#and i notice a huge difference in my writing

[molecularhomosexual]

wanted to add some thoughts on this thread. i've seen a lot of responses from professors and educators who care quite a bit for their students and create space for them to be able to put effort toward understanding things--and this latter perspective synergizes with being against using AI for essays at school. i wanted to add some more thoughts onto this with the context of: getting to work in teaching and learning shops at universities, i've found a huge variance between the care and patience that professors have for their students with essay-style assignments.

higher ed seems to be becoming quite interested in checking for ai-based plagiarism in essays (might be happening in k12 spaces too, i'm just not familiar with it as much). turnitin, the company that does the whole plagiarism checking software for schools and colleges, now has an ai detection tool that clients can purchase (that also, in our testing, pulls up far more false positives and false negatives than what they advertise to clients). the company always publicly claims that the turnitin similarity checker (this is the main "plagiarism detection" tool) is not exactly a watertight tool, it is a tool that can help with starting conversations about academic integrity with students, and it needs to be paired with instructor expertise on the topic. this ends up conflicting with a common-enough attitude among some faculty that turnitin is getting a perfect match on whether a student has plagiarized or not. combine this move in higher ed with:

depending on how a course is run, the fact of activities being graded in those courses can add a great deal of pressure on students that may not be conducive to learning. i think Jesse Stommel has some compelling stuff to say here through his concept of ungrading: he notes how grading systems have become increasingly comparative and numerical over time, he notes that grades in and of themselves aren't great incentives for learning or the best indicators of feedback in learning, grade-based education tends to favor (or at least be more amenable to) the banking model of education over critical pedagogy--and he backs this up with in-class experiments and experience. i've noticed that creative writing programs have often been at the forefront of finding alternatives to grading systems that are more supportive for their students (Asao Inoue talks about labor-based grading contracts as more equitable than grading systems that connect grades to an evaluation of quality, though I do think even this system could cut out the grading component altogether and still retain its interventional value).

these two points can lead to the following: students often have to do two tasks in an essay being graded: a) write an essay in and of itself, with its intent of critical thinking, effort, analysis; and b) get a good grade, because regardless of the actual material efficacy of grades in getting future work outside of the university (this will cash out differently sometimes based on the field you're working in as well), there will be students who feel a pressure to get good grades (for a variety of reasons). multiply one essay in a course with taking 4 or 5 more classes (common in undergrad) and working a job at the same time (common at my alma mater at the very least), and we're creating a recipe for students to feel absolutely unsupported in the academic environment to actually work on practicing analysis without additional outside pressure.

i think the current conditions across a lot of academia help create conditions for students to use cheating as a strategy to get a better grade: "i can either put all the extra work in to doing this right and possibly get a bad grade anyway, depending on how my professor is deciding to grade the quality of essays; or given that i have a shift to run to after this and family to take care of at home, i can see if there's a quicker solution to take, even if that could also have a risk of ruining my grade. what's worth it, to me?" and in response to this, academic integrity offices will start wondering how to discourage students from cheating, and in happy and hawkish response, academic integrity software companies can get new product contracts on their ai detection tools, that instructors, in their variance of usage of plagiarism tools, can use to either have conversations with students about work in the best case scenario, or punish students through grading them poorly in the worst.

i dunno. i am a philosopher at the end of the day--in my experience with the kind of writing philosophy demands, i don't think that AI writing passes muster in the first place (i imagine this is the case with... most any field that involves any amount of creative writing). but i just want to keep in mind that in my experience working at the university space, for every professor who is genuinely interested in their students' learning and who does everything within their capacity to set them up for success, there is a professor who, regardless of interest, generates a great deal of distress for their students by dispensing with punitive measures in the learning space.

i think that this is likely a reason why some teaching and learning shops have tended to build guidelines for how to use or discuss AI writing with students instead of recommending faculty to discourage its use by students altogether: even though i think a shop should ideally be able to recommend the latter, that doesn't do a lot for the reactionary portion of a faculty community who will consider the shop backwards for making such a recommendation, then continue on with teaching practices that are harmful to students' learning and well-being. (i think the defensive position also comes from not having any deciding power over the business contracts for AI software happening with leadership doing kingdom-building far away from the rest of us [unionize, anyone?], where if there's an evaluation that there's nothing the institution can do to prevent AI usage, then it makes sense to have a damage mitigation strategy to do the least harm to students as possible).

i would have been lucky to have any of the teachers on this thread as my own when i was going through undergrad. unfortunately, what i faced far more were instructors who didn't care very much--either from being tenure-track researchers who weren't particularly committed to teaching, or from (understandably) reacting against being overworked adjunct lecturers who didn't have the capacity to care as much as they should have. what i faced in undergrad quite a bit, barring some notable exceptions here and there, were instructors who didn't care anyway whether i could think critically about something or put effort into writing about a certain perspective. what i faced in undergrad, primarily so, were instructors who were just checking if i could say the correct thing back to them in the correct way--and instructors who would punish me or my peers for failing to do this, no matter how much work they put into an assignment.

if universities as an institution want students to not use AI for essays (something that i'm generally aligned with), they need to give adequate resources to faculty and students alike to be able to focus on essays without fear of academic punishment and without generated lack of capacity from overwork. (but of course, universities is an abstraction here--faculty/staff unions and student worker unions do push for those resources, because university leadership isn't otherwise interested in granting them, because it's not particularly profitable to care about the conditions of learning.)

[megamindsecretlair]

Writing Tip #2

This one may seem a little redundant, forgive me, but it's necessary. I mean this with all the love in my heart, please fall in love with the enter bar. Part of writing is understanding structure and it goes for fics too. No one, and I mean no one, wants to read a block of text.

You start a new paragraph whenever you have a new thought, someone new is talking, or there's a change in scene or location. Heavy on the when someone new is talking. At no point should you have two pieces of dialogue in the same paragraph. I'll use my fic "Sunshine" to illustrate my point.

Don't

He tugged on one of your braids. “You too good to be hanging around here,” he said. Oh god, his voice was fine too. No, he was dangerous. But you couldn’t make your legs move away. “What you talkin’ about?” You managed to ask. “You one of them good girls that always got her nose in a book,” he said. He sipped whatever was in his cup. From the faint smell of it, it was probably Henny. It always was. 

Even with dialogue tags (he said, she said), it's clunky and will confuse the reader.

Do

He tugged on one of your braids. “You too good to be hanging around here,” he said. Oh god, his voice was fine too. No, he was dangerous. But you couldn’t make your legs move away. “What you talkin’ about?” You managed to ask. “You one of them good girls that always got her nose in a book,” he said. He sipped whatever was in his cup. From the faint smell of it, it was probably Henny. It always was. 

By using a new paragraph, it's softer on the eyes, visually clues you in that someone else is speaking, and allows you to expand on a character's thoughts before you write the response.

You can have a single word paragraph too. If you want to highlight a particular emotion or echo something you just wrote, that works too.

Speaking of dialogue tags, fall in love with using those as well. It's clear to YOU who's speaking, but for a reader, this is the first time they're reading it.

“Not so good, are you?” “Oh shit.” “You tappin’ out?”

Which one is speaking? Which lines belong to Tyrone and which lines belong to the reader? It's hard to tell which. So consider:

“Not so good, are you?” He asked. He pulled you closer. His warm hands circled your waist and pulled you flush against him, you could feel his thick cock against your thigh. “Oh shit,” you gasped.  He chuckled. “You tappin’ out?” He asked. 

Not only does dialogue tags help orient the reader, using alternatives to "said" help highlight what's going on the characters' minds without needing an extra paragraph. I could have said "said" instead of "gasped" but a stronger verb was needed. "Gasped" gets the point across that Reader is turned on and surprised at finding Tyrone so big and ready.

You don't have to go crazy with dialogue tags. Using "said" is perfectly fine and no, it is not overused. It fades to the background as you're reading. But knowing when to use something different is an important skill you have to develop as a writer. Variety is the spice of life.

Sometimes it's not your writing that needs to improve, it's your structure and formatting. I promise, start breaking up your paragraphs and you'll notice a huge difference in flow.

Idk, I'm not an expert. But try it and see if it works 😗 Find more tips and posts about my process: Behind the Megadome.

[doubledeadstudio]

do you really think it'll take 7 years or is that just a hyperbole? 😅 ofc im willing to wait im completely OBSESSED but i cant tell if that was a joke or not lol

I am not joking! Though I think it'll be closer to 5 than 7, actually, that was a mistake. The roadmap was 7 years since release when I started, and it's Year 2 now. I suspect each chapter will take about 2 years to finish minimum.

RH actually began production 2 years before I released the Prologue, so I had a ton of script ready, but after this next update, I'll have to start writing things fresh, though I have a Plot Outline. The big scenes for Chapter 2 and 3 are already decided ahead of time.

Releases will be regular until it finishes and is launched on Steam, but I'm still trying to decide on whether I want to do a Kickstarter to fund things for the future or if I'm moving Chapter 2 or 3 behind Patreon in big batch releases like we're doing right now. Either way, I don't have a full-time job at all, so I need monetization avenues to support this project, but whether or not I get the funding, the timeline will still be similar because I don't want to outsource the Direction and the Writing elsewhere, but having the funding for the code, art (backgrounds and assets, not sprites), and music will be a huge weight off my back. The only real difference with funding will be reflected in the quality of the material. If you've been following RH a while, you'll notice that it has brand new code and effects that you've never seen before compared to last year.

[windwheeler-aster]

you honestly deserve that and so much more! Your work is just *chef's kiss*

ashvbsahasgv thank youuu

im not sure what you're referencing exactly, but the sentiment is appreciated nonetheless :)

[minty364]

DPXDC Prompt 58 Part 7

The long dining room that held the ornate old dining table that seated way too many people already held  most of the family. Bruce was missing and Damian informed them he was at work, the only other person missing was Jason but it was typical for him to skip out as he didn’t live there and didn’t have the best track record with the rest of the family. That left Damian, Tim, Cass, Duke, and Dick seated.

Damian sat next to the chair that Bruce normally sat in at the head of the table. Tim sat across from Damian followed by Dick, Duke, and Cass. Danny sat next to Damian and Jazz sat next to Danny. 

“So, how was school?” Dick asked his elbows on the table with his head on his hands and a smile. He was the only adult in their life besides Bruce that actually cared about their schooling. 

Danny had actually forgotten that all of this had happened in just one day. The thought was a little jarring if Danny was being honest with himself. He wasn’t sure what to tell Dick, on one hand he was just asking about school on the other… no he wasn’t going to think about what happened right now. Just the thought caused phantom volts to go through his body like he was reliving the accident. He felt a nudge to his foot from the right and looked up to see Damian giving him a quizzical look. He cleared his throat and looked back over to Dick who was giving him the same kind of look. 

“I-I’m, uh… school was fine, didn’t learn much since school just started,” He eventually decided to say after stumbling on his words a little. 

“Dash isn’t picking on you again this year is he?” Dick asked with a concerned look on his face. 

Danny wished it was just Dash, the pain he felt from the portal was a thousand times worse than anything the bullying blond could pull. If it was just Dash, Danny could have just laughed it off and forgotten it probably, but it wasn’t just Dash and Danny couldn’t help but take a deep breath trying to gather his thoughts and calm himself.

He startled as he felt a hand on his knee, he looked to his left to see Jazz giving him a look of sympathy as she rubs her thumb comfortingly on his knee. She then spoke, “Danny you don’t have to talk about it if you don’t want to, Okay?”

Danny gave her a small nod, a small smile on his face. 

Before a new topic could be discussed Alfred arrived with their food and began serving them. Danny loved the food the old butler cooked especially since he was able to do so in a kitchen that wasn’t contaminated. Alfred did his best to make sure everyone was served food to their liking, as long as it was a balanced meal at the end of the day the elderly butler would serve just about anything you’d request.

Danny picked up his fork to begin on his salad, however when he tried to push the fork into the lettuce his hand felt a cooling sensation with pins and needles and his fork went through his hand. He stared at his hand for a moment wondering what just happened. He then picked up his fork to try again and was able to get a mouth full, but when he went for a second bite it happened again, his fork clanging against the bowl again.

“Something wrong Danny? You're staring at your hand weird,” Danny heard Dick speaking and looked up to see Dick staring at him giving him an odd look. 

Danny couldn’t help but rub his neck nervously with his other hand, he hoped to get ahold of whatever this was so no one noticed. Though knowing his luck everyone probably did notice, over the years he and Jazz both noticed that the Wayne family was much more observant than their media persona’s showed. 

Dinner continued and Danny struggled to eat anything as anything he tried to hold fell through his hand frustratingly and Danny couldn’t help but get agitated. 

Eventually his glass he was holding slipped through his hand and tumbled onto the floor shattering into a thousand pieces. Danny let out a frustrated sigh as he stared at the mess he made. 

Before he could stand to clean up Alfred appeared by his side with a dustpan and broom and began cleaning it up, “are you still feeling unwell Master Daniel? Perhaps you should retire for the evening, I will attend to this mess.” Danny begrudgingly nodded his head and made his way out of the room.

He wasn’t alone for long as Damian and Jazz tailed him out of the room. 

“What was that? It looked like your spoon was going through your hand,” Jazz asked after they were a ways from the dinning room.

“Jazz, honestly I don’t know, it felt cold and then anything I tried holding fell through my hand.” Danny brushed his bangs away from his forehead and they dropped back into his face as he dropped his hands back down to his side.

The walk went silent after that, although it didn’t stay for long as Danny felt the cooling sensation again but this time through his whole body, he let out a yelp as he felt his body sink into the floor.

Damian and Jazz looked at him with panic but as they grabbed at his arms or his hands to pull him back up they went through him just as the spoon and apparently the ground now. 

He let out a panicked yell as the floor swallowed him whole, so now he was sinking further down further into the earth. What was going to happen to him? Would he ever find his way back up?

Thankfully he didn’t have to wait long as the cooling sensation left and as gravity took hold of him again he fell. Apparently there was a cave under the manor and he was able to turn back into solid as he felt air again. There was no way he was surviving this, even with new weird powers now was when he’d get impaled by spikes right?

The cave was too dark to make out much but Danny thought he might have seen a computer with several monitors. That didn’t matter now as he finally landed, and he grunted as he landed on a person who also grunted as having a teen land on you couldn’t be the most comfortable.

He knew he was in big trouble when he realized who he landed on, “Batman??”

[sweetpapercroissant]

i don’t get the appeal of an incest ship if you’re only ever going to focus on the good romantic feelings and not the icky negative ones. the resentment the feeling of being trapped shackled wanting out and away from the person who knows so much too much about you since before you even knew to not allow it but at the same time you can’t imagine living in a world without them being away is like tearing a limb a piece of your soul you will never again be complete without them. no one else will ever understand you the way they do no one else will ever get so deep under your skin and you may hate it but you hate the thought of them not being there even more you can’t stand to see anyone else get to a part of them you didn’t and even worse when they get it before you. you push and you push and you push but when they let go it’s like you’re free falling and it doesn’t matter how far away you run you will never be far enough away because you carry them inside you everywhere you go. you tell yourself you want nothing more than to get away but they’re the only home you will ever have and you won’t ever let anyone get that close you’re already moulded to only fit in perfectly with them and you didn’t have a choice but this is who you are. there’s nothing you could do to make them let you go but there’s nothing you could do to make them let you go. you want to be so close to them you want to merge your bodies into one you hate how crowded you feel when they’re in the same room like they’re sucking in all the air and there isn’t any left for you and you want to get away so you can just breathe but you don’t even want to breathe in the air that hasn’t passed through their lungs first you hate that you feel this way you wish you could claw it out of your veins but then who would you be without it without them you want so much and it’s so ugly and you’re ashamed of how raw that need is how you want every part the good the bad the human you wish none of this had ever happened you feel dirty you never even had a chance to find something else be something else but then you look over and you love them so much so much and when it comes down to it nothing else was ever going to be enough for you anyway.

[keymintt]

CONGRATULATIONS!!!! You got the mural job, that's amazing news =D

THANK YOU!!! i've haven't quite done anythin like this before BUT i have enough experience from other projects to where it's not a super super daunting thing. like yeah it's Big and that'll have it's challenges but i'm excited !! :>

i don't know if i can show my proposal sketch off else i'd put it here but i will certainly show the finished mural off here once it's done >:3

[pokimoko]

Haustoria - Moon Knight Fic

Written by pokimoko for @buttsnorkeler69420 (as part of @tiptapricot's #Moon Knight Mystery Swap)

Chapters: 1/1

Word Count: 14.6K

Fandom: Moon Knight (2022), Marvel Cinematic Universe

Rating: Teen and Up Audiences

Warning: Graphic Depictions of Violence

Relationships: Layla El-Faouly & Steven Grant, Layla El-Faouly & Marc Spector, Layla El-Faouly & Jake Lockley, Minor or Background Relationship(s)

Characters: Layla El-Faouly, Steven Grant (Marvel), original villain, Marc Spector, Jake Lockley

Tags: Dissociative Identity Disorder, Post-Season/Series 01, Layla El-Faouly-centric, Horror, Body Horror, Bugs & Insects, Undead, Colonialism, Extended Metaphors, (which are also fairly heavy-handed metaphors let's be honest), Canon-Typical Violence, Gore, Parasites, Protective Layla El-Faouly, Angst and Humor, Egypt, POV Layla El-Faouly, Moon Knight Mystery Swap 2023

Summary: Layla and Steven journey into the depths of an ancient and forgotten tomb in search of the lost dead, but within its halls, where flowers grow across the walls and bugs cover the ground, the dead might just find them.

[waywardsalt]

beating back my own ambitions like look i have a hard enough time reigning in my own ideas dont be pulling this shit

[rivilu]

The more I think about the story through Daeran's pov the more insane i go. btw.

[thewispsings]

PR nightmare | oscar piastri

paring: oscar piastri x singer!reader

summary: y/n is considered a pr nightmare. let’s watch her get into her first relationship.

notes: yet another repost from my old account, i tired to make it exactly the same, enjoy!

— y/n has posted new pictures!

liked by mclaren, f1, yourbrother, and 737,938 others!

yoursername: my manger told me to tell you guys that the illuminati is NOT real and i was just joshing around !! 😂👍👍😂

view comments below!

user1: ugh this is SO BELIEVABLE

user2: | WAS WAITING FOR THIS POST

user3: yeah let's all ignore the "i wrote songs about an f1 driver!!!!"

user4: the pictures 😭

yourmomsuser: pic credits?

yoursername: you're like 60 why do you know what pic credits are ??

user5: the illuminati is totally real 🙄

mclaren: 👀

yourusername: NO THIS IS SO EMBARRASSING PLS LOOK AWAY

user6: no offense, but how did you stumble across F2 oscar???

yourusername: my brother is like a HUGE f1, 2, AND 3 nerd and he always forces me to watch races with him 😣

yourbrothersuser: you literally ask me to tell you when oscar's back on the screen???

yourusername: okay kill yourself????

yourbrothersuser: @/yourmomsuser

yourusername: GOD YOU ARE SUCH A SNITCH

ynupdates: y/n and her brother; jacob, were seen at the airport earlier today, she later posted the picture on the right, on her story, confirming that she is in fact traveling. y/n has no shows coming up, and she rarely travels with jacob. thoughts?

view comments below!

user7: guys guys..the monaco grand prix in literally in two days.

user8: SHES GOING TO THE GRAND PRIX. I KNOW IT.

user9: why's her brother kinda??

user10: you can't even see his face 😭😭?

user9: I CAN JUST TELL

user11: everyone saying she's going to the grand prix are like getting my hopes up??????

user12: WATCH HER GO SOMEWHERE COMPLETELY DIFFERENT 😭

user13: okay guys..but we never talked about what songs could be about oscar

user14: IVE DONE SO MUCH THINK ABOUT THIS!!!

user13: GIRL PLEASE TELL

user14: OKAY OKAY!! one that REALLY stands out to me is "my love mine all mine" because, we all know y/n has never had a boyfriend before, SO when she writes love songs, obviously people speculate that she's in a relationship

user14: WHEN SHE WAS ASKED ABOUT THE INSPIRATION FOR "my love mine all mine" she said "i sadly do not have a boyfriend yet. but there is someone i've had my eye on for some time." SHE COULD HAVE BEEN TALKING ABOUT OSCAR AND WE DIDNT EVEN NOTICE

user15: istg if y/n doesn't show up in the paddock tomorrow, i will throw a fit.

liked by mclaren, f1, yourbrother, and 837,938 others!

yourusername: i could tell you where i am and what im doing, but its funny reading the theories

view comments below !

user15: are you going to a secret illuminati meeting user16: pls y/n pls just tell us

user17: this is cruel AND YOU KNOW IT

user18: pls lord, let y/n go to the monaco grand prix🙏🙏

user19: there's no way she ISNT going to the grand prix, i mean she's with her brother, and he's literally like the biggest f1 fan ever?? why else would they be traveling together

user20: maybe they're traveling together because they're siblings😭😭 ?? it doesn't have to connect to f1

yourbrothersuser: y/n pls put the phone down. i need a good nights rest for tomorrow.

user21: TOMORROW ???? IS ??? THE ???? GRAND ??? PRIX ??? ARE ???? YOU ??? GUYS ???? GOING ????

ynupdates: it seems like the rumors are true! y/n and jacob are currently at the grand prix!

view comments below!

user 22: 1 FUCKING KNEW IT

user23: everyone knew it...

user24: WHOO CAREEESSS oscar and y/n interaction WHEN ???

user25: ugh i NEED grid x y/n interactions RN

user26: y/n this, oscar that. WHAT I NEED IS TO SEE Y/NS BROTHER MEET MAX

user27: omg can you imagine how happy he is rn

— mclaren has posted new photos!

liked by yourusername, f1, yourbrother, landonorris, oscarpiastri and 837,938 others!

mclaren: monaco was a dream! thank you y/n for joining us view comments below!

view comments below!

user28: 1 SHOULVE BEEN THERE. I COULDVE METY/N. THAT SHOULDVE BEEN ME.

yourusername: thank you for having me🧡

user29: okay now make oscar and y/n kiss

yourbrothersuser: thank you for making my dream come true 🙏🙏

redbullracing: @/yourusername our garage next

yourusername: i think @/yourbrothersuser would enjoy that more then i ever could

redbullracing: he's always welcome to join 💙

yourbrothersuser: AHHHHHH OMG OMG

user30: okay now more grid x y/n content

user31: the way this became like a meet and greet for y/n was INSANE

user32: who would've thought there would be so many y/n fans at a F1 race??

user33: everyone's a y/n l/n fan.

— y/n has posted new photos!

liked by, mclaren, landonorris, oscarpiastri 763,928 others!

yourusername: do you think he'll try weed with me now that he's my boyfriend?

view comments below !

user34: EXCUSE ME BOYFRIEND???

user35: OMG Y/N GOT HER FIRST BOYFRIEND!! АННННН

user36: OSCAR AND Y/N??? HELL YEAH

user37: okay let's just pretend that doesn't say what it says 😭

yourmanger: y/n please change that caption.

yourusername: i don't know how ☹️

user38: WHO CARES ABOUT THE CAPTION!!! Y/N AND OSCAR SHIPPERS RISE

mclaren: in case that caption isn't a joke, y/n please refrain from getting our drivers high.

yourusername: YOU GUYS ARE NO FUNN

user39: i love how public y/n is. like she genuinely acts like she doesn't have millions of followers

oscarpiastri: love i already told you, we cant get high.

yourusername: YOU WOULD IF YOU LOVED ME.

maxverstappen1: i'll get high with you y/n 🙋‍♂️

redbullracing: no you will not.

[ryin-silverfish]

So You Want to Read More about Chinese Mythos: a rough list of primary sources

"How/Where can I learn more about Chinese mythology?" is a question I saw a lot on other sites, back when I was venturing outside of Shenmo novel booksphere and into IRL folk religions + general mythos, but had rarely found satisfying answers.

As such, this is my attempt at writing something past me will find useful.

(Built into it is the assumption that you can read Chinese, which I only realized after writing the post. I try to amend for it by adding links to existing translations, as well as links to digitalized Chinese versions when there doesn't seem to be one.)

The thing about all mythologies and legends is that they are 1) complicated, and 2) are products of their times. As such, it is very important to specify the "when" and "wheres" and "what are you looking for" when answering a question as broad as this.

-Do you want one or more "books with an overarching story"?

In that case, Journey to the West and Investiture of the Gods (Fengshen Yanyi) serve as good starting points, made more accessible for general readers by the fact that they both had English translations——Anthony C. Yu's JTTW translation is very good, Gu Zhizhong's FSYY one, not so much.

Crucially, they are both Ming vernacular novels. Though they are fictional works that are not on the same level of "seriousness" as actual religious scriptures, these books still took inspiration from the popular religion of their times, at a point where the blending of the Three Teachings (Buddhism, Daoism, Confucianism) had become truly mainstream.

And for FSYY specifically, the book had a huge influence on subsequent popular worship because of its "pantheon-building" aspect, to the point of some Daoists actually putting characters from the novel into their temples.

(Vernacular novels + operas being a medium for the spread of popular worship and popular fictional characters eventually being worshipped IRL is a thing in Ming-Qing China. Meir Shahar has a paper that goes into detail about the relationship between the two.)

After that, if you want to read other Shenmo novels, works that are much less well-written but may be more reflective of Ming folk religions at the time, check out Journey to the North/South/East (named as such bc of what basically amounted to a Ming print house marketing strategy) too.

-Do you want to know about the priestly Daoist side of things, the "how the deities are organized and worshipped in a somewhat more formal setting" vs "how the stories are told"?

Though I won't recommend diving straight into the entire Daozang or Yunji Qiqian or some other books compiled in the Daoist text collections, I can think of a few "list of gods/immortals" type works, like Liexian Zhuan and Zhenling Weiye Tu.

Also, though it is much closer to the folk religion side than the organized Daoist side, the Yuan-Ming era Grand Compendium of the Three Religions' Deities, aka Sanjiao Soushen Daquan, is invaluable in understanding the origins and evolutions of certain popular deities.

(A quirk of historical Daoist scriptures is that they often come up with giant lists of gods that have never appeared in other prior texts, or enjoy any actual worship in temples.)

(The "organized/folk" divide is itself a dubious one, seeing how both state religion and "priestly" Daoism had channels to incorporate popular deities and practices into their systems. But if you are just looking at written materials, I feel like there is still a noticeable difference.)

Lastly, if you want to know more about Daoist immortal-hood and how to attain it: Ge Hong's Baopuzi (N & S. dynasty) and Zhonglv Chuandao Ji (late Tang/Five Dynasties) are both texts about external and internal alchemy with English translations.

-Do you want something older, more ancient, from Warring States and Qin-Han Era China?

Classics of Mountains and Seas, aka Shanhai Jing, is the way to go. It also reads like a bestiary-slash-fantastical cookbook, full of strange beasts, plants, kingdoms of unusual humanoids, and the occasional half-man, half-beast gods.

A later work, the Han-dynasty Huai Nan Zi, is an even denser read, being a collection of essays, but it's also where a lot of ancient legends like "Nvwa patches the sky" and "Chang'e steals the elixir of immortality" can be first found in bits and pieces.

Shenyi Jing might or might not be a Northern-Southern dynasties work masquerading as a Han one. It was written in a style that emulated the Classics of Mountains and Seas, and had some neat fantastic beasts and additional descriptions of gods/beasts mentioned in the previous 2 works.

-Do you have too much time on your hands, a willingness to get through lot of classical Chinese, and an obsession over yaoguais and ghosts?

Then it's time to flip open the encyclopedic folklore compendiums——Soushen Ji (N/S dynasty), You Yang Za Zu (Tang), Taiping Guangji (early Song), Yijian Zhi (Southern Song)...

Okay, to be honest, you probably can't read all of them from start to finish. I can't either. These aren't purely folklore compendiums, but giant encyclopedias collecting matters ranging from history and biography to medicine and geography, with specific sections on yaoguais, ghosts and "strange things that happened to someone".

As such, I recommend you only check the relevant sections and use the Full Text Search function well.

Pu Songling's Strange Tales from a Chinese Studios, aka Liaozhai Zhiyi, is in a similar vein, but a lot more entertaining and readable. Together with Yuewei Caotang Biji and Zi Buyu, they formed the "Big Three" of Qing dynasty folktale compendiums, all of which featured a lot of stories about fox spirits and ghosts.

Lastly...

The Yuan-Ming Zajus (a sort of folk opera) get an honorable mention. Apart from JTTW Zaju, an early, pre-novel version of the story that has very different characterization of SWK, there are also a few plays centered around Erlang (specifically, Zhao Erlang) and Nezha, such as "Erlang Drunkenly Shot the Demon-locking Mirror". Sadly, none of these had an English translation.

Because of the fragmented nature of Chinese mythos, you can always find some tidbits scattered inside history books like Zuo Zhuan or poetry collections like Qu Yuan's Chuci. Since they aren't really about mythology overall and are too numerous to cite, I do not include them in this post, but if you wanna go down even deeper in this already gigantic rabbit hole, it's a good thing to keep in mind.

[nolinno-art]

I've developed mathematics for a non-human mind, for my comic "The book written by tiny paws"

Sapient distant descendants of rats, known as packers, living on Earth millions of years after the extinction of humans, began to develop mathematics using cognitive mechanisms never intended for such tasks. Due to an evolutionary quirk, multiplication came more naturally to them than addition, and their mathematics reflects this.

Packers write numbers as shapes, with each number having a corresponding number of corners.

And they write large numbers as nested shapes. The number inside is multiplied by the number outside.

Examples of some numbers:

Packers haven't invented 0 yet. They haven't even invented 1! In fact, they don’t need the concept of "one" much in their system. There's no need to say "I ate one fish" when they can simply say "I ate fish".

Packers can't yet write large prime numbers, like 101 or 10,501, because they would have to draw a huge shape to represent them! Even writing 17 or 19 would be quite difficult if they only used convex shapes.

So packers use non-convex shapes too!

Many years later, some packer noticed that large prime numbers look suspiciously symmetric.

So this packer improved the notation system and made it clearer.

Later, another packer simplified this system even more, deciding that there was no point in writing the same shapes twice.

This packer was the first in their culture to declare that "a dot isolated from a number" should also be considered a number. The packer called this dot "the wonderful number that's less than two".

Many years later, another packer made an important innovation: the "dot isolation" could be repeated multiple times as long as the result remained odd. When the result became even, it could undergo a "two isolation" (division by two). The final result will be a series of dots and twos.

This invention led to the creation of a binary system based on one and two, which had a significant impact on the technological advancement of packers.

The comic "the book written by tiny paws" talks about all of this in more detail. There will be mistakes, debates, the invention of rational, irrational, multivariate numbers, and some other stuff. Some stuff will be very much like human math, and some will be different. After all, math is still math, only the point of view has changed.

[slightly-knot-insane]

Loving your writing and saw that you’re accepting asks!

I have this thought about monster boyfriend of some sort who is desperate to have sex but you’re hesitant/nervous because he’s so big/will knot you. He reassures you and says that he’ll put in just the tip to ease you into it and then you’re both going crazy for it and he goes feral and thrusts the whole thing in/pops his knot in you

I'm so happy to hear this! Especially since English is not my first language (if that isn't painfully obvious lol). Thank you for this incredibly excellent ask!

Hidden in the Basement

[ m!monster x fem!reader ]

You could hear him in the basement. It was that time of the year - he goes into rut and he simply... needs his alone time. He always kisses you, lingering just a tad bit longer than usual, and retreats downstairs.

You stand outside the door. He is trying to stay as quiet as he can, muffling his groans and heavy breathing, but he's too loud. Too pent up.

You want to help him. He is almost frenzied when in rut and sometimes hurts himself or the others. He recognizes you, of course, but there is something in his behavior that scares you. Although - you bite your lip - not in a necessarily bad way.

You notice the basement is too quiet. Is he okay? You try the door handle - surprisingly, he didn't lock himself in. Perhaps he forgot? You go downstairs, as quietly as possible. It is almost too dark to see, but you can't turn on the light - you shouldn't be here after all.

He is kneeling on the floor, his huge pulsating cock in one hand as he is trying to get off. It is out of the sheath, a big bulbous knot at the base, and leaking glans on the top. His other hand is holding your panties. He is sniffing and biting them while jacking off. The fabric is completely damp.

Your face burns from embarrassment. Somehow you feel you shouldn't have seen this. Maybe you could sneak outside without him noticing? But... do you want to? You've never seen him like this, barely human, his limbs different and longer and stronger, his neck wider, his tail more flexible. It was him, but not completely. Also his cock... it changed in a rather interesting way.

He finally senses you and his eyes snap open, his pupils dangerously dilating.

"I'm sorry!" You panic and try running upstairs. You barely climb two steps before he grabs you from behind and lifts you. You yelp in surprise. He carries you downstairs and, without letting you go, kisses you. Everything about him is different, even his embraces. They are so intense, more consuming, needy. More feral. His hands quickly remove all your clothes and his fingers find your breasts.

"Wait," you gasp. "You are so big. I can't..."

He nibbles your neck, his large hands cupping your ass cheeks. "I need you. I will be careful, I promise. Let me have you a little bit or I'll go mad." His voice mutated into more dominant, animalistic one. You whimper as his finger finds your pussy and pushes against your entrance. "Not wet enough."

In one easy move, he lifts you up in front of his face and places your knees over his shoulders. Once your pussy is perfectly leveled with his large mouth, he proceeds to eat you out like a starving animal.

"Aaaah... aaah..." You wiggle and pant, sensations too overwhelming. But he firmly holds you in place. His tongue reaches places no toy or his human form ever reached. It circles around your clit and pumps into your entrance, swelling and pulsating. Your boyfriend pleasures you until you're soaking wet and trembling, and then lowers you just above his massive cock. "Please!" you scream, intimidated by the knot. "I can't do it..."

"I will put just the tip in," he reassures you. "I would never hurt you."

He sounds like your old wonderful boyfriend and you slightly relax in his arms. The way he kisses you by biting your lips, licking your face and sliding his long tongue deep into your throat is truly something special. Distracting you with his mouth, he slowly forces his glans into your pussy. It glides easily, and you both moan.

"You are so..." he whispers under his breath. "So tight. So amazing."

He barely enters and immediately lifts you up again. He is breathing heavily and sweating, his muscles trembling. You know it's not because he can't hold you like this - he is barely controlling himself, trying not to impale you on his massive cock.

"More..." You whine, his monster phallus rubbing against your wet walls. "Give me more."

He grunts happily and let's you slide down. He fills you completely, holding you safely with his arms. "Fuck... Can I go faster?"

"Yes please." Your blood is already boiling, nerves vibrating from incoming orgasm.

He starts bouncing you up and down, only pushing the half of his length inside. It doesn't feel uncomfortable. He is stretching you bit by bit, and immediately pulling out. His grunts and panting, and your moaning surround your sweating bodies. "Fuck... Fuck..." you both pant into each other's ear.

"Harder," you moan and his hips start jerking upwards when his arms lower you down. The impact is so much stronger, more intense, more ecstatic. After just a few thrusts, you climax and scream into your hands. You are so loud, it's embarrassing.

"No, let me hear you. Scream more for me. "

He speeds up, your pussy contracting around his cock and you can only moan and whimper from your overwhelming prolonged orgasm. He presses you against his chest, growling like a beast, and jerks his hips upwards. There is some sudden pain, but pleasure too, and you cry out.

His low moans become louder as he pounds you. Your entire body feels his body, all around you and inside you. Finally, with a hard thrust, he grunts into your hair and forces you even harder against his body. Hot liquid enters deeply into your womb. It feels amazing.

With panting and drooling all over you, your boyfriend lets your torsos separate. But nothing else.

"I knotted in you. I can't pull out." He sounds both happy and worried. You look down and see a big bulge from your swollen pussy all the way to your navel. And finally you realize his whole monster cock entered you including the knot. "I'm sorry," he says.

It doesn't hurt too much. It's a bit sore, sure. With little practice, you are sure you could do this every day. The thought makes your pussy throb. He feels that and looks at you curiously.

With a sly smile, you rub the tip of his cock through your skin and it twitches. "Sorry? I'm upset we haven't tried this sooner. No need to hide in the basement from me ever again." Realizing what you said, he happily purrs and embraces you.

[miss-dollette]

Simon "Ghost" Riley is a very big boy.

So, my husband is quite a tall guy (6'4"), so I have first-hand experience of what it's like to be in a totally different atmosphere with a lover. Since Ghost is such a huge guy, I decided to write some little headcanons of what it's like to be so much smaller than him.

Anyway, who else is putting serious overtime at work for Christmas??

TW: Unedited, a little spicy, size kink.

Big boy.

Very, very, VERY big boy.

Big boy, in every way possible.

Requires half an hour of foreplay before getting to the main course. Sometimes, even that's not enough.

Hands so large they could practically wrap around the back of your skull. He'd grabs you there, sometimes, and move your head to face him as he thrusts.

His fingertips can touch the tips of each other when he wraps his fingers around your throat.

Silver scars and sores from war litter his hands, and they're calloused like hell, too. Don't worry, he'll touch you so softly you won't even notice.

His whole hand covers the entire valley of your ass and upper thigh. God forbid he uses his full strength to slap your ass 'cause you won't be surviving.

Muscular but with a layer of fat. This man doesn't miss a meal, and theirs definitely no leftovers for the next day.

Works out like a bull. Before the sun even rises, he's in the backyard, lifting 50 pound/23 kilo dumbells over and over until he's practically dead. Then comes the mini marathon he does every day. By the time you make breakfast, he's already finished his Olympic level workout routine.

Playfully flexes for you when you compliment him.

He can definitely do this to you:

He loves holding both of your hands in his palm.

Veiny forearms that are to drool for. Ugh, seeing him with rolled up sleeves...

Doesn't fit in the shower. Has to lean down to wash his hair because he's practically touching the ceiling.

Has back pain. He will lay on the floor and tell you to walk on his back to soothe his sore muscles.

Would be arrested for attempted murder if he ever tried to do a trust fall with you.

[3hks]

Writing Character CHANGE

Character development is absolutely CRUCIAL to a story, but having spent more time thinking about this topic, I came to the realization that I misunderstood a lot of points other people have made when teaching how to write character development.

There are a lot of factors that play into character development, but in this post, I'll cover some overall, but the main thing concerns any change to your character! (Which is also a huge part in development, really.)

So with this post, I'll be teaching you MY personal tips regarding this subject!

*The Basics*

Before we really get into the developmental stage, there are some things you want to establish, in which I'll explain later!

A couple of flaws.

How your character views themselves at first.

Your character's morals/ideals and how they think.

These things may vary, but you want your readers to be able to at least roughly predict how your character will act during specific events!

*Change*

Character development is just about how your character changes throughout the story. I like to say that there are several different ways one may change, (we'll get into that later on) but your character should NOT stay the same as the same person during the exposition and during the resolution!

"During character development, your character should grow."

This is a common piece of advice; your character needs to grow. And while I've assumed for the longest time that I understood what it meant, it never truly clicked.

While they will use words such as grow, what they really mean is that your character should mature. By the end of your story, your character may not always end up as a better person. When I say mature, I mean that they have reflected back on their life and have understood the consequences that came with their actions (if any) or how they could've done things differently.

Your character will not always end up as a better, fixed person, but they should understand their world and themselves better.

*Negative/Passive Change*

Alright then, so how does a character develop if they don't necessarily change for the better? Well, I'll get into that!

No matter what, your character should have learned a lesson through their experience. Even if they haven't exactly improved as a person, there should be a moral they can learn from what they have gone through.

If not, then did they really grow?

Additionally, how did their qualities negatively impact themselves? If they are bad traits, then it needs to be clear. And the best way to achieve this is by demonstrating how it hurts your character! However, it is rather uncommon for a character to undergo little to no change after a story!

*Positive Change*

Let's circle back to the basics, real quick. Remember how I said that before any development takes place, your character should be anything but perfect? That same thing applies to after the change.

Do NOT create a flawless character by the end of your story. Instead, focus on one or two flaws that get fixed as the story continues. These don't have to be huge, life-changing imperfections, but they can be minor ones that still shape their life in one way or another.

"Fixing" too many shortcomings can make your character seem, well, out of character, producing a character development that's more forced. The same thing applies if you're attempting to FULLY alter a fault that's just too big. The change will be too noticeable.

What am I talking about? Here's an example!

Imagine a character who's incredibly closed off to other people, wanting to ensure that he never gets too close to others.

That's a pretty sizable flaw, no? By the end of your story, you do not want to completely change because you need to preserve character, but you can change it a bit. Does he have a few friends now? Does he understand that there are some people worth trusting?

He may still be closed off to majority of people, but at least it's not everyone, and that's a realistic change.

*Different Changes*

As I continue to read more stories and watch more shows, I have realized that character development is not always about fixing flaws or personality, but it can extend far past that line.

So listen up, because I feel like no one really talks about this.

Your character can change their IDEALS, MORALS, and how they VIEW THEMSELVES.

Hear that? If your character has strong morals, they will hardly stay the same as they reach the end. Remember the requirements I mentioned at the beginning?

See how it connects now? There is SO much more to character development than changing a few imperfections. Like I said in the start, your character needs to grow and mature. Things like new morals or ideals assist with that!

*SUMMARY*

In order to start character development, you need a couple of flaws, an idea of how your character looks at themselves, and their morals. This is because those are the main parts of you character that may change through time.

Growth = Maturing (gaining a better sense of who they are and the world they live in.)

NOT ALL CHARACTER DEVELOPMENT IS POSITIVE!

For negative or passive change, make sure to clarify how their imperfections affected or hurt them and have some sort of moral that follows.

YOUR CHARACTER SHOULD NOT BE PERFECT!

They should not be perfect in the beginning, and not perfect in the end! Do not 'fix' too many traits because you want to preserve character.

I think that's all! It's quite the post for something so simple, eh? But hey, character development is absolutely PIVOTAL to a story so I hope I at least explained the 'change' part of that well!

Happy writing~

3hks <3