#and i know i dont *need* to justify it. but i would like to! i just don't have the tools necessary for that effort yet. whew.

[mvmnbnv]

they need to fucking elaborate on how the hell vi got to the point of being an active participant in gassing the undercity in ep 2...like i know damn well if she was on the receiving end she'd be livid, so why is she trying to justify it??? "to keep people safe??" safe?? its poisonous! It's even shown in the form of a monster! i hope they dont just skip over that shit cuz aint no way she went from "hell no im not gonna join the enforcers!" to "yeah im cool with you gassing my home" out of nowhere like??? maybe thats why some ppl have issues with the pacing because you get stuff like this that vi would never do, even her words show her not wanting to participate, but then she just does something worse than what she said she didnt want to do.

[lover-of-mine]

And then we have the other side of BT fans that are saying Oliver was talking about Tommy with the slow burn, will they won’t they.

Like…… who wants to tell them it’s not a slow burn will they won’t they if they are already together. Which with how often they like to throw out the “Our ship is canon” defense you’d think they wouldn’t forget that 💀

I saw that and I legit stared at it for a bit. And it's funny because during the hiatus they were all "it's so great bt isn't a slowburn, it's so real, no unnecessary drama, they just got together" and now they are backtracking HARD. The ship already sailed. They are together. You can't make a slowburn out of someone who met on episode, was kissing the next, was getting invited to weddings the other. They can't be a slowburn. But now they are scrambling saying they're gonna break up because Tommy is rightfully weirded out by Buck and we will watch the slowburn in the form of Buck trying to win Tommy back. Like????? I wish I believed in anything as much as they believe bt is endgame because holy fuck, their hope is almost inspiring.

[gece-misin-nesin]

lowkey think that if jorge really wanted to sell us on the "odysseus is a monster thing" he should have had odysseus continue to stab poseidon even after he begged. bc like. Looking at odysseus now? he's less a monster and more like a morally grey protagonist. All of his questionable actions have pretty good explanations behind them. if you want to tell me he's a MONSTER, you need him to do something really fucking vile. without good justification. killing the baby? (also. he fought in a war. i reckon plenty of babies died indirectly as a result of his actions somehow) zeus literally told him he and his family would die otherwise. blinding the cyclops? pretty self-explanatory. sacrificing the men to scylla? bad, but has an understandable reason behind it and you can theoretically justify it. choosing the crew to die? saving his own life+you could argue they are the ones at fault for eating the cows anyway. torturing poseidon? there's literally no other way poseidon would let him go at that point AND he immediately stops after he begs.

point is, if you're going to tell me a character is a monster then at least make them do something that cannot be defended. something that CANNOT be justified at all. continuing to stab poseidon after being begged would have done that. but who knows, maybe the suitors being killed will be shown as something like that? still unlikely though considering they plot to kill telemachus and rape penelope.

[tigergender]

I'm so peeved that literally every aspect of the Gerudo in BOTW/TOTK serves to make me mad bc I love the Gerudo desert and I think that some of the most interesting NPCs to speak to are Gerudo.........alas

[godsfavoritescientist]

Building off of what I wrote in my fic "Sparks," I'm really compelled by the idea of Ford genuinely no longer being interested in sailing around in a boat with Stan by the time they were seniors in high school.

I like the idea of it not being just a symptom of the resentment that had been building between them, nor it being a dream of Ford's that only paled in comparison to west coast tech, but it being a genuine loss of interest on Ford's end. I think it complicates things even further in some really juicy ways.

Like, imagine going through high school slowly losing more and more interest in the dream you've shared with your twin and only friend ever since you were little kids. How do you break it to him? How do you explain it to him without making it sound like a rejection of him? Without it making him hate you?

How do you explain it without it feeling like a spit in the face to all the hard work he's put into a plan that started out as a way of him comforting you by telling you "it doesn't matter what people say about you, you're going to be an adventurer who sails away into the sunset and never has to hear their mockery ever again, and there will be babes and treasure and heroism, and then they'll all see how cool you really are!"

And all through high school you think to yourself, "he's going to move on to more realistic dreams any day now, and then I won't have to say anything about it!" But no matter how many times you mention something else he could do with his life that he seems interested in, or bring up the challenging logistics of traveling around long-term in a boat, he sounds just as committed to the childhood dream as ever, and completely oblivious to how apprehensive you sound.

So resentment grows, little by little. Because that's easier than confronting the soul-crushing levels of guilt that are building up inside of you, every time you don't take an opportunity to tell him you don't want to do the plan anymore. You don't have a single person in your life who modeled how to have difficult conversations for you. As far as you know, having this conversation with Stan would crush him into tiny little pieces and then he would hate you forever, and you can't stand the idea of losing the only friend you've ever had.

So tensions grow. A lack of interest turns into a bitter resentment that, if you were really being honest with yourself, is directed more at yourself than it is at Stan.

And then the falling-out happens, and it seems like you were proven right. Stan hates you now, and he's never going to forgive you for giving up on his dream. But two can play that game, so you try to hate him too. Because if you hate him too, then maybe it won't hurt as much that he never came back. That he never even turned up at school, or by the boat, or in through your bedroom window in the middle of the night. He knows what dad's like, and how he says impulsive exaggerated things when he's angry, and haven't you both dealt with his harsh words countless times before and been able to dust yourselves off and joke about it later? So why isn't he back at home, joking with you about how absurd your dad acted that night, being impossible and belligerent about ruining your dream, but at least now you're even, because you've ruined his dream too.

-

And now imagine you find out he risked the lives of everyone in existence to bring you back, right after you had accepted your fate was to die killing Bill. It would be terrifying and confusing and infuriating. If he cared so much, why didn't he do something to reconnect with you sooner? Why did he ignore you in favor of trying to make it big without you? Why didn't he take the infinitely safer and simpler action of reaching out to you without you having to track down his address and send a desperate plea for help? You were convinced that he didn't care enough to bother with you unless you had an important enough reason for him to come. But even then, he thought your plans were stupid. He didn't want anything to do with you, not even with the world at stake.

Did he save your life out of guilt? Does he pity you that much? It doesn't add up with what he did in the decade leading up to shoving you into the portal. And the dissonance between the version of him in your head that hates you, and the man who held out his arms to welcome you back to your home dimension, is so strong that you feel like you're being lied to again, like you're back in the depths of gaslighting and manipulation that Bill put you through, even though there's no way that's what Stan is trying to do... right? You can't figure it out, so you run away from it. You don't want to know the answer to whether or not Stan hates you, because you don't know which answer would hurt more, so you try to make him hate you more than ever, because at least then you would know for sure how he feels.

And in the end, after he sacrifices his memories for you, and for the world, things seem clearer. The layers upon layers of confusion and anger and hurt seem to have washed away like drawings in the sand, leaving behind the simple truth: that you two had an argument, and didn't move past it for forty years, and despite everything you put each other through, you both still want to re-connect.

So you sail away in a boat together.

And at first, it's wonderful. It's exactly what you want. It feels like an apology to Stan, and a thank-you for saving the world, and a once-in-a-lifetime chance to heal the rift between you two, and it's good to be back on earth, and you wonder why you ever doubted the dream you two once had.

But then, after the first long journey you spend on the sea together, when you get back home to dry land, Stan is already talking about planning your next adventure out on the open sea. He recaps every adventure you had on the first trip, over and over again, and he wants to chat with you all through the morning and long into the night, and you don't have the words to explain to yourself that you don't have enough social battery for this, and suddenly you're slipping back into the horrifyingly familiar feeling of Stan being overbearing and needing space from him and how could you think that? How could you think that about him after everything he's done for you and everything he's forgiven you for? But the longer this goes on, the more you realize that you still don't want to spend the rest of your life sailing around with Stan. It's great fun in moderation, but the idea of your whole life revolving around Stan and going on adventures with Stan and being in a boat with Stan with no time to be by yourself thinking about your own things and figuring out your own dreams makes your skin crawl with a claustrophobic kind of panic that you still don't know how to put into words forty years after the first time this feeling grabbed you by the throat and ruined your friendship with Stanley.

But the first time this happened, it nearly ruined his life forever. You can't let yourself feel this. You don't feel this. You're happy to spend the rest of your life fulfilling Stan's lifelong dream, and making up for the time you crushed his dream, and sure, maybe he crushed your dream once too, and maybe it would be nice for him to support your dreams like you're now doing for him, but you can't say that. He saved the universe, and it would be horrible and ungrateful and cruel for you to try to voice these feelings, especially when you don't know how to voice your feelings without it making other people feel like you twisted a knife into their gut. So you try to pretend the feeling isn't there.

You go out on a boat with Stan again. You planned out another incredible journey together, and this should be fun, and you should be happy about this, but the unspoken feeling you shoved as far down in yourself as it could possibly go is eating you alive. The worst part? Stan is starting to notice. You have never been good at hiding your emotions. The trick to it has always been to convince yourself you don't feel it at all, and not think about it, and that has always worked like a charm. But whenever the emotion claws its way back up to the forefront of your mind, you can tell Stan knows something is wrong. So you can't even give him the happy ending he deserves. You can't even convince him that you want to be here on the open seas forever with him, like he deserves. And you keep trying and trying to hide it, but Stan keeps asking in roundabout ways, like "You're being awfully quiet, sixer," and "whats that look on your face?" and eventually it comes exploding out of you like a shaken-up soda bottle dropped on its cap.

And then it's like you're back at home in New Jersey again, standing in the living room while dad grabs Stanley by the shirt. It all comes pouring out of you, in the worst possible way, with the worst possible phrasing, like a pandora's box of monstrousness, and Stan tries to fight back against the sting of your words, but you're made out of acid and you're burning through him and you can see it on his face, and there's never any coming back from this, not this time, you'll just have to either jump into the ocean or become a monster forever, so Stan can hate you more easily again, and-

-and at the end of the outburst, you're still on a boat in the middle of nowhere in the ocean with your brother, in dangerous waters, and you have things to do to keep the boat running smoothly.

You can't run away from him. He can't run away from you. You're stuck here for at least a couple more weeks, even if you turned around and sailed back towards shore right away.

-

And the thing that compels me so much here, despite how unbelievably angsty it all is, is that it sets up a situation wherein the Stans might end up forced to actually address the decades of resentment and confusion and wanting-to-reconnect-throughout-it-all that they thought they could gloss over and heal with enough time spent adventuring together on a boat. They might end up forced to actually address the crux of the issue that drove them apart in the first place: Ford wanting a little more space to feel like his own person, and to feel like he's able to have his own dreams, too.

It wouldn't happen easily, nor right away, but if they were stuck together on a little boat in the middle of nowhere surrounded by magical creatures they have to protect each other from in order to make it back home alive, then after they had one fight where they brought up all the things they silently agreed to never bring up again, it would probably happen many more times, and each time it would leave them both angrier at each other than ever, until eventually something honest slipped through amidst all the saying-anything-except-what-they-mean bickering. And once enough of these honest moments slipped through, then they would have a thread to tug on to start to unravel the gargantuan knot of their decades of unresolved conflicts.

And then, eventually, maybe Stan could learn that he can have a good friendship with his brother without needing to be glued to him at the hip, and Ford needing a certain amount of alone time doesn't mean he dislikes him or wants to abandon him, and Ford could learn that he can be honest and have a meaningful connection with someone without it driving them away and making them hate him.

[the-vibing-ghoul]

some people will be all about mental health awareness and leftist ideals of at least tolerating the mentally ill who show ''ugly'' symptoms until it's someone they know and ''care'' about having a bad day and acting like it in a way they don't find appealing

[angy-grrr]

There is gonna be more than that coming from the poll, but whatever it is vote Kacchan/Deku for best hero. Idc who wins i just need them to be together again

if they just announced it today without saying anything before, I would probably immediately do it.

Right now im just bitter because of the hype -I thought it would at least slightly relate to the actual story (adaptations of other stories, extra content for the volume which once again may I remind everyone is extremely short, almost half what a manga volume usually looks which is a huge problem).

This disappointed me extremely, as its not even related to any content from the manga beyond the characters it uses. I get that many ppl will work on this, and that artist will get excited over being able to get the spotlight, some will be able to ask specific questions, and a character will get a statue and a movie.

Still extremely disappointed because of the "special project will be announced on the 5th *wink wink*".

I can't feel excitement over it as, in my mind, I lost something that felt better -more content related to the story. So at best this would be "oh cool I can try it", a feeling pretty similar to the other announcements -not my favorite thing in the world, but I wont reject it and try to see what comes out of it.

This isnt at best to me right now

[pocketramblr]

5 ask game: au where Aizawa gets shot with a quirk erasing bullet during the Overhaul arc

Ok so the main obstacle here of course is I don't want Izuku to die, like, five minutes later. Perhaps my special little guy can stop this.

1- Lets say when Chisaki grabbed Nemoto to pull a fusion, Nemoto's gun was caught up in all this too. This doesn't matter until after he's been beaten and thrown to the side, and watches Eri and Izuku struggle in the middle of the crater. Asui brings Aizawa up, and Chisaki knows that if Eraser stops them, they're all taken for good. So he shoots at Eraser- and its a hit.

2- A moment later, a swordfish pierces his shoulder, but the damage is done. Asui shouts. Izuku screams. Eri wails. Amajiki "Do i have to do everything around here myself" Tamaki "the only big three who actually takes out a third of the expendables and the top brass on his own" Suneater picks up the gun to crush it. Then he looks at the sobbing Eri, and thinks about how Mirio wanted her to smile. "I'm sorry," he whispers to no one, and fires- the first one's a miss, he's not as good a mark as Chisaki. But he is one of Snipe's students, and the second one hits.

3- Since the bullets are made from her own quirk, Eri reacts.... differently to them. It doesn't rewind her as much as it gives her a reset. her horn shrinks but doesn't vanish, and the effort catches up to her as she passes out on top of Izuku.

4- Suneater crushes the gun, then starts trying to find the cure bullets in Chisaki's jacket, but frankly his second wind cast by Mirio's distress is running out so he ends up dragged to an ambulance while the police bag evidence. In a true stroke of genius, they do not transport Chisaki with all of his weapons and bullets, so Tomura doesn't grab them when he takes the man's arms.

5- In the hospital, they don't exactly want to just take Chisaki's word for the cure bullets and jab who-knows-what into Aizawa and Mirio, so they very carefully start studying one first. Unfortunately, Ujiko hears about this and nabs the other cure bullets. (much easier than trying to nab Eri.) Tomura and AfO won't be able to use the eraser bullets in any plans (no baby-afo fight) but they will try to ransom the cure at least. Tamaki attempts to give back his hero license and withdraw from the school, but Nedzu stalls him then guilts him into staying because for reasons beyond the teen's comprehension, Eri actually really likes him and with no erasure to stop her quirk if it goes out of control, they need anything they can get to help. Aizawa continues teaching because if being in full body cast didn't stop him, losing his quirk won't either, and Mirio is like 'well hold on a minute. if he's not stopping, why should i?' and continues training at school while quirkless, even if his actual work outside of school isn't happening anymore.

[triglycercule]

ok erm. halloween animation meme lowkey postponed until next year (because i know damn well i'll need a whole year to finish this with my motivation 💀) because i have another much more invigorating and fresh idea that i wanna draw for the mtt. inspired by these 3 fuckass monkeys

[ladysophiebeckett]

marcela does a lot of cruel things throughout the series but i think her true moment of traditional telenovela villainy is that dinner she has with margarita and patricia, (the day betty gets made president) where she basically states 'yeah i know armando is still in love with her and i know beatriz is still in love with him but she believes everything in the letter and she has no way to disprove it. and armando has no witnesses to speak on his favor.'

and she's very smug about it:

in marcela's head she believes the only one she's really hurting by withholding this information is beatriz, how armando feels is not even much of an afterthought. marcela puts herself and her needs first. which is understandable. she has no incentive to help beatriz and why would she? she sees beatriz as the reason why her relationship with armando deteriorated even tho it's actually more complicated than that.

of course armando knows he doesn't have witnesses or anything to prove that in middle of everything he did truly fall in love with her and he's not going to ask anyone for help. mario offers to talk to her (tho not seriously) and even patricia says mario could tell betty the truth but marcela knows betty would never believe the author of the letter.

her only goal is to keep armando by her side. i dont know if she knows that she's hurting him or if she justifies her own actions as a consequence of his past actions towards her. or maybe its something she knows she's doing but doesn't care. (im gonna let the audience decide that bc im not even sure how i feel about that).

we see armando go through hell after betty disappears but when she returns he never once thinks to tell her about what exactly happened after she went away. he only says 'all the damage i did to myself' but never elaborates and betty never asks. it's deliberate that armando never tells her about his state of mind during that period of time bc he knows that to do so would be seen as a form of manipulation. that's not how you prove to someone that you've changed. and that's aside from him knowing that she would never believe him. (bc we know she wouldn't). he loves betty and although he's not yet at the point of truly understanding just how much pain and damage he's caused her, he would never want her to take him back bc she feels sorry for him.

meanwhile, way before the truth of the embargo happens, marcela tells him she would never survive him ending their engagement. that it would just as bad as when her parents died.

his face is immediately affected and she knows. she knows that the only way to keep him is through manipulation. and later on, participating in the act of withholding information that could help him, but again she doesn't see it as helping him. and never actually does. when she gives beatriz this information, it's actually in her attempt to save the company her father co founded. bc up until the last minute she was still holding out hope that betty's indifference to armando would push him back to her. not understanding that armando's changed indefinitely. he's not going to be manipulated by her again and he's not going to stoop to his past behaviors bc it never did him or anyone any good to begin with.

[toytulini]

"why are people mad about AI being pushed on them when they SHOULD be mad about all the privacy erosion??"

1) plenty of us bitches are mad and annoyed about both, actually.

2) the privacy erosion has become the normalized state of existence for the average person for the last 10 fucking years at least, its snuck in, they disguise it as Convenient Features to Help You Shop Better, and thats IF they bother telling you theyre doing it, instead of just opting all your shit in without asking, its so fucking normalized that yeah, a lot of people do not bother to question it, they just sigh in resignation and go, yeah, i guess, do i even have other options? and they do, but theyre an investment of learning and time you dont have capacity for at the moment, or maybe you do but you feel like you dont bc it feels like a bigger hurdle than it is, and computer stuff is already kind of intimidating, cos man, what if you hit the wrong thing and brick your expensive ass machine? easier to just let it data harvest, you guess, it cant be THAT bad, can it? plenty of people live like this, put up with this, seek this out, its easier not to resist the privacy erosion. fucking whatever, i guess. yeah, i guess twitter i mean X, or walmart, or facebook, can just have all of my contact info and my phone number and my birthday and phone contacts and bank information and fuck it, give them my ssn while im at it. less effort later. this is just how tech has been for the last 10 yrs. no one can effectively get rage clicks on this topic anymore bc we all fucking know. it sucks and we know. what do you want me to fucking do about it? i have other shit to deal with more urgently. etc

3)

you cant turn anything on or log onto anything or go anywhere without hearing about whatever new shit theyre throwing AI at for no real reason, no one will fucking Shut Up about AI, and its Annoying, man

[trainingdummyrabbit]

i really emphasize her self importance, but luci honestly stems an awful lot from jealousy. she has a weird little balance going on between several facets of what she is, not really made much easier by her tendency to play up whatevers most convenient to her in the moment.

[gemharvest]

Fuuuck I'm being so fr I already can't wait for those plushies to get here. I'm going to be so Normal when they do.

[vagueiish]

what exactly is one supposed to do about accepting things you can't control when the thing you can't control is a person who is actively fucking over many people, including children?

[hauntingblue]

Justice for jolyne wdym emporio defeated pucci

[resonabilis-echo]

.