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ordinaryschmuck · 3 years ago

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What I Thought About "Echoes of the Past" from The Owl House

Salutations, random people on the internet who most certainly won’t read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

What probably gets debated the most in the fandom is the legitimacy behind King being the King of Demons. Some believe that there's truth to his statement, while others, like me, like to think that he was just some stray Eda picked up off the streets. Either option seemed likely, especially since Season One never gave an answer that leaned one way or the other.

Then here comes the writers finally answering the question of who King is in episode THREE of Season Two! Because, again, they don't waste time on giving fans exactly what they want.

Fans wanted answers behind King, we got 'em, and analyzing what those answers mean requires going deep into spoilers. So if you haven't checked the episode out yet, I highly recommend that you do. Trust me, it's worth seeing.

Now let's review, shall we?

WHAT I LIKED

Luz Experimenting with Spells: Hey, look! More proof that Luz isn't an idiot like some people flanderize her to be!

But, seriously though, this is a perfect little thread to introduce into the story. Luz collecting knowledge from Lilith's old books and past work she and Eda made adds to Luz's intelligence while also providing a believable explanation for how she gets new spells. It's also nice to see that she has this little notebook (or spellbook) to help see what works and what doesn't. It's a level of experimentation that proves her dedication to becoming a witch while also exemplifying how she isn't stupid. Occasionally reckless, sure, but you can't say that the person who figured out an invisibility spell through showing her work is also an idiot.

Francios with a Knife: How did Francois get a knife? I don't know. But the fact that a random knife plopped out behind him with little to no explanation is funny, and I will not hear otherwise.

I don't make the rules. I just abide by them.

Luz’s Invisibility Spell: I breezed past this, but I honestly love this invisibility spell. More specifically, I love that there's a limiter. It can turn you, objects, and people you're in contact with invisible, but only as long as you can hold your breath. It helps make the spell something the characters can't always rely on, which is appreciated. Because if it works as long as they concentrate, what's stopping them from sneaking into Belos' castle and assassinating him in his sleep? It's a smart way of explaining why they can't always rely on something, despite how insanely useful it is.

Luz: Let's gush about Luz some more, shall we!

"Echoes of the Past" is another episode that has Luz on top form. She is constantly supportive of King, even if Lilith has a point in the dangers of indulging his fantasy as a powerful tyrant. Doing so would cause more harm than good, especially when King finds out Luz doesn't believe him, but her going along with it was all done with the best of intentions. Luz doesn't want to hurt her friend, and even if she did in the long run, she still makes up for it by helping King learn more about his past.

And, as another reminder, Luz isn't stupid. She's the first to say they should leave when it's clear how dangerous the castle is and is quick to figure out there should be more at the top. Luz is a loyal and caring friend who's also guarded and intuitive when the situation calls for it. This episode understood that, so here's hoping other fans will too.

Lilith: Yeah, she's still growing on me.

I feel like this episode shows a better idea of Lilith's place in the group more than the past two. She's a person who's obsessed with knowledge and learning but considers herself above the jovial nature of King, Luz, and definitely Eda. Therefore, she acts as the perfect catalyst for what jumpstarts this week's adventure. It doesn't surprise me in the slightest that she almost instantly dismisses King's claims due to considering herself more knowledgeable than everyone else. Still, I like how she's willing to believe King once she finally sees evidence that seemingly proves he really was the King of Demons, to the point of referring to him as "her lord." Hooty does the same thing, but it comes across as him fearing for his own life and choosing to be friends with someone who could maybe kill him in an instant. For Lilith, her newfound respect comes from the desire to learn more, and it's that desire that makes Lilith an enjoyable character to me. It's adorable to see, and it has some comedic flavor in moments like when she dismisses everyone else and their emotional revelations to take pictures of the carvings around her. I'm sure she'll cause some controversy like other characters with rushed reformations, but for me, I'm more than ok with her addition to the main cast.

More of Lilith’s and Hooty’s Friendship: HOW DOES THIS WORK!?

ON PAPER, IT SEEMS LIKE IT WOULD BE A BAD IDEA, BUT IT F**KING WORKS!

HOW?!

WHAT BLACK MAGIC DID THESE WRITERS USE TO MAKE A RELATIONSHIP SO UNEXPECTED COME ACROSS AS SO ENDEARING AND ADORABLE?!

And where can I get some for my stories...just asking.

But seriously: HOW?!

Hooty Making Himself Portable: Ah, yes. The classic bit where a character does something horrifically grotesque off-screen, and we have nothing but character reactions and sound effects to imagine what happened between shot A and shot B. It's an oldie, but given how hard I was laughing (mostly because of Luz's gagging), it's still a goodie.

Eda’s Portable Bathtub Boat Thing: I mean...I was expecting Eda would use something to catch up with the others, but...that thing...well...I mean, I'm still laughing just by thinking about it. That should tell you how well executed this joke was.

John Luke: ...I'm gonna go ahead and add him to the list because HOLY S**T was this guy disturbing! From his design to his movements to even the sounds he makes when moving, everything about John Luke screams as something that will stay in kids' nightmares for a while. Now, this might seem like a complaint, but to be honest, I'm more than alright with how creepy John Luke is. I highly doubt adult viewers will consider John Luke scary, but I guarantee he'll terrify some of the youngins that this series is aimed for. And that's fine. It's good to creep kids out a little bit with something somewhat scary, as it might introduce them to more good horror stories later in life.

Plus, the reveal that John Luke was only a guard for King is pretty solid narratively speaking. You can see how John never really meant to hurt King aside from one accident when Eda escaped with him. If you want to read into it, I guess it might be questionable to tell kids that something that looks dangerous is secretly nice, but that's really nitpicky, in my opinion. John Luke was a fantastic threat that is designed and animated well, with a solidly executed twist. Some might hate what he presents, most will fear him, but we can all agree on one thing: His theme is awesome (can I get the track for that, please)!

King’s Backstory: Finally, at long last, we know who King is, thus putting an end to a year-long debate. And I fully mean it when I say that the writers gave the best possible answer. Because in a way, everyone was right. Yes, King was just an animal that Eda decided to adopt, like the nature-loving hippie she is inside (She's got the hair for it). However, while he may not be the King of Demons himself, he is still the son of someone who deserves that title. So while he isn't the King, there's a chance he might be the Prince. Once again, there's no direct answer, but given how the writers came up with something that pleases everyone while still providing more questions for debate, it acts as a brilliant move, in my opinion. So whatever answer we get next, I'm sure it will be just as perfect.

Baby King:

My heart was not prepared for that level of cuteness!

King’s Breakdown: NOR WAS IT READY FOR THIS LEVEL OF SADNESS!

But in all seriousness, a HUGE round of applause to Alex Hirsch for his performance in this episode. He expertly captured the raw emotions of shock, anger, betrayal, and sadness that King must have felt when finding out that everything he believed he was is a lie. It's one of those moments where I don't hear a person voicing lines in a booth (or wherever the hell VAs are voicing characters nowadays), but instead hear a living person being emotionally torn apart. It was heartbreaking seeing King so vulnerable as he's so guarded with his emotions. Seeing him like this adds so much more layers to a character that many would mistake him as a cute, comedic animal sidekick. But just like with Luz, there's more to him than people will tell you.

“I don’t even know what’s real or fake anymore!”: I'm just pointing out this line because I believe it's what convinces Luz to help King learn more about who he is. Hell, not knowing what's real or fake is the main reason why Luz got sent away in the first place, so I feel like she can relate to King when he's in a similar predicament.

Hooty and Lilith vs John Luke: This was just a cool scene with some epic moments of dodging John Luke's attacks and some funny ones, like how Hooty said the word "pain." It's a ten out of ten that I would rewind to watch again.

King’s Other Horn: I'd question the logistics of how a horn that got broken off when he was a baby still manages to fit perfectly in the present...but it is neat symbolism of King accepting his past and letting it be a part of him, so who cares?

(The fact that the colors of the broken-off piece don't match the rest of the horn is nice attention to detail as well.)

WHAT I DISLIKED

It's a Little Too Predictable: I pretty much figured almost every little twist the episode offers. But, I'm willing to say that's because I'm in my twenties, and I've seen enough stories similar to this one, so I'm more likely to know what will happen. The little monsters watching this will see it for the first time, so they'll most likely get more surprised than me...And that was my only complaint about the episode...which is more of a personal problem than an actual issue...I guess that means it's perfect.

IN CONCLUSION

"Echoes of the Past" is an easy A+ in my book. It gives lore and backstory that furtherly develops the characters that episodes like this should. It also tells a tragic story about King that still sprinkles in a few good jokes every now and again to lighten up the mood. Sure, there are some nitpicks I could mention (how did King remember his own birth?). But when the good stuff is done so well, what's the point of dwelling on small, insignificant issues? This is still a phenomenal episode that flew past all expectations I had for it, and it continues the winning steak this season is having so far.

(But that's still three home runs in a row. Meaning that a stinker is coming. Ooiee, is it coming!)

#the owl house #the owl house season 2 #king of demons #luz noceda #lilith clawthorne #toh hooty #the owl house reviews #what i thought about

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rhetorical-ink · 4 years ago

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Rhetorical Ink Reviews: Yuri on Ice!!!

** SUPERCHARGED SPOILERS BELOW **

One of my friends recommended this show a long time back, but I just now got to it. After watching the sub, then the dub, then the dub AGAIN...yeah...it’s time to review it for you all!

It just so happens that I also get to watching this show as Pride Month begins in June. What a coincidence...anywhoo, without further ado, and ten thoughts are NOT enough, here are:

My Top Twelve Thoughts on Yuri on Ice!!! Season One:

12. I don’t do this a lot for anime, but I actually recommend the Dub. I love the original Japanese, but the dub is just...wonderful.

Plus, the voice actor for Yuri is PERFECT. Can you believe it’s the same voice actor as both Tendo in the Haikyuu!!, Tokoyami in the My Hero Academia dub, AND Tyrion Callows from RWBY?! The RANGE on Joshua Grelle, y’all!

Bonus, the Russian accents for the VA’s of Viktor and Yurio are ADORABLE.

11. The three main leads are just so three-dimensional. I may have never related to a protagonist more than Yuri Katsuki. Yuri starts out the series having made it to the Grand Prix Skating Finals, only to place last. Down-heartened, he slumps into bad eating habits and lacks any motivation; moving back home after being away for five years as a professional figure skater.

We’ll talk more about Viktor and “Yurio” below individually, but Yuri is such a empathetic character and you really root for his development and growth as the show goes on and he grows more and more confident as a skater, and a person.

10. Before we dive into our other main protagonists, I want to say that the side characters are fleshed out, too, for what we see of them. Minako, Yuri’s ballet teacher, is a perfect representation of all us fangirls watching the show, and there are the other skaters, which I’ll go into detail about below, too, but I want to focus on Yuri’s childhood friends Takeshi and Yuuko Nishigori in this point.

When we first meet Yuuko, we get the idea that she was Yurio’s best friend as a kid. There’s this Lily and James Potter moment with Takeshi, as he makes fun of Yurio as kids and comes across as a snot-nosed brat. Just as I think in the first episode that Yurio is about to confess his love to Yuuko, we find out that she’s actually married to their other childhood friend, Takeshi. And they have a set of triplet daughters, appropriately named Axel, Lutz, and Loop. Ha.

I do like that later on we actually see Takeshi’s grown up -- he no longer teases Yuri in a mean way; he’s actually a huge supporter of him. I like that we see how these characters have matured and stayed friends. Not to mention the three girls are pretty much a catalyst to the plot of the story.

9. Okay -- I absolutely LOVE Yuri’s character and relate to him the most -- but how can you NOT LOVE Viktor Nikiforov?

It would have been easy to make Viktor a pompous, playboy, especially given how successful he’s been as a skater from the start of the story.

But instead, they reveal that Viktor is a sweet, determined, passionate dork who loves his poodle Makkichan and is a fool for figure skating. His constant enthusiasm is infectious and he comes across as a character you just WANT to be friends with.

The more the show goes on, though, we learn how Viktor is so entrenched on the positive side of the emotional spectrum that he doesn’t handle emotional distress well -- now, THAT I can relate to a lot. When Yuri has a meltdown, Viktor struggles to respond in a way that’s not awkward or insensitive. But, deep down, he just wants the best for those around him, as we see with him motivating his fellow competitors to do their best. He’s also worried about his thinning hairline -- poor guy, being around Viktor’s age, I feel his pain.

8. Despite coming across as a pretentious punk, Yuri Plisetsky from the first episode, we all agree that “Yurio” as he’s nicknamed is actually a giant Piroshki covered in cinnamon? He comes across as constantly irritated, rough, and displeased. But when he’s around his closest friend and grandfather, he shows a softer side to him. He’s definitely an embodiment of a Russian cat.

I also love that Yurio is impatient to prove his talent, and constantly wants to act more mature than he really is -- WELCOME TO THE MADNESS, ANYONE -- but he is also aware that he’s not going to be that youthful for much longer, and wants to maximize the potential for what he can do in the moment. Should they continue the show into a second season or in the movie, I hope that Yurio growing older is touched on. He makes constant references to Yuri being the age for retirement, and calls Viktor a “geezer” in skating years -- it would be interesting to see Yurio facing the event of aging as a figure skater in the future.

7. We get introduced to the other figure skating competitors, and I have to say that for me, the ones that stand out are Pitchit and Chris, which is funny, since each are friends of our main protagonists Yuri and Viktor. I love that we get their backstories, understand their motivations, and actually see all of their performances.

Phitchit is just a cinnabun, and I love how supportive he is of Yuri in all he does and just radiates positive energy! And then there’s Chris...ohhh, Chris. I have to admit, one of my friends is actually a LOT like Chris -- maybe that’s why I was drawn to him in the show. His flamboyance is comical, but he also clearly has a good heart. The pool scene with him and Viktor is one of my favorites in the show.

6. Now, now it’s time for the MEAT of the show. And I’m not talking pork cutlet bowls, y’all. I really had no clue going into this show that it was going to have these three things: First, the humor.

This show has so much heart and humor -- I found myself laughing so much during this show, mainly with the interactions of our three main leads, but the animation plus the voice acting just NAILS it for me. Viktor being dorky particularly gets me, but Yuri’s reactions are just as golden!

5. Second, and this one is pretty much my jam: The RELATIONSHIPS. Well, specifically, that of Yuri and Viktor. I know I’ve posted this gif in a previous post when I was reacting to Episode 6...but it’s worth re-posting before going further:

I don’t care what gender is involved, if a show has a well-defined and complex relationship, I am ALL IN. Yuri on Ice!!! does not disappoint in this department.

Yuri starts out as a huge fan of Viktor’s skating, putting him up on a huge pedestal, even naming his dog after him as a kid -- though it’s established Yuri and Viktor are only four years apart in age.

But, once Viktor starts to coach Yuri, the two come to this mutual understanding of one another and develop this intense bond. I love that Yuri realizes that he does look up to Viktor, but he doesn’t necessarily idolize him -- he actually respects him and knows that Viktor “meets him halfway” when he opens up to him. Viktor, likewise, realizes that Yuri not only isn’t weak, but has incredible potential, and is a kind-hearted person who gives his all and can match Viktor himself in terms of competitive passion towards figure skating, and winning.

There are so many gifs of these two that I can’t post them all, but these two are probably one of my favorite anime couples, now. This idea that alone, you can only go so far, but together, you can be so much stronger!

Oh, and there’s Yurio -- we get a brief, albeit adorable friendship bloom with him and Otabek Altin from Kazakhstan. Otabek clearly brings out the best in Yurio -- I really hope that we get future development with their relationship, too, since it’s only just started in Episode 10 of 12 in the first season.

4. Okay, and finally, the STORY and the twists got me in this show! The slow burn of the relationship development between Yuri and Viktor is grand, and you can’t deny the seductive fangirl moment of the forehead touching, or how Viktor is so proud of Yuri that he kisses him in Episode 7, but it’s the plot twists in Episode 10 that just tore the whole show open for me!

In the episode, Yuri decides to show his appreciation for Viktor (plus give Viktor a birthday/Christmas/”good luck” charm) and gets them matching rings. Of COURSE, we the audience can see the parallels to them being wedding rings. Later, at dinner with the other skaters, Viktor corrects the confused fellow competitors, saying they’re actually “engagement” rings and that he will marry Yuri once he receives a gold medal.

*Insert the loudest fangirl scream imaginable*

But then, we discover at dinner that Viktor’s first conversation with Yuri wasn’t actually at the Hatsetsu bath house...it was at the banquet after the Grand Prix where Yuri received last. We find out that Yuri, feeling depressed and down-trodden, got drunk and flirted heavily with Viktor, begging him to come be his coach. Viktor, taken with the whole flirting and proposal, and after seeing how much potential Yuri has with imitating Viktor’s moves in the video the triplet’s posted, decides to come coach him. THAT was why Viktor was so flirty at the start of the show -- he thought that was naturally how Yuri was! Everything at the start of the show that seemed so forward and out of place for Viktor’s character suddenly makes SO much sense after we learn this little tid bit.

But also, that ending credit scene for Episode 10. Holy guacamole!

3. And then, there was the final in Episode 12! Honestly, I was actually completely fine with Yuri taking silver and Yurio taking gold in the final, even though they were SO close! Yurio establishes that he wants to keep competing against Yuri -- he doesn’t want Yuri to get complacent and just quit after winning this one time and retire. And I love that. I was happy that Yuri got silver, because that means that Yuri’s at least going to skate one more year -- but NOW, with Viktor AND Yurio competing against him, along with the other competitors! It’s such a great way to hype us up for what we hopefully have with another season or the movie.

2. Okay, just a thought here. I am SO excited to see not only Yuri and Yurio skate again in the next season to come and/or the movie, hopefully, but also VIKTOR skating -- we get previews of it, and they are gorgeous, that I know it’s going to be insane if we have all three competing against one another along with the other competitors.

However, based on the ending of Episode 12 in the Exhibition Skating event, is there a possibility Yuri on Ice!!! could go into the realm of couples skating. I mean, early on in the season, the Russian coach questions whether Yurio is considering couples skating after getting in a tussle with one of his colleagues. Could we go into this in the future of Yuri on Ice? I mean...the possibilities are pretty endless. It wouldn’t have to just be Viktor and Yuri, either...I MEAN...

1. So, yeah, I pretty much fell in love with this anime. It’s only 12 episodes, but by the end, I just wanted...more! More with these characters, more with their developing relationships, and more gorgeous animation.

I’m SO excited that a movie is coming out hopefully within the year. If the animation is on par with the “Welcome to the Madness” OVA clip, shown above with Yurio and Otabek, I know that it’s going to be wild.

Seriously, if you want an anime that has heart, humor, and one of the best anime relationships I’ve seen on screen, give Yuri on Ice!!! a shot, and hopefully, you’ll fall in love with it like I have.

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pcndemoniums · 4 years ago

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Skins inspired series: Our Youth (1999 - 2002) / Our Wasted Youth (2020)

This is a loooong request so bare with me. Be aware that these guys have known each other since the age of 16. They’ve had their ups and downs through the years but in the end they have managed to stay friends.

[ tw: mentions of underage drinking, sex, mental illness, eating disorder, substance abuse, suicide, overdose, bullying and death ]

The Shows

Our Youth was an American teen comedy-drama television series that followed the lives of a group of teenagers in the fictional small town of Madison, California. Its controversial story-lines explored issues like dysfunctional families, mental illness (such as depression, eating disorders, post-traumatic stress disorder and bipolar disorder), adolescent sexuality, gender, substance abuse, autism spectrum disorder, death, and bullying. In a time where most TV shows about teenagers were unrealistic affairs propped up by a cast of actors at least 10 years older than their fictional age, Our Youth changed all that by depicting realistic portrayals of teen characters who slept with each other, went to parties, drank a lot, smoked weed, and talked like the kids they were. Much of the controversy around its early episodes criticized its portrayal of sex, bad language, and explicit drug use but it was always careful to temper the hedonism with consequences, the comedy with tragedy. The show premiered on 25 January 1999 and went on to be a critical success. However, real life drama became too much for show runners to handle and the show was cancelled after three seasons. It ended on a shocking cliffhanger that left most viewers outraged and heart broken.

After the show ended the cast went their separate ways, trying different things to maintain their success but the bad reputation that came from the show seemed to follow them around. Some of them went on to star in low budget films and others completely fell off the radar. For years there have been talks and rumors about a possible fourth season of the series but it was not until early this year that it was announced that the show was going to be getting a second life. Netflix acquired the rights to the show in 2018 and finally announced that they were starting production at the end of 2020 with the original cast in tow. The fourth season of Our Youth has been renamed Our Wasted Youth and will take place 20 years after the events of the third season finale and will chronicle how the teens, now adults, are dealing with the ghosts of their past.

Behind The Scenes

So this show was a big deal back in the day. As far as aesthetics go then think of the show Skins, the UK version. It was mostly based on a group of kids who lived in the same neighborhood, went to the same high school and were involved in a lot of shenanigans. They partied a lot, got in trouble, sometimes they learned a lesson or two - most times they didn’t. Some critics loved it because of its realism, but others found it too controversial for television. It did not help that the cast, all between the ages of 14 and 16 at the time, were pretty much left unattended to do whatever they wanted and they didn’t choose to sit and study. There was a lot of bad behavior behind the scenes, scandals, fights, drama, etc. Life imitating fiction if you will. To the point where the show was cancelled after three seasons. They decided to end the show in dramatic fashion with the hits involved in a horrible car accident. The last shot of the show was that of the car wreck and the fate of the teens was left to the imagination. Yeah, people were pissed, demanding a resolution. Honestly at this point there was so much hostility that the actors were just glad that it all ended. I mean these guys were all hormonal teenagers, getting fame and money, so you can imagine what went on behind the scenes.

The show still had a huge fan base, even if the actors were not particularly famous anymore. They all had a hard time getting decent work because they had this very bad reputation of being disruptive. In 2010, Kurt Davidson, who portrayed Gus Chandler, was found dead in his home from apparent drug overdose. The actor had been fighting a long battle with addiction and it was during this time that the actors got together and had a little reunion with fans. They resolved their issues and started to become really good friends. There was a media outcry surrounding Kurt’s death though and an article was published on various news sources about the dangers of exposing actors to the drug culture at such a young age. Any hope that the show would come back was lost after the death of Kurt Davidson. But then in 2018 it was confirmed that the show was coming back to Netflix and was scheduled to start shooting in 2019. However, things got a little sidetracked and people started to think that the show was already doomed even before they started shooting. Thankfully things started to brighten up and the show started shooting in January of 2020. This new season will deal with the repercussions of the accident and how the characters are dealing with adulthood. It will have 10 episodes and they are currently shooting episode seven. Because of the tight schedule, these guys have been spending a lot of time together and who knows, maybe there’s the chance for a lot of new drama.

Now because I’m crazy, here are the characters of the show and their little arcs, just so you can get an idea of who you’d like your character to play.

Main Cast

Lukas Larsen ( 35 - 36 yo - character name - open face claim ): Lukas Larsen is an attractive, intelligent and popular boy. His manipulative ways often go unnoticed by many, and are a catalyst for the majority of the events in the series. At first he appears to have complete control over his friends, exudes confidence and has an answer for everything. He enjoys being the driver of drama and prides himself on being some type of puppet master. In the effort to keep his life perfect and interesting he does things that even the most self serving person would never do. He plays with people’s emotions. He plays games because he can. Furthermore he does not feel bad about those things until he loses control. As the series progresses we see Lukas lose control of himself, his friends and of the situation due to a distorted sense of self and an exaggerated sense of importance. We end the series with Lukas behind the wheel of the car and driving everyone into a ditch. NEW SERIES: In the new season Lukas is a lawyer, married and with kids. However, he is incredibly unhappy, cheating on his wife with Evie Nixon and getting involved in scams. We learn that the accident left him in a coma for seven months and that he had to relearn to do everything. Even though it looks like he has not learned anything on the surface we see that Lukas is carrying a lot of guilt for what happened and is seeing a therapist in order to cope.

Evie Nixon ( 34 yo - tbd - Kat Graham ): Evie is the youngest of the group as she skipped 9th grade. She is initially described as being "the sweetest girl you will ever meet". However, it is shown that underneath her sweet exterior, she will resort to anything in order to keep the power in her grasps, even at the expense of others. She starts the series off dating the head jock boy of Madison High. However it’s quickly revealed that she’s dating him more for status than for romance. When we meet the couple, they’ve yet to have sex and t is revealed that Evie is actually a virgin and is scared to ‘give it away. She faces a lot of criticism throughout the series, having to deal with her parents divorcing, an abusive older boyfriend and an addiction to antidepressants. However, she eventually learns that her manipulative ways are damaging to others and by the end of the series she becomes a much better person. NEW SERIES: The accident changed Evie. She became angry and distant. Evie is divorced and has a seven year old boy. She has two jobs and no apparent social life which makes her a little bitter. She is having an affair with Lukas Larsen but hates every second of it.

Gus Chandler ( 35 yo - Kurt Davidson - NPC ): Gus is Luka's best friend, but has an entirely opposite personality. He lacks confidence, is socially uneasy and struggles with school work. He often suffers from panic attacks that he learns to control over the course of the series. He tends to put himself down a lot, especially when it comes to his relationship with girls. He loves comic books, loves science, is very friendly and playful and treats everyone with respect. Gus learns to be more self confident and to stand up for himself which earns a lot of respect from his friends. By the end of the series Gus is engaged to Nancy Buckley. NEW SERIES: We learn that Gus died in the car accident. Some people believe the decision to kill off his character is a bit polemical since the actor died in real life. However, the series creators have stated that having another actor play the part of Gus felt wrong and that they needed the accident to have a serious consequence. “Kurt Davidson is still a huge part of the show and his character’s death is the driving force of the new season.” In some way that is true since a lot of the show revolves around the 20th anniversary of Gus’ death.

Nancy Buckley ( 35 - 36 yo - character name - open face claim ): Luka's girlfriend. A girl who can never stay angry at his mischievous behavior for long. Outwardly, Nancy appears shallow, vain and conceited but she works hard and is emotionally mature. She is seen by most as a beautiful and confident girl but she suffers from the same insecurities as everyone else. At the beginning of the series she is dating Lukas and is always trying to make him happy. Eventually she realizes that the relationship is really toxic and distances herself from him. She and Gus start to get closer which causes a lot of complications and arguments between him and Lukas. By the end of the series Nancy learns to value herself more and she and Gus form a beautiful and healthy relationship. NEW SERIES: Nancy suffered a lot after the accident and the death of her fiance and that includes reconstructive surgery on her face which has made her feel really self conscious. She hasn't been able to keep a serious relationship and is emotionally closed off. Currently she works in real estate and seems to be leading a successful life. She has decided to be a surrogate for Ivy and her wife's baby.

Ben Morrow ( 36 yo - Dean Montgomery - Paul Wesley ): Ben is the party animal of the group. He has a difficult home life; he lost his brother to illness at a young age, and is an emancipated minor due to his ambivalent father and absent mother. When we first meet Ben he is presented as a fun loving pill popper who is always encouraging his friends to have fun. As the series progresses we learn that this attitude is just a front and that Ben’s life is actually filled with pain and rejection from his parents. His father is a crook and his mother has done porn her entire life, which has been a constant embarrassment for Ben. Ben is very volatile and unpredictable and unlike Lukas he very easily loses control of the situation. It is hinted that he is bisexual but it was never fully confirmed. By the end of the series they are rushing him to the hospital as he is overdosing inside the car. When we see the car crash we are left to assume that he definitely died. NEW SERIES: Shockingly Ben survived the accident but it left him with a lot of emotional scars. Unable to find a job he has turned into a life of crime that includes petty theft and drug dealing. The first time we see him again he is getting out of prison after spending six months behind bars for robbing a liquor store. We learn that Lukas helped put him away and that Teddy posted his bail. He also has a lover named Sean who also provides him drugs.

Cara James ( 35 yo - character name - open face claim ): A friend of Emily, an odd girl who suffers from an eating disorder. Cara attempts to hide her own struggles with mental health while her flamboyant parents ignore her in favor of their new baby. We first meet her as she returns to Madison High after spending months in a rehabilitation center. Cara is very observant, aloof and incredibly understanding. To her everything is magical. Her positive attitude gives the show a sense of hope when things get really bad. She and Ben Morrow have a very close relationship that was a constant will they/won't they throughout the series. By the end of the series she manages to overcome her disorder, and makes plans to leave Madison and travel to Europe. NEW SERIES: Cara made it to Europe after surviving the accident and became a famous model which caused her eating disorder to resurface. After a few scandals and the fact that she is not as young as she used to be, Cara returns to Madison and tries to reconnect with her friends. She finds out that this is easier said than done.

Teddy Vargas ( 35 - 36 yo - character name - open face claim - latinx ): is an easy-going skater who likes to smoke weed, and as the more sensible and responsible friend, he is often put out by Luka’s behavior. Teddy is forced to act as the leader of the group whenever Gus has a panic attack or when Lukas takes things too far; he is by far the most reliable in a crisis. We learned that his mom took her own life after battling depression and he has always resented his father for not getting her help. He has a very ambitious sister who always looks for the spotlight and manages to get all the attention from his dad. Teddy is always looking to save people and wants what is best for everyone. He is very compassionate and selfless but at the same time he knows when to put his foot down and always stands up for himself. NEW SERIES: Teddy suffered a leg injury and therefore he has to wear a brace. It was hard for him since he was always into sports, especially skating. He became a teacher and is currently the new high school principal at Madison. He tries to guide his students and keep them from doing the same mistakes he did as a kid but he is finding that to be challenging. He and Ben are good friends and we learn that he posted bail for Ben’s early release. Teddy is engaged to Molly Larsen.

Ivy Porter ( 35 - 36 yo - character name - open face claim ): Ivy is coming to terms with her identity as a lesbian. She is used to being the shadow of her sister, and is sulky but perceptive. As the show progresses, she begins to come out of her shell and strives for individuality. Much of this is due to her becoming okay with her sexuality and her feelings for Poppy Drake. She’s a kind and idealistic person but at the same time she can be selfish and passive aggressive. Her relationship with Poppy has its ups and downs but by the end of the series they had decided to stay together and make things work. Ivy was the only one who was not involved in the car crash because she and Poppy were spending the night together. NEW SERIES: Even though she was not involved in the accident Ivy was still affected by it since she was very close to Gus. We learn that she and Poppy broke things off and decided to stay friends. We also learn that Ivy married a woman named Susana and that they have asked Nancy to be their surrogate. Ivy struggles with the idea of starting a family but doesn't know how to talk to Susan about it.

Supporting Cast

Molly Larsen ( 33 - 34 yo - character name - open face claim ): is Luka's younger sister, and shares many of the same qualities as him. She is mysterious and manipulative, but almost mute. We see more of her in season 3 where she is involved in a love triangle and gets involved with a teacher. NEW SERIES: In the new series we learn that she managed to get her life together and is soon to be married to Teddy Vargas.

Poppy Bird ( 35 - 36 yo - character name - open face claim ): Poppy was Ivy’s on and off girlfriend during the first three seasons of the show. She is very carefree and open minded but at the same time very guarded. She had a difficult time coming to terms with her sexuality which was the cause of a lot of drama between her and Ivy. Eventually she accepted who she was and declared her love for Ivy. NEW SERIES: We learn that she has moved away from Madison and is currently living in Arizona. However she comes back for two episodes to tell Ivy that she has a terminal illness.

Susana Santoro ( 35 - 36 yo - character name - open face claim - POC ): Ivy’s wife. She works as a veterinarian and has three younger sisters. She is very cheerful, caring and incredibly perceptive. She wants to start a family and knows that Ivy has her doubts about it.

Tommy Mills ( 35 - 36 yo - character name - open face claim ): Evie’s ex husband who works as a bouncer at the local strip club. He comes off as being extremely rude and seems to have a violent streak. We learn that Evie left him because of his constant drinking and cheating, which is ironic considering she is having an affair with a married man.

Sean Michaels ( 35 - 36 yo - character name - open face claim ): Ben’s lover and drug dealer. Definitely a terrible influence in Ben’s life but at the same time he seems to actually care about him. We learn that he has a sick daughter and that he started to deal drugs in order to pay for her treatment.

Other Cast

There are other characters on the show that have minor roles like Luka’s wife, some friends, enemies, whatever. Let me know if you’re interested in playing a minor role.

Crew

Executive producer ( s ):

Director (s):

Writer (s):

Casting Director:

Costume Designer (s):

Make up artist (s): Margot Montgomery, Ashley Benson, 29

#losagelessrp #request

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thekeyissue · 5 years ago

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Reflections from a NYCC Panel: Chronic Illness, Disability, and the Comics Industry

During “The Creative Community, Disability, and Chronic Illness” panel at New York Comic Con this year, two overhead lights flickered nonstop, directly over the seated panelists. For most this was an annoyance – but for the presenter living with epilepsy, it made for a dangerous and unsafe environment. He had to wear sunglasses to avoid a potential seizure and participate in the panel meant to address this exact kind of issue.

It was embarrassing for everyone, and a perfect encapsulation of the state of support that the comics industry provides professionals who live with chronic illness and/or are differently abled. Giving conversations like this space and time at large events like NYCC is absolutely to be applauded, but clearly we are far from properly hearing, implementing feedback, and accommodating this community.

* * *

The panel itself took place in the early afternoon on Friday of NYCC weekend in one of the smaller designated panel/screening spaces. Six panelists and a moderator, all of whom live with conditions that complicate their work, spoke to each other and a room that was about a third full (I’d guess around 50/60 people watching – not a bad turn out).

I slipped into the back of the audience right before the panel kicked off, deciding to attend somewhat at the last minute. I have a family member who lives with a chronic illness (but does not work in comics) - it can be burdensome for her (or any differently-abled or chronically ill person) to explain her day-to-day challenges on top of facing them – so I took this as an opportunity to gain a fuller understanding of what her life and coping may be like, while also learning about comic-specific issues. I mention the context of my attendance only because I believe the majority of the audience at the panel also had a direct or adjacent relationship with disability or chronic illness as well (this assumption comes from audience reactions I observed – nodding at points being made, voiced agreement, questions asked). To some degree that’s a shame – like many things, increasing awareness can be a huge catalyst for change, especially when many of the accommodations that would help this community stem directly from individuals’ awareness.

From the panel’s first minute a steady stream of personal blind spots were revealed to me – a both satisfying (learning more is so helpful) and disheartening (feeling inconsiderate/like a failure at having missed them) process that continued throughout the session. Helpfully, the panelists were all amazing speakers, projecting positivity and a clear desire to educate and spread awareness, even while recounting emotionally-charged, disrespectful, and challenging situations they’d experienced.

The hour-long conversation they held was serious, funny, charming, poignant, sad, hopeful, informative, and too short – but more than anything, it illustrated each panelist’s tenacity and bravery. Recounting difficult personal anecdotes and sharing emotional vulnerability in front of one person can be challenging – this group did it in front of an audience in the service of their community, a demonstration of toughness and grit that should be celebrated. I was surprised to learn that participating in the panel brought with it a potential risk and necessary braveness in and of itself. Many creators who fit the criteria for the panel turned it down to avoid publically revealing their condition, fearing companies and editors might subsequently not “risk” working with them. While examples of those who had treated the panelists with understanding and accommodation were given, the prevalent fear of losing work & money due to their conditions clearly suggests that decent companies/editors are more exception than rule. The world is already ill-suited to fit the needs of those who are differently abled or living with a chronic illness simply because they are not the majority – it’s a sad reality that this disadvantage is topped off with an increased risk of losing or not being able to find employment. It’s easy to see why this community is so tough and brave – they have no other choice.

The challenge of the comic convention setting was another major topic of conversation during the panel. Attending conventions is necessary to make (or try to make) a living wage in this industry, but most comic cons do a poor job of accommodating the differently-abled and chronically ill. Surprisingly, even those that do offer a range of accommodations typically fail to adequately communicate the resources they’re providing. More than once a panelist would mention an accommodation NYCC provided that other members of the panel were not aware of. What’s the point of these accommodations if the people who need them the most are not actively told they exist? And failing that, shouldn’t this information be easily found? As time quickly ran out, it felt like the entire room was disappointed – we had only scratched the surface of the topic (not a huge surprise given the complexity of the subject matter) and there was an incredible amount that still hadn’t been addressed – but I left with a bunch of simple, actionable, convention-specific advice that I’d like to summarize below in the spirit of others joining in to support this community:

- Dedicated, easily accessible entrances, bathrooms, and elevators should be provided at conventions for the differently-abled to reduce the body stress this setting creates. - Designated quiet spaces should be accessible and large enough to accommodate anyone who needs them. - Often accommodations are limited. Do your best to not unnecessarily take up an accommodation that someone might truly need to get through their day (if you do not need it in such a way). - Be wary of your surroundings and those behind you when walking. It’s difficult and painful for someone in a chair/with a walker/etc. to have to move to avoid you, and they may not be able to. Don’t stop suddenly in front of someone, be understanding of their level to the ground, and prioritize their difficulty moving through crowds if it eclipses your own. - Remember that a creator might find crowds and constant (or any) social interaction challenging. Some may need breaks/alone/quiet time to not be overwhelmed with anxiety. Some may literally not be able to recognize or remember faces/pair them with names. Some may lack the ability to pick up on social cues that seem obvious to you. - Accommodations should be clearly communicated to anyone who might need them. The information should be actively given and easily/clearly accessible. - No one owes you a disclosure of their condition – be patient, understanding, and assume everyone’s best intentions – and don’t ask for or demand explanations.

* * *

I’d like to wish a huge, gracious and appreciative thank you to the participants from this year’s panel for all they so bravely shared and taught. I have not included their names (which can be easily found) because – and I am honestly not sure whether or not this is the right inclination – I’d hope their work is appreciated before the challenges they live with. It would distress me if sharing this experience and advice resulted in the panelists becoming more known for the condition they live with than their work – all of which is interesting and fantastic, and inherently deserves attention without further context. On the off chance one of the panelists reads this and would like to be identified, I’d happily edit their name(s) in.

Also - I’ve done my best to understand and properly use language around being differently-abled and living with chronic illness, but if I’ve messed up please let me know so I can correct and apologize.

* * *

Thanks for taking the time to read. Below please find the NYCC “The Creative Community, Disability, and Chronic Illness” panel’s official description:

Disabilities, both visible and invisible, can make working in the deadline-intensive, yet creatively rewarding fields of comics/gaming/geek culture especially challenging. Managing energy, coping with pain, depression or other mental health issues, and the added cost of being self employed (no employer benefits) are all candidly discussed in this panel which features professional creators who all have disabilities or chronic health concerns. They will not only share their challenges, but their strategies for success, while being open and honest about their work and their lives, and the way they are perceived by clients. Brandon Kazen-Maddox will provide ASL translation services.

#comics #comic books #disability #chronic illness

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thebookbandwagon · 5 years ago

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Unpopular Opinions Book Tag

I’ve seen this list of tag prompts floating around and find them really fun to read and watch so here’s my take on it. This is just for fun and I’ve put the image of all the stuff I talk about below so you can skip over this post if you don’t like the idea of seeing potential criticisms of them. My Youtube version of this is here.

1.) A popular book or book series that you didn’t like

Mistborn by Brandon Sanderson. I read the first two in the trilogy and I just don’t connect on a personal level to any of the characters. I’ve enjoyed other books by this author but Mistborn just… doesn’t do it for me. I don’t have the level of emotional investment in the characters that I want and they don’t feel like vivid people to me.

2.) A popular book or book series that everyone else seems to hate but you love

Captive Prince by C.S. Pacat. I know not everyone hates this series, but there’s a fairly high proportion of the people who read it who end up hating it. Based on the negative reviews I’ve seen, many people’s reasons for hating it seems to be rooted in labelling it as problematic. While I agree there are a couple of elements of the series that aren’t handled with as much care as they should be, I still don’t think it’s quite as bad as some people make it out to be. It’s also a pet peeve that some people make it out as if an author having certain things happening in their stories means they endorse those things happening in real life and that’s just... not logical.

3.) An otp that you don’t like

99% of the time I just don’t care about pairings and there aren’t that many pairings I can think of that I actively dislike instead of just not caring. Buffy/Angel? I’m counting it as qualifying for this tag because it has comics. I never found a Buffy pairing I either liked or was neutral about. I found Buffy/Angel to be way too over the top and corny and too instant. I honestly have no idea what they talk about when they’re not dealing with various apocalypses and watching it made me realise where part of the inspiration for Twilight probably originated from.

4.) A popular book genre that you hardly reach for

Young Adult Fantasy that’s geared towards the older end of the spectrum. If I’m reading YA it’s either because I trust the author to write something I like in that genre or because I want to give myself a brain break and read something I can get through really quickly. I’ve found with the older end of the YA spectrum that there doesn’t seem to be much difference in the reading difficulty between YA and Adult within the fantasy genre so the genre usually just ends up not giving me what I want from it.

5.) A popular/beloved character that you do not like

Kvothe from The Name of The Wind by Patrick Rothfuss. I like there to be things characters are bad at and Kvothe was just way too good at every single thing he did for my taste. Never before have I been so invested in the main character of a book failing and I was left completely unsatisfied because at no point in The Name of the Wind does Kvothe fail when it isn’t because of being sabotaged by someone else. I know there are theories about how he’s an unreliable narrator but unless I see actual evidence on the page then I just don’t have the faith that he is. Saying that, I really did love the writing style so if Rothfuss writes anything not involving someone who I despise as much as Kvothe then I’d give it a go.

6.) A popular author that you can’t seem to get into

Leigh Bardugo? I’ve read Six of Crows, Crooked Kingdom, as well as Shadow and Bone and they were all fairly meh reads for me. I feel like my reasons for not being able to get into her books come down to my repeating previous points I’ve made because they’re a combination of the genre she writes in as well as me knowing I love the tropes and character archetypes she’s using but just not having the level of investment in her characters that I want.

Robin Hobb is another popular author I can’t get into. She has characters that feel much more vivid and writes within Adult Fantasy but her pacing is so so slow and I’m not patient enough as a reader to be able to get through her lengthy books.

7.) A popular book trope that you’re tired of seeing

Redemption = Death. I love a good villain eventually turning sides or an anti-hero/anti-villain having a good redemption arc but it seems like all these arcs inevitably end in their death and it just… doesn’t have to be that way. I’d find the story far more interesting if the redemption arc doesn’t end so abruptly and the person undergoing it has to figure out their new place in the world, how to live with themselves, and other people’s changing perceptions of them.

8.) A popular series that you have no interest in reading

Lord of the Rings by J.R.R Tolkien. As a fantasy fan, peer pressure makes me feel obligated to like this series. I don’t like this series. I’ve attempted to read it three times and only managed on one of those times to get almost halfway through The Fellowship of the Ring. All the characters just don’t do anything for me (except you, Gollum) and I have no interest in what happens to them or the themes within the story.

Me not liking Lord of the Rings doesn’t mean that I don’t appreciate what it’s done for the fantasy genre though and I’m well aware most of the series that I love probably wouldn’t exist if it wasn’t for the book that’s basically responsible for the catalyst of the genre of fantasy books that feature worldbuilding.

9.) What movie or TV show adaptation do you prefer more than the book?

Hmm. If I was only going off seasons 1-4 of Game of Thrones I’d go with that but considering what happened after I’m… ugh.

So instead I’m going with Dirk Gently’s Holistic Detective Agency. Originally by Douglas Adams, it’s a very witty and quirky comedy book series with sci-fi and fantasy elements set in modern-day (which back then would’ve been around the 80s). It follows a detective who employs bizarre techniques like Zen Navigation:

“Rather than using conventional avenues of wayfinding like consulting a map, the Zen navigation method consists of finding someone who looks like they know where they’re going and following them. This is supposed to deliver the navigator to their destination, although its results are variable and often unexpected and unintended. It very rarely gets you where you wanted to go but always where you needed to be.”

The only issue I have with Douglas Adams is that his characters tend to be a bit on the caricature-ish side but this is something the TV show put a huge amount of effort into and it paid off so so well. I had my reservations about the show since, other than Dirk, it looked very Americanised but they actually did an incredible job. It’s funny, complex, wacky, unpredictable yet (sort of) makes sense. There are lots of warm fuzzy feelings between the main characters and it’s great. Also there’s a portal to a fantasy world where the knights fight each other with giant pairs of scissors. It’s an incredibly underrated Netflix Original series that always deserved more attention than it got.

#unpopular opinions book tag #bookish #unpopular opinions #book blog #book tag

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the-gongoozler · 5 years ago

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POST-TROS Trilogy reactions, my own opinions.

I just saw The Rise of Skywalker. These are my opinions as someone who doesn’t follow any of the actors (besides Adam Driver’s charity because that’s something I wrote a paper on) or fandom drama (racism! sexism! something happened with John Boyega?)

Preface: I don’t need outrage. I don’t care. I will block you if you’re rude, period. This is my opinion and I am not a crazy fan, I just watch the movies about once a year and I enjoy every single one of them. I loved The Rise of Skywalker and found it to be a fantastic full circle for the entire 9 movie series as well as the trilogy. Don’t need any negative vibes, thank you :)

Ben Solo

I really enjoyed Ben Solo. It felt like the point of the series was the redemption arc of Ben Solo. It was a symbolic repeat of Anakin/Vader’s story line. Anakin was alone, taught by masters, tempted by the dark side, and then turned into a completely separate man. They both came back to themselves in time to save the day, but there is a massively key difference. Darth Vader is not Anakin, he is the darkness that lives inside of Anakin (and everyone has this darkness). Kylo Ren was the corrupted Ben Solo, but he never got the foothold in Ben’s psyche that Vader got in Anakin’s. Anakin was controlled by Vader completely whereas Kylo Ren never had complete control over Ben (first example I can think of: He didn’t shoot Leia when he had the opportunity to kill her). In the body of Anakin Skywalker, there is only Vader, whereas Ben’s body has two battling minds: Ben v. Kylo Ren.

What I found really really cool was that Rey killed Kylo Ren. On the Death Star II in IX, where Darth Vader died in VI, Kylo Ren dies when he is stabbed by Rey. Then, with Rey’s help, Ben Solo is reborn as the only mind in his body. He was healed by light and love and then told that if he was just Ben Solo, she would have taken his hand. If he hadn’t thought that he needed the Dark Side to be whole, he might have had everything that he could possibly hope for (romantic love, familial love, a future, power).

The tragedy of Ben Solo is that Luke saw him tempted by darkness and accidentally pushed him toward the darkness. If Luke had talked to him, expressed love and understanding instead of fear, then Ben Solo would never have been controlled by Kylo Ren. Instead, he fell and was corrupted only to be brought back by someone truly understanding him (which, other than through unstoppable access to his deepest thoughts,would have never happened) and then choosing to love him because of that understanding. Ben didn’t have to bring Rey back, he could have just mourned her and disappeared to live his life, but he was driven to sacrifice himself by the love he felt for Rey.

I am a HUGE fan of a redemption arc and I think they pulled it off beautifully for him. His last words ever spoken (while holding Rey’s lifeless body) were “Can you hear me? Hold on.” The instant recognition of his goodness by Rey, the smile on his face when he saw the result of his sacrifice, and then their kiss (a recognition of his return to himself) was honestly just... it was achingly gorgeous. I really liked the film.

Rey

A strong force wielder, a mechanic, a scavenger, and an orphan. She kicks ass, she takes names, and she is the strongest Jedi the world has ever seen. Love her.

Finn

Finn is cool in VII and IX. He was funny, smart, and helpful in the first and last of the trilogy, both playing a stand alone and serious character while providing good comic relief. I also really appreciate the platonic nature of the relationship between him and Rey, something that could have turned romantic. He’s a good soldier and he found his way out of the ranks of the Storm Troopers on his own. He’s obviously less developed in VII because it’s the first movie, but he’s generally a nice guy (not a Nice Guy) and I was excited to see more from him. I loved his connection to BB-8 and Poe immediately.

In VIII, he did more harm than good. Had he not disobeyed orders and left the ship, less people would have died. He left the ship, freed that guy from jail, then that guy gave the plans away and made the bad guys aware of the escaping ships that they otherwise would have missed. If Finn had stayed put, those ships would have escaped. It was a failure in writing and his character would have been better served by not even being in the movie. His near-sacrifice didn’t even make sense to me? He would have been obliterated by the laser before he could have reached it anyway? Give him something more epic, thank you please.

Then, IX. He kicked ass. I don’t know what he was going to say to Rey, but everything he said to Poe was golden. They are a great duo and I enjoyed every moment they interacted. He was a good friend and he tried to keep his group together (mostly having to go after Rey when she was being a stubborn brick wall). I mean, Rey made it to the Death Star because she had a lot of experience with machinery and the force. He did it by sheer “I gotta save this dumbass” willpower. He had a similar energy to Steve Harrington in Stranger Things (”mommy steve”).

Poe Dameron

Love him. No complaints. He was Han Solo but less brash and more funny. He was funny as shit and I enjoyed him from the first moment we saw him. I really wish he was in more of the trilogy, but the parts that he was in were great. Him and Finn kicked some serious ass. I love the way that he incorporated Finn into his family unit immediately and then again with Rey. He is a dedicated and headstrong and funny pilot. That’s it.

Rose

Tbh, I don’t care too much about her? I just disliked everything she did/was involved in in VIII and the way she was introduced was mishandled, really. She was 100x better in IX and I definitely cared about her more. Her introduction felt rushed and forced and she was a big character before I cared about her at all, then she was put into the worst plot line in the whole series (discussed in the Finn section). I think that they could do more with her, but I don’t mind if they don’t.

Luke Skywalker

His whole thing was kinda bullshit? He was the catalyst for the birth of Kylo Ren, he abandoned the galaxy when it needed him most, and he wasn’t gay- those pussies. I didn’t like when he yeeted his light saber, it felt disrespectful. I didn’t like the way he died. I did like his personality and the way that he dusted off when Kylo Ren shot him all those times.

Leia Organa

People I’ve talked to keep bitching about her using the force and like... what? She was always force sensitive and she had a long time to learn between series. Plus, she lived with or around Luke for a long time before he decided to fuck off into a corner of the galaxy. She was a general and a Jedi and a gorgeously perfect woman. I also love the way that she was always ready to give her son another chance. The only way to get someone to come back is to tell them they are welcome and no matter what he did (HAN SOLO) she could always accept him if he changed. Adore.

Han Solo

He was also ready to help his son, if it was necessary. He had faith that Ben could do what needed to be done. Also, the version of him that is in Ben’s memories is so sweet and fantastic. I loved that little bit. When Ben calls him “dad”?? my heart melted. Plus, his mentorship of Rey combined with him and Chewie’s interactions? God, he’s cool.

I didn’t like that he was so dispassionate though. That was bothersome, I would have thought he would have been more for-the-cause since he was connected to the rebellion the whole damn time. It would have been cool to have him havea moment where you saw that change.

Chewbacca, R2-D2, C3-PO, BB-8, and D-O

Obviously fantastic?

General Hux

rat bastard

Snoke

Weird thumb man

Palpatine

Aggressive tickle monster

/////////////////////////////////////////////////////////

Another note-

Rey/Ben

I saw it coming the moment I watched VII. I really enjoyed it. They both were so closed off to the world and so horribly alone for various reasons, both in and out of their control. They were tempted by the dark side and anger and hurt and betrayal. They were scared of their own burgeoning power. Where Rey’s powers and temptation were met with support, Ben was met with fear. That drove him down.

Because of their force bond, they were literally soul mates. Not in a romantic way! They literally were made with an unbreakable connection through the force and that allowed them to speak and know the depths of their hidden thoughts and desires and fears. Ben knew Rey better than anyone else did and better than he knew anyone else, the same is true in reverse.

Rey could see the dual nature of his mind and understood his struggle. She knew Ben Solo and she knew Kylo Ren. She also recognized that it was his fight to win and that all she could do was offer her hand to take if he wanted it. She admitted outright that she would have stayed with him had he been just Ben Solo when he offered her a place by his side. She was in love with Ben Solo as soon as she knew him and that was shown very explicitly in that moment by the fire, when they were both vulnerable and curious. In the moments that he was Ben, she would reach out to him. When he was Kylo, she had no interest.

I love that she had no interest in Kylo Ren. She wasn’t about to stick around and fix him, that was his job. This sort of draws the line between physical attraction or shallow attraction and the true bond that she had with Ben Solo. She wasn’t drawn to him out of interest, she loved him and understood him and was not going to be tricked by that love into falling for Kylo Ren. Super strong choice for her and it goes against a lot of Enemies to Lovers tropes.

When she stabs him, she kills Kylo Ren. When she heals him, she revives Ben Solo. She all but says that she loves Ben and that provides the momentum that he needs to move forward. She held out her hand one last time by saying that she would have stayed with Ben, then escapes for her own safety and the safety of the Rebels in case he makes the wrong decision once again.

Then the fight scene where she transfers him the saber? The way that he limps over to her and hold her in his arms? The way he smiles when he looks at her beautiful lively eyes? The kiss that said “You saved my life/I’m so proud of you/You are the only person in my entire life that truly understands me” on both parts? Gawjus.

#Reylo #TROS #Star Wars #Kylo Ren #Rey #Ben Solo #TROS spoilers #The Rise of Skywalker #TROS positivity

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canarhys · 5 years ago

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hOLY SHIT I JUST FOUND OUT ABOUT YOUR ACCOUNT BUT JFC I LOVE IT AND I LOVE YOU SO MUCH DUDE Can you make a Valdangelo Godswap AU? You might know what this is from, but could you do Aphrodite Nico with Athena Leo? Leo's like a HUGE nerd and Nico's super hot and cute and always has glitter on his face, obsessed with pink, etc jfc, Leo has a huge crush on Nico and Nico also has a huge crush on Leo, but both of them are sO OBLIVIOUS and are constantly trying to improve themselves for eachother :))

“piper. piper, please explain this. piper, i’m legit about to start crying right now, you have no idea—“

“dude,” the daughter of hermes interrupted, “just like...breathe.”

[[MORE]]

“i can’t!” leo threw his arms up in the air, the predicament he was facing clearly taking a toll on his mental state — not good for a son of athena. “piper — have you seen him? i physically can’t speak whenever he tries to talk to me!”

“it’s just nico, leo,” piper soothed her friend, whose emotions were the equivalent of a knott’s berry farm roller coaster. “you went on a quest with him one time.”

“that was a year ago!” leo exclaimed. “when i had no clue that i had a crush on him and we weren’t totally awkward with each other.” his face suddenly curled in horror. “oh my god, i had acne back then. he probably thinks i’m ugly—“

“okay!” piper yelled out, grabbing leo’s arm and pulled him out of the hermes cabin quickly, making him yelp when, in a split second, he was outside and he could actually taste the oxygen on his tongue. piper placed her hands on her hips as she looked at him taking back in the air he lost. “better?”

“physically, yes,” he answered. in contrast, his brain was having a fucking field day. because only ten minutes ago, piper had brought to light the idea that leo had a crush on nico — the revelation which had caused the son of athena to have a mental breakdown because he was that oblivious to his own feelings. and it wasn’t something to feel proud of, because leo had felt that he understood everything about himself up until now.

so he didn’t even bother to question why he felt his face flush whenever nico complimented him, or why he felt butterflies in his stomach whenever nico placed a hand on his shoulder. and it made him internally scream to no end at how, for a child of an intelligent goddess, he was such a dumbass.

“well, you’re fine now,” piper said. “i haven’t seen you have this much of a heart attack since the whole jason incident... for the same reason. god, athena kids are hopeless romantics.”

“shut up, piper!” leo flapped his hands. “i just need to think for a second.”

his friend’s face contorted into sympathy, and she placed a hand on his shoulder. it made leo feel guilty. whenever something was ‘too much,’ he tended to lash out because he was having a crisis wrapping his head around whatever was happening. he apologized but she told him not to worry.

“it’s just... i just... i don’t even know,” he mumbled, burying his face in her chb t-shirt. “i think i like him... a lot? he’s really cute and i’m really bad at confessing my feelings for people. plus he’s a child of aphrodite! he’s basically out of my league.”

she grabbed his shoulders and forced him to look her in the eye. “i’m sorry, whose brilliant idea was it to create demigod cell phones that don’t attract monsters?”

leo didn’t answer and she nudged him slightly before he mumbled a small “...me.”

“and who was able to behead an entire column of cyclopes with a single ballista fire?”

leo started laughing. “me.”

“and who fought the leader of an army of rabid hellhounds and speared him through the chest?”

“okay, okay, i get it!” leo exclaimed, his smile crinkling his eyes. “that was me.”

“if you are able to defeat a rogue demigod in under a split second, then you are out of nico’s league! if he doesn’t return your feelings, then he has to raise his standards!”

leo snorted before hugging piper tight, the touch-starved soul within him begging to encase his best friend in a big hug. piper really knew how to rile people up.

“piper, have i ever told you how amazing you are?”

“i mean... i always knew, but okay.”

leo would’ve punched her if she wasn’t being amazing right now.

suddenly he felt piper shift under his embrace, he looked up and saw her with an uncomfortable expression. “uh, dude—”

“valdez?”

his heart suddenly stopped at the sound of the gravelly voice that belonged to the one and only man of his dreams. he turned around on impulse, which was a mistake because he was suddenly frozen on the spot and his fingers weren’t even moving an inch and leo was pretty sure his mind wasn’t any better because nico was right there—

if you asked leo valdez what his favorite thing about nico di angelo was, he probably wouldn’t answer and just spontaneously combust. nico di angelo had an inch on him, less thin limbs and more... well, hotness. he had smooth olive skin with galaxies upon galaxies of freckles, curled hair that was currently in a weak (yet cute) ponytail, and he was wearing a pink leather jacket with studs and clips. his dark eyes were glittered up under the lids, giving him almost a fairy look that nearly made leo collapse on his own.

leo probably looked like a gaping fish, his face dark and flushed. nico wasn’t helping. because he wasn’t saying anything either and leo really needed him to hand him a subject because if he wasn’t, leo was going to accidentally fall into his arms and kiss him senseless—

“can i...” nico started, before clearing his throat. leo was swerving by the raspiness of his voice. “can i talk to you for a minute?”

leo glanced at piper, who was hiding a thumbs up that only leo could see. he looked back to nico and could only nod.

leo said his goodbyes to the daughter of hermes and followed his crush to camp half-blood’s lake, a shimmering blue that reflected the sun overhead, a small dock leading out towards the water. leo caught sight of some water spirits, who waved at him flirtily, and he forced himself not to blush as he shyly waved back.

“that was your friend?” nico asked. he had perched himself on the edge of the small wooden dock, the darkness of his raven hair pulling away by the streams of sunlight illuminating it. he looked gorgeous as the sun cascaded across his freckled skin. his legs were crossed, and he was looking at leo with a weird face. leo didn’t know what emotion he was expressing but he hoped it wasn’t bad.

“huh?” he realized after around 9.5 seconds that nico was talking to him. “oh, yeah, piper! we’ve been friends since we were kids, we’re pretty close.”

nico raised an eyebrow before humming in acknowledgement. what, did he want him to say they were dating or something? leo could never figure him out, which was probably why leo liked him for some stupid reason — the only equation he couldn’t solve.

nico patted the empty space next to him. “sit,” he said.

leo blinked before walking over to where he was, crouching down to sit upon the dock and let his feet dangle over the edge.

“why did you want to talk to me?” leo asked. (if he had been looking, he would’ve seen nico curse under his breath.)

“oh, um, i was lonely... yeah, because my friends are on a date and they’re like the only people i hang out with so...”

leo felt his high hopes drop to a new low. oh. that’s why he brought him here. leo felt a bubble of spite fill his stomach, more towards himself than towards nico. because of course nico wouldn’t want to converse with him in the first place — leo was so insignificant that he was barely a mole on a baby’s ass. the new information already made him want to jump in the lake and leave camp.

“so i’m like your rebound?” he joked, almost sarcastically, and his eyes widened when nico’s head snapped towards him in an almost defensive position.

“no!” he yelled. “i wouldn’t just do that to you. you’re... uh...” he coughed. “you’re fun to talk to...”

the spite bubble popped, and he made a soft “oh.” he really wished he knew how any of his nerdy rants and book reviews were “fun,” since those were majority of his conversations with the son of love. nico was from the 30s, which meant that he didn’t know much from this era and leo had once been a bit of a tour guide. once in a while he would bring up a topic that leo was obsessed with and he would go into a thirty minute explanation into star wars or dc comics. then he would promptly realize that he’s been infodumping and die on the inside.

nico sighed. “look, i really enjoy your company. you’re smart and you have funny jokes.”

leo made a face. “all of my jokes are inside jokes that no one understands.”

“...yeah, but they’re funny when you know the material?”

leo couldn’t help it. he giggled. “sure, you’re just saying that.” he twiddled with his thumbs, dreading for when the conversation was going to hit death valley where neither of them knew what they were going to say. “what do you want to talk about?”

“i don’t actually know?” nico laughed, a short yet heavenly laugh where his eyes closed like butterfly wings and his mouth curled in a dashing smile. “i’m not good at conversation starters.”

“honestly same,” leo replied. “i’m pretty sure all my dialogue has been entirely based on this book series i...” he dragged his sentence before facepalming. “uh, sorry, i don’t know why i’m—”

“no, no!” nico suddenly grabbed his wrists, and leo skin felt cleansed by the touch of fingerless gloves against his arm. “tell me about it.”

leo raised his eyebrow. he had never done this before. “you sure? i can go on about it for an hour and you won’t be able to stop me.”

“no, i’m sure.” he placed leo’s hands back down on his lap. “tell me.”

that was enough of a catalyst to start talking about the latest book collection he had gotten his hands on (in greek, of course), the six of crows duology. he had finished the grisha trilogy just a month ago (in under a week, he might add), and had bought the two books at the camp’s bookstore. he had finished the first book in a single day and read again because it was just that good, but he was struggling to find time to read the other one. he had asked nico if he wanted to hear spoilers (to which nico nodded wordlessly), and leo had then gone into a rant about how dumb kaz was for not actually trying to show inej his feelings or how nina was way too good for matthias (both of which now sounds pretty relevant to the situation), then started screaming about wylan and jesper and wouldn’t stop talking about their cute dynamic and suddenly he was on the topic of grisha as a whole.

the entire time nico was just nodding and looking at him, but as leo was explaining the chemistry of all the book’s relationships, he noticed nico had a lost expression on his face. he was staring at leo, eyes gazing longingly at him with a soft smile and tint of blush on his cheeks (leo suspected it was makeup). the glitter under his eyelashes were prominent, bright pink and gold and adding beautiful contrast to his entire looks. his hair was cascading around his face in ripples. was he daydreaming? leo stopped talking to prove his theory, and nico didn’t stop staring. was he a little too much?

“do i have something on my face?” he questioned, making nico snap back into reality.

“w-what?” nico stuttered.

“you’re staring,” leo mumbled, averting his eyes from the beautiful boy. “i knew it, i’m ranting too much.”

“no, no!” nico exclaimed, waving his hands for emphasis. leo noticed his black and pink nail polish. “it’s just... your eyes are striking.”

leo an inhuman noise, confused. nico realized what he said and immediately tried to recover.

“cause they’re... uh, they’re scary! yeah, they can kill a man in one hit. i should know, i saw you take down a monster twice your size.”

there was silence. it made sense. his eyes were brown, differing from his siblings’ gray ones, yet they were still sharp and jason claimed they made him nervous when they first met. leo didn’t know if he should be proud or not. it was one thing to strike fear in enemies’ hearts. it was another to strike fear in your friends’.

“uh, thanks man,” leo said, internally scolding himself for not having a proper answer. “yours are... neat.”

neat, he screamed at himself. neat! of all the fucking words in the world, that’s what he said. god, athena must be shaking her head in disappointment in olympus. sorry mom.

(it was a travesty since neat was an understatement when it came to nico di angelo.)

“you know what, i’m sorry,” leo apologized, standing up and backing away. “i have a project i need to work on and jake has been asking me to help him with something, i should go—”

“wait!” nico stood up abruptly, which was the worst mistake of his entire life because leo watched in shock as his foot stuttered under the lack of wood under it and sent nico toppling down into the lake below. leo cried out, rushing towards the water and looking over the dock to see nico pop up from the water and gasp for air.

his black bangs stuck to his face, dripping wet with the hair tie forming his ponytail missing. he pulled the strands from his eyes, looking up at leo who had his hands over his mouth as if he was afraid of what nico was going to say next.

“are you okay?” leo asked, trying to ignore how nico still looked breathtaking after taking a dunk into the half-blood waters.

nico slapped his hands down in the water, the flying droplets hitting leo’s face and making him wince. “do i look okay?”

leo didn’t answer, looking down at the dock in shame, and already his brain was about to burst and now he was probably going to cry? because this is like the worst thing to happen to him in forever and now nico is mad at him and he won’t be his friend anymore and all this stuff was making his stomach feel like excommunicating every single acid in it. “sorry.”

“oh fuck, um, wait, oh gods wait, no, it’s my fault i— leo, hold on!”

leo could barely hear him as he did the only thing he could think of doing, not even bothering a second glance as he ran away to the athena cabin.

—

nico was an idiot.

no scratch that, nico was literally the god of idiots. the whole enchilada of idiots with an idiot army by his side.

being a son of aphrodite, nico expected himself to be a master when it came to emotions, especially romantic ones. and it showed, by his ability to patch up relationships between other campers and help them get ready for their dates with his wardrobe expertise. he was able to make monsters swoon by his voice only to set them up to kill them. he was the one, after all, that knocked sense into percy that he had a crush on annabeth.

but all of that was thrown out the window by leo valdez.

cute, adorable leo, who went for hours on end with tv series and science rantings that nico couldn’t even comprehend because he was always staring at his face, starry eyed and so passionate that it made his chest hurt. whose intelligence was able to bring down a rogue demigod general in the titan war. who was so easy to fluster and make laugh till he couldn’t breathe.

so, nothing could have compared to the absolute disaster he was when they talked a week ago.

first strike was when he had forgotten to create a valid reason to speak with him (anything other than him wanting to stare at leo in a non-creepy way) and fucked it up by explaining that he was some sort of rebound. a rebound! leo wasn’t a rebound, he was a goddamn blessing!

then was when he was caught and he replied with, “your eyes are striking.” he tried to ignore that part because he had never been that stupid, and his explanation wasn’t any better because leo probably took offense of him calling him scary (which he can be but nico likes his face).

finally — falling in the lake. the one thing he was not prepared for, making him so pissed off at how bad he was at this whole feelings thing that he accidentally lashed out at leo. it was the worst — seeing hurt cross over leo’s face with a dejected expression, and nico failing to speak a coherent apology before leo took off, obviously wanting nothing to do with him after he was such a jackass.

which he was, no doubt about it. he wondered what he did wrong, sitting by his vanity, now dry and doing his own makeup and applying glitter under his eyes. then he realized that everything from the point he realized he liked leo was wrong, because he should’ve known that he can’t be too prideful in his love abilities. and now he drove leo away.

“don’t beat yourself up about it,” reyna said, the daughter of apollo said, cleaning up her golden arrows with a small cloth. she was visiting the camp from the roman one she stayed at. “i’ve met leo. he isn’t the type to hold grudges against someone.”

“i know that!” nico spun around in his chair, crossing his arms in exasperation. “i feel bad though. if he hates me, he has a reason to.”

“if he hates you, he’s obviously a dumbass,” reyna counterpointed. “are you going to apologize though? because i’m tired of seeing you pining and not making any moves.”

“i made a move and it ended with me swimming with the fishes.”

“the only thing you said was that his eyes were pretty.” reyna leaned closer, placing a hand on his shoulder. “step up your game.”

nico scoffed. “i’m getting relationship advice by a sun demigod.”

“i’m being serious.” the daughter of apollo had a stony expression on her face. “it’s important to be yourself, i mean that’s what you told me. but if you want to go all out, go all out. you and leo will continue to avoid each other until you come out to him.”

nico sighed. “okay, but...how?”

reyna grinned, picking up a brush from nico’s vanity. “allow me to help.”

an hour later nico was wearing a mesh t-shirt and black leather jeans with combat boots that were decorated in pink flower embroidery, plus a bubblegum aviator jacket gifted to him by his mother. his hair was let down today, ending at his shoulders and wavy like ocean seas, with clips holding up his long bangs. he had his eyelashes curled and eyelids brushed with eyeshadow, and he looked himself up and down in the mirror along with reyna.

finally his best friend gave him a thumbs up. now the challenge was knowing what to say.

“knock him dead!” reyna called out. “well, don’t actually. but you’ll do great.”

“thanks!” nico called out. he was about to head to the athena cabin until he bumped into someone who ran straight at him.

“oh shit!” the person yelped, and nico’s thought processes immediately malfunctioned. “sorry, my bad— nico?”

the plan was supposed to be talk to leo, ask him out somewhere, then confess to him and wait for judgement. but that plan was basically burned to ashes when nico found himself struggling to form words as he stared at leo. his dark yet clear and stabbing eyes looking up at him, his skin decorated in small freckles under the eyes and beauty marks dotting his face delicately. his wild dark hair was like smoke, and small owl earrings hung from the lobes of his ears. he was wearing a pale blue shirt under his chb tee, blue shorts and high socks, making him look like an absolute nerd especially with a small pencil tucked above his ear and gods, nico could feel himself reaching elysium.

nico registered that he was holding leo to keep the shorter from falling, hands on his tiny waist that made his mind even more jumbled until leo’s loud and rapid voice started speaking.

“oh, nico, thank gods i found you! i wanted to say sorry, i’ve honestly been avoiding you because i thought you were mad at me and you most likely are, and you have the right to because i sent you into the water and i probably ruined your makeup — though you guys probably have waterproof makeup so i don’t know — and i didn’t even help you out which was really stupid of me because i’m supposed to be a nice person and frankly you were dripping wet, wow that sounds really wrong i’m sorry i should probably stop rambling—”

the boy took in a deep breath, but nico was squealing internally about how cute leo was when he rambled. he willed himself not to pinch his cheeks and kiss him on his forehead. “i’m sorry.”

“what?” nico honestly was lost halfway through his rant. “it’s fine, it was my fault. i should be the one apologizing. i yelled at you.”

“yeah but i deserved it,” leo mumbled, looking down at the ground.

“no, you didn’t,” nico retorted, going into defense mode. “i’m sorry, really. you want me to make it up to you?”

leo tilted his head like the goddamn cutie he was. “you don’t have to but... how?”

“let’s head to the bookstore,” nico answered. “you pick out a book and i buy it for you.”

“what?” leo exclaimed, backing up until nico’s hands weren’t on his waist anymore (which totally didn’t make him feel sad). “dude, you seriously don’t have to do that, i mean there’s a library—”

“yeah, but the library doesn’t let you keep the books. i know you like reading them over and over again.” nico held up a bag of drachmas from his pocket. “i have money. you can buy the entire store if you desire. but i’m not letting you get out of this empty handed.”

leo looked ready to go off on an entire explanation of why he wasn’t going to follow nico’s idea, and despite him being one of the best debaters the camp has ever seen, nico was determined to hold his ground because that’s what leo deserved.

leo sighed, noticing that nico wouldn’t budge. “okay, fine!” he groaned. “can i at least pay you back?”

“nope.”

“ugh!”

leo’s worries about this arrangement were quickly diminished though, when leo had seen the fuckton of books that had been added to the bookstore since he had last came there. he was gawking over some of them, even held on to three and continuously checked their summaries to make sure they were good. nico leaned against a bookshelf, non-fiction, staring at leo as he ran his finger across the covers and watched his talk to himself silently, even picking some novels up to read with focused eyes. the son of aphrodite hated how whipped he was, but the son of athena was so pretty that he couldn’t help it.

leo placed one of the books back on the table, though hesitantly. “are you sure you can pay for these?”

nico nodded. “i’m stocked up on money right now. buy whatever you want.”

“i’ll just buy one,” which seemed easier said than done to leo, because he was having an internal debate between two thick novels. he turned to nico and showcased them. “pick, i can’t choose.”

nico scanned the books. one was named the outsider by stephen king, the other children of blood and bone by tomi adeyemi. nico had no idea what their summaries were or if they were actually interesting, but he was pretty sure he could pay for both.

“i can buy both of them,” he said. leo was about to protest but nico snatched both of the books out of his hands. “this all you want?”

“i mean, yeah, but—”

“no buts!” nico interrupted. “you deserve this and you don’t get to think otherwise. you want these or not?”

leo nodded. nico smirked. “good. i’ll be back.”

a minute later nico was handing a paper bag of the two books to leo, who almost didn’t grab it if it wasn’t thanks to nico’s prodding. a smile made its way onto the son of athena’s face, fond and filling nico’s empty stomach with butterflies. he looked absolutely gorgeous.

“thanks, neeks,” he said, before gasping and covering his mouth.

nico felt his cheeks heat up. “neeks?”

“sorry, it just came out!” he clutched the books to his chest as if they were a stuffed toy. “you’re really nice, nico.”

nico felt himself step closer towards leo. “it’s no problem.” but it was a problem, because nico was already in leo’s personal space and trying to think other thoughts than kissing him. “you needed this.”

leo laughed, wheezing slightly and light-hearted. “i guess.” he looked up at nico and the son of aphrodite thought he saw him leaning up towards him until—

leo’s face contorted into absolute horror, his eyes widening as they looked at nico’s shoulder. he screamed in terror, jumping and backing up quickly until he hit his head on a nearby ladder that just-so-happened to be placed next to him. nico could barely register leo holding his head in pain before his eyes rolled up into his head and he promptly fell onto the floor, unconscious.

oh shit.

nico looked down at his shoulder to find a daddy longleg hanging on to it. he yelped and flicked it off to gods’ know where, when the reality of the situation hit him. of course a spider would show up. as if the children of athena couldn’t get enough. as if nico didn’t have enough disastrous experiences caused by him already.

nico had brought leo into the infirmary and asked for the apollo kids to give the books to leo on his way out, before rushing to the aphrodite cabin and saw reyna back there, with a sunflower yellow dress, on her demigod phone when nico opened the door with a slam.

“how’d it go?”

nico thought about the day for a single second before walking towards the bed and falling down face first on it, taking in a breath, and muffled his yelling.

son of love? more like son of dumbass.

—

when leo got out of the infirmary, books in hand, he had willed himself not to drown himself in the camp’s lake.

who decided it was a great idea to make children of athena have arachnophobia? because leo had actually tried to kiss nico, one of the boldest decisions in his life, he may add, only to get severely mortified at a fucking tiny saddy longleg climbing over nico’s shoulder, getting a concussion, and passing out. and he actually tried to look cleaned up, with his best shirt and a small pencil to add. was karma doing this? making himself a humiliation in front of the prettiest boy on earth?

he wanted to march up to athena and demand her he take him up to olympus and away from his feelings.

piper had helped him with the incident from two weeks ago, after helping him a week prior when he had felt horrible about nico falling in the lake. now she was telling him, as she was eating from a bag of chips, that he should just confess and get it over with.

“yeah, like that worked,” he grumbled sarcastically.

the daughter of hermes threw up her hands in exasperation. “leo, you have to be shitting me! at this point, you both are oblivious fucks. right now, you march right over to nico’s cabin, tell him your feelings, and hope it goes well. hell, i’m sure he likes you too!”

leo sputtered. “where?”

piper groaned, lolling her head back as if she was begging her heavenly father to take her back to heaven. “nevermind. just tell him you like him.”

and here leo was, in front of the aphrodite cabin, pink and glossy and full of the prettiest people in camp half-blood. leo used to think the kids in there were airheads and lovebugs until he saw them in battle, especially nico, one of the only aphrodite campers with charmspeak. leo wished he had charmspeak so he could beat some sense into himself to go through that deadbeat door.

he let out a breath, clearing out his mind. well, here he goes.

he raised his hand to knock on the door when it opened to... speak of the devil.

“leo?” nico called out, closing the door behind him. he was wearing the same attire he had on two weeks ago, all dolled up and making leo’s face go from normal to seething warm. “i, um, i’m sorry—”

“you’ve got to be kidding me.”

nico blinked before narrowing his eyes. “excuse me?”

but leo was angry, because his emotions have gotten the best of him for far too long and nico was right there, and leo felt all his common sense get thrown out the window and get replaced by anger at the gods for all these bad happenings and shit. he was angry at himself for holding back so long, and angry at nico for not starting something earlier and pretending they could always go back to how they used to be because, frankly, leo was done. he was finished.

“i’m just gonna come out and say it. i like you, di angelo. i like your gorgeous face and your dumb laugh and i like how you try to apologize for things i neither you can control. i literally just figured i had a crush on you like three weeks ago and honestly i’m just done because i’m a son of athena so love isn’t my strong suit which really isn’t that surprising but you get the point. you make me smile a lot and i like it when you hug me and i don’t even know how to interact with you anymore because you make my brain genuinely malfunction and i hate you for it, i hate you but like i like you too and i really want to kiss you—”

he was cut off by nico suddenly surging forward, locking their lips together.

leo made a surprised muffled noise, eyes widening before eventually closing them in bliss, wrapping his arms around nico’s neck and letting the taller hold him by the waist, firm hands grasping him. he felt himself melting in nico’s arms, kissing back and unconsciously bringing his hands up to caress nico’s soft hair.

nico brought up a hand to hold leo’s head, rubbing circles on his back. leo barely remembered that he needed to breathe, and hesitantly leaned away, looking up at nico, who looked as blissed out as he felt. his cheeks were scarlet, his eyes full of hearts.

“wow,” leo muttered. “did you—?”

“mhm,” nico hummed.

“and was i—?”

“mhm.” a fond smile crossed nico’s face. leo felt himself fall in love all over again. “do you want to come inside? just to talk! and maybe kiss?”

leo smiled, glad they were finally being blunt with one another. “i’d love to.”

#this took so long hurgh #also i’m sorry for not seeing your ask earlier!!#and thank you!! you’re super sweet!! :) 💕#pjo #leo valdez #nico di angelo #valdangelo #i’m sorry if they seem ooc i wanted to meld their personalities to make them seem like actual children of aphro and athena #also i literally can only write awkward valdangelo #i hope you like this cus rip me #also the ending sucks but.. oh well..

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oosteven-universe · 5 years ago

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Valhalla Awaits #1

Valhalla Awaits #1 Evoluzione Publishing 2020 Created by Phil Buckenham Written by Joshua Metzger & Phil Buckenham Illustrated by Phil Buckenham Coloured by Agnese Pozza Lettered by Justin Birch Valhalla Awaits is a comic series that draws heavily from the Poetic Edda and Viking and Norse mythological themes. The story follows characters Hildr and Erik and their journey through the Viking afterlife, where they encounter Norse gods, and legendary creatures. I love a good Viking story, the Norse, the Egyptian and the Greek Gods are those that have for me the most interesting and intriguing characters. So while you can assume from the title that death will be a main feature here. I have to say I am utterly and sincerely impressed with this book and what I am seeing here. This is why I love small press companies, it's why I implore you to give them a try because of stories like this. Evoluzione is home to some incredible storytelling and you really need to check them out and soon. I found the opening to be dramatic, impactful and full this impending doom and yet that rush for a small hope lingered. It really catches the readers' attention and keeps you engaged and even going off-script as you think of what may or may not know or heck even look up something to familiarise yourself more. This is such a rich and largely untapped realm so seeing this take on it is for me thrilling to see. The story & plot development that we see through how the sequence of events unfold and how the reader learns information is laid down spectacularly. Just the flow of the story and how things progress in such a way that you never lose your focus on what is happening. The character development is fantastic! I really enjoy seeing how the characters are introduced and how Hildr grows up and expands her viewpoint beyond what Erik drilled into her. She has some great lines and they are rather quite true to this day. The pacing is superb and as it takes through the pages revealing the twists and turns along the way keeps us fascinated. The way everything works together to create the books ebb & flow is brilliantly done. The interiors here are bloody marvellous! The linework is exquisite and how we see the varying weights being utilised to showcase the level and quality in the attention to detail will bring a smile to anyone's face. Speaking of the faces and facial expressions that we see are superb and along with the body language further the characterisation. The way that backgrounds are utilised here work within the composition of the panels to beautifully demonstrate depth perception, scale and bring this sense of size and scope to the book. The utilisation of the page layouts and how we see the angles and perspective in the panels show such a strong, talented eye for storytelling. The colour work is really well rendered. I am a huge fan of how light sources are utilised as well as how the various hues and tones within the colours create the shading, highlights and shadow work that we see. This was a treat people. The characters are sensational and how we see the story develop is really good and has this natural feel to the flow. The catalyst we see is completely understandable and thus makes Hildr one of those we can identify and relate to. Overall this really is why I love reading stories that seem to come out of nowhere and honestly this continues to be why I think Evoluzione is a company that needs to be on your radar. They have consistently good strong quality storytelling in their books.

#comic books #comics reviews #evoluzione publishing #joshua metzger #phil buckenham #agnese pozza #justin birch

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toujoursmiraculous · 6 years ago

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Over-Analyzing Catalyst (Heroe’s Day Part 1)

First of all, let me just say.... AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH OMG Okay, I’m good to go. Given this is an analysis, this is a pretty long post!

Heroe’s Day (the actual day) starts with Marinette and Adrien just getting home from fighting a supervillain all night, given they’re going to bed when the alarm to start the day goes off. Wearing our heroes out before the day even begins, I see. Nice Hawkmoth.

And Marinette forgets she didn’t plan a good deed like she was supposed to, to reveal in class.

Listen to Tikki, Marinette!

She asks if saving Paris all night isn’t enough. Marinette is Ladybug, she’s done countless good deeds not even akuma-related she could’ve told her class she did, but alas, she bites off more than she can chew. So very Marinette, trying to stretch herself out too much.

“Don’t forget you also have to make an appearance at the Gala of the Heroes for the Agreste Foundation tonight.” Looks like that’s something to expect in Part 2. c:

Gabriel starts revealing his master plan to us a little bit. He’s been manipulating Lila for months now, spying on her too. So freaking creepy dude. Investing money into a movie even, just to build up that hatred for Ladybug just so he can use her mirage power to start his chaotic plan...

Lila’s back with all of her lies. She’s apparently tricked her mother into believing school’s been canceled all these months, and is lying to her classmates about why she hasn’t been there.

All of this just so she can keep up her image.

That’s... some pretty messed up dedication. Imagine what she could do if she used it for good.

Of course, Marinette’s not buying this one bit and her reactions are so comical and relatable. And Thankfully Adrien isn’t buying what Lila’s selling, either.

I just want to know how she was able to keep her mother from finding out, and why her mother takes her word for it? To me it seems like Lila’s a pathological liar and needs some help. Everything that comes out of her mouth is a lie.

THE OWL, HOO-HOO! YAS I love him. x33 Gotta include yourself onto that poster of all of Paris’s heroes, Mr. Damocles!

Nino telling the class that he never helped people before, but Ladybug and Chat Noir showed them what it meant to be cool (and helping others) was already wonderful, but Marinette and Adrien’s response to that, and how they influenced him so much was beautiful.

And here’s where Marinette makes such a huge mistake and promises the class way, way too much (with some probing from Chloe). I don’t particularly like that Marinette feels guilty she doesn’t have anything to tell the class, because she’s Ladybug! She does more than these kids will probably ever know! Like her mom says, having the courage and admitting her mistake is the heroic thing to do. But she seems to let that go in one ear and out the other, and takes on the challenge of making everything all by herself!

Cue Hawkmoth’s sequence but with a twist. Nathalie’s in the room with a very villainous grin on her face.

While Marinette’s busy baking, Volpina returns and creates an illusion of an akumatized Ladybug to fight and kill an illusion Chat Noir.

It’s not real, just an illusion.

But this is what it’d be like if Ladybug was akumatized and used Cataclysm on Chat Noir.

All of Paris watched Ladybug kill Chat Noir on live stream.

It’s honestly horrifying, real or not. He turned to DUST. Little KIDS watched it happen in front of them! Thank goodness Marinette and Adrien didn’t watch this because that would probably mess them up a bit. Or a lot.

Not sure if Volpina’s akuma purified itself or just gave the illusion of being purified...?

Nathalie’s stepping up to the plate, and she’s ready to be a supervillain to make Hawk Moth even more powerful! Turning him into Scarlet Papillon. I wonder what his name will be in the English dub.

GO MY SWARM OF EVIL RED BUTTERFLIES AND PREY ON THOSE MOURNING THE LOSS OF THEIR BELOVED SUPERHEROES.

After trying and failing to bake all those delicious treats and Tikki in her adorable little chef’s hat, Marinette realizes she has to go to school and tell everyone the bad news. Poor Adrien’s been looking forward to those treats all morning though dang it, and when Marinette starts telling him she doesn’t have the food. He looks super sad and says “You don’t have enough cake for me, is that it?” How do you turn that down, I mean really. Maybe she could take a few things from the bakery and just give them to him? I think the rest of the class can do without.

The two walk into school and hear the news that Ladybug is under Hawk Moth’s influence and Chat Noir has been defeated.

The red akuma swarm is here! Prime Queen, Guitar Villain, Frightningale being revealed right away.

LOL at Marinette and Adrien’s reaction. I wonder how many times we’ll see them together reacting to something Miraculous-related before they realize or suspect.

swarm of akumas incoming

NOPE YOU'RE NOT GONNA GET MY jUst A fRIeND MARINETTE

He just tackles her. No taking her hand and running away. A full-on tackle to the ground, covering her head and everything. I find it super interesting that whenever they’re not Ladybug and Chat Noir, Adrien’s always the one being super protective of Marinette. And just Marinette. He hasn’t been like this with anyone else.

This is also the third time he’s tackled her to the ground now. Just throwing that out there. I also watched this scene like 20 times whoops

Chloe not panicking and knowing to stay calm and go to the place she knows Ladybug will come looking for her. I APPLAUD YOU, CHLOE, FOR BEING RESPONSIBLE. Even if it is in your Chloe way.

These poor children being so awfully frightened at being akumatized is heartbreaking. But Ms. Bustier and Mr. Damocles are wonderful trying to tell them it’ll be okay and they can be heroes too by being brave.

Nino’s “I’M AFRAID!” as he has Alya in hand had me rolling though. Thank goodness he has her, or he’d be The Bubbler right now instead of Carapace.

Marinette and Adrien motioning kids out of the school. Do you guys still not see it yet??

TRANSFORMATION TIME, LET’S GO!

Adrien gets caught up though by Gorizilla, purposefully akumatized just to keep Adrien safe. Even when akumatized, his job is babysitting.

Brilliant plan having Vanisher stalk Ladybug to find Master Fu’s whereabouts. Too bad Ladybug’s just too smart for you, Hawk Moth!

IT’S A SHINY HAWK MOTH! Get your pokeballs ready. Time to shiny hunt!

All Plagg has to do is blow on the street to destroy it. Wow Plagg. Adrien patting Plagg on the head GIVES ME LIFE. It’s too adorable omggg!

Ladybug just found out her illusion akumatized self destroyed Chat Noir’s illusion self. Aww. Now it’s safe to go to Master Fu’s. Tikki telling Marinette to use all the Miraculous xDD But Marinette’s right, not only would she have to find those in school not akumatized, but she’d have to explain to them all and well... no time for that. Alya and Nino making plans for after all the craziness is over is adorable. Ladybug burst in on an almost-kiss though. But again no time for this, the city’s in peril!

The fact everyone’s so shocked that Ladybug is there kind of hurts? Chloe (and Chat?) seem to be the only ones that were sure she was okay. “Rena Rouge, Carapace, I need you!” Alya: *nod* Nino: Wait, you’re Rena Rouge?! You didn’t tell me? Trixx: May I remind you that you’re supposed to keep your identity a secret?

You tell him, Trixx! “My girlfriend is so classy” as he admires her transformation. This is how Adrien will react when he sees Marinette transform into Ladybug for the first time. Only probably more admiring and more fanboying. LOOKING FORWARD Nino being upset that Alya isn’t even surprised she knows, but he gave himself away so easily so can you really be upset, Nino? Rena comforting Nino is something I didn’t know I needed. Now Nino better watch himself or Chat Noir will figure it out his identity, too! Stop saying dude, dude, and you should be fine. But seriously though, Wayzz and Nino bonding like this already, greeting each other with “Yo!” and that handshake is so beautiful I need mooooore. That sort of thing doesn’t just happen unless they greatly care about each other. sniffs I’M OKAY Nino’s music is the coolest transformation music and you can’t convince me otherwise. It’s 100% Nino. Chat Noir and Chloe’s scene is so funny when you remember this is Adrien teasing Chloe with the Miraculous. “You know what, this sidekick is going to find another Queen Bee so... bye” He’s trying to get her to be nice and I love it. But she is right in her mindset that they need to go fight the akumas. POLLEN IS SO PRECIOUS UGH And Queen still has a lot to learn, but that’s okay. INCOMING HAWK MOTH. Seen in person for the first time ever. And he’s not even his usual self. Also wasn’t expecting Catalyst to be able to contact him like Hawk Moth does his villains? Dang that’s a nice touch.

Nora hearing Hawk Moth address Ladybug and Chat Noir, knowing that they’re obviously both alive and on their side, and convincing Etta and Ella is adorable. “If I were you, I would stop bragging so much Papillon. I’ll sting you where it hurts!” Stays calm during chaos? Check. Makes sure she goes where Ladybug (or Chat) can find her? Check. Strong sense to defeat Hawk Moth? Check. Sassy threats at the villain? Check. If you ask me, Chloe has the makings to become a really awesome hero. She’s a lot of things, but not being able to be a good hero isn’t one of them. Carapace: I'll cover you! Rena Rouge: No no, I'll cover you! Carapace: No, I will! Rena Rouge: No, I will! Queen Bee: facepalm THEY’RE JUST SO CUTE I’M SO HAPPY RIGHT NOW. Queen Bee’s reaction is gold too. Before these three were even announced, I was hoping for some sort of “fighting” between Carapace and Rena Rouge and Queen reacting to it like this. “What’s the plan, m’lady?” AND THERE IS THE END OF PART 1. Nice cliffhanger, not a terrible one so we’re left dying to know, but enough to give us that frustration anyway. I have to say, Hawk Moth’s plan so far seems articulate and thought out quite well (though it’s really awful he’s preying on Lila but no surprise there really). Some people probably are wondering why he didn’t do this earlier, but if he had it had minimal chance at succeeding. He needed something that could make everyone’s emotions in Paris so negative that he could akumatize them all. What better way than to take away their hope on the day they’re celebrating it? Stage the death of one hero at the hand of the other that’s been brought over to Hawk Moth’s side. The concept is honestly extremely dark, but since it wasn’t really them, it made it a lot lighter. Personally, I think it’s brilliant. I can’t wait to see what happens next and how this team will work together, as they don’t seem to be all on the same page right now. We’ll also finally find out who Mayura really is...hopefully! :o

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sepublic · 6 years ago

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Venom’s Symbiote Homeworld...

I’m honestly really intrigued by the idea of Venom’s home- The Symbiote Homeworld, as one might call it. From what little pieces of information we can glance, among my own personal ideas, I’ve decided to post some speculative headcanons on the nature of the Symbiote Homeworld, how the Symbiotes came to be, and what their society may have been like.

I imagine that in this continuity, the Symbiotes weren’t specifically made bio-weapons designed to kill space gods, unlike the comics. And I honestly hope not, because I prefer the take of them being alien monsters whose freakish abilities were a natural result of having to survive in some horrific environment, rather than what was mentioned. And seeing as how this Sony Spiderverse probably won’t include Celestials, seeing as how the MCU has taken them, this might be the case.

Anyhow, so onto my little headcanon on the Symbiote Homeworld. Imagine a very harsh, hostile environment, teeming with vicious predators that you can only imagine of in the nightmares and acid trips, and worse. The ancestors to the Symbiotes were actually pretty low on the food chain, all things considered- They were probably unevolved masses of slime, some kind of amoeba creatures, that invaded a host’s body and fed off of them.

In other words, they were basically gelatinous parasites. But, somewhere along the way, their preferred hosts were beginning to die out. Perhaps the predators of their hosts were getting too strong, or the environment too hostile. The Symbiote ancestors’ livelihood is being threatened, and in order to survive, they evolve over time to help defend their food source by strengthening it, turning the relationship from parasitism, to commensalism, and finally mutualism.

This is all so that their preferred hosts can survive better and defend themselves and reproduce into a self-sustainable food source. Time goes on, and evolution proves that a Symbiote ancestor that can provide its host greater strength, also gets a host that can feed itself more reliably- And thus, a host with more nutrition to provide.

So then comes the next few stages of this evolutionary pathway, as the Symbiotes evolve to become more pronounced in the ways they influence and upgrade their hosts. Along the way, the Symbiotes evolve to be more adaptable, to be able to infect an even wider multitude of organisms- And soon, they evolve to learn from a host’s memory, even control them if they so desire.

This made the Symbiotes particularly dangerous and unruly, so naturally the ecosystem produced a natural predator or two to curb the population. Probably something that could emit a loud, intense noise around 440 Hz frequency. Perhaps an elephant-like creature with a trunk to produce a powerful sound? Regardless, it wasn’t enough. The Symbiotes were too adaptable, and soon they grew to be the top predator in the entire planet’s food chain, like humans.

And also like us humans, their appetite was too voracious, and they began to devour everything else until the planet was mostly barren. There was still some life to feed off of, the occasional trace that Symbiotes would then pounce on and devour. The weaker Symbiotes would only get the table scraps, if anything- And Venom was one of them.

Venom described himself as a loser. Chances were, he was a runt-of-the-litter symbiote- one too weak, too slow, and overall not ruthless enough to eat. Always the last in line for the meal, chewing on the Symbiotes’ leftovers, trying to push past his eating brethren but never getting a bite of the meal. Venom was definitely looked down upon for being small and weak, and a comparatively gentle soul among the Symbiotes.

And, with dwindling food, it makes sense that as losers and outcasts emerge, so do champions and leaders. Riot is what one would call an Alpha of the pack, the kind of male Lion that takes control of the pride and proves himself by providing meat to the table. One way or another, the Symbiote species comes to the unanimous conclusion that if they want to keep themselves full, they need to find new planets- And drain those dry.

Riot is described by Venom as a team leader, and it shows. Already well-regarded, and well-feared, by his fellow Symbiotes, Riot sees this as a chance to build an even bigger pack, an opportunity to prove himself as the strongest Symbiote of all. And to do so, he needs to win the others’ loyalty, and most importantly, their stomachs.

Riot in this scenario would be like a male lion who leads a few of his own to find food in a dying desert, in the hopes of not only feeding himself, but also making himself the new leader that everyone follows in the process. He who feeds, calls most of the shots.

So while the entire Symbiote species is competing with one another to find other planets full of food, and maybe gain some glory along the way, Riot announces his own campaign and asks who will come to help him. The Yellow and Blue symbiotes were likely fellow respected pack-mates and trusted lieutenants of sorts, who volunteered.

And Venom... well, Venom was the special case who raised his hand to come along. He was mostly just in it for the food, and maybe the hopes of getting some respect from his fellow Symbiotes. Of course Venom was laughed at for volunteering, but Riot was in a good mood, and he figured his team could use some expendable cannon fodder. Venom was like that guy who was kept on the team, only to be shot in the leg so the others could get away while HE got eaten.

Venom knew this, but it was... fine, mostly. He was used to it, anyway.

Riot leads his strike-team of Symbiote colonists onto an asteroid, and they get caught by our human astronauts, led by John Jameson. Riot is particularly powerful and manages to latch onto a human, enough to understand the mechanics of their ship, and other data on human life, before letting said human go and letting himself be captured.

If Riot’s mercy seemed suspicious, the astronauts had no choice. I mean, he was alien life- They just HAD to take him with them! And so they did, and as they reentered Earth’s atmosphere, Riot used his special weapon-manifesting abilities to break free and sabotage the space craft. And as it careened into oblivion, he latched onto John Jameson with a plan to escape and scout out this new, abundant planet of food and resources.

The fact that the other three Symbiotes were captured didn’t matter too much to Riot, as he always thought highly of himself anyway. To him, everyone else was usually dumb and needed a leader to guide him, and who better than Riot? Riot would scout out Earth. He’d deem it as exactly what the Symbiotes needed, and then make his way back to the Homeworld to invite everyone to a huge feast, gaining lots of support, favor, and loyalty among his kind.

As for the others... Perhaps it was fate that Riot didn’t succeed in launching his desired Symbiote invasion. It does seem like fate, after all, that the only Symbiote who could sympathize with the humans, Venom, was the one to be paired with Maria- Maria, who had memories of the kindness of Eddie, who would later infiltrate the Life Foundation. Eddie, who Venom likely deduced from her memories, was a former top dog who had fallen, but instead of being bitter about it, just tried to survive, and even sympathized with and made friends with the other losers. This was likely a very profound and moving realization to Venom, and likely part of the reason why he didn’t just devour Eddie and move on to the next host, like Riot.

Because he saw from Maria’s experience, that Eddie was like him. He saw that this planet had plenty of people like him, and that compared to his ‘home’, the losers of society had a chance of sticking with one another and surviving. And that was the catalyst to Riot’s downfall.

#venom #venom movie #venom symbiote #riot symbiote #symbiotes #home #speculation #headcanon #2018

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xarciel · 7 years ago

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The Path from Cisdudeformers to Transladyformers: Why Challenging the Status Quo Matters

So, I had the chance to attend a John Barber Q&A panel last month at TFCon Toronto, and ask a question that had been on my mind for a while: were the introduction of Cybertronian colonies and female characters in the works before Windblade, or was she the catalyst?

Now, a bit of context for those who weren’t around for the whole story. A few years ago Hasbro put up a poll on their website for a fan-created Transformer. This character would get to headline in their own comic, and get a toy made of them. The poll asked voters to select from a variety of options: their faction alignment, their alt mode, their weapon of choice - but one notable thing was missing from the poll;

Gender.

Transformers has always been male character dominated, and in this case it was a foregone conclusion that the new character would be male. However, noticing the absence, fans petitioned for the inclusion of the gender option. Hasbro did so, and the results of the poll showed an overwhelming vote for a female transformer.

She became Windblade - an Autobot who fights with a sword and transforms into a jet. The first, or second [depending on your opinion of Arcee] female Cybertronian character to be introduced into the IDW comics.

But this lead to a problem - Simon Furman, in his establishment of the IDW comic verse, had explicitly written out the potential for female Cybertronian characters. They didn’t exist, because Cybertronians are genderless - with the exception of Arcee - who was given transgender surgery against their will (does this raise confusion about how you can transgender a genderless being, and then apparently have all the other characters react to them differently because of said surgery they shouldn’t be able to recognise the significance of? Yes. Am I going to focus on the mess that is Spotlight: Arcee? No, not today) and by genderless we mean all act and communicate with each other in traditionally masculine ways, use male pronouns and have body types based on male body types - to the point of including facial hair in their designs.

So then where did Windblade come from, if not Cybertron? The comics introduced the idea of colonies - war refugees who fled the war ravaged Cybertron and formed homes elsewhere, with their own unique cultures. Windblade herself is not Cybertronian, but Camien - from the colony of Caminus.

Windblade headlined a four-part miniseries, in which IDW organised an all-female creative team to take the helm, and is still a major player in the ongoing comic universe. Other female characters have been introduced, including a fan-built combiner of six ladies (Hasbro put the gender option in by default this time), a slew of lady characters of varying import, and most recently, two transladies.

Now back to the question for John Barber: were the introduction of Cybertronian colonies and female characters in the works before Windblade?

(The short answer: no).

John Barber gave a sigh and admitted that in hindsight, they should have done in sooner. He expressed a wish that they had brought female characters in during The Death of Optimus Prime, when the signal called all Cybertronians to come home - how there was no reason they couldn’t have slipped it in as a non issue straight from the beginning of his run as editor. He spoke about the creative team’s push to keep putting female characters into the comics, rather than leaving it at Windblade alone - and the team wide drive to not only include female characters, but make them significant, important characters.

He outlined the thought process behind the creation of the colonies and the decision to make them all mixed genders - beginning with their ‘how not to’ guide. He referenced the Legion of Super-Heroes - a spin-off of Superboy from back in the 1950s. Because of the time period, all the heroes and other characters were white, and in an issue in the 1970s, to explain this, the writers claimed that in this universe all of the non-white people lived on another planet that the cast never spoke about or visited. Yikes. He spoke of the Othering effect this has, and how they wanted to avoid making Camien an all-female colony for the same reason. In the end, all the colonies are mixed genders, and the characters in-universe remark on the oddity of Cybertron having such a high male-identifying collective.

He spoke at length, and while most of his answer I can only paraphrase, but there was one line that stuck with me:

‘We didn’t know how important this was, until we saw people’s reaction to it.’

And that, honestly, that’s the kind of thing I wanna nail up on the wall and draw people’s attention to. We hear a lot of backlash to the idea of equal opportunity schemes in the workplace and in media. ‘What difference do you expect to make if you’re forcing people into diversity’ - but here’s the thing, it’s not about ‘forcing diversity’, it’s about creating motivation to displace the status quo. I’m not implying people do nothing out of malice, but that’s the way the status quo is - it’s easy to maintain. Most changes aren’t made until an external factor force them. In this case, no one at IDW felt putting female characters into the comics was a priority, until it was in their faces with a deadline and contractual obligations.

But change they did. The IDW creative team has given an excellent example of what can happen when this kind of blind spot is brought up, and while they could have gone the defensive route - giving Windblade a miniseries because they had to, before shoving her back into oblivion, they embraced it. The comics have run wild with the colony worlds to explore, with the sociopolitical commentary about xenophobia and immigration at their fingertips, and the ability to create waves of new characters simply because ‘here’s another colony we didn’t mention yet’.

The IDW Transformers creative task have done good on this one - they get it. And it was good to see such honesty on display in Barber’s explanations too - dude has obviously done his homework. Serious props to everyone involved.

But the takeaway from all of this is that change starts small. A petition to amend one question on an online poll has built a whole new world of characters and colonies for the IDW comics to explore, and it’s changed the way the IDW creators view the property as well. If that hadn’t have happened, who knows where the comics would be right now - one small change can have huge consequences, but first you have to challenge the status quo.

#transformers #idw transformers #windblade #long post #I've been meaning to post this since july but life is busy #but at least now I can add stuff about lug and anode #tfrants

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simpmaru-nara · 7 years ago

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Re: Thor Ragnarok

Okay so I’ve got a lot to say about this movie so I recommend you settle in for the long haul. Also there’s gonna be spoilers obv since I’ll have to reference the movie to make some of my points. I’ll try to stay away from any big ones, but go into this knowing that it will spoil some points.

To get started I’d like to say that if you are going to see the movie for pure entertainment value then the movie’s pretty alright; gorgeous graphics, some good jokes, fun costumes, etc. But even in that aspect much of the action was lackluster simply because it was often diminished to make room for dialogue or to cut to uninteresting parts of a fight. For instance in the final big fight there are three different points of interest and we spend too much time seeing the least fun parts of all those fights. And the gladiator scenes, which were extremely played up in the trailers, only last for about ten minutes and end by leaving the viewers both confused and disappointed.

In fact “confused and disappointed” was the mood for the entire movie

Despite excessive exposition the story somehow manages to be extremely vague with lots of unanswered questions. The first ten minutes of the movie is just Thor explaining how he ended up in the position we find him in and explaining the plot-important villain he faces. It tells instead of shows and is interrupted several times to make way for uncharacteristic jokes. It’s boring as hell and still doesn’t answer most questions one could have about what’s been happening to Thor since last we saw him. Then it transitions in probably the most disappointing way possible to answer a question that people have been burning with since the cliffhanger in the last Thor movie; what happened to Asgard and Loki? Thor arrives in Asgard to find Loki; who apparently has been met with zero suspicion in the face of extremely odd behavior and the creation of a god damn gold statue. Despite being questioned at every turn by the Warriors Three and Sif (who was suspiciously absent in this movie but I’ll get to that later) in the first movie, apparently in this movie everyone is content to praise the saint Loki who died for their sins. The entire situation is treated with a lot of nonchalance even after Loki is unmasked. Even more casual is the mention of the time that has passed with Loki in charge and absolutely nothing is said about what he’s done as king. Several movies building up Loki’s desire to rule, believing himself more worthy than his hot-headed brother, only for it to end up being something he does nothing note-worthy with. We were led to expect more. Oh and also apparently Thor and Jane broke up? Why? Oh right because we needed room for his new love interest. Of course this type of empty story telling carries on throughout the entire movie. It’s never truly explained how the last Valkyrie survived or how Bruce ended up in space.

Actually I’d like to talk about that last one a little more. The writers behind this movie used huge cop-outs in a few key points. One of the biggest was Hulk explaining what happened to him after the events of Age of Ultron. They used the dumb child-like personality they built for him as a way of dodging responsibility for explaining how the hell Hulk even ended up where he was. The quinjet, as far as we know, is not a space-faring vessel. It’s a god damn plane and yet we’re meant to believe that somehow the Hulk managed to fly that thing into space and make it far away from Earth and crash land on Sakaar before anywhere else. It’s ridiculous yet it’s the only explanation we’re offered from an illiterate Hulk. More than that we aren’t given any reason for why Thor is in the Hulk’s quarters. It’s made fairly clear that Hulk’s feelings towards Thor are mixed and the Grand Master wanted Thor dead in order to keep his Champion but for some reason both keep Thor alive and even choose to let him stay with Hulk? And no one questions it; not even Thor.

Thor, and the entire cast for that matter, is wildly out of character the entirety of the movie. Everyone is ripped to shreds in favor of humor. It’s like the writers went, “Hmmm, how do we make Bruce Banner funny? Oh!! I know! Just make him really weird for no apparent reason and also give him mood swings because we’re just going to forget that he had complete control prior to this movie and instead he’s going to be neurotic.” And they did that to everyone. Thor had a sense of humor in the earlier movies; typically more subtle and friendly, but here he’s openly sarcastic bordering on cynical. His jokes come across more Stark-ish (if Tony suddenly genuinely stopped caring) than they do Thor’s brand of humor. And Loki. God Loki... he’s reduced to a running joke about betrayal and being untrustworthy. “Silver tongued” Loki appears to have lost any amount of wit or actual mischief and is instead predictable and weirdly subdued. And all of this humor is ill-timed.

The writers absolutely refuse to give a single moment in the movie any depth. Any time that the plot manages to touch on something meaningful there’s humor thrown in as a buffer that only succeeds in forcefully detaching you from the plights of the characters. Thor’s in a cage and being threatened by the literal catalyst of Ragnarok? Better toss in a couple of jokes so it doesn’t seem too intense. Thor and Loki actually have a chance to talk about their problems and/or work as a team to establish a dynamic? Better make a joke about how easily Loki will throw Thor under the bus. Odin just died and Mjolnir was destroyed? Quick lets move onto the next thing before things get too heavy. The movie completely fails in making you care about anyone in the main cast. In fact, the person I was most invested in for the entire movie was Heimdal. The man has a total of maybe 10 minutes of screen time, but damn if he wasn’t the most interesting thing going on in the story. That’s at least half way because they didn’t try to force any awkward humor with him and they didn’t kill him. Which they killed a lot of characters in this movie and never give it the proper time or even weight to be grieved over.

Among the characters who were killed were the Warriors Three. A fact which is never acknowledged even as it happens. We at least get told (through Exposition Golem Alien because the audience can’t be trusted to deduce anything obviously) that Mjolnir being destroyed is a heavy weight on Thor and we see briefly the level of grief Thor feels for the loss of Odin, but the Warriors Three were Thor’s best friends. He grew up around them, adventured with them, they play a significant part in the first Thor movie, yet even before they die they’re widely forgotten about both by the plot and by Thor. Interestingly enough, however, is that Sif does not appear in this movie.

Sif remains completely AWOL for the entire movie, and honestly I’m pretty sure the reason is because the writers were reluctant to kill her off since she’s the Hot Warrior Babe. Because obviously they showed no hesitation in getting rid of the warriors as a casualty of the opposition to Hela and if Sif had been present she would have been right beside them and equally dead. Couldn’t do that so instead she’s just mysteriously not there. And I make this accusation with more than just Sif in mind. The movie also doesn’t want you to think that Hela isn’t attractive. In every scene we see her in she starts with her hair down in a sexy cat suit until she’s ready to fight at which point her wild black hair turns into her war helmet. There’s no real reason for the transition other than the fact that if she was always sporting the war helmet then she would come across as less attractive.

Besides the casual “must remain sexy” attitude towards Hela there was also a huge lack of continuity in the story, which kind of ties in with the lack questions answered, but still stands as it’s own problem. In the first Thor movie Odin takes Thor’s powers and casts an enchantment on Mjolnir. “Whosoever holds this hammer, should he be worth, shall possess the power of Thor.” Obviously Thor is the one to eventually pick up the hammer again and regain his power, but the importance of Mjolnir relative to Thor’s abilities is not diminished at that point. Yet magically in this movie Thor doesn’t need Mjolnir he just has these powers naturally. Even though, you know, Asgardians have never been shown to just naturally have elemental abilities and it was established that Thor doesn’t have much magic prowess the way Loki does. But that’s okay we’ll just ignore that because it’s really cool to see Thor turn into an anime character with glowing white eyes and electric fists (an ability he didn’t have even when he possessed Mjolnir). Also there’s the fact that Asgard’s history is vaguely outlined in the first movie as well and it’s made very clear that Odin is not the one who carved a spot for the golden city. He’s not the first king; his father was king before him. So no, Hela, you didn’t help Odin drown the realms in blood especially not while he was busy trying to end a war with Jotunheim as was explained as what he was doing around the time Thor was born and Loki was adopted. And it’s not just this either; there were plenty of other errors there, even with Doctor Strange.

And the scene with the Doc was odd in it’s own right. Last we saw of Doctor Strange he was giving up the infinity stone and taking over the New York sanctum as a talented, but still young sorcerer. When we see him in this movie he throws around magic like candy; appearing to be extremely proficient and wearing a familiar comic-book-esque outfit. Which raises the question, where is he relative to the power he (if we’re to go off the comics) is meant to possess? Is he the supreme now? What has he been doing since the end of his movie? The timeline is wonky at best and leaves you grasping blindly to try and put it together. It’s only made worse by the first after-credits scene which seems to be leaning into Infinity Wars territory.

Honestly I could talk about everything this movie could have done better for hours. I could pick apart the entire movie start to finish for all the things that were just wrong. But this is already an essay sized post so I’m gonna wrap it up. I care about this franchise. I care about the MCU. And that’s why it makes me so upset, as a fellow writer, to see how god damn lazy every part of Thor: Ragnarok was. The writer’s consistently and shamelessly cop-out of any meaningful story telling. “Show not tell” is a concept burned, drowned, and buried. They tear apart these beloved characters so thoroughly that they are nearly unrecognizable all in the pursuit of getting some good one-liners out there. I don’t have the words to describe my disappointment because Thor isn’t the first recent Marvel movie to do this. Guardians of the Galaxy 2 made some similar mistakes and now I’m feeling like the MCU no longer cares about building a coherent story line with dimensional characters. Instead they just care about making a movie as quotable as possible so that they sell some merch. And that’s a shame; I don’t want to see the MCU die because of a cash grab that sacrifices legitimate investment in the franchise.

#thor ragnarok #thor ragnarok spoilers #marvel #mcu #long post #i wrote a god damn essay yall i'm sorry #if you managed to read the whole thing and wanna yell with me feel free to hmu #alien babble

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faygosmayhem · 7 years ago

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Story Time #2- Final Fantasy & Me:Part 2

The Reason People Should Be Afraid of Clowns:

I was gifted the PlayStation Final Fantasy Anthology at the end of the ‘04/’05 school year to celebrate my moving up in the world. On it was ported versions of Final Fantasy V and Final Fantasy VI, which had originally been released in the US for the Super Nintendo as Final Fantasy III.

I started out playing V a few days later. For some reason, it never grabbed me at all. I got through a good chunk of the game, then hit a troublesome boss and just stopped playing it. I still can’t remember anything about the game no matter how hard I think on it. Probably because it was overshadowed by what came next.

After rage quitting FFV, I moved on to VI and never looked back. Similar to IX, I was automatically captured by the game’s easy charm and emotional resonance. The characters in that game are so multifaceted and I found each of them to be wonderful in their unique way.

The one thing VI has that IX, unfortunately, does not is a fantastic villain. Kefka, the demented little fashion-challenged asshole, easily set the standard for things that make up the perfect villain to me. This guy had absolutely no motivation other than just wanting to watch the world burn, and is a key citation of personality traits you never, ever, want to encounter.

Comical as he was, Kefka scared the ever loving crap out of me, much more than any horror game or movie I’ve experienced since then (with the exception of Silent Hill 2), and I freaking loved it. Of all the memorable aspects of FFVI, that maniacal laugh is always the first thing to come to mind.

Me In The Spotlight, Losing My Religion

( readers with sensitive views on religion might want to avoid this part)

People always look at me like I’ve grown a second head when I tell them that a video game is the reason I became an Atheist. I agree that sounds a little extreme, but back in ‘05/’06 when I finally caught up to the rest of the world and got my hands on Final Fantasy X, it made perfect sense.

For the first time, I wasn’t the one in my circle of three close friends to acquire the game first. That honor went to my friend Mikey (that is not her real name), who had just been gifted the game and a Ps2 of her own. The problem was that she didn’t have a memory card and couldn’t afford one (they were anywhere from 25-40$ dollars at the time), and called me up one day desperately begging to borrow mine after having had to play through the intro of the game all the way to leaving Besaid island for the third time because her mom kept shutting off the system.

Of course I wanted to help her out, but this created a bit of a problem; I couldn’t lend her my memory card indefinitely because it would prevent me from enjoying my own games. The solution was for us to play through the game the first time completely in each others company. By that point we were used to getting through sections of games together, but this was the first (and last) attempt for us to play the entire game under the stipulation that the game could not continue unless both of us were there. So, naturally, I practically moved into her house for the summer.

Things started out fun enough. We ruthlessly made fun of the game for hours on end. We shared laughs and frustrations with the game’s mechanics, had fun recording amusing cut-scenes and lines of dialog (we made a YouTube poop VHS before YouTube was even a thing), and were just generally loving life at that point.

Then we get to fucking operation Mi’ihen.

That section of the game floored us both. We had just finished learning about Constantine and Crusades the year previous in school and had commented earlier about noticing the reference, though I never thought the game would ever try to give such a direct example.

For those in need of a quick refresher, Operation Mi’ihen was the part of the game where the Crusaders and Al’Bhed team up and try to use a new type of machina to defeat Sin. The operation fails, most of the people who take part are slaughtered by Sinspawn, and the Crusaders who survive are excommunicated by the church for going against the teachings, even though two of Yevon’s most prominent figures were on site to ‘Bless the Operation’. Operation Mi’ihen was the point in the game where the religious allegory really got heavy, and just kept getting worse from there.

After that section was over we both needed a break. I finally went home for the first time in about two weeks, and spent the next few days recharging my batteries until I was comfortable picking the game up again. We went back to joking about the game pretty easily, though the tone didn’t exactly improve from there. The next time the game broke me was during the revelation of Yevon and the Final Summoning.

The knowledge that the entire journey up to that point had been a lie, a pointless quest of willing Martyrs that were being deceived themselves hit me the hardest. During that part of the game I adapted traits of characters I hated the most. I was dumbfounded, whiny, frustrated, and unwilling to believe what was going on even though the evidence was being clearly presented. I was Tidus and Wakka combined, and at that point I hated myself for it. I came to really loathe Yevon and its real world basis.

When the game finally ended, I spent a few weeks in quiet contemplation. My friend wasn’t religious, and never had been, and couldn’t understand the extreme negative reaction. I was young, and at the time unable to formulate and articulate enough explanation while my feelings were still so turbulent. I distanced myself from her for a time while I tried to work it out.

All these years later I can finally put words to the metaphor I saw when I witnessed the end of the game. To save her world from Sin, Yuna sacrifices her fayth (the Aeons) and kills the dream (the Zanarkand utopia). The lie of Yevon is disbanded and the world enters an Eternal Calm.

I couldn’t explain it at the time, but I felt it. After coming to terms with everything, I renounced my faith in the church. Playing Final Fantasy X wasn’t the only catalyst, there were plenty of real world instances and influences that had me questioning even before the game, but FFX was definitely the boiling point.

X is the only FF game I’ve never been able to play all the way through more than once. I went back again after my friend let me borrow the game for myself in order to get through all the sidequests, but never progressed past getting inside of Sin. When the re-masters came out, I tried again and couldn’t make it past the Mi’ihen Highroad.

Final Fantasy X was a very good game, but it is still probably my least favorite of the ones I’ve played.

Horrible Feeling Redux- This Time With Fun Costumes!

I honestly don’t know why I bothered with Final Fantasy X-2 this time around. I guess there was a part of me that wanted to see if the fake world was dealing with the loss of Fayth better than I was. My first playthrough of the game took me about six hours, and I was left so angry I almost broke a controller.

Once again, it took a chance encounter and consult of a guide for me to realize I played the game wrong, and that by only following the game’s main story points I had missed about 9/10ths of the content and that was the reason the game felt incomplete and pointless. With frequent trips to the EB Games across the street to re-check the guide I eventually was able to 100% the game and get the actual ending.

I honestly don’t remember much of the plot, too much got drowned out in the endless repetitive mini-games and AP farming. I do remember liking the new characters, and that overall I was pleased with the re-visit to the world and how well the game handled the familiar while still being new enough to not feel like the same thing over again. I also must have watched that fmv of ‘1000 Words’ about a hundred times in that sphere dome (I had a file saved at the location so I could just watch it whenever). The take on the classic job system was interesting, but at the time I was a huge tomboy, and felt pretty offended that the game seemed to be trying to appeal to a female market by making the entire plot revolve around clothes.

All in all, X-2 gave me peace with X. As much as I complain about it, I did end up liking it, though it was a game I could have done without.

Ok readers, I know I promised XII with this part, but re-living the feelings of X took more out of me than I was expecting, so now it shall be lumped in with XIII, XIII-2 and XV. I do hope it’s as much of an experience reading it as it is writing. I’d like to hear some memories other people have with the series, if you have the time to share.

Also, the header for X is a line from the song ‘Losing My Religion’ by REM.

#final fantasy #dafetcha'sdumptruck

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