#and i dont really know what to do anymore

[k1nky-r0b0t-g1rl]

when i first came out i found an online community to try and have a place i could exist as a girl without anyone having previously knowing me and i found a cool discord server, it was really nice and people liked me and gender me correctly and i was very happy.

eventually as these things tend to people from this big server would make smaller servers as a little place for their friends to hang out without taking space in what was essentially someone else's server.

In one of these servers there was a "love" channel which was essentially just a place to spread positivity and say nice things about other people. I used to essentially write love letters to my friends in this channel and i really loved doing it, i feel like we too often dont tell our friends how much we care about them.

I've changed a lot since then and for many reasons i dont really hang out there anymore but i do really miss writing to my friends like that. i feel a lot more isolated these days, struggle to feel like i have many friends and those i do are so far away. i suck at getting to know people.

I dont think i miss the letters, i miss knowing people closely enough that i could write them.

[swugarbunnyy]

♡ My ultimate anti binge and getting through fasts advice. The order doesnt mean smth is more or less important. Mwah.

1) Water. Even if u hear this a lot, water is what u literally going to need for this. And im talking about actually getting ur water in, through out the day and not randomly remembering to drink it at 10pm. It doesnt have to be a torture, it shouldnt be! Get urself a cute water bottle, add some ice if u like and take small sips.

2) Sleep. And in the best way possible, i mean that u can use sleep literally as a distraction, to pass the time. Whenever u feel like those food thoughts are becoming too much, get under ur covers and sleep it off. Many times i did that and woke up, not feeling hungry anymore. And also, sleep itself does really help with weightloss, u will also feel less tired through out the day if u get nice sleep ໒꒰ྀིっ˕ -｡꒱ྀི১

3) Mints! Chewing zero sugar mint gum is a must. If that becomes too boring for u u can try the zero sugar flavored ones, my fav is raspberry or watermelon. U can also try to brush ur teeth whenever u feel like binging or eating when u shouldnt. Having that mint feeling in ur mouth often makes u want to not ruin it.

4) Distractions. Choose smth to distract urself, smth that actually takes a lot of time and doesnt make u think about food. Theres so many things u could do instead of being so bored u feel like u have to eat. Has to be smth u enjoy doing, for me its usually cleaning/organising, not only my room but around the house, watching movies and shows, saving pins on pinterest, organising my phone, making wishlists, playing games, and my fav one - talking to ppl on the phone or irl, so i dont want to interrupt it and i wouldnt want them to hear/see me eating.

5) Motivation. U wont do it if ur not motivated. Keep urself aware of how u look, try on clothes that u havr and see which ones are too small, and use this to motivate urself to fit in them. Think about how different everything could be for u in a couple of months if u stay strong now, and compare the situations if u fail. Write a list of things ur doing this for. I personally like to also have a hidden th3nsp folder, and i go back to look at the photos everytime i feel unmotivated and weak.

6) Dont jump into a fast too quickly. For example, if u ate a lot one day, and u decide to start a fast right away, it can make u fail pretty fast. Try to slowly make ur body more used to it, eat 100-200 cals less each day and THEN prepare to start a fast. So many times i made that mistake - started a fast out of nowhere, and my body was just too shocked, so i was way more hungry.

7) Wear a lip product. This might not be the most helpful one, but its just a small tip that works for me. Choose a lip product, bonus points if its scented or has a minty, cooling effect, and wear it. It makes me not want to ruin my lips and i usually choose not to eat when i have it on. Best combination is mint gum and this!

8) Zero drinks. We all know this, so i wont write too much, but zero drinks are usually my choice when i feel like i need smth with flavor, but i dont want any calories in. U have many to choose from.

9) Choose volume eating on the days u eat - instead of eating smth very small that has 300 cals, eat more but with less calories. This way u will feel better, and most likely wont eat even more. (Salads and fruits are heaven sent in that situation.) Always look for smth to switch to a less fat version, it isnt as hard as it seems.

10) Be patient. This is hard for me cuz im such an impatient person and if i could, i would want everything the same hour i start. But why did i make this point? Because if it feels pointless, like its not working, working to slow, just wait a month. U would be shocked how much u can change in just a month.

11) Doing lighter exercise while fasting. Ur already doing enough by fasting, so on those days dont torture urself with very long heavy exercise, even tho ik its tempting, i used to do it, but i would just end up feeling super shaky. U can workout more on the days ur restricting.

12) Parents that force dinners on u - I used to struggle a lot with that. Im older now, so no one can rlly tell me what to do. But i say, if ur parents make u sit down and eat dinner with them, try to make it ur omad. Nothing is really ,,ruined", if u dont think it is and dont start eating even more after, of course.

13) Rewards 🎀 Not food! But u can always set a bunch of goals and reward urself for them, it feels way nicer to do when u have to wait for smth and work for it. Choose a gift for urself and get it when u achieve a specific weight. U can have smaller ones for the small goals and choose smth bigger/more expensive when u hit a bigger goal.

14) Buying one piece of clothing thats too small for u. I had one, even a couple, and it was the greatest motivation ever. It was with my own money, and i felt so pathetic for thinking its too much work for me to just push myself and finally fit into that tiny top.

15) Keeping a journal. I usually do that in my phone notes and lock it. It helps u, u can always look back at it, learn from ur past mistakes and prevent urself from making them again. It can also motivate u! For example i wrote i was unhappy on my bday party cuz i felt too big. That motivated me to look way better on the next one, luckily a long time before the event.

16) Keep one thing in ur head, always - Food is not going to run away, it will be here. The cake ur mom bought, is not the last one u will ever see again, same with ur fav snacks someone brought home. The only thing running away from u is the years u spend unhappy, cause u keep giving in.

Good ♡ Luck !

[superscourge]

Before the Storm [AU drabble]

Summary: An AU where Tails is killed thanks to one of Eggman's plans going sideways, and Sonic goes off the deep end because of it. Shadow confronts him before he does something he'll regret.

Words: 891

TW: Major character death (implied)

Notes: wheeeee i dont think ive posted any sonic-related writing here before??? so this is um. scary. LOL. but i hope it's at least an interesting read <3 dont kill me im just a little guy ok

--

“What do you even think you're doing here, hedgehog?”

Sonic stopped in his tracks with a stomp when he was addressed. He didn’t turn to look at who had spoken; he knew instantly just from the voice. 

“What’s it look like?” he responded. “I’m avenging Tails. That's all there is to it. If you have an issue, then feel free to let me know once I'm done.”

Behind him, about twenty or so feet away, stood Shadow. He stared coldly at the other hedgehog. “You know I’m not going to just stand aside and let you do this, right?”

“Yeah, I figured.” Sonic shook his head a little. “I don’t get why not, though.”

Shadow narrowed his eyes. “What do you mean by that?”

Sonic finally turned to face his rival, and when the two gazes met, Shadow could feel a chill slither up his spine. This…wasn’t Sonic. Not anymore.

“You lost someone important to you, right?”

Shadow’s ears perked. He wasn’t… Was he?

“She was taken from you, even. She didn't deserve it. She wasn't ready.” Sonic stared back at him, almost seeming to challenge him to deny it. “And neither were you.”

Shadow remained silent. He didn’t say a word, his expression unreadable. Sonic, figuring he’d caught him, just continued to speak. “So, I don’t get how you’re not on my side. You know what this situation is like. You lived it. You even tried to destroy the world because of it.” He waved his hand a little. “So why shouldn’t–”

“Let me tell you something.”

Sonic paused once he was interrupted. Across the way, Shadow’s expression suddenly became a bit more clear. He was angry. More than that, really–he was seething.

“The difference between our situations is that while, yes, I did act out of anger and grief and aimed to destroy the world with it, I did it because I thought that’s what she would have wanted.” He let that statement sink in for just a moment before he continued. “I’ve since come to realize that this wasn’t the case at all.”

Sonic’s ears folded back the longer the other went on, but Shadow didn’t let up. In fact, he began to step forward as he spoke.

“You’re right. I do know what it’s like to lose someone dear to me. I do know what it’s like to have someone who could light up the room with their presence alone, have their light be extinguished prematurely. And I do know what it’s like to want to end everything and everyone because of that loss.” He stopped approaching once he was only a couple feet away. “But, do you know the difference between you and me, Sonic? The true difference between our situations?”

He didn’t allow Sonic to respond even if he had wanted to. Instead, Shadow leaned in a little closer, his voice dripping with venom as he nearly spoke through his teeth. “I was able to get it through my head that that wasn’t what she wanted. I was able to pull myself together and not let myself succumb to my own misguided idea of how I was supposed to deal with my loss and grief.” He narrowed his eyes, then. “I was able to accept that causing others to suffer in her stead would not bring her back. Nothing would. And you haven’t accepted any of that.”

Something in Sonic’s chest twisted into a tight knot. His nose scrunched up into a slight snarl as he glared back at Shadow, fists clenched at his sides.

“You’re wrong,” Sonic spat back finally. “You really don’t get it after all. You gave up. You could have gotten them back for what they did to her, but you didn’t. You let them get away with it.” 

The icy look in his eyes told Shadow that his words had gone in one ear and right out the other. He wasn’t going to get through to him.

“So, I guess we are different, yeah. You chose to let Maria’s killers off the hook.” Sonic took a couple steps back. “I’m not making that same mistake.”

Shadow watched him for a few moments, trying to find some sort of sign that this was salvageable. He didn’t want to take drastic measures to stop a disaster from happening…but, this was Sonic. Drastic measures were par for the course when he was involved.

With a resigned sigh, Shadow began to back away as well. He had no intention of leaving, though. Now, he had a mission. “I see.”

Reaching up, he gently grasped the inhibitor ring on his wrist. He didn’t unclasp it–not yet. He was going to give Sonic one last chance to walk away from this. He could see Sonic’s eyes shift to look at the inhibitors before meeting his gaze once again, and he could tell just by that look that he still wasn’t going to back down. So…he supposed that was that.

“There is one thing about you that hasn’t changed, at least,” he noted, finally clicking off the inhibitor. He knew this would be an uphill battle despite the course of action he was going to take. 

“You still don’t know when to quit.”

[noellez-best-life23]

When you'd tried to argue about it, Mayor Walker hit back with "well we can't take any more from the school! Besides, no one needs the library anymore. They've all got their home computers and Internet. You'll be fine with the new budget." um excuse me yes, they do why do i want to slap someone already (sorry I work at library/bookstore) you're the mayor figure something else out

mayor Walker really didn't seem to understand what the people of his city actually needed, but he didn't seem to care so long as he was in charge. i dont like him

The biker, Bucky, smiles, "seems to me 'good folk' don't go harassing people who are just trying to do their job." You have to bite back a laugh at that comment. It's no good riling her up even more. i don't know if he's going to be good or bad yet but i like how he is sticking up for the reader here

"Oh Doll," he cups your chin. "You don't need to be scared of me. I'll be good to you. oh no bucky why you got to be like that

ok so the spicy smutty parts are hot but hes still makes me feel icky with some of the stuff he says

Walker shudders a little before looking at you and shakily saying, "I'm so sorry for cutting your budget so much. I will amend that today, making sure to take the money out of my own salary." ok so i like this part just because walker sucks so much for cutting the budget in the first place and he deserves a broken nose for being so rude and not thinking of the people

ok so i loved this and I'm excited to see where this goes and how it's going to get if I'm going to fully hate bucky in the future parts or will he be redeeming either way this was amazing

Your small town has been invaded by a biker club. They want a peaceful takeover but they can twist your arm if needed.

Holy shnikes, I spent so much time working on this! I almost had to make it a two part story! I've barely been able to work on anything else because I needed to get this story written up instead. I honestly think I've never written anything like this before.

Word Count: ~3.6k

Warnings: Choking, Dub/non consent, Implied violence, Knife play (mild). Please let me know if I missed any!

Next Part

Sheriff Lee Bodecker and Mayor John Walker caved to the bikers pretty quickly. Part of you could understand why; only a handful of officers in the entire county compared to a full biker gang? They'd never stand a chance. Better to be allowed to live without having to worry about ending up in the hospital. The Mayor didn't care so long as he got to keep his job, which now meant making the bikers happy.

Which meant paying the bikers with money from the city budget. Your library's budget in particular.

When you'd tried to argue about it, Mayor Walker hit back with "well we can't take any more from the school! Besides, no one needs the library anymore. They've all got their home computers and Internet. You'll be fine with the new budget."

In the end you'd had to let go all but one very part-time employee, relying on two or three volunteers instead. You were already working long hours but now they felt endless. With the budget cut, you had to reduce the purchases of new books in favor of maintaining the Internet connection several of older patrons relied on. Almost half of your day was spent working on applying for grants for additional funding for after-school programs and free-lunch programs for during the summer breaks.

Looking over everything, you were certain you'd have to dip into your own meager savings if you were going to meet the needs of your community. Mayor Walker really didn't seem to understand what the people of his city actually needed, but he didn't seem to care so long as he was in charge.

During an after-school reading time with the Kindergartners you're surprised by the entrance of one of the bikers. You think he's the second-in-command, but you're not sure. He's definitely not the blond in charge; "Cap" you think they call their leader. Still, you have kids to take care of, and this newcomer is a grown man. He can take care of himself.

When the story is done it's time for a nap for the kids. This is very likely the longest they've ever been away from home, away from family, and the sleep helps keep them from getting overstimulated. It was another thing Mayor Walker just didn't understand. All of these kids had parents that worked full time and couldn't afford a babysitter. There were no daycare options, either. Decades ago the kids could be left with a grandparent or a cousin, but they're all working as well or moved out of town. That left the library as a haven for the kids who didn't have access to the limited after-school activities as an option.

If there's anything good about working in such a tiny library it's that you can keep an eye on the kids and the biker while going about your other duties. Thankfully you'd gotten some WD-40 for the book carts so they wouldn't squeak and wake anyone up while you re-shelve books.

You also get a better look at the biker. He's sitting in one of the chairs reading The Hobbit. You hate to admit it but he does look handsome. Longish dark hair, steely blue eyes. For some reason he's still wearing his gloves. If only his arrival hadn't heralded such troubles for you. Well, at least he wasn't causing trouble.

Shelving the books gets you a bit of stretching and some impromptu squat exercises. You spend so much of your time at a desk that this is the closest thing you get to a workout. Given how your body continually snaps, crackles and pops, you could probably use more.

Your exercise is cut short by Ruth's entry and you have to fight the urge to let out a groan. Ruth is one of the older ladies in town who refused to get a computer for her home. Unfortunately that means each time she visits, you have to walk her through even the most basic elements of using a computer so she can send an email to her granddaughter. The entire time she complains to you about how much she hates computers and how much she wishes her daughter would've raised her own daughter correctly and been happy to just accept a phone call, and on, and on, and on.

"Hello Ruth," you quietly say, customer service smile on. "Let me go ahead and log you in to one of our computers?"

"I'm not an invalid!" she loudly complains. You try to quiet her, pointing to the sleeping children but she isn't having it. "All you youngsters thinking an old lady can't do anything for herself! How dare you imply I can't log on to a computer? I'll do it my own self."

You take a breath to steady yourself before looking over at the little ones. They seem largely undisturbed but, knowing Ruth, they'll be awake sooner rather than later. Sighing you go ahead and get their after nap snacks ready. Just another hour or so until their parents start coming by to pick them up. It doesn't take long before Ruth is yelling at the computer, complaining to you that "it's clearly broken" and "why can't we just write letters" along with her forever complaint of "wouldn't have to do this if she'd just pick up the damn phone!"

The kids start waking up and you quickly have to balance keeping them from being upset by the angry lady while also knowing any attempts to placate the angry lady will be met with more anger. Thankfully the snacks are a good distraction for most.

"Would you like some help on a different computer, Ruth?" you ask through gritted teeth, knowing the answer.

"Oh stop treating me like one of those brats," she snaps back. "What kind of library is this where computers are more important than books? Shouldn't even have these monstrosities here!"

"Excuse me, Ruth, is it? I'm Bucky." You'd been so distracted going between Ruth and the kids you didn't notice the biker had put down his book and walked over.

"Oh don't get me started on you and yours!" Ruth retorts. "Town was so much better before you hooligans came along! Now I can't even call the police to help me out when then those teenagers are loitering in my yard!"

"Well Ruth, let me give you my number so the next time you can call me instead of the police," he offers. You're surprised at how calm he's sounding despite being yelled at.

Ruth huffs, "you no-good-beatniks! How dare you insult me! You should get out of our town and leave us good folk alone!"

The biker, Bucky, smiles, "seems to me 'good folk' don't go harassing people who are just trying to do their job." You have to bite back a laugh at that comment. It's no good riling her up even more.

Ruth storms out, letting you focus on the kids who are looking unsure if they should be upset or not. You give the biker a quick "thank you" before giving the little ones all of your attention. He nods and goes back to his reading.

Soon enough the parents start coming in and picking up their kids. Several of them stick around long enough to check out a book or movie and you have to balance taking care of the remaining children with getting the families out on their way. It's always such an ado that makes you really wish you could hire some extra help. A few parents complain about the snacks you gave their kids and you remind them, yet again, that they are free to donate snacks they consider appropriate. All the while you keep your customer service smile up, despite how much you're internally screaming and crying.

Things finally calm down and you're able to sit and take a breather. You desperately want to quit but this community needs a library, even if the Mayor doesn't think so. And goodness knows they'd never be able to hire anyone else to work these conditions. You look over to where the biker is sitting, still reading. If his gang hadn't shown up, you'd be in a much better position. Maybe even able to take a vacation.

Checking the time you decide to keep your professionalism and head over to the man. "Sir, excuse me?" He looks up at you, bright blue eyes momentarily startled. "Sir, we're going to be closing in about a half hour."

"Oh, yeah, sure thing," he nods as he closes the book. "Also, please call me Bucky."

"Sure thing, Bucky," you nod, too tired to argue.

"Gotta say, you do a lot of work for a librarian."

"What do you mean by that?" You don't hold back the bite in your tone and cross your arms.

He chuckles, "I didn't mean to offend. Just, I thought librarians were just supposed to check out the books, y'know? Maybe answer questions? Didn't expect you to also be a daycare, IT person and all that."

"And that's just the work that you saw," you snap at him.

"Don't you have anyone helping you out?"

"I did, before your gang came along!" You're unable to hold back any longer. "Because of you the Mayor cut my budget! I had to fire pretty much all my staff! I can't get the half the books the people of this community want! I have to beg the state government for funds to make sure kids have food when they don't school meals! Do you know how much cleaning I have to do because there's no room in the budget for professionals?! Do you have any idea how many of the things around here I have to pay for out of my own pocket?! You bikers demanded protection money and it came out of my budget!"

Bucky's gloved hand grabs neck, stopping you from talking. You try to fight but his arm is stronger than expected. Surprisingly he doesn't look angry so much as amused. "You know, I never thought I could go for the librarian type but this fire of yours does something to me." Your nostrils flare and he chuckles. "I've been yelled at twice today, Doll. A man can only take so much."

"I'm sorry," you grumble as best you can.

His hand loosens, "what was that, Doll?"

"I'm sorry," you repeat. "While you are the reason my budget was cut, you're not the one who made the decision. I'm sorry I took my anger and frustration out on you."

"That's more like it," he snickers. He pulls you uncomfortably close to himself. "And I'm more than happy to reward that better behavior." You look at him, confusion written all over your face, as the leather of his glove caresses your cheek. "Like I said, I never thought a librarian would rouse my interest, but you're something else." You roll your eyes and try to pull away, but he isn't having it. His grip tightens around your throat again, even as his smile widens, baring his teeth. "I can be very good to you, Doll, so long as you're good for me."

His implication is clear and you really don't have any options.

"I need to close the library," you grumble.

Bucky removes his hand from around your throat, "good idea. Don't want to get caught now, do we?"

Your body is shaking as you go about the routine for closing the library. Your brain is working overtime to try to figure out some kind of way out of this. Running isn't an option. Even if you made it to your car, where could you go? Calling for help definitely wouldn't do anything. You seriously doubt he would hesitate to make an example of you if you ran.

With the last of the doors locked and the blinds closed you return the biker and almost whimper, "my office?"

"Oh Doll," he cups your chin. "You don't need to be scared of me. I'll be good to you."

"Do...do you...do you have a condom?"

He chuckles, "don't worry, we're not going that far tonight. But I love that you're ready for it."

Without warning he grabs you and pulls you in for a suffocating, forceful kiss. His tongue quickly pushing its way past your lips. Mentally reminding yourself to do what he wants, you open your mouth to give him access and he moans. One of his hands moves down to your breast and you have to will yourself to not flinch away from the touch.

"Take off the cardigan. And the top," he orders.

You back up just a bit so you can oblige. "The bra as well?"

"Nah, that'll be for me to remove." His voice sounds rougher than before and his eyes are definitely darker. He seems amused by the fact that you maintain eye contact while removing your clothes. "You're so pretty when you're defiant," he teases. "But I'm sure I'll have you pleading for more in no time."

Willing your eyes not to roll you instead snipe back, "don't make promises you can't keep. Wouldn't be the first disappointment I've had."

He has the nerve to laugh at that. "I'll make a believer out of you, Doll."

Walking to your office, he sits in your chair, gesturing for you to get on his lap. "Make me think you want this," he commands.

Taking a deep breath, eyes never leaving his, you move to straddle him. He's surprised when you grab the back of his head and turn his face up before shoving your tongue down his throat. He moans in appreciation and his arms wrap around you as he returns your fervor. You bite his lower lip and start grinding against his crotch.

He removes his right glove before undoing your bra faster than you expected. You pull apart from him just long enough to remove the bra and he takes the opportunity to latch himself to your breast. His ungloved hand moves to fondle your other breast while his surprisingly strong left arm holds you up. His ministrations have you gasping as your body instinctively continues to grind against him. His slow, languid movements are in direct contrast to the speed your hips have set and the difference is affecting you.

Suddenly you're on your back on the desk. Bucky had managed to move his left hand to prevent your head from banging on the desk. Your eyes widened from more than just surprise at the realization of how fast and strong he was.

"Sorry, Doll, you were getting me too worked up already," he smirks at you. He moves his hands so they're on each side of your head, hovering over you. "It really is the quiet ones, huh?" You can't help roll your eyes and he chuckles. "Let's see how loud you can get."

He quickly unbuttons your pants and pulls them off of you before getting out a knife. Your breath hitches and he chuckles as he takes the blade to your panties, cutting them off of you. He puts the panties to his nose, "you smell so good. How long's it been, Doll? Months? Can't imagine you get a lotta action in this town."

"It's been a while," you confess, heat burning your cheeks at how turned on you are. You can't bring yourself to look at him.

He stuffs your panties into his pocket and taps your thighs with the knife so you spread them open. "You look so pretty like this," he snickers, clearly amused by your discomfort.

He slams the knife into the desk by your head, making you yelp in surprise. Using his left arm to hover over you, he whispers into your ear, "such a pretty scream," as his fingers start playing with your pussy. He groans at how wet you are, "fuck, Doll, I should'a known you'd be into the rough play."

You squeal as he mercilessly jams two of his fingers into you, all the way to the knuckle. As you involuntarily arch your back he alternates licking, sucking and nibbling your nipples. He adds a third finger and mercilessly drives his hand in and out of your soaked pussy. He pushes himself up and uses his now free arm to start choking you. You try to push his arm away, but it's impossibly strong. You're shocked to feel your orgasm building as your gasping for air.

He must sense it too because he grins and starts ordering you to "give me what I want, Doll. Cum around my fingers. I can feel how close you are." He gives your nipple a sharp bite that pushes you over the edge and cum with a hoarse scream, his fingers never slowing down, his grip never letting up.

It's only after you've stopped cumming that he eases up. "That was fucking gorgeous," he taunts before pulling his fingers out of you and licking them. He closes his eyes and moans at your flavor, making you burn with embarrassment. You start to get up but his left hand keeps you pressed to the desk. "I'm not done, Doll."

"I'm sorry," you murmur. "I shouldn't have assumed."

"God you're a good, smart girl. Keep those legs spread for me." You do as he says while trying to look anywhere but him. He pulls the knife out of your desk and flips it so that the hilt is pointed towards you. "Look at me, Doll. I want you to watch." You struggle to look and he rubs the hilt of the knife against your oversensitive clit, making you jump. "I said, look. At. Me. Doll." You're quick to follow his orders this time.

He puts the knife away before undoing his belt and pants. As much as you could feel when you were grinding against him, as much as you could see the his bulge, you weren't expecting his cock to be so big. Your eyes widen and he chuckles, "like I said, we're not going that far tonight. Now be good and don't move unless I tell you."

Grabbing your legs he pulls you so your ass is a little off the desk and runs his cock over your pussy, gathering up your slick and rubbing over your clit, making you whimper. He starts groaning in pleasure, "god you're so wet from just one orgasm. Can't wait to see how soaked you get after a full night with me." He positions your thighs so that you're squeezing his cock between them and he gives a few thrusts, spreading your own juices all your thighs.

"Gonna mark you up with my cum," he growls as he picks up his pace, squeezing your thighs even tighter. His hands are hurting you but his cock keeps rubbing against your clit and it's feeling so damn good you don't register his words. You moan and whine as you barrel towards your next orgasm. "That's it, Doll. You make the prettiest faces. Can't wait to see you covered in my cum. Gonna look so damn pretty with my seed all over you."

He squeezes your thighs impossibly tight and you cum so hard from the pain and pleasure combination you don't notice him ejaculating all over your stomach and chest.

When he finally catches his breath he reaches into his jacket and pulls out his phone to take a photo. You try to protest but he gives you a warning look. You drop your face, trying to not cry from how dirty you feel. He puts the phone away and lifts your chin, "don't worry, Doll. That photo is just for me." He kisses the top of your head and you try not to wince. "And because you were so good to me, made me feel so good, I'll be good to you. Now get your clothes back on and I'll escort you home."

"Can I clean up?"

"Not until you get home," he growls. "You don't get rid of my marks until I give you permission."

"Yes, Bucky," you sniffle.

"Aw, don't be like that, Doll," he gently chides. "I take care of what's mine."

The next morning you wake up from a nightmare riddled sleep, feeling more tired than ever. After your morning routine you step outside to head to the library but stop short when you see Bucky on his motorcycle, waiting for you. Wordlessly he hands you a helmet and you don't even try to question or talk him out of whatever he has planned, you just put the helmet on and get on the bike behind him, holding him incredibly tight so you don't fall off.

He stops in front of City Hall and helps you off the bike before walking you in. He doesn't stop until he's led you to the Mayor's office. Your shocked to see Cap, the leader of the biker gang, sitting next to Mayor Walker, whose nose has recently been broken. You gasp and try to turn away but Bucky grabs you and keeps you facing the Mayor.

Cap pats Walker's shoulder, "now what did I tell you?"

Walker shudders a little before looking at you and shakily saying, "I'm so sorry for cutting your budget so much. I will amend that today, making sure to take the money out of my own salary."

Your shaking, unable to respond. Bucky whispers into your ear, "what do you say, Doll?"

"Th-thank you, Mayor Walker," you stutter. "I...I really appreciate that you've ch-changed your mind."

"That's my girl," Bucky whispers before guiding you out of the office.

Next Part

Tagging: @alicedopey; @delicatebarness; @icefrozendeadlyqueen; @lokislady82; @ronearoundblindly

[mackmp3]

☕how the writers delt with river song

SCREAMING CRYING THROWING UP THEY DID MY GIRL SO DIRTY there are so many. good river song moments. and there are so manythat make me want to tear a strip off steven moffat like every goddamn episode with her they have to make some obnoxious sex joke or some Honey Im Home type shit & i understand this is like. A Moffat Theme & i dont always hate it but goddddd its so reductive like there is so much!!!! that could be done with her character !!!!!!!!!!!!!!! that is overshadowed by haha what if she was sexy like STOPPPPPPPPPPPP.

like silence in the library was a really good character lead in & i like her!!! as a character !!!! even the overly flirtatiousness unfortunately that would work on me but even aside from that. she is a good character let down but the sheer pull-it-out-of-your-ass writing of her backstory. like?? she could regenerate cos she was conceived in the tardis okay thats really cool much weirder stuff has happened when it comes to tardises & making babies but then WE SeE THIS FOR LIKE. ONE OR TWO EPISODES BEFORE THEYRE LIKE WHOOPS THAT DOESNT WORK ACTUALLY COS SHE'S DEAD UHHH SHE BETTER UHMM IDK SAVE TH E DOCTOR OR SOMETHING WHATEVER> COS HER ENTIRE LIFE HAS TO REVOLVE AROUND HIM. HASHTAG MARRIAGE AMIRITE like even the fact that her entire life was shaped around him isnt a Bad Idea it just feels like no one considered the tragic impies (implications) of this, & simultaneously doing amy so dirty in the process as well like??? she loses baby mels & then discovers she was her (never previously mentioned) childhood friend but then she uhhhh dies & turns into this woman you already know and them????? barely eveer mention it again???? holy shit?????????????????????? amy & river is a freaking horror story but one that the writers seem imcapable of dealing with because sOMEONE is too busy making obnoxious jokes about married life

a lot of thsi is specific to the General Vibes of the eleven era stuff as well which was in general so so weird about women & while its not like twelve or any of teh other doctors are expemt from this eleven is a massive dick to people quite a bit & a lot of this falls on river b/c he is seemingly (iirc i havent seen some of this stuff for a while though it Haunts Me) almost careless? with her? like a sort of 'welllllll she's here now so it was all okay in the end :)' sort of attitude ignoring that she went through A Fuckton Of Stuff before she was even a concious human(mostly??) being

even the husbands of river song is tragically guilty of some of that stuff like. she's seen some wild shit & she should have known it was twelve wayyyyyy way way quicker. like i understand why she didnt for plot reasons but she is in fact very intellegent like. she's allowed to show that. unfortunatley sometimes women cant be smart & have their boobs out at that same time I GUESSSSSSSSS

also the nine & river audios from earlier this year? i really like archipelago i listened to that a couple of times & i thought it was really powerful but AGAIN the writers make river So Fucking Obsessed With Romance like. you'd let it go by that point. nine had literally just proved he's the most aro guy in the universe (good for him) and shes stillllllll flirting at him. which. imo she wouldnt do anymore because, shock horror, she does actually like him as a person & values his company and you would think you would be friends wit hthe guy YOU ARE GONG TO MARRY OR WHATEVER. NOT THAT THEIR MARRIAGE WAS PARTICULARLY ROMANTIC EITHERIM GONNA BE SO REAL. obviously sex is important to her & good for her but yikes. it doesnt need to be mentioned so often.

like its the whole 'inherent tragedy of waiting for a time traveller' stuff which i do eat up every time meeting her in silence of the library & knowong that there is so much more there - VERY COMPELLING !! really good character intro augahagaauuaajaaajahhahahahhhh but nooooo her Entire Fucking Goddman Life has to revolve around being manipulated & The Doctor AS WELL AS !! the completely uncalled for ohhhh im a PSYCHOPATH ( <- unfounded & demonstrably untrue lowkey this is saneism right. thats an ableism there yes? ) thing they alllwaysssss have her say like well!! shes not !! theres 'youre talking about commiting a murder'/'no im not, i'm actually commiting a murder' which i like & is funny & she would say that and then theres teh vauge oooohhhhh im so Freaky & I Have A Gun or whatevr like augsugsaihuahahaouoauauoouauoauoauoauuo

also twelve & river had freaky t4t bi4bi aroallo sex after the end of husbands of river song but no actual dw writer is enlightened enough to see that because they have to flatten her into The Doctors Wife & she would have had a far better dynamic with 12 than with 11 (not that i'm biased) i wish they got more time togetherrrrrrrrrrr also you should listen to the bekdel test (diary of river song audio with missy)

[goodiegoddesselle]

폭풍 (Storm)

pairing: bf!renjun x reader

genre: smut, shibari/rope, unprotected sex (wrap it yall), edging, oral (kinda?), begging, crying, cute nicknames

summary: the night was set to be perfect between you and renjun; a whole date was planned and everything. completely perfect, until a heavy rainstorm put a wrench in the entire situation. it was nothing but disappointing, and you could see it on his face, so you figured you could at least cuddle in bed or something. the cuddling was nice, but it didn't take long for renjun to remember something.

wc: 2k

minors dni. dont like, dont read.

______________________________________________________

When you peeked out of the window with your boyfriend earlier, it really didn't take much for both of you to feel equally disappointed. Sure, things were great the whole day all the way up until then, but suddenly your date was completely ruined by the pounding rain and bright strokes of lightning hitting your town. A deep sigh was pulled from Renjun's throat.

"I even paid for reservations..." he muttered, entirely dejected. You simply pressed your lips together tightly.

"We can always get it rescheduled, babe, don't worry about it," you replied. You were trying your best to help him feel better about the whole situation, but he still seemed to be—at the very least—quite annoyed about it. He simply turned away from the window and trudged to the brown couch of your living room, plopping down and grasping the remote to turn the television on. It hurt even worse that he couldn't find anything to watch at all, flipping through channel after channel followed by a long list of movies on Netflix he didn't even feel like watching anymore. You decided to sit down next to him and wrap your arms around his, hoping that at least cuddling him could do something.

It didn't take long at all for Renjun to lay his head on yours, which laid on his shoulder. He quirked his lip up in curiosity. "So what should we do then? We didn't really plan for this kinda thing to happen at all," Renjun whispered. A moment of silence passed before your shoulders raised in a gentle shrug as an answer.

"Honestly, I didn't think about that either. Wanna go to the room and get that figured out? Like cuddle or something in the meantime?"

"Sure, I guess. There's not much else to do other than that."

The two of you rose up from the couch, going step-by-step to your room with you in the lead. Most of you thought that Renjun was simply trudging behind you in disappointment or boredom—but there was always that small, small part of you that believed it could be the reason you secretly hoped for. Either way, you reached the bed faster than either of you thought, so there wouldn't be much time for it to continue anyway.

Renjun flopped onto the bed, followed by you, and you grabbed one of his arms as they crossed over his chest. You placed a tiny kiss on his neck, which made a quick shiver pass through him. Your eyes closed lightly.

"The rain is actually kind of nice to listen to, isn't it?" you asked. He nodded quietly. Silence passed between the two of you before he decided to strike into it with something you definitely weren't expecting to hear at all, especially from someone like your calm boyfriend.

"So I just remembered that there's something I've been wanting to try with you recently," Renjun mumbled, "and I wanted to ask if you wanted to try it too. Wanna see what it is?"

Your eyes shot open in curiosity. What the hell was he talking about? "Uh, sure, I guess."

He raised from the bed with a smirk on his face. You wondered what the smirk was about, but the thought simply passed away the longer you listened to the cooling sound of the storm continuing outside. It made you close your eyes again as he dug into a bag you noticed lying in the corner earlier. Yeah, you didn't know what was in it, but at least you were getting to see what's in it now. What you weren't expecting was for Renjun to come back with a smooth black rope bundle in one of his hands. The smirk still hadn't moved away.

"You know exactly what I'm about to ask you, Y/N."

Deep down, you definitely knew exactly what he was about to ask you. The even better thing is that, since you were aiming to ask him about this same thing for quite a while, you already knew your answer was going to be yes. Fuck yes, even.

"Renjun?"

"Yeah?"

"If you don't have me completely sealed in that in the next fifteen minutes, this night is going to become a battle."

"Oh really?" Renjun leaned in closer, gently putting his free hand on your chin and pulling you to him slowly. "Is that what my sweetheart wants? I never knew you'd be like this too; what a nice little thing to learn about you."

Goosebumps began spreading across your skin as he slowly unwrapped the bundle. His sharp eyes moved up to meet yours, and immediately you knew where this was headed. Maybe tonight wouldn't be too boring after all.

"Get undressed now. I want you on your knees before I'm done here," he ordered, continuing to move the rope at a pace you hoped would let you remove everything on time. You shot up, immediately ripping off all the clothing you could and pressing yourself to your knees on the mattress just as he finished with the bundle. His eyebrows raised and he chuckled. “I wasn’t expecting you to get that done so fast. You must be really excited for this, huh?”

You simply nodded, gazing into his eyes while he moved forward, gripping your wrists and pulling them behind your back. The rope was surprisingly soft around your arms, slowly pulling tighter and tighter around them as Renjun tethered you. Excitement ran through you as he finished, leaning back to face you again. He placed a small, hot kiss on your lips, making you want more and more until he pulled away. You didn’t even notice yourself trying to follow him when he pulled away until a hand landed on your chest, pushing you back a little bit.

“Look at you, wanting so much already,” Renjun joked, “but you’re not really ready for what we’re about to do here.” He pushed you back so you laid flat on the bed, head facing the ceiling as you wondered what he meant by that statement. You didn’t have to wonder for too long, however, as you felt his finger tease your clit, rubbing slow circles onto it and making you gasp.

Heat flowed through you almost immediately when he began, and hearing him chuckle at your response only made it flare up more and more. “You’re already so wet, sweetheart, how did you get there so fast?” he teased. His pace only picked up, which made you squirm more and more. The squirming cut when you felt his other hand push down on your belly.

“Stay in place or I’m going to stop, understand?” Renjun commanded. Two of his fingers began sliding into you at a torturous pace. How were you going to stay in place when he was doing so well already?

You watched as he leaned down and slid his tongue up to your clit, sucking on it as his fingers continued, picking up pace. As much as you wanted to close your legs around his head, his other hand moved to keep them spread. More moans left you and completely inflated his ego. Your wrists pulled harder at the rope, but no matter how hard you tried, they were bound under your back.

Renjun suddenly pulled away, making you groan in need. You wanted to stay in place, but your hips were rising still, moving up and down as he removed his fingers from you too, placing them on your clit instead. “Wait, wait…” you mumbled. “I’m so close—”

“Oh?” That was when you realized you shouldn’t have told him that. He moved away entirely and placed his fingers in his mouth, licking your essence off of them. “Glad you told me on time, sweetheart. We can’t have that happening so soon, can we?” Renjun teased. He began pulling his pants down, which made you wonder just where this was headed again. Nonetheless, you were waiting for it, thinking this would be pretty easy.

You were horrifically wrong.

It was almost like you were placed in another world when you felt Renjun pushing his member into you. You could feel your eyes rolling into the back of your head as he moved deeper and deeper, filling you up more and more. Even when he paused, groaning in relief as he took his small break, it felt like there was no end to it. Then he started up again, stroking into you slow and rough, leaning in to kiss you deeply as you whimpered into his mouth.

“This only gets better, feeling your sweet pussy squeeze me in like this…” Renjun moaned, his head leaning back. “You’re so perfect.” The ropes around your wrists only got tighter as you pulled at them. You wanted so badly to put your arms around his shoulders, to pull him in closer, but the ropes only kept you from what you wanted. He could see it in your eyes as he picked up the pace again.

“Does my baby want something? Hm?” he asked. His hands landed on the pillow on each side of your head. A moan from you rang throughout the room when Renjun leaned in and began placing kisses along your neck, nibbling and sucking marks onto you that would definitely show everyone who you belong to. “Is there something you need?”

“Y-yes—oh, fuck—yes, please,” you begged. “Please, I need more…”

“Is my baby close again?” Renjun mumbled in your ear. You nodded, and yet again, he stopped. A loud whine left you. “Not yet, the game is still going on.” You could barely catch your breath anymore, and you loved it. The break only lasted for a few moments before he started again, pounding into you harder than even before.

“Fuck, you feel so good…” he growled. You could even see him in you, a bump moving back and forth at the top of your belly, feeling him fill you up as much as he could. Tears began forming in your eyes as he continued, which made him smirk and wipe your eyes. 

“I can’t… too… too much…” It was as if your brain just stopped working.

“Sweetheart, look at you, fucked completely stupid,” Renjun teased again, “and I’m not even done with you.” Shutting your mouth felt like one of the most impossible things to do, but he wouldn’t ask you too either way, not when the noises you were making sounded like complete music to him. He shifted to hold your legs up to his waist, and the fire in him blazed up when he could feel your thighs shivering.

It only felt like heaven to him, feeling your walls clenched tighter around him. Renjun could barely even hold himself back anymore, but he didn’t really want to either. And hearing your cries, seeing the tears scroll down your face, hearing your juices move around him—it was all perfect.

“Junnie, please, please let me, I’m so—” One deep hit in you cut you off as you screamed into the room, syncing with a strike of thunder that reminded you about the storm you entirely forgot about.

“Don’t worry, me too,” Renjun replied, “just let go this time. Come on, cum for me sweetheart. Let me see you let go.”

It was almost as if the whole room disappeared in that moment, and that there was nothing but you two left as your high hit you. Renjun followed soon after, resting his face in your neck as he growled, tracing his teeth on you. After it all, you could feel his smile on your neck as he left a gentle kiss. Aside from the two of you catching your breath, the room was silent.

Renjun leaned back again. “That was a nice little thing to try, huh?”

You chuckled. “Definitely, especially on a night like this.”

“Good. I really hope you don’t think we’re done, though; I’m going to fuck all of me right back into you.”

[124ndm]

villain!deku rambles.. eeerrmmm

i rlly want to start a comic about villain!deku, but im a little hesitant because i feel like it would be WAY too big of an undertaking for me..

but if ur at all interested, my ideas are below the cut. ^_^

My concept would start with the sludge villain incident. Other heroes get to saving bakugou before both midoriya or all might. This, in turn, means that he never gets OFA.. and never joins the hero course (yadada im sure this has all been written before). However I DO think that he would still join UA. Thats really my main motivation behind making a comic like this. In a lot of villain!deku stuff I see, he tends to abandon hero work altogether.. which i just dont think he'd do!! midoriya is VERY determined when he has his mind set on something, so I feel like he'd find some way to go to UA one way or another.

So, what would make him a villain then?? Well, it would definitely be a gradual build-up overtime. Assuming he takes the support-course route (which ig would make this a mashup of two aus, LOL), I think it would start with him helping vigilantes. Low-level illegal heroes convince him that by making support items, midoriya can advance in his field. He keeps doing these sorts of favors, knowing its unethical, out of a desperation to feel useful and help the 'heroes.'

I also think as a sort of parallel to bakugo, he'd start hanging around bad classmates like bakugo did during middle school. Being in a support course as opposed to a hero course means a very different demographic of students. We see a lot of instances IRL of students going into engineering good intentions, only to throw away morals for higher paying jobs (i'm sure yall have seen those Lockheed Martin tiktoks, need I say more 💀). We know characters like mei hatsume are very honest and dedicated to their craft, but what are the lower-level students like? What about the other classes? We don't really see much of that, so I think it'd be fun to explore the morally gray students of UA.

I think his final breaking point would be when he gets in kahoots with Giran. I don't think giran would immediately clock midoriya as a potential recruit, but instead would change his mind later: seeking out midoriya after Shigaraki shows interest in bakugo. (sure, they aren't in the same class anymore, but both of them being in UA works as a convenient connection).

After midoriya gets with shigiraki, I believe he'd certainly get a quirk (whether or not midoriya actually wants it, Im sure theyd give him one anyways. more power to their organization, and more leverage over midoriya). Soon after, the LoV would get into an altercation with class 1-A, which would probably get him expelled. Although, in-turn, fuel a stronger disproval towards hero society (and also compel izuku to get better at using his quirk, knowing that he has a lot of catching up to do).

And duh as the cherry on top, there'd be bkdk angst.. bakugo only realizing that midoriya got into UA after seeing his association with the league. The weird guilty feeling bakugou would get knowing that a kid he bullied ended up becoming a villain, but also pure anger at knowing that he even got into UA in the first place. And also, the inevitable midoriya/bakugo fight that would happen when the league and class 1-A have more encounters.

I haven't exactly decided on how to end it, but I feel like it would end with either a redemption or something similar to the whole togachako situation. More likely a redemption because, lets be for real here, midoriya is so kind-spirited that even as a villain: he'd probably fold when faced with a genuine bakugo apology or heart-to-heart All Might encounter LOL.

anyways im deffff yapping here, I did NOT intend for this post to be so fucking long HELP. I just really wanted to get my stupid ideas written down. Like i said earlier, this has prob been done before if we're being quite honest.. but I still I think making a comic like this would be sooo fun. But godd i am NOT a good writer so I worry that I would start and then never finish. aaaaah 😭😭

I'll just have to see if my motivation sticks around these next few weeks. If so, I'll probably start drafting this out!! If I do lose interest, well then.. this'll be the last you hear of my villain!deku rambles LMAO. I rlly hope I don't lose interest because this would be the first time ive written since like, early high school, and I really want to get back into writing again. Even in comic form, any kind of writing would be great practice for me. Dx

[hywonuka]

and i’ve been meaning to tell you | hjs

Sypnosis: Joshua and you have been best friends for ages, until one day your dynamic with him changed into something deeper. He has asked you out the day of your birthday, but will you be able to confess to him how you really feel?

Pairing: joshua x fem!reader

Genre: best friends to lovers, fluff

Word count: 904

Warnings: none :3

A/N: happy bday to the sweetest and best joshua biased!!! ily so much, and you have become one of my closest friends, someone i dont want to be apart never in my life. tysm for always being there for me and being the best friend i could ever ask for :( ily the mingyu to my wonu <3 hope u enjoy this little present hehe

11th November. Finally, it was your birthday, your special day, even if you really weren’t looking forward to it, your best friend was. He promised you he would take you out, and make it the best day of your life. You didn’t believe him, but there was no harm in trying. After all, you had a huge crush on him, and that made you feel like he was asking you out on a date, which made you feel butterflies in your stomach.

You could tell exactly the moment in which you felt for Joshua. It was an spring afternoon, a day in which you needed to be completely alone. Daily life responsibilities had overwhelmed you that day, and you just needed time alone. Or at least that’s what you thought.

You were sitting at a local park, just seeing life passing by, when a tall figure approached you, sitting next to you. You looked at the man next to you, ready to start a fight. The last thing you needed that day was a random guy trying to flirt with you. For your surprise, it was your best friend, Joshua, the one sitting next to you. He was carrying a bag with something inside it, but you couldn’t tell what it was.

“I’ve been looking for you for hours” Joshua said, smiling.

“Why?”

“Y/N, you disappeared without saying a thing, I was really worried. And I know something has happened, I know you pretty well by now. Here, I bought you a little something” He said, handing you the bag.

As you took it and saw he bought you some chocolate cookies. You couldn’t tell in which shop he bought them, but when you tasted them you could tell those were the best cookies you ever ate.

“Do you like them?” Joshua asked, with a smile on his face, which turned bigger when you nodded. “I knew it. Well… do you wanna talk about your day?

You finished eating your cookie before replying to him. They were too good just to stop eating them. “Not really, if I’m being honest… I didn’t even want to run into anyone, how did you find me?

“Let’s say I have some sort of superpower that tells me where you are when you need me” Joshua said playfully, while he looked at you, endeared. “Here, lean on me. I’m here for you, it’s time for you to rest.

And, with that, you felt your head leaning on his shoulder, and something else. Back at the time, you had no idea of what to call it, but nowadays you know what it was. You fell for Joshua in that exact moment, and you couldn’t stop falling for him as the days passed by.

After a beautiful dinner at one of your favourite Italian restaurants, Joshua was driving you back home. Music on the radio was playing, and Joshua was singing to it. You couldn’t help but stare at him, endeared by the sight of him and his voice.

“Did you enjoy your birthday?” Joshua suddenly asked, parking in front of your apartment building.

“Yeah, thanks… If it wasn’t because of you, this would have been another boring day”

“Y/N, don’t flatter me like that” Joshua said, smiling.

You both stared at each other. For some reason, today felt… different. You didn’t know why, but you felt more connected to Joshua than ever, and the way he was looking at you, made you shiver. Something deep down told you it was the moment, the moment to tell him how you actually felt. You couldn’t keep it to yourself anymore, especially not after what looked just like a date.

“Joshua, I…” You started talking, just to be interrupted by him, who brought one of his fingers to your lips. “Wait, I love this song”

Really? Did he shut you down thanks to Seven by Taylor Swift? What sort of mean joke was that?!

“Before you speak up, I have something for you” He said, taking a bag from the back seat, that you didn’t notice before. “I hope you like them!”

You opened the bag, a bit confused, just to find inside the bag those cookies he bought you months ago. You opened your eyes widely, and took a bite of them. God, they tasted just as you remembered.

“You like them?” He asked, and seemed a bit… nervous?

“I love them, Shua. I always wondered where you bought them”

“I made them myself”

“Just for me?”

“Just for you”

The silence in the car was heavy, only interrupted by Taylor’s voice, and heavy breathings from both of you.

“I love you” Both of you said at the same time, blushing as teenagers experiencing their first reciprocated love. The silence was heavy, and you noticed Joshua staring at your lips, unashamed. “I want, no, I need to kiss you”

“Then do it” Your moment of boldness surprised you, but it was more surprising to you when you saw Joshua leaning to you, covering your lips with his.

He was sweet at the beginning, taking his time to kiss you, until his tongue entered your mouth, heatening up the moment, as he deepened the kiss, tangling his tongue with yours. He was kissing you as if his life depended on that kiss.

“Happy birthday, Y/N” Joshua whispered, as he rested his forehead against yours.

“Thanks, Shua…”

“I love you”

taglist: @joshug <3

[im-smart-i-swear]

making a new post on my friend Shima @shimaa20sblog 's request. she and her family are still stuck in Gaza, and as the money from the g f m cant be accessed by Shima right now she had took to additionally fundraising through P P with help from @halalgirlmeg

after so long, i dont really know what else i can say anymore. how do i draw enough attention? how do i convince people Shima and her family are wonderful people who dont deserve to live like this? i dont know. please please please donate if you can.

the campaign has been verified here

[novaazurite]

Making my grand return after 3 weeks of inactivity! (Though I may not be active all the time) Lets talk about TPOT 14!

While I did enjoy this episode a lot, the only downside I have with it is how it was a little too fast paced, I can handle that for BFDIA, but I think knowing how TPOT usually is maybe it was a little offputting, I might need to do a rewatch, but I remember a lot from the episode so im still goin with this post.

So with that said...lets start the ramble session!

So I just want to point out how Pencil is clearly living in the past on how obsessed she is to desprately reform FreeSmart by getting Book and Ice Cube, idk why it just feels funny and weird, you can clearly tell how uncomfortable they were in this and last episode that they want nothing to do with her, whatever the hell she did to them in IDFB (im still having thoughts the 'FreeSmart downfall' is gonna hppen in IDFB with Match being the first to leave the LOL.)

Ill admit the shot of the new TCOA was pretty cool, I like it when they implement 3d things into BFDI

Now... onto the CAS. I freaked out so bad in vc when I saw Pin and Ice Cube safe, ik Taggy and Book was gonna be safe so i didnt worry, but felt like Pin was in danger because she couldnt do much being stuck to Gaty, I thought Icy was gonna be out because she was used just to try and kill the fish monster, she couldnt really do much. But OH MY GOD.

I FUCKING GOT IT RIGHT. FOR A WHILE I HAD A FEELING ERASER AND GATY WAS GONNA BE OUT. Ill be honest Eraser didnt have much going on anymore because of Teardrop being eliminated in TPOT 9, so what else did he have left? I dont know exactly, I really had expected him getting out. Now TREE? I didnt expect him to be in the bottom 2, I thought he would be third to last safe, Pin and Gaty being bottom two because both of them didnt do much but be stabbed and used as a weapon by Robot Flower. As much as I love Gaty, I had a feeling she was gonna be out, and finding out I was right about her and Eraser being out made me insanely shocked. The first time I ever got a TPOT prediction right, though I thought One was gonna immediately snatch them up soon after, but good thing Book took notice of it and try to have and her, alongside Pin try to keep Gaty safe. While the others threw Eraser around basically.

Now im glad we got to see the elimination space again, and seeing the others are trying to escape, Fries and Puffball trying to break what seems to be a barrier? Also I noticed Saw, Nickel and Coiny are not there, ik they arent snatched by One but maybe theyre somewhere?

This genuinely made me sad, I had a really good feeling Two was gonna be upset about Gaty being out, I was definetly aware they couldnt bring themself to send her to the elimination space knowing how close she is to them, I didnt expect them to send her to kitchen, however, seeing the scene of One staring at her makes me feel like Two should had sent her there, Gaty is at risk of being snatched, which is gonna upset them even more or hell, send them into a panic, from what ive seen, they seem to brush off the fact Bell/Bomby/Barf Bag/Needle are missing, but what happens if Gaty disappears? Will they try to keep running the show? Theres a lot of predictions you can go off from.

I just wanna show this screenshot its so funny that Taggy is just staring at Book like this 😭😭😭

Glad to see Firey Jr again!

Its funny how DPYA tried to do the same thing from last episode trying to defeat that venus flytrap(?), like sure that would totally work again.

Kind of like how Pin thought doing this again was gonna work in BFDIA 15, LOL.

Closing out my post on the post credits scene, I kind of wonder where the other exitors went. I completely freaked out seeing Match end up in the Pillary Ruins, and this shot here is so cool like.... Knowing last episode we saw Firey and Leafy, are we gonna see more of the BFB contestants again? I wonder what they will have for the plot in future episodes...

And something tells me FreeSmart may reform again, knowing Match is with Ruby and Bubble, and apparently Pencil trying to get Ice Cube and Book back, though its not gonna happen.

[weaponsdrawn]

HI i just remembered to respond to this FUCK ok so

I MASSIVELY AGREE with the binjpipe takes. i think ETS was good/iconic if only because it was so like. JARRING in a good way. but it was so lighting in a bottle tbh, and like u said it isnt rlly good horror. only rlly shocking if ur actually attached to cookie, which ppl are. cookie gets replaced by an AI tried to be ETS all over again, and it wasnt, and it kinda rlly showed, like you said, how they shine best with comedy. also I FULLY AGREE. fuck, im pretty sure its one of the reasons ive just grown tired of jackbox by now, both me and my gf (we met thru shared jackbox love), its bc every time binjpipe happened we were just like "THIS SHIT AGAIN?????" like it just made any sort of investment in it or hopes of cookie getting better just. feel so fucking moot. why bother getting invested if its just constantly going to get dragged back up. the "evil streaming service" joke is dead. its BEYOND dead. we havent even heard of the binjlady anymore. its lost any sort of omnious buildup. to me binjpipe's appeal was that it clearly wasnt going to last long. it was a nightmare that was just going to keep on ramping up until it crashed and burned horrendously, and fuck thats SO cool to consider and write about. but they keep dragging it out, and now its just sad. its boring. fucking. selling adult films?? give me a break.

ok about the party packs, HONESTLY SAME. like idk the writing is what really gets me about it tbh. i guess theyre good party games (tho i can get bored really fast, save for roomerang, and even so thats mostly bc of the goofyness of the responses), but YEAH youre so right. like idk if its because theyre ALSO doing the international translations but ithink it goes with the fact that the hosts severely lack character. when its like for some games, its ok if they dont have character (quixort), but its like that means theres A BALANCE. pack 8, ok? games like job job and weapons drawn, that CALLS for the hosts having character because its putting you in a situation WHERE the host is an active part of that situation. its like "wow im really in funny office" or "wow im really doing a murder!!!" right now, yknow? Push the Button, DODE was her own character and had noteworthy quips and she was a vital part of the games story/framing device! todd is iconic bc hes such a chill internet guy and then he sends you to hell! felicia is all morbidly romantic bc youre on a MONSTER DATING SHOW. a lot of the games stand out BECAUSE of the unique situations ur in that envoke unique prompts/unique gameplay, meanwhile something like fixytext? i dont know SHIT about the host. and its kind of a shame that the cannon jackbox lesbian host we have is SO FUCKING BORING GOD. most i can get is that shes introverted, but i gen cant tell if its genuine, if its some kind of "akward bacon unicorn moment! #millenial" type shit, what the fuck even really IS Fixytext at the end of the day. what makes it more than google docs shitposting simulator. its such a fucking shame, esp for the TENTH PACK. like god maybe they rlly do need to take a hiatus bc the change in. writing quality is. idk it just didnt help my dropping fixtation i'll say that.

also wait FR????? JESUS CHRIST thats actually a shame, i wanted to try and play that game!!! (namely bc funny objectum) and like. the ONE naughty pack exclusive host and we get NOTHING about her. i dont even like the fucking conch shell design im sorry. jackbox crew yall are great but how in this green unholy earth do you expect ppl to draw and remember your designs when your hosts are so. flat. fuck, mayonnaise, fucking M BUBZ, is more memorable than nickolas kranrker whatever and dr nanners and jerri, i cant tell you a SINGLE thing about jerri tbh. its such a shame. i want to love these guys i really do but theres nothing that endears them to me.

tbh if they end up not doing anything for ydkj it'll be funny in a kinda sad way tbh. on the one hand it'd BE nice on the other hand yeah its been nothing since full stream, eh. could they even do a YDKJ anymore? i remember once upon a time there was all this hype/discussion of a "ride 2" where the only real roadblock was that buzz's VA has well moved on from voice acting i think, but ppl had ideas for giving him a new voice, maybe even making it a transgender reason, all this stuff. this was like a couple of years back. but its like god i'd be shocked if they even remember guy exists at this point. or nate. hes sorta got a chance given his VA is literally a core part of the crew.

also i getcha. glad i could offer a space to let ya vent like that lawl

roomerang completely fucking fumbled with giving rue any sort of character we could've had a fun host we could've had that snark we could've had ANYTHING to match the sheer amount of swag in her design but we got BASICALLY NOTHING/very vague hints of character ("I'm beside myself... and I look good!" And "dramaaaa!!! :3") which is CRUMBS compared to even the most one note hosts like glargan o'toe or civic doodle's hosts and as petty as it sounds it's kinda the reason I fell out of love with current jackbox </3

.

[consciouschunkofmoss]

there is a strange realization that all my (irl) friendships were given for a kind of a tatic to just stay afloat in school, which if stripped down from the dynamic itself just akes it so. shallow ? sometimes you do manage to find the typical "friends by convenience" and i can be pretty happy about connections like this when our interests somewhat allign, but the moment that things start get out from more formal settings - when they ask you to hang out, or to visit you at home - my brain cant find happiness from that anymore

and i feel horrible for that

[parchmentknight]

speedrunning this drawing but im still a day late to hanzo's birthday 😩 but i got so inspired and the original image was just so good:

[k1tty5]

lizzie design but i did it before the second episode and am now wanting to add parrot attributes

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[skunkes]

reposting some old doodles i still enjoy a bit