#and i don't think the new rules have anything to do with it

[waffle-runian]

Not to diverge much, or to hijack the conversation, but I'm gonna write about "translating art" a bit. I hope that it makes sense.

So, this feels like when I first started reading fantasy. Writing is a form of art that I love very much, so I remember a lot about my first impressions and all. I specifically remember reading a book about magic, the first book I bought because I wanted to read and nothing else. It was in a world where magic would be a focal point, get described with care and detail. Then idk, a popular book series about a demigod teenager that could control water, and what do you know? The water was described in full, the friendship, different dialogues, puns, the color of the eyes.

Then I read another series, this one about a boy with a dream and with a reality that made it difficult for him to pursue it, of course, the description of his sadness was longer too, his physical attributes were important, and they got a lot of attention, but not all the time either, and not really that in depth. What got the most attention were the comparisons, where he came short, and where coming short of something was being ahead on other things.

I remember reading a book following the story of a bard. It was art about art itself, in my opinion. Everything was described vividly. Stunning visuals, I could almost hear a song that doesn't even have a melody, I could grasp the process of creation without creating. It was something I was very bad at, after all. The author could make anything look beautiful and magical, even when it was the most ordinary of things.

Then came the magic. Well, part of it. It was logic, almost physics-like, followed hard rules, and you guessed it, the process of creation through it was also interesting. But then came the magic. Again. The magic that was hinted at, the soft kind, the magical kind, the one you have been preparing for up until now. The one that would require you to appreciate the art in order to understand, to appreciate everything as an artist. To see beyond what it is, what it is made of, what it looks like. To see inside, to see what it can be, what it represents and what it wants. In a way, to see it for what it _is_ (a different "is").

From top to bottom

Mage - Raymond E. Feist.

Percy Jackson - Rick Riordan

Ranger's Apprentice - John Flanagan

The name of the Wind - Patrick Rothfuss.

Rothfuss' writing isn't for everyone in a different way than the others. I don't know if I could explain it if I tried, but honestly? I feel great that it's something fewer people appreciate. This is, obviously, my take on those books. The actual intent behind it may differ strongly, but I don't think it matters, since art is something normally made to provoke thought and feelings. We hope the audience can get close to what we meant to say, but when they don't, we are happy that they got to experience something positive from our words/drawings/songs, etc.

I see his as the most complex out of these, the one that resonated the most with me, I guess? Probably because of the main character being the most relatable. And if just the eyes that tell the story can change so much about it, shouldn't we put much more thought into what our art could look like for people that can't "see" it the same as us? Like I already said, most of the time, your meaning will be lost, so, if you're "translating" art, how can you get close to this new audience's heart?

I mean, translating is all about that too. You can't just use the best words you think of and be done. Brazilian dubbing is famous for making jokes almost never fall flat.

If you localize the joke, you get a better reaction than when you explain the joke that only works in the original language (even though I am the kind of person that learns a language to appreciate the original material instead, and that's the reason I speak english.)

Anyway, if I got something wrong, just correct me, and if I don't get it, I'll ask.

"In recent years, there has been a rush on the internet to supply image descriptions and to call out those who don’t. This may be an example of community accountability at work, but it’s striking to observe that those doing the most fierce calling out or correcting are sighted people. Such efforts are largely self-defeating. I cannot count the times I’ve stopped reading a video transcript because it started with a dense word picture. Even if a description is short and well done, I often wish there were no description at all. Get to the point, already! How ironic that striving after access can actually create a barrier. When I pointed this out during one of my seminars, a participant made us all laugh by doing a parody: “Mary is wearing a green, blue, and red striped shirt; every fourth stripe also has a purple dot the size of a pea in it, and there are forty-seven stripes—”

“You’re killing me,” I said. “I can’t take any more of that!”

Now serious, she said it was clear to her that none of that stuff about Mary’s clothes mattered, at least if her clothes weren’t the point. What mattered most about the image was that Mary was holding her diploma and smiling. “But,” she wondered, “do I say, Mary has a huge smile on her face as she shows her diploma or Mary has an exuberant smile or showing her teeth in a smile and her eyes are crinkled at the edges?”

It’s simple. Mary has a huge smile on her face is the best one. It’s the don’t-second-guess-yourself option."

--Against Access, by John Lee Clark, a DeafBlind educator

[dailymanners]

Most people who don't live under a rock can tell you that customer/employee relations have gotten more strained over the past four years.

I worked food service and retail pre-covid, so I know as well as anyone that there have always been difficult customers. But as per my pinned post a lot of evidence suggests there has been increased hostility, especially towards customer service workers, but if you work in a public facing customer service job you probably don't need any studies to tell you that, but having the evidence backed up by studies does help.

There's been some discussion on the why, with anything from "people lost their socialization and ability to behave themselves in public" to "covid affected people's brains and made them more aggressive" to "people were threatened by having rules enforced against them by people they felt should be below them, aka food service and retail workers" and it's likely some combination of the above.

But one thing I think is severely underdiscussed is that, at least in the Western countries I've lived in and/or have friends/family/loved ones living in, is it just me or have companies gotten lazy about giving their employees proper training??

I mean, years back, way before covid, even for minimum wage food service job, I'd get some sort of orientation and proper introduction and training to really make me feel prepared to answer customer's questions about the food and the company. There were people actually designated to train the newbies and answer their questions. So obviously I felt more competent and ready, and obviously I was better able to help the customers and do my job properly.

Now, "after" covid (which I know is still ongoing so for all intents and purposes let's define after covid as just meaning after the start of the pandemic and the shifts to society it's been causing) when I start a new job, whether it's retail or even an office job? I'm just thrown to the wolves. No proper orientation or training, nobody specifically designated to train me, just "yeah, you'll figure it out as you go, you can ask your co-workers if you have questions (ahaha but none of them are specifically designated to or being paid extra to train you so they'll get annoyed and snippy when you need help from them) good luck!"

And I ask around and a lot of people who have started new jobs after the start of the pandemic feel the same way. No proper training or guidance. Just lots and lots of mistakes resulting in lots and lots of pissed off customers.

I don't think this is a stretch to say this has contributed to worse relations overall between customers and employees. Customers are fed up that everywhere they go none of the staff know how to do their job (not saying this justifies being a jerk to customer service workers, ofc it doesn't!) and this results in employees everywhere being tense, stressed, and on edge. They don't know what they're doing, they can't get the proper help or guidance they need, and they're tired of being constantly snapped at by customers when they make a mistake and don't know what to do.

Nobody's happy. Something about the pandemic made companies more lazy about actually properly training their employees, and now everybody is stressed and unhappy about it, but the companies continue to get away with it.

[tinytalkingtina]

Writing a Happier Ending

Written for the November @steddiemicrofic prompt, using the word "guard" and 532 words

Rating G | Ao3 link

Tags: Fairy tale, cursed Prince Steve, falling in love, first kisses, "as you wish" continuing to be peak romance

Thank you to steddiecameraroll-graphics for the lovely divider!

Once upon a time, a king and queen ruled over a kingdom bordered by a great lake. Though skilled in matters of diplomacy, and outwardly kind to those of their own station, the couple had never been blessed with a child. 

The lack of an heir was a never-ending source of embarrassment for the king and queen. Their resentment towards each other grew and grew, until one day the pair sought out an audience with the powerful Fairy of the Forest.

When they begged her for a miracle, the fairy asked them why they wanted to have a child:

“You have a prosperous kingdom, why would you ask for more?”

The King and Queen replied that they wished to have an heir, so that their legacy might continue, and so someone might speak of their virtues long after they were gone.

The fairy thought for a moment.

“Very well,” she said. “I can grant you what you desire. But it comes at a price. Your child shall never truly be loved by another, unless they can see and accept him as he is.”

The monarchs readily agreed.

Prince Stephen was born soon after, a squalling star-marked beauty. 

As the years passed and the prince grew, his parents held onto lofty expectations for their son. But no matter how hard he tried, the prince could never quite meet them. Eventually, the king and queen turned their attentions elsewhere.

One day, the prince made a rare appearance in town. Eddie tried not to gawk, as hard as it was.

Jeff saw him staring and rolled his eyes. “Everyone knows Prince Stephen is nothing but a pleasure seeker who’s bedded half the court. Better to stay clear of him.”

Surrounded by fawning courtiers, at first glance Stephen seemed just as vapid as Jeff proclaimed him to be. But the longer Eddie looked, the more he saw how people flocked to him only with selfish demands, and how guarded Stephen kept himself.

It was curiosity that drove Eddie to steal into the palace gardens that night, unable to rest until he found out what lay beneath the mask. Deep within the hedge maze, he found Stephen all alone, his brow furrowed in concentration as he stared at a book by candlelight.

Eddie's foot hit a stick on the path.

At the noise, Stephen drew his sword, but sighed when he found Eddie, frozen in fear.

“Hello. I suppose you also want something from me like all the others.”

Eddie stared at the tired and sad face before him.

“I don't want anything from you, your majesty.” Eddie replied. “But do you wish for something?”

Stephen shrugged. “Perhaps you can help me read this book. The letters dance around when I try.”

“I think that can be arranged,” Eddie said with a smile.

He returned the next evening, and many times after that. 

Every night, the prince would ask Eddie what he wanted from him. And each night, Eddie would ask instead what Stephen desired for. Seasons passed, until one day he asked for something new:

“I wish for a kiss from someone who loves me.” Given permission, Eddie drew Stephen close.

“As you wish, my heart.”

And then the two of them ran away to start new lives elsewhere. Stephen learned how to do his own laundry and they lived happily ever after, the end.

Misc. notes: -Eddie ran an apothecary in town

-It was implied, but the idea with Steve seeking meaningless sex from those around him was it at least let him pretend someone cared for him, poor thing

[goblinhoursinsomniaramblings]

this isn't anything new. i've lost count of irl moral crusaders that rail against some form of personal freedom and when you ask them why, they open their mouth and self-report some fantasy they have every time they think about it instead of something close to observable fact. the fact they hate themselves for it seems to be an excuse to keep thinking about it, and they go after perceived enablers instead of addressing why they're obsessed with a fantasy that makes them hate themselves

i will say it again: they are not accusing. they are self-reporting

now if they get some observable correctable facts in there (you didn't tag right! you broke this ToS rule! someone is spreading it with some effed up addition attributed to you!) or ask you to block them so they don't see your stuff, that's another matter, but the second it's about how they perceive what you're doing? that is a them problem

Is anyone else starting to get really fucking weirded out by how absolutely obsessed with child molestation/incest antis are?

Every single time I see a post going "You're not a bad person for having weird kinks" or "Stop sending hate to people over what kind of stories they read" there's immediately an anti in the comments going "You disgusting pedophile freaks need to stop jerking off to CP and incest"

Bitch that's a whole new sentance, what the fuck are you talking about? Literally no one mentioned that shit until YOU brought it up.

Do these people just think about child molestation and incest 24/7?

--

Yes

[archduchessgortash]

Unpopular Opinion

An 'evil power couple ruling Toril together' ending for Durge and Gortash is a horrible idea, and I'm glad that it doesn't happen in Baldur's Gate 3. If it ever did, it would not be a happy ending for either of them.

If that's your kink... cool. It's such a popular ask in the fandom that I'm sure someone already wrote it months and months ago.

My kink is redemption, but hardly anyone seems to want that for Gortash, and it makes me sad. I really think it should have been an option.

Here's why I don't want Durge and Gortash ruling Toril:

Durge and Gortash have both been abused, manipulated, and treated like complete shit by their families, their caregivers, and their gods. Bane's treatment of Gortash isn't exactly clear except that he tortures his soul for failure even though Gortash did everything he possibly could to succeed in the Absolute plot. By the time we meet him in-game, Gortash has become as bad, if not worse, than his abusers. Pre-tadpole Durge was a piece of work, too, although Sceleritas does mention that they struggled to stay the course that Bhaal had set them upon even before their lobotomy.

We know that one of the themes in Baldur's Gate 3 revolves around cycles of abuse. Even when the victim-turned-abuser isn't arguably 'as bad' as the one who hurt them, if they choose the same sort of path, they lose everything they were ever really fighting for: themselves.

I know Ascended Astarion stans will stomp their feet and say he hasn't become Cazador 2.0. To them, I say: 'You're right. He hasn't... yet.' However, he has eternity now and a delusional slave of his very own to bring out the worst in him. There's a reason that spawn Astarion mentions how he felt everything he'd learned since meeting his new friend/partner slipping away when he thanks them for stopping his ascension. Because that is what ascension does to him. Astarion loses. Cazador wins. Even dead, he has won. That the fandom doesn't get that boggles my mind.

Some fans like the idea of evil Durge and Gortash taking out Bhaal and Bane, becoming gods themselves. In my opinion, this is so much worse. Killing or torturing their abusers as revenge isn't 'finally showing them' or proving their strength. It is, in fact, a mirror of their abuser's own weakness manifested in their victim. Gortash has already crossed this line. Dravo Flymm is effectively dead, animated only by his tadpole. This is another reason I wish Karlach had the option to forgive Gortash--not for him--but for her.

Gortash intellectualized his own abuse so hard that he actually thinks he was helping Karlach by giving her to Zariel. He has not truly dealt with anything that was done to him. He projects it onto the people around him and makes his own problems into everyone else's. I believe this is why there's no ending in which he survives. That, and running out of time and money to do him and Wyll justice with their storylines.

I don't like Durge and Gortash becoming worse together. A history of abuse does not excuse its continuation. I don't want to watch them be overtaken by their own weakness, to weep as I gaze upon the manifestation of their inescapable cowardice.

I want to see them win, but my definition of winning is not ruling. My definition of winning is choosing to no longer emulate their abusers, to become what tiny glimpses into their back stories show us they once had the potential to be.

The idea of Durge and Gortash enslaving the world and ruling it brings to mind a line from one of my all-time favorite songs: Veteran of the Psychic Wars by Blue Öyster Cult.

'Did I hear you say that THIS is victory?!'

Well... it is. Just not theirs.

Repeating the cycle of abuse is nothing short of ensuring the legacy of the abuser.

Like I said... I want Durge and Gortash to win.

[rith-lost-whatevertheyare]

first post to offer is: a big dump of my version of the koopalings......... cause i finished it yesterday and i just want to talk about it.

!!! DISCLAIMER !!!

The events here happens about years later of the original koopalings. And things got a little angsty in the process.

TW: Mention of surgical injuries.

Larry Koopa:

- 15 years old, second youngest koopaling.

- Rockstar, have a punk rock band with three friends.

Larry is the most rebellious koopa of the seven. He gets in trouble often, and it's not the type of trouble like breaking a ceramic jar or just be noisy. Nah, he gets in trouble with the police and break stuff in every concert he have. Pretty much a punk.

The most responsible one is Ludwig, making sure he doesn't get lost in the middle of the night, or intoxicated in every concert or party.

"He's just a kid" they say. "An angry kid" Ludwig corrects.

These situations made Ludwig have to get psychological help for Larry. For now, is going well, even if it's a long process.

Lemmy Koopa:

- 13 years old, the youngest.

- Juggler, circus artist.

Even if Lemmy is the youngest koopaling, and seems to be quite childish, he's quite mature when it comes to business. Since he's clearly not old enough to work in a circus, he's controlled by the crew of the Koopa Circus, which are the ones supervising Lemmy to not get hurt while doing his shows.

He's positive and the sunshine of the family, always cheering up his siblings. The closer brothership have is with Iggy.

Morton Koopa Jr.:

- 18 years old.

- Blacksmith of the castle.

Morton is actually the one that people considered that changed more. More after... What happened. Why does he have a scarf on? Easy. His jaw is broken. But like... Dislocated, almost tearing off his face. It's not pretty sure how did it happened, Bowser prefers to blame it on Mario. But what is sure, is that Morton became more intimidating after that, only seen inside his workshop, blacksmithing weapons for the Koopa Troops.

Despite the fact he's now mute, and is forced to eat specific food, Morton still have a kind soul and is a great company for his siblings. He loves to hear the new stories Lemmy have for him, attend to Larry's concerts, make a friendly fistfight with Roy, listen Iggy ramble about his new experiments, help Wendy choose her new dress, and listen Ludwig's new pieces.

Roy Koopa:

- 22 years old.

- Fighter, former boxer and street fighter.

You can think Roy as the typical 'bad boy vibe' guy. He's tough, easy going, smug... Everything you can expect from a boxer. He works with Wendy, though Wendy is more careful and intelligent while fighting, while he is more impulsive. It's not surprise Wendy won more trophies than Roy, but that's not a impediment for him.

Curiously, Roy and Wendy are the only biological siblings in the koopaling family. They don't like to remember how they started to learn how to fight...

Iggy Koopa:

- 23 years old.

- Scientist, specifically focused on biotechnology.

Iggy is a nerd. A crazy nerd. As far as his siblings know, Iggy didn't do anything too... Dangerous to experiment. More than mix some chemicals that ends up with a nosebleed and dizziness, or chemically modify a plant that actually would make the ceiling go broken. Yeah, not more than that.

But Iggy always talk about being a God, and have a strange fascination over human species. How the bodies works, how the human mind can go miles away...

The only rule is "Princess Peach must stay away from Iggy Koopa."

Wendy O. Koopa:

- 25 years old.

- Fighter, co-partner of Roy Koopa in the ring.

The only girl of the family, and the one that is obvious she grew with only men in her around. Wendy never leaves her coquette side when it comes to fighting, after all her muscles look good in a pretty pink dress that matches with her ribbon.

Wendy is not only a fighter, but also responsible of the younger ones, Larry, Lemmy and Bowser Jr. to be exact. She's a great help for Ludwig and also a great older sister, in all honesty.

VERY noisy though, if she wants to make a scandal, she won't think twice in doing it. But besides that, she's a sweetheart.

Ludwig Von Koopa:

- 30 years old.

- Musician, classical composer and professional piano player.

It's always "Ludwig is so fine" but never "Is Ludwig feeling fine?"

Ludwig is tired. Periodt. But even if he's tired, he still keeps his responsibilities in check, always acting authorative, and the one that takes most of the decisions commanded by Bowser or Bowser Jr., though he never takes Bowser Jr's suggestions. It's letting a kid rule the world, and he thinks that's pathetic.

Oftenly Ludwig prefers to pass time in his room or outside of the castle, live his adult life. Sucks at social interactions whatsoever.

He's the one that have more mental struggles, but refuses to get external help. Everytime that's mentioned, it causes an argument.

____________________

i think that's the whole thing i wanted to dump. all the other stuff works like in canon but just years later, if that makes any sense.........

i may draw more of these and also ill present my koopa oc later!!1!1!

[i-am-creacheur]

okay listen. I get the urge to talk about my favorite life series ship like it's Canon in every season...BUT. THAT HAS NEVER ONCE BEEN THE CASE.

Yes, Jimmy would be upset if Tango canaried (technical scientific term for that). Everyone would be- even I would be, and I've never watched a single one of his videos. Canarying sucks, and it hurts. Of course I would be upset. THAT DOES NOT MEAN THAT I THINK JIMMY WOULD BREAK DOWN SOBBING FROM A CHARACTER STAND POINT. They have had only like... THREE on screen interactions. One is Tango murdering a man infront of Jimmy and another is Tango cheerfully burning down something one of Jimmy's teammates worked very hard on. WildLifeChara!Jimmy has more reason to hate or be afraid of WildLifeChara!Tango than to be madly in love with him.

I promise you, if Tango had offered Jimmy a life instead of Ren, people wouldn't shut up about for MONTHS. But, because it's Ren, somehow the interaction isn't NEARLY as homoerotic??? I understand having NOTP's, but the Jimmy/Ren ship doesn't even show up ONCE on ao3. Zero fics. ZE-RO. There's no reason to hate something that doesn't even exist.

This same concept applies for Flower Husbands as well- not just in Wild Life, and Secret Life and Limited Life and Last Life and Real Life though- in Empires.

I have no clue about Empires Season 1, but they barely interacted in Empires Season 2- and yet the amount of ship art I sift through on a weekly basis for my side blog is actually insane. Yeah, the few interactions WERE important, but I think Scott only flirted (in video) with Jimmy maaybbeeee three times. I have no idea what the count of that for streaming is, but I swear it is not enough to keep that number so inflated.

Although, honestly, this problem might just be affecting me because of my personal view on shipping- if it's in a context where it doesn't make sense for the characters to be romantically engaged, I won't read it or write it.

For example, my beloved Solidwood! I mostly get their vibes or read their fics from the following series: Evo, Last Life, New Life, Empires2, Secret Life. That's because those settings make sense! They are active, they are engaged, they have near constant interactions or very close base locations. It makes SENSE for them to be shipped. However, if you showed me art or fic of them in, say, Limited Life, I'd furrow my brow and tilt my head and say "no, that doesn't do anything for me." BECAUSE THEY HAVE ZERO REASON TO BE INVESTED ROMANTICALLY IN ONE ANOTHER THERE, AS A STAND ALONE SETTING.

Most of the major Jimmy ships, though, don't follow this rule. I can understand loving a ship so much you want to see it everywhere- but, I promise you, stepping back and looking at which characters actually have chemistry regarding the new setting and social system will do wonders... you won't have to think of new Au's to insert your favorite ship into a new setting... all ships will be your favorite ship (unless they give you the ick). Join the multishiper hivemind /j

No but honestly it's gotten to the point where I will like or dislike a creator/character of theirs by what ship is their most popular given the context of the setting. Like, Tango in Double Life? Awww the sweetie!! I love him :) and then Tango in Empires2 sets off alarm bells in my brain screaming at me. He is NOT meant to be here bringing that ship here, this is NOT its territory. Same problem for Scott in nearly damn near every SMP both Jimmy and him are in... except Wild Life because he's actually been pretty nice and not condescending or forcing on Jimmy. I guess also power imbalances in how fans view them is a major no-go for me...

Idk if you read this whole thing thanks I guess... for anymore needed context I am a Jimmy rarepair obsessed multishiper.

TLDR; Lots of popular ships are inserted into settings without a thought for what that would mean for the setting and any changes in the established social connections, which gives OP the ick. I'm also not policing ships I'm just begging people to please either understand more ships using in setting context or list their AU details in the summaries of the fics. This goes hand in hand with misinterpreting characters in writing also... the more ships you like the more characters you will get to get good at writing!!!!

[gerritcole-coded]

Maybe more people would watch the world series if somebody other than fox got it

[wheucto]

with that new revelation in ii2 e16, i feel like there's... a lot less to know about the world of ii. at least, not to know for sure.

because, before then, you could extract some information from passing comments. remember the french or whatever pizza delivery guy who tried to pass as italian, but spoke spanish instead? from that, you could determine that 1. france, spain, and italy are places that exist and 2. if those countries exist, why not all the countries in the world?

but. but, according to what cobs said at least, mephone4 seems to have made everything. he made the weird looking grass. if he made that, then why not anything else? did that guy exist before he came onto the show? probably not! and if he was made that day, was the concept of "france," "spain," and "italy" made that day too?

there's no way for us to know what the normal world of ii looks like. do they have parallel countries to us? well, we know their continents aren't parallel. it follows that their countries wouldn't be, either. who knows what their history is like? how the normal objects are like? will we know?

[whentherewerebicycles]

question: when you're starting a new job, what do you most want out of your first week of onboarding? what's most helpful for you to know/understand upfront? also... what's not helpful? tell me your onboarding nightmare stories too lol

[slippery-minghus]

honestly. it's so fucking frustrating and disheartening. that the only thing making me hesitant to cleanly cut contact with my mom, the thing that still looms after cutting away from my dad........ is that when they both finally bite it, that's two houses to sell. that's money that may mean *i* get to have my own house someday.

the key to the security my parents failed to give me from the moment i was born lies in their deaths. the least they can do. the very fucking *least* is to leave me the means to build that security on my own. they owe me so much more than that, but realistically? that small act of restitution is all i can and will ask for.

until then? i want nothing to do with them.

[doberrrman]

I have this feeling that I have unofficial beef with my neighbor...

[mostlygibberish]

I'm beginning to think I should just stop trying to watch slasher movies.

[autumnalhalcyon]

Ugh. I just spent p much all night reading old blazing--soul posts. I kinda really miss the shenanigans. I kinda really don't miss the drama.

[tardis--dreams]

Girl you gotta write your term paper and not cry about your poor life choices

[foxtsumus]

what if you banged out three pretty good arcs back to back, finally getting rid of that one character you don't like very much in the process, and then as soon as you were out of easy callback material to that first really good arc, you started writing a series of largely unrelated battles connected by rules that are both overcomplicated and flimsy, populated by characters that are irrelevant, underutilised, or both, in a setting that completely nukes a bunch of the ideas you were originally trying to explore. what then