#and i don't see a good character i see someone who had so much potential

[worriedvision]

Ajaw ruins his relationship with you - Kinich

Gender neutral reader, angst. No happy ending here, borderline crack BC Ajaw is a cracky character let's be honest. Ajaws a little shit here

--

Kinich had, somehow, caught your eye enough for you to successfully land a date with him. One date becomes two, and the third one ends in you inviting him over for a drink. He accepts, and before you know it your home becomes a place for him to call home as well. While Kinich wasn't very emotive, he seemed to smile just a bit around you.

However, the couple affections you would expect from him in a relationship weren't coming. Nothing like kissing or hugging, and for a while you think it's because Kinich was not a touchy person. You also knew he was very busy with his work, which was why the first few times he left and told you not to wait for him you didn't think much. At the time, in fact, you were more attracted to him because he was honest with you.

"Don't wait up." He blankly states, every morning he leaves. If you're lucky, he comes back at night time only to sleep - he doesn't make himself any food or drink from your home.

You got suspicious of him when you were hanging out with Mualani, and she brought up the fact someone called Ajaw wouldn't stop nagging at Kinich. When you ask who Ajaw was, rather if this was his boss, Mualani laughs.

"Ajaw probably thinks so, but they bickering too often to do any work together." Mualani tuts. "Do you never hear Ajaw? That voice is so... Annoying to hear!"

"No...I've never met this Ajaw." You hum out, Mualani gasping.

"Tell me your tricks!"

--

Once you get home from your interaction with your friend, you've had enough time to think. After some long thinking, you come to a decision. You move the stuff that's Kinich's, leaving them by the front door, and add temporary locks in addition to the one your key locks until you can change the lock.

To your surprise, Kinich sounds surprised when he notices his bags out. You refuse to open the door, having more than enough time to waste as you had a day off, and Kinich defeatedly picks up his few belongings before leaving.

--

"Hah! You should see your face!" Ajaw jeers, Mualani and Kinich groaning out at Ajaws harsh words. "Good thing _ wisened up and realised they can do a lot better than some mortal being that can't even get himself a group of companions!"

"Because you always ruin things." Mualani sighs.

"Hey, I can't take credit for this one! I never even once spoke around _!" Ajaw shrugs, putting some sunglasses on.

"I was hoping to finally get to spend some time with them. I've finally got enough cover for a few days." Kinich states, seeming to realise what Ajaw did. "...Mualani, you know how annoying Ajaw is. Do you know if -"

"Oddly enough no! Honestly, I'm jealous. Ajaw doesn't know when to shut up."

"...It seems they do." Kinich massages his temples, Mualani making eye contact with him.

"...Do you think they were suspicious you were seeing Ajaw? Yuck!"

"Hey, I can hear you, ya know?!"

"It makes sense though. They don't know Ajaw isn't even human, and also isn't mortal."

"Hahaha! Oh boy, even I didn't think keeping my mouth shut around your potential love interests would give this benefit!" Ajaw cackles, seeing Kinich's hand flying towards him. "Hey, what are - AHH!"

--

You keep getting asked if Kinich is single, each time you saying he wasn't seeing you anymore before they seem excited to pursue a taken man. It's quite concerning, really, you think theres little dignity in being the other person in the relationship.

Kinich tried to talk to you, but each time you saw him you'd make an excuse for being too busy before hearing some weird child cackling and screaming in retaliation to someone reacting to them. As much as his hurt expression spoke to you, you still knew in your mind that Kinich was in a relationship.

Even if he wasn't, you would know in your mind that you were the second choice.

[shaolin-spin-doctor]

not sure if this is a hot take but. imo. Fire God Liu Kang kinda sucks and it's the worst direction NRS could've taken his character in tbh

[rosalind-hawkins]

What Do I Ship?

Don't mistake this for a tolerance or tier list. I will read and write ships that aren't even on this list, or write ships from the secondary list sometimes, this is just to give you a general sense of the stuff I mainly support/think about and in what capacity. Might be updated periodically. Ranting and comments in the tags.

Re: the Mokuba ships, I only ship them in non-problematic ways, where either the Kaiba brothers are ageswapped, making Mokuba the same age as the rest of the main cast, or where they only get together far post-canon where Mokuba's an adult. We cool? Cool.

Primary Ships

(things I can/want to create content for; this does not include every ship I've ever written, just the ones I care about/are currently engaged in writing/plan to write multiple fics for, or ships I just stan in a way that I know it'll never end)

Euroshipping (Kaiba x Ryou)

Puppyshipping (Joey x Kaiba)

Mumbleshipping (Kaiba x Ryou x Duke)

Teaseshipping (Joey x Ryou x Kaiba)

Snareshipping (Joey x Duke)

Trustshipping (Kaiba x Ishizu)

Polarshipping (Joey x Mai)

Blueshipping (Kisara x Kaiba)

Mizushipping (Kisara x Priest Seto)

Minorshipping (Ryou x Duke)

Mastershipping (Duke x Kaiba)

Puffshipping (Joey x Ryou)

Sweetshipping (Ryou x Mokuba)

Wintershipping (Mokuba x Amane)

Rollshipping (Duke x Ryou x Joey)

Secondary Ships

(things I will read but I don't write {much, or anymore, in some cases} for one reason or other)

Wishshipping (Joey x Yugi)

Powershipping (Kaiba x Marik)

Graceshipping (Ishizu x Ryou)

Doubtshipping (Kaiba x Ryou x Marik)

Petshipping (Duke x Kaiba x Joey)

Axisshipping (Kaiba x Siegfried)

Angstshipping (Ryou x Marik)

Irateshipping (Marik x Joey)

Buddyshipping (Joey x Tristan)

Heartshipping (Yugi x Ryou)

Fragileshipping (Yami Yugi x Ryou)

Changeshipping (Duke x Marik)

Logicshipping (Priest Seto x Priestess Isis)

Gemshipping (Ryou x Thief King Bakura)

Thiefshipping (Yami Bakura x Marik)

Candleshipping (Kaiba x Ryou x Yami Bakura)

Antagoshipping (Kaiba x Yami Bakura)

Corruptshipping (Priest Seto x Thief King Bakura)

Stoicshipping (Kaiba x Priest Seto)

Shimmershipping (Duke x Mokuba)

Guardshipping (Kaiba x Roland)

Senetshipping (Ishizu x Duke)

Angelicshipping (Ryou x Rafael)

Mercuryshipping (Kisara x Kaiba x Ishizu)

Entrepreneurshipping (Duke x Kaiba x Siegfried)

Unnamed (Aigami x Marik x Yami Bakura)

Scholarshipping (Kaiba x Ishizu x Ryou)

There's also plenty of random unnamed poly ships that I want to play around with in one-shots, usually a combo of my top six fave characters.

[jytan2018]

I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.

- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.

- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.

- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.

- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).

- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.

- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.

- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.

- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.

- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).

- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.

I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:

[ID: A pink-haired Nimona grinning evilly while holding up a knife.]

Watch Nimona. This is not a request.

Edit: Added more thoughts!

[the-maddened-hatter]

Alright so I pretty much said all of this verbatim on a reblog of someone else's post, but I wanted to put it here on my blog too.

As I've mentioned before, I would *very* much like to see Peri canonically having a disability that causes him to use his wand/cane and not just have it be an accessory, and so I analyzed the episodes he's in that I've been able to see so far and came up with a few observations:

As much as I'd be unopposed to seeing it portrayed, leg issues don't really seem like a major deal to fairies in general given as Cosmo misplaced his for most of an episode and a pair of sticks were a good enough replacement for him to have fun at the arcade in human form (without even drawing human attention)

And Peri can apparently use his powers as listed above without his cane since he doesn't always immediately have it on his person (especially since Dev & Hazel took his cane in Lost in Fairy World and he didn't have any power or mobility problems)

But!

I *could* easily see him having some kind of magical fatigue issue or magical equivalent of hypotonia or balance disorder, since he's shown to be

very tired after a morning spent magically creating cupcakes (a probably small but very repetitive task that leaves him running low on energy)

When his stationary float is disrupted he remains seated instead of floating back up again

3. A minor contact/startle reflex is enough to disrupt his hover and cause him to immediately fall pretty hard if not very far

4. speaking of distance, he is shown to sometimes float a bit lower than his parents, which, while not consistent and likely just an animation choice, could tie in with the other points to support the diagnosis theory

However, pain may admittedly be more of a factor than the above images suggest,

he may not just be tired from shape shifting like I'd thought since right before that he was walking (albeit in horse form) and afterwards (low) cloud float is apparently easier and faster for him than just quickly trotting past his parents

He also didn't really seem to be having too much of a problem at all before he hit the ground

Where it goes to a definitely tired and possibly more pained look.

Maybe he didn't want to tell Dev that it was painful either out of pride or because he didn't want to potentially upset him and just went with "tired" because that was what he assumed. It'd be interesting to see if it happens again in a different form.

Personally I think it'd be cool to see both and have it be a chronic condition (directly magical or otherwise) that he already had before the series began (diagnosed or not).

If he's the first fairy kid born in a long time he probably would have been monitored very closely, but it may have taken a while for doctors to notice a problem since there was little reference for comparison and may have even caused some potentially serious problems that gave Comso & Wanda a bad scare, which could tie in pretty well with their developing a high amount of over protectiveness of him, and that in turn leading him to try and behave too far in the other direction (not seeking help when he really does need it, pushing himself way too hard and suffering the fallout which he then tries to hide, ect)

If he's undiagnosed but having the problems it could be interesting to see sort of an inversion of the "character must learn to accept their disability" storyline wherein he's more connecting certain events & symptoms and we get to see him adapting to accommodations and letting himself try different approaches moreso than to having new symptoms (though we as the audience may see these symptoms more or behaviors contextualized as symptoms where they weren't necessarily before).

Idk either way I just think it would be cool (and I've probably put away more analysis into this than will ever pay off lol)

also to everyone who draws him as a disabled mobility device user: ILY please draw more of it it feeds my soul

[primofate]

3 am brainrot

Soulmate, but Genshin Impact Style

Warning: angst (lots of potential to be fluff and comfort ending tho)

Vision "resonates" with each other and a thin red line connects your vision to their vision

Thin red line disappears, frays, or splits off when something is wrong with the connection or the other person

You can use their element and they can use yours. If you are the same element it provides an elemental increase.

Element exchange also stops or weakens when there's something wrong with the connection or the other person

There's a kind of "sixth sense" activated wherein you can kind of feel each other's psyche

Imagining what it would be like for power hungry Scaramouche to find out he has access to another element. Meets a complete stranger and suddenly he's stronger. Starts to keep you close only for that reason, doesn't care much about your well being in general. Then finding out that he can STILL use your element even if the two of you are far apart. You part ways rather abruptly, and he's not sure how long it had been when the red line starts to fray and his access to your element starts to dwindle. He doesn't think much of it, but day by day it gets weaker and day by day the red line disappears a little more. A sudden sense of "If that line disappears I won't ever be able to follow it back to y/n" so he starts following it. He doesn't really notice there's a sense of urgency in him, he tells himself its only because he wants the power back, but when he rouses from a short rest to find that the red line is gone... why does it suddenly feel like he's all alone again?

Imagining characters like Xiao, Cyno and Alhaitham who completely rejects using your element. They don't need yours. They are just fine and all is well using only their own. In a sense they take pride in what they have, and doesn't really care for what power you can give. They aren't interested in maintaining a relationship with a stranger either, because, what for? However, you're slightly persistent in at least getting to know a little about them. Just a tiny bit. But that tiny bit is enough to push them to tell you he's not interested in any kind of chit chat, that he's busy and needs to focus on other things. So you turn away. Out of curiosity one day he tries to use your element. It strangely gives him the feeling of warmth. Like someone's protecting and watching over them (and for someone who always does the protecting, this is a big deal). One day, the line breaks off, there's a clear split and he wonders if all is well. He follows the line back to you, and finds out that you've been spending a good amount of time with someone else. Someone who you smile at very brightly, and someone who is interested in getting to know you. What's he to do? This was his doing. So why does he feel like coming over and snatching you away?

Imagining characters like Diluc, Neuvillette and Wriothesley, astounded but somewhat pleasantly surprised by the discovery. He neither rejects you nor accepts you, but feels a sense of responsibility over you just because of the connection made. But because they have their own things to be busy with, they don't exactly actively seek you out or have the time to check in frequently. Perhaps it's a monthly thing, following the line and looking for you. There's a relationship that looks like the beginnings of friendship. A little awkward, asking questions and fumbling for more questions to ask. Still, something builds, and just when the ice is about to break between the two of you, he follows the line...and somehow ends up out in the wild. Your vision is buried next to a tree, for a moment he's struck with panic that he would find your body buried, but judging from how the red line was still intact, you were most likely safe somewhere... however, he would never see you anymore, nor know the reason why you decided to hide. All of a sudden he wished that he had more time. He doesn't know whether this situation was comforting or concerning. He has you in the palm of his hand, but never close enough to fill the empty gap.

Imagining characters like Zhongli, Dainsleif and Tartaglia, who, despite their appearances is instantly intrigued by the connection. They don't need the additional power, but they keep the connection anyway because they partly feel that destiny is something you can't change. The closeness between you two easily grows and here is when you first approach him with a favor.

"Can you help me with something?"

"Of course. Would tomorrow be a good time?"

There's a bit of a pause on your side. "Tomorrow..." and its as if you look up at him with more sparkle in your eyes than usual. "...Yeah. That'll work. Thank you," the way you say thank you is so sincere and loving it almost brings him to a joy he hadn't felt in a long time.

He woke the next day. The connecting red line was nowhere to be found.

[acid-ixx]

Imagine Wally West being the one to have a crush/obsession with reader, it would be cute, however l feel like it would be as if Reader is trying to overcorrect in a way

Instead of dark hair he has bright hair, instead of dark and brooding he’s very vibrant and carefree, instead of no powers all skill he has powers and skill, plus reader can give him a hand signal and BOOM they are back home in sweatpants, watching the latest show they are obsessed with, talking about which actor is better for the main character

On the other hand, I can totally see Wally as the best friend that gives the shovel talk to potential love interests as well as the friend who will straight up ask if reader wants to move in. He’s just so… friend shaped and safe feeling

a/n: imagine waking up to over 20 detailed asks, couldn't be me! but seriously, i enjoy how all of you are into the series as much as i am. there's so much lore potential and love interests that i can insert or another yan! family who would be more than willing to take you away from your batfam so i can see this series being longer than all my other writing.

i'll admit, i never thought of wally being a contender for a love interest but this is so interesting... your reason for being close to him is "if dangerous, why friend shaped?" (albeit unknowing of his love for you) but you just don't want to admit that he's your form of coping by exposing yourself to a person who's straight up the opposite of your family.

though, you have so many other advantages than his physical traits, which would be the power he hones; his speed. sure, you have to get used to the first few months of motion sickness but with enough practice, you'll be blazing off and away from any momentary danger— that danger being your family.

wally often does get flirtatious with you. which means unlike your living circumstances beforehand, you'll be faced with constant compliments and attention here and there that you ought to never notice.

oh, your hair looks so slick and shiny! did you use the new shampoo he bought for you? ohh, you look so adorable wearing his pajamas! you should match with him more often. the necklace he bought for you totally complements your eyes! you should go on a movie date today, babe!

— oh, sorry, did you hear him call you babe? that's totally what friends call each other when they're as close as peas in a pod, you know? it sucks a lot that you never had someone as close as wally. but worry not, darling; he'll make sure you never have to ask for his love, not when he's quicker to reciprocate it.

did he just call you darling?

nevermind that, ahah. wally would totally be the type to glare at anybody who thinks they're better than him when it comes to hitting on you. sorry stranger, but he's your bestest and closest friend in the world, he's your future roommate, your future boyfriend, and nobody could ever reach that level— not that you'd hear that from him directly, but he'll pass that message on anybody who thinks they have what it takes to flirt with you.

after that incident, he'll offer you a place at his apartment, or somewhere far, far away where only a speedster like him can reach; just to guarantee your ultimate protection from obstacles like your family or anybody else interested in you.

yeah! he's such a good friend.

[ineffable-romantics]

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

___________________________________

Bonus feature: the very silly notes I made to myself that inspired this post

[charismaofobedience]

ranking the milgram characters by how they'd hold babies if their bouquets were actual babies

MAHIRU SHIINA — 10/10 MOTHER MATERIAL

Solid and overall perfect stance. If we ignore the slightly bunched back, she's perfectly holding both the lower part of the baby and the upper part by giving legs and back/head support, protecting them and having a solid hold on the kid in a way there's no chance the baby would fall unless she's really distracted. Congrats mappi

YUNO KASHIKI — 9/10 UM GUYS UM

Thank god this young lady has no kids! Overall Yuno's hold is very solid. She isn't giving full protection on the upper part of the body but by her hold the baby would be fully resting upon her own body in a way they'd only fall if they make some parkour to roll out of her grasp and fall into his back. Contrary to mappi she's not shielding the baby so they'll probably see amazing things like jackalope and the walls of milgram and the other prisoners.

SHIDOU KIRISAKI — 9/10 SOLID FIRST TIME DAD HOLD

This is the baby hold of a man who just saw their children being born and is now holding them for the first time. You can see he knows the basics like holding the legs and resting their body into your arms but there's way too little protection in their back when compared to yuno who can give the baby uppies so they don't fall. Shidous isn't as much of a "hold" as much as it is a "there's a baby resting in my arms" and that's okay!

MIKOTO KAYANO — 7/10 SILLY UNCLE

Not a parent hold as much as it is an uncle hold! They're not exactly holding the baby properly but they're probably keeping support to the kid by holding them by the legs and making them rest the upper body against his own which again quite dangerous but it's okay because this dude isn't the parent as much as he is those uncle's that would give insanely annoying toys as gifts for the children to annoy their parents

KAZUI MUKUHARA — 4/10 KID GRASP

he's literally just grasping the kid by their back as if they're a sack of oranges this is great. Either that or the kid is just hanging to him by grasping his shirt and fighting for it's life as he holds their back against him. Bad hold but not horrible I wouldn't trust him with a child but it's okay. Almost passable grade.

FUUTA KAJIYAMA — 2/10 POTATO SACK

This guy is holding this baby as if they're a potato sack. As if he'll just hit someone up with this baby. The baby is at least FULLY leaning into the shoulders as we can see so it means they won't immediately fall and someone can save them but the way he's grasping the baby's legs is worrisome. That's a potential trip to the hospital. Do not trust fuuta kajiyama with your babies he will turn them into gamers

MUU KUSUNOKI — 1/10 PEEKABOO

Why are you hiding the poor baby from its parents. this kid is probably keeling over to the front and will soon fall into his head but for now they're safe because they're at least leaning upwards. This is probably some workout because holding a baby like this would be painful as shit the shoulders would be sore. Bee/10

HARUKA SAKURAI — 0/10 HE HAD TO DO IT TO EM

We can excuse Haruka because if I was in his shoes I too would probably hold a kid by doing the i had to do it to em pose. Upside down. This kid will immediately fall into his head and get some good injuries the moment his hold on their legs slips and the baby falls. Haruka Sakurai can play with babies but both should be on the floor, do not let him pick them up.

KOTOKO YUZURIHA — -1/10 LIFTING

Like harukas but with one hand. Somehow more dangerous because as we can see this baby is actively attempting to walk away and is therefore not only more likely to slip because of that, but because Kotoko is holding them with one hand only. this baby will fall directly into their mouth and start crying for hours on end because kotoko couldn't even give the kid both of her hands to hold them.

AMANE MOMOSE — FLOOR/10

floor

[imaginespazzi]

Part 6: To Trying Again

Masterlist - Part 1 - Part 2 - Part 3 - Part 4 - Part 5 - Part 7 - Part 8 - Part 9

I don't wanna mess this thing up (I don't wanna push too far)

(In which an "evil" writer might surprise you guys just a little bit with this part)

Pairing: Paige Bueckers X Azzi Fudd

Themes: Fluff and Angst

Words: 5.6K

TW: Swearing (I think that's it?)

A/N: Happy Monday lovelies! This is sort of a filler-ish short chapter though I do think it's important to both plot and character development. I'd like to preface this by saying I've never been to Minsk or Park Pieramohi so I'm very much going off of pictures. Editing and I remain on very, very bad terms so pretty please let me know of typos so I can fix them. As always, let me know what you liked, what you disliked and what you'd like to see going forward. Have a lovely rest of your week my loves <3

July 2018 

“You’re being too loud,” Azzi whisper-screams at the blonde girl in front of her as she closes the door to her room behind her with a little too much force. 

Paige turns her head back every-so-slightly with a pronounced eye roll, “will you please relax.”

“I would if you’d just be a little more careful,” Azzi glares, taking cautious steps as if the sound of her sneakers across the carpeted floor could potentially wake up any of the coaches. 

“Azzi,” Paige says exasperatedly, “the coaches are all the way on the other end of the hallway. Besides, they're probably all sleeping.”

And despite her stubbornness, Azzi can concede that Paige has a point there. It’s nearly midnight and the game against Spain earlier in the day might have had a final score that made it seem like the USA U17 women's basketball team had won handily, but the game itself had been draining to say the least. The post-victory dinner had featured a bunch of worn out teenagers gobbling their food without much conversation and a cohort of coaches who seemed like they needed an hour of drinking followed by good night’s sleep. But even the exhaustion of the day hadn’t been enough to prevent Paige Bueckers and her diabolical mind from coming up with the idea to sneak out into the city of Minsk. 

“No,” Azzi had said immediately even before the words had been spoken, that shimmering glint in Paige’s eyes a dead giveaway as she sidled up to Azzi at the salad bar. 

“You don’t even know what I’m going to say,” Paige had pouted. 

“You never say anything good.”

“That’s crazy. You’re so mean to me.”

“So mean,” Azzi had nodded in agreement, “so how about you go and bother someone else.”

“Azzi please. We haven’t had just Paige and Azzi time in ages. Don’t want someone else. Just want you.”

And after that well, there wasn’t really any chance of saying no. Azzi’s only fifteen and she doesn’t know that much about love, but sometimes when Paige looks at her with those earnest blue eyes and a smile that promises i’ll always be here, she thinks the way her heart starts to flutter erratically to a beat of and i wouldn’t want anyone else to stay, might just be the start of her finding out. 

“See,” Paige grins triumphantly as the two girls find their way out of their hotel and onto the street, “told you we wouldn’t get caught. Shit’s just too damn easy.”

Azzi rolls her eyes at the attitude, “don’t tempt fate.”

“Fate’s got nothing in front of Paige Bueckers. I make my own fate,” Paige winks as she links her arms through Azzi. 

It’s a mundane amount of contact, absolutely nothing special to it, but Azzi feels herself shiver in spite of the humidity that’s circling around them. She doesn’t quite know how it happened. One moment she was staring across the court, judging the skinny blonde practicing free throws and coming to the conclusion that she’d be no threat; the next moment said girl was next to her on the plane back from Argentina and Azzi, a self-admitted introvert, found herself rattling off about everything and nothing with this girl who seemed to have discovered the keys to all of Azzi’s locks. Hours of talking had bled into days and days had bled into months and despite the fact that facetime had taken the place of in-person conversations, the word friendship had seemed too cavalier a word to describe the relationship Paige and Azzi were building. 

Paige had whittled away all of Azzi’s carefully constructed armor until she was buried deep underneath her skin and Azzi’s sure there’s no knife in the world sharp enough to carve the blonde out from where she lives underneath Azzi’s ribcage. Azzi doesn’t want anyone to try and dig her out. She  thinks she might bleed out if they do. 

“Az,” Paige whines, waving her free hand in the younger girl’s face, “are you even paying attention to me?”

“That depends,” Azzi hums, “are you saying anything interesting?”

“I’m always saying something interesting.”

“You’re always saying something. The interesting is subjective,” Azzi teases, laughing when Paige pouts. 

“I sneak you out to give you an adventure and this is how you repay me? With insults?” Paige puts a dramatic hand to her heart.

“Walking boring streets is not an adventure. Virginia has streets too.”

“It’s not about the streets, it’s about where the streets lead to,” Paige says with grave seriousness. 

Azzi raises an eyebrow, “are you entering your philosopher Paige era?”

“I’d make a good philosopher,” Paige waggles her own eyebrows as they two girls find themselves entering park Pieramohi. 

“Virginia has parks too, you know Paige?” Azzi says skeptically. 

Paige lets out a dramatic sigh, “will you just keep walking, woman. Sometimes I wonder if you even like me?”

It’s said like a joke but there’s a hint of insecurity beaded into it that buzzes in Azzi’s ears as she wraps a careful hand around Paige’s wrist, stopping the two of them where they are. 

“Hey,” she whispers softly, nudging the older girl, “you don’t ever have to wonder with me. I’m always gonna like you Paige. Even if you’re a pain in my ass half the time.”

“Had to ruin it with the last part, didn't you?” Paige complains but her eyes twinkle at the reassurance, “Just so you know I’m gonna be a pain in your ass forever.”

“I’m gonna hold you to that,” Azzi promises as they continue strolling through the park. 

The silence is peaceful and the breeze that flows around them is like a comforting hug. And Azzi thinks that she’d be okay if there wasn’t a destination for them to get to, as long as the journey came with Paige by her side. 

“We’re almost there,” Paige says slowly, a slightly nervous edge to her voice. 

“You sure you’re not just getting us lost-” the teasing quip dies on Azzi’s tongue as she stares at the scenery in front of her. They’re standing on the edge of a bridge overlooking a lake and it looks like something out of a disney fairytale; the picturesque image of green trees silhouetted against a magically starry night is captured perfectly on the still surface of the water that’s flowing beneath. As Azzi peers across the railing, Paige right next to her, she feels her breath hitch at the reflection that peers up at her. Because the view in front of them is beautiful but Paige’s eyes are on Azzi and she’s staring at her as if the view is nothing in comparison. 

“C’mon,” the blonde says softly, lacing her fingers through Azzi’s as she tugs her along, “I have a plan.”

“There’s more?” Azzi asks in awe as Paige guides her to the gazebo in the middle of the bridge. 

“Just a little bit,” Paige says and oh- that shy smile is different. Azzi doesn’t think she’s seen that one yet and she makes a mental note to herself, to memorize it and store it along with all of Paige’s other smiles that make Azzi’s insides swoop like a rollercoaster. 

She watches intently as Paige begins to peruse through the purple rucksack she’d been carrying. The first thing out of it is a picnic blanket and then a horde of different snacks, all of Azzi’s favorites. Two plastic champagne glasses are next and then a sheepish grin as Paige pulls out a bottle of soda. 

“Couldn’t quite risk trying to get alcohol,” Paige scratches at her neck. 

“Next time maybe,” Azzi shrugs as she helps Paige set up the arrangement and she feels herself fluttering at the thought of doing this again and again and again. 

“How’d you even find this place?” she asks as Paige begins to pour out the soda. 

“You ever heard of googling?”

Azzi rolls her eyes at Paige’s teasing smirk, “how’d you even have time to do this?”

Paige is quiet for a second as she passes Azzi her glass, “wanted to do something special for us,” she says quietly, keeping her eyes intently on what she’s doing as she pours out a drink for herself, “wasn’t hard to find time for you.”

“You could be a poet, Paige Bueckers,” Azzi whispers and she knows it’s unfair of her but she thinks it anyway. As long as all your poems are about me. 

“The poets are lucky I chose a ball instead of a pen. They’d be out of a job otherwise,” Paige says, trying to ease back into the more familiar arrogance. 

“Always so humble,” Azzi says, rolling her eyes as she holds up her glass, “alright what are toasting to?”

“I came up with this whole thing. You can come up with a toast,” Paige scrunches her nose and Azzi shakes her head at it. 

She thinks for a second before smiling brightly at the girl in front of her, “let’s just keep it simple and toast to us.”

“How original,” Paige teases but she clinks her glass against Azzi’s anyways, “here’s to us.”

“Here’s to us,” Azzi repeats as they both take sips of soda. 

They melt into a comfortable silence, relishing in this rare moment where there isn’t a screen separating them from each other. Facetimes is a wonderful creation but a blurry screen, Azzi decides, doesn’t nearly do justice to just how damn pretty Paige is. Her hair is golden as it basks in the glow of the moon and Azzi wonders if the stars are jealous of how brilliantly the blonde’s blue eyes twinkle.

It’s Paige who speaks first, her voice hesitant, “you uh- you never asked me how my date went a couple of weeks ago.”

Azzi feels her whole body go rigid. She’d almost forgotten about Paige’s wretched date. The blonde had told her about it a couple of days before the actual event and Azzi had played the dutiful role of a best friend, teasing Paige with a light-heartedness she didn’t feel and congratulating her with an excitement that came from anywhere but from the heart. She’d purposely avoided Paige’s calls the day of the date and then two days after, coming up with some sorry excuse she no longer remembers. On the third day, when the hollow ache of i miss her voice in her chest had become too hard to ignore, Azzi had finally picked up the phone and diverted the conversation straight to a different topic. She hadn’t thought of the date since. 

“Guess it slipped my mind,” she says airily, fingers gripping the edge of the picnic blanket. 

“I could tell you about it now,” Paige says slowly. 

I’d rather you didn’t, Azzi thinks but that’s a thought that veers a little too out of the sphere of best-friend-isms and so she simply nods her head, “y-yeah tell me about it. How was it?”

“It was nice,” Paige begins and there’s something hidden in her tone that Azzi can't quite place but she’s a little too busy sulking at the idea of Paige with anybody else to try and decipher it, “dinner was good. Took her to a movie after. That was good too.”

“That’s cool P. I’m glad- I’m glad you had fun,” Azzi says nonchalantly, gripping the glass in her hands just a little too tight. 

“I didn’t.”

“What?”

“I didn’t really have that much fun,” Paige clarifies and Azzi gawks at her in confusion as the older girl fidgets with the frayed edges of the picnic blankets, “just didn’t- didn’t feel right. Don’t think she had much fun either. She never texted me after.”

“What a bitch,” Azzi bites out, suddenly irrationally angry at a girl she’d never met because how could anyone possibly not have fun with Paige, “I’m sorry P. You deserve-”

“I didn’t care that she didn’t text back-”

“Still. It’s just the decent thing to do,” Azzi rants. 

“Maybe,” Paige shrugs, “but I didn’t have time to care about that. I had other things on my mind. Like the fact that you weren’t talking to me.”

Azzi flinches at the accusation, rushing out her previous defense, “I was busy.”

“Bullshit,” Paige sneers. 

“Paige-”

“But I get it,” the older girl says softly as she reaches for Azzi’s hand, tugging the brunette closer to her and Azzi feels something inside her erupt at how close their faces are, “I probably wouldn’t have talked to you for two days either if you went on a date with someone else.”

“Oh,” Azzi breathes out and there’s probably something more eloquent she should say but there’s this realization of maybe you feel it too that’s beginning to creep up her spine, rendering her speechless as Paige continues to stare at her like she’s mapping out all the tiniest details of Azzi’s face. 

“The whole date, I kept thinking how you wouldn’t order what she ordered off the menu or that you would probably hit my hand if I tried to steal something off your plate but then give it to me anyway. And that the movie would never have been so quiet with you and we’d probably get yelled at for giggling too much and I-” Paige pauses, dragging in a deep breath, “I definitely would’ve kissed you at the end.”

A sigh of relief escapes Azzi’s lips, “you didn’t kiss her.”

“No,” Paige confirms as she drops her forehead against Azzi’s, “but I-,” the blonde gulps nervously and Azzi can’t help the way her hand reaches up to caress the blush forming on Paige’s cheeks. 

“Ask me,” she whispers.

“I really want to kiss you,” Paige confesses, voice shaking slightly, “can I kiss you?”

Azzi doesn’t say anything, choosing to reply instead by pressing her lips softly against Paige’s. They move slowly at first, testing each other’s boundaries and savoring their first taste of each other. Azzi pulls the older girl onto her lap, hands firmly on Paige’s hips as the other girl clasps her own hands around Azzi’s neck.  It’s a little messy and uncoordinated and Azzi thinks they might need to practice a little more to really get it right but still, it’s everything.

And Azzi just knows

She knows it then just the way she knew Tim was meant to be her dad. The way she knew Jon and José were meant to be her brothers. The way she knew she was meant to play basketball. Azzi knows that she’s meant to fall hopelessly in love with Paige Bueckers. 

March 2033

There are three things Azzi should do. 

Push Paige away 

Tell her this a bad idea 

Run the fuck away

She does none of the above.

Instead Azzi kisses Paige back. 

And it’s still everything. Like the sun and moon are colliding and creating something so insanely powerful; something that feels so eternal. 

There’s nothing soft or slow about it as Paige presses every inch of herself into Azzi until she can feel Paige’s heartbeat as strongly as she can feel her own. It might be impossible but she swears their hearts are talking to each other, tapping out rhythms against each other’s chests that confess all the things their owners are too scared to say. And Azzi wants nothing more than to lose herself completely in the moment because Paige’s lips feel like a drug and Azzi thinks she might just be an addict in relapse. 

Except to relapse, you need to have recovered. And Azzi doesn’t think she ever fully recovered from Paige. 

It isn’t until she feels her back hit the edge of a desk and the sound of something crashing onto the floor infiltrates her ears, that Azzi finally comes to her senses. She tears her lips away from Paige as the older woman groans in protest, arms tightening their hold on Azzi’s waist so she can still have some semblance of control over the situation. And really Azzi knows she’s strong enough to escape Paige’s grip, could easily fight it if she wanted to. But well, she doesn’t want to. And Azzi’s tired of doing things she doesn’t want to do. 

“Paige-”

“If the next words out of your mouth are ‘we can’t do this’, Azzi I swear to god I’m going to kill you,” Paige threatens, pressing her forehead against Azzi’s. 

Azzi laughs softly and she can feel Paige’s whole body relax at the sound of it and like clockwork, she feels the tension beginning to release from her own muscles, “if you kill me then we definitely can’t do this.”

“I’ll revive you after or something,” Paige says with a half-smirk. 

“Or something,” Azzi rolls her eyes, “but we can’t-”

“Azzi,” Paige groans. 

“We can’t do this right now and definitely not here,” Azzi amends, alluding to the fact that they’re still in Steph’s office. 

Paige raises an eyebrow, cocking her head slightly, “but we can do this later? Somewhere else?”

The question lingers between them as Azzi bites her lip. She knows what this is, knows that it’s Paige putting the ball in her court. A ‘no’ would likely be the end of things and that scares her more than she’s willing to admit but she’s not quite ready to commit to a ‘yes’ yet, even if that flame of desire inside of her, the one that can only be lit by Paige, is blazing hot through her veins. 

“I don’t know,” Azzi says carefully, shivering at the way Paige’s thumb is rubbing circles against her waist, the flimsy material of her shirt doing nothing to prevent the goosebumps forming on her skin, “TBD.”

“That’s not a no,” Paige says carefully, hope blossoming freely on her face. 

“That’s not a yes either,” Azzi warns half-heartedly. 

“But it’s not a no,” Paige presses. 

“No,” Azzi admits, playing with the neckline of Paige’s shirt, “it’s not a no.”

And Azzi’s so scared of the future, scared that if she lets herself burn, she’ll incinerate everyone around her but there’s something in the way Paige smiles at her words. Something that feels a lot like a promise of i’ll be the rain that washes out the fire before you can turn us to ashes. 

“I can work with that,” Paige says softly, tilting Azzi’s chin up. 

“So desperate to get back into my pants Bueckers,” Azzi teases and she expects a witty remark in return but instead she’s met with nothing but sincerity. 

“So desperate to get back into your life,” Paige whispers, voice cracking on the last two words. 

Tears prickle against Azzi’s waterline as she stares in awe at the girl in front of her. Sometimes she thinks Paige doesn’t even know that there’s a halo of goodness sitting above her head, doesn't even know just how beautiful her soul is. Paige is stunning on the outside; it’s something no one can deny. But it’s nothing compared to how gorgeous she is on the inside, nothing compared to how kind, how humble, how forgiving Paige is. 

“Why?” Azzi asks, her tone rife with heaviness. 

“Why what?” 

“After everything, after all this time, why would you still want to be in my life?” the tears fall harder as Azzi struggles to breathe, “I- I broke your heart. I broke us. How could you possibly want that again. How could you possibly want me again?”

Paige's eyes soften as she cups Azzi’s cheeks, thumbs brushing away at the drops of water running down them, “because you’re Azzi. My Azzi. And I get it- I get that you’re not ready to be all in on this with me yet and if I’m being honest with myself, I’m not completely ready either. But we can work on it right? Take it slow and see where it goes and maybe we’ll- maybe we’ll be even better this time.”

“You think so?”

“I believe so.”

Azzi presses her lips delicately against Paige’s, reveling in the way it makes Paige’s breath hitch. She pulls away faster than she would like herself and Paige chases her lips, eyes still closed. 

“What was that for,” the blonde asks, slightly dazed. 

“For being my Paige.”

***

Azzi taps her foot impatiently against her wooden patio as she glances at her phone clock for the umpteenth time. Paige is almost twenty minutes late to pick her and Stephie up to go to dinner at her parent’s house. The invites had technically been separate but Paige had insisted that they needed to go together because Paige didn’t want to walk into the house alone. Azzi’s not sure why Paige is nervous to see her dad and brothers again, not when she’s pretty sure they’re bursting with excitement to see the blonde whose pictures still have a permanent place on the family photo wall, but if Paige wants Azzi by her side, well she’s not going to say no. Not anymore. 

 It’s been a week since they’d agreed to take things slow and Azzi’s still not quite sure what exactly that means, but she thinks she likes it. She likes being able to call Paige and not having to come up with a lame excuse for why. She likes that she and Paige can take Stephie out for ice cream after Curry Camp and they don’t have to pretend they’re only tolerating each other’s presence for the little girl’s sake. She likes that they can brush their pinkies while walking and instead of jolting away, they simply just link them together. There’s boundaries of course. No sleepovers at either of their houses. No doing anything more than kissing. No kissing in front of anyone else and definitely no kissing in front of Stephie. No doing anything in front of Stephie really. And there’s still so much mountain left to climb but as long as they’re pushing up it together, Azzi doesn’t think there’s any incline steep enough to stop her from continuing up this path.

“Miss Buecks,” Stephie squeals as Paige’s car rounds the corner into Azzi’s driveway. 

Paige steps out of the car, arms wide open and ready to catch Stephie as the little girl goes tumbling down the front porch, aiming straight for the blonde. Azzi’s not an artist by any means but if she was, she thinks she could paint a thousand pictures of Stephie and her Miss Buecks. It terrifies Azzi a little bit, just how perfectly Stephie fits into Paige’s side but it calms her too because there’s a part of her that’s in love with how much they love each other.

“You’re late Bueckers,” Azzi chides as she follows her daughter’s path down the patio stairs. 

Paige grins, shifting Stephie on her lap as she opens the side door to her car to pull out two bouquets of flowers

“Will these make up for it?” she asks slyly as she hands the larger one, an assortment of pink flowers, to Azzi and a slightly smaller bouquet of purple hydrangeas to Stephie. 

“These are so pretty Miss Buecks,” Stephie gushes before pressing a kiss to Paige’s cheek left cheek and Paige beams at the compliment, “thank you Miss Buecks.”

“You took that long to get flowers?” Azzi asks with a raised eyebrow. 

“Mama,” Stephie chides immediately, “you’re supposed to thank someone when they give you a gift.”

“Yeah Azzi,” Paige’s eyes glimmer with mirth, “thank me like Stephie thanked me. Don’t you think Mama owes me a kiss on the cheek Steph?”

Azzi narrows her eyes at the scheming pair in front of her as Stephie nods animatedly at Paige’s question, “yeah Mama you owe Miss Buecks a kiss on the cheek.”

Shaking her head, Azzi walks over to Paige taking deliberately steady steps. Slowly Azzi leans in, puckering her lips. Paige closes her eyes and Azzi winks at Stephie who’s eyes widen. 

“I’m waiting,” Paige sing-songs, a self-satisfied smirk taking over her features. 

And instead of the promised kiss, Azzi licks a sloppy strip down Paige’s cheek and the blonde shrieks as both Azzi and Stephie burst into laughter.

“EW AZZI GROSS,” Paige whines, hurriedly rubbing her shirt against her cheek, “is this what you’re teaching your daughter?”

“I’m teaching my daughter not to let anyone manipulate her,” Azzi says, giving Paige a careful look, “now why were you late?”

Paige grins sheepishly as she opens the door to the backseat of the door. A lavender car seat is placed on the left side of the car and Azzi feels her heart lurch with no one’s ever cared like this. 

“It’s pu-ple,” Stephie claps excitedly, “is it for me?”

“Of course it is,” Paige confirms, booping Stephie’s nose before looking at Azzi, “it’s just- we uh- we always have to take your car cause it has the car seat and moving it between cars is such a hassle. So I just thought- you know- I just thought it’d be cool- useful- practical- if I had one too? And this way if you ever need me to take Stephie off you then I uh- then you don’t have to worry about me driving. I don’t- I don’t really knows much about car seats but I looked it up online before and the person at the store agreed that this is definitely the best one- like I swear it’s safe-”

She’s cut off by the feel of Azzi’s lips pressed to her cheeks. 

“Thank you Paige.”

***

Just as Azzi expected, Paige merges herself back into the Fudd family with the same ease she’d first had when she’d carved out a place for herself almost a decade and a half ago. It’s a little emotional at first when Tim opens the door, a smile almost as big as him decorating his face as he pulls Paige into a hug even before she can say a word. 

“Welcome home kid,” he whispers into her blonde hair and Azzi doesn’t have to see Paige’s face to know that her best friend is blinking away tears. 

Guilt surges in Azzi’s stomach and she tries to swallow away the lump of i took this from her that’s blocking her throat. It had been so simple at 15 to give Paige a part of her world; Azzi hadn’t thought twice about it. And then with the snap of her fingers, she’d taken that world away. She knows her parents had never cut Paige out; hell they’d been at her wedding to some other woman -and Azzi had pushed them to go knowing Paige would need it- but it was a far cry from what they’d been. A far cry from when Paige’s schedule was a key factor while planning Fudd family summers. 

“Hey,” Stephie pouts, tiny hands crossed over her small body “I thought you always gave me the first hug Pops.”

“We’ll make an exception today,” Tim says with a wink before letting Paige walk into Katie’s arms and spinning his granddaughter around, “but you’re always gonna be my favorite.”

“I better be,” Stephie threatens and the adults around her laugh. 

And finally it’s Azzi's turn to be pulled into one of her dad’s patent bear hugs. She goes willingly, always at her most warmest in the arms of the man whose blood might not run through her veins, but whose love had always protected her from the cruelties of the world. 

“You look really happy today sweetheart,” Tim says softly. 

Azzi’s eyes flitter over her father’s shoulder to where Jon and José are embroiling Paige in a group hug with Stephie in the middle of it, screaming about finally having their “white sister” back, as Katie and José’s fiancé Tallulah roll their eyes at the group of them, and she can’t help but smile into her dad’s shirt, “I feel pretty happy today.”

*** 

“You cheated,” Jon yells. 

“Miss Buecks does not cheat,” Stephie yells back loyally. 

“Don’t get into this Stephie. You don’t know her like we do,” José glares at Paige who narrows her eyes at him, “she’s been stealing from the bank.”

“Miss Buecks does not  steal,” Stephie defends again, wrapping her arms around Paige’s neck from behind as the blonde presses a quick kiss against Stephie’s temple. 

“It’s okay Stephie,” Paige reassures, gently swinging the little girl into her lap, “some people are just sore losers.”

“Can’t be a sore loser because I didn’t lose-” José coughs and Jon corrects himself immediately, “because we didn’t lose.”

“Y’all let it go,” Tallulah groans, leaning her head back against the sofa, “it’s literally just monopoly. Please, I'm so tired.”

“Just monopoly? JUST MONOPOLY?” José guffaws dramatically, “I can’t believe I’m marrying someone who doesn’t understand that it isn’t just monopoly Tallulah. It’s about liars and cheats and honor-”

“Miss Buecks has plenty of honor,” Stephie says stubbornly, leaning her head back against Paige’s chest.

Jon rounds on Azzi, who’s been silently watching the situation, “did you help her cheat?”

“Excuse me?” Azzi asks, glaring at her brother from where she’s been comfortable reclining on the sofa. She’d opted to be the banker instead of playing, content just handing out money to the rest of them while watching the game unfold. But really she hadn’t been paying much attention to anyone else but her daughter and Paige. Stephie didn’t quite understand the rules yet and so she was always on someone’s team. It had been a given tonight, that of course she would be with Paige. And Azzi had watched, trying not to be too obvious, with a foolish grin on her face, as her two favorite people whispered to each other, Paige listening intently to all of Stephie’s ideas whether they were good or bad. 

“Oh good point,” José turns to look at Azzi too, “you’re the banker, did you help Paige cheat?”

“Mama would never cheat,” Stephie argues defiantly as Azzi pushes herself up from the sofa to send a menacing look to both of her brothers. 

“I’m not going to dignify that accusation with a justification,” Azzi says, standing so she’s towering over her two brothers who are still sitting on the floor, “now clean up the game. It’s almost Stephie’s bedtime.”

 They might be well into their twenties and José might be taller than her now, but they’re still not quite  immune to Azzi’s wrath. Tallulah and Paige snicker as the two men, sulking at each other, obey their older sister's command without another word. 

“You’ve gotta teach me how you do that,” Tallulah says, hi-fiving Azzi who smirks in response. 

“Miss Buecks,” Stephie whispers, “what does dig-ni-fy mean?”

“Mean she’s not gonna entertain your uncles being dumba-”

“Paige!”

“Being dumbapples,” Paige corrects and both Azzi and Stephie give her an odd look at her ridiculous attempt at saving the bad word from leaving her lips. 

“Alright Stephie-bean,” Azzi says, pulling her daughter off of Paige’s lap, “it’s late enough. Off to brush your teeth you go.”

Stephie looks hesitantly between the staircase leading up to the guest bedroom -where she and Azzi normally stayed- and Paige. 

“Can Miss Buecks stay with us tonight?” she asks softly, one hand bunching in Paige’s shirt as she stares up at her mother with large doe eyes, “please Mama.”

“Stephie I don’t think-” Paige begins, ready to stick to the boundaries they’d laid out for themselves and really Azzi should let her; should follow her lead really.  

Except the words are tumbling out of her mouth before she can stop them, “yeah she can- she can stay.”

“YAYY,” Stephie squeals, jumping into Azzi’s arms as Paige stares up at her in surprise, “thank you, thank you, thank you Mama. I’m so happy,” she swings from Azzi to Tallulah, “aunty Tully did you hear? Miss Buecks is gonna stay with us and you can make her your famous pancakes in the morning.”

“I can, can I?” Tallulah asks with a raised eyebrow as she lets Stephie and her excited chatter lead her towards the bathroom. With Jon and José both having already started towards their own rooms and Azzi’s parents fast asleep, it leaves just Paige and Azzi in the living room. 

“You’re okay with me staying?” Paige asks softly, finally lifting herself from the floor and onto her feet. 

Azzi scratches the back of her neck, “if- if you want to. You don’t have to. I can- I’ll explain to Stephie-”

“I want to,” Paige says, taking a cautious step towards Azzi, “but the rules?”

“This doesn’t count,” Azzi justifies and Paige smirks, taking another step towards the brunette. 

“It doesn’t?”

“We said no sleeping over at each other’s places. This is my parent’s house. So technically it doesn’t count,” Azzi shrugs, trying to keep her face from breaking into a grin as Paige moves one more step closer. 

“And where exactly am I sleeping?” Paige asks with a knowing grin as she loops an arm around Azzi’s waist, briefly checking to make sure no one’s around. 

Azzi tilts her head, letting the grin break through, “I think Stephie would like it if you slept with us.”

“Ah well if that’s what Stephie would like,” Paige says, nodding commiseratingly. 

“For Stephie’s sake,” Azzi repeats as she wraps her arm around Paige’s neck, pressing her forehead against the older girl’s and letting herself just breathe in the peace that comes with being all consumed by Paige. 

“Azzi,” Paige’s voice is laced with uncharacteristic vulnerability as she speaks again, “you won’t- you won’t run away again tomorrow morning will you?”

“No,” Azzi promises, gently brushing her lips against Paige’s, “I won’t run away again.”

[fuckyeahgoodomens]

David and Michael interview with Emily Aslanian for TV Insider, 10.7.2023 :)

David: So Gabriel shows up at Aziraphale's bookshop naked. He's lost his memory. Where does that leave our good heroes?

Michael: Well, Aziraphale, for someone who is of a slightly nervous disposition, for a naked... his ex boss to turn up outside his bookshop in Soho in the daytime, naked and wanting a hug, is not necessarily what Aziraphale had on his bingo card that day. But once he comes in and Aziraphale has to take him in, we discover that there is a mystery to be solved.

David: Yes.

Michael: And Aziraphale enjoys a mystery, but doesn't enjoy things like the end of the world or the stakes being that high.

David: He enjoys the mystery a little too much for Crowley's like.

Michael: He does a little bit.

David: Crowley just wants this sorted and he doesn't want you indulging your fantasy of being a private eye.

Michael: That's right, Aziraphale gets to really enjoy that. But they are forced, you know, they're a team of two now anyway, because they become detached from their respective head offices. But this forces them together even more. They've only got each other to rely on and they have to solve this mystery. And the clock is ticking. So it starts a whole chain of events that starts off potentially not being as high stakes as Season One. But as it goes along, we realise the apocalypse was just the beginning.

David: It was nothing! It was a mere bagatelle! How much time passes between Series One and Series Two. Do we know exactly?

Michael: I don't know exactly. But things have changed, obviously, between... I mean, Aziraphale is thoroughly enjoying himself. He's sort of got what he wanted, which is to be able to be in his bookshop, listen to music, watch shows, eat nice meals, drink wine, hang out with Crowley. He's a little disconcerted by not having the company behind him because he's such a company man. So that's a bit strange. But Crowley is...

David: It's not worked out quite so well for Crowley. He has the liberation of being free from Hell breathing down his neck. But he has lost the company apartment. So he is living in his car now with his pot plants. So circumstances are slightly reduced for him and he can't quite let go because we see him on a park bench catching up with Miranda Richardson's character Shax, who's taken over from him, trying to dig up a bit of gossip and find out what's really going on. So they have the freedom of not being watched over. But for Crowley, it's not worked out quite as well as perhaps he imagined.

Michael: What are they looking for in each other, I wonder?

David: In each other...

Michael: Well, I mean, I think, they sort of... on the surface, the things that annoy them the most about each other are actually what they are most compelled by.

David: Crave, yes, yes.

Michael: And so they’re sort of bound together, aren’t they? In all kinds of ways. I think Aziraphale is both infuriated and maddened and very stressed out by Crowley’s constant questioning of things. Things that Aziraphale thinks are just… those are the rules. Crowley being a sort of rule breaker and a rule bender, he finds incredibly stressful. And yet I think that’s sort of what he craves.

David: Drawn to.

Michael: He’s drawn to that.

David: Irrepressibly.

Michael: Yes.

David: Yes. And I think probably Aziraphale’s very consistency and very even-temperedness is something that Crowley kind of craves as well. There’s a sort of security in that which he doesn’t really get anywhere else. But, yes, they bicker away, but clearly with the security of a couple who know they can't really exist without each other. But I don't think... they never really admit what they are to each other. There's sort of understanding that they've only really got each other now, and therefore they rely on each other hugely. And, you know, as soon as Aziraphale is in trouble, he calls up Crowley to come and help him. There's no question there's...

Michael: Someone once said, what do any of us have but our illusions? And what do we ask of anyone but that we be allowed to keep them?

David: That's... who once said that? Should I not ask you that?

Michael: Don't ask me.

David: Don't ask you that.

Michael: Let me just say that.

David: It's lovely.

Michael: And sounds clever.

David: Michael Sheen once said something about illusions. It was really nice.

Michael: Whenever you hear someone say, 'A wise man once said', it's usually me.

David: It is usually you.

[directdogman]

Hi, I hope you're having a decent day! I'm sorry if this is an invasive set of questions - feel free not to answer - but do you still actively like DSaF as your own creation, or is it more of a "it was fun while it lasted but i outgrew it and it's for the best to leave it behind" kind of project? Do you ever regret making the games? If you knew they would get so popular, is there anything you would have changed about them? Is there anywhere I could read more of your writing.

It fluctuates a bit. These last couple of years, I've really just been sorta nostalgic for it. I've seen a lot of people discuss those games being a source of comfort during bad times in their lives, people talking about how much the characters mean to them and it's hard not to smile when you see that.

It's a funny thing for close friends of yours to see people WITH fanmade DSaF merch out in the wild, or to watch a random youtube video and being hit with a DSaF reference outta nowhere. It happens from time to time, even today. On a few occasions, I've even had a person reference my work to me in real life and not realize who they were talking to, believe it or not. It's really fun to play dumb and get someone to explain your work to you like you don't know what it is.

I certainly didn't think any of that would happen when I first made the series, or even during development. I think the normal assumption would be to look at DSaF as it exists now and assume its release was a peak for it, but believe it or not, the official discord only had 30 people in it shortly before 3 dropped! The archive listing of the series (reposted to a single page after the series ended) is now sitting at over 1.1 MILLION downloads.

People kinda assume the true heyday of something is when it's new, when it's fresh and novel. For instance, some people look back at when FNaF itself was new and see that time as its peak because it had a lot of internet cultural relevance as big new indie thing on the block. But, raw numbers don't lie. The series has been continually growing since its conception and that growth has similarly bled over to its fan projects. This explains why DSaF, despite not having a new series release in almost 6 years, seems to be inexplicably growing.

Just recently, I saw someone post footage of a scene from DSaF 2 on Twitter, which got over 16k likes. People praised its writing and largely celebrated the scene. The ironic thing about that particular scene is that I remembered being unsure if it was good or not, so I showed it off in one of the FNaF community hubs. The response was broadly lukewarm to negative. Now, it's held up as one of the best scenes in those games. That's kind of the point I'm trying to make, my thoughts on the series have certainly changed with everyone's else with years of hindsight.

Heh. I'm not sure if I've talked about this in a long time, but y'know, the very first scene I implemented in-game was actually the very first Phone Guy scene in DSaF 1, more or less exactly how it appears in-game today. This was before I'd even written the bulk of the game. I was pretty unfamiliar with visual novels as a whole, pretty unsure if something like this would be palatable to a fandom that was really just used to sit 'n' survive stuff that were far more gameplay than text. I mean, there wasn't any FNaF fangames really LIKE DSaF before that point. Closest was FNaFb, a jokey turn based RPG made in the same engine.

The engine I made the game in is also not exactly fit for VNs out of the box either, and I wasn't 100% sure the idea would actually work. But, the very first time I added the image of the prize corner, Phone Guy, the audio of that iconic cheesy stock track and booted up a test screen, I had a little moment where I said "Oh. I think I'm onto something interesting here." I kinda remembering instantly realizing in that single moment how much potential the idea had. Over 8 years later, I still remember that moment like it was yesterday.

I think lately, that's the sort of stuff I think of when I see people coming to me and asking about the series. Yes, it's really rough around the edges, yes, there's jokes that've aged poorly. But, it is a source of comfort for people and entertains tens of thousands of people each month. And that's gotta count for something, right?

[fiendishfables]

hii i just saw ur request page and thought i'd give it a try! soo, can i please have an nsfw oneshot w/dom! lucifer x reader ? i've just been thirsting after him sm...

anyways can it be about like him going down on reader, or just being talented with his fingers, cus we know what he can do with em 🫣

thanks so much!!

a/n: ahh, yes, thank you so much, my lovely, for sending in this request! This is my first attempt at responding to a request, so I hope its to your liking and doesn't disappoint. We love Luci!

warnings: nsfw, sex, cursing, use of pet names, first time as a couple, Luci being a complete dork

word count: 1.2k+

characters: 6646

notes: This is my first fic on here, as well as my first attempt at writing smut, so I apologize if its not any good. But nevertheless, enjoy!

Dom! Lucifer Morningstar x GN! Reader

Oneshot

Going down on you was something Lucifer had wanted to do the day he first laid eyes on you.

Don't get him wrong, he was a gentleman at heart and would continue to be until the day someone replaced him as King (which you both knew would never happen), but by the fiery skies of Hell- he wanted you. You. No other soul.

Lucifer had met you through Charlie, his own daughter and Princess of Hell. Your kindness had lead you to offer your services with helping his daughter with her whole idea of a rehabilitation hotel, meant for the sinners who wanted a second chance at life; wanting to fix their mistakes and be evolved into a better version of themselves. He had met you there when she had invited him to visit and see her progress. Its safe to say you two hit it off perfectly fine.

Now, exactly how you two hit it off doesn't really matter- all that mattered to you right now was the fact that his cock was buried so deep inside of you, that you could barley form a coherent sentence, let alone a singular word.

The room was dark, making the moonlight that filtered through the curtains the only source of light; the only thing that allowed for you to see the beautiful fallen angel hovering over you, both of your bodies sweaty and hearts pounding rapidly against your ribcages, as if trying to silently connect with one another through rapid pumps of blood. To express your emotions to one another through anything other than what he was doing now, which was stuffing you to the brim with his cock.

When you first saw it, staying quiet had become a big concern to you in your mind, what with the other residents of the hotel potentially being able to hear you both.

But that fear had quickly flown the coop as soon as he entered you for the first time.

Fuck, it was absolute heaven.

You were convinced that somehow, Lucifer had managed to descend the heavens down upon you in that exact moment; your most intimate moment. That any second, angels would be surrounding the pair of you and begin serenading you with a specific love song just for the two of you, or pointing angelic spears at your throats. Now, that thought did cause some momentary fear to shoot through your body, because the last thing you wanted was for some random angels (especially if they were exorcists, or Adam) to randomly appear in the room, just to be greeted with the sight of you, a moaning mess underneath Lucifer, drunk off of his length as it stretched you so wide you were afraid he might break you. But when you opened your eyes after the so slow, yet so delicious insertion of his cock...the room was still pitch black. No holy light. No angles. No song. Just you and him. You and Lucifer.

And that was the way it was supposed to be. No other soul, no matter angelic or demonic, could compete with what you two had. It was special; a connection that had to reach from the deepest pits of Hell, to the brightest place in all of Heaven.

For being one of the most powerful beings, Lucifer was being very careful with you; his fingers gripped your sides and hips, holding you in place securely as he rutted into you. Those fingers were sure to leave marks tomorrow. Neither of you minded.

"Oh...you're the best choice I've ever made, lovely- fuck..~"

Lucifers words only helped to fuel the fire that burned within your heart; the fire that represented your eternal, undying love for him. The tightening in your abdomen became much more noticeable too, coiling and constricting like a snake fighting to escape its confinements, or the talons of a predatory bird.

Except in this scenario, Lucifer was the bird, who held you oh so tightly in his sharp talons, and the last thing you wanted to do was escape. You'd allow him to devour you to his hearts content; until you passed out, fainted, or hell, till your heart stopped. He had you right where he wanted you and the smug little smirk on his lips whilst he turned you into this blabbering mess, was enough proof to show he knew it too. And he enjoyed it. Every. Single. Second.

His hands stayed perched seriously on your hips, as if you might just disappear if he so much as dared to loosen his hold. Not that you minded. You could hardly think straight.

"L-Luci..-"

Your attempt at saying his name fell flat, his next thrust replacing the messy words with a desperate moan from you, making your eyes roll back into your skull and a tremor of pleasure trailing its way through your body. He could reach places inside you that no one else had ever even dared to try. He was special in that way. Although he did lessen his movements after your butchered attempt at speaking. He looked genuinely worried and the sight did just enough to melt your heart.

"Are you alright, love? I didn't hurt you did I? Do you need anything? Do I need to stop? I can get you-"

He started to ramble, which he often did. His worst nightmare was hurting you; even just thinking about it made him shudder, as if he had just been doused with cold water.

But all it took was a weak smile from you and a kiss on his cheek to calm him and get him back in the movement again. You assured him that you were feeling the best you've ever felt in your entire life, both in living and in death, that all the pleasure you were feeling was making it hard for you to speak properly.

"I'm okay, Luci. You're just making me feel so many things-"

A finger then found its way onto your plush lips, slightly moisturized by your saliva having been produced by your fucked out state.

"Shhh, spare your breath, darling. I'm just glade you're holding up so well. Such a good beloved, you are."

Then: "You'll want it for when I make you scream."

Seeing you an absolute wreck because of him- because of his actions- his cock- it was almost better than the orgasm that ripped through him shortly after you came undone due to his words and continuation of his previous actions.

Ropes of his seed shot into you, stuffing you like you've never experienced before. His pale blonde hair stuck to his forehead, both your bodies damp with a light sheen of sweat. Your heavy breaths mixed together, as did the small chuckles that came from both of your lips. Thankfully, he kept his promise about making you scream.

Hell, meeting you had to have been the best thing to ever happen to him. To both of you.

No one would ever find themselves as to be so lucky, to know that the King of Hell found the taste of them the most enchanting out of all the souls both above and below.

Just try and doubt his love for you. He will be sure to give you a night that you won't ever forget, as many times as he needs to, until you're begging him to stop.

You are his, and he refuses to ever let you forget it.

[possiblylando]

HTP; Ghoul Lore Audio Log Spoilers/Analysis/Discussion

Dude holy shit uh Spoiler barrier and then all in cause

Okay Okay fuck where to begin this episode literally changes everything okay I guess lets start at the Draught. Based on what we know about this unique Draught, it means Grimal might not be the ghoul?? If the ghoul potentially has this Draught (which I vaguely doubt will come into play in this arc specifically) it could mean anyone could be the ghoul so long as they were only in a place without 1 other person. Atleast I assume so because if they could use this high power Dominate on multiple people simultaneously then this whole operation would be cooked from the start. While I was very mixed on the idea of Gloria as the Ghoul previously, I think its far more possible now. This high level Dominate (Lets assume 4 dots) This ghoul could have access to Rationalize or Forgetful Mind, Or any others in that category. If Grimal is was being commanded to act that could explain why everything is so suspicious around her. Have someone else go in and take care of Occam while the ghoul sits with someone else and has the perfect alibi. So now I think the possibilities for Ghoul are; 1. Grimal is the Ghoul (The Draught is a red herring and simply setting up something in a future arc instead of this current one.) 2. Gloria is the Ghoul & has this Draught; this is based more on Vibes and the fact Gloria doesn't actually do too much in part 1 outside checking Occam's pulse. If she's the ghoul and commanded someone (Namely Grimal) to attack Occam, she would have a vested interested in knowing if the attack was successful. Okay thats about it for my thoughts on the Ghoul right now. Onto the far more important bit of this episode. Because this was not simpyl a Ghoul Lore episode, THIS WAS A MARCKUS LORE EPISODE TROJAN HORSE.

But before the deep Marckus shit- Markus was 12 in 1988. Door was present and seems to be in his 20s or 30s. Boy has not been born yet and Boy is 11 in 2006 so he was born in like 1995. So I think its reasonable to place door as being in his 20s here, having Boy in his 30s. This means Door is probably 8-15? (Maybe) years older than Markus which would make him roughly 40 in modern day. D does look markedly younger in these photographs but I'm not sure if thats art style or actually because he's aged. It does put a damped on my thoughts about D being MUCH older than he seems. But we do know his previous Ex-Wife Rozalia (The Ghoul) is roughly 108 in modern day. It seems to be implied D had met & later married her after she was pretty deep into being a ghoul so there probably was a large age gap already. But it still kinda stands out to me. D is very afraid or Marckus becoming a Ghoul because he sees himself in him. I don't necessarily think D was a ghoul (thought it could explain his weird age). Thought all this might be confirmation Bias as in the more recent episodes D's hair has been more consistently colored with grey streaks when compared to earlier episodes where it was more like a sheen in his hair. It just feels like D has done too much to only be roughly in his 60-70s and very fit. While older people can certainly be in good physical condition it doesnt seem like D has suffered any real negatives from aging? He's MINIMUM 18 years older than Door who is in his 40s but again that's a low ball. I don't know. Alright time for the Marckus stuff. So its rather basic background knowledge that HTP's main cast is inspired by the cast of Warhammer 40k TTS. Now up until this point I had thought it was mostly a baseline thing. Only really carrying over personalities and vague relationships between characters while having the freedom to change them with that background knowledge. But based on this episode it appears to be more relevant.

Whatever the fuck Marckus managed to summon, It was something not even D understood. This is in directly parallel with 40k's Magnus who Marckus is based on. For those who don't know about 40k lore (I don't blame you its VERY long.), Magnus is a Primarch (Emperor's special kids) who ended up being manipulated by 40k's god of trickery and ended up fucking up literally everything because of his lack of thinking things through and the influence of said trickster god. Gods in 40k are manifestations of humanity (and alien's) collective subconscious minds and often take the forms of their most volatile negative aspects. They're entited formed from 'The Warp' which is the source of magic in 40k. Magnus is very naturally tuned to the warp. Almost all the issues in TTS (and 40k) relating to Magnus are because he has a MASSIVE complex. He craves parental affection and affirmation but in TTS every time he thinks hes denied it, some shit goes wrong. When he actually gets that parental affection (Earlier season 2 iirc) he mellows out alot until finding out the only reason the emperor (D's counterpart) brought him back was so that Magnus would act as a pawn and decoy in his 5d chess game to deal with political enemies. Magnus is not happy about this. With all this background information, whats present in this episode slots into place. Marckus seems to have forgotten about the incident yes. The better case is that he blocked out the memory due to trauma. But the worse possibility is that a seed was planted. One that's been festering within him since that time. D may be planning to tell Marckus everything in a few months, But I get the feeling before those months are up, That seed will sprout. In one form or another, Marckus will be given the option to go down the same path of darkness as his predecessor. I don't think Marckus would go for such a path without a push but the one providing that push might be D, even if unintentionally. D is so focused on the forest that he's missing the trees.

[heartless-tate]

Hi! If I may be so self indulgent and request something... 👉🏻👈🏻

Reader being a (for lack of better words) boring person. They're good at blending in within social circles but never standing out or having a circle or friend of their own. Good laughing at jokes but can't come up with good ones or even if they did, they don't have the courage to tell them outright. They're very much a chicken when it comes to expressing themselves as an individual because they're never comfortable enough around anyone. They are a chicken in general, to be honest. This essentially (and sadly) leaves them as an NPC in their own life. And they've accepted it, trying to come to terms with a life of extreme mediocrity. They're actively trying to push down any need of wanting more from life 99% of days.

However, when you're good at listening, you observe things much better and you learn things faster. And subconsciously, reader has been observing a lot of things about Velaris (including the IC). I'm not sure where this would lead but this is probably the only real skill they have; being a good observer and learner.

I leave the rest to you. I was thinking pairing them with Azriel (since he would probably understand her better) but I'm open to any modifications.

Also, just an afterthought, I've always wondered what job I would love to have in a fantasy world (and I don't know if this counts as an actual job) but something like observing the sky/stars to look for any forthcoming events sounds really cool. So I guess reader could do that since major events happen don't happen once in a hundred years or something which ultimately makes their job very boring. However, they love it because who wouldn't love spending their whole night star-gazing (potential date idea?? YESS).

Sorry this became way longer than I intended. I wouldn't judge if you chose not to write on it. Thanks & have a great day :)

Am I boring? | Azriel X boring F reader

A/N: Hiii! Tysm for your ask. I hope I captured what you were imagining right. 💖

summary: You’re a star mapper. And you’re boring with no hope of love. Or at least you believed that until Azriel came along.

1.2k words

warnings: no use of y/n, she/her pronouns, cussing??, romance?? That’s it?? I think?

The stars shined brighter tonight. Since you were a little girl, you had always been fascinated by them. How they sparkled. They were interesting, and beautiful- unlike you. Maybe that’s why you clung onto them.

You pulled a piece of parchment from your bag, and started mapping the stars. Rhysand, the highlord of the night court, had invited you to his court to observe and map stars from this  part of the world. You accepted, wanting some change. Even if you knew it wouldn’t be much of a difference to you. The inner circle was more than nice to you, and you appreciated it.

Laughter bubbled from behind you. You currently sat with your telescope on the balcony of the House of Wind. This was your third week here. Rhysand had offered you a permanent place here in the night court, but you were yet to accept. You didn’t fit in. You were a background character. A random star mapper, a job would probably never be much of use to anyone. Except weird star fanatics. Aka you. You were sure he only offered you a place here because of pity.

The inner circle seemed to really like you, and whether that was because of your quiet and shy nature, or the fact you always listened and gave great advice, or the fact you always laughed to try and fit in even if you didn’t quite understand the joke, you didn’t know. The only one who seemed to see past your mask of people pleasing was the Shadowsinger.

Anytime you ‘laughed’ at Cassian’s jokes, he was always there, smirking with a known look at you. As if he knew you. As if he had known you your whole life. Azriel had seemed curious about you. It was uncomfortable. Nobody had ever been curious about you. Everyone always enjoyed someone that they could talk to about themselves for hours. But he was the one always interrupting the other members of the inner circle to question you, on you. And your own life. And sadly you didn’t have many answers other than, “oh I don’t know.”

It made you feel weird at how interested he seemed in you. It made you feel awkward. But you knew he would lose interest once he really discovered there wasn’t actually much to you. You were a bore.

“Those stars are named Arktos, Carynth, and Oristes. They shine above that mountain for a week once a year during the blood rite.” A voice said beside you. You flinched as you noticed Azriel sitting directly by you, his shadows swirling around you both. He was always appearing out of nowhere. He handed you a plate of cake.

“Courtesy of Elain. She baked dessert tonight.” Azriel said, lifting a bite of his cake to his mouth and chewing on it.

“Oh.” You responded, setting the plate down beside you. You quickly labeled the stars on your parchment. They were beautiful.

“Do you like cake?” He questioned.

You paused and stared blank at him.

“I’m not sure?” You responded, fiddling with your hands. “It’s okay, I guess.”

Azriel smiled at you knowingly. Loud laughter boomed from the room behind you two. He looked right at you with piercing amber eyes that seemed annoyed. As if he had noticed you flinching from the loud sounds.

“Come with me? Just trust me.” He whispered, grasping your hand gently with caution. It was sudden. And you weren’t sure. You didn’t know him much. How could you trust him? But something in your body and soul screamed yes. Why not? It was risky- but life was boring.

“Okay.” You responded, gasping as he pulled you close, his wings wrapping you close to him, and his shadows swarming around you both before all of a sudden you were now standing on a cliff. Oh gods. His hands were on your hips gently, his wings spread wide, letting you see the view.

You both stood on a cliff that overlooked a waterfall and river. The moon reflected in the water and the stars did too, creating a mirror effect. It was probably the most gorgeous sight you had ever seen.

“Its- it’s…” Your words fumbled, mouth open in shock. “Beautiful..” you whispered. His breath was hot against your ear.

“Very.” He whispered back. When you looked at him he wasn’t even looking at the view. His eyes were glued on you. And he was looking at you as if you were a goddess. Azriel’s eyes softened, with adoration. It scared you. Nobody had ever looked at you like that. With a blush you realized he was holding you like a lover. He smirked at you as if knowing you just realized it.

Azriel slowly let go and used his wing to guide you to turn around. Blankets and pillows were on the ground. Like a picnic but a nest. His shadows swirled excitedly around the set up. He guided you gently to the set up, helping you sit down before sitting beside you.

“Do you want your mapping materials? My shadows can retrieve them for you. I wasn’t sure if you’d want to just relax and enjoy this night or continue star mapping.” He murmured.

You thought for a second. This was odd. Was this a date? Or did he do this with all of his friends? Did you want to map or did you want to enjoy this night with him?

“No it’s okay.” You replied, eyes glued to the stars above. They were much clearer from this view then from the House of Wind. You guess the city lights blurred them out. But here? They were in their full glory.

“Why did you bring me here?” He seemed to pause before responding. 

“My shadows told me you might be leaving soon. This is my attempt at convincing you to stay here. In the night court. With your mate.” Azriel confessed.

He watched your eyebrows furrow.

“Mate? I don’t have a mate-“ you panicked.

His wings cocooned you and his arm enveloped you. It was like he could sense your panic. He rocked you back and forth like a child. And it was comforting.

“I’m your mate. I’ve known since I’ve met you. I thought I would have more time to get to know you and the bond would snap for you, but then my shadows informed me of your soon departure.”

You swallowed, throat bobbing. You blinked a few times. “There isn’t anything about me to get to know.” You replied harshly. Azriel’s eyebrows furrowed with concern. Shadows swirled around you both, some tendrils caressing you.

“Don’t say that. I know it isn’t true. Everyday I learn something new about you. I don’t care what you say, you are the most interesting person I’ve ever met.” He said, words much louder and firmer now. He thinks you’re interesting?

“Stay. Stay with me. Let me get to know you. I don’t expect you to accept the bond anytime soon. But give me- give us a chance.” Azriel said, wings tightening around you both. His eyes bore into you, with a fierce and loving look in them. You couldn’t help but soften in his hold.

You realized then, you deserved love. And for once a belonging feeling overwhelmed your senses.

“I’ll stay.”

Hope you guys enjoyed 💗

[genericpuff]

wait wait wait, regarding that Minthe post, you're telling me that Rachel literally wrote the character as having BPD.....and portrayed her as an abusive mean piece of shit??? WOW. fucking WOW. sorry for being so angry, but even if she "retconned" that - it's still so god damn disrespective. as someone who has BPD it hurts so much to see my mental illness villanised :(

ugh I'm so sorry pal. and I don't blame you for being angry about it, like I don't even have BPD and I'M fucking pissed LOL like I can understand why Rachel might have wanted to backtrack from that knowing fully well that Minthe's story wasn't gonna have a happy ending, but writing her with BPD in the first place and then BACKTRACKING from it as soon as she likely got heat for it (or just realized it wasn't a good look) isn't much better because it means now all she's done is written the stigmatized negative effects of BPD into her character without showing the more positive outlooks of healing and managing. Maybe that was doomed to happen considering Minthe is someone who doesn't get a happy ending in the myths, but it begs the question of why she'd write her with BPD to begin with because in hindsight it really does seem like she just wanted to use it as a way to make her "evil".

But like, when you read the actual episode, you can SEE the potential there for character growth, you can SEE that she's aware of her actions - but doesn't understand why she's "like that" which is a VERY common feeling among people with undiagnosed mental illnesses - but it was never meant to be.

Like jfc not only is it HEAVILY IMPLIED, but again, the episode is literally called "Splitting". And we see exactly that with Minthe, who can't seem to rationalize with herself that she messed up.

But... that leads me to another point that I failed to mention in that first ask response: she DIDN'T mess up. Like, yes, she messed up by escalating it to the point of slapping Hades, but it wasn't her fault that she didn't make it to her date with Hades. Whose fault was it?

Continuously throughout the first season we see Thetis being an awful influence who manipulates and gaslights Minthe. They're "friends", but it's clear Thetis does not have Minthe's best interests in mind. In this very scene we see Thetis manipulate Minthe and even attempt to get her so drunk that she won't be able to show up to her date. And then of course when that plan works and Minthe freaks out, Thetis spins it around on Minthe in a very passive-aggressive way.

But of course, the narrative has to find a way to turn this whole thing on Minthe being the bad guy. Hence we get the slap which shifts the focus entirely away from what led up to it back onto Hades who has, in a lot of ways, put her in a situation that she can't control. And of course, being in those kinds of situations does not help with mental health.

Like, sorry, I'm really going off here now, but... the slap happens in Episode 76.

When is it finally addressed again? Episode 103.

It took Rachel nearly THIRTY EPISODES to finally bring it back to Minthe, and in that time the reader has spent SEVERAL EPISODES reading about how sad and lonely Hades is, and about how cute and lovey he is with Persephone. The reader has not had ANY time to reflect on Minthe's circumstances, because it completely pivots away from her to focus on H x P as a sort of distraction from the fact that Minthe is a victim in her own right.

And when it DOES return to Minthe in 103, we get this harrowing reminder that her entire life is dependent on Hades-

And once again, here comes Thetis to the "rescue", reinforcing the negative feedback loop that Minthe is trapped in where she's put in unhealthy situations. She drags her to a bar and the whole time Minthe is not having fun because she's understandably still reeling from what happened.

Now we DO get some character development here, where Minthe realizes exactly what I've just finished explaining, that Thetis isn't her friend, that she'd rather not have Thetis as a friend than continue being talked down to and manipulated.

But then, as we know, because Rachel still needs Minthe to be the "bad guy", the breakup between Hades and Minthe winds up being all about Persephone from a POV that attempts to villainize Minthe for being "jealous" (rather than focusing on how shitty Hades actually is for having an emotional affair with Persephone to begin with) and then Minthe goes right back to hanging out with Thetis anyways for the sake of having the "evil other girl" who wants to "ruin" H x P's relationship.

It's not until Season 3 that we finally see Minthe tell Thetis to fuck off for good, but by then it's too little too late, and Minthe has lost an entire character arc. Rachel tries to go "see! Minthe's life is so much better now that she's taking care of children!" but that's an entirely different solution to a problem Minthe never had. She never got treatment for her BPD. She just got away from H x P which, while is a good thing, isn't actually analyzed as such. It's treated more as a "good thing" for H x P and the readers, because now they don't have to be subjected to Minthe's evil scheming anymore, something something "the evil is defeated". And don't even get me started on this comic's problem with constantly resolving female characters' story arcs through motherhood.

It bums me out so fucking much. Minthe deserved so much better. She's one of the many characters in LO who make it so painfully ironic when they're done dirty, because despite Rachel's attempts to write a "feminist retelling" that focuses on "moving on from trauma", she's inadvertently done more damage to feminism and the stigmas around mental health and trauma through her assassination of grounded and realistic and relatable characters like Minthe and Demeter who are shown ZERO empathy or understanding for their actions (unless it can be done so by making Persephone and Hades into the heroes). It happens so often throughout the comic it almost feels like how the comic markets itself as a "progressive feminist retelling" is some sick joke that I'm just not getting.