#and i am trying to get her to watch it

[lxvenderjewel]

SO IT TURNS OUT THAT THE PERSON WHO WATCHED HALF OF S1E1 OF GOOD OMENS ON OUR FAMILY PRIME ACCOUNT WASN'T MY BROTHER.

IT WAS MY MOM

[batfam-stuff-posts-0]

[ender1821]

im a child of divorce

[rosalie-starfall]

Saturday Night - 2024

October 11th 1975

Gilda: "You get to be the hot one." Laraine: "Jane's the hot one." Jane: "I'm the mom... The still fuckable mom."

[treasureplcnet]

inverness here they come!!!!

[introspectivememories]

okay so i know that dash baxter barely gets any character development in the show but like the idea that danny hates dash? boo, lame, overdone!!!! danny who can beat dash up and dash knows this and everyone knows this but by god danny needs something normal to cling on to so dash shoves him in a locker everyday?? yeah that's the good shit

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[aromanticasterisms]

no but actually. the parallels to other Twins in different nations of teyvat in relation to the traveler and their desire to reunite with their own sibling makes me a little bit bonkers. like.

diluc and kaeya as what the traveler has and fears, after we will be reunited [separation born from conflict that seemingly cannot be mended; they both care for each other but ultimately their opposing ideals mean they cannot be at each other's side in the same way that they used to, and no longer have the close bond they once did]

ei and makoto as what the abyss sibling experienced [a crushing loss not just of one's twin but the last remaining friend they had and the safety and security of their nation, coming out the other side traumatized, cold and jaded and making decisions that will ultimately hurt the people they claim to want to protect for the sake of an unattainable goal]

and lyney and lynette as what the traveler and the abyss twin used to have before they were separated [never apart for long, home is wherever we are together], what the traveler wants [their separation brief and quickly amended, continuing to be inseparable after they reunite], and also the choice they'll have to make [the twins being together in an organization the traveler inherently doesn't trust - does the traveler want to be by their sibling's side badly enough to throw their lot in with the abyss, and turn their back on everyone else they've met on their journey so far?]

[dragondawdles]

happy 13 of mar to a character I have had shrimp emotions about for almost 8 years now

[aroaceleovaldez]

i would like to say my ideal PJO adaptation (if i was being physically forced against my will to have to pick a live action adaptation over an animated one for some reason) would be a combo like writing of the musical + casting of the show + visuals of the movies

BUT the show actually does have the playwright for the musical as one of the major writers for like three episodes and that did nothing for it. so...

[clowningcrows]

sorry this is the ONLY discourse ill allow myself to participate in post finale of agatha all along (or i fear i will lose my mind entirely), but DAMN some people out here rn after the finale being like “i’m sorry you didn’t get the agathario smut you wanted” BITCH!!!! I WASNT ASKING FOR THEM TO FUCK ON SCREEN!!!! i didn’t even need them to get together or even get any semblance of a happy ending!!! i didn’t expect a happy ending in the least tbh!!!!! but you know what i did expect? a final ending. a wrap up. a satisfying and complete finale. a conclusion that actually answers any one of my remaining questions or gave us more context for scenes that we’ve been missing context on the entire time. and i’m sorry but this finale didn’t do that at all. and it’s obviously not bury your gays but jesus christ it wasn’t a good conclusion either. at best it’s honestly a cheap set up for a season two or further content with billy that will prob include bits and pieces of agatha

[babymorte]

my shirt is tetris 😀

[shower-phantom-ideas]

I want to believe danny finds it more annoying to use children swears.

Vlad uses food

Mr. William Lancer uses book titles

And Danny can say things like “oh golly this is on heck of a situation”

At first it started as it starts with any child. Wanting to test the limits of the rules and then he noticed it annoyed some adults. They can’t tell him to just swear :3. So he kept it. As he gets older he does curse like normal but not very often. Like it’s rare. Imagine his coworkers the first time he drops the “f-bomb”

Do you think they are shellshocked (thats a good handsoap) or do you think they scold him.

[dykedvonte]

My post about Anya is making like a little ruckus on Twitter and I think it’s crazy how many people like have a problem with it.

Like you don’t have to agree with how I characterize Anya and her actions but it’s more like, why are you focused on only one aspect of her character? Why are you removing nuance from the situation? I don’t see it as giving Curly the benefit of the doubt when it comes to doing better for Anya, but as exploring his character and hers relationship with a the very little authentic facts we get about them. In truth, there’s a lot more I wish Curly did, even if it wasn’t pragmatic but I realize the issue there.

The first psychological horror game in a while that’s real intricate in its storytelling and makes you need to really need to address the morality of intentions and its already getting torn asunder smh 😔

[pa-pa-patato]

IM DYING!

WHY ARE THE REPLIES ALWAYS SO OMINOUS!?

[vaguely-concerned]

the parallels between morrigan and the mage warden (especially one who snitched on jowan and so isn't automatically doomed if they stay in the circle) both being unceremoniously kicked out by their parental figures from the isolated nests they've been cooped up in all their lives and sent flailing out into the real world to test their wings. the love that you can read in between the lines there from irving, and even flemeth -- in both cases this is a cause of action taken partly to save their children (from the circle, from the blight, from the isolation and constriction they would be doomed to otherwise), and in both cases it also opens them up to a world of new dangers. (I wonder if irving knows how many grey warden recruits die right off the bat. from his general character I think he might take that chance even if he knew because otherwise the circle is all but inescapable, but from what he says to amell/surana at the time and how set duncan is to keep that particular detail on the down low I feel more on the side of him not being aware.)

irving at least is encouraging and explains the outlines of what he's thinking even in his hurry to get you out the door, flemeth takes the opportunity to get in a few more stabs of emotional abuse haha. but I think my amell looks at morrigan's shock and partial dismay to be sent away with them so abruptly (and despite everything, the sting of it being so easy to do on her mother's part, emotionally) and feels a sympathetic sinking in her stomach. because yeah she knows that feeling too