#and how they acted towards him

[waugh-bao]

So I was reading some concert reviews on IORR (I know) about the Ottawa 2005 concert. I'd read that Charlie left the stage during SFTD because of some technical troubles and wanted to know more about it. The reviews mentioned that both he and Keith left and Charlie seemed upset about his headphones. Then somebody mentioned that Charlie came in wrong on Brown Sugar and that Mick walked over and smiled at him and then Charlie got back on track. I think there might have been some technical issues for everyone because they also said guitars were cutting out so I assume Charlie was maybe having a bit of trouble hearing.

Anyway, two of the people who were there mentioned that at the end Keith, Mick, and Ronnie were trying to get Charlie to take a solo bow but he refused. One reviewer said they then "attacked him with kisses." And it made me think of how this was after his cancer and wondering if he could still play and keep up with the band and that they must have realized he felt down after the mistakes (whether or not they were his own or related to technical difficulties) and wanted to make him feel better and show him love. My heart!

Based on this:

Something definitely happened. I would hazard to guess there were issues with the sound engineering that were affecting both the instruments themselves and the monitor set-up (what the musicians are hearing in their headphones/ear buds).

What I hate about this, and what is so typical of IORR, is that all of these dipshits come out and act like they’re musicology professors at Yale when the extent of their musical training or ability is the 3 weeks they played guitar in college to try to pull girls.

Like the genius who wanted to inform us that the “click track on the drum machine must have failed” and that’s why Charlie didn’t enter right on “Brown Sugar”:

I have no clue what he means by drum machine, because the only time the Stones utilize drumming that isn’t Charlie himself playing in a live context are the pre-recorded bits of atypical drums for a few songs, like “Sympathy.” They never used any kind of drum machine before Hackney Diamonds. And they’ve very famously never used click tracks, which are a tool for drummers, not a component of a drum machine. Keith and Mick have both mentioned it multiple times, the only instance click tracks were used was one singular day in 1989:

Which all culminates in this pièce de résistance from the same reviewer:

Because somehow, while Keith’s fuck-ups are a charming example of how ‘raw and real’ he is and Mick’s are excusable, it’s all Charlie’s fault that the sound engineering equipment failed on him and the rest of the band.

That said, I absolutely love the descriptions of what happened after. How they tried to get him to take his own bow:

And, when he wouldn’t do that, the way they responded:

[pianokantzart]

I don't think we talk quite enough about these two NPCs:

At the beginning it's clear that they're supposed to be reflections of Mario and Luigi. The younger brother is skinnier, taller, less experienced, and (initially) easily frightened.

The older brother is shorter and chubbier, more experienced and protective of his sibling.

But when they're reunited, it turns out the two are very much different characters from Mario and Luigi.

The first sign is that the younger brother is pretty blasé while the older brother breaks down into tears of relief. A direct opposite to the way things go when Mario and Luigi are reunited.

Furthermore, the younger brother now embraces danger and desperately wants to go on another adventure, while the older brother forgoes treasure hunting completely in favor of focusing on keeping his sibling safe.

These are two behaviors that don't quite fit with Mario and Luigi.

HOWEVER...

Before Mario and Luigi leave, the younger treasure hunter takes Luigi aside and asks if he can sneak off with them. When he's overheard, not only is the older treasure hunter mad at his brother, but Mario is mad at Luigi for considering it.

This teeny tiny moment lead me to the suspect that the "character arc" these NPCs undergo are fuzzy reflections of Mario and Luigi's desires.

Luigi wishes he could just go though the wringer and come out on the other side with permanent bravado, unable to be shaken and as adventurous as his brother. He more than likely wants the younger brother to embrace this change and pursue his dream.

Mario on the other hand?

I think... while he doesn't dislike being a hero... part of him prefers the idea of just hanging out with his sibling in a world where things aren't consistently on the verge of disaster.

He understands the way the older brother feels, so much so that he deeply objects to the idea of helping the younger one sneak off (especially so soon after they were reunited), and gets mad when Luigi merely hears the idea out.

And I think a more selfish part of Mario likes the idea of telling Luigi to stay home, safe and sound where nothing can hurt him.

Heck... we've probably already gotten a peek into a world Mario gave in to this impulse and tried that approach...

[otaku553]

I have an agenda.

Long hair teenage sabo.

[jesuis-assez]

↠ Tim & Lucy ↳ 2x01 - Impact

[stop-breaking-my-heart-dragonage]

Every time I see someone earnestly say that Carver hates Hawke, I have to exercise such restraint to not scream.

Every day I get closer to writing a deep dive about him because that's my guy. He's so interesting. He feels so much. He tries so hard when talking to the other companions and some of the dynamics he has with them are so good. He can be so fucking funny and sweet and awkward. He so badly wants to be wanted and appreciated and to protect everyone he loves.

Carver Hawke, they could never make me hate you.

[sukibenders]

Hear me out: you can ship JayVik without falling into or using rhetoric that fits the disposable black girlfriend trope. You can ship JayVik without using Mel as some conceived ploy or antagonistic plot device that makes her out of character. You can ship JayVik without falling into misogynistic rhetoric (eg. viewing female characters as disposable or stepping tools, amongst other things). You can ship JayVik without erasing the impact Mel has had on Jayce and their relationship because, whether you shipped it or not or even gave it the time of day, Mel and Jayce did care for each other, and to deny that or say Viktor held more importance/impact than her in Jayce's life to where she's viewed as "unnecessary" just to further your ship is so wrong and, whether you intended for it or not, does carry undertones where black characters, especially black female characters, emotional impact on others is ignored or downplayed even though there's context to support just how important it is/they are. Lastly, you can ship JayVik without using anti-black and misogynoir type rhetoric because the amount that has flooded this fandom, but especially from some fans of this ship, is atrocious. Ship what you like, but be respectful and careful with certain things you say, is all I'm saying.

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[sas-afras]

i kinda don’t get people who characterize maccready as like… secretly generous, or having a heart of gold or anything. like don’t get me wrong i don’t think he’s downright malicious or anything, but the dude is absolutely a selfish jerk once you get past the charming facade. that’s the part that’s compelling!

like, he’s nice enough and open enough with the player once you get high enough affinity with him, but his reactions to player actions still point to him being a jerk overall. the sosu just happens to be in His Circle of people he can be vulnerable with. that includes you, his son, and maybe daisy. everyone else can kick rocks, the same way it was in little lamplight

he HAD to grow up with that kind of “us vs the world, every man for himself” mentality in the capitol wasteland. doing so otherwise gets you killed or taken advantage of, which is just protracted death anyways. having grown up in a place where slavers run rampant, people are all pushing each other further down just to boost themselves up and live one more day, and it’s literally impossible to make renewable food sources because the ground is so poisoned i genuinely don’t blame him for ending up a little tight fisted. the fact that he was the mayor of little lamplight just meant that he ended up being able to accept a few people as His To Protect instead of being a total lone wolf.

the way he reacts to the players open generosity isn’t just for show, he Actually Dislikes when you give stuff away without expecting anything in return. you might need that thing and now its just gone!! that person might see you as a sucker! you give an inch and they’ll take a mile! and it makes sense for his character to be like that considering everything. i don’t get why people want to change that into him just being kind of tsundere.

i understand that having your babygirl blorbo comfort character be a canonical asshole in ways that aren’t just kinda charming can be offputting, but like…. the way he treats the sosu is a very notable exception to the rest of his life & it’s a much more interesting dynamic imo. especially if you’re playing a goody two shoes martyr. but that’s just me

[gingermintpepper]

One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.

I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.

Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.

What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.

Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.

And that, while beautiful, is also tragic.

[deafknell]

hello re:zero fan. in front of you is a re:zero character. describe them and who they are as a person without mentioning or angling your analysis around subaru natsuki.

[kuroananosanji]

I’ve mentioned on my priv twt that Zoro calls Sanji “廚子” (chu zi) in the Chinese translation and that somehow sounds… romantic? “Cook” or コック in English/Japanese sounds like just your average nickname among dudebros but 廚子 sounds like something you’d call your wife (if you’re some grumpy old man). Maybe it’s coz Chinese people have a habit of calling their spouses insulting nicknames (see: 臭婆娘、老婆子 which are just variations of “old hag”😭), so we can’t help but interpret zosan as some boomer “ol’ ball and chain” couple

[akkivee]

THE ENERGY AND CHAOS IN KUUKOUS MOVEMENT

THE CALMNESS AND MEASURE IN GHOST KUUKOUS MOVEMENT

[bitchapalooza]

I relate to Sanji too much because it really does seem like he’s adopted the mentality that physical and mental abuse is a form of significant affection but only directed towards himself, like he sees it’s wrong and unjust when other people are being abused, but when he’s the victim he feels this conflicted sense of I deserve it and Wow they love me so much! It’s heartbreaking just to think about tbh

[ssruis]

Really funny that tsukasa will be like “I’m so talented and great everyone praise me” & then when people try to thank him for something big outside of like. Acting or producing something. He’s like “I didn’t really do that much though”

(Specific context bc I’m not taking screenshots of two entire card stories: toya is thanking him for bringing him out w saki to the mall/arcade to cheer him up after main story akitoya divorce)

[ardentpoop]

common problem i have w/ a lot of fanon is that people tend to heavily overestimate how attentive dean is to sam's issues/needs. dean is often fucking clueless abt what sam is going thru lol. outside of the immediate strain it places on their relationship and their ability to do their Job.

[rabbitrah]

It's soooo crazy how when Thornton proposes and Margaret shoots him down like a dog in the street, she thinks to herself "I never liked him. I always acted totally indifferent to him. I never thought about myself and him." But then after they have no interaction with each other for a while after that, she thinks "I miss our antagonistic friendship :/" and then, after that, when she knows that he knows that she committed the unforgivable and shameful sin of Lying to a Police Officer she deadass thinks to herself "It seems so hard to lose him as a friend just when I had begun to feel his value." Like GIRL! The revisionism!!! The self deception! Is the friendship you had with Mr. Thornton in the room with us now?