#and i know my writing isn't bad

[gingrrfrog]

having horrible impostor syndrome and feeling like everything i write is awful 🤠👍 

[eerna]

imma be so real with you I did NOT care for all the cutesy ways they presented Vi and Cait's disbalanced social status in arc 3

[eikichi-supremacy]

If nothing else Koenma is a Kuwabara stan and I'm right there with him o7 (I need to write the kuwameshi fic that goes with this fr)

[transmascutena]

the poor little meow meow-ifictation of saionji in this fandom has got to stop i can't take it any more

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[atalienart]

Someone says oh I love men in books because they're so amazing to the woman they love, all the things they say are so romantic and they would burn the world for her, they respect her and all, men written by women>>>>>>. And then someone in the comments says yes! like in Haunting Adeline, Xane the love of my life! -_- ...

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[irenespring]

Maybe House has made me more in-tune to the secret unhinged side of my favorite characters but I'm watching SVU and Alex Cabot is a menace. (/pos)

"I have to enforce the law, and the law is not always about justice" except random times when she disagrees and will fully become the lawyer for an opposing party in full defiance of her bosses.

"Your honor I simply do not vibe with the law" and will say so in court to the point where she once got held in contempt.

Started her legendary string of "Go After The Large Company Instead of the Obvious Target" cases just because Liv asked.

She will actually do literally anything that Olivia asks...sometimes when she does something especially unhinged I go to check the scene before and 90% of the time she's doing whatever it is to appease some vague whim of Liv's.

Ride or die for the SVU squad as a whole after working with them for less than a year and knowing that they have cost her like all her political capital (something that was very important to her...she says so in her introductory scene).

Exactly predicted fetal personhood legal issues 25 years before the Supreme Court overturned Roe.

Wanted to execute a woman for the first time in NY history for feminism reasons.

Spends like 80% of all work meetings, with other people in the room who are often actively talking to her, just staring at Olivia.

Always down for a Crazy Scheme (especially when she gets to deceive others).

She has a lot of moments of understanding the law as a weapon (ie how to I use it to my own ends as opposed to viewing it as a holy ideal) that is only now actually becoming a common philosophy in law school circles.

WAY more loose-cannon moments in general than I remembered.

Also I feel the need to reiterate just how many bridges she will burn and loops she will jump through for the slightest hint of approval from Olivia. Just...so gay.

Seriously just like how in House a casual viewer may get distracted by Wilson's "Definitely a Normal Person" disguise and miss how he is just as crazy as House, Alex is just as batshit as known exhibitionist-asphyxiation-in-the-middle-of-the-courtroom fan Rafael. And I love her dearly.

[marihem]

stupid question but I love your dynamic between frisk and sans, this is exactly how I picture them in my head and was wondering if you or anyone has written fanfic with them in this dynamic? I would read the short out of it

Aaaaa I'm really glad to hear that you're enjoying these as much as I am úvù

And no please it is not a stupid question at all! In fact, it is an interesting one. Assuming you're talking about my QPR Frans...yes, there is a written one shot little fanfic of them. And I wrote it long long ago 👁👁

No it is not published anywhere nor isn't shared with anyone aside from my close friends. But I'm gonna change that today. Here's the google doc for it! So this is a little something that takes place some time before this video happens and 4 years before Frisk and Sans become super duper extremely close friends which I have been drawing for the past months. Writing isn't my strongest but I tried my best and you know what? It's pretty aiiiiiiighttttt

Yeaa give it a shot when you got the time. It ain't much but it's honest work. And thank you for being interested in this too XD

[shannonsketches]

Why is the anime so weird, it's not even the same series dude?? It's like,

Anime:

GOKU: I have a great idea to bring peace to the universe, and my leadership and compassion alone will unite us all. I have No Flaws and am A True Relatable Everyman :)

VEGETA: NO! I AM THE BEST AND I WILL CAUSE PROBLEMS UNTIL I AM RECOGNIZED AS SUCH!!!!

Manga:

GOKU: Vegeta what's cornmeal made of? I know it's what the corn eats, but what's it made of? VEGETA: Hey Kakarot let's play the quiet game until one of us dies.

[iwoulddieforienzo]

Something really great about the persona 2 cast is that they all individually fucking SUCK to talk to casually. Every single one of them. They are all infuriating. We have:

Tatsuya, who will stare at you blankly if you try to initiate conversation (IS) and will dip without saying a word afterward (EP)

Batsuya, who will scoff and brush you off/otherwise act dismissive

Eikichi, who might honestly be the best to talk to in the IS crew and that is not saying much, who WILL talk extremely loudly over you (probably not on purpose?) and will not be paying particularly close attention to the conversation beyond whatever he wants to say (gets points for talking about his gf. gets points taken away for constantly talking about his gf)

Lisa, who will automatically assume bad faith and will be rude to you the entire conversation unless you manage to defuse her temper (good luck)

Jun, who is uncommunicative at BEST and requires an encyclopedic knowledge of flowers, metaphor and body language just to get a HINT on what he’s thinking, and who will be extremely polite but completely unhelpful. If you tried asking him what he wants for dinner I guarantee it will be the longest 30 minutes of your life as he goes “oh I have no opinion :) whatever you want. :))” EXCEPT HE DOES HAVE OPINIONS. He has SO MANY OPINIONS. He is Expecting you to be able to pick up on his “obvious” clues. He will be passive aggressive if you don’t. (Jun babygirl you suck so bad I love u)

Maya, who is a delight but will very quickly become grating if you try to talk to her about anything serious as she hits you with the white suburban mom's "how to live a happy, healthy life" lifecoach slogans. You can’t even mention, like, stepping in a puddle or something without her hitting you with the positivity beam.

Yukino is great actually. 10/10. She’s fabulous we love her. Incredible conversationalist, chill and fun and easy to get along with. But she’s from Persona One, she doesn’t Count.

Ulala, who WILL bring up her relationship problems in every conversation within 10 minutes at least once. Any longer and she will start talking about Maya.

Do I even need to explain Baofu. Have you seen him.

And finally, Katsuya, who is a cop and a kiss ass and Very Obvious about these things. Also he can't talk to women. He can barely talk to men. Help Him.

And yet they all work wonderfully as a group. They are so annoying I love them

[its-a-me-mango]

yknow the adult version of Telly reminds me- wonder what they'd be like when they're a teen? Going through any silly phases?

(rubs my evil devilish hands together) oh boy, I got that all planned out too, I can imagine anything.

I've mentioned before that Telly goes on to become a movie director as an adult, but I skipped over the whole shit storm they went through to get there. Telly's always been interested in film because of their dad and always wanted to grow up to be just like him, however Mr Puzzles SUCKS at accepting that people don't always want to work for him or that they need his help.

Because Telly is his kid, he basically thinks that Telly getting into film is just to help him with his projects, and he would likely employ Telly once they become an adult. The idea that Telly may want to go on and make their own films doesn't really occurred to him. It's not out of malicious intentions or anything, if anything its the opposite, he genuinely thinks he's helping them out and setting them up to work with him when they're older so that they never have to worry about their future.

Telly doesn't want that though, they want to be able to make their own movies by themselves, but because they can't communicate well, nor do they want to hurt their dads feelings (he's already overly emotional), they don't say anything about it and just let it build and build into resentment.

In short:

Don't worry it does get sorted and Telly gets to make their own stuff by themselves in the end (it actually ends up being better than Mr Puzzles stuff), it is basically just a phase they don't hate each other at all, just you know, growing up ain't easy for anyone involved lol.

As for actual phases? Uhhhh

Well no ponies perfect.

[fareehaandspaniards]

I know Miquella chose a bad way to set a new age... But I still feel so sorry for him ;_; He loved Radahn...

[necrotic-nephilim]

what are your favourite batcest ships and why?

AAA i love this question so much. i'm going to limit myself to a top five, because otherwise, i'd just end up listing all of them. the true joy of batcest is they're all so good for such different reasons and there are so many unique dynamics you can explore.

JayTim - it's funny bc, before i started this blog, i don't know if i would've put these two losers as my number one. but because i've done so much deep diving into their dynamic and i write them the most, i think it'd be a disservice for them to be anything *but* number one. their canon dynamic is just. so fun to play with. i truly love all of their interactions, particularly pre-Flashpoint. the concepts of Tim holding such contempt for Jason while Jason is weirdly obsessed with Tim. i'm a fan of Hannibal and Killing Eve and well. if this isn't a Hannigram-coded ship idk *what* is. i like ships where love and hate co-exist and there's no real "happily ever after", just fucked up co-existing, where they crawl back to each other like a bad habit and really, this ship is that so perfectly. the themes of jealousy in the Robin mantle. Tim wearing Jason's Red Robin suit to punish himself. i will likely never shut up about them. even in the New-52, there's such a substance to them, though the dynamic is wildly different. they will always be so weirdly dependent on each other's existence. i love them.

BruDick - you can't outdo the doer, i fear. i think i like BruDick mostly for the history of it, yk. there's genuinely *so much* queer history seeped into the homoeroticism of Batman and Robin, these two have been a symbol for queer people for decades. but the ship itself has so many dynamics i love. problematic age gap, "are we family or lovers", "i can't be in a room alone with you without getting into a screaming match but if you called i drop everything for you". all of it. i especially favor 80s/90s BruDick when they were in their divorce era just because it's so messy. Dick has canonically said he would die for Bruce, even during their arguments. no matter what, these two will always be single-mindedly devoted to each other. there will be other Robins, but none of them will compare to Dick Grayson, for Bruce. it's a unique and complicated bond that has endless layers to peel back. they always crawl back to each other bc no one else will match their level of intensity.

DamiTim - years and years ago, when i was a teen trying to people-please with how i existed in fandom, i used to insist i didn't like batcest and found it icky and gross. but there was one DamiTim fic that was my exception. that fic was my fucking roman empire. i reread it like once a year even though it's not completed and likely never will be i do not care. so now that i've killed the morality police in my head and i let myself ship what i actually want to ship, this ship holds a top place in my heart just bc of that fic alone. but in general i do fucking love their dynamic. similar to JayTim there's just so much mutual hatred in these two that has endless potential. Damian's insistence to not see Tim as a Wayne and as a legitimate brother/heir to Bruce is something you can play a lot if you give Damian an angry, fucked up crush on Tim he doesn't want to admit to. they have so many reasons to dislike each other, so to try to get them to slowly fall in love is a fun challenge. they either have a long complicated forgiveness arc and end up a happy married couple or they are the couple that tries to kill each other once a week. no in-between.

JeanTim - there's like. one person here on tumblr who goes as hard for this ship as i do and truly god bless them bc they feed me. Jean-Paul is too underrated in the batcest scene. once i reread Knightfall, i will have to help popular this tag on ao3. i enjoy both a very fucked up version of this ship during the peak of the Knightfall arc, where Jean-Paul is deep in his murder Batman era and Tim is trying to stop him to no real avail, but i *also* think there's so much you can do with the ship afterwards, where Jean-Paul is trying to make up for what he's done and be a better person and better hero. they're the peak Batman/Robin ship, to me. they truly care about each other, but have a very complicated/bloody history and i just. man i love it so dearly. i've been meaning to write a fic where Jean-Paul goes to Tim post the Sword of Azrael (2022) arc to properly discuss and apologize for all his actions in Knightfall for his personal healing and they end up fucking. it could be sweet and cute or kinky fun bc what is the joy of a character with that much Catholic guilt if you don't give them a weird religious kink.

BruCarrie - The Dark Knight Returns got me into comics and i will defend it till the day i die. Carrie Kelley can be pried from my cold dead hands. i just really love these two? Carrie took one look at that cranky old bastard and decided she was his problem. and Bruce is at a stage where he should be very averse to the idea of having a Robin, he knows it's a bad idea. but he just. accepts her anyway. idk how to explain their dynamic other than she plunks herself in his lap and stitches up his wounds while telling him he's an idiot and he lets her even if he's grumbling about it. they have the biggest age gap of any Batman/Robin ship and for that, they should get like. a dead dove gold star no matter how rare the pair is.

also honorable mention goes to BruTim, because *god* do i love the concept of Tim offering himself up to Bruce as Robin in every way, knowing that there are likely sexual/romantic implications to being Robin. it's one of my favorite flavors of batcest to exist. i don't view them as a "happily ever after" ship, because Bruce will always go back home to Dick, but it's a fun lil dead dove moment.

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[grayintogreen]

Respectfully, but a character can be and SHOULD BE allowed to be more than one thing without it being considered "contradictory", "retconning," or "negative character development."