to continue down the street but barely dodge out of the way of another pedestrian. He makes sure you can't pass as he mirrors you, sidestepping to block your way. You sigh as you step back and look Sy in the face. For a big man, he sure can sneak up on you. 
"Hey," he flips up his dark sunglasses, "how're you feeling?" 
You stare up at him defiantly, not quite bold enough to glare. He hasn't done anything wrong, he's just persistent. It isn't his fault he reminds you of that spoiled deadbeat. Or that your emotions are volatile, one moment teary eyed, the next blazing hot with rage. 
"Fine, thanks for asking," you shrug, "Sy, I gotta--" 
"I owe you a cookie," he points to the cafe window at his shoulder. 
You blink. You remember the cracked shortbread. You forgot about that. The mention of the sugary treat makes your stomach growl and your mouth water. 
"No, you don't--" 
"I do," he insists, "I don't like to carry 'round debts. Let me buy you one." 
"I got it free," you say, "it's not a big deal." 
"It is to me," he counters, "I was heading in anyway." 
You stare at him. You really don't get this man. You're no longer so sure that Thor sent him to check up on you, not since your last interaction. In fact, the wingman seemed more spiteful of him than you. You look across the steeet to the pharmacy then back at him. The aromas wafting out with each swing of the door have you ravenous.  
"I can't stay long, I gotta work," you say. 
His cheeks twitch, as if he tamps back a smile before it can bloom, "after you." 
He gesture behind you to the door. You turn and lead the way. He reaches past you to open the door before you can and you enter ahead of him. The din within is lively and the air is warm from the crowd and the employees steaming out orders behind the counter. 
"Wanna find a seat?" He suggests, "you should rest." 
You open your mouth to argue but think better of it. You'd rather not stand in the clustered line. You nod and head off to claim the table by the window. There isn't much left. 
You pull out the chair and brace your back as you sit with a sigh. You glance over and find Sy watching you as he stands in the queue. His gaze makes you want to wilt, instead you turn your attention out the window. 
Not even Thor looked at you like that. Don't be silly. Sy is just being a dutiful guy, helping out the town slut in her time of need. You won't be duped. Not when you can hear your name being twisted on tongues at that very moment. 
You sit and wait, wring the strap of your small purse. You watch the street. If it wasn't for the people, Hammer Ford would be serene. 
A plate clinks in front of you and a porcelain mug as well. It isn't a cookie and you can smell the herbal tea's rosy flavour. You peer up at Sy as he gives an apologetic look. 
"Cookies are still baking so I got you a cinnamon bun," he says. 
"And tea?" You add. 
"Can't have one without the other," he says, "no coffee for you." 
"Yeah, I... I know." 
You could laugh. He suggested before he's been reading things about pregnancy. You just can't picture him with a copy of What To Expect When You're Expecting.  
"Thank you," you smile as best you can. 
"Gotta get mine, be back," he excuses himself and marches back to the counter. 
You look down at the gooey iced draped spiral. You really shouldn't. Not only accept his misspent generosity but indulge in the excess sugar. Yet your hormones won't let you resist. You can at least wait until he's sitting down. 
He returns with a black coffee and a rather colourful donut. They don't match. Bitter and sweet all at once. He sits and takes off his hat and sunglasses. 
You put your purse to the edge of the table and rest your hand on your stomach, doing your best to resist the animalistic need to tear apart the dessert. His eyes follow the movement and you quickly drop your arm. You don't even think when you do it, it's just a habit. 
"You-" he begins. 
"Wh--" you find your voice at the same time. 
You both stop, hesitant. He nods and gestures to you, lifting his cup as he watches you intently. That's new too. Thor never listened much, only talked a lot. Besides, you weren't exactly together for the conversation. 
"Sy," you clear your throat and sit forward as much as you can, "why are you following me around?" 
His brows form a vee, "I'm... it's not... I'm tryna help." 
"Okay, but why?" 
His eyes flick up to the ceiling and his cheek ticks as he gives the question genuine thought. When he looks at you again, his face is set, "because I want to." 
"You want to?" 
"Yes, I'd like to take care of you. And the little one, if you'll let me." 
You can't help your snort, "we hardly know each other." 
"Isn't for lack of trying," he taps his fingers on his mug. "Aren't ya gonna try the bun?" 
"I will," you assure him. He's trying to distract you and it's close to working. The cinnamon is driving you mad. "A baby is a lot of work and... I'm not your responsibility. I know Thor is your friend." 
"Was," he interjects.  
"Sure," you accept his decisive declaration, "but that doesn't mean you have to worry about his mistakes." 
"Mistakes? I don't think so," he says. 
"Well, it's not exactly planned," you scoff, "Sy, really I don't feel right about you doing so much." 
"Wouldn't feel right not doing it," he shrugs his burly shoulders. 
“But why?” You nearly exclaim. You just want to know why he cares so much, about you? 
He leans forward, elbows on the table, “they talk about me too, ya know? Since I got back from... serving. They say I’m f—crazy, or whatever. It wasn’t easy or nothin’ over there but I’m not nuts. Not like they say. Just like you’re not some slut, forgive me for saying it out loud.” 
You look down at the table and exhale. So he hears as much as anyone else about you. At least he’s honest. At least he isn’t joining them. You purse your lips and reach for the cinnamon bun, unable to restrain yourself any longer. 
“For what it’s worth,” you raise your eyes to meet his, “I never thought you were... unwell, or whatever they say.” 
His cheeks pinch, another suppressed smile, and he tilts his head, “I’m only happy to hear you think of me.” 
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raayllum · 2 days ago
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Right in front of our faces
So I've been thinking about self-eating a lot. Not only because it's weirdly on brand with everything in Claudia's arc (drinking her own blood, treating her own body basically as dark magic parts just for other people's metaphorical consumption, at least in her head, rather than for her own desires) but also because... Why, y'know? Why have this be a thing, why reserve it for the third arc, an arc wherein with the Archdragons gone Aaravos' main goal will be to dismantle the Cosmic Council?
In some ways, I think I was so focused on Aaravos' side of things—the easiest way to get revenge on the Stars (since they don't care about the destruction of their creation, not really, according to him) would be to kill them but he, for whatever reason, cannot do that—that I was missing the obvious other side of things.
Aaravos asks in 7x08, "Are you watching?" but wouldn't it be really bad for him if they were? What is stopping the Cosmic Council from transporting Aaravos to the same place they took Leola and permanently killing him, since permanently killing a Startouch elf is something we know the Cosmic Council, uniquely, can do? He couldn't stop them before when he was more powerful than he is now as a 'Fallen' Star.
Aaravos' plan hinges on eventually getting the Stars' attention, and they are presumably still at their full power, just no longer involved with Xadia. He is seemingly never concerned, even when making the choice to live and plot against them, that the Stars would just kill him the way they did with Leola.
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Or maybe, perhaps, he already has a reason that they can't.
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As he collapses in tears at Leola's trial, Aaravos' chest star is complete and right side up. After, presumably, 100 years of weeping, his star is inverted and the centre piece is missing when the Merciful One comes to see him.
The reason I brought up self-eating is because we see it's used as a form of chasing immortality, even beyond what Kim'Dael does. I've long speculated that Aaravos purposefully carved out his chest piece, whether to place it in something or to help create dark magic. He may not have done anything with it, even if it was on purpose, but I wonder... if he ate it, in order to ensure that the Cosmic Council couldn't kill him.
This is especially noteworthy since from what we see of Leola's trial, her destructive glow begins in her chest star and then spreads to her fingers, and the destruction of Aaravos' mortal form is radically different.
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This doesn't really make sense. Leola was destroyed while in her mortal form, given that moments before she'd been living and interacting with things on earth, just like her father. Aaravos' destruction stems from the bite mark at first, but then begins elsewhere that's entirely separate (the foot) and never broaches the hands. Leola becomes entirely light, while Aaravos' body seems to be shattered, and does bear a striking resemblance to how dark!Callum crumbles in the 2x08 dark magic nightmares.
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Furthermore, when Leola is killed and her star energy is sent down (for lack of a better description), we do see a symbol of a star being inverted, despite that not being a part of her character design.
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We also know that Aaravos' body being destroyed differently in 7x09 isn't due to dark magic use, at least not in terms of his body. As of season seven, he hadn't done any dark magic in his new body, which is a soft reset. However, we also know that dark magic affects your soul/spirit (6x06) which would, presumably, be the same no matter the body in this case. Therefore, the reason Aaravos' body might've crumbled (beyond differences in execution style) might be because of the dark magic he's used that created a permanent hole in his spirit/self, and one that Leola, of course did not have.
I also think some of this in my head is connecting to the ideas of sacrifice. Other characters, especially parents, can sacrifice themselves in TDP canon in hopes of a better future for their children / the next generation (the three queens, the archdragons, Harrow, etc). Aaravos divorcing himself from the ability to sacrifice himself, especially after thousands of years with no daughter to speak of (until Claudia, but on her in a second), purposefully robs himself from the ability to make a meaningful contribution to the cycle. Death, permanent death, provides meaning and consequence, both things he's seemingly devoid of.
Sacrificing his ability to die (his heart) and at least, in theory, reunite with his daughter / no longer exist without her to ensure he can 'avenge' her is a hell of a thing, after all. And on a certain level, that seems like his endgame goal regardless. Even if all the above speculation is untrue and wily, unless he can execute himself, in destroying/killing (?) all the other Startouch elves, he will be alone and eternal... forever, with no way out, carrying only the pain of his child's death and withering satisfaction at punishing her murderers, unless he decided to eventually change.
Like I said: a hell of a thing.
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caparrucia · 2 days ago
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I think a line where people get confused in the euphoria of "it's just fiction! So it doesn't matter!" Is where bigotry is still bigotry.
Like, I'm not talking about fan works, per se.
Policing fan works is the dumbest, most ineffective thing in the world. And to pretend that when people talk about fandom being racist or deeply misogynistic, people immediately scapegoat into a discussion about how policing fan works is censorship and bad and awful!
But it's not fan works, really.
It's the community spaces. The words you use.
Listen, that female character you hate? She's not real. She doesn't have feelings. But every femme person in your periphery is, so everytime you go on a ran about what a "rancid bitch" she is? The misogyny is real. The character is fake but the people around you are real. Your insistence to couch your dislike in bigotry is what is suspect. You're 100% allowed to dislike things and have personal preferences! That is not up for debate! But the words you use to communicate that matter, and they betray things you've internalized.
The conversation (and frustration!) about brown and Black characters being sidelined in fandom, even in the rare cases when they're pivotal in the source material are not about any one individual person, but rather the racist undertone that permeates the space.
Fictional characters aren't real, their feelings aren't real. You can hate them or love them or sexualize them to your heart content. They're dolls!
But if you bring in your own bigotry into the game of dolls and people call you for it, don't pretend people are saying playing with dolls is itself the problem. They want to play with the dolls too! They'd just want to do so without the slurs. And the ambient bigotry implying they're neither wanted nor welcome in the space.
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aishangotome · 2 days ago
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[Azel] The Mean Unicorn's Greedy Desire (Bday Story) - Part 1
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It had been a while since I started staying in Tanzanite as a traveling merchant---
The day of the Nativity Festival arrived, celebrating the day the living god, worshipped as the incarnation of the moon, descended to this world.
(Amazing... Everywhere is bustling with festivities.)
The shop on the right is selling palm-sized statues of the living god, and the shop on the left is selling commemorative coins that were apparently made to celebrate this year's Nativity Festival...
If I look ahead, I see a multitude of people praying around the statue of the living god, and if I look behind, I see dancers performing a dance dedicated to the god.
The market, filled with a mix of locals and tourists, was so crowded that it was difficult to even walk, so as soon as I finished the job the owner asked me to do, I rushed into a nearby alley.
(I didn't think the crowds would be this bad, but surely there's no one in the back alley––)
Azel: ...Huh?
Emma: Eh...?
Standing right in front of me was the god himself.
(Am I having a daydream?)
I rubbed my eyes and looked again, but the scene didn't change.
Emma: Why is Prince Azel in a place like this–– Nggh!?
Azel: Don't make a fuss, don't shout, be quiet! Do you want to be sued for damages? Fine with that, huh?
(That's so unreasonable!)
Azel quickly closed the distance between us, covered my mouth with his hand, and dragged me into the shadows.
(Is he perhaps hiding?)
When I signaled with my eyes that "I'll be quiet," he finally let go of my hand.
Azel: Of all people, why did you have to find me? This is the worst.
Emma: Were you doing something bad?
Azel: If I were, you wouldn't see tomorrow.
Emma: ...I'm glad that's not the case.
Emma: But, why is the guest of honor himself in the shade on a day like this?
Azel: Did it look like I was having fun?
Emma: ...No.
Azel: That's how it is.
(No, what does that mean?)
Azel let out a huge sigh by my ear.
It tickled, and my shoulders jumped, but Azel didn't seem to notice.
Azel: Do you know what day it is today?
Emma: It's Prince Azel's birthday, right? Happy Birthday.
Azel: Thank you. I'll be collecting presents later, so please be prepared.
(Shoot, I wasn't thinking!)
Azel: I prefer presents with actual items rather than just feelings.
Emma: ...So that's how it is.
Azel: But what all the citizens want to give me are "feelings."
Azel: No, even feelings are questionable... Anyway, people don't really care much about "whether I'll be happy or not."
(Is that... so?)
Azel: What do you think would happen if I went out on the main street now?
Emma: It might cause a commotion. Everywhere is already buzzing about Prince Azel.
Azel: In other words, that's how it'll be.
(I see, I understand now. He's hiding here because he doesn't want to cause a stir.)
As soon as one question was resolved, another one immediately popped up.
Emma: Wouldn't it have been better to stay in the usual temple...?
Azel: That's why I'm here, isn't it?
Perhaps out of spite or something, he pinched my cheek.
Azel: The main event of the Nativity Festival is the divine ritual.
Azel: If I skip this, the whole nation will start making a fuss, wondering if something has happened to the god, and politics, economy, everything will collapse.
Emma: That's a bit of an exaggeration...
Azel: You think so?
Azel: But it's no exaggeration to say that for the people of Tanzanite, god is the pillar of their spirit.
Azel: If that pillar cracks even a little, people will lose their minds.
Azel: For example, you like books, right? You might not be able to read them at all from tomorrow...
Azel: If that were to happen, could you remain calm?
Emma: I might not be able to.
Azel: That's how big of a deal it is for someone to lose their spiritual support.
Azel: ...Though it's a huge pain.
(Somehow... I think I understand.)
(Azel has to go to the castle no matter what, for the sake of the people.)
(Because that's his duty as a god.)
Emma: Is there no secret passage to get to the castle?
Azel: No. The more entrances the castle has, the more invasion routes there will be.
Azel: Tanzanite Castle is built in such a way that there is no other way to get there than through the main street.
(So, a commotion is unavoidable...)
Emma: Then, I'll be cheering you on from the shadows.
(There's nothing I can do anyway...)
Just as his hand left my cheek and I was about to turn around, he placed his hands on both my shoulders.
Azel: That's not right, is it?
Emma: Wh-What do you mean?
He squeezed my shoulders tightly, putting pressure on me both physically and mentally.
Azel: You think you can just go somewhere without giving me a present?
Azel: By the way, I don't want anything you just randomly bought at the market.
Emma: But, you want a physical item, right?
Azel: A thoughtless item is the same as bulky trash.
Azel: Let me see, what I want from you...
Azel, who had been lost in thought, suddenly changed his expression to a god-like benevolent smile.
I couldn't help but tense up.
Azel: I've never had a birthday cake before, so I'd like that.
Emma: ...Eh, never, ever?
Azel: Never. Because I'm a god.
(Oh right... The way gods celebrate is different from ordinary people.)
(But, why... does his smile seem sad?)
Emma: If I can use the castle kitchen, I can make one...
Azel: I'll arrange it. But for that, you have to go to the castle with me.
Emma: Together...?
Azel: Yes, together.
(If we go to the castle together, won't we get caught up in the commotion...?)
Azel: You want to celebrate me, don't you? You do, right?
The god enveloped me in a benevolent smile, as if bathed in a halo of light.
Azel: Very well. I will offer you my divine lending service at a special price.
Azel: Just for today, I am yours... In other words, we are bound by fate. Please take care of me.
(This wicked god––!)
.
.
.
Part 2
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rebelfell · 3 days ago
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Sigh…just been thinking about running into him on Small Business Saturday.
While everyone in town is at Star Court caught up in the feeding frenzy and the vainglorious pipe dream of finishing all their holiday shopping over one weekend, you're happily perusing the semi-deserted downtown district in an attempt to support the local shops barely hanging on.
The Christmas-ification of the streetlights and storefronts is much more subtle than the gaudy and ostentatious displays at the mall. Just some touches of simple greenery and a few strands of twinkly lights strung up here and there.
And this little record store is like a quiet haven completely immune to the onslaught of rampant cheer. (They’re not even playing Christmas music yet thank-you-very-much. Thanksgiving was only two days ago, in case you’ve forgotten.)
It’s perfect.
You let your mind turn off and lose yourself thumbing through one of the bins, reaching a kind of meditative state, so wrapped up in your thoughts you don't realize someone is standing across from you until he clears his throat softly.
You jump, breathless when your eyes meet the warmth of his amber gaze, and he smiles as he gives you a chuckle and a little wave.
“Sorry,” he says, “didn’t mean to scare you.”
You try and assure him he didn’t, but the race of your heart in your chest tells a different story. He nods knowingly and goes back to his own bin in front of him, sneakily stealing glances from behind the shield of his long, dark curls.
Your instinct is to flee. Clear the area in case he’s waiting to get into the bin you are. But he seems perfectly content with his own…so you stay. You pass a few minutes in comfortable silence until you pull a record and set it aside to buy.
“That’s a great one,” he says, nodding at it.
His voice doesn’t startle you this time. In fact, you seem to surprise him a bit when you shrug your shoulders and squish one of your eyes shut.
“It’s a good one, I don’t know if I’d call it great,” you answer. “But I have a friend who’s really into them and needs it for their collection.”
“A friend?” he asks, a note of plaintive hope in his voice. “Not a boyfriend?”
You look up at him again, clocking how his throat bobs and his already large eyes round even more with a hint of panic. He’s cute when he’s worried. You’d bet money he’s cute when he’s anything.
“No,” you say slowly. Coyly. “Not a boyfriend.”
“O-oh,” he sputters, trying to clear his throat at the same time. “Th-that’s cool.”
“Is it?” you ask with an arch of your brow.
You’re messing with him now, and he knows it. But rather than slinking off in shame or backing down, it seems to ignite something within him: a daring sort of flicker in his eyes you can’t wait to prod at and stoke and into a roaring blaze.
“For me it is,” he flirts. Leans forward on the bins and looks you up and down. He recovers quickly, you have to give him that. Doesn’t stay down.
His eyes dart to the record you set aside and he reaches for it. You give him a curious smile as you watch him tuck it under his arm that’s sheathed by leather. The chains on his jacket cuff jangle.
“What are you doing?”
“My treat,” he says with a smirk. “So that you can treat me to coffee.”
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the-crooked-library · 3 days ago
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I noticed something near the end of Dracula when Jonathan and Mina separate for a final time (so she can go to Dracula's castle), that a difference between Harker and Hutter is also near the end.
For context, several chapters earlier Jonathan gets two weapons “put these flowers round your neck”—here he handed to me a wreath of withered garlic blossoms—“for other enemies more mundane, this revolver and this knife;.
Then when Mina and Van Helsing are about to depart for their ride to the castle, Jonathan keeps the knife and gives the revolver to Mina. Even for me a large-bore revolver; Jonathan would not be happy unless I was armed like the rest.
I know the phallic analysis of the weapons in the book are overstated in scholarship but I think it's telling that Jonathan insists Mina to be armed with a big gun while he lets her go do what she wants without him. Thomas didn't arm her and likely wouldn't even it were suggested imo.
omg yes! That is definitely another detail that really stood out to me during my watch, and yet another reason I genuinely start getting annoyed whenever people conflate Thomas with Jonathan - because frankly, that is allowing Thomas to reap what Jonathan sowed, so to speak. I've seen a lot of people absolutely in love with him, and yet the traits they list as the reasons are none that he possesses; in fact, the great majority of them are in exact opposition to his canon personality, and this is one of them.
Don't get me wrong, I love Thomas as a character. I think he is quite sympathetic - and, on the Watsonian level, really trying his best; but at the same time, I think it is essential to acknowledge that he is deeply flawed, if only because on the Doylist level, these flaws are fundamental to his arc in the story. It is purely a question of structure and function; because, at the end of the day, he is a fictional character, and thus, a narrative component, rather than a person.
In this case, his choices prior to the vampire hunt provide the viewer with further evidence -> of an aspect of his characterization -> that acts as one of the driving forces behind the plot of Nosferatu. Specifically, he does not notice that Ellen is lying to him; he leaves her at home as he goes off to "fight"; he doesn't even consider arming her; and he does all these things because, even though he does care for Ellen, he never really thinks of her as a person.
Thomas doesn't notice that Ellen is lying, even though she is clearly nervous when she does it, because he doesn't know what she looks like when she's hiding something (I personally think it is because she masks around him, at least to some degree - throughout the film, he is uncomfortable every time she's honest). He doesn't bring her to the hunt because it doesn't occur to him that she could help with tracking down Orlok - despite him being aware now of her immense psychic abilities, despite Von Franz describing her as a native in a world he is only visiting. And, exactly as you said, he doesn't even think to leave her a weapon; because, even as he sets out on his "quest," even after she's told him of Orlok's obsession, even though the point of the hunt is apparently to "save" her, he doesn't consider the possibility of Orlok going after her.
Contrast that with Jonathan - who knows Mina so well that they can get concerned over three lines of writing, who works with Mina's brief psychic connection to Dracula in order to track him, and who arms Mina before the final fight, because he is not satisfied unless he can do everything in his power to ensure her safety. When it comes to their relationship, Mina's revolver, while not exactly phallic (seriously, why is that topic so overwrought?..), becomes a narrative symbol of his thoughtfulness.
The difference here is that, while Ellen is important to Thomas, this importance only extends insofar as she is his wife. He sees her as a responsibility, but never as herself; and, ultimately, he never actually considers her a factor that could conceivably affect his - or anyone's - decision-making. He plans their life without even asking what she wants from it, he neglects her emotional needs, and he leaves her like a sitting duck during the hunt, without a weapon or anyone to guard her. She continuously slips his mind, utterly inconsequential beyond whatever their surrounding society defines as her role and value; and Thomas, tragically, is unable to overcome this ingrained, rigid set of rules.
This is an essential aspect of his character - because, as stated previously, the plot wouldn't happen without it. If Thomas took Ellen's wants into consideration, he wouldn't have been so hell-bent on chasing a promotion, and he wouldn't have left her right after their honeymoon to go to another country, especially if she begged him to stay. If he knew her better, he would've picked up on the plan she made with Von Franz - or she would've told him!.. Most certainly, if he saw any real personhood in her, he wouldn't have dreamed of leaving her unarmed and undefended.
Nosferatu is about Ellen's continued systemic dehumanization. The point of the story is that every single human character contributes to it on some level, despite whatever love and best intentions they might have for her. It's about the inherent monstrousness of being othered by humanity, and Thomas is - inherently, narratively, crucially - human.
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waytray · 3 days ago
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i've said this in the tags of my Bite Marks ft. TEYA post, but i hope we get to see viktor and jayce in the next story Fortiche and Riot Games tells. I don't know if Welcome to Noxus is their next series (or an installment in League?) but whichever the next series in the Arcane universe is, I hope that's the case. I'm sure continuing Jinx and Vi's story is a given, but Viktor is my favourite character so I really hope to see him (and by extension Jayce, of course! they're partners after all)~. and I think having Mel as part of the Welcome to Noxus teaser is the gateway to that!
January 9 2025 update: okay so I found out that Welcome to Noxus is just an animated trailer for an installment in League (they call them seasons), rather than a trailer for their next animated series.
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starseneyes · 2 days ago
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Garashir - Julian Bashir / Elim Garak - Deep Space 9
Yes, I'm doing it. After weeks of my poor husband listening to me rant and rave about these two, I decided it was time to start a Meta following their relationship and what wasn't and could have been if TPTB had let these two experience a fully formed romantic relationship rather than one told in between furtive glances and flitting flirtations.
I was quite young when Deep Space 9 aired, but I remember gravitating very heavily toward Julian Bashir. His character underwent such growth, and Siddig El Fadil (as I memorized his name when I was a child, now billed as Alexander Siddig) was mezmerizing.
Little Rachel didn't catch every episode, so I missed a lot of Andrew Robinson as Garak, but watching as an adult I am in awe of the charismatic performance that birthed out of one heckuva interestingly written first scene.
Where will this go? Oh, everywhere! And I'm ever so glad to go there with you.
I wouldn't think a 30-year-old show would need a spoiler warning, but just in case: Spoilers abound for those who dare to dive in. Everything. In totality. Even a bit about Star Trek: Lower Decks.
Shall we?
Before we begin with the meeting of two spectacular characters, I want to preface that I am well-aware that Siddig and Robinson were onboard from moment one and that they acted the hell out of it.
I think it's absolutely beautiful that these two have been the champions of this relationship, and it makes it all the more fun to write a meta like this—knowing that a lot of the microexpressions I tend to latch onto naturally were intentional. Oh, that makes this even more fun!
"It's Doctor Bashir, isn't it? Of course it is. May I introduce myself?" "Uhhhh, yes. Yes. Of course."
From moment one, Bashir is flustered. Yes, we could say he has a degree of excitement about meeting a supposed spy, but there's something in the way these two hold one another's gazes before Garak even opens his mouth that's intriguing.
Thanks to Robinson's openess about his character, we know that Garak was DTF. But Bashir is on the receiving end of this attention and affection, and unsure how to respond to it.
Now, I don't think this is is because our dear doctor is not open to attraction between himself and a being who is not female-presenting, but more because he truly believes this being to be a spy.
Can you trust the flirtations of someone skilled in the art of espionage? This is something Bashir will have to chew on for some time. He just doesn't know it, yet.
"My name is Garak. A Cardassian by birth, obviously."
And there's the moment Bashir looks the man up and down. But, why? It's such a minor thing, but it catches my attention every time, mostly because I know it was a choice on Siddig's part. Bashir looked this alien up and down while trying to figure him out.
Garak invites himself to sit across from the handsome doctor, stating much of the obvious while attempting to draw Bashir out.
"You are new to this station, I believe." "I-I-I am, yes."
Bashir is stammering. And it reminds me of my Middle child. Middle is Autistic, and stammering often happens when he's worked up about something, or really excited.
Bashir then places his elbows on the table... and immediately encounters the plant. He tries to bat it away, but becomes so embarassed he puts his hands back down on the table.
"Though, though I understand you've been here for quite a while." "Ah! You know of me, then."
Garak is noticeably delighted. No doubt, he thinks this awareness smooths the way for him to be even more forward with the object of his desire.
Bashir defers to tea and tries to order Garak some, while Garak basks in the attentive nature of this human he's spied. No doubt, he's wondering just how attentive the good doctor is in other areas of his life.
"As you may also know, I have a clothing shop nearby, so if you should require any apparel, or simply wish as I do, for a bit of enjoyable company now and then, I'm at your disposal, doctor."
Translation: I want to drape you in the sexiest clothes, then disrobe you, and I'll do it anytime you like, just let me know. What, that wasn't what you heard?!
"You're very kind, Mr. Garak."
Kind. It's a word that will come back (though not for another season or so) between these two.
"Oh, it's just Garak. Plain simple, Garak."
Plain and Simple will come back, too. I have to give the writers so much credit for bringing both these things back around later on in the series.
"I'm so glad to have made such an interesting new friend."
He places his hands on Bashir's shoulders, that right hand taking its time as the fingers settle and the human watches them, wondering precisely what he's feeling as it rushes through him in waves. Excitement? Attraction? Danger? All three?!
Hopeful he's gotten his meaning across, Garak leaves the nice doctor be. But the impression of the conversation stays with Bashir as a series of emotions and reactions flash across his features.
Yes, there's the excitement of a young man with flights of fancy thinking he's met a spy. But there's also a "What the hell was that!?" that flits across his face as he tries to process all the things he simultaneously felt.
Amongst the other emotions, there was a definite attraction and desire for this Cardassian he's never met. There was something about him that was intriguing from moment one.
The human has always liked aliens, as we recall from his experiences when his parents first took him away to be "reconditioned as a child. He was excited to see so many different aliens, then, and his work as a Doctor allows him to encounter many different species.
But this Cardassian showered him in compliments that disarmed him and left this seemingly smooth ladies' man stammering and grasping for composure. That he could be so easily stripped bare of the arrogance that encapsulated early Bashir characterization is no accident.
The actors gave us this gift in their very first scene together with no idea if they would ever meet, again. At this point, Robinson was a one-episode guest star on the show. It doesn't matter. Both he and Siddig performed the hell out of this.
Later, Julian spies Garak out for a drink. And the way the camera finds him alone in a corner lends a sense of loneliness and isolation to the Cardassian. Even the separation of us from him by the bars in the establishing shot seem to block him out, somewhat.
"And how are you this evening, Mr Garak?"
Dear sweet Julian is on the hunt for a spy, but Garak is simply happy to spot the spry, young Doctor, again. The way "enhance my evening" drips off his tongue tastes of that carnal want in the gentlest of ways.
"Ah, plain simple Garak. How are you today?" "Being observant, Doctor." "I'm sure of it."
That giggle Siddig puts into the performance is just delicious. It feels lived in and earnest.
And then these two have the first of many standing conversations—where the meaning of personal space does not exist. Yes, they were dealing with a 4:3 ratio, but there's a difference between tight quarters and kissing range.
"Come in quickly, Doctor, you're late."
Garak is man-handling his human, but there's a reason for it. And poor, dear Julian actually holds up the suit jacket to see if he likes it. I don't know if that was the actor choice or the script, but it genuinely made me laugh.
This episode aired January 1993, which means it was likely shot in late 1992. The next time the two would work together would be on Season 2's "Cardassians", which aired in October of the same year.
This time, it's Julian who notices Garak sitting alone, drinking from a matching mug begging for its pairing to join it.
"Ah, Tarkalean Tea, again, doctor?"
Nicely done, DS9 writers. Calling back to that first meeting where Bashir offered Garak some tea, saying it was good.
Also, this casual acknowledgement suggests there've been some more interactions that have gone unseen by us in the meantime. It's been 9 months in the real world since last they saw one another, so it isn't unrealistic to imagine.
But the writer of this scene quickly roots us in some kind of a casual relationship that has developed since last Garak set his sights on the doctor. It's expertly done, and while it's not related entirely to the performance, I have to call it out because it's so well done.
Bashir starts fishing, again, about the spy he believes Garak to be. And while Garak plays along a little (because he clocks it immediately), he does tire of it.
"Really, Doctor? Must we always play this game?"
Again, I wanna smooch the screenwriter. This is the 90's, y'all. This is just coming off an era where Riker and Troi were seemingly a couple one episode and the next they were making eyes at other people as if they didn't know one another.
This was an era where episodes were essentially still written in a bottle without continuous storylines because the goal was to establish television that allowed Drop In viewers to join the show at any point without needing previous knowledge to understand every nuance.
Deep Space 9 was famous for bringing continuous story-telling to the forefront of Star Trek with the Dominion War, among other things.
But even here in Season 2, someone on that writing team understood the importance of the relationship between these characters so intimately that they sneaked in lines to establish a history unseen by the audience. That's mind-blowingly masterful and deserves attention.
"I'm no more a spy than you are-" "A doctor."
Ooh, is that a little bitchiness coming off of Bashir here? Me gusta! It's so much more attractive here when aimed at the charismatic Cardassian than when employed in attempted seductions of Daxes.
"What else can I do to convince you I'm just-" "Plain, simple Garak?"
Again, calling back to 9 months earlier at a time when most of us were still recording episodes on VHS and mailing them cross-country in tape exchanges coordinated by a burgeoning internet that consisted of IRC, ICQ, and AOL's Buddy Chat. This is artfully done.
"And a bite on the hand is certainly worth saving a boy's life, wouldn't you say?" "I suppose it depends on whose hand. Just joking, Doctor."
Bashir huffs out the slightest laugh at that. But as they speak, the topic turns to Gul Dukat, and Garak gives the good Doctor an education. One that Bashir attempts to use in a verbal confrontation with Gul Dukat that goes nowhere.
"He's lying." "Is that an opinion, or do you have evidence to support it?" "I have Garak."
This is intriguing to me. Because, in the first scene of the episode, as Garak and Bashir sipped drinks and chatted, Bashir brought up the issue of "trust".
On nothing but the word of a Cardassian he casually knows, Bashir inserted himself into a conversation to which he was no part and got himself duly told off by his superior officer.
One could say that he was foolhardy to so readily believe the man he has correctly deduced to be involved in espionage. But, there's something at a chemical level about these two that cannot be denied. And the next scene shows it all the more.
Bashir tosses and turns in bed, something interfering with his peaceful slumber. He starts himself awake and sits up to see Garak sitting patiently, watching him sleep, waiting for him to wake.
"Come, Doctor."
Woah, there, Nelly. I know you like to be forward, Garak, but did you really need to be that obvious?! There'll be plenty of time for that later.
"Get dressed."
I'm sorry. Are we implying that Garak is just gonna... chill in Bashir's quarters while he unbuttons that non-regulation looking night shirt and nothing's gonna happen between the two of them?
I mean, I suppose there's a reality where Garak is too worried about this Cardassian War Orphan to take advantage of the moment, but I'm certain he is not going to waste the opportunity to enjoy the view.
"We need to be going." "Going? Going where?" "To Bajor."
And on nothing more than that, the good Doctor suits up, wakes his superior officer (who just told him off) and requests a Runabout.
"It's Garak, sir. He wants to go to Bajor." "Bajor. For what?" "He wouldn't tell me."
Listen, honey. I know you're down bad for the Cardassian bad boy, but your Commander's getting a little tired of you interrupting him (first his meeting, then his sleep) on his behalf. Just bang him and be done with it, won't you? But, of course, a timely message saves the day.
"It can't be just a coincidence, sir... What could he be looking for on Bajor?" "There's only one way to find out."
And thus, a Cardassian and his human boy toy took off for answers.
"Perhaps, I can be of service." "You can fix computers?" "Oh, I dabble in isolinear subprocessors. It's a hobby of mine." *jaw clench*
I have to call out the jaw clench. There are few actors who can make a motion that minute and have it read well on camera.
"I continue to underestimate you, Garak."
I've never understood this line. Perhaps, Bashir could not fathom all of Garak's capabilities, but one would automatically assum a spy possessed hidden talents.
Perhaps this line speaks to the 90's, an era when we still pretty-much stuck to the labels provided by John Hughe's Breakfast Club of Brain, Athlete, Basket Case, Princess, and Criminal. Folks weren't easily more than one thing in that compartmentalized view of society and media.
If anything, Garak is an incredible Grey character when it comes to morality and motivation. So, perhaps his inclusion in the show is a delineator between the old and the new—where more complex characters were accepted on television.
But, no, Julian, I don't think you've underestimated him. Perhaps your imagination didn't stretch so far to encompass all of Garak's talents. But, if anything, you've put more stock in him and what he says than anyone else. Otherwise, you wouldn't be on this planet right now.
Garak removes his eyeglass and hands it instinctively to Julian, who receives it. It's a very intimate moment, honestly. They don't discuss this in any way. Garak knows Julian would want to see it, and he hopes to diffuse his questions by tying it all back to his tailor cover.
"Computer, disregard that request and shut down all engines."
Watch Garak, here. Robinson is taking us through an entire thought journey masterfully in seconds through microexpressions. There's surprise. Confusion. Concern. And then a realization where he thinks he's landed on what prompted this.
"I'm sorry you're upset about the orphans... I don't make the rules." "But you do play the game, don't you, Garak? And there is a game being played right now as we speak, isn't there?"
Holy fuck, yes, Julian! Finally, you are pushing back! Look, I love how much Julian can trust Garak sometimes, but it's also a bit foolish, and it's about damn time he held Garak's feet to the fire on this one.
"There are always games, Doctor." "The trouble is I don't have the slightest idea what this game is all about. So you're gonna tell me what's going on inside that plain and simple head of yours, my Cardassian friend, or we're going to sit here until we rot."
Garak looks like he wants to pin him right there. Rather than explain it all to him, Garak feeds him the information he needs to put together the pieces.
See, Garak knows that Bashir has a keen intellect. He doesn't need to tell him everything. He can simply allow Bashir to deduce it.
And perhaps this is a sneak peek of our dear Cardassian's talent for spinning tales and avoiding speaking absolute truth, but it also shows a level of trust in Bashir's intelligence.
It's the furthest Garak is willing to trust Bashir, right now, but it's still a huge leap in terms of any other relationships in Garak's life. I mean, what other friends does he have?
Sure, he initally approached Bashir hoping for a quickie or a nice man he could bootie call every so often. It seems Bashir hasn't quite taken the leap Garak had hoped in that department, but they have spent enough time together to forge some kind of bond.
And that's rare for a spy. Connections are weaknesses, you know. Which makes what these two share throughout the series all the more important for them both.
"Very good, Doctor. I'm glad to see our little get-togethers haven't gone for naught."
Again, this isn't their second time meeting, even if it is only our second time seeing them together. Gosh, I love this writing team for getting it.
"Another coincidence?" "I believe in coincidences. Coincidences happen every day. But I don't trust coincidences."
Gosh, this man can deliver a line. Also, I love the "coincidences" coming back around.
"Do you really think he purged the file on Rugal?" "I would have."
It's not an admission of his role as a spy, but it is a clue. And, if Bashir is paying attention, as much admission as he'll get at this point.
"Are you sure his name was Rugal?" "That's what we were told." *Garak perks up* "Somebody told you his name?" *Garak smiles*
I love this bit. Garak is smart, so he immediately clocks the "told" bit. And then he gets to have pride in his pet human clocking it nearly as quickly.
"Is there anything else, Doctor?"
Julian looks to Garak, who is hovering out-of-view of the Bajoran. He smiles as he shakes his head. "You did well," his smile says.
"Commander, can I ask a few questions?"
Julian walks in with Garak by his side—equals in this moment. And while Sisko earlier told Bashir off for interrupting, he knows well enough, now, that the Doctor must have something constructive to offer.
"Alright. Let's talk about children."
Look. At. The. FRAMING. Yes, we're watching Bashir square off with the menacing Gul Dukat, but framed behind them is a barely contained Garak, watching Bashir with pride.
This isn't the pride of a parental figure, but the pride one feels when their Partner gets to show everyone else what we already see in them. While Bashir has flubbed a bit through this episode, he gets to shine in this scene.
Garak always knew he had it in him, which is why he perked when Bashir stood up to him in the Runabout. Now, he gets to watch as Bashir triumphs in front of his Commanding officer and others against Garak's old nemesis—Gul Dukat.
After Julian moves away to take his place at the front of the room, the frame holds on Gul Dukat with Garak in the background. And, oh, the theater girl in me is fangirling!
Look, there are actors and then there are actors. I will never forget the first time I saw my husband on stage. We wouldn't meet for months later, but I was very bored during the second act of a University performance of St. Joan.
Every actor on that stage was talking, but nobody was listening. You can be a fine actor and get by, but those who also know how to listen and react will always have my heart.
And as the secon act droned on, I noticed one of the 12 people sitting at the front of the stage slowly remove their blindfold, turn their head, and listen.
He had maybe 8 minutes of speaking time on stage, but when I went home that night, I raved to my father about him. "The second act was dragging and then this man took off his blindfold and I thought, 'finally, there's an actor on this stage!'"
Watching Robinson, here, you can tell just how amazing he is. The director chose to keep him in-frame, likely because he recognized the brilliance. And all these years later, that remains a gift to us all.
Julian delivers the final blow, and his forceful presentation gives way to an honest smile directed at Garak, who smiles back, glowing with spousal pride as he nods.
"Truth, Doctor, is in the eye of the beholder. I never tell the truth because I do not believe there is such a thing. That's why I prefer the straight line simplicity of cutting cloth." "So, you're not gonna tell me." "But you don't need me to tell you, my friend. Just notice the details. They're scattered like crumbs all over this table we regularly share."
They have a table. They have a table! I love all these little details. Also, you can tell they've really honed in on Garak's character, here.
While his first, flirty appearance wasn't intended for a recurrence, I think they had a better idea of it, here, and thus a better handle on him. Being illusive is just part of who he is and how he operates.
"Until next time."
And he nods his head toward Bashir, and Bashir nods back. I point this out because it will come back, and I think it's just so incredible that Robinson put this in so early. Trust me, I'll point it out when it comes back, again!
It would be five months before these two shared the screen, again. I point this out only because the spaces between them working together are getting smaller and smaller.
Someone amongst TPTB realized they had a winner with this Garak character and brought him back—expanding his interactions to more of the crew.
"It all comes down to a question of loyalty. My dear doctor, Yuri had to choose between protecting his brother and protecting the state. He chose the state. As would I, every time."
Oh, this is one of those conversations that says so much about Garak for anyone paying attention (or for those of us with knowledge of the future). Watching this the first time, nobody would have known about Tain, about Garak's past, about so many things.
But from this conversation we know he's a man of the state, first. That is where his loyalty lies. Not with people. It's very revealing.
"Fishing, again, Doctor?" "Assuming you're not a spy-" "Assuming." "Then, maybe you're an outcast." "Or, maybe, I'm an outcast spy." "How could you be both?" "I never said I was either."
He's telling you, Julian! You just have to listen instead of looking for what you want to hear. In this episode, Julian may not realize how much of what Garak said in that short span was true. But, we, the audience, do.
"Before I became a tailor I went by a simple motto—never let sentiment get in the way of your work. A bit of a cliché, but true, nonetheless."
Unsurprising to any of us paying attention. But, this is a television show, so one has to wonder how this next bit is going to play out, right?
In this one episode, we've gotten to see how Garak can play both sides, how much we wants to go home, how much he hates exile. They've set it up for us to believe that Garak is going to do the wrong thing, here.
For goodness sake, Robinson was probaby peeking at the end of the script to see if this would be the one where they killed him off. It would've made narrative sense!
"I can't believe that you were once considered clever."
Oh, you Cardassian bloviator. How you've underestimated the simple tailor.
"I love Cardassia. Which is why I had to do what I did."
He said at the start of the episode that he will always choose Cardassia. And once he realized that the old frenemie ruined his Central Command-approved plan, he chose what was best for his homeworld and not what was best for him. And that, my friends, is a true act of love.
Why go into all of this when this is supposed to be a Garashir Meta? Well, because everything that happened plays into a simple, short scene between the two at the beginning of the episode.
Garak had to choose between a frenemie and the State. Like he said, he'd always choose the State. So, for once, Garak was not lying to the dear Doctor at all.
Now we get to one of my favorite Garashir episodes—The Wire. Because, let's face it, there's a lot of these two in this episode and Robinson is just... oh, chef's kiss.
PAUSE: Why was Julian Bashir my favorite character on DS9? Well, much as he was and is a gorgeous human who should be immortalized in marble, it wasn't looks. I was a child when I first watched the show, and I'm pretty damn Ace, so it's not about looks. No, it's about talent.
I long ago realized that I choose favorites based on talent. When The Backstreet Boys were big (and I learned a couple songs so I could sing along as school dances while cringing over the music videos), friends asked who my favorite was. "Brian!" I said without hesitation. "But he's not cute," my friends responded.
I hadn't even considered if he was cute. I chose him because he was the most talented.
My favorites of each Star Trek series tended to be the performers that I thought were the most talented. Siddig was unmatched, to me, amongst the main cast. It was only opposite Robinson where I saw two evenly matched performers feeding off of one another and elevating each other.
So, yes, I am gushing right now over Robinson, but accompanied by that is a baseline of being gobsmacked by Siddig.
Now, let's take that appreciation of these two giants into The Wire, which aired only two months after the previous episode featuring Garak.
"I hope I'm not boring you, Doctor." "Oh, not at all, no."
Bashir places a hand amicably on Garak's back, patting once and taking almost a full two seconds before letting his hand drop away.
"I just up late last night." "Entertaining one of your lady friend?"
C'mon, Garak. Just say it. You'd rather he be up late entertaining you. We all know it!
Also, glaring intensely at whichever higher up said, "Oooh, we need the pansexual lizard to reference the Julian is definitely all about the ladies!" Like, y'all, we can clock the queer from here. It's okay. You can totally let them be in love.
"Unfortunately, not."
Covering. This has to be covering. It's not like the good doctor can't ensnare some cutie with that boyish smile of his. But he has to play along for anyone listening along so they don't suspect his attraction to the Cardassian Spy. That's the reason, right?
"No, I was reading the last few chapters of The Neverending Sacrifice." "Isn't it superb? Without a doubt the finest Cardassian novel ever written."
Hold up. Hold up. This is boyfriend behavior. You're telling me he stayed up late last night reading a Cardassian novel? Like, he purposefully didn't go out or see anyone because he wanted to do something that connects him to Garak!?
Oh, honey. Now I see why you had to cover with that "unfortunately no ladies" thing. You're down bad for lizard boy.
"There's always Quark's." "True. But I'm really not in the mood for noisy, crowded, and vulgar today." "I suppose the Klingon restaurant is out of the question."
Is this flirty? My dear Siddig, you really played this line as flirty! And I adore it!
"Maybe if you lent me another book by a different writer-"
Again, DS9 writers doing the most with limited space. We know, now, that Garak lent Bashir the book. Some part of him wanted Julian to connect with this, one of his favorite books.
This is not Spy behavior, my dear Cardassian. This is boyfriend behavior. You crave genuine connection with Julian. This isn't fuck-town anymore where you simply want him carnally. No, you're developing feelings for the man.
In the immortal words of Whoopi, "You in danger, girl".
"It would only be a waste of time. When it comes to art, you're obviously a prisoner of Federation dogma and human prejudice." "I'm sorry you feel that way."
Do you hear how softly Julian says this? He's genuinely hurt that he hurt Garak's feelings. He wants to smooth it over by trying, again. Pain seizes Garak before they can continue.
"Are you alright?" "I'm fine." "You don't look fine. Your skin is clammy and your pupils have contracted."
The wounded boyfriend voice has lifted to the concerned boyfriend voice. Garak smiles a bit, touched by the consideration, but also trying to put up a brave front.
"I assure you, I'm in perfect health. Now, you were asking about other Cardassian books, something, maybe a little more acces-"
He's trying to divert, to change the subject. But his pain is too much for him to carry out his usual subterfuge and obfuscation.
"Perfect health? Then Cardassian standards must be a little lower than mine."
Ouch, Julian. Did you really have to take that jab at the man when he's already down!? Julian places his arm around Garak to escort him to the Infirmary, but there's no way our dear Cardassian is going to let that happen.
And then we get to the moment I had to pause the video and search Social Media. See, a name popped up that I immediately recognized. "Robert Hewitt Wolfe"
He wrote this episode. And, as I opened a tab to Bluesky, I realized that of course, I follow him... and he follows me. Me!? Why me!?
Look, loves, I'm a former VO artist and actress from Virginia who grew up in North Carolina. Yes, I grew up on film sets, but that was a whole other part of my life. I have some incredible folks who follow me on Social Media, and I've never fathomed why.
So, honored as I am to find Wolfe following me... I have no idea why!
"I only wish my humanoid patients were as easy to treat." "Did Chief O'Brian dislocate his shoulder, again?"
This is so telling. See, Jadzia can tell from Julian's tone that he's not just talking about any patient. He is pointedly talking about a patient with whom he shares genuine connection. This isn't ordinary annoyance. This is frustration.
"It's Garak. Today, at lunch, he seemed as though he was gonna have some sort of seizure. He was having trouble breathing and appeared to be in a great deal of pain. When I tried to get him to come to the infirmary, he outright refused."
All he needed was someone to open the door. In seconds, he ascertained a lot about his Cardassian friend's condition. And now he's worried. He can't let it go.
I've seen folks talk about Bashir being Autistic-coded, and as the mother of an incredible Autistic-child, I can really see it. And one thing my boy has a really hard time doing is letting go when he is invested in something or someone.
"It's that damn Cardassian evasiveness of his. I mean, keeping me guessing about his past is one thing, but when it comes to his health, I don't know. Why can't he just tell me what's going on?" "It sounds like you're taking this personally." "I suppose I am."
Oh, honey, we know you are. The game of who Garak is and what Garak's done is part of your foreplay. But knowing that he is in pain and worrying that it's going to escalate is not fun.
"It's just that Garak and I have been having lunch together once a week for more than a year, now, you would think he'd come to trust me a little."
Honey, he roped you into a midnight trip to Bajor and trusted you with the truth about that Cardassian child. Did you forget about that? Or, maybe you don't yet understand just how much trust that actually took.
He does trust you. More than he trusts anyone else on this spacestation. But your soon-to-be-beloved has a lot of trust issues, and a problem with sentiment.
And I just realized I've written "Honey" four times in this Meta so far. And, no, it isn't common in my Metas. It seems reserved, right now, for Julian Bashir. So, in case you thought I'd missed that little quirk, no, I didn't, and I have no explanation. Anyway...
"Why should he? It's not like the two of you are really friends." "Well, no. Of course not."
And Julian bluffs. He tries to brush it off. Because what they are will never fall into a simple label. It'd be convenient if it did, especially for the members of TPTB who were against this unlikely love affair.
But these two have a special bond that goes beyond any either of them has ever had. And while we only see Julian banging women on the series, this is supposed to be a more evolved time where we don't judge one another based on who they love.
So, it's unreasonable to label any character in the Star Trek universe as "straight" simply because of what we see on-screen.
Garashir hasn't been a phenomenon for thirty years because these two were friends. What they were and are is so much more complicated than that. But in this moment with Jadzia, Julian doesn't have those words and wouldn't even know where to start. So, he deflects.
"I suppose when it comes right down to it, I don't trust him, either. I mean, for all I know the man is a Cardassian spy."
Julian... honey... did you forget when you woke Sisko in the middle of the night to procure a Runabout just because Garak asked you to!? You trust him. And you're upset he doesn't seem to trust you back.
That's what this really is. He does trust Garak. And he wants desperately for Garak to trust him back. I mean, can you love someone you don't trust? Maybe. Can you love someone who doesn't trust you? Sure.
But trust is an important part of any relationship. And this episode really highlights that for Garak and Bashir.
"And if he doesn't want my help, that's his perogative."
Besides the obvious angry stab that Jadzia totally clocks, the emphasis on "my" is fascinating. Julian isn't upset that Garak isn't seeking medical assistance. It's about him. He's upset that Garak isn't seeking his assistance.
So, of course, Bashir leaves Jadzia and spies... his boyfriend asking somebody else for help. And, oh, that burns.
"You and Garak going into business?"
Busted! Nice spy work, Bashir. Looks like you have been paying attention.
"Really? I thought Garak sounded a bit upset." "Upset? I hadn't noticed. Now, is there anything I can do for you?"
Ohhhh, the jaw clench is working overtime. Julian looks like he might punch Quark right then and there. I mean, you can feel the heat coming off of Bashir, and that is all Siddig pouring it into the performance. So delicious.
"I was hoping you could give me a hand. I've been trying to access the old Cardassian medical files, but I haven't been having much luck."
Look at boyfriend Bashir using his free time to try to help his favorite Cardassian. Of course, he finds out it will take too long to get the files he needs, and you can see the frustration flash through him as he takes it in. Another dead end.
"Quark to Bashir." "This is Bashir." "Doctor, I need you in my bar, right away."
Let's talk about this, right quick. So, we all know that Bashir and Garak have been having lunch together at least once a week for a year, now, right?
So, when Garak is getting a bit out of hand and needs someone to take him home, who does Quark call? He calls Bashir. Because Bashir is Garak's person, and everyone who's paying attention knows it.
Again, this isn't a simple "friend" label. But Quark didn't call Bashir for his medical experience here. He called him for his Garak experience. And Bashir clocks the very drunk Garak as soon as he enters. He passes off his medical kit to Quark and sets his sights on Garak.
"Doctor. What a pleasant surprise. I apologize for my outburst at lunch, but I promise I'll make it up to you. Please, join me." "I think I will. May I?" "By all means... What are you doing!?"
Note the different responses to the different people. Quark and Garak have a "friendly" association, but they aren't friends. Bashir is the closest thing to a friend Garak has.
"I think it's a little noisy in here. I'd prefer to drink somewhere quieter."
As Bashir clutches the long-necked bottle, he uses Garak's own words from earlier against him.
"Why, an excellent idea. We'll go to my quarters."
Well, it's about damn time. I mean, yes, Garak did break into Bashir's quarters that one time, but this is the first time he's inviting him back to his place that we've seen.
And, Bashir, what are you doing with your face?! That open mouth. Those wandering eyes as Garak places the cork in the bottle.
"Whatever you want."
Um.... do you mean that, Doctor? Because, I'm certain the handsome Cardassian would love to take you up on that!
But, alas, nobody gets what they want (except Quark who snatches that bottle from behind Bashir's back as quickly as he can). Bashir tries to bamboozle his boyfriend into a trip to the Infirmary, but even blundering drunk Garak is still an astute Garak.
"I am not going to the Infirmary, and I refuse to play this ridiculous game."
Ah, yes, the games. A lot of their foreplay is in games. But, also, a lot of the way Garak's been forced to live all these years.
"Make it stop. Make it stop."
Because Garak really does want it to stop. The pain. The embarassment. The humiliation. The loneliness. The isolation. He wants it all to stop.
But that requires letting someone in. That requires trust. And, for obvious reasons, he's not one who naturally trusts with ease.
"Is that legal?" "It's in the best interest of Station Security. Doctor, do you want to know what Quark knows or not?" "I see your point."
Because he needs to know how to help Garak.
"Patient Garak is no longer in the Infirmary." "What!?"
I love the reading on that. It's exasperated more than surprised. Because of course that frustrating Cardassian was gonna slip out the second his back was turned. He stalks off to his boyfriend's Quarters to give him a piece of his mind... and find that he of course stole medicine.
"Ah, Doctor, what a pleasant surprise."
He meant it at Quark's. He's lying, here. He'd much rather be alone.
"What the hell do you think you're doing?!"
Oh, I love pissed off Julian. All he wants to do is help Garak, and from his point of view, Garak keeps making it worse by keeping him at arm's length.
His "What the hell do you think you're doing" screams, "Why won't you just let me help you, you foolish lizard man!?"
"Listen to me, Garak, I've had just about enough of your nonesense. Now, you're coming back to the Infirmary with me." "Oh, I don't think so. Believe me when I tell you, there's nothing you can do for me." "Oh, and Quark can, is that it?!"
Ooooh, there it is. I was right! Julian is jealous and hurt and he desperately wants Garak to trust him. Garak's eyes widen in surprise. Upon learning Quark couldn't get the item, though, Garak accepts his fate.
"Ah, well. Maybe it's for the best. My hypospray, if you please." "Another dose of tryptocederine might kill you." "Thank you for your concern, Doctor, but I'd rather have the hypospray." "I'm not gonna let you commit suicide. I'm here to help you."
But you can't force help on someone who doesn't want it. Not like this. Sure, Bashir could knock Garak out and get him back to the Infirmary, but that won't give him answers. That won't give him a path to healing. He needs Garak to open up and let him help.
"We've got to get you to the Infirmary." "My dear doctor, I have no intention of putting myself on display for the amusement of the Bajoran inhabitants of this statin." "It's not your pride I'm worried about. It's that implant you're carrying around inside your head." "You know about that, do you?"
Again, he's impressed. Julian has put in the work on this one. But this also illuminates why Garak has been so resistant to being in the Infirmary all along—he's a Cardassian. And he knows beyond a shadow of a doubt that this is his exit.
He truly believes that Bashir cannot help him. So, why tell him anything? But the more he pushes and pushes, the more little truths slip out.
"Garak! I need to know what we're up against. If you tell me what it's for, maybe I could find some way to remove it."
There it is. We. Us. In the immortal words of Pacey Whitaker, "There's an us here, now."
Somewhere in there... Garak decides to tell the truth. At least, some of it. He leaves out his parentage, of course, but he tells Bashir about the implant, about his true torture in exile.
"Living on this station is torture for me, Doctor. The temperature is always too cold. The lights always too bright. Every Bajoran on this station looks at me with loathing and contempt."
He turned it on continuously a year before he met Bashir. So, we have never seen him at a time when he was without it. We don't have any clue what baseline Garak looks like without his happy pills. A terrifying and intriguing thought.
"So... that's it, then. You're just going to give up and let them win." "Them, Doctor?" "The Central Command. The Obsidian Order. Whoever it was who exiled you here. You're just going to roll over and die, let them destroy you, give up any hope of ever seeing Cardassia, again." "Doctor, did anyone ever tell you that you are an infuriating pest?" "Chief O'Brian, all the time, and I don't pay any attention to him, either."
I know this is not the best time, but is anyone else just waiting for these two to kiss? This is lover-level arguing, folks.
"Has it ever occurred to you that I might be getting exactly what I deserve?" "No one deserves this."
There's that soft voice, again. The one he had when he apologized for Garak thinking he had no taste when it came to literature.
"Oh, please, Doctor. I'm suffering enough without having to listen to your smug, Federation sympathy. You think that because we have lunch together once a week you know me? You couldn't even begin to fathom what I'm capable of."
He's pushing Julian away. He's trying to drive Julian off because sentiment is a weakness that Garak can't afford. Right?
"I am a Doctor. You're my Patient. That's all I need to know."
And this is one of those moments where Julian really shines. Yes, he's been a bit emotional about Garak this episode... stabbing plans and all. But, when it's time to be the cool and calm one, he does it expertly.
I can be an emotional human. Heck, I'm human, so emotion is part of the whole shebang, right? But, when there's an emergency, I'm the coolest head in the room. I don't know if it's my Disaster Relief background, my News background, or just lots of childhood trauma that taught me how to be cool-headed, but I excel at it.
And, here, Bashir has shifted into his professionalism.
See, the personal side has been settled for him, in a way. Garak let him in. Garak told him what the problem was. He now has a starting point because Garak gave him something to work with. Now, he is back to being a Doctor trying to help his Patient.
"Wrong, again. You need to know who you're trying to save."
Watch Garak's face as he turns away. He doesn't want to do this. But he feels he has to.
What good is a spy with real friends? He needs to be ready to leave at any moment, ready to kill anyone for the sake of Cardassia, ready to face his end if that is the best outcome.
Garak puts distance between them, putting the actual desk between them, even though the framing obscures it.
He tells half-truths to Bashir—enough to hopefully drive him away, to destroy his compassion, to let him die alone and tortured by his past.
Bashir feels the full weight of the words and leans against the desk for support. Garak crosses back around the desk to stand alongside him, ready for his punishment. Ready for the rejection. Ready for the inevitable loss.
And the camera moves with him. At this point, we've spent nearly 15 seconds on this shot, already. There is no switch in perspective.
We are with Garrack as he rounds the table to Bashir, as he settles in next to him, as we transition from Garak standing alone and defiant, to him leaning, defeated, and worn... but not alone.
"I hope I haven't shattered too many of your illusions."
Garak lowers his head, closing his eyes, ready for his heart to shatter as his work is done. Yes, a lot of what he said is probably true, and he thinks it will be enough to drive his one friend away.
The shot is stunning. He leans down so that their heads are almost on the same level. Bashir is heavy with possible truths. Garak is heavy with fear and trauma.
"Listen to me, Garak-"
Cutting him off, because this is the second time he's said it this scene, but the tone is completely different. Before, he was angry. He was incensed! He demanded that Garak return to the Infirmary.
This time is different. And the writer gave Siddig the space to do this so beautifully—to show the difference between Bashir at the beginning of the scene and the end.
Garak looks up to meet his eyes, unsure of what he's going to say. There's openness on his side, more so than usual. And on Bashir's, a choice has been made—one that Garak didn't anticipate for all his possible scenarios plotted in the miliseconds used to gather his story.
"Right now I'm not concerned with what you did in the past. I'm simply not gonna walk out of here and let you die. You need to turn that implant off, and whatever withdrawal symptoms or side effects you may experience, I promise,I"ll help you through them."
Garak looks away from Bashir, his eyes darting back to the compassionate man before him. His plan failed. He didn't scare away his only friend. He looks away, unable to meet Julian's eyes.
"I need to know where that triggering device is. Where is it?"
And Garak tells him. At this point, I don't know if Garak realized that he would continue to deteriorate even after it was turned off. Maybe he did. Maybe he didn't.
But I think he also realized he finally had someone in his life who wouldn't push him away, wouldn't give up on him, wouldn't denounce him when it got scary.
And the camera moves with Bashir. We've been on that same shot for an entire minute at this point. We started with Garak defiantly finishing his story, to the two of them meeting in the middle, to Bashir taking over as the man of action, going for the device.
As Bashir grasps the device, the camera pans up, Bashir in the background and a bent Garak in the foreground. Again, there's an us here, and the camerawork is helping tell that tale.
Also—over a minute of these two on-camera? That's sensational. Camera cuts can cover up a multitude of sins. From someone flubbing a line, to a case of the giggles, to bad blocking.
But Siddig and Anderson are skilled enough to handle the long take with ease. Both practiced performers who are accustomed to the unforgiving nature of the live audience on the stage, they take their characters through this journey together masterfully.
And, again, it's Anderson's reactions that really gut you. But Siddig gives him the space for those reactions to breathe. For example, when Bashir says, "Listen to me, Garak," he takes a breath, there. It gives Garak the time to gather himself, to take a breath himself, to meet his friend's eyes.
You can see Garak gathering the courage for his heart to break. Yes, he spun the tale that was intended to do just that. But, he honestly wishes it weren't so.
"Right now, I'm not concerned with what you did in the past." Garak's mouth opens. It's slight, but it's there. He's surprised.
"I'm simply not gonna walk out of here and let you die." Garak's eyes start searching Bashir's—he means it. This isn't a trick. This isn't subterfuge. He gives a damn.
"...I promise I'll help you through them." That's when Garak looks away. He doesn't feel like he deserves Bashir's kindness. If anything, he deserves to be abandoned and have his heart break before he dies alone, right?
It's such a gorgeous scene. The writing. The directing. The framing. The performing. The vulnerability Robinson lends Garak in that last minute, and the compassion Siddig pours into Bashir.
Some actors simply can't carry a scene like that, but these two meet one another, feeding off of one another, giving to one another instead of trying to dominate the space as the focal point.
And, look, for all I know these long shots are simply the result of the production schedule adjusting so there would be fewer set-ups and Robinson could get out of the Cardassian wet-suit faster. But, even if they are, they're still a wonder to behold.
"Well, that'll be all, for now. If you need to reach me, I'll be here for at least the next 26 hours."
Think about the nuance of all of this. He didn't bring Garak back to the Infirmary. He set up in Garak's Quarters to be sure Garak would be as comfortable as possible, but gave no thought to his own comfort as he's tending his patient.
Garak will be able to detox with dignity in private—save Julian. And Julian will fulfill his promise to help him through. The door chimes, and it's Odo.
"Come on, we can talk outside."
Yes, you could say that Julian is only doing this because he is in Doctor mode looking out for his Patient. But, earlier he was willing to do something illegal in monitoring Quark's private communications for the sake of information, right?
"I'm afraid your questions will have to wait."
And René Auberjonois' reaction is what makes this fascinating. He was not expecting the good Doctor to say that.
"Doctor, these are murder cases and Garak may be a suspect."
Maybe the human doesn't understand, right? Maybe if he speaks to the brilliant doctor like he's a toddler, he'll get through.
"That may be so, but he's still my patient and I'll not have him disturbed, so until further notice his Quarters are off-limits to everyone except Emergency Medical Personnel. So, if you'll excuse me, I have a patient to attend to."
Odo acknowledges it, but he looks back several times in consternation to the door as he goes. He's wondering about the good Doctor's motives, here. He is. And he's not wrong to wonder.
Yes, Julian is a Doctor tending to his Patient. But he's also a friend who made a promise that he intends to keep.
At first, Garak sleeps. There are fitful moments. And Julian watches over him. He hovers. And then, finally, he curls up in the chair and drifts off to sleep. He's exhausted. He's worn. But he wakes to the soft sobs of a Cardassian.
Can you imagine how unnerving it is for a hardened Cardassian spy to find himself crying in the presence of a weak human? A human he has trusted to get him to this point. A weakness he can't afford?
And, yes, he is under the extreme stress of detox. He has gone from reliance on this implant for two years to turning it off, cold turkey, and his system is in shock. He's going to lash out. And Julian knows it.
"Garak?" "Leave me alone." "I don't think that would be a good idea right now. Your blood chemistry is severely unbalanced. You need to rest."
Julian perches on the bed next to Garak, but they are facing opposite directions. Julian has one perspective, and Garak the other. He places a hand on the Cardassian's shoulder, and Garak lurches from it.
Ordinarily, Garak would welcome Julian's touch. Already this episode, this is the fourth time Julian has reached out to touch Garak, once as a friendly pat, and twice with the hopes of escorting him to the Infirmary.
But in his detox, Garak doesn't want touch. He doesn't want affection. He's hurting and angry and confused. But he's still Garak—weaver of tales and master of half-truths masquerading as full lies.
"Don't touch me." "Calm down."
Julian, honey, no. And, Garak runs with it. He starts destroying things—the lamp, overturning his desk with barely any effort.
"Do you have any idea what that means?" "I'm afraid I don't." "No, you don't, do you. You don't know much of anything."
Again, he's pushing Julian away. But when Julian brings up the shuttle story... the story shifts.
And we begin another long shot following Garak as he rants and raves, possessed by memory and haunted by the horrors he'd rather bury in the forced endorphines of his mind.
Robinson is monologuing. As a theatrical actor, this is not something that would be new to him. But a lot of science fiction simply didn't possess performers of this caliber at that time.
In this version, Garak is the one who made the unthinkable choice and Elim is the angry Statesman.
And this shot was 1:15 long. Yes, Robinson has the heavy work in this scene and is teaching us a masterclass on performing. But Siddig has to support without ever drawing focus. And that is tougher than it looks. Again, masters.
"And so they exiled you." "That's right! And left me to live out my day with nothing to look forward to but having lunch with you."
This sounds biting, and Julian takes it as such. But, underneath that is a truth—for an entire year, Garak had nothing to look forward to on this station. At first, he spied the spry Startfleet Doctor and though, "ooh, a bit of fun!"
But, now... time with Julian is something he looks forward to. For any of us who have ever been in a tough spot, felt like the walls were closing in, were struggling through life—we understand the power of having something to look forward to.
"I'm sorry you feel that way. I thought you enjoyed my company." "Oh, I did! And that's the worst part."
Now, Julian knows that Garak is lashing out because of the detoxification. Likely, this isn't the first time he's helped a patient through this.
But they have the added layer of a friendship. Yes, it's one they both deny, at this point. Garak needs to fool himself into thinking he'd still kill Julian at a moment's notice, and Julian needs to underplay how much Garak means to him because he isn't yet ready to face it.
So, Julian averts his eyes as Garak continues, because he needs to try to keep this in Doctor mode and not take it personally.
"I can't believe that I actually enjoyed eating mediocre food and staring into your smug sanctimonious face."
Staring, you say? Yeah, I know, not the best time to swoon. But, y'all, he enjoys staring at the good Doctor and just admitted it. It's cute!
"I hate this place and I hate you." "Okay, Garak. That's your prerogative. Now, I really think you should lie down."
He's barely holding onto the professionalism, here. He cognitively knows well enough that this isn't as personal as it might seem. Garak is coming off of two years of dependency on a drug to maintain his happiness that is now just... gone.
The two tussle, and another seizure strikes. It's too much for Bashir to handle in Garak's quarters, and so they end up in the Infirmary, again, where Julian tries to solve the issues of Garak's continued degradation.
And after all that... Bashir still wants to help. Garak, now calmer, listens in on the conversation. He decides to share yet another version of the story, sprinkling in some crumbs that Bashir can choose to follow—or not.
"You've done enough, doctor. More than I deserve."
But what I find incredible about this conversation, is how Garak emphasizes that he deserved his exile for what he did to his best friend. Now, anyone who's seen the whole series knows Elim and Garak are one.
But who is Garak's best friend now? Has Garak ever had a best friend? Someone he could count on?
"Why are you telling me this, Garak?" "So that you can forgive me. Why else? I need to know that someone forgives me."
The weight of this. Yes, yes. I know they're about to hold hands and be all sweet about it. But that last line is important. Because in Season 5's "In Purgatory's Shadow" Garak tells Bashir how he'd hoped Tain—the most important relationship in his life—could forgive him.
There is only one other person whose forgiveness holds weight with Garak—and that's Julian. Julian places his hand in Garak's, and Garak holds on, holding the human's gaze.
"I forgive you... for whatever it is you did."
This. Is. Art. The pause. The shrug! There's so much going on here. Because Julian is intimating he doesn't believe he knows the whole truth, even now, while still offering the absolution Garak seeks.
"Thank you, Doctor. That's most kind."
Bashir used this word at their first meeting. Kind. Not a special word, in any fashion, but it struck me hearing it again, here, said by the other party.
Garak has been pushing Julian away throughout the day, but here he invites him in, a little. We went from "Don't touch me" to an outstretched hand. We went from him deflecting Julian to offering him the breadcrumbs needed (where to find Tain, information on just how dangerous Tain is) just in case Julian can pull this off.
Julian smiles at Garak as he fades off, exhausted, tired. And then Bashir shifts into "get shit done" mode.
"Still, what you did was very brave. I'm impressed... Are all the Starfleet Lieutenants as brash as you are?"
Tain, your son chose a good man—brave and true.
"Tell me, Doctor. How sick is Garak?" "He's dying." "And you're trying to save him." "That's right." "Strange. I thought you were his friend." "I suppose I am."
Now, we can speculate that Bashir is saying what he needs to say to get what he needs from Tain. But, we could also conclude that Garak is dying, so what's the harm in admitting they're friends at this point?
"Then you should let him die. After all, for Garak a life in exile is no life at all." "Say what you will. My job is to keep him alive. And I need your help."
And we're back in Doctor mode. It worked on Odo, so it might work here, right?
"Doctor... Elim is Garak's first name."
Bashir had been holding is own against Tain rather well until this point, but that reveal rocked him a bit. Even what he thought he understood from Garak's stories is now meaningless. "Just plain Garak", eh?
But, I think it's Garak's way of separating the parts of himself and who he is. Yes, he did terrible things. Yes, he also did good things. The Cardassian is as morally grey as they get on this show. Compartmentalization is logical for one forced to endure exile while pondering past predicaments that sealed one's fate.
At lunch, a pondering Bashir twirls his fork.
"So, how's the Idanian Spiced Pudding?" "How's the spiced pudding?! Is that all you have to say for yourself!?"
Love Siddig's read on that first bit. It makes me laugh every time. He's so indignant! So frustrated.
"I, for one, Doctor, am perfectly satisfied with the way things turned out. And I see no need to dwell on what was doubtlessly a difficult time for both of us."
Say it with me, folks: "There's an us here, now".
"Here. I brought you something." "What is it? ... More Cardassian literature." "I think you'll find this one more to your tastes."
This time, he isn't using it as a divergence. This is a thank you. This is him inviting Bashir in even closer than before. No, he still won't speak in full-truths. To be honest, he probably doesn't know how.
But while Bashir didn't enjoy the first book, he realizes that Bashir's openness to trying more isn't out of some weird ideology, but because he is invested in Garak and wants to understand him better.
The trauma of what they just weathered will endure—but so will the bond they strengthened in the flames.
"You know, I still have a lot of questions to ask you about your past." "I have given you all the answers I am capable of."
And, you can almost believe him, there.
"You've given me answers, alright, but they were all different. What I want to know is of all the stories you told me, which ones were true and which ones weren't."
Did you note Bashir's hands? This is how he tried to place his hands the first time he met Garak, when he got caught up in the plant, when he was completely flustered.
But Julian's tone is different from any other time they've had this conversation. Partially because he is now privy to information (Garak's first name) that Garak doesn't know he's learned.
I love the detail that now that he is on a closer-to-equal footing with the Cardassian, he can place his hands like this and pull it off without effort. It says something about his character coming along, I think.
"My dear Doctor, they're all true." "Even the lies?" "Especially the lies."
Julian smiles at his friend, shaking his head as he does.
It's one of my favorite Garashir episodes, not just for the incredible writing, directing, and performances—but for how it pushes their relationship forward.
Though Julian still has questions, he has a little more to go on—and while that little may not seem significant, it is for Garak. And I think some part of Bashir knows it.
They won't see each other again until Season 3. Now, the Garak seen in "The Search" doesn't even technically exist. He's not a part of the team whose minds are hooked up to a Matrix-like simulation. But that leads me to wonder—whose version of Garak is he?
Was this version of Garak programmed in for their enjoyment? Or is he an amalgamation of their perceptions? Also, since Bashir was one of those under sedation, his reactions to Garak were real, regardless of if Garak himself was.
So, let's talk a little about how this plays out for our beloved Garashir with the understanding that Garak's characterization is coming from somewhere, but we know not where. What we do know is that Bashir's responses are 100% real.
"Doctor! Welcome back!"
Alright, maybe this should've been the first clue that something was off—what the hell is Garak doing!? He's just puttering around at some weird computer for no apparent reason, pining and waiting for his beloved to return.
"Business keeping you busy?" "The tailoring business? Or the spy business? Joking, of course." "Of course."
Bashir is beaming like he's having the time of his life. 'And he is flirting. While we don't know who dreamt up this version of Garak, we know he's got the attention of the Doctor!
"I've missed you. I've been genuinely concerned for your safety. Lunch hasn't been the same without you."
Alright. Now I'm going for Bashir-influenced headcannon because dude, that is boyfriend-level dialogue I wouldn't expect from the usually close-vested Cardassian.
Is this what Julian wants from Garak? Is this what the Changelings think Garak would say to Bashir? Whichever it is, it's revealing of either how Julian sees his relationship with Garak or how the outside world views them. Neither is particularly straight. Just sayin'.
"That's very kind of you to say so, Garak."
Because he wouldn't say it, honey. But I definitely think you want him to. And don't think I missed you slipping the "kind" in there, again.
"I'm afraid you have a loose thread right here." ... "If I didn't know better, I'd say you were enjoying yourself, Garak." "Oh, not at all, Doctor, but after years of hemming women's dresses, a little action is a welcome change of pace."
Again, this is a simulation. But, clearly someone thinks Garak will take the side of the Federation in all this, and that he will very often be by the side of his favorite Doctor.
But, also, damn, Julian is flirty today! Like, "Having fun, darling?" Tell me I'm not the only one hearing it!
"I have them! I have them. By all means, Commander, do as they say." "Garak." "Now, you heard me Doctor." ... "You see, I pretend to be their friend and then I shoot you."
Again, whoever's idea of Garak this is, it's very revealing. Yes, he appears to turn on the Federation crew... before choosing their side.
"It's just something I read once in a book." "I'm sure."
But Garak here is far too foolish, engaging in flirtation with Julian when he should have been paying attention.
Real Garak wouldn't have gotten shot, here. He would've been too focused on the mission. Real Garak always saves his quips for after the danger has passed. But Julian thinks this is real Garak... and Garak goes down.
"Garak! Garak."
Julian rushes to his side, grabbing ahold of him.
"Doctor, I'm afraid I won't be able to have lunch with you today."
As Garak slumps, so, too, does Julian. Sisko grabs ahold of Julian, pulling him away, but it takes a few seconds for Bashir to be able to look away. Is Garak dead? Are they leaving him to die?
Remember, this is all a simulation. But for Julian, this is real. He held his friend as he died. His last words were to him—a sad farewell to their future.
Sisko's tugging him, but Jadzia pushes him, too. A part of Julian is trapped there, on that floor, fused to Garak in a way that Julian hadn't considered. But there's no time for mourning.
Yes, it's all just a simulation. Julian will lunch with Garak, again. And he does on-screen, only a few weeks later.
"There you are, Garak!" "Ah!" "I went past your shop, but it was closed."
And there Garak sits, at their table. Yes, they eat other places, but this is their spot.
"How was your trip to Klaestron IV?"
Aw! They know about each other's trips and movements. They care about one another.
"Garak, you're being paranoid. Are you saying the Cardassian government would have you killed if you left this station?" "My dear doctor, you do have a vivid imagination."
And Bashir is frustrated with Garak, again, but merely noneplussed, not upset. Also, in comparison to last episode this sounds like Garak, again. Weaving half-truths, not answering a straight question with a straight answer. Welcome back, buddy!
"Oh, good evening, Doctor. If you're finished here, I was wondering if you'd like to join me for a late snack."
Ah, yes, the classic excuse of using food as an excuse to be together. Food is necessary to life, yet? Even snacks can be life-sustaining at times. Hell, as a breast-feeding mother, I felt like I had to eat 24/7.
He wants to tell only Julian, but ends up having to talk to Sisko. Sorry, Garak. I know it's a lot more fun to talk to the human you want to sleep with than the one you don't.
But then he learns—higher ups want him off the station. Not only would that kill him because of Tain's orders, but it would also mean no more snacking with (and dreaming of snacking on) the handsome human Doctor.
"The Quarters on this vessel are rather claustrophobic."
Now, this might be a deflection, but I bring it up because back in "The Wire" he mentioned how cramped the Infirmary felt. Are these breadcrumbs of his claustrophobia? Happy accidents? We'd have to ask one of the writers to know for sure!
"Garak, do you know a way we can stop this neurocine gas?" "The only way to do that is to destroy the life support system."
I love this. Because Julian is the one to ask, he offers the answer, and Bashir's the only one to truly get it the first time through.
Is this because of his superior intellect? Because he understands Garak better than any of the others do? Hard to know, but our dear would-be lovers are definitely shown as being in sync.
"Well, tell me, Doctor, what it is exactly about this situation that's making you smile." "You, Garak."
Garak felt his darling's stare and looked to meet his eyes. In another situation, he might've flirted instead of demonstrated confusion. And while the Cardassian doesn't really fluster, it's one time where I feel like the Doctor has caught him off-guard.
I mean, we all love to see our crush smiling at us for no reason... but Julian's timing really sucks ass.
"Hmm?" "Just wondering how many other tailors can rewrite Cardassian security protocols." "I wouldn't even venture a guess. Which reminds me, those pants you wante altered are ready to be picked up."
Julian chuckles at Garak's change of subject—well aware, by this point, that his Cardassian friend thinks he's slick. But, ooph, there's a flirty tone to Julian in this exchange.
And don't think Garak misses it. Oh, no! It's just his hands are a bit full of Cardassian security protocols, at the moment, so the handsome Doctor will have to wait.
Also, the Yank-who-lived-in-England in me is dying laughing. While to us Americans, Garak is talking about two-legged garments that typically reach from hip to ankle, that's the American definition of "pants".
For Brits, pants refer to "underpants". So, while the writer most likely meant the former, my brain goes to the latter and has to chuckle along with Julian.
Of course Garak would like to see Julian's underpants, again (c'mon... no way he waited outside Bashir's quarters in "Cardassians" while he dressed!). But the fact that Julian is taking advantage of Garak's services is also intriguing—does he pay in Latinum? Or does he pay... in other ways?
Alright, fine. I'll stop imagining and get back to the task at hand.
"Garak groveling in a corner. That alone makes my trip worthwhile." *Garak straightens* "Garak!" "Easy, Doctor."
In real-world time, it's only been a few weeks since Julian thought he lost Garak in the simulation. He doesn't want to lose him, again.
"I should have executed you years ago." "Oh, you tried, remember?" "Garak. This isn't helping."
Julian holds Garak's gaze, though we don't know Garak's response. But this is such a lover thing to do—hold one another accountable in a moment of high-stress.
It feels like there's some exchange we miss between them based on how long it takes Julian to look to Jadzia, but I don't mind that. I don't mind that we miss it. What matters is that we knew it happened.
It will be months before we see these two together on-screen again, and Garak must not hold that last exchange against Julian because he comes bearing gifts. That's right! It's Julian's 30th birthday episode.
"Well, if you like, I can help you set up an exercise program in one of the holosuites."
Escalating the relationship, again, I see. But, truly, we've gone from lunch once a week to trusting one another in tight places, to Julian frequenting the tailor's for alterations of trousers (seriously, Jules, just ask the replicator for shorter legs! We all know it's pretense to see your favorite Cardassian between nibbles).
Now, they're considering holosuite dates. Yup. That's how I'm going to look at it through my delusional glasses! Holosuite dates.
"Speaking of holosuites..."
I want to ravish you on Risa. Not what he said? Okay, fine, I'll get back to proper transcription.
"Happy birthday."
Is there a ribbon on that!? Elim Garak, you wrapped your pet human's present!?
"I know it's a few days off, but I wanted to give you your present early."
Y'all, the former spy and ruthless mind whose morals vascilate between dark grey and light great is a sweetie! And, frankly, Julian is a bit of an ass.
Did your parents never teach you to politely say, "Thank you"? Not, "I'm not into this because it's not my thing and it's not any fun" but a simple fucking thank you when the love of your life attempts to be thoughtful.
He even knew you liked mystery novels and tried to find something he thought you'd enjoy! Sure, it was a swing and a miss, but you didn't have to be that dismissive of the lizard!
At the same time... my reaction to the time my husband gave me a dolphin kite for my birthday (no, I have no idea how he got there, either) wasn't the best. So, I'll forgive you, Julian... for now.
"Is Lieutenant Dax throwing one of her surprise parties for you this year?" "Oh, so I'm told." "Well, you don't sound enthusiastic about that, either."
You freakin' cunning lizard. You accurately deduced that your darling Doctor's reaction wasn't entirely directed at the subject matter of the holosuite program, but something else entirely.
But rather than ask outright, the old spy pokes and prods to get to the point. Wow, who ever thought I'd write that sentence about this two and not mean it in inuendo!? Not me!
"I wasn't aware that humans saw growing old as a negative experience. On Cardassia, advanced age is seen as a sign of power, dignity."
There's some heat to this statement. Like, "Darling, I'm right here and you're not jumping on this powerful, dignified Cardassian?! What's wrong with you!?"
"And, look, Garak, in two days I turn 30. If I choose to be grumpy about it, that's my prerogative."
Garak supports however Julian wants to feel about it, and it feels very much spousal, this whole conversation. Like, "Whatever you say, darling". So, when Quark comes into the middle of the conversation, Julian has to shift out of spouse mode and back to Doctor mode.
"I hope you'll forgive the interruption." "Of course."
That was to Garak... why the hell was that to Garak? And why did Garak automatically respond as if this was the most normal thing in the world?
Is this still because of what Garak did to help Quark's old flame? Is this because Quark failed to obtain the merchandise when Garak's implant degraded? Or is it because Quark"s smart enough to notice when Garak is out with his boyfriend and doesn't wish to be disturbed?
"Goodbye, Quark." "Don't take it personally. He's turning 30."
Get. A. Room. You. Two. Julian glares at his husband, and I try to contain my giggles.
Look, I've heard they were told to tone down the Garashir at some point in the show. I don't know when that occurred, but I can tell you that these two are still steaming with chemistry and attraction.
"Garak!" "Doctor! What are you doing here?"
And just like the first time around with Garak not really being here, it's someone else's idea of who Garak is to Bashir. And this version of Garak is very handsy. So, once again, someone saw these two and thought, "Yup. Banging."
"I'll meet you back on the Promenade in half an hour. Be careful." "You, too."
Look, this probably wasn't intentional—or maybe it was, who the hell knows!?—but the way their hands linger as they pass off the equipment has me going feral. Because this is all in Julian's head.
It could just be that Siddig's fingers got stuck passing it off to Robinson and they're both so damn professional that they just kept going. But, shipper-girl likes to imagine there was some feeling in those fingers.
"I'm a part of you, remember? I know what you know. Well, maybe a little more." "Still the man of mystery?" "Oh, you wouldn't have me any other way."
Look, we will find out that this isn't a part of Julian, but an extension of the attack. But Julian is still flirting hard. Even in his mind, he wants to flirt with the Cardassian!
"I did some checking on Letheans. Their telepathic attacks are almost always fatal. I guess I was lucky." "Cardassians don't believe in luck, Doctor. You survived because you're strong."
And we can get into the debate about Julian's genetic enhancements and whether that played a part. But at this moment, Garak is simply impressed and Julian is grateful.
"One thing's for sure, you know, after experiencing life at a hundred plus, turning 30 doesn't seem that bad anymore." "In that case, happy birthday."
Bashir gratefully inclines his head to Garak, no longer grumpy about the big day.
"You know, Doctor, what I find most fascinating about this entire incident is how your unconscious mind chose people you know to represent the various parts of your personality... And what I find interesting is how your mind ended up casting me as the villain."
Julian searches for words. I don't think even he knew if it was truly him or the Lethean who cast Garak in the role.
"Oh, I wouldn't read too much into that, Garak." "Oh, how can I not?"
And Garak seems to assume that Julian's mind painted him as the villain, but I really think it was the Lethean who made that choice.
He needed it to be someone who Bashir would keep close through the whole ordeal, and they definitely came off couple-y in that opening scene!
"To think, after all this time, after all our lunches together, you still don't trust me... There's hope for you yet, Doctor."
Garak leans forward, grabbing onto Julian's forearm. And a coy smile spreads across Julian's face. That's the Garak he knows.
Only a few short weeks later, we've transitioned from Julian's complaints about Cardassian literature and mysteries to Garak's issues with Shakespeare.
I can hear my English and Drama teaching husband cringing from here. He is still amazed by my ability to perform iambic pentameter while still struggling to understand why it exists in the first place.
"But I'm sorry, Doctor. I just don't see the value of this man's work." "But, Garak, Shakespeare is one of the giants of human literature."
Oh, how the table has turned (well, Garak didn't know this one over, yet, but you know what I mean). For so long, Julian simply hasn't connected with Cardassian literature—despite his tries! And now Garak is having the same issue in reverse.
And, of course, the Garashir conversation is set up for what is yet to come. They talk about a great military man who couldn't see what was going on right under his own nose... hmmm.
And I'm worried Siddig is going to barf. If you pay attention to most scenes where actors eat, then tend to take small bites/sips if any at all. That's because this scene that takes minutes to watch takes hours and hours to shoot.
I'm uncertain if Deep Space 9 ran an A Camera and B Camera simultaneously, but even then, there are so many takes to get what will satisfy a director, most times.
So, every time Julian had to stuff his face. And that means poor Siddig had to scarf down that food over and over and over, again.
"Oh, you're fortunate. I have more time on my hands than I know what to do with." "Maybe you could finish those trousers I dropped off last week."
Hah! I am cackling with glee. A little while back I mentioned the whole US/UK pants/trousers thing without any remembrance that Bashir says "trousers" here. Yup!
Unless there was a special case... don't think Julian would need Garak to alter his Starfleet-regulation underwear. Now, is there was something special he wanted only for Garak's eyes, that's another thing entirely.
"You're going to give yourself indigestion."
Garak, you and I are on the same page!
"If you hadn't been so late, I could have enjoyed my lunch."
Awww. He waited until his boyfriend arrived to get his food! That's so sweet of him. Even if he's throwing it in Garak's face now.
"I have to go, and I'm sorry to leave you while you're still eating." "No, no. I'm done as well." "But you've hardly touched your plate!" "If you must know, I've been nibbling on Delavian chocolates all morning."
Babe, why are you standing so close to your human companion? This is one of those things I tried to point out to my husband early about Garashir—they tend to stand like personal space doesn't exist.
Of course, he pulled out the "It's 4:3 framing" argument because Deep Space 9 aired at a time when televisions were still literal boxes that you tried desperately not to knock over while adjusting the bunny ears to get the channel to clear up.
But then I showed him a couple scenes where the aspect ratio should have zero bearing on that kind of blocking that puts them in kissing distance, and he had to admit... they like to get up close and personal!
"Where did you get Delavian chocolates?"
And the tone completely shifts. We can infer that these are a delicacy, and something that Bashir likes, as well. For all their disagreements on literature, it seems that chocolates are their shared interest.
Julian, a moment ago quite peturbed, is now all smiles and intrigued at the idea of sharing in a chocolate or two with the Cardassian.
"Well, I promised my supplier I wouldn't tell, but since I deprived you of your dessert, I'd be more than happy to bring some by the Infirmary later this afternoon." "Why, thank you, I'd like that." "Until then, Doctor."
Garak inclines his head toward Julian, which we've seen him do before. And while Bashir has answered in kind, it has never been as enthusiastic as this time. Every ounce of annoyance he possessed seconds earlier is gone.
There's something so domestic about that. Matthew and I can have a disagreement, and then one of us makes the other laugh so loud it melts away.
"Are you alright?"
Garak lies on the ground, and while I suspect some of his reaction is well-practiced and conceived for the purpose of his mission, Julian doesn't know that. He leans across the Cardassian, then starts a quick check of essential points.
"But I'm afraid your pants won't be ready tomorrow after all."
Ah, yes, the reminder that he's a simple tailor. But why would someone blow up a simple tailor's shop?
"Could this attempt on your life have anything to do with the reason you were exiled from Cardassia?"
There's something so perfect about this question directed to Garak as Julian is out-of-frame, only his hands working on Garak to remind us he's there. Sure, Julian doesn't know the full truth, but he knows more than they do.
And that means Julian never told anyone what Garak told him. Oh, you two are just building and building your trust, aren't you?
Julian waits until the others leave to hand Garak a mirror to inspect himself, to open his mouth, to say anything at all.
"Someone should do a study." "A study?" "To try and figure out why some people can't bring themselves to trust anyone even if it's in their own best interest."
I like the way Garak looks up when Bashir says "anyone". Because, he does trust Julian far more than he should, far more than he thought he would allow himself to.
But a lifetime of lies is difficult to abandon. No, it's his security blanket wound so tight around him he struggles for breath, but will never admit it.
"Why is it no one ever believes me even when I'm telling the truth?"
And Julian launches into more American literature... a children's story. He hopes it will get through, but the secondary interpretation of the classic Boy Who Cried Wolf only supports their entirely different views on literature.
Julian hopes Garak will learn to trust people instead of lying so much they don't believe him. But the practiced spy has already demonstrated his viewpoint during "The Wire" when the story kept changing—never tell the same lie twice.
"I am not Doctor Bashir and we are not sparring amiably over lunch-"
Well, everyone seems to know about these lunches, don't they? Now, of course Odo would keep an eye on everyone, but I still rather love this call-out.
"I hope you know what you're doing, Garak." "So do I." "Is there anything you need me to do while you're gone?" "Like what?"
Water your plants. Walk the dog. Plan our wedding.
"If you go into my quarters and examine the bulkhead next to the replicator, you'll notice there's a false panel. Behind that panel, there's a compartment containing an isolinear rod. If I'm not back within 78 hours, I want you to take that rod and eat it."
Woah. I mean, I thought I was going a little too far with the wedding planning, but apparently not. I mean, if Garak's gonna be out here in public telling Bashir to eat his rod, the wedding bells might be a-ringin' soon after all!
"Eat it?" "Mmm." "You're joking." "Yes, Doctor. I am." "Very funny." "I thought so."
Gosh, the staging of this is so interesting. Julian is usually a hair taller than Garak, but with Garak up a step, he's towering over Julian. It somehow doesn't make Julian look small, but it does cast a different light over his face as he's forced to look up at the Cardassian.
"Then these are for you." "Dalavian chocolates. But these were meant for you." "I know. I thought you might need them more than I do."
And, finally, they've found a gentle love language between them—chocolate. Literature exchanges lead to rigorous debate, sure. And fun as that foreplay has always been, there's something so soft about this moment.
"Thank you."
Garak says it as softly as he's ever said anything. Julian came here to see him off, to give him a parting gift, to be the closest friend he's probably ever had. What started out as a hopeful hookup has become a relationship that will transcend the borders of convention the more it grows.
"Good luck." "Hmm."
And while Garak doesn't believe in luck, he doesn't take the moment to remind him. Instead, he carries that bit of sweetness with him as he walks the rest of the way through the threshold.
I tend to think Julian is the one thing he misses when he leaves the station behind. The shop is his cover, and he happens to be well-skilled at it, like he is a great many things. But we already know that living on that station is torture.
Julian is the one thing that makes him truly smile, truly feel. When he's with Julian, they debate, they banter, they argue, they laugh, they go through the range of emotions and form new connections and bonds.
But, still, his heart is forever Cardassia's. We'll get to that more later...
"He hides his true feeling almost as well as you do, Elim."
A rare compliment.
"Like I used to say, 'Always burn your bridges behind you. You never know who might be trying to follow."
Hmmm. And Garak decidedly does not burn his bridges when he says goodbye at the end of the series. So, might a certain Doctor follow? Eh, getting ahead of myself, again!
"Well, I suppose Garak has taught me to think of lunch as a sort of arena for philosophical debate."
Julian and Miles are best friends, no doubt! But Julian and Garak are friends, too, just different.
I have friends I can get into deep philosophical debates with. Hell, my husband is the one who gets the bulk of it! And it seems that it's dawning on Julian that he has a different type of friendship with Garak than he does with anyone else in his life.
It's not a grand acknowledgement of romance, but it's a start. Too bad his future partner is busy abandoning him for his fucked up father. And, yes, wanting to go home is a powerful thing.
But home is often more than a place. Garak hasn't gotten there, yet. And maybe he never will fully grasp that concept. After all, it's different when you're forced from your home than when you leave of your own volition.
Back to Julian, his looks whistfully to the table. Ugh, he misses Garak. He has come to expect and enjoy their banter.
"I take it there's still no word about Garak and Odo?"
Julian doesn't know that the word is bad. Honey, your BFF is off in the stars with his manipulative, narcissistic father and choosing his true home over you.
Poor Bashir just wants to know his friend—oy, we are stretching the meaning of that word, here—is okay.
The word from Miles isn't helpful, and the Chief departs without another word to his friend. Julian looks to the table, dejected and concerned.
But he doesn't know how much Garak longs for the approval of Tain—his father. And as someone who grew up with a co-dependent, narcissistic parent... I get it. I was in my 30's before I fully broke free. I don't think Garak ever did.
"The Founders? You want to go home to the Founders? But I thought you turned your back on them!" "I did. But they're still my people. I tried to deny it. I tried to forget."
And Garak cradles his head in his hand as the Changeling returns to his true form. He did his duty to torture Odo to extract information—but that glee that Tain described earlier simply isn't there.
Yes, Garak is good at what he does. He's clever. But there's a difference between doing what you think you must do and wanting to do it.
For the first time, we really have to wonder what Garak truly wants. He has always sworn allegiance to Cardassia and to the State. He has repeatedly chosen what he thought best for Cardassia, even if it wasn't what was best for him.
But is he the same Cardassian he was? Was he ever who Tain wanted him to be? And you might think, "What the fuck does this have to do with Garashir!?" But, for Garak, his heart and allegiances will always tear him from Julian.
"What could have happened?!" "I'm afraid the fault, dear Tain, is not in our stars but in ourselves." "What!?" "Something I learned from Doctor Bashir."
And there he is, quoting the Shakespeare he so recently quarreled over with Julian.
"Welcome back." "Oh, that looks painful."
I was just thinking we weren't going to see Julian's reaction to them coming aboard, and there he is, ready and waiting. Just as he saw Garak off, he's the one who is there to receive him.
Garak stumbles a little as he walks, holding onto the railing on the wall. Then, he stumbles right into Julian as the Defiant takes fire.
Later, Garak returns to the wreckage of his shop. When he blew it up, he didn't know if he would return. Now, he has nothing on Cardassia, and he also has nothing here.
And in an absolutely stunning shot, we see Odo standing in the doorway, in the reflection, almost a reflection of Garak himself in that they both wish they could go home, but both find themselves, again, on this station—though for different reasons.
"Garak, I was thinking that you and I should have breakfast together sometime."
I include this because everyone knows Julian is Garak's lunch date. Even in this moment, Julian's somehow a part of it.
And that stunning shot is nearly two minutes long. Two minutes of continuous camera on Robinson, displaying, yet again, what a tremendous performer he is. And it's simply too beautiful a shot not to mention. Brava/Bravo to whoever conceived and executed it.
That's the end of Garak in Season 3. Though they waste no time in bringing him into Season 4! We meet him, again, in the first episode of Season 4.
"What I can't understand is their inexplicable hostility toward me... Perhaps they decided they just didn't like me." "Not like you. Impossible." "You're right. As always, Doctor."
Is it bad that my first thought watching this scene was, "Well, Julian certainly knows how to get Garak on his back anytime he wants"? Probably. But, this blatant flirting is the fun bit. And the only bit we get of the two of them, though Garak has some delicious stuff this episode.
It would be eight aired episodes later before Garak and Bashir see one another, again, but, oh, what a fun one that is!
"Who's that?" "An uninvited guest. Excuse me."
The applause has me rolling. Like, "Very good, Doctor. Excellent performance. This for sure will convince them you're straight!"
Julian crosses over the body on the floor, past the shattered glass to where Garak watches, wearing his own smart tuxedo.
"Nice tux." "Thank you." "Now, get out!"
I love that even though he is pissed at Garak, right now, he still can't miss the opportunity to compliment him.
"Ever since you received this new program you spend virtually every free hour in the holosuite. But you haven't told anyone what the program is."
His delivery on that last bit is so delicious. There's a point to every word, like a sharp edge as he takes in the ridiculous, over-the-top nature of this supposed spy tale.
"Am I supposed to?" "No, no. No. But you're such a, forgive me, a talkative man and it's so unusual for you to have secrets."
I love how he reaches out to clutch Julian's forearm and doesn't let go until he finishes speaking. And, we will later find out that Julian does have a secret, though I don't know if at this point either actor knew it.
Sometimes the actor knows the big twist or big secret, like Kristen Bell and The Good Place. But other times, they don't, like Amanda Abbington in Sherlock.
It can change up how you play something as a performer. Sometimes it's for the better, and sometimes not. It's another two seasons before Siddig beautifully monologues about Julian's childhood.
But did the writers know? Like in Sherlock, there are plenty of cases where the Writers know something and haven't yet told the actors. Happens more often than you can think! It's one of those cases I truly wonder and wish I had an answer.
"I must have picked up that habit from you."
Flirting, again, Julian!? Are you hoping it'll appease him and he'll leave you be?
"Now, if you'll excuse me-"
Julian steps over the body, but Garak steps with him.
"Is this fantasy of yours truly revealing of your inner psyche?"
Did I fall in love with a total dork, Bond-wannabe? Seriously, there's a touch of disbelief in his tone.
"What?" "Is that why you're so protective?"
Garak steps closer to Julian—far closer than needed. My husband has brought up the "It was 4:3, they had to stand close together!" argument before, but when I showed him this one, he just laughed and shook his head.
This is boyfriend space. This is, "I'm gonna kiss you if you let me" space.
"Are you afraid that I'll find out some humiliating secrets of the real Julian Bashir?" "This is a fantasy. I'm not hiding anything." "Well, if you've nothing to hide, why not let me stay?"
Somehow, Garak still finds a way to talk with his hands without brushing Julian's chest—which, let's be real, is totally on his mind at all times—and Julian keeps his eyes locked on Garak's.
Garak notes Julian's lack of quick response and quirks his head to the site, a smile crossing his features. He knows he's got him where he wants him.
He once interrogated a man by staring at him for hours. Now, those same eyes turn puppy-dog as he entices his human bae to let him get his way. And Garak gets his way.
"All right." "Ah."
And the Bond girl wannabe is pissed. Not only is she not getting laid, now she has to compete for the sexy man's attention with a dashing Cardassian.
"Now, I have to be at work in two hours, and I'd like to enjoy myself, so keep quiet and don't rain on my parade."
That last bit is pointed. This is like when I have to remind Matthew not to make fun of me for watching super cheesy Christmas movies at Christmastime. I'm so stressed with work and family drama that I need something that just makes me smile.
Julian needs his would-be hubby to be chill so he can have some much-needed fun that doesn't require him to be everything he is. For a little while, he wants to be something he isn't just to unwind.
Gosh, I feel that. So, c'mon, Garak, let your boytoy have his fun.
"Parade?" "Nevermind." "Don't worry, Doctor. I can be very discreet. You'll barely know I'm here."
Are you thinking you're going to watch him have sex? Like, just how discreet do you need to be right now!? But, even though the Earth-ian reference went over Garak's head, he has committed to this, now. The Cardassian is along for the ride.
"She seemed so interested in your advances just a moment ago. I wonder what scared her away."
Julian and I have the same thought: Really Garak!? As if you don't know what scared her off?
"Oh, no. I do apologize."
Now, in another version of this show, Julian would realize that the reason that things just keep not working out with him with other people—virtual or otherwise—is that he's got it bad for a certain lizard man.
"You must be incensed! In fact, if I were in your shoes, I'd grab a bottle of champagne, and shoot me." "I can see I'm going to regret this."
First off, Garak's interpretation of Bond films isn't too far off my own circa 1990's era Bond. Also, way to be transparent about your kinks, Garak!
Now, Julian could just rescind the permission to hang out, but he doesn't. Why not? I don't think he's worried about being rude to the Cardassian. Perhaps, though, he wants to prove to himself that he has nothing to hide.
Garak claps a hand on Julian's shoulder as they walk.
"Don't worry, Doctor. We're going to have a wonderful time. After all, what could possibly go wrong?"
Classic line, here. Famous last words. If ever you're watching a movie or television show and someone utters a "what's the worst that can happen?" or "what could possibly go wrong?" just know—the worst is about to happen and everything is going to go wrong.
"You live here?" "That's right." "Decorate it yourself?" "The decor is appropriate for the period—1964."
I love how much fun Garak is having with this. He's taking it all in and soaking it all up. This place is far more cluttered than Bashir's quarters in real life, which Garak broke into and probably memorized in case he ever needed to plant something on the unsuspecting Doctor.
"I think I joined the wrong intelligence services."
It's so nice to be so far beyond Garak having to hide his past allegiances. Yes, there's intrigue left with the ole Cardassian, but I like how casual these two are conversing.
And I love how Julian is lounging. Maybe it's his character. Maybe it's simply the way he sits on a couch like this. Who knows!? But, is suggests an openness and swagger that isn't forced like his earlier characterizations, but simply an extension of who he is.
"Yes, this should do nicely. Though I'm not too sure about the collar." "It's perfect."
I have so many questions. Look, Holodeck stuff has always been a little fuzzy to me. Like, did they replicate some clothing? Or did they ask the system to assign them new clothing? Can they wear these clothes off the holodeck?!
And if these are completely new clothes, would this mark the first time Julian's seen the Cardassian in a state of undress? We know Garak woke Julian in his jammies, once, and that he's fitted him for trouser alterations at least twice. But there's been no opportunity for Julian to see Garak in a state of undress until now.
Also, this is such a spousal exchange. Garak is the one fussing over his attire and aching for perfection, while Julian is the assuring one, telling him that he looks fine.
"Very funny."
Aw, nice to see the return of this phrase from Julian. But, no, honey, this isn't a joke. Garak really isn't trying to rain on your parade.
"You're bleeding." "The Holosuite safeties must be off."
Ever the Doctor, Julian's concerned about his favorite patient before he has to save another life.
"Try to stay cool, Mr. Bashir."
I love how as soon as not-Sisko leaves, Julian looks to Garak, who is definitely concerned about this situation.
"I'd give you both some privacy, if I could."
Garak, my love, you know you can at least turn around. No, you want Julian to know you are watching him.
"Kiss the girl, get the key. They never taught me that in the Obsidian Order."
I love how impressed Garak is with Julian. He just picked a freakin' 20th century lock! Like, that isn't an essential course at Starfleet Academy!
"Yes, they might be killed, and that is unfortunate, but there comes a time when the odds are against you and the only reasonable course of action is to quit." "Quit?" "Yes!" "Is that what they taught you in the Obsidian Order? To give up when things get tough?" "As a matter of fact, they did."
It's a real argument. And I'm one of those that things disagreements are healthy in relationships. Now, this exact scenario is a bit specific, but it still stands. These two were due for their first real fight.
"Don't." "Or what? You'll kill me?"
He really doesn't believe Julian will pull that trigger. Much as Garak recommended shooting him earlier, that was before the security protocols went down.
"You'll be fine. It's just a flesh wound."
And here, Garak sees that Julian can make that call. Garak told him earlier that he might have to make a hard choice, that he might not be able to save everyone. And while I don't think Garak thought he'd be the one going down, he's impressed. And all the fire of their argument has died.
"That was awfully close. What if you'd killed me?" "What makes you think I wasn't trying?" "Doctor, I do believe there's hope for you, yet." "I'm so relieved."
Garak's impressed. Garak's surprised. Garak's really turned on.
I mean, Julian's dropped his voice into this husky range he hardly ever uses, and it is working its magic on the Cardassian. If they weren't in mortal danger, he might've asked the Doctor to take him right then, right there, against the wall.
"Now, we have to get to the control room. Are you coming or not?"
And like quarrelling lovers, they don't have to discuss or announce the end of the fight. Both of them know it's over, and Garak won't be calling for the door, again.
"Well, who am I to question Julian Bashir, secret agent? Lead on!"
The way that Cardassian is looking at that Human... he wants to lick him up with a spoon. He wants him in every way and none of them clothed. He's too horny to protest the mission.
Shoot me? Oh, darling, I'm yours! Look, everyone has their kinks. No shaming Garak's!
"I'm an intelligence agent,a nd if there's any one thing I've learned it is that there comes a point when the odds are against you, and there is no reasonable course of action but to quit."
Oh, darling, you were listening! Seriously. That's Garak's look as he watches with pride.
"How do you think I've managed to stay alive so long when all of my compatriots are dead? It is because I have known when to walk away."
I have a somewhat photographic memory...but it isn't that good. Yes, I'm aware this is a television program, Julian has a genetically altered brain, and it's all a flight of fancy. But, it's still dang impressive.
I mean, if Garak wasn't already horny for honey, he's positively bursting with desire, now!
"I suppose the only thing left to do, now, is to kill you."
Watch how Garak responds to that, ready to leap, surprised by how steady Julian is standing, waiting for the shot. It's only a simulation, sure, but one with the safeties turned off. The good Doctor could die. And he's not running from it.
"You can leave the Holosuite, now." "Thank you."
It's another long Garashir shot. But these two seasoned pros can handle it, and they carry each beat of the scene through—from returning to the banter of who's teaching who, to their next lunch.
"Lunch tomorrow?" "Of course."
Julian's the one to broach it, signaling he'll forgo a lunch on the holodeck if it means time with Garak. Then, Garak turns it on his head, offering to return to the Holosuite with him.
This is so fucking couple-y. How many times do we go back and forth with our partner, both trying to make the other happy? Both trying to make the other feel seen, and heard, and valued?
"Oh, I think it's safe to say Julian Bashir, secret agent will return." "Mmm."
And while it's not a full minute on this shot, it's still another delightful one where these two nail blocking with no markers I can see, and remind us just how good they are.
I think this episode was important for them both. The first time Julian stood up to Garak in "Cardassians" was important. He needed to demonstrate he wasn't subservient to the Cardassian, that he was a critical thinker.
This, too, was important. Because from the moment they relaized the safety protocols were disengaged, the game changed from harmless to extremely dangerous. And Garak didn't know if he could trust Julian to make the tough call.
Nothing in their relationship has ever put them in this place—where they are actually facing down death side-by-side.
When Garak chooses to save himself, it is a bit selfish, sure. He has made these choices, before, to stay alive. But once he knows that Julian is solid, he's solid.
Yes, he's horny as fuck when Julian grazes him with a projective object. But he is also impressed. If Julian was willing to shoot him, who he knows considers him a friend, then he's ready for whatever they are going to face.
Garak needed that assurance. And then when Julian was willing to let Sisko kill him if it meant saving everyone else, he got to see what a hero truly looks like. Like he said, he's no hero. But Julian just might be, at least in Garak's eyes.
The next time these two get to share a scene it's been months and... it's weird. Look, I never got the whole "Let's pair Garak with a probably-teenage girl" plan. It's creepy. It's weird. It's a fucked up plan to try to convince anyone he's straight.
Like, would he get with a woman? Sure. But that lizard wants to be with adults, please. And he's been pretty fixated on Bashir for a bit, hoping the good Doctor realizes his horizons have already widened and when he does, spreads his legs in kind.
As a girl who was 13 when this aired and who was assaulted by her grandmother's friend the year before, this just didn't play. So, maybe my perceptions are a bit colored on this one, but I just couldn't get behind it. It creeped me out.
Let's get back to flirty Garashir, shall we?
Now, we are setting up the above-mentioned quesitonable relationship. Now, my husband and father both said they always saw it as Garak wanting to take care of her in a parternal way. But as a girl, I saw it as something far seedier. Let's see what I think on this watch, shall we?
Y'know what, screw it, I'm just focusing on the Garashir. Because these two are being adorably married right now!
Garak and Bashir are doing something social besides lunch. They're attending a sporting event together! And this definitely feels like one of those things that one attends for the sake of one's spouse.
Matthew and I are blessed to have a lot of overlap in our interests, but there are times one of us is in a sitution—usually Matt—where there are definitely other things he could be doing, but his want to be with me overrides his desire to be elsewhere.
In short—Garak tagged along for his boytoy's choice of entertainment.
"Stop watching her."
Oooh, someone's jealous! Julian, darling, Garak had to watch you make out with half the senior staff. You can simmer down about him glancing at someone.
"What does she expect? She's the only Cardassian woman on the station. She's must know she's bound to attract some attention." "Some, yes. Yours, no."
Wow, Julian! Getting a bit possessive of your favorite Cardassian, are we? Or do you worry Garak's just trying to stir shit up with his favorite rival, Gul Dukat?
And that pointed look Bashir offers Garak reminds me of the last time he had to be firm with Garak (that time in front of Gul Dukat) about something. This is partner-level shit.
"I simply thought it would be polite to say hello, but clearly you don't think I'm capable of conducting any kind of pleasant discourse without some kind of nafarious ulterior motive."
Garak is getting a bit defensive and worked up about this. But, I'm focused on Julian, who is giving the, "really, now!?" look that any spouse knows well. Like, we're arguing about this now!?
And Julian gets so into Garak and giving him his full attention that he misses the big finish.
"What happened?" "A brilliant move on the part of the Major. You should have been paying attention."
Yeah, you cannot tell me Garak suddenly developed a love of the game. He did that to be bitchy because he's annoyed with his human boytoy.
Garak is used to having the upper hand in most situations. There are a few who he treats on a more equal footing—most notably Odo, Quark, and Bashir—and I find it interesting that those are the only three actors I truly think can match Robinson in skill and performance.
This is not to speak ill of any of the other performers. Not at all! But there are always standouts in any production. As mentioned before, that's how I first noticed my husband on the stage—he was mezmerizing.
Andrew Robinson is exceptional. The layers to his performance are what makes Garak really pop off the page and onto the screen. Garak was my father's favorite character of the series and he was not even a series regular, but a guest star whose impact on the show is unmistakeable.
Julian was my favorite character of the show, as mentioned before, but part of what made him thus was Siddig's performance. We'll get to some more meaty episodes for him later, but he has that defining trait of every great actor—we believe him.
So, when you put these two on-screen together, it's exciting. Even in this scene where we're setting up Garak and Gul Dukat's daughter, I can immerse myself in the relationship between these two characters because they never lose sight of all the moving pieces in the scene.
Yes, there's a sports match. Yes, we are reminding a 90's audience of who the fetching young Cardassian woman is. But there's also the interpersonal relationship between Garak and Bashir that is at play. How they relate to one another as characters informs how they react to the outside stimuli. As I said—masters.
"Garak to Doctor Bashir, I need a medical emergency team sent to my shop immediately."
There's so much at play, here. This is just expertly written. Someone who really understood Garak's character.
Annnnd, I just checked and it's Robert Hewitt Wolfe, again. Of course! But, honestly, this just encapsulates so much about Garak in about three seconds.
Yes, he is calling his darling directly and not the Infirmary. But that's not just because he thinks Bashir is cute. Let's break this down.
First off, Garak immediately reaches for Odo's combadge instead of leaving the shop to get help. That's quick thinking. Second, he called Julian directly and then asked him to send an emergency medical team to his shop.
Garak is thus reaching out to someone he knows will take him seriously, who won't ask questions, and by being vague, the Cardassian has protected Odo's privacy.
Think about it—he doesn't know where Bashir is when he calls. What if he is with a criminal who might want to take advantage of Odo being out of commission?
This is all of Garak's skills at play, here. And it's all done in about three seconds. Fucking masterful.
"As I recall, Proconsul Merrock was poisoned." "Funny, I don't remember that. But, then again, so many Romulan dignataries died unexpectedly that year." "Must be hard to keep them all straight."
Wait... is Bashir in on this? I mean, I imagine he must have some idea of why the Cardassian was allowed on the trip, right?
"Maybe we should let the Constable get some rest."
Oooh, he's got his "honey, not now" voice on! So, Julian's not in on the game. Which means a moment ago he really was getting caught up in the story, true or not.
But with that glare, he is clearly trying to silence the Cardassian. And it drips with the sexual tension between two people who are banging and look forward to some makeup sex after the argument, or two people who probably should be banging to cut through some of that sexual tension.
And after Odo dismisses him, you can hear Julian hiss out an annoyed sigh. It's not at Odo—it's at Garak. Because he's blaming Garak for winding up his patient.
So why does Bashir think Sisko allowed Garak on this mission? Out of the goodness of his heart?
"How do I look, Doctor?" "Does it matter?"
Honey, your Cardassian lover is asking you if he looks cute and you respond with does it matter?! What is wrong with you!? Tell the man he looks fashonable and kiss him full on the mouth, already.
"Then, I'll be right outside... it can wait, Garak." "Of course."
It's another case of Julian getting the upper hand with Garak—and he lets him. Oh, we all know that Garak doesn't willingly give up the upper hand unless he wants to. And he likes when Julian is the dominant one between them.
Yes, there are times when Garak likes to be the authority—always trying to teach Julian things. But theres a shift in Our Man Bashir where Garak realizes he may have a thing or two to learn from the handsome Doctor.
I think it's the one relationship in his life where he enjoys someone else being on top. *ahem* And, no, I didn't write that sentence intending the inuendo. But once it was written, it was right there!
It takes until episode 8 of Season 5 for us to see Garak, again. Julian beams onto the Runabout and does a cursory glance over the crew. His eyes hang noticeably on Garak.
No, I'm not making this up, folks. He really does linger on looking at Garak before shifting to the crew member nearest him to start scans, which is what he should do.
"Could these stimuli cause more serious injuries?" "I don't think he could spontaneously break a bone, but he could certainly stop his heart or break a key blood vessel in his brain."
What the fuck was that, Siddig!? I mean, rewatch that last bit. I know I did several times. Yes, Bashir is listing off factual information, but at the very end there is a tinge of sadness.
Because while only Garak has demonstrated this so far, it could happen to any of the four. But he's still talking solely about Garak. And he's looking right at him.
That has to be actor choice, right? That he played it with such softness and sadness while looking in the direction Garak would be.
Fun Fact: Andrew Robinson likely wasn't even in the room. The way film and television is staged, the best way to do it is to shoot out the actors you don't need. Start with the angles that need the most people and then whittle down to the shots with the fewest cast members.
So, those eyelines are often an actor looking at nothing. Even looking at nothing Siddig lends a weight to that fraction of a moment that has me kicking my feet, giddy as a schoolgirl.
Another few episodes, and we get to the episode where we have the Changeling playing Bashir.
Now, the last episode Julian was wearing the uniform the real Julian is wearing later, so I like to think that the Bashir who was so concerned about Garak was our Bashir, and that he was replaced shortly after.
Timeline-wise, that about lines up. And while we will come to know that the Bashir that Garak addresses on the Runabout isn't our man, Garak doesn't know that at the time.
"I really must remember to stop underestimating you, Doctor... You've come a long way from the naive young man I met five years ago."
A compliment. Trying to smooth things over with his darling.
"They're releasing him from isolation." "Good." "Who?" "A friend."
And as they shove him into a wall, who should look up but the real Bashir. And who does he see? Garak. I mean, look at the laser focus here. Julian's eyes don't shift once they find Garak's.
And as Julian pricks his finger for blood, it's Garak who watches with the most interest. He needs confirmation that this is his dear Doctor.
And as soon as they are reunited... they can't stay apart.
"I should never have come here. I should have let that monster die forgotten and alone." "Frankly, I'm glad you came. Misery loves company."
And Julian truly is miserable in a way he's probably never known before. But now he has one of his best friends, at least, in this darkness.
"All my life I've done nothing but try to please that man. I let him mold me, let him turn me into a mirror image of himself. And how did he repay me? With exile."
I know this doesn't seem like it's Garashir coded, but it is. And I will explain why... in two episode's time.
Look, you don't have to wait two weeks and watch a thirty second clip looking for clues! It's just a scroll or two down and I'll explain why I transcribed Garak's rant about his father.
Yes, this is a spoiler-sprinkled Meta, so if you didn't know: Tain, you are the father!
"But I forgave him. And here in the end I thought maybe, just maybne he could forgive me."
This takes me right back to The Wire and a dying Garak saying he needed to know that someone forgave him. So, we can infer that if anyone's opinion matters anywhere close to his father's to him... it's Julian's.
"I've been a fool. Let this be a lesson to you, Doctor. Perhaps the most valuable one I can ever teach you. Sentiment is the greatest weakness of all." "If that's true, it's a lesson I'd rather not learn."
Listen to the softness of Bashir's voice. Look at how he looks over Garak in that moment, clearly pitying whatever drove him to say such a thing.
And the director gives them a beat, here, where they regard one another before the moment is broken. Look how Garak pulls his head back ever so slightly and his eyes widen as he takes in Bashir's words.
There's a charge here between the actors. A moment. A beat. A breath where something is given that others might have taken.
A lesser director might have broken the moment too earlier. A lesser actor might have missed what was there. This is about so many factors coming together to deliver a beat that means something.
Great television isn't about awards and acclaim—it's about something undeniable on the screen that is the culmination of hundreds of folks working together to produce something that steals our breath.
You don't see the gaffers, electricians, camera folks, Production Assistants, Craft Services people, writers, directors, makeup artists, hair stylists, costumers, Directors of Photography and more that bring every second of screen to life. But you see their work without realizing how much went into it.
That beat between Bashir's line and the door opening is important. It tells us who Julian is and the lines he isn't willing to cross. This is a lesson he refuses to learn. And Garak doesn't hate him for it. No, he envies him.
Julian's optimism and can-do attitude sometimes drive Garak nuts. Garak tends to think he lives closer to reality than those who drank the Starfleet Kool-Aid (or Root Beer, as the case may be). But there are times he must think, wouldn't it be nice?
"I thought you might want to know... if you wish to speak to Tain, do it now before it's too late."
There are no words exchanged between Julian and Garak. The Cardassian looks briefly to him before taking off for the door, the human close behind.
"Everything's gone dark. I can't see you. Are you alone?"
Garak could ask Julian to leave. But he doesn't. He doesn't know what type of conversation is about to come... and yet he trusts Julian completely.
We've talked about trust and Garashir before, back on the Holodeck. Of course, Garak hasn't had many people he could trust in his life. But much as he wishes he was as hardened as his old man—he's a bit sentimental.
Sentimenal about Mila. Sentimental about Tain. And sentimental about Julian. He's even started to care for other members of the crew... but not like this. No, this is intimate. This is trust.
Garak looks back to Bashir, making it clear that he wants him there, that he needs to be silent, that he's not asking him to leave. Julian widens his eyes briefly to let Garak know the message was received.
"Yes. There's no one else but you and me."
Tain goes down his list of grievances, and Garak tells him everything's in order.
"All your enemies are dead."
He says this, again, to Julian. It feels like part of the show. Are they really all dead? Who's to say. But Garak tells Tain they are.
"Then you can die happy... unless you still consider me your enemy."
He's fishing for that apology he so desperately wants. And the view shifts to a three-shot. It's the first time we get a really good look at just how intimate this is, Julian looking on as these two men share a private conversation.
It's an interesting choice to pull out right then, right before it gets incredibly personal. The staging reminds us of just how close Bashir is to the action.
"I'll do as you ask... on one condition. That you don't ask me this favor as a mentor or a superior officer, but as a father asking his son." "You're not my son!" "Father! Father, you're dying. For once in your life, speak the truth."
Julian leans forward, taking in the new information, looking between the two of them. He's absorbing what Garak's just done—and he's realizing it's intentional. Garak purposefully let him in on one of his greatest secrets.
For all the times Julian asked for truth and found it wanting... here Garak offers it wholeheartedly.
For goodness sake, we never even saw Julian comment on Garak's first name. But Tain calls him "Elim" repeatedly, here. So, if Garak hadn't figured Julian already sussed out that little nugget, he was willingly offering that Elim wasn't a friend at all... but him.
Death beds are often a place of truth, right? But for Garak, the truths told weren't the ones he needed to hear, but the ones he wanted to tell.
"I should have killed your mother before you were born. You have always been a weakness I can't afford." "So you've told me. Many times."
And now the impact of Julian's words hit the viewers anew—Garak learned the lesson of sentimentality as weakness from his Father. He tried to pass that lesson on to the person whose opinion matters most next to Tain's—and Julian rejected it.
Bashir stopped the cycle. And I think that caught Garak off-guard. Like on the Holodeck when he admitted there were some things the Obsidian Order never taught him... he's learned something, today, from the good Doctor.
And, look, I know this is a Garashir meta, but I have to call out Andrew Robinson for this scene. It's fucking gorgeous.
We already know he is just one of the finest actors to ever grace Star Trek with his presence. But the weight of this whole scene hits so hard. The emotions. The breaths. The emphasis. The line reads. Oh, it all hits the mark.
My mother never said, "I'm proud of you" when I was growing up. I rarely saw pride on her face, even. There was always some problem, some critique, some improvement. She wanted me to be like her, and lamented when I wasn't.
She's not the same person, now, but that doesn't change the past. And in this moment with Elim and Enabran where the son hears his father utter the words that he was proud of him. Oh, it aches in a way that only those of us who grew up craving that approval and always falling short despite our best efforts can grasp.
And Robinson nails it.
Julian hears this whole exchange. He hears every word. And he only speaks after Tain has fully faded. It's a single word:
"Garak."
It's wise of the production team to keep Bashir out of this intimate exchange until after Tain dies. We don't need the distraction of seeing Julian there.
Yes, yes. I love Julian, too! But that wasn't his moment. And the way it was edited and shot was brilliant storytelling that allowed us to invest in that intimate moment before pulling back out to the continuing plot of the episode.
I seem to remember something about non-Cardassians seeing a dead Cardassian body, so it's appropriate that Garak covers Tain up before anyone else comes in—but Julian saw.
This. Is. Trust. This is family. This is an intimacy that transcends, "I wanna fuck this guy" from Episode 1. Garak wanted Julian to know him in a way that probably only his mother and father ever did.
Tain is now gone. Mila is on a planet he cannot visit. But he still has Julian. And now Julian knows one of his greatest truths. Beyond things he's done and places he's been, the truth of being known for who he is... that is truly dangerous. But Garak trusts Julian.
And though the two Klingons don't know exactly what has transpired, they do know that Julian was present as Tain died. They do knot that whatever Garak had to say to Tain, Julian was present.
As much as Odo knew better than to invite Garak for lunch, I think Worf knows better than to ask why Garak would allow Julian to be present for such a thing. Really exemplifying the "Don't Ask, Don't Tell" of the era.
And if you're too young to remember that particular Military Policy, I'd recommend checking out the Wikipedia entry on it, because it's pretty thorough.
By the next episode, we're all ready to learn how they get out of this one. And while the gang explains to the newcomers what needs to be done, we get treated to this adorable two-shot of Garak and Bashir.
Look, there is no reason for them to be in this cute two-shot besides the fact that they look adorable together. We trade Garak out for Worf, which isn't as cute (no offense, Michael Dorn! You're amazing!).
"You, on the other hand, my dear Mr. Garak are a man of many hidden talents." "Mmm."
Look, I know we're all on a hurtling asteroid waiting to die, but did anyone else's brain get broken by that statement?
We've had at least four "My Dear Doctor"s, but this is our first "My Dear Mr. Garak". Also, the return of "Mr. Garak" for the first time since the first episode. And my brain totally added the classic fortune cookie add-on of "in bed" to Julian's statement.
Especially with Garak's reaction? C'mon! That's a total, "you would know, dear" look!
"As of today, Cardassia has joined the Dominion."
For the brief second that Garak thinks he's going to be released, he looks back to Bashir. And the two have an entire conversation with glances.
There's the, "Is this okay? Should I go?" and the "Yes, dear, go!" and the "Alright. I'm going". And I can't help wondering if this was in the script.
This one owes its existence to Ira Steven Behr and (of course) Robert Hewitt Wolfe. So, one of them could tell us, of course! But it's one of those moments that is so amazing, but really could have come from anywhere.
An actor making a choice. A director spotting an opportunity. A writer making a point.
Wherever it came from, I love it. We don't see what Worf thinks about this possibility because we don't need to. Garak and Bashir have the conversation without words and say all that needs to be said and heard.
Side Note: Before we get into the first "Garak in the wall" scene, I have to call out Alexander Siddig (again) for how fucking dead-eyed he is as the Changeling. Like, one shot and I'm reminded that this is not our Julian and that fucker needs to die. Oy vey!
"Garak? How's it coming along?"
I love that Julian is the one who opens the door. Julian is the one who keeps the path out open. Julian is the one who sits there, calling in to Garak. And I love that he's playing with his fingernails when the scene opens.
It's those bloody details that have always stood out to me about performers. When they do something so human in the midst of all the posturing of performance. When the character becomes as real as the actor. It could just be that Siddig was annoyed by a hangnail and I'm reading too much into it, but I love it, nonetheless.
Also, the establishing shot of Garak is so gorgeous. That pan up? The full body shot so we can see that there's no room to sit, no room to rest, no room to shift into a more comfortable position.
We can visually connect with the claustrophobic nature of the setting even before we know Garak has an issue with tight spaces.
And that lighting. They found a way to make that read as a single light source in such a beautiful, believable, and stark way. We see the darkness threatening to envelop Garak if not for that blossom of lights at his face.
Yes, I know this isn't necessarily Garashir. But we need to know what this space looks like for later.
"Oh, come on!"
Julian is anxious to get Garak out of the wall, and this is before he knows about the Cardassian's claustrophobia.
They already said that Garak was taking too long because they don't want him to be caught in the wall. The guards are already asking questions, so they need to get him out.
As soon as they can get him out, Julian is there to help him stand up, holding onto him, being there for him.
"That was thoroughly unpleasant." "Are you alright?"
Until Garak takes a step back with his patented "I'm fine" lie, Julian still has hold of him with both his hands.
"It's just much hotter in there than I thought. I go ta little light-headed."
Elim [No Middle Name] Garak! That didn't work before Julian had a better understanding of Cardassian biology and physiology. Do you really think you can fool him, now?
Before Garak can finish the sentence, Julian has his hands on him, again, this time checking his pulse. And I cannot recall him ever doing so this way before. Really putting his new knowledge to work!
But theres also the steadying hand on Garak's shoulder. It reminds me of him trying to put a hand on that same shoulder in The Wire and Garak shying away in his withdrawal state. Here, he doesn't move away.
"Maybe you should wait until tomorrow."
Julian's hands trail off of Garak, but they don't fall away. They glide down him before Garak allows his fear to turn to anger.
"Do you want to get off this hell hole?" "You know I do." "Then let me get back to work."
The couple-y bickering is back. And they are standing way closer than needed for this shot, 4:3 framing, indeed! But Julian is in protective mode—both the doctor in him, and the lover friend.
"Rest. For five minutes. And from here on in, you can take a 15 minute break every hour. Doctor's orders."
Garak nods. He's relenting. He's giving in. He'll take whatever break he can get and he knows Julian well enough now to know that he won't give up on him.
But look at the concern in Julian's eyes. He knows Garak isn't telling him everything. He doesn't know what Garak is concealing this time. But it's incredible how this mirrors The Wire.
In both cases, Garak is trying to conceal something about himself and lashes out at Julian when the Doctor tries to push the issue.
But this time when Julian tries to help, Garak lets him. He doesn't fully let him in. But he doesn't push him away, either.
"I'm sorry, but that's absolutely unacceptable. I'm under enough strain as it is. I can't have you quitting on me!"
There are already tears in my eyes. For anyone who has ever had a panic attack and wishes desperately their rational mind could circumvent it, this is familiar.
I've struggled with panic and anxiety attacks my entire life. But growing up, I wasn't allowed to show negative emotion. I had to learn to contain it as best I can.
But no matter how much your rational mind protests, that suffocation comes and you find yourself trapped in its grip, unable to escape. And this is another case where you can trust your actor with the material, and he's going to fucking deliver.
Robinson is talking to a dying light. He has no one to feed him anything, to offer him anything, to draw focus in case he should flub it. No, the seasoned and practiced actor monologues on a Star Trek show to a dying light and to himself.
"Your friends are nearby."
Truth. Garak speaks truth. And even if some part of him isn't willing to trust it, he closes his eyes as he internalizes it. His friends are nearby.
Because in this tight, enclosed space... there's no one to overhear. There's nobody listening. There's nobody for whom he has to perform. These words are for him and him alone. And in them he speaks of Julian and Worf as friends.
I won't transcribe the whole thing, but even from the outside, the others know something is wrong. Of course, it's Bashir who shimmies into the wall to join Garak.
"Garak, you have to stop. You're making too much noise. Garak!" "The light. The light went out."
And that's when Julian starts to put together the pieces. He sees the vacant look in Garak's eyes. He notes the sweat and strain.
"I know. Come on. I think you can take your break a little early."
Julian puts an arm around Garak, clasping his hand on the Cardassian's shoulder. And as they shimmy, Bashir's thumb grazes in a comforting manner over it.
Garak doesn't fight him. In The Wire, when Bashir tried to comfort him and touch his shoulder, he jerked away. But here, even as he is not fully himself, he allows the Doctor to care for him.
Growth. Character development. Trust.
"We have to come up with a new escape plan." "That won't be necessary."
Julian's eyes shift to Garak with immediate concern as the Cardassian stands up. He doesn't move the blanket, but allows it to slough off his body like old skin.
A similar blanket covered his father's dead body. But as Garak sits up, he rejects that fate. It isn't the defiant move of throwing the blanket away, because that's not what Garak is doing, here.
He isn't trying to be the hero. He's trying to overcome his fear long enough to save them.
Where before he might have tried to save himself, he's trying to save all of them. He could program the runabout transporter code just to get him out of there. Garak of Season 1 or 2 might've done that. But this Garak has friends—friends he wants to save.
It isn't about being the hero. It's about each of them doing what they can to help each other get out of there alive.
"I just have to finish what I started. After all, a verse about the Cardassian who panicked in the face of danger would ruin General Martok's song." "That would be unfortunate."
And while Julian is further back in the shot, I cannot help but notice the way he looks at Garak—with a touch of awe and pride.
"Now, if you'll excuse me... my dungeon awaits."
Julian and Garak exchange the briefest of glances as the former moves to open the hatch, again. They're past the point of needing words. Over and over, this episode demonstrates how far they've come on that front.
They know one another. They trust one another. They've learned when to push and when to pull back. It's an incredible foundation for a romantic relationship, right?
Season One Garak was looking for a good fuck and a little less loneliness. Season Five Garak knows the value of friends—especially his friendship with the good Doctor.
As Worf fights, likely to the death, Julian is rocking and wringing his hands on the cot as Garak works in the wall.
"Can we get him out?" "No time."
And Julian knocks twice on the wall to prepare Garak. Garak closes his eyes and steadies himself. No words needed.
"Take it to maximum warp, Garak. We've got to get a message to the station."
And he leans over Garak's shoulder as the Cardassian gets them the hell outta Dodge. What they've just endured was terrible. They may never speak of it, again. But the trust they've forged over the last five years is only deepening.
Which makes it mildly infuriating we never get the full response from Garak to Julian's big secret. Yes, he gets to tell Miles. But I want to talk about that scene a bit.
And, yes, this is what I mentioned about fathers and pride coming back around from literally two episodes earlier. Tain was a man who was rarely proud of his son, who practically disowned him to protect himself from a "weakness" that he couldn't afford.
As we mentioned, I grew up not really hearing "I'm proud of you". I never felt like I was good enough. I tried to mold myself into who I was supposed to be.
And it was my darling husband who helped me learn to stand up for myself in my 20's so by the time the children came around in my 30's I was strong enough to protect them properly from those who hurt me.
Now, we get a glimpse into what it was like to be little Julian.
"The word you're looking for is 'unnatural' meaning 'not from nature'."
Yes, we're going to get into it. Partially because it's such a fucking beautiful scene, practically a monologue, delivered by a skilled actor who didn't need a thousand cuts to get it right.
And, let me say this—sometimes a thousand cuts is just what a scene needs. But the Director deftly understood that there was strength in the stillness, here. Without a series of cuts, we can really focus on Julian (and Colm Meaney doing brilliant reaction-without-drawing-focus in the background).
"'Freak' or 'Monster' would also be acceptable. I was six. Small for my age, a bit awkward physically, not very bright. In the first grade when the other children were learning how to read and write and use the computer, I was still trying to tell a dog from a cat, and a tree from a house. I didn't really understand what was happening. I knew that I wasn't doing as well as my classmates. There were so many concepts that they took for granted that I couldn't begin to master and I didn't know why. All I knew was that I was a great disappointment to my parents."
My Middle child is Autistic, ADHD, Auditory Processing Disorder, suspected Reading Processing Disorder, with Anxiety Disorder. In second grade, he was reading at a Kindergarten level. His twin excelled and he struggled.
And I, as mother, repeatedly told them (and their little sister) how proud I was of them, not for a grade on a paper but for who they were. And I meant it.
Little Julian never had that acceptance.
The Flowers for Algernon part of my brain wonders how jarring it must have been for Julian at nearly 7 to know how he'd understood the world before, and then to go through the process of seeing it anew. He transitioned from grasping for concepts others easily understood to moving beyond them.
But he never had a choice. He couldn't understand what was being done until it had been done.
By the way, that shot of Julian? Where Siddig acted his ass off? Nearly two whole minutes of performance. It's Masterful.
Garak and Julian both grew up with parents who were impossible to please, who wanted their sons to do what they would have chosen for their lives. Neither man had a good relationship with his father. So, though Bashir and Garak are set up as very different—and in some ways they truly are—there are other places where they can relate to one another that are special, intimate.
"What's the matter?" "Well, it's just that lately I've noticed everyone seems to trust me. It's quite unnerving. I'm still trying to get used to it. Next thing I know people are going to be inviting me to their homes for dinner."
Because everyone knows better than to invite you anywhere for lunch. Right, Garak? That's Bashir time! Okay, fine. I know it's a bit of a reach. But that was my first thought when he said, "Dinner". So, into the Meta it goes.
"It's hard to believe he's the same man who attacked us." "In a way... he's not. The drug brought out the worst parts of him and allows them to take over. He wasn't in control of his actions."
This is a very... interesting way of attacking this issue. I mean, accountability is a very important thing, and I feel like we're kinda skirting that, here. And there is going to be an inquest. I'm just not a fan of the framing, I suppose.
But, if I pull out of the part of my brain that tries to analyze societal impact of Star Trek and its eras (I gave an entire persuasive speech about Star Trek at University, so I come by this honestly), I see a man trying to protect Garak.
Yes, we set up the "trust" others have for Garak in the beginning of the episode and showed how swiftly it could be broken. There was a throughline, here.
That's it for Garak and Julian in Season 5. Season 6 gives them the bitchiest of bitchy moments and I love the writers for it! Let's see, that would be... Ira Steven Behr and Hams Beimler. Thank you both for your service.
"Ah, there you are. I was beginning to give up hope, Doctor."
Oh. My. Gosh. Look, I'm bloody asexual, but even I can see that this is the most snack-a-licious Julian has ever looked, and he's sauntering right up to Garak with a lot of skin exposed. Oy vey!
And he walks right by because he is having none of this shit while he's out there trying to save lives.
"I would think that all those lunches we've shared would have entitled me to preferential treatment."
Are you two gonna kiss? You're standing like you're gonna kiss. Just sayin'... it might be good for you... for your morale? If you... y'know... kissed. I mean, come on this blocking is not to account for the 4:3 format.
"Look, I have 12 wounded officers and crewmen out there, all of whom are in a lot worse shape than you, Garak." "Well, if you're trying to cheer me up, it's working."
I had to add that comma between "up" and "it's" and I wish I knew if that was Robinson or the script because it's just so bloody... Garak. Taking those breaths and breaks where nobody else would.
Also, can we talk about this shot!? This is a continuous shot that follows the two of them to multiple blocking points in the room while changing their positioning, the dominance of one over the other, the framing of one closer to the camera, etc.
It's bloody masterful. You have to have lighting in all those areas so they aren't in weird shadow. You have to have the blocking marked out so they aren't out of focus. You have the have actors who can carry that long a shot without needing to reference a line or struggling with the giggles.
"I'll admit the odds are not good, but they coudl be worse." "Ah, let me guess. You've used your genetically enhanced brain to calculate our chances for survival... I'm really not interested Doctor. Ever since it's become public knowledge that you're genetically engineered, you've used every opportunity to show off."
First off, this reminds me that we never got Garak's reaction to that whole revelation, and I ache for it. It would have been interesting to see if Garak suspected all along, or if he was truly proud Julian hid something, even from him.
Also, damn this bitch is salty. Honey, it's okay that you're not always the smartest in the room. Your human boytoy can one-up you sometimes. It's not a bad thing.
And I love how Julian keeps working, even adjusting Garak's head gently with his fingers as he tries to repair the damage to his head. There's a "darling, just do what I need you to do" feeling to it.
Seriously, this is a couple bickering. And if Cardassians flirt by bickering, Garak is waving pheremones thick enough to nosh on as aphrodesiac appetizers to an adventurous night.
And after an entire minute of a single shot, we change angles. Damn, I love these long Garashir shots!
"You're certain about that figure?" "Do you want me to take you through the entire set of calculations?" "Not really."
Bashir smirks as he shifts past Garak, and you can feel just how much they are enjoying this. Their time for rigorous debate at lunch has long since passed. Hell, we haven't seen them share a dining table in years, now.
Yes, the Changeling and Garak sat together, but that doesn't count. It was Season 4 when last these two sat and ate together, and now we're at the top of Season 6.
So, it's not surprising Garak has found a new topic for spirited conversation.
"'Genetically Engineered' indeed." "Excuse me?"
Okay, the way Julian pops into frame there cracks me up. Like, he had to answer that and Garak knew he would. Garak is baiting him into debat and Julian is falling for it. And at 4:06 we started another long shot of these two.
"Well, look at you. You act as if you haven't a care in the world. It's exactly that kind of smug, superior attitude that makes people like you so... unpopular." "Are you trying to insult me?
Yes, darling. Flirting with you helps distract him from all y'all's impending doom.
"A 32.7 percent chance of survival, I call that insulting." "Don't take it so personally, Garak. It's strictly a matter of mathematics." "No, it's strictly a matter of our lives. You're not genetically engineered. You're a Vulcan."
I love how Julian appears to rest his arm on Garak as he scans him, likely making sure that the treatment he did a moment earlier took, despite Garak's inability to stay still.
"If I'm a Vulcan, then how do you explain my boyish smile?"
Damn, Julian! You are finally catching up to the flirting, here. And I love that the smile he offers him definitely has the edge of flirtation to it. This isn't his dopey grin when he watches Garak rewrite Cardassian security code, or his big smile when Garak joins a mission.
Look at the way Julian's eyes seek out Garak's.
"Not so boyish anymore."
And, oh, you can hear the way he rocks back on those boots before sauntering off... a few feet away. Like, seriously, where the fuck is he going?
It's not about the destination. He really just did that to be petty to Julian, who is left definitely feeling that. Because, he wants Garak to think he's handsome, damnit.
Julian shakes his head to shake it off. But this remains one of my favorite scenes of the two of them.
And while that shot was roughly 40 seconds, and not as long as the last, it still constantly amazes me how little cutting they often do with these two.
I've done both stage and film/tv. They often take completely different skillsets, but there are times where they overlap, or where a strength in theater really comes in handy.
Remembering dialogue is part of the game with theater. Remembering blocking is integral. Remembering to listen and not just speak is essential.
Both of these two actors have experience in both, and that's why scenes like these sing. They know how to feed one another without drawing attention. They know how to react and not only act.
Yes, they have insane chemistry on-camera. But they also know how to use that along with their other skills. They deliver on every level, and it's a fucking shame they're used together so little after this episode.
Also, it's such a fascinating choice to see Julian debating so dispassionately with Garak while losing his cool with Sisko. This has to do with the different relationships at play, sure. But I find it fascinating.
One could consider it a coping mechanism—that Julian needs that rigorous debate as much as Garak does in that moment. And Julian knows Garak has no trouble making the tough decisions. Maybe that's what he hopes Sisko will do... but it's not his place.
"Garak? Come to see us off?" "Not quite."
And as the two turn to face Sisko... this could really be their wedding. I mean, yeah, not the best venue. The food's nonexistant and the music sucks. But, Sisko does have the power to perform the ceremony if they're so inclined.
"I invited Mr. Garak to join us considering we're heading into Cardassian territory I thought he might prove useful."
Julian is beaming. He's beaming. Earlier these two were verbally sparring, and now he couldn't be happier that Garak is onboard for this dangerous mission.
"Well, it's been known to happen."
Julian grasps Garak's shoulder and pats it several time before moving on, still smiling. Just moments ago each of them was lamenting what they didn't have on the ship. But now he has Garak.
"Captain, may I make a suggestion?" "Only if you talk softly." "We saw Dukat-" "Shh." "Wearing one of these headsets during the attack on Deep Space 9-"
This is so married. I have a friend who is Autistic who has a lot of trouble with self-monitoring when it comes to volume, so she and her husband developed a hand signal so he could help hold her accountable in spaces where she needs to be more aware.
I thought of that as soon as I watched this. God bless Garak, but he missed the memo entirely when Sisko said to speak softly. But, one glance at Julian's finger raise to his lips and he gets the message.
"Perhaps Cardassian physiology is more... compatible."
Julian's head swivels to Garak as he processes what the Cardassian is offering. It's a good suggestion. And, honestly, what was Garak adding to the mission besides eye candy for Bashir?
Of course, when the episode was written, this was all planned out. I'm not coming for the writers! No, I'm looking at it purely from the point of view of the characters, who got to enjoy Garak's personality while waiting for him to be useful.
He's a good little Swiss Army Knife of a character, where you never quite know how he's going to be useful. But Sisko's seen enough of him by now to know it's better to bring him along than not.
"Are you volunteering?" "I suppose I am. This ship is equipped with two of them. If I wore one, then you wouldn't have to. At least, not all the time."
Julian puts it together quicker than Sisko, and he likes this idea. Sisko is his patient, at the moment, and as the Captain, he needs to keep him physically fit.
"I agree with Garak, Captain."
And Sisko hands over the headset. But watch how Julian follows the headset to Garak, then waits to be sure he's okay. Yes, of course, he's a bloody Doctor. But, I still love the choice as a performer.
"We have to go to full impulse 1.3 seconds before the bomb detonates."
Bet you're not complaining about his super brain now are you, Garak!?
"Dax?" "The computer agrees with Julian." "Of course it does. They think alike."
Damnit, Garak, I was giving you some credit on that one! Nevermind. And the look Julian gives Garak! Gosh, these two are reading old married couple so much in this episode.
"How long?" "17 Years, 2 months, and 3 days, give or take an hour."
This time, Garak looks to Julian for the answer. This time, he knows that genetically engineered mind will have the answer he needs, even if it's not the one he wants.
And Julian delivers the whole thing directly to Garak. His eyes don't move from him. Theirs is such a fascinating connection, and I wish more of Season 6 between them had been like this.
There's a heat and energy that's obviously couply, but so electric and different from what they had before. It's grown and shifted and they're on a more equal footing, by this point, and they see each other on a more even playing field.
"Garak! I need a hand."
Julian calls out for him as help to carry Jadzia. He trusts him to help him with this. A few years ago, all of them considered Garak a spy and wouldn't trust him with anything. Oh, how far they have come.
Also, are they actually outside!? I love when they let the Star Trek characters bust outside the sound stages and breathe fresh air and have actual sunlight for a bit!
And I'm not going to comment much on the whole Nog/Garak adventure of this episode because, honestly, hearing Garak say words to Nog that hold such meaning for Garashir does irk me.
Now, Robinson is a pro enough to deliver them in completely different ways. "There may be hope for you, yet" to Bashir was sultry and horny. To Nog, it's upbeat and slick.
But it's not my favorite choice when it comes to resuscitating previous dialogue in a new setting. I will admit that much.
"That's the eleventh ship to fall out of formation." "Nice of you to keep track, Garak." "He can't help being negative. It's in his nature." "On the contrary, I always hope for the best. Experience unfortunately has taught me to expect the worst."
Garak turns fully to face Julian to deliver this one. Wow, these two are in a catty phase!
"They outnumber us two to one." "Now who's being negative?"
Julian doesn't acknowledge him, but I love Garak trying to get that little jab in there. Seriously, Season Six is all about the snark. Would've been nice to watch that tension build to some sort of release, eh? But, yeah, nope! Because that's it for Season 6 for these two.
"Thank you for your company, gentlemen."
His first scene with Julian of Season 7, and it's a group get-together where he starts to tap into his claustrophobia. Of the three men across from him, only one has seen that in action before.
"He checks out fine." "Well, I don't feel fine."
There's an intersting turn. Garak used to put up a front, but this time he isn't. But Julian won't be the one to help him. To endear one of my least-favorite characters to the audience, we pair her with one of the most beloved.
And, nothing against the actress. I've seen her in other things and loved her. But young Rachel abhored the character, and grown Rachel's opinion has not wavered.
Oh my gosh. Season 7 Episode 16. Finally a complete scene between these two! It's been since the beginning of Season 6! And they are so in sync they tap the table at the same time, order their drinks simultaneously, and sit down while chatting with some animation we haven't seen in some time.
Bitchy, old couple Garashir has given way to an old, familiar rhythm. And I think part of that is because Julian is back to pursuing what is expected of him—a Dax. But that's a subject for someone else's Meta.
"The eternal optimist." "Guilty as charged." "How sad."
Alright, there's a little bitchiness still in there.
"But, I live in hope that one day you'll come to see this universe for what it truly is rather than what you'd wish it to be." "Well, I shall endavor to become more cynical with each passing day—look gift horses squarely in the mouth, and find clouds in every silver lining." "If only you meant it."
Anyone else feel a little lighter? I feel a little lighter. Because this? This is fucking gorgeous! I ache that it's been since the first episodes of Season 6 since we've seen these two interacting and sparking and reminding us why we love them together. Such different people who challenge one another, excite one another, and make each other smile like no one else can.
But, yeah, sure. Let's give Julian to the bloody Dax. Look, Little Rachel didn't clock Garashir and I was still anti Ezri/Julian. No hatred to those who loved them! But I never understood it.
And thank goodness someone somewhere realized who Garak had to share his last scene with—Julian. It wouldn't have been right if it had been anyone else, despite their distinct lack of screentime together in Seasons 6 and 7.
"Well, aren't you going to congratulate me, Doctor? My exile is now officially over. I've returned home... or rather, to what's left of it." ... "You and I both know the Cardassians are a strong people. They will survive. Cardassia will survive." "Oh, please, Doctor, spare me your insufferable Federation optimism. Of course it'll survive... but not as the Cardassia I knew."
Garak is right. And if he wasn't so (rightfully) upset, he would see that Julian's heart isn't in what he's saying. He just doesn't know what to say.
"We had a rich and ancient culture. Our literature, music, art was second to none. And now... so much of it is... lost. So many of our best people, our most gifted minds."
Robinson is pulling us apart, here. The anguish is palpable, and Siddig is feeding off of it. We can see Julian's plastered on optimism peeling away as the tears fill his eyes. He knows his words hold no meaning, here. So, he finally reaches out.
It's the shoulder touch. It's their thing. But Garak's not in the right place to receive it.
"You've been such a good friend. I'm going to miss our lunches together." "I'm sure we'll see each other, again." "I'd like to think so. But one can never say. We live in uncertain times."
Garak places his hand on Julian's shoulder, now. Their thing. But while Julian's was offered as comfort, Garak's is a goodbye. Garak lets his hand slide off Julian's shoulder, and the human can do nothing but stand there.
In the end, Garak was always going to choose Cardassia. In my mind, the only way he and Julian end up is if the Doctor follows him there. But, Bashir just began a relationship with Ezri, a comfortable relationship in an uncomfortable time.
Love comes in many forms, and sometimes when you find it, you don't even know it's found. That's Garashir. That's the story of missed opportunities and all the things that held them back from finally crossing that final line to becoming the lovers they might have been.
I've heard the rumors, of course, for why that was so. But, since I don't know what's true, I won't repeat them here. Instead, I'll lament what wasn't, and be grateful for a relationship that was so beloved and enduring that Robinson and Siddig themselves championed it, fed it, fostered it, developed it, and supported it so long that it found itself canon in another Star Trek show.
I like to imagine that someday Julian followed Garak to Cardassia, that they realized what they had and couldn't do without. Imagine them both separated so long that their missed lunches grow from an ache to an agony—that the walls of expectation and convention break down enough that they find themselves in one another's arms.
Sometimes we aren't ready for something in life—a career, a move, a great love. And at the end of Star Trek: Deep Space 9, these two aren't in the right place to start something. There are too many other factors at play.
But love at last is often sweeter than the right love at the wrong time. Maybe that's where Garak found Julian—the moment they were both finally ready.
Thanks for reading, loves. I know it's long and likely riddled with typos. But, it's late and I have a Strike Book to resume. This little obsessive ride was a blast, but with my OCD once it's written, it's done. I feel released, and I'm thankful.
And, remember, you are beautiful inside and out. Don't let anyone tell you otherwise.
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numberonetacostan · 1 day ago
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I've become so obsessed with toitacopad PLEASE I need breadcrumbs 🙏🙏
Hello and welcome!!!^^ Thank you for coming to me, I see that you are starving and urgently need some toicopad to keep you alive!!!!!!!! I've got you!!!!!
Okay, this one is more related to toicopad than about toicopad, but!! Silver Spoon would take note of the fact that the other two British cast members are Mepad's partners, and avoid him like the plague. Clearly Mepad has a type, and Silver Spoon simply can't handle yet another adoring fan pleading for his attention. (He yearns for Candle and does not want to risk getting involved with Mepad as he's busy pining for her).
Between Taco having trouble sleeping after years of homelessness, and Toilet being a silly little fella, I think it would be sweet if Mepad read bedtime stories for the two of them. His voice would of course be soothing to Taco, with him making her feel safe in general, and Toilet would get very invested in whatever story he was reading to them. As a mepad, I'm sure he has plenty of fairytales and other public domain stories to read to them, yeah?
Toilet and Mepad would be so good for Taco's self-image. Being loved by both of them, of course, would do wonder for her, but they would be some incredible personal cheerleaders, yeah? Mepad is gentle and soft about it, while Toilet is excited and loud about it!! Regardless they are both very proud of her progress, and always let her know it.
Mepad is always helping everyone!!! He's always assisting!!! Toilet and Taco would frequently kidnap him to make him take a break. Maybe get his screen polished, clear out any clutter in his storage, fully shut off as he charges for a bit, etc.!!! Mepad will be engaging in self-care and having some me-time, and that's that!!!
Toilet would be a great help in Taco and Mepad finding hobbies outside of the show as well. Their entire lives had revolved around it, so they don't particularly have well-explored interests separated from Inanimate Insanity. But that's not the case for Toilet!! He's had a life and experiences outside the show, he likes to draw, he likes to eat spaghetti!!! And I'm sure he'd have plenty of ideas for Taco and Mepad to try, as well as be down for trying plenty of new things with them!!!
Taco is the only one of the polycule to have arms, and thus is responsible for the hugs!!! She wouldn't be very open with physical affection at first, especially not in front of other people, but I think she'd come to really enjoy hugs eventually. Getting to hold the people she loves close to her would be rather soothing, especially with her history of losing those she cares about, yeah?
I think the polycule would start off with Mepad dating both Taco and Toilet, but the latter two not dating. Taco probably wouldn't like Toilet much at first, with him being so loud and likely even reminding her of her season 1 persona and all of the grief associated with it. But between Mepad's love for him and all the time they spend together sharing Mepad, I think she'd eventually come to enjoy his presence. She'd be very reluctant to admit it for quite some time, but his silly energy and mindless fun charm her. On Toilet's end? Mepad has a pretty and fancy girlfriend and he has a little puppy crush on her!!! <3
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utilitycaster · 14 days ago
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Haven't caught up with NADDPod (or. any podcast. the podcasts start coming and they don't stop coming) and forgetting my headphones on this trip did not help, but on one of the chat episodes leading into the finale Murph mentioned they were planning to move to shorter campaigns. TAZ has done this as well, and I'll admit I have mixed feelings, because there are so few truly long-running campaigns out there and I think there's a unique sort of story you can tell with longform. On the other hand, TAZ has gone pretty open-ended (Vs. Dracula was 30 episodes, which is not short, either, and I wouldn't be surprised if Abnimals ends up running about that long as well). I also think that WBN swung so far in the other direction the fandom lost interest. Anyway, I wonder if Critical Role is going to do this post C3 because if you leave it short or medium but open-ended in terms of episodes, I think you can still tell a very good story, even though you can't do something with quite as epic a scope. You also don't run into the failure of ambition thing I mentioned before, in which you allot 4 or 8 or 10 episodes and then kind of run out of time; if you say "we're aiming for Not 100 episodes, but if we land between 15 and 50 we're good" I think it works out much more smoothly.
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shydroid3000 · 2 days ago
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#i keep thinking about this & cartesian dualism #like light. your body is YOU. #every part of it is YOU. your body is not just a cage for your mind#death note
@dancing-lex Your tags are making me think about something: So yeah, super yes with the Cartesian dualism connection. And in that vein.... Descartes framed non-human animals as automata who were not thinking/feeling but mechanistic. This view he used to justify vivisection on live animals, which he practiced/advocated for. (Now, vivisection was a common scientific practice then, but Descartes was notable for arguing that non-human animals did not actually feel pain or anything else, and thus something like vivisection was akin to taking apart a machine). Which..... I mean, can't help but remind me of the King of Justification, Light Yagami, ya know?? I mean, Descartes justifying vivisection as an act that was like totally fine and not something to feel bad about *at all*... is not that unlike Light going to great lengths to justify murdering (initially) two people, and then tens of thousands more. 'Cause murder is bad, but... the world is rotten and *his* specific kind of murder of a specific *kind* of person will actually make the world a better place. And he's the only one who could do it, so really it's his responsibility to. And I mean, vivisection did bring advancements and benefits for human society (and animal testing continues). And Kira brought certain ostensible benefits too. But in both cases, they rely on a fundamental devaluation of certain kinds of life. And with Descartes, a devaluation that involved reducing non-human life to nothing more than mechanical, things that experienced no more of an inner life than a clock. And while that's obviously not what Light thinks, it does feel like there's a sort of undercurrent of something similar there for him. I mean, the way he uses certain people around him as though, to him, they were simply tools (Misa, Takada, Mikami...). And the people he kills... the way they're engaged with mostly as just a category to him, rather than full individuals each with their own inner lives. I mean, in a way, he takes this sort of mechanistic view of the whole of human society. Something for Kira to take apart and reform so that it operates more smoothly. And like Descartes cutting into a living being, it really is okay for Light/Kira to slice into human society, remove an eye (for an eye), even stop its heart. And it's okay to not feel bad about the screams, really, because... well, he's God of the New World, and this is what a god does, and he's still *good* deep down, because it's all for a greater good. After all, humans are to a God kind of like what other animals are to a human, right? So he doesn't have to hurt inside when he hears whispers of screams on the wind, sees life fading from eyes in each sunset... right? Anyway, the framework of Cartesian dualism is really interesting to think about. It almost seems like to Light, he and L are the only two people he truly, truly conceives of as thinking beings in a way that really 'counts'. (Putting aside perhaps his family who I do think he values in his certain way). Like, other people walk around in their bodies having thoughts and feelings. But Light and L are minds, rational minds, in a way that transcends the more embodied existence of other humans. Anyway this feels so rambly and messy haha. It's very late (/early in the morning haha) where I am, so it may not entirely be coherent and I don't have the mental power to re-read and edit it haha. But your tags got my brain spinning, because the Cartesian dualism framework is an interesting lens to view Light through..!
Light is someone who perceives a very strong separation between the body and the mind, and is very disconnected from his own body. And I do wonder if, by nature of them being so similar, this is something he projects onto L as well; & helps him divorce the thought of the death of L's body (ie. his shell) from the death of L's mind (ie. his true self). So Light kills the body, the part of L that isn't really him, to incapacitate his mind, not kill it. He's compartmentalized it in such a way where he doesn't have to think of death as being true death.
It isn't until Light is about to die himself that he is able to mentally bridge the connection between his body & his own conscious existence, and realize what it really means to die.
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lgbtlunaverse · 3 months ago
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Thinking of the Nie disciple that told Nie Mingjue it was Meng Yao who stayed behind to clean up corpses on the battlefield today.
Nie Mingjue didn't just randomly stumble upon poor lil meowyao eating bread in the novel, he was already looking for him to thank and reward him for his work.
That's what makes it so fun that nieyao's first conflict will end up being about someone else taking credit for Meng Yao's work.
And I'm sure that Nie Mingjue's actual opinions on plagiarism are a lot more nuanced, all we really get from him in this scene is "well you shouldn't kill someone over it!" which leaves a lot of room for what punishments he thinks are appropiate. But I bet that it isn't occuring to him in this moment that the only reason he knows Meng Yao at all, the only reason he got such a capable deputy, is that he noticed someone was taking care of the dead and cared enough to want to know their name. And then the Nie disciples didn't lie to him. The disciple he asked could have said "it was me, Zongzhu" to rise in the ranks himself, but he didn't. He went and asked others, who all also could have taken the credit, but they didn't. Someone saw Meng Yao working and decided to be honest about it and that simple decision is the catalyst for Meng Yao becoming Nie Mingjue's deputy.
Meng Yao can't just work hard to get results, others have to acknowledge that work. If they don't, it's as if he didn't do anything at all.
#i'm very proud of the phrase poor lil meowyao. i'm sure i'm not the first one to come up with it but i'm proud nonetheless.#mdzs#mdzs meta#nie mingjue#meng yao#anyway this isn't a nmj bashing post i think 'ok that's bad but don't do MURDER' is overall a pretty reasonable reaction#but the emotional disconnect is fun to ruminate on. I bet meng yao IS thinking about that moment while coming up with his fake-suicide plan#anyway i always laugh a litle whenever anyone wonder if meng yao looking a bit pitiful was all some master stategy to get nmj to like him#because like... no. no that would be a stupid plan and also involved way too many factors he couldn't control.#and also!! he was already doing something else to try and get nmj's attention. all of that fucking work!!#if you plan on getting nmj– guy famous for valuing merit and hard honest work– to like you what is more useful:#looking a bit like a sad little wet cat in case he comes across you? or. Working really hard and being more useful than everyone else?#ding ding ding it's the latter.#nmj is ALSO a bit weak for someone looking like a kitten left in the rain but that's not well-known at all and meng yao didn't know him yet#anyway the fact that that is his plan does mean he's very aware how much it hinges on other people not just lying and saying they did it.#i wonder what networking efforts lil heijan meng yao was doing. trying to make friends with all the other disciples.#walking the tightrope of being accomodating but not a doormat so people see you as someone to rely on rather than take advantage of.#as much as we know not everyone in the nie is as righteous as nmj it does seem like there is a culture of taking pride in your own work.#even the cultivators who bully him in the novel just seem think it's funny he's working so hard.#using someone else's actions to prop yourself up is kinda like admiting they're better than you. a wound to their pride if nothing else.
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