#and i don't see a good character i see someone who had so much potential

[relicsongmel]

Iris, Miles, and their mutual "secret"

The Ace Attorney fandom is no stranger to discussions of homoerotic subtext in the game's script—pretty much everyone who's spent more than five seconds here will be able to tell you that. Screenshots of lines that imply romantic tension between same-gender characters are all over the place, to the point that many fans are drawn to the series purely by its reputation as "the gay lawyer game." Some scenes are more well-known than others, but one I find brought up fairly regularly is this conversation between Miles and Iris:

This is optional dialogue that can be triggered by presenting incorrect evidence on Iris' Psyche-Lock during the Investigation portion of Bridge to the Turnabout. The argument here is that the "secret" Iris is referring to is the same as her own: that being, a romantic interest in Phoenix Wright. Which is definitely hilarious when you consider that Iris has known Miles for less than a day and she's already reading him for filth (granted, she could have been clued in by the similarly infamous "indispensable friend" line, and she's also exceptionally good at reading people despite Miles thinking otherwise). As a Narumitsu shipper myself I am not immune to enjoying that interpretation; however, I feel like there's a lot of nuance in this scene that isn't often addressed by the fandom at large. Which is unfortunate because watering it down to just Iris calling out Miles for being the gayass he is (to be fair. she's not wrong) does a MASSIVE disservice to both of their characters, and I'll explain why.

My bone to pick with the usual analysis of this scene is mostly centered around the larger conversation to be had regarding the treatment of female characters in fandom spaces. All too often they tend to play second fiddle to the male characters, and a similar principle holds true for ships with their canonical male love interests: mostly ignored in favor of the the more popular M/M ship(s). At best these women are sidelined, at worse they are flattened into wingmen for the boys (as is frequently the case with many AA girls and Narumitsu, Iris included), and at the absolute worst they are demonized for their perceived "competition" with whatever gay ship is most popular and therefore the Only Valid One for the male characters involved (as exemplified by some very "passionate" fans that I generally try to avoid interacting with). Whenever this scene gets brought up, the focus is almost always exclusively on Miles and what the interaction says about his relationship with Phoenix; Iris is only relevant insofar as she's the one initiating Miles' Homosexual Moment™—you could replace her with almost any other character and there'd be a similar level of neglect for their role in the interaction. Only very rarely will you see attention given to what Iris' question about Miles' secret means when she is the one asking it, and what it can tell us about her relationship with Miles/what she thinks of him, and vice versa (absolutely wild how even Miles himself is often flanderized despite being the fandom's golden child). It's all too characteristic of the systemic misogyny that has plagued fandom since its inception, which is deeply frustrating to me as someone who adores Iris as much as I do (if that wasn't obvious by now). So that said, let's dive deeper into what I think the missing link is here: namely, the Iris-Miles dynamic as it pertains to their relation to Phoenix.

Iris and Miles is one of my favorite relationships to explore in the whole series—but as I've described above, unfortunately a lot of people get it wrong in my opinion. Discussion about the two is frequently centered around Narumitsu Love Drama—which is a conversation worth having, don't get me wrong—but the elements at play there aren't always represented the way I envision them, which again, is frustrating. Take the idea of potential jealousy, for instance: it's pretty standard love triangle fare that can be (and often is) quickly turned into demonization when it's used in a shipping context, character assassination be damned (re: Narumitsu fanfic authors that project their personal dislike of Feenris onto Miles via his jealousy of Iris and/or how they tend to portray Iris unfavorably). However, it's not inherently a bad thing to explore: personally, I do believe that there is mutual jealousy between the two of them. Miles might not have the full context of Iris' history when this conversation takes place, but he's emotionally intelligent enough to pick up on what Iris means to Phoenix, and vice versa. And him being a jealous hoe about it isn't out of the question when you consider that he's a bit of a loner by nature and doesn't have many close friends or outlets for socialization outside of his job. The crucial element that's sometimes missed, though, is that Miles not only lacks the self-awareness to realize he's a jealous hoe...he's also a self-sabotaging jealous hoe.

And the same can be said for Iris, who is similarly introverted and doesn't often leave her home at Hazakura Temple.

The whole reason Miles is peering into Iris' heart in the first place can be found in this exchange, after he breaks her Psyche-Lock:

Miles uses the Magatama in order to gain the answers he needs to bring the truth to light and get Iris acquitted, and he does so for the express purpose of reuniting her with Phoenix so they can find closure—in fact, he reiterates this to her multiple times. He obviously recognizes how Phoenix is suffering from what happened between them (I'd argue he sympathizes with Iris' plight as well) and has resolved to do what he can to help him heal, but there's no reason for him to be so insistent that she rectify things with Phoenix when it does nothing but harm his own chances with him. Unless, of course...that's the whole point.

To convince Iris to reveal her secret so he doesn't have to face his own, because he thinks himself undeserving.

And Iris, noticing this because she empathizes with that feeling of unworthiness, calls him out on it in an almost uncharacteristically forward manner when she asks him what he's hiding.

Takes one to know one, indeed.

Iris highly respects Miles for taking on her defense despite the risk to his job as a prosecutor. She's willing to trust him after hearing he's a friend of Phoenix, hearing him out and letting him reason with her. She still keeps her cards close to her chest in some regards, but she's more honest with him than she's been with anyone else in her life apart from her sister. She sees his commitment to the truth and how it starkly contrasts with how she's lived her life to this point, and thinks that this is the type of partner Phoenix deserves—not someone like her, who only knows how to survive using lies and deception. She sees so much strength in him but still recognizes the insecurity lurking beneath his tenacity, which is why when he falters in his logic, she takes a leap of faith and gives him one last chance to examine his reasons for pushing the burden of his unspoken affections onto her, as if to say: "Look in the mirror. Is this really for me? Or is it for you? Do you really seek the truth for its own sake, or do you merely hope to find one truth so you might run from another?"

Her question to Miles is a gamble—a coin flip of self-sacrifice. If she loses and he presses on, she has to face the secret within her heart she's been suppressing for five years. But if she wins and he gives in to the truth in his, she has to live the rest of her life watching it unfold and knowing she threw away her chance to finally stop living in fear of her own love.

Either way, there's no escaping heartache for her anymore.

Miles and Iris both want what's best for Phoenix and prioritize their vision of his feelings over their own. However, they are also both deeply emotionally repressed people who find difficulty in being direct with their feelings, and are predisposed to self-sabotage due to childhood trauma. These tendencies may manifest in different ways for both of them, but the fact remains that such people would likely not compete for a person's affection in the traditional sense, which is exactly what we see with how Iris and Miles deflect their feelings for Phoenix. These selfless, lovestruck idiots toss that man around like a game of hot-potato because their mutual self-hatred for the ways they've harmed him has rendered them terrified of the reality of what he means to them, and desperate to find a way out of admitting to it. It's the most compelling explanation I can think of for why the usually unassuming Iris makes such a bold judgment about what Miles might be keeping locked away, and why Miles goes to such lengths to make sure she talks to Phoenix and tells him the truth—his agreement to defend her was conditional on that exact promise. They go through this whole song-and-dance of playing wingman to ignore their own feelings while still trying to bring Phoenix the happiness they think he deserves—and then they wonder why seeing Phoenix give the other one attention burns them up inside.

Because they’re dumb. And I love them.

TL;DR the Iris Psyche-Lock scene in BttT is so much more than just "haha Miles gay" and I wish people talked about it more. Also Iris and Miles are way more similar than they appear at first glance and if I think about it for too long it makes me physically ill thank you for coming to my TED talk

[hustlemeanokay]

Solavellan vs Dread Rook? When did it become a competition? Ship all the ships, I say.

So as much as people like Solavellan (or whatever they call it) - I don't get why people don't like Solas x Rook. It's all there. It's perfect. The tension, the range, the enemies to lovers trope or hell, just the potential for so much writing to be involved. Like, okay... so okay... I go into my personal opinions about what makes each of their relationships different (just a few opinions not like power point presentation style or anything).

When I first played Inquisition, when it first came out, I naturally picked an elf and unknowingly romanced the bald dude. And Solas' romance is a good one. But it's only good because he leaves Lavellan. It's the first time that's happened to a player character in either DA or ME games. A legit breakup. With, at the time, no real reason! It wasn't until after the game, of course, that we were like "OMG!!!" But on the whole, there really wasn't a lot to their romance if you remember what actually happened in the game. But you have to ignore all the fan fiction and fan art that has been done in the decade since then. Just counting the game itself? Not a lot going on there. A couple of kisses, a couple of talks, and that's about it really.

And the whole time, he wasn't being who he really was. He was playing a part. He was Solas version soft-core, so to speak. Because while he may not have started calling himself the 'Dread Wolf', he very much is that person. Solas is prideful. He is a bit of an asshole. He is cold and calculating. The Solas we see in the memories in Veilguard was already turning into that person so the Solas that meets Lavellan is 100% already there. He uses her. The fact that he falls in love with her has very little to do with him using her, he can compartmentalize like that. As Cole says, it changes everything but it can't. But, point being, Lavellan never really got to know him. He always had a mask on. Was always so careful about what he said and how he said it as to not raise suspicion.

But with Rook? Oh, he's pissed. Gone is his careful way of speaking. Gone is his gentle tone and light smile. Rook gets Solas unfiltered. Solas without a mask. Solas the Dread-fucking-Wolf. There's still parts of him that are recognizable. But on the whole, he's more real. Because he's not worried about pretending to be something he's not. Rook knows what he is. Rook knows he's going to betray them, knows he's going to turn on them, is expecting it. (And Solas' manipulations are painfully transparent, with the exception of Varric). What he's worried about with Rook is keeping their blood-magic link in tact and molding them into someone the prison will accept (still not sure how that worked but w/e). But as far as when he talks to them? Sees them? Rook gets under his skin and he slips up and lets it show. He nearly misspeaks almost immediately and he does misspeak later. Rook does that to him. Because he's not keeping himself at arms length with them, he can't.

So the idea of Solas x Rook? Much more... real, as in 'keepin' it real', than Solavellan to me. Does that mean I have zero fics with Solas x Lavellan? Hell no. I have like at least half a dozen with different Lavellans x Solas. But! What it means is that the relationship between Rook and Solas is very intriguing and compelling and is definently fic-fuel. It means that I already have 2 separate fics WIP for them.

You don't have to stand on either side of this line, you can draw a big circle, stand inside of it and clutch both Solavellan and Dread Rook tightly to your chest with you. I'm not sure why there's this insistence that you have to pick one. You've never had to pick one. That's what having multiple OC's is all about. That's how that works.

[whatremained]

actually keep writing reactions i love reading them

and sorry for responding again. i really like this musical and ... just like talking about it when i can.

with you saying that me reading connor as autistic is a real take, i giggle. i mean i believe it, but i haven't heard many other people read him that way, and it's nice to see someone who agrees. and i do also argue a lot the cast is neurodivergent, and i would say... the main three characters we NEED to be focusing on and thinking about throughout the story (evan, zoe, connor), are all autistic.

though the authors grossly say that evan isn't autistic because "he wants friends…" obviously they don't know what autism is. most autistic people WANT friends, just like how most PEOPLE want friends. we're no different. evan… quite literally is read as autistic, not only to neurotypical people, but also neurodivergent people. (so much so that when i attended the show with my brother who had never seen it before, he turned to me after act one and directly asked if evan was autistic. he is neurodivergent, and it wasn’t an insult by the way he worded it and the way he expressed it. 😭) it REALLY sucks that the writers of the show said shit like that, but it doesn’t change how most of the audience perceives evan.

zoe just reads as autistic to me because of her very set mind and how she views the world. also... zoe can come off as bratty at times! and how she acts can be mistaken for genuine brattiness when she's just... trying to make a point, or say something. ex. her sounding pissed when evan was in connor's room, asking him why he was there. she wasn't hurt or anything, she just wanted to know. but it comes off as very sharp and harsh. she definitely does not understand tone and… i also don’t so yk! zoe's potential autistic-coded being so ignored messes me up. "women getting ignored in the mental health field" quota filled with this musical/book's fandom i guess. good lord, zoe is genuinely such an interesting character, and it pains me that she’s just… ignored all the time. it’s the fact that she’s so obviously a main character. i mean in the playbill, at least the one i have… the way the actors are listed, assumably, is by their status as characters, as in… main lead, and leads. and then supporting cast (as well as understudies & such).

(photo evidence of the listed cast lol)

(touring cast of this year. michael fabisch plays evan, hatty ryan king plays zoe, bre cade plays heidi, caitlin sams plays cynthia, alex pharo plays connor, jeff banks plays larry, gabriel vernon nunag plays jared, makena jackson plays alana… the rest are understudies & the voices we hear when social media posts appear. this… order objectively makes sense for character appearances imo. zoe is… in a bunch of the story and is a very important character. just rambling here though.)

zoe is a character that has a huge story in the show and… she’s ignored because??? idk? she’s a woman? and people in this fandom don’t care about women it seems!

i could go on for HOURS about connor because his symptoms really replicate mine, and it's VERY easy for me to point out, but i'll give my small little rant. from the very start, described by evan in the book, he knew connor from previous classes as children. obviously they were never close, but he saw him in grade school. he describes just knowing connor as basically the kid who… cried a lot. now crying a ton isn’t a neurotypical vs neurodivergent thing. it happens to both kinds of people. but the reason for crying may lead to the realization of “oh! this character might be autistic!”. for connor, as a younger child, we see the cause in one story for why connor may have cried a lot in school. this is the infamous “mrs g” story mentioned in the musical. he cried and got angry because he wasn’t line leader that day, mostly because of the fact he WAS supposed to be line leader that day, and the fact he wasn’t subverted his expectations. for a lot of autistic people, and for me, when things don’t go routinely, they tend to get upset. it’s smart to assume the crying would come from that, feeling overwhelmed day after day.

honest to god; i was going to type a lot more after this but i have about no energy to. my shortest explanation is read the book, connor’s parts. explains a LOT on why i think he’s autistic. i could probably tell you more later but i don’t want this ramble to sit in my drafts for five weeks so.

i also see how people could argue that alana & jared are autistic, but there’s the fact that we don’t really get to hear from them as characters all that much, so we can’t full determine it from there.

but alana i will go out and say, yes, she probably has autism. like her character really reads as autistic person trying their hardest to mask but kind of just… failing somewhat?

jared…? idk. he’s… i could care less man. i don’t want to analyze that asshole more than i have to. i can see the point people try and make with jared, and i can go “sure! yeah!” but. i don’t want to talk about him. he’s the bane of my existence i swear.

anyways yeah that was my little autism ramble i. am so sick and tired of typing rn 🙏

[shaolin-spin-doctor]

not sure if this is a hot take but. imo. Fire God Liu Kang kinda sucks and it's the worst direction NRS could've taken his character in tbh

[zandrawz]

Finally watched Kung Fu Panda 4, tell me why it unironically changed my life

[rosalind-hawkins]

What Do I Ship?

Don't mistake this for a tolerance or tier list. I will read and write ships that aren't even on this list, or write ships from the secondary list sometimes, this is just to give you a general sense of the stuff I mainly support/think about and in what capacity. Might be updated periodically. Ranting and comments in the tags.

Re: the Mokuba ships, I only ship them in non-problematic ways, where either the Kaiba brothers are ageswapped, making Mokuba the same age as the rest of the main cast, or where they only get together far post-canon where Mokuba's an adult. We cool? Cool.

Primary Ships

(things I can/want to create content for; this does not include every ship I've ever written, just the ones I care about/are currently engaged in writing/plan to write multiple fics for, or ships I just stan in a way that I know it'll never end)

Euroshipping (Kaiba x Ryou)

Puppyshipping (Joey x Kaiba)

Mumbleshipping (Kaiba x Ryou x Duke)

Teaseshipping (Joey x Ryou x Kaiba)

Snareshipping (Joey x Duke)

Trustshipping (Kaiba x Ishizu)

Polarshipping (Joey x Mai)

Blueshipping (Kisara x Kaiba)

Mizushipping (Kisara x Priest Seto)

Minorshipping (Ryou x Duke)

Mastershipping (Duke x Kaiba)

Puffshipping (Joey x Ryou)

Sweetshipping (Ryou x Mokuba)

Wintershipping (Mokuba x Amane)

Rollshipping (Duke x Ryou x Joey)

Secondary Ships

(things I will read but I don't write {much, or anymore, in some cases} for one reason or other)

Wishshipping (Joey x Yugi)

Powershipping (Kaiba x Marik)

Graceshipping (Ishizu x Ryou)

Doubtshipping (Kaiba x Ryou x Marik)

Petshipping (Duke x Kaiba x Joey)

Axisshipping (Kaiba x Siegfried)

Angstshipping (Ryou x Marik)

Irateshipping (Marik x Joey)

Buddyshipping (Joey x Tristan)

Heartshipping (Yugi x Ryou)

Fragileshipping (Yami Yugi x Ryou)

Changeshipping (Duke x Marik)

Logicshipping (Priest Seto x Priestess Isis)

Gemshipping (Ryou x Thief King Bakura)

Thiefshipping (Yami Bakura x Marik)

Candleshipping (Kaiba x Ryou x Yami Bakura)

Antagoshipping (Kaiba x Yami Bakura)

Corruptshipping (Priest Seto x Thief King Bakura)

Stoicshipping (Kaiba x Priest Seto)

Shimmershipping (Duke x Mokuba)

Guardshipping (Kaiba x Roland)

Senetshipping (Ishizu x Duke)

Angelicshipping (Ryou x Rafael)

Mercuryshipping (Kisara x Kaiba x Ishizu)

Entrepreneurshipping (Duke x Kaiba x Siegfried)

Unnamed (Aigami x Marik x Yami Bakura)

Scholarshipping (Kaiba x Ishizu x Ryou)

There's also plenty of random unnamed poly ships that I want to play around with in one-shots, usually a combo of my top six fave characters.

[cathymee]

tumblr had to shut me up omg #censorship

[kr-starz]

Sick and TIRED of people claiming Ekko loved Alternate Universe Powder and not main universe Jinx. Throughout the series Ekko has continuously proven that he cares for Jinx dearly, through both canon actions and deleted scenes we know that Ekko cares deeply for Jinx.

Within the AU we're able to see an emotionally available Powder who was able to have a stable support system alongside a flourishing relationship. Which shows that Powder, Jinx, is fully able to be a good person. A normal human girl. Ekko is finally able to see this, that Powder is only so happy because she's lived so peacefully. He's always had a crush on her, it's lingering and it's never gone away. During the bridge scene, and Jinx's debut, we notice that Ekko freezes up both times when seeing jinx face to face. That she's able to draw out strong and violent reactions out of him that aren't exactly rational.

Usually people aren't able to do that to him, he's confrontational and stern because he's the Firelight leader, but we notice that most all of his decisions so far have been well thought out and responsible. In s1e4 we see him look at his stopwatch, see he has little time left before their crystals break, and he STILL goes to pursue Jinx. This is probably because he still harnesses strong feelings of hate towards Jinx, shock and frustration overwhelm him. Because it's Jinx who's done this, one of Silco's goons, but most importantly his childhood friend who's become so twisted. Scar is forced to grab Ekko and stop him before he goes too far, which shows off that Jinx does cause an especially strong emotional response for multiple reasons.

But the bridge scene shows that Ekko still does see the girls he's loved inside of Jinx. He hits her twice, neither time's does he get a good look at her face. But as he's winding up to hit her a third time, he pauses, he looks at her desperate face and he see's nothing more but an innocent girl. Which is why he stops, he still bears affection for her, clearly. The rest of the bridge scene is intimate enough but if I do have to mention anything, people who don't bear feelings for each other don't smirk at the other person like that.

When Ekko finds himself in the AU he's able to see Jinx/Powder in her most healthy form, finding ways of mourning and coping considered healthy. He see's pieces of Jinx inside of this Powder, her potential and what she could be. That's not something you do with someone you don't bear affection for. You don't look at the seemingly perfect version of someone and say that there's something missing; something missing that only versions that have gone through hell have. Pieces of herself that can't be replaced. Ekko doesn't just love Jinx.

He loves her entirety, he loves her innovative mind able of creating the worst war weapons. He loves that she's able to push herself to limits that he couldn't dream of, because he loves her for who she is. In both universes, what we notice is that they're both artists, they're both creators. Powder doesn't discard her love for gadgetry because she didn't experience atrocities, she's still unbelievably smart, being able to help Ekko create the anomaly. Being able to follow along while not knowing anything beforehand.

Jinx is able to crack hex tech with nothing more than Viktor's notes and some tinkering, this shows that no matter what universe, Jinx/Powder is an unbelievably talented and smart girl who could do so much.

Ekko is able to recognize that with Jinx's Genius it comes madness, and he simply would rather have her be both rather than an assistant. Not saying that he wouldn't love Alt Powder, I'm just saying that Arcane Ekko wouldn't be nearly as happy with her rather than Jinx. Because with Jinx comes crazy ideas and a leadership that matches his. That's the Jinx he never fell out of love with.

Even in both of these characters, Jinx and Powder have never been different. In each universe, they never got to blossom yet they're one bud. Two sides of a coin who'd never know the other existed if not for "what if's"

Powder is what Jinx is if she was happy, soft and delicate, she still holds the potential to create extraordinary devices, yet she doesn't because she never had the need to.

Jinx is what Powder would become if she was put under tremendous stress and trauma, devoid of a support system she turns to her gadgetry and weaponry, while slowly losing the part of herself that could be soft.

They both exist in one person, and Ekko is able to see both of them, and give them what they need in order to bloom. He's able to give Jinx unconditional yet not unhealthy amounts of support, and he's able to give Powder the push to expressing herself through her inventions more harshly.

Ekko realizes that Jinx is still Powder, no matter how many times she changes her name. Us as the audience is able to realize that Jinx is still able to love for Powder, because we've seen her interact with Isha. Isha is similar to Powder which is healing for Jinx. When Jinx loses Isha, we can see that she never truly let go of Powder, that Powder was never different from Jinx. That they're simply a part of herself she never wanted to accept until she saw it from another perspective.

But Ekko doesn't know this, yet he still has continuous faith in her that she's capable of change. We see Ekko actively pursue Jinx in order for her not to kill herself, because he loves her. He cares for her deeply and he wants to redeem himself by simply being there, even if he's late. Because what Jinx has needed all along was an unconditional companion. Which is what Ekko can be.

Being the support that someone needs, unconditionally.

If that's not love then I don't know what is.

[the-maddened-hatter]

Alright so I pretty much said all of this verbatim on a reblog of someone else's post, but I wanted to put it here on my blog too.

As I've mentioned before, I would *very* much like to see Peri canonically having a disability that causes him to use his wand/cane and not just have it be an accessory, and so I analyzed the episodes he's in that I've been able to see so far and came up with a few observations:

As much as I'd be unopposed to seeing it portrayed, leg issues don't really seem like a major deal to fairies in general given as Cosmo misplaced his for most of an episode and a pair of sticks were a good enough replacement for him to have fun at the arcade in human form (without even drawing human attention)

And Peri can apparently use his powers as listed above without his cane since he doesn't always immediately have it on his person (especially since Dev & Hazel took his cane in Lost in Fairy World and he didn't have any power or mobility problems)

But!

I *could* easily see him having some kind of magical fatigue issue or magical equivalent of hypotonia or balance disorder, since he's shown to be

very tired after a morning spent magically creating cupcakes (a probably small but very repetitive task that leaves him running low on energy)

When his stationary float is disrupted he remains seated instead of floating back up again

3. A minor contact/startle reflex is enough to disrupt his hover and cause him to immediately fall pretty hard if not very far

4. speaking of distance, he is shown to sometimes float a bit lower than his parents, which, while not consistent and likely just an animation choice, could tie in with the other points to support the diagnosis theory

However, pain may admittedly be more of a factor than the above images suggest,

he may not just be tired from shape shifting like I'd thought since right before that he was walking (albeit in horse form) and afterwards (low) cloud float is apparently easier and faster for him than just quickly trotting past his parents

He also didn't really seem to be having too much of a problem at all before he hit the ground

Where it goes to a definitely tired and possibly more pained look.

Maybe he didn't want to tell Dev that it was painful either out of pride or because he didn't want to potentially upset him and just went with "tired" because that was what he assumed. It'd be interesting to see if it happens again in a different form.

Personally I think it'd be cool to see both and have it be a chronic condition (directly magical or otherwise) that he already had before the series began (diagnosed or not).

If he's the first fairy kid born in a long time he probably would have been monitored very closely, but it may have taken a while for doctors to notice a problem since there was little reference for comparison and may have even caused some potentially serious problems that gave Comso & Wanda a bad scare, which could tie in pretty well with their developing a high amount of over protectiveness of him, and that in turn leading him to try and behave too far in the other direction (not seeking help when he really does need it, pushing himself way too hard and suffering the fallout which he then tries to hide, ect)

If he's undiagnosed but having the problems it could be interesting to see sort of an inversion of the "character must learn to accept their disability" storyline wherein he's more connecting certain events & symptoms and we get to see him adapting to accommodations and letting himself try different approaches moreso than to having new symptoms (though we as the audience may see these symptoms more or behaviors contextualized as symptoms where they weren't necessarily before).

Idk either way I just think it would be cool (and I've probably put away more analysis into this than will ever pay off lol)

also to everyone who draws him as a disabled mobility device user: ILY please draw more of it it feeds my soul

[primofate]

3 am brainrot

Soulmate, but Genshin Impact Style

Warning: angst (lots of potential to be fluff and comfort ending tho)

Vision "resonates" with each other and a thin red line connects your vision to their vision

Thin red line disappears, frays, or splits off when something is wrong with the connection or the other person

You can use their element and they can use yours. If you are the same element it provides an elemental increase.

Element exchange also stops or weakens when there's something wrong with the connection or the other person

There's a kind of "sixth sense" activated wherein you can kind of feel each other's psyche

Imagining what it would be like for power hungry Scaramouche to find out he has access to another element. Meets a complete stranger and suddenly he's stronger. Starts to keep you close only for that reason, doesn't care much about your well being in general. Then finding out that he can STILL use your element even if the two of you are far apart. You part ways rather abruptly, and he's not sure how long it had been when the red line starts to fray and his access to your element starts to dwindle. He doesn't think much of it, but day by day it gets weaker and day by day the red line disappears a little more. A sudden sense of "If that line disappears I won't ever be able to follow it back to y/n" so he starts following it. He doesn't really notice there's a sense of urgency in him, he tells himself its only because he wants the power back, but when he rouses from a short rest to find that the red line is gone... why does it suddenly feel like he's all alone again?

Imagining characters like Xiao, Cyno and Alhaitham who completely rejects using your element. They don't need yours. They are just fine and all is well using only their own. In a sense they take pride in what they have, and doesn't really care for what power you can give. They aren't interested in maintaining a relationship with a stranger either, because, what for? However, you're slightly persistent in at least getting to know a little about them. Just a tiny bit. But that tiny bit is enough to push them to tell you he's not interested in any kind of chit chat, that he's busy and needs to focus on other things. So you turn away. Out of curiosity one day he tries to use your element. It strangely gives him the feeling of warmth. Like someone's protecting and watching over them (and for someone who always does the protecting, this is a big deal). One day, the line breaks off, there's a clear split and he wonders if all is well. He follows the line back to you, and finds out that you've been spending a good amount of time with someone else. Someone who you smile at very brightly, and someone who is interested in getting to know you. What's he to do? This was his doing. So why does he feel like coming over and snatching you away?

Imagining characters like Diluc, Neuvillette and Wriothesley, astounded but somewhat pleasantly surprised by the discovery. He neither rejects you nor accepts you, but feels a sense of responsibility over you just because of the connection made. But because they have their own things to be busy with, they don't exactly actively seek you out or have the time to check in frequently. Perhaps it's a monthly thing, following the line and looking for you. There's a relationship that looks like the beginnings of friendship. A little awkward, asking questions and fumbling for more questions to ask. Still, something builds, and just when the ice is about to break between the two of you, he follows the line...and somehow ends up out in the wild. Your vision is buried next to a tree, for a moment he's struck with panic that he would find your body buried, but judging from how the red line was still intact, you were most likely safe somewhere... however, he would never see you anymore, nor know the reason why you decided to hide. All of a sudden he wished that he had more time. He doesn't know whether this situation was comforting or concerning. He has you in the palm of his hand, but never close enough to fill the empty gap.

Imagining characters like Zhongli, Dainsleif and Tartaglia, who, despite their appearances is instantly intrigued by the connection. They don't need the additional power, but they keep the connection anyway because they partly feel that destiny is something you can't change. The closeness between you two easily grows and here is when you first approach him with a favor.

"Can you help me with something?"

"Of course. Would tomorrow be a good time?"

There's a bit of a pause on your side. "Tomorrow..." and its as if you look up at him with more sparkle in your eyes than usual. "...Yeah. That'll work. Thank you," the way you say thank you is so sincere and loving it almost brings him to a joy he hadn't felt in a long time.

He woke the next day. The connecting red line was nowhere to be found.

[acid-ixx]

Imagine Wally West being the one to have a crush/obsession with reader, it would be cute, however l feel like it would be as if Reader is trying to overcorrect in a way

Instead of dark hair he has bright hair, instead of dark and brooding he’s very vibrant and carefree, instead of no powers all skill he has powers and skill, plus reader can give him a hand signal and BOOM they are back home in sweatpants, watching the latest show they are obsessed with, talking about which actor is better for the main character

On the other hand, I can totally see Wally as the best friend that gives the shovel talk to potential love interests as well as the friend who will straight up ask if reader wants to move in. He’s just so… friend shaped and safe feeling

a/n: imagine waking up to over 20 detailed asks, couldn't be me! but seriously, i enjoy how all of you are into the series as much as i am. there's so much lore potential and love interests that i can insert or another yan! family who would be more than willing to take you away from your batfam so i can see this series being longer than all my other writing.

i'll admit, i never thought of wally being a contender for a love interest but this is so interesting... your reason for being close to him is "if dangerous, why friend shaped?" (albeit unknowing of his love for you) but you just don't want to admit that he's your form of coping by exposing yourself to a person who's straight up the opposite of your family.

though, you have so many other advantages than his physical traits, which would be the power he hones; his speed. sure, you have to get used to the first few months of motion sickness but with enough practice, you'll be blazing off and away from any momentary danger— that danger being your family.

wally often does get flirtatious with you. which means unlike your living circumstances beforehand, you'll be faced with constant compliments and attention here and there that you ought to never notice.

oh, your hair looks so slick and shiny! did you use the new shampoo he bought for you? ohh, you look so adorable wearing his pajamas! you should match with him more often. the necklace he bought for you totally complements your eyes! you should go on a movie date today, babe!

— oh, sorry, did you hear him call you babe? that's totally what friends call each other when they're as close as peas in a pod, you know? it sucks a lot that you never had someone as close as wally. but worry not, darling; he'll make sure you never have to ask for his love, not when he's quicker to reciprocate it.

did he just call you darling?

nevermind that, ahah. wally would totally be the type to glare at anybody who thinks they're better than him when it comes to hitting on you. sorry stranger, but he's your bestest and closest friend in the world, he's your future roommate, your future boyfriend, and nobody could ever reach that level— not that you'd hear that from him directly, but he'll pass that message on anybody who thinks they have what it takes to flirt with you.

after that incident, he'll offer you a place at his apartment, or somewhere far, far away where only a speedster like him can reach; just to guarantee your ultimate protection from obstacles like your family or anybody else interested in you.

yeah! he's such a good friend.

[darkficsyouneveraskedfor]

Seeing Stars 3

Warnings: non/dubcon and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Steve Rogers, Bucky Barnes

Summary: You struggle to be star struck by the world’s most famous super soldiers. (grumpy!short!reader)

Note: Guess this is happening.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

"I can't believe you won," Bonita chimes. 

"Uh, yeah, I told you to just claim the prize," you mutter. 

"And I told you," she pulls you off the subway, "it has to be the ticket holder." 

"Right. You could say you're me." 

"Didn't you read the email?" She huffs as you drag your feet behind her. You hate Manhattan. 

"I skimmed." 

"They have to check ID at the door. As your plus one, I had to submit a bunch of stuff. Didn't you?" She hooks her arm through yours as she urges you through the New York rush. 

You grumble. It's like the universe is laughing in your face. Or hers. It should've been her prize. She's the one who likes all that stuff. As much as you don't want to spit in her face, you're not very happy to spend a rare day off somewhere you don't want to be. 

You're a good friend. That's why you're doing this. That's it. You'll get through it for her. In spite of her. 

You find her waiting where she promised. She's taking selfies right outside the doors of Stark Tower, unbothered by those passing by. You nudge her and hiss, "you're in the way." 

"About time. You're almost late." She lowers her phone and bats her fake eye lashes at her. Oh, she went all out. You thought the sweater and jeans was a fine choice. 

"Almost, but I'm not," you chirp. 

"Lighten up! This is going to be the greatest days of our lives," she squeals and claps, sending her phone to the ground. You let a sigh out quietly. She's so happy. You'll keep the snide remarks to yourself. 

You bend to pick up her phone and hand it over. She snatches it and giggles, "I wonder if I could livestream the tour." 

"Just... enjoy it," you utter. You don't need her holding up her phone like a tourist. No shame, you swear. 

"Woah, hey," you stumble as someone clamours into you. "Sorry, I didn't see you there. Guess I should've looked down." 

The man's hands cling to your arms as he keeps you on your feet. You pull away and spin to face him. Bonita makes an inhuman noise. 

It's him. Steve Rogers. Again. 

"You guys lost?" He asks. 

You look at Bonita. She vibrates with excitement, "um, we won! Er. Oh! We're here because we won the tour and you're supposed to be there and all the others and--" 

"Ha, yes, I am running behind." He says, “uh, I guess you can come in with me.” 

“Oh wow,” Bonita exclaims. “Thanks so much, Captain. I mean Mr. Rogers. No. Er...” 

“Steve’s fine,” he chuckles. “So, you two were at the convention?” 

“Yes, we got a photo,” she affirms. 

He opens the door and waves you ahead of him. You wait for Bonita to take the lead. You reluctantly follow as Steve tails you. 

“I thought you were familiar.” 

“Oh, no, you must meet so many people,” Bonita slows so that he can catch up and you sidle around them, happy enough to take the rear. 

“Eh, yeah, it can get a bit much.” 

“Sounds miserable,” you mutter, then cringe as you remember his super hearing. Oops. 

“I’m sure the rest are waiting,” he stops at a door and puts in a number on the keypad. It flashes red and buzzes. “Ugh, I always forget.” Instead, he moves to look into the dark lens higher up. An ultraviolet flare runs over his eye and the door unlocks. “I can doing that.” 

He opens the door again, a gentleman straight out of the 40s. Once more, you are stuck between the two of them. He points you down the hall to a private elevator. You get on. 

You bob impatiently as Bonita inserts herself between you and Steve. You stare at the reflective doors and let your vision blur. 

“So, um, is the shield here?” She asks. “Not to be lame or anything.” 

“Oh, sure, maybe you could see some of the prototype suits? I think there’s still a few hanging around,” Steve answers. 

“That’s so cool,” she chimes. 

You struggle not to roll your eyes. Instead, you focus and find another pair observing you in the mirrored surface before you. You quickly glance away from Steve’s gaze. 

Finally, your floor comes. You assume since the doors ding and Steve steps ahead of you. You follow him out into a spacious room. You can tell by the windows alone that it’s the very top of tower. 

“There you are, Capsicle,” someone calls over. 

You turn in the direction of the voice as Bonita grabs your arm and points at the dark-haired man. You know who he is. He’s on too many magazine covers and blogs not to. Tony Stark. He stands amid the group of his fellow avengers. 

“I found our lucky winners,” Steve says. 

“Bonita, and er, well, she won,” she pokes you as she introduces you. “Erm, we’re super excited.” 

You stare dully. You want to lie, for her. You do your best; a nod. 

“I remember you two,” Bucky’s voice surprises you. It’s only then you notice him sitting away from the rest of them, lazily flipping a knife. “You had a photo.” 

“Yes, that’s us!” Bonita blusters. 

“Well, ladies, welcome to the tower, these are the big boys... and girls.” Stark steps in front of the rest, “you’ve met Steverino here, and apparently his sidekick, The Raven.” Bucky scoffs as he stands and sheaths the knife. “Not to be cocky but I assume you know the rest of us.” 

“I do!” Bonita declares, “but er...” she looks at you. You half-nod and half-shrug. “It’s Tony Stark!” 

“I know that.” 

“Who doesn’t?” He winks. 

You grumble and his chin tilts slightly in affront. 

“That’s Thor! And Black Widow and Scarlet Witch, and Vision, and Hawkeye, and Hulk...” she goes down the list as you lose track and a little bit of interest. It’s your turn in Scrabble, you feel the notification buzz in your pocket. 

“What? Were you caught in the ice with this one?” Stark jabs Steve with a snicker. “You don’t know the world’s greatest heroes?” 

You stare back at him. “Nice tower, I guess.” 

“Ice cold,” he whistles, “I’ll leave this one to you, Vis. She’s about your speed,” he turns and struts away. 

“It’s your tour,” the woman with the short red bob says; the widow? 

“Contractual obligation but far from my idea,” he counters. “Hey, Banner, how about you take the lead. PhD or whatnot, I’m sure you give a hell of a lecture.” 

“We can go.” You offer and Bonita elbows you. 

“Don’t listen to him,” Steve insists, “we’re all going on the tour. Right, Tony?” 

“Hm, let me grab a whiskey first.” 

[ineffable-romantics]

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

___________________________________

Bonus feature: the very silly notes I made to myself that inspired this post

[thewertsearch]

If you can believe it, I was actually pretty confident that every important character in Homestuck had been revealed. I'd honestly assumed we were done with mysterious figures - but I guess the joke's on me.

So - we have a new conundrum on our hands. Just who is this new, green-blooded troll, and what's their agenda?

Well, despite the fact that I called this an 'Alternian' text console, I'm pretty sure they're not on Alternia. Every troll in that universe should have been killed by the Vast Glub - and, more broadly, the troll universe was violently bookended by Spades Slick during the events of Cascade. I don't expect us to ever hear from Alternia's universe again.

Therefore, I think our 'doctor' troll is dialing in from a completely different universe - or, potentially, a Sgrub session of their own. Their symbol implies some link to Scratch, or at least to the 'Doc' in his name - which, I should remind myself, was never actually explained.

I don't think there's much more I can say about them, just yet. Let's see what develops.

There she is! :D

Before we talk about anything else, let's take a moment to groan at the spoon symbol on reboot-Sburb's poster. The Skaianet of this universe is Betty Crocker, and – wild as it is to say – there's a very good chance that she's an agent of Lord English.

Sburb is almost certainly compromised.

Hiya, Jane! It's nice t-

God help us all.

Let me amend my previous statement.

Sburb is compromised, and so is Jane. It looks like she's in the custody of the Batterwitch - or, at least, the custody of someone who's loyal to the woman. I hope it's the latter, because her pre-Scratch counterpart was treated horrifically by Crocker during her own childhood.

Either way, Jane has been raised by a probable servant of English. Everything is fucked already.

You cannot enter her name!!! It was already engraved in her HONORARY PLACRONYM on her 13th birthday, which was about two and a half years ago [...].

So the Players are older, this time around.

Vriska was convinced that Sburb only chooses heroes on the cusp of puberty, but that assumption went out the window when we learned about Fedorafreak. Sburb chooses whoever it wants.

Attempting to engrave it with another name after completing this sacred rite of passage is practically unheard of [...].

This is clearly another riff on the naming jokes from back in Act 1, but... well, a world where your assigned name is sacred and inviolable is a pretty scary thought to me, personally.

[worriedvision]

Ajaw ruins his relationship with you - Kinich

Gender neutral reader, angst. No happy ending here, borderline crack BC Ajaw is a cracky character let's be honest. Ajaws a little shit here

--

Kinich had, somehow, caught your eye enough for you to successfully land a date with him. One date becomes two, and the third one ends in you inviting him over for a drink. He accepts, and before you know it your home becomes a place for him to call home as well. While Kinich wasn't very emotive, he seemed to smile just a bit around you.

However, the couple affections you would expect from him in a relationship weren't coming. Nothing like kissing or hugging, and for a while you think it's because Kinich was not a touchy person. You also knew he was very busy with his work, which was why the first few times he left and told you not to wait for him you didn't think much. At the time, in fact, you were more attracted to him because he was honest with you.

"Don't wait up." He blankly states, every morning he leaves. If you're lucky, he comes back at night time only to sleep - he doesn't make himself any food or drink from your home.

You got suspicious of him when you were hanging out with Mualani, and she brought up the fact someone called Ajaw wouldn't stop nagging at Kinich. When you ask who Ajaw was, rather if this was his boss, Mualani laughs.

"Ajaw probably thinks so, but they bickering too often to do any work together." Mualani tuts. "Do you never hear Ajaw? That voice is so... Annoying to hear!"

"No...I've never met this Ajaw." You hum out, Mualani gasping.

"Tell me your tricks!"

--

Once you get home from your interaction with your friend, you've had enough time to think. After some long thinking, you come to a decision. You move the stuff that's Kinich's, leaving them by the front door, and add temporary locks in addition to the one your key locks until you can change the lock.

To your surprise, Kinich sounds surprised when he notices his bags out. You refuse to open the door, having more than enough time to waste as you had a day off, and Kinich defeatedly picks up his few belongings before leaving.

--

"Hah! You should see your face!" Ajaw jeers, Mualani and Kinich groaning out at Ajaws harsh words. "Good thing _ wisened up and realised they can do a lot better than some mortal being that can't even get himself a group of companions!"

"Because you always ruin things." Mualani sighs.

"Hey, I can't take credit for this one! I never even once spoke around _!" Ajaw shrugs, putting some sunglasses on.

"I was hoping to finally get to spend some time with them. I've finally got enough cover for a few days." Kinich states, seeming to realise what Ajaw did. "...Mualani, you know how annoying Ajaw is. Do you know if -"

"Oddly enough no! Honestly, I'm jealous. Ajaw doesn't know when to shut up."

"...It seems they do." Kinich massages his temples, Mualani making eye contact with him.

"...Do you think they were suspicious you were seeing Ajaw? Yuck!"

"Hey, I can hear you, ya know?!"

"It makes sense though. They don't know Ajaw isn't even human, and also isn't mortal."

"Hahaha! Oh boy, even I didn't think keeping my mouth shut around your potential love interests would give this benefit!" Ajaw cackles, seeing Kinich's hand flying towards him. "Hey, what are - AHH!"

--

You keep getting asked if Kinich is single, each time you saying he wasn't seeing you anymore before they seem excited to pursue a taken man. It's quite concerning, really, you think theres little dignity in being the other person in the relationship.

Kinich tried to talk to you, but each time you saw him you'd make an excuse for being too busy before hearing some weird child cackling and screaming in retaliation to someone reacting to them. As much as his hurt expression spoke to you, you still knew in your mind that Kinich was in a relationship.

Even if he wasn't, you would know in your mind that you were the second choice.

[postcardsfromheapside]

I need to be salty for a hot second about people who are upset about aspects of Lucanis' romance.

I'll put everything else under the break for spoilers, but in general, I am so disappointed in a large portion of this fanbase who apparently thought "disaster" meant "romantasy," but also it's in keeping with how a lot of people seem unable to put things in context.

One of the complaints I keep seeing run past is that the scene where you commit to a relationship with Lucanis seems pefunctory, or out of the blue, there's nothing really romantic about it, it's too similar to the platonic route, etc, etc, ETC.

I romanced Emmrich, but I've seen other people's versions of romancing Lucanis. I'm just going to kind of word vomit here, and hope I can come up with something cohesive.

As someone who id's with Lucanis for "generational abuse" and "dumpster fire disaster bi" and "using socially acceptable drugs as coping mechanisms in place of addressing your problems" reasons, it's been really fucking annoying watching the almost deliberate misinterpretation of his character even after Mary Kirby dropped several explanations on social media. It's like a large part of the fanbase saw all that and turned into the "yes yes, very sad...anyway!" meme and went right on fetishizing him...then got mad when he didn't turn into the seductive Dom with wings they were hoping for.

You commit to Lucanis after (what I consider) a very intense scene inside his "mind prison." He's struggling so much internally that Spite wrests control of his body from him in front of witnesses and begs Rook to help them. Lucanis would never ask Rook to do so on his own, he's terrible at asking for the help he truly needs. Spite drags Rook into the Fade Ossuary and demands they free Lucanis from his self-imposed prison. And whether you're a friend or would-be lover, Rook slowly talks Lucanis out of a host of self doubts regarding his family and friends. Can he trust himself not to hurt other people, now that he's saddled with this affliction? Has he disappointed the people he cares about most? Do these new people he's coming to care about actually trust and care about him? The rooms are filled with fragmented thoughts that peter out into regrets. You're literally seeing Lucanis' fractured and complicated emotions.

One of them tore a hole straight through me: "You'd have to kill me...And Spite would die."

You'd have to kill him to get rid of the demon. And he'd regret the death of the demon that's protected him and given him strength, through a brutal year of betrayal and torment. I don't know if y'all remember the scenes in the Ossuary of the failed experiments and the corpses you had to pass to get to his jar of blood. It wasn't fun.

When you break out of the mind prison after helping him bond with Spite, it's intimate and momentous, even on a platonic route. You've seen desperate and lonely parts of him he'd never willingly show anyone.

As you're convincing Lucanis that it's okay to leave his mind-prison, you tell him you understand that it's easier to deal with problems like the Ossuary and Zara than healing and living with Spite, potentially hurting people he cares about. But he wants to. It's Rook's job to help him see a path out, a way for him to make the struggle easier so he can begin to heal himself.

I need to stress: you aren't "fixing" him. You're acting as his lighthouse, regardless of whether you're a friend or a lover. Sometimes people need help. He's still going to have to do the work to get there.

As a friend, it was extremely rewarding to come back to the kitchen and see him doing exactly as I'd hoped: moving on with the business of *living*. He made a nice dinner for everyone he's come to care for, and a special dessert for Neve. Cooking is where Lucanis finds creativity, and comfort, and connection with his friends and family. He isn't very good with words, but he will note everything you consume, and try to make you feel loved by expressing it that way.

Which is why I think it's important you don't dismiss the commitment on the romantic route. He remembers YOUR favorite drink and makes YOU a special dessert if you're romancing him. Lucanis isn't going to get poetic. You've already made him feel raw. You've seen the ugly, embarassing parts of him. What is he supposed to say? Usually it takes Spite reaching through his body to actually be direct. Instead, Lucanis reaches for food, his favorite medium, to try and apologize for inadvertently showing you those things, to thank you for helping him despite seeing what he considers the most shameful parts of him. Your commitment is letting him know that you value him, that he has nothing to be ashamed of, that you understand what he's trying to express with his struggling communication skills, which appear to get better as your relationship progresses from there.

It's weird that some of y'all don't feel that this is heartfelt and important, because you'd rather him act out some sensuous fantasy trope. It's also weird that some of you haven't figured out that many scenes in RPG's can be similar on platonic and romantic routes with tweaks to shade context.

(Also just in case this comes up: cooking is not his "love language" - that whole concept was invented by a misogynistic weirdo and we should remove it from our ideas of communication)

Anyway, this guy is my Rook's bestie and I'll go down swinging for him, you should appreciate the fuck out of him and stop acting like his writer didn't craft a perfectly funny little weirdo who is bad at showing people his tender parts and terrible at interpersonal relationships.