#and i like this version

[cowboysmp3]

there’s something sooo sickening about how dunmeshis whole energy is like sometimes something terrible and awful happens to you and it changes you forever and nothing can make you the person you were before but there’s still love and there’s still sharing a meal together and there’s still living

[bahoreal]

obsessed with this

[zytes]

this manatee looks like it’s in a skyrim loading screen

[morningsaidthemoon]

might continue work on this one,, ✨✨

[bacchuschucklefuck]

couldnt draw my thang for mid-autumn so treated myself to a calne redesign instead

[buggachat]

decided to subject you all to my mind. and my mind has a lot of feelings about adrien and plagg in real-cat!plagg au.

plagg adopted adrien, not the other way around

(sequel to this post)

[jjkdiary]

[linipikk]

Aziraphale shielding Crowley from water

and Crowley shielding Aziraphale from fire

[artkaninchenbau]

A h-heartfelt reunion..?

Bonus

[jupiterslibrary]

one of the differences between good omens the show vs good omens the book that will always fuck me up is the post-bookshop fire scene. crowley goes from picking himself up, dusting himself off, accepting the loss of aziraphale and Just Driving Anyway to completely falling apart. i do get why people have gripes with it being changed so fundamentally, and i've thought about it a lot myself, but i've never been able to bring myself to get mad about it. i always circle back to how the book was written by two best friends. that drunken, wrecked, grief stricken scene was written in a post-pratchett world. he lost his best friend.

[c-rowlesdraws]

Ratatouille would have been a better and potentially much more interesting story if Remy had partnered with Collette instead of Linguini. Two underdogs with talent and passion forced to maintain a dangerous ruse. Fiercely independent Collette giving up temporary control of her body to a creature who, despite the insanity of a rat wanting to cook professionally, she can relate to on a personal level and who she does want to teach. The inner conflict of wondering if Remy’s growing talents are eclipsing her own, if the praise their food is earning belongs more to him than to her. Her guilt over feeling resentment and jealousy towards this little guy who wouldn’t have a hope of realizing his talents if not for her trust and protection. Both of them unraveling the mystery of that sweet but bumbling kitchen boy with the obvious crush on Collette being Gusteau’s secret son, and working together to thwart the new evil owner’s plans to stop Linguini from claiming his birthright. The message of the movie not being this weird, almost smug “some people are born with talent, some people aren’t, and that’s how being a ~great artist~ works”, but something more like, “if you have a dream, you deserve to pursue it, and be supported and encouraged in your pursuit of it, even if other people tell you that, because of some intrinsic aspect of yourself or the circumstances you were born in (like being a human woman in the restaurant industry, or being a literal rat), you have no place pursuing this dream. Also, raw talent can only get you so far, and skill and passion existing in the right balance is key.” I’ve been thinking about this for seventeen years. I’m breaking my silence

[pierog]

[lokorum]

jon needs a door and i need a fucking break from this weather uhhh

music from the..floor?? ♪┏(・o･)┛♪

[itsasimplereason]

 Take your baby sister to work day 😌

[fatestayyuri]

Illyasviel von Einzbern — Pretty Fly (For a White Guy) (FULL)

[o0kawaii0o]

4 hearts