#and i LOVE that stuff
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depresseddepot · 7 days ago
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SO THERE'S THIS APOSTATE NAMED MORRIGAN.......
#so far my dragon age experience has been me having low expectations bc its an older game#and nostalgia does a lot of heavy lifting with some games and how people enjoyed them#and then me being blown out of the fucking water#i have so many theories about who what and why and from where and im so used to automatically dismissing most of them#bc games dont usually get That Serious but origins has not pulled any damn punches so far so why would they start now??#anyway this post is about morrigan who i thought would be a villain and is instead so fucking funny#the banter with alistair is killing me#you know what else is killing me? the fact that she can't be romanced by a female player#AND THE FACT THAT YOU CANNOT FUCKING ROMANCE CULLEN IN THIS GAME#HE WAS PRAISING YOU AND STUTTERING AND BEGGING YOU TO KEEP TALKING TO HIM IN THE MAGI TOWRR AND YOU CANT ROMANCE HIM????#i am SO mad#i am glad i learned early tho bc i wouldve been holding out on a cullen romance the entire game and been very confused#i think ill romance alistair? idk hes a bit too much of a frat boy for me but he is growing on me#and i do love a man with manners (templars apparently)#also he mellowed out a lot after the darkspawn battle and takes things more seriously now methinks#and tbh i dont have many other options LOL#lelaina is. not my type (at least not yet lol she literally JUST joined the party)#BUT i am very interested in zevran. i havent met him yet but i think ill like him#i wanted to romance cullen :( and then duncan after that :( and then morrigan after that :(#i am also very glad i decided to start with origins bc apparently some characters make appearances in later games#and i LOVE that stuff#no more googling for me tho!! ive never played a whole series without any spoilers so i want to try it
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yeepof · 6 months ago
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I understand that tall men are our POV characters, but surely being like a foot taller than everyone around them would have some occasional consequences
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starrysharks · 4 months ago
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ghanaian miku
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turbo-autism · 6 months ago
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will forever love ryoko kui for depicting spooky evil laios despite him not actually having a villain arc
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like thank you. i needed this. laios would never, and yet we have been fed anyway. ah dungeon meshi, as they say. do you get me.
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isjasz · 2 months ago
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nightmare fuel fr (i. dont know what possessed me to do this HASJDHAJWHEAWHEIJFKL)
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eikotheblue · 1 year ago
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California girls we're unaccountable
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formulanni · 3 months ago
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Roan of Arc
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Tag list: @st-leclerc @rubywingsracing @saviour-of-lord @three-days-time @the-wall-is-my-goal @albonoooo @ch3rubd0lls
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pinkgelpen444 · 4 months ago
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kendyroy · 3 months ago
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Seeing Logan in the TVA makes me laugh so hard for some reason? Like I know he’s lived to see technology evolve and stuff, but there’s something so funny about a guy from the 1800s standing in some kind of retro-futuristic timey wimey agency to me. Man is confused as hell.
like what da hell is a polar bear doin in arlington texas
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mrtequilasunset · 1 year ago
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Listen man, you guys can't be like "you guys need to be normal about asexuality" and then turn around and get weirdly judgemental when you find out someone doesn't have sex by choice. Like that's weird that some of you do that.
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harbingersecho · 6 months ago
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you will regret this for the rest of your life
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wanologic · 6 months ago
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reminder to take care of your loser human body
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cannibal-stag · 11 months ago
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hannibal is so cringefail because how do you successfully get away with literal murder and cannibalism for years all while being a well respected sophisticate and food connoisseur and then risk it all for a guy covered in dog hair who is also an asshole and also wants to kill you real bad
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cloudcastor · 8 months ago
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some dungeon meshis 💥
from patreon
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cowardlycowboys · 1 year ago
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girl who needs to ask for reassurance would rather be stabbed than admit they have needs
GIRL GENDER FUNNY‼️ POST MADE BY MOST FEMININE HE/THEY SHUT UP‼️
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tearlessrain · 9 months ago
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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